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#making this edit was cathartic really
saltpepperbeard · 3 months
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listening to rhys talk about ofmd's cancellation on that podcast has me like
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tawnysoup · 24 days
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Their POV
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planete777 · 9 months
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BAD INFLUENCE 2・⁠。♪ LN4 [+ OP81]
( lando norris x fem!reader ft. oscar piastri)
READ PART 1!
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IN WHICH. oscar never knew getting high with lando and y/n entailed... this. but he's not complaining.
WARNINGS. 18+, MINORS DNI!, threesome, oral sex (m & f rec.), referenced tit job, face sitting and anal (m rec.), a bit of sub!oscar because it's my roman empire, high hotness pt. 3574144, unprotected in v sex, reverse cowgirl, doggy style, squirting, realisations (they love each other, your honour), they're just nasty omg what have i written 😭
NOTE. PART 2 HAS ARRIVED!!! many of you asked and so i have to deliver amirite?!?!? credit to @mariahcarreyyy for the main smut scene idea!! i hope it's good enough for ya <3 enjoy luvss.
has now been edited.
‧₊˚✩彡 taglist @laciijane @ferrarrigirl @norrizzandpia @mimi-luvzyu @multifandomwhore-003 (use askbox if you'd like to be added!)
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"gonna suck you off so good, osc," lando moans in his ear, breath warm and words dirty, "you like that?"
and as oscar begs him to, he thinks that maybe getting high with lando and y/n isn't so bad afterall.
-.-.-.-.-
oscar feels fucking spent.
his cock lays limp, yet tingles with the undercurrent of arousal, and honest to God, if he fucked once more, he may never cum again.
thing is, he had thought the same 2 orgasms ago, and roughly an hour prior, but, as if the weed trickled a steady flow of dopamine into his bloodstream, the more they fucked, the more he hungered for another orgasm.
had his cock sucked completely dry by his teammate (how the fuck is lando this good at giving head?) as y/n sat on his face and he had all his prayers answered, before another climax was scooped out of him when y/n gave him a good tit job. never had he thought seeing his cum drizzled upon a girl's boobs like icing would be that cathartic, but it only gets worse when lando, the fucking nerve of that man, licks every drop like it were the remnants of a melting popsicle.
"your mouth, lando," oscar had whined out in absolute despair because, one day, it's gonna wipe him out like he never existed.
his teammate only smirked, lips oiled with spit and cum, before dragging his tongue up his girlfriend's neck, eyes hooked to oscar's, and shoving his tongue down y/n's throat. the noises were downright pornographic, pumping more blood to oscar's dick, and they ended up fucking, reverse cowgirl, as the girl wanked oscar off. he swore his dick would fall right right there and then, everything felt too good that there had to be a compromise, but he was yet to figure what that was. if there even was one.
wished he could say they were done, sated to the point where alarms for their flight tomorrow would be like whispers in a rainstorm. however, no matter how many breaks in between they took (consisting mostly of getting more high and sharing one spliff, which made it all hotter), a seemingly innocent make out would lead to one's mouth on another's crotch, or one's cock deep inside another (oscar had never, you know... bottomed, but fucking hell, lando's got some cock on him).
with a throbbing hole, and an equally throbbing dick, inert just minutes before, oscar has the dire need to squeeze one more orgasm before he allows himself to lay at fate's mercy.
a clammy body, flush against his own pink skin, wrings themselves out of his gentle hold and sits up, "you're hard again, baby?"
it's not really phrased as a question, but rather an interesting observation, and y/n trails a hand to grab his dick. it hurts, a dull pulse of ache bouncing through the skin, but it feel so so good and oscar's head is thrown back, mouth open as a heavy moan breaks through.
lando, from y/n's other side, watches intensely as she slowly jerks oscar off. his sternum elevates and sinks in a rapid succession, legs open wide to fully accomodate the hand working between them, and lando is fully mesmerised by it all.
shy, quiet oscar, who could have a man compelled by his hole alone, and besotted by the wonders of his mouth. lando wouldn't mind a throuple, not at all.
a sloppy kiss is left on the skin of y/n's jugular, "you want him?"
he can see the curve of his girlfriend's smile, pushing against her smooth cheek, and she knows what he means.
you want him for us?
