#making-the-best-of-situations

[quotelr]

Life keeps throwing me stones. And I keep finding the diamonds...

Ana Claudia Antunes, A-Z of Happiness: Tips for Living and Breaking Through the Chain that Separates You from Getting That Dream Job

[what-am-i-doing-in-this-fandom]

I am such a big Werewolf Stan advocate I had to jump on this particular train 🙏 (but I didn't really wanna commit to full line art, you guys understand)

Oh, and you guys aren't gonna believe this, but here's part two 🙌

[lgbtlunaverse]

One thing i've run up against when dealing with fandom and characters making less than ideal choices is that people seem to treat a character's decision being sympathetic, the decision being understandable, the decision being reasonable, and it being objectively the best solution for the situation, as synonymous. When those are 4 very different things.

[gabichanwrites]

Just realized that if only Poseidon went straight to Ithaca and asked for Odysseus, Penelope could do the biggest gamble of them all and get one of the suitors in SUCH DEEP SHIT.

Poseidon: "Odysseus of Ithaca! Tell me this instant where is this mortal who dared to hurt my son and try to lie about his name!

Penelope: ...

Suitors: ....

Penelope: *weaving stops*

Penelope: *pointing right at Antonius* There he is! This one is Odysseus, my husband and king of Ithaca! Please don't sink us, almighty god of the sea!

Antonius: What? I'm not Odysseus, I--

Penelope: Of course he would say that! He's a liar!

Poseidon: *has no reason to not believe her, wipes him out effortlessly*

Then Odysseus comes back like "It's me, Penelope! Your husband!"

Penelope: "No, you're not. From now on your name is Agamemnon the Greater and the new lover I marry to make king."

Odysseus: *grumbling* why after Agamemnon though...

AND HOW WOULD POSEIDON EVER KNOW?!

[rapidhighway]

more.

[hajimedics]

I'M NOT YOUR DOLL AND I'LL THINK FOR MYSELF AND I'LL LIVE FOR MYSELF

[knifearo]

being aromantic is like. hey btw you're going to live a life that is the culmination of most of society's worst nightmares. sorry lol ✌️ but then you turn around and take a really good hard look at it and it turns out that living in that nightmare is fucking awesome and you get to wake up every day and take that fear that other people have and laugh and hold it close until it's a great joy for you instead. and being happy is a radical act that you define instead of someone else. and you're sexy as fuck that's just a fact of life i don't make the rules on that one

[ihatebrainstorm]

[laurellala-comics]

Fun fact! This was the real tipping point that made Edgeworth run away after AA1, they just couldn't show it on screen because they didn't have the rights to Chappell Roan's music <3

(A spiritual successor to my "Hot to Go" joke from this post. Image description under the cut below)

[Image ID: a four page black and white comic of characters from ace attorney.

The Judge stands solemnly at his podium holding a gavel "Mr. Miles Edgeworth, you are on trial for the murder of blah blah blah..."

A cheerful Maya Fey leans over to Miles Edgeworth, who is staring straight ahead and looking very concerned

Maya: "Psst! Mr. Edgeworth! If you win your trial, can I show you Chappell Roan?

Miles: "What the hell, sure." Internally he thinks "Oh God I am going to jail"

A box saying "later" in the top corner of the next panel marks the passage of time.

The Judge smiles as he says "I declare you... Not Guilty!"

We see a full body shot of Maya dancing excitedly while Miles looks on, emotionless

Maya: YIPPEE omg you're going to LOVE this

Miles internally thinks "oh no, the consequences of my actions.

We see Miles standing in between Phoenix Wright and Maya looking apprehensive. Maya beams in excitement, while Nick puts a reassuring hand on Miles' shoulder

Miles: Alright, so what is this exactly?

Nick: She's a pop musician Maya really likes

Maya: You promised you'd let me show you, and it's legally binding because you said it in a court room!

Miles: That is not how the law works Ms. Fey

Maya: Shh just listen!

We see a panel of Miles' pensive face concentrating as he listens to "Hot to Go". He thinks to himself "hm".

Another panel zoomed in more. His pensive expression has grown more tense/confused as he listens to "Red Wine Supernova". he again thinks to himself "Hm" in a larger thought bubble.

