#man i don't really know what tags to use

[minswaitingroom]

I think one of the ways it's easy to get discouraged with shifting is that we assume we're staying in our Current Reality a lot more than maybe we actually are?

Especially for those who have a detailed script of What They're Like in their desired reality, or who's scripts are heavily focused on a relationship with a significant other or groups of friends.

How has your current reality "changed" around you recently, especially since you started your shifting journey?

Have you started curating your wardrobe to be more similar to your desired reality? Have you started attracting people who are similar to the people you're close to in your desired reality? Have your strengths and weaknesses shifted? The places around you?

We think of shifting to our desired realities as an all or nothing thing, but for most people I think there are a lot of more gradual ways in which we align with the realities we spend the most time focusing on and it can definitely be worth it to be mindful of that.

[egophiliac]

innocently logging in to look at the Twst schedule for May like

[poorly-drawn-mdzs]

Peeped the horrors

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[teddybeartoji]

o wait before i start posting any pics.. i was thinking that maybe.. you guys could help me liquify this gender some more by switching up what you call me.... DON'T GET ME WRONG I LOVE . LOVE LOVE LOVE WHEN YOU USE HE/HIM AND JUST OVERALL LIKE MORE MASC STUFF THAT'S SOOO MMMMMMMMMSO FUCKING GOOD like i don't get to feel that irl at all so it really does make me so happy but i've just been thinking abt TRYING to switch it up more yk? does this even make sense...... . hhhh anyway i might won't even like it and i'll want to just go back to hehim but i wanna try... JUST TO SWITCH IT UP.

[thejadearia]

Speaking of Shimazaki, I learned a lot about myself this week making these terrible memes so I could drop them in the discord chat as I made my friends watch MP100. What I learned was, I have a terrible sense of humor (actually I already knew that, I just didn't realize it was this bad) and that the only thing I enjoy more than watching Shimazaki kick ass, is Shimazaki getting his ass kicked. (I'll have more of these for next week when we get to Serizawa's stuff! Sorry!)

[justarandomhelluvablog]

having thoughts about how Husk actually has very little left to redeem bc he started his journey of self-change before even coming to work at the hotel, but at the same time redemption isn't even his goal- he ain't even aiming for heaven, he just wanted to be a better person and maybe now with friends and especially Angel, who he supports so much and wants to see succeed, maybe now he has a reason to be a better person

[harrowscore]

why are you, as an adult in 2024, still hung up on reylo. why are you still mocking the shippers. why do you believe yourself to be superior only because you dislike a stupid ship from a fucking space fairytale. girl (gnc) get a grip

[sherlock-is-ace]

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[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[radio-and-the-dirt]

dude i don't really care if people ship aroace characters just please acknowledge that they're aro and/or ace. like,, aro and ace people still can and do enter into relationships of various types at times and not every aro or ace person completely lacks attraction anyway and some date even if they do, so like, ship them if thats what you want but please just be respectful.

just acknowledge that the character is aro and/or ace. do some research about what that might mean for them if you need to. treat those characters in a way that respects their identities and doesn't completely brush them aside.

im just tired. we can be in relationships. we can not be in relationships. we are still aros and aces. dont try and erase what little representation we get.

i would like to note that i see things in this way because i have never seen a 'professional' writer (like non-fanfic or not a small online creator) specify where an aro/ace character sits on those spectrums or how they actually view relationships of any type. i've also never seen any 'professional' writer's characters get to explore or express that part of themselves enough in their stories to give much better an understanding than just "not really interested in sex or romance".

if a more specific understanding of a character was provided and it meant that that character wouldn't be involved in romantic and/or sexual relationships or was repulsed by them than yeah, I wouldn't want people shipping them at all but i dont think i've ever seen that so thats not what this is about.

[loverlylight]

Since pretty much everyone who's watched Spies Are Forever (myself included) enjoy seeing Curt and Joey act opposite each other in other works as well, and since the Hatchetfield productions give us a lot of different character combinations for them, I was curious which character combinations people find the most interesting. This isn't intended to necessarily be about shipping, but just what duo you like having interact with each other the most, either from what's been released so far or potential future character interactions.

[elisedonut]

i found an ao3 script that tells you how many times a certain word or phrase was used in a fic without having to open it

and on one hand its very nice not having to look

but on the other scrolling past multiple 50k+ fics with Percy tagged where he's mentioned less then like 30 times is very ridiculous

[eddiemunsonsmum]

Just saw this comment on a story posted a month ago.

*cries in Eddie Munson Solo Series no one wanted to read, interact with or request for*

No shade to the person that commented this on their own fic if you recognize it. It's not their fault. I'm not mad at them. More crying in the tags.

[runawaymun]

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[starboundsingularities]

tbh it's really always bothered me a bit that they never actually get into the consequences of misusing the magatama. sure, sure, they say your soul shatters, and like, yeah that's ominous and all, but what does it mean? obviously we never get to see that in-game but i've been thinking about it a lot and i would like to present these thoughts because oh boy there are a lot of them. long post under cut but it's a fun little au as well

alright so before getting into it all, obviously there are some things we're aiming to explain, in some sense, with this.

for one: what is a soul, even? most depictions of souls portray them as the very essence of one's self, as the "culmination of your being" or as some similar nebulous expression of an entire person. but... well, if a soul was the entirety of a person, what would that soul shattering entail? it would just kill them. which is a valid reading i guess but not very fun to mess around with and is also a reading that comes with some... troubling implications.

most notably, the meter on how close you are to that breaking point while using the magatama is the same meter as your penalties in court. not just in the asset used, which wouldn't be worth bringing up, but in the sense that once the magatama is introduced, that same value that meter is held at is shared between court trials and the magatama. before the introduction of the magatama, that meter refilled automatically between trials, each trial starting with it completely full, but after the introduction of the magatama, it was only ever refilled by successfully breaking psyche-locks. this is concerning, because it implies a direct connection between phoenix's soul and his performance in court, which probably wasn't intended but is very fun to mess around with and i love the idea of your soul being tied to your passions. however i don't love the idea of him Straight Up Dying if he does too poorly in court so. uh, no insta-death for soul shattering. anyways this whole side tangent never comes up again. thumbs up emoji.

anyways, if a soul shattering doesn't entail simply death, and if a soul isn't just someone's essence or personality or whatever, well, what is it? well, one compelling answer is that it's merely a container. it holds someone's essence or being or personality, but it itself is not that.

thus i present:

Soul Shatter AU

a soul is just a container. one that holds everything in. someone's passions, ambitions, personality.

someone's secrets.

if it were to shatter... without a container, everything would come spilling out. whoever was involved would be unable to keep anything contained within themself. sure, their physical self might be enough to hold in some of the more ambiguous, nebulous aspects of their "self", but it would prove rather difficult to hide something with nothing there to keep it hidden inside.

a fitting punishment, really, for abusing the power to reveal what others have kept hidden.

the fun part, of course, is what comes next. who's used the magatama? who's had the chance to fall to such a fate?

off the top of my head i can think of two people. phoenix wright and miles edgeworth. (i think mia used one too? my friend says she did but i haven't gotten to that part yet i'm only on the third game)

and both of them, despite their focus on finding the truth, are very ironically prone to hiding things themselves. their feelings, their troubles, their emotions.

what if we opened them up a little?

[pajama-han]

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