"yeah," her hand slows, and oscar whines, lando giggles at that. so desperate. "not letting him go now."
then she's taking her hand off oscar completely, pushing her body into his to whisper, "wanna fuck me while i suck your mate off?"
and oscar's eyes glitter as they snap open and his head nods so fast, it nearly tumbles off his neck, lando's sure.
he's moving, sitting up and looking at the both of them with red, lidded eyes, and they hold so much, that lando wonders how one could retain it all.
y/n is smiling and wiggling onto her front, and it galvanises lando to bare his legs wide, cock hard and weeping precum. she gives it a small teasing lick and sparks zap through his dick, causing a hand to fly to her hair. he pulls ever so slightly, just as a warning, and she's smirking, giving the head a kiss.
"how do you want it?" oscar asks from behind her, calculative. she opens her legs more, pussy glistening, "any way you want to, baby."
he hums, kneading the flesh of her ass softly in confirmation, and grabs his dick to prod at her hole. it's tentative, almost adoring, before he slides in fully, soft and slow. he's so sweet, so gentle, as if it's his first time doing such a thing, and y/n can't withold the moan that pushes past her lips.
"oh fuck, oscar."
he's whining, hands tight around her waist.
lando pushes her down on his dick, saliva lathering his skin beautifully, y/n's nose deep in the tamed bush of hair. she allows herself to breathe, eyes shut tight, but then oscar's moving, so slow and slow deep that she choking on her moans, and lando's cock.
he pulls her off just slightly, but she slides him back in, dick thick and hot in her throat, and lando's moans are whorish.
"yes, baby," he's whining, "just like that."
oscar feels his orgasm creep on him too quickly, tries to think of anything that would slow it down, but the sight before him is so nasty, he loves it. lando is completely gone, fucking into y/n's throat like it's his last ever head, two hands in her hair. he's redder than oscar's ever seen him, curls stuck to his forehead like glue and muscles straining as he pulls his girlfriend on and off his cock.
"fuckkk— shit, i'm gonna cum," he groans out, hand moving to rub into y/n's clit. she's writhing, legs shaking as she slobbers all over the dick in her mouth and lando's face turns pained with pleasure, unmoving, as his eyes roll to the back of his head.
oscar can't stop his orgasm anymore, and it tumbles over him like a tsunami, hips snapping as he fills y/n deep. the sound of high pitched moans cry from lando's mouth, body trembling with the intensity of his climax and just as oscar slowly dwindles from his high, y/n is clenching around him so tightly and a gush of wetness splashes against his thigh.
his head whips down to see his legs drenched and oscar— he's mesmerised.
"shit, y/n," it's an awed whisper, "you're squirting?"
his voice sounds fucked out, and lando's eyes are sliding open, curious. the sound of liquid falling onto the bedding is so damning, and oscar pulls out to watch as her pussy clenches and pushes more out.
it's beautiful, what he's seeing.
"oh my God."
lando gently pushes her mouth off his dick and y/n's sobbing, back arching as she convulses.
"let it all out, baby," lando caresses her cheeks, "look at you being so good for oscar."
and at that, oscar figures he could get used to this, for as long as times wills.
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1d1195 · 2 months
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Invitation
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~3.5k words
From me: I mentioned I had a kinda rough weekend. This just sort of wrote itself. Def a stand alone. Second chance at love. I wrote it mostly in the drafts page and didn't do a whole lot of editing for continuity so it's probs not very realistic nor will it make a ton of sense. But anyway.
Warnings: MC parent death; funeral, angst, angst angst. But I'm hoping if you read it you'll see some cathartic, comforting fluff.
Summary: She and Harry broke up years ago and it was completely fine. But seeing her again, even under sad circumstances has his heart pulling him closer to her.
It had been eight years since he had last laid eyes on her. But when he read the piece on her mum off a mutual friend’s Facebook page he was transported back to one of those moments he spent so totally in love with her.
The idea that her best friend was gone made him terrified for her well being. It was the reason he was in a hotel room, straightening his tie in the mirror. Double checking he didn't miss any spots while shaving. He looked simultaneously presentable yet solemn. Her mum was special, beautiful. She made Harry feel at home the entire time they dated. Bought him thoughtful gifts for his birthday and Christmas. Made sure she bought his favorite snacks and always inquired about school, work, or his favorite show. She joked with her that Harry was too good for her and she didn’t treat him well enough (which was inherently false). She was the perfect girlfriend and had the perfect mum.