We zoom out again to see Nick, Miles, and Maya standing together again. Miles stares forward blankly, eyebrows raised. Maya excitedly leans in.

Maya: Ok, that's her whole discography. So! What did you think?

Nick looks at him, waiting for his response

We get a panel of Miles, looking bewildered. He starts to speak "I..."

We cut again to see the three of them standing together.

Miles: I... don't think I like women?

Miles looks shocked and confused. Nick is bent over laughing, using a hand on Miles's shoulder to support himself. Maya looks outraged and appalled!

Maya: MR. EDGEWORTH! Just because you don' like her musi it doesn't give you an excuse to be sexist!

We see a panel of Miles looking stressed and confused. He leans his head on one of his hands, which messes up his hair, showing how he isn't his normal put together self.

Miles: I should rephrase that. What I mean is, Ms. Roan is clearly VERY assured in her feelings towards women. I was... unaware that anyone felt that strongly. I thought we all viewed these things with a vague sense of distaste and unease but collectively ignored it. Like how we do with climate change.

We zoom out again to see the three of them. Miles stands in the middle looking deeply uncomfortable and lost in thought, vibrating with unease. Nick and Maya exchange deeply concerned glances across from him.

With lingering unease, Miles begins to walk away.

Miles: Well, I should be going then. Goodnight.

Nick hesitantly raises a finger to point out an inaccuracy in that statement

Nick: It's four in the afternoon-

he gets interrupted by Miles who repeats firmly: I said Goodnight

Nick looks in the direction Miles walked off in.

Nick: ...He'll be ok, right?

Maya reassures him: Of cours Nick! I mean, what's the worst that can happen?

Jump cut to a closeup of Nick's hand holding Miles' letter which reads Miles Edgeworth chooses death in all caps. Then, below in smaller font, it says Also femininomenon was really good, thanks.

We see a panel of Nick glaring wordlessly at Maya as he holds the letter in his hand. Maya leans against the wall and looks away, whistling, trying to look innocent to avoid blame.

As a bonus, we also have a page that takes place a year later. Miles and Nick stand talking. Miles looks calmer now, and Nick smiles encouragingly.

Miles: In my time in Europe, I've been examining myself and my approach to law. Ultimately, the most important focus must be justice. We owe it to ourselves and to the people we serve

Nick: Wow, that's really inspiring Edgeworth. And, uh, hows the... the other thing going?

We get a zoomed in panel of Miles glaring menacingly at a suddenly nervous Nick

Jumping out again, Miles turns his back to Nick as he continues to talk

Miles: So as I was saying, justice is truly so important...

Nick nervously rubs the back of his neck wearing an awkward expression as he sweats nervously. He thinks to himself internally "Ooookay then, clearly still working through some things there"

/.End ID]

[egophiliac]

like mother, like son, but less wholesome this time?

(I couldn't decide whether or not to put them together, so have them in all the different ways!)

[krittec]

there’s something extremely extremely creepy about taking an actor that you have known since they were 13 years old, only JUST a teenager, and making them kiss a fully grown woman the second that they turned a legal adult.

Steve Blackman already has a ton of shit out against him which came out recently so it unfortunately doesn’t surprise me that he would write something like this but it makes me genuinely concerned for everything behind the scenes.

There has been a HUGE problem in the Umbrella Academy fandom since season ONE when Aidan was a 13-14 year old of people writing insanely disgusting stuff and defending it because his character was mentally an adult but oh my god did they make it worse. You’d think they’d protect actor & character by avoiding any romantic interaction but instead you have him kiss an actress 15 years older than him. The age gap being the age that he was when they filmed season two. Quite honestly I feel that if he could’ve done this seasons previously and gotten away with it then he definitely would’ve done it, given the jokes that are actively made.

Quite honestly may Steve Blackman never work again if this is how he treats his actors because this is awful. I’m not even done with the season but that gave me very little desire to continue and this show has been important to me in ways I can’t explain. Maybe I am blowing this out of proportion but it feels so insanely creepy and horrific to me and I needed to rant.