He couldn’t imagine how she was feeling.
Harry didn’t want to make his appearance about his arrival at the funeral home at all. He stepped in line silently, tried not to make eye contact with anyone and slowly made his way through toward the front, pretending he was invisible. He looked at the picture boards as he walked along his favorite girl and her mother in so many of them. Both were beautiful and Harry thought she was going to look just like her mother when she was older and so he was really lucky that he would know she was beautiful for the rest of his life. But he would have predicted that anyway.
Their relationship ended amicably enough. They were changing, time moving on, and quite frankly it felt like they couldn't spend enough time together so it didn't seem fair. "Shouldn't we want t'spend time with each other, beautiful? Shouldn't we feel feel bad we're not spending time together? It shouldn't be forced. You're m'favorite person in the world, kitten. S'not fair."
He was right of course. She agreed. So they went their separate ways. Since they were still in university at the time, they saw each other frequently. Their friend groups overlapped a bit so they weren't rid of each other all that much until after graduation. There was even a picture of the pair of them together on that day--her mum's suggestion. It was apparent more so then, that they were changing and moving on but Harry was grateful for that picture. When he saw the notice of her mum's passing, he looked at it fondly and felt something in the pit of his stomach. Wanting and wishing he had made more time for her. That she wasn't so busy and their time apart hadn't lasted as long.
But that was eight years ago. Harry was thirty now. He had a few girlfriends during that time and maybe it wasn't a surprise they didn't work out. When he inquired of his friends if he should go to support her, they said it was up to him. Louis and Eleanor were out of the country so they would send flowers. Mitch and Sarah were waiting for Sarah to give birth at any moment so they too, would send flowers.
"I'll be at the funeral," Niall assured him. "I can't make the visiting hours, sorry, Harry," Harry could hear his frown as they spoke on the phone.
"S'okay, s'nice y'can make it t'any of it. She'll appreciate it."
"I hope," a frown in his voice, a sigh in his tone.
"No, she will," Harry was confident. She would never make Niall feel bad--anyone feel bad. It was just the way she was.
Harry was in front of the urn containing the ashes of her mother and he knelt and said a short prayer for her and her sweet daughter. He tried not to think about his own mother at such a sad time and how he would feel if this was her. He shook his head, blessed himself automatically, and stood to greet the receiving line. It was filled with aunts and uncles who were surprised to see him. He didn't fully understand their surprise (of course he would be there for her--even if things were different now) but moved to each one, quietly apologizing for the loss of their sister and only answering how work, life, and everything was with as few words as possible. It was just her and her mom. Dad was out of the picture before she was even born. It wasn't a bad thing because she was her mum's whole life and she never made her want for anything. "Where is she?" Harry asked quietly. Usually the children were first in the line but she wasn't there.
"Another spat with the boyfriend," her aunt rolled her eyes. "You are by far our favorite," she smiled at him encouragingly. "Don't leave till she gets back, if you can. She deserves to see someone who will make her happy right now," she winked.
Harry felt his eyebrows crawl up his forehead in surprise. He nodded. Pride bloomed inside him for being the favorite. It wasn't the time but he couldn't help it. His heart felt heavy, worried she was with someone horrible. "Yeah, sure. Of course."
So Harry stayed in the little seating area, watching people walk through the receiving line, looking at the slideshow of pictures that somehow managed to boil down to one person's life. There was even a picture or two of him. It made sense, he was in her life for nearly four years and they were inseparable until they weren't.
Harry smiled fondly at the memories within the pictures and wondered where she could be right now. He had seen the full slideshow twice.
"Harry, you're still here?"
He cleared his throat, stood, and shook one of her uncle's hands again. "Yeah... um... haven't seen her yet."
"She went outside with the boyfriend ages ago. I'm assuming they're still arguing or she's trying to calm herself down enough to come in and fake that everything's fine."
Harry frowned. "Maybe I'll go check then," he suggested and headed for the door.
Why was she dating someone if it was clear no one in her family liked him?
The men at the door, let Harry through and he quietly walked to the side of the building wondering where she could be having a private conversation at a funeral home. The side was dark except for a flood light that perfectly illuminated the couple. Harry stepped out of sight but strained to listen.
"What do you mean, 'you have to go'? You're seriously joking right?"
Harry didn't know her voice could take on a tone that sounded so angry like that. They never fought that way. No more than who's pizza topping was better or if they had to pick which dinner place to go to on a busy Saturday night.
"Babe, you know with my work--"
"This is my mother," she croaked. It felt like a bullet through Harry's chest to hear her choked up like that. All that grief wrapping in her throat and pulling on her vocal cords.
"I know, but don't you think she would want me to continue living my life and doing what I need to do so--"
"She's my best friend," her voice cracked because she was crying so hard. Harry wanted to run over, unceremoniously knock him to the ground, and comfort her. "You're supposed to be here to support me!"
"Well you know death kind of freaks me out, babe. I'm trying to support our future. I've been here all day."
Her tone was so biting, he truly couldn't believe it. "You've been here for an hour."
Harry winced and shook his head. No one liked death. Everyone was freaked out by it to some degree. But he was supposed to love her; be there for her.
"If you leave, we're done," Harry felt intrusive for listening in but he couldn't move.
"You don't mean that."
"I do, mean that. I really, really, really, really mean that," she sniffed. Good girl. Harry thought. "I have put up with your bullshit like this for way too long and you're unsupportive and if you leave this is it," she assured him. "Work cannot be more important than me."
"It's important for us, babe. So when we get married--"
"And when will that be?" She shouted.
"For the love of God, we're going to do this now?"
"It's been three years. I'm thirty and wanted kids and you are just..." she trailed off. "Fine. Go. We're done anyway."
"Babe, you don't mean that--"
"I will pack my stuff up when I get home."
"And where are you going to go? You don't have a job right now--"
"BECAUSE I WAS TAKING CARE OF MY DYING MOTHER."
Why was she even with this guy? Harry couldn't fathom it. It was so unlike her to date someone so crass and careless. Or maybe Harry was just filled with rage and envy of a man that couldn't help her the way she deserved.
"Well..." he cleared his throat. "I'm sorry you feel that way. I have a plane to catch. Maybe after you've calmed down and aren't grieving we can have a more pleasant conversation."
A silent moment passed between them. Surely he heard it as he said it. It couldn't have been just her and Harry that heard what he implied. "Do... do you... do you think I'm supposed to be done grieving?" She hissed.
He sighed, mumbled something about calling her when he landed, and walked away. He didn't even notice Harry pressed to the building.
Harry watched him get in his car and pull away as if this wasn't the worst day of her life. Harry took several deep breaths to calm himself. This wasn't about him or how he wanted to strangle him. This was about her, her grief.
She was leaning against the wall. She was heaving, sobbing into one hand. For what, at that point, Harry didn't know. He could only see her from behind, the same figure he could have picked out in a lineup and if he was blind. But she seemed smaller. Withdrawn of course. Her free arm wrapped around her stomach like she was trying to hold herself together.
"Hey beautiful," he murmured softly. She sniveled, spun around. Harry was met with her face grief stricken, heartbroken, and tear soaked. But yeah, she was still as beautiful as he remembered. "Aw, kitten," he cooed gently. "C'mon s'cold outside. Let's get you--"
She threw herself against him as he approached. Her arms around his neck and she continued her sobbing against his shoulder. Sighing, he wrapped his arms wrapped around her waist and back, she fit effortlessly into his embrace even after eight or so years since he last saw her. It felt natural to hold her like this. "I know," he murmured comfortingly. "I know, kitten," he kissed the side of her head, soothingly rubbing his hand up and down her spine.
"Please don't let go of me," she cried. "I can't--"
"Shh," he hushed. "M'here. M'not letting go until you do," he promised softly. He hoped she wouldn't pull away because he wanted to take care of her the way that asshole couldn't. It didn't matter what the past was it only mattered that her sweet self could find some sort of contentment.
"Please don't leave me," she begged. "I can't do this alone."
It felt like a switch changed in him. Or maybe it was the anger he felt for her ex-boyfriend. Or perhaps a combination of missing her when he didn't really know he had been missing her and all the frustration he felt for the reasons she was so distraught. He would do anything for her. "No way, beautiful. M'not going anywhere," he assured her pressing his lips instinctively to the top of her hair. Patiently he listened to her cries, held her tightly, and lightly brought a hand to the side of her neck. He carefully pressed his fingertips against her skin, hoping that if she was aching (which he assumed every part of her was) it relieved the smallest bit of tension.