[finemealprompt]

DP x DC Prompt #27

When Dick's parent's fell, his first thought was, "This can't be happening." His second thought was, "What's going to happen to me and my brother now?"

The answer? His brother was older than him, much older. Old enough that he could stay with the circus. But Dick? Dick couldn't stay with Danny. He was too young.

So Bruce Wayne took him in, offered to take Danny in too. Dick begged his brother to join him, but Danny didn't. He smiled at Dick, ruffled his hair, and told him he'd be waiting at the circus for when Dick returned. Promised to send postcards and letters.

Then he was gone. And Dick never returned to the circus.

[morganbritton132]

I’m thinking about Steve’s mom in the context of this AU I’m (apparently) creating where Steve is the affair baby that broke up his much older half-siblings’ family.

Put yourself in the shoes that his mother would’ve been in. You’re nineteen. You have no education and you’re working your first real job. You start an affair with your boss - who is the father of the friend that got you the job - because you’re young and you think you’re in love, and you don’t think of the consequences.

Suddenly, you’re pregnant and he’s leaving his wife for you, and you still think you’re in love so you follow his lead. You’re nasty to his first wife because he is and you’re insecure because she nothing but nice to you. Her children hate you but Richard says that they’ll get over it so you believe him. They never do.

Then you’re married and you have access to more money than you’ve ever had in your life, and you’re in love. And you’re a mother. He sleeps through your delivery but everything is okay when you hold your little boy.

You know that things have changed now. That you’ll do everything in your power to make sure this little boy makes it in the big scary world. You promise yourself that you’ll do anything for him.

The baby cries, and you cry, and you thought things would be different and that you’d know what to do, but you really don’t. You don’t feel a connection with your baby beyond wanting to protect him, and you hate this. You hate being a mother. You hate this constant failing.

Richard is never home. He still works long hours but you’re no longer at the office with him. He seems completely disinterested in being a father and less interested in you playing mother, and you’re not stupid.

You know he left his wife for a younger, more attractive woman. You know he fell in love with you because you’re passionate, you’re fun, and you haven’t been that in a while.

You stood smug and happy by his side while he tried to take everything in the divorce, and you know his first wife has more money and influence than you. You know she has lawyers and you don’t. You don’t know what happens to you if he wants a newer model. You don’t know what happens to your son but you think he’ll try to take him from you.

Richard doesn’t want to be married to a mother, so you stop being one. You have to for the marriage to survive and it feels like guilt to be relieved by that. You’re not his secretary anymore, but his assistant. You travel with him and you join the right committees. You join the walking club and you shed the last of the baby weight, and he loves more than he ever has.

And you’re happy but you’re not in love.

It was too easy to pass motherhood onto Richard’s daughter, onto the nanny. It was easy to sidestep into the role of ‘friend,’ so you befriend your son.

Not a close friend. Not in any way that would make Richard feel like he wasn’t your world, but you’re there. You know the drama currently happening on the basketball team but not that your baby is failing English. You go on spa dates and make a whole day out of getting your hair cut together, but you don’t discipline him. Richard does that.

Then one day, you come home from the Poconos and your son has bruises on his face and bandages on his fingers, and a haunted vacant look in his eyes. He job was a pile of burning rubble when you drove into town. You asks what happened and if he’s alright, and he’s gives you the same smile you’ve been wearing for years, “Everything’s great, ma.”

[44ari]

Papaya rules turn 1 mate.

[luna-loveboop]

I love how warriors is the one who always asks paramedic-style questions when someone’s hurt

He’s asking questions not just to distract, but to see how bad the wound has impacted mental functioning “maybe we should be worried, because that’s not what I asked”

Calling by name to draw attention, asking easy questions…

Like look at his face in each panel, how closely he’s watching while talking to assess the damage

He’s always the one taking action in first aid (though obviously he can’t do magic stuff like hyrule but outside of that it’s him)

Wars is a captain, he’s trained and has had to take care of wounded, so he knows how to take care of not only the physical but the mental impact of injuries as well, and he always comes through for it.

I just kinda think that’s pretty cool

(Credit to Linkeduniverse au)

[spearxwind]

He forgor 💀