"How much did you hear?" She sniveled pulling away enough to glance into his eyes. Her face was blotchy and red, she was sure. Harry looked like he just left his modeling job for ties and cologne. She wanted to look more beautiful--so it would have at least made sense that Harry had ever decided to date her--even if it was years ago. But she was so overwhelmed with sadness, she couldn't feel anything but that and not even her horrendous look could deter her long enough to utter more than a quick apology for snotting all over him. "M'sorry. I look--"
"Shh," he hushed immediately. Harry pulled a handkerchief from his pocket--Mum was always insistent he have one when he wore a suit. Someone is always crying when you need to wear a suit and it's not to work. Carefully, he dabbed under her eyes, and swiped the fabric across her delicate cheeks. "You look beautiful," he assured her a kind, small smile made his lips curl up just enough to get the dimple in his cheek to appear. The one she had told him she was going to stick her tongue in back when they laid on a mattress that was too small for two people and resulted in a giggling tickle fight between two people who were much too old for tickle fights.
What he would have given to make her laugh now.
Harry kept one arm around her waist taking over her own job to hold herself together. "How much did you hear?" She repeated.
He shrugged, nonchalantly. "Too much, probably."
She frowned; if she could muster an emotion other than sadness and grief, she probably would have been embarrassed. "I'm sorry."
"I'm sorry. I was waiting inside, but then your uncle said y'were out here and I wanted t'see you and--"
"Do you need to leave?" She asked quickly. "I'm sorry I'm holding--"
"Kitten," he said gently pinching her chin between his fingers so she had no choice but to look in his eyes and process what he was saying. "M'staying here until y'tell me t'leave."
She sighed. For the first time in what felt like months she felt relief. "Okay."
*
She dragged him alongside her to the front of the receiving line. Harry felt slightly embarrassed and out of place but the rest of her family paid no attention to it. Like he was supposed to be there. She hugged and cried a lot over the next two hours. Harry handed her tissues and water.
“What if I don’t tell you to leave?” She whispered. Harry was standing so close to her that no one else could hear. Like it was just the two of them. She was sipping from a water bottle and Harry was stroking her hair back with his fingers while wiping below her eyes with a tissue.
“Then I’ll never go," his voice was quiet, like hers. He kissed her forehead softly.
"You don't have to obviously, you have no obligation... but is there any chance you were planning to be here tomorrow?" She asked.
He nodded hurriedly. "Course, kitten," he smiled gently, almost sad that she thought he wouldn't. "Niall's going t'come too. He's really sorry he couldn't make it tonight," he explained. "I have a hotel room right nearby so I can stay s'long as y'need me. Do anything y'need, too. And Niall m'sure would be happy t'help if y'need anything requiring two people, as well."
"Really?" A fresh well of tears filled her eyes and Harry's grin grew even if it was sad she was so surprised.
"Of course, beautiful. We... we want t'be here for you," he assured her.
She pressed her face against his shoulder again and sniveled against him. "I owe you a new suit," she mumbled into the fabric.
"Shh..." he hushed. "M'here," he promised. "Don't worry 'bout anything else."
*
His hotel room was dark when they entered. Harry didn’t want anything to happen that could be misconstrued due to her grief but she seemed adamant and sure that she wanted to spend the night. Harry was planning to sleep on the floor but instead they chatted way too much. Much later than a girl who had her mum’s funeral the following morning should have chatted. She giggled the way Harry loved and smiled despite how sad she was. Harry told her all about the last eight years, his job, his mum, their old friends and everything in between.
When he looked at the clock, his phone said it was well past one in the morning and she needed to be up early. “Think y’need t’sleep, kitten,” he was lying beside her, fully clothed except he lost the tie. He was brushing her hair away from her face watching her eyes droop.
“Mom didn’t like him,” she whispered. “She didn’t like anyone that wasn’t you,” she told him.
Harry swallowed nervously. Not because he was worried about her sentiment but because her grief was fresh and the tire tracks of where her stupid ex peeled out of the parking lot were still warm. Her mind had to be jumbled and as much as he wanted to kiss her and make promises, it wasn’t the time. Harry was older and more mature now. The way he wasn’t but wished he had been when they broke up. “After that performance, beautiful,” he sighed with a shake of his head. “M’surprised she didn’t poison him.”
“He didn’t even like her oatmeal raisin and white chocolate chip cookies,” she grumbled bitterly.
“Kitten,” he tutted. “How could you let that continue?” He joked, nudging her playfully.
She turned on her side, their faces inches apart on the same pillow. “Thank you for being here for me,” she whispered.
“There’s no where else I want t’be, beautiful,” he promised.
“I didn’t realize how much I missed you. It’s sad this is what it took.”
He leaned forward, pressed his lips to her forehead and let the kiss linger there. “Do y’want me t’sleep on the floor?”
“No,” she shook her head. “This is the first night I’ve felt tired in months. You have to stay here if you want me to sleep through the night.”
“If you’re sure,” he reached for the bedside lamp and turned it off. He didn’t want to change into different clothes or anything. He just wanted to be there for her.
“This is also your hotel room that I invited myself into," she reminded him.
He grinned at her in the dark. “You’ve always had an open invitation, t’me, kitten,” he brought her closer toward him, kissing the top of her head.
There would be about a thousand and one things to discuss after the funeral. But right then it was late, and they needed to sleep because the day was going to bring more exhaustion and sadness that was inevitable. “Did you mean it?” She whispered quietly after Harry thought she had fallen asleep.
“Mean what, beautiful?” He murmured.
“You’ll never go?”
He nodded. “Mmm,” he hummed inhaling the scent of her shampoo. “I meant it,” his words were slurred with sleep and she knew it because she had heard it in his voice hundreds of times in their time together. He was on the brink of dreaming and her mind was reeling.
“Mom wanted us to get back together,” she whispered. “For ages. She had our graduation picture on the fridge,” she explained. “When I was taking care of her these last few months and he was useless, she kept mentioning you. Told me it wasn’t too late to start over. I guess... I guess this was one way she thought she could bring us back together.”
There was no response because Harry had fallen asleep, and she was close behind. She brought the hand that held his to her lips and kissed his fingers inhaling the comforting smell of him as she finally felt like sleep.
“Your mum was the best,” he mumbled. “She brought you into this world, just for me t’find you.”
The words were lost in her mind, her throat, and her aching heart. But she liked to believe that Harry knew already because he was there, and he wasn’t planning on leaving again.
“We can start over, beautiful. M’not going anywhere,” he whispered one more time as sleep overtook her tired mind.
--
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bamsara · 2 months
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If given the motivation I would ramble more about Trod, specifically Tyren and how he's my little dude but also a character who's behavior I've based on being a victim of obsession and idolization myself and how it's very cathartic to write a character exhibiting all the traits, both good and bad I've experienced in the Lamb's position and then knowing exactly how his story ends
That and some Narinder rambles and how Lamb is more comfortable with him than a sweet dog that surely shows more respect for them (idolization that does not see them as a person)
edit: nevermind I did end up rambling. Some TROD spoilers
its great I love this stupid dog and his scheming ways and writing just *why* he's doing what he's doing with genuine belief it's to better protect what and who he loves without actaully taking into account the subject of his affection's feelings on the whole matter. He would never hurt the lamb physically but clearly that three eyed cat is nothing but stress for them (and is he wrong? is Narinder not a source of stress? We are not light in the 'enemies' part of the friends to enemies to friends to lovers part of the trope)
Though the difference between Narinder and Tyren, the rehabilitation and the corruption, although all entitlement, is agency.
Narinder often touts himself as uncaring and hostile to the Lamb and is still angry from the betrayal, as they are, but their agency is still considered even in anger.
In the Fox chapter where Narinder wishes to sacrifice Grekimar and Tyren, Lamb refuses. They argue about it and Lamb stands their ground, Narinder is unhappy about it but does not go behind their back and sacrifice cultists anyway when he very well could.
After reuniting after the fight when Leshy is revived, Narinder and Lamb argues heavily over the subject of whether or not Narinder is allowed to kill Leshy, someone who harmed both him AND the Lamb severely, and even though he's bitter about it, Narinder acknowledges the Lamb was not given a choice prior and will sacrifice his own revenge and comfort so the Lamb can have their agency returned, at least a little bit.
^^^ This one is a complicated one because between both characters, neither killing the bishops nor keeping them alive would result in both characters getting what they want, with reasonable desires for it (wanting to have choice again, wanting revenge on their tormentors, ect)
so Narinder essentially sacrifices his comfort for the Lamb, someone who is constantly sacrificing pieces of themselves and sanity to keep everything in peace
It works the otherway around as well: Narinder demanding talismans and God Tears and Relics from the Lamb and they agree, not because they're required to do what he says but because that's their friend, and they trust him enough to help him with whatever he's doing
(and back to the argument where the refusal to sacrifice two followers was in exchange for some of their heart, Narinder refuses and breaks the deal off immediatly even though the Lamb was willing. The Lamb is obviously more important than whatever goal he had in mind, essentially scrapping his partnership with the Fox and method to gain power because he didn't want his usurper to be weakened. and other things.)
I won't talk about EVERY instance of this because this is already a long post, but overtime the two are forming communication, compromise, and even in anger, there is a respect there that puts them on the same level as equals.
Tyren does not really fall into that.
Tyren would never, and I mean NEVER hurt the Lamb physically. He would never yell at them, never be angry with them, never be upset with them, because he does not see them enough as a person to feel those things around them. And if the Lamb does disagree with him or make him upset, he will simply....disregard their current feelings on the situation and do what he thinks is best for him and them, even if it goes directly against their wishes.
And unlike Narinder, he would do it behind their back to stay in their good graces.
Tyren does care for the Lamb. Genuinely. He did long before that necklace was around his neck. He was already a little obsessed before the loyalty necklace was on him, it just gave him a slight edge.
He respects them but also doesn't. He takes their rejection at the party in stride and is completely unphased by it, completely understanding, but also plots to kill someone the Lamb called a 'friend' because the three-eyed hermit is clearly stressing them out and it makes no sense as to why they're crusading with him, or spending time with him when he's been nothing but a murderer and a blight.
I think a good summary of all this ramble is that when the Lamb tells Narinder to leave Tyren alone, Narinder goes 'whatever i fucking hate you and this stupid cult anyways. die forever' but does what they ask, while Lamb tells Tyren to please leave Narinder alone, and Tyren goes 'sure! :) anything for you my lamb' and digs up a corpse and drops it's mashed remains outside of the cat's hut with a fake letter from the Lamb saying it's 'breakfast'.
Narinder and Tyren are both very selfish, but in different ways
None of this probably makes sense
It is also 6AM
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writingwithcolor · 9 months
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Author with cultural disconnect: How do I write without making it seem as if I hate my own heritage?
Anonymous asked:
I’m a white-passing Asian author, and I’ve never felt all that connected with my heritage. My current story centers on a fairy (re: fantasy-world POC) child and ends with her realizing that her parents are toxic af and her human best friend’s family takes her in. This is the perfect opportunity to sort through my own issues with my heritage and finally convince my monkey-brain that it’s okay to not know how to cook Vietnamese food or celebrate tet or speak Vietnamese… But I also realize that if I’m not careful, this could easily slip into “Hey, I hate my heritage and so should you!” So how can I stop that from happening?
Writing for yourself first, not an audience
I ask you a simple question: why put pressure on yourself to have any sort of non-offensive messaging for a story that hasn’t been drafted yet and is to convince your monkey brain it’s okay to exist as yourself?
That seems like the fastest way to stop the story from being actually cathartic and instead a performance art piece when you already feel hung up on performing as “properly” part of your culture.
As I said in Working Through Identity Issues and Other Pitfalls of Representation, not all stories you write need to be for public consumption. Especially stories you’re using for your own self-processing and therapy, because you’re trying to get a cathartic moment that is rewriting your own story.
At what point does the public need to be involved in that?
I do understand the compulsion to want to post—I have definitely posted some Questionable™ material in my drive to get validation for feeling the way I do, wanting people to witness me and say “same.” It’s a powerful urge. Sometimes it’s worked, but most of the time it’s just made me feel horrifically exposed.
But you really do not have to post in public to get any sort of validation. Set up a groupchat with friends if you want the cheerleading and witnessing—people who will know your story and give you good-faith interpretations and won’t accuse you of anything. Honestly I’d suggest setting up this groupchat anyway; as someone who just got one again after quite a few years without it, my productivity has skyrocketed from being around supportive people.
Let the monkey brain have its monkey brain moment and shut off the concept the story is for the public. Shut off the concept of performing for an unknown audience. It’s for you. Be authentic, no matter how bad it would look to outsiders. They’re not reading it. Part of getting catharsis, sometimes, is being the worst version of yourself, somewhere nobody else can see it.
Deciding to publish the work
If, after you do write it, you find that you actually do want to polish it up and put it somewhere… edit it. Rewrite it entirely if that’s what it takes. Take the story through the same drafting process every story needs to go through, ripping out the unfortunate implications as you go.
Editing can be its own form of healing, as you try to figure out what this character would need to not be hateful. As you realize, once this longform journal entry is out of your head, what was bothering you now that you can see it pinned down on a page. But you absolutely do not need to write with the intention of editing in that healing. When I’ve tried, it’s fallen flat.
The healing will come from being yourself, no public involved, and writing about your feelings in their rawest form. Anything else is extra.
There’s no point in trying to put guard rails on the drafting process, not for a deeply personal piece. And by the time that drafting process is done, you’ll likely have specific scenarios and contexts that you can ask about, and you might even have ideas on how to fix it yourself once the story has a shape to it.
This is 100% a situation where there’s no real sense in idea workshopping something in the plotting stage. You’re doing something for you. Decide if it’s for public consumption later (while acknowledging “no” is a perfectly valid answer), and only figure out how to make the story not overtly harmful if you decide to put it out into the public.
~ Leigh
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imaginespazzi · 12 days
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Golden Hour is so so good! I love the way you’re taking the story, I’m obsessed with the way they just need each other like you write it so perfectly. And honestly it’s how they seem in real life, just so entwined.
I don’t want to ask but if you have the time and it won’t delay golden hour updates... Can you write a chaotic family Drabble of the girls teasing Azzi and Paige for essentially soft launching the last few weeks. You just write them so perfectly! Hope you’re planning to be a writer one day!
Thank you lovie <3
Do I have time? In theory no but I found about 40 minutes to cook this up (this is my way of justifying the lack of editing) and it's probably more sappy than chaotic but I hope you enjoy it anyways my love. Let me know if it lived up to what you wanted :)
Paige lets out a soft sigh as she turns the ignition off, parking her car in the team apartments parking lot. It's almost one in the morning and the tired is practically vibrating from her body but she'd been determined to get them back to school tonight in time for classes tomorrow morning. She can't help the soft smile that flitters across her face as she looks over at the passenger seat. Azzi's head is leaned against the window, mouth slightly open as she hugs Paige's sweater closer to her body like a blanket. The younger girl had managed to keep her eyes awake for about an hour, tiredly responding to her girlfriend's chatter with one-word inputs until Paige had looked over after asking a question and found Azzi completely knockd out
She had heavily debated waking her up but ultimately decided against it, knowing that it was well past the shooting guard's bedtime and as cute as she found Azzi's cranky grumbling when she was woken up, she thinks the girl probably deserved her sleep after the weekend they'd had.
The weekend.
Truthfully Paige is a little sad for the weekend to come to an end. She's going to miss the privacy of their hotel suite and she's really going to miss seeing her girlfriend all dressed up every day (even if she's not going to miss the way other people had, had the audacity to ogle at what's hers). God it had been perfect; everything Paige had wanted to be. The experience itself had been wonderful but the best part of it was that she'd gotten to live it out with her girlfriend, her person, her Azzi. Whether it was sitting next to her at the fashion shows or sitting across from her at the Liberty game, they'd been together and that's all that had mattered.
Paige knows that there's people who will look at their weekend and still use the just friends moniker; knows that until she and Azzi publicly label themselves, there'll always be people who'll be willfully ignorant of what they are. But still, this weekend -this summer really- had felt different. And maybe it's because they're a little different now but something about it had felt cathartically freeing. It makes her hopeful for what's come in the future, when they can shed this barrier of being teammates and just be who they really are to each other. She can't wait.
"Baby," Paige whispers, slightly shaking Azzi, "we're here."
The other girl let's out a groan, slinking further into herself without opening her eyes, "shhh Paige, I'm tryna sleep."
Laughing to herself, Paige lets herself out of the car before walking around to open the door to the passenger side, leaning down towards Azzi, "c'mon big head, you gotta get up so we can go to bed."
"I'm already in bed," Azzi says petulantly, eyes still closed.
"Azzi..."
"Paige.'
The blonde lets out a fond sigh, "you leave me no other choice Fudd."
"Wha-" Azzi squeals when Paige lifts her out of the car, using her waist to push the door in behind them, "oh my god Paige let me down. You're gonna drop me."
Adjusting the weight in her arms slightly, Paige smirks as she starts walking towards the apartment door, "I am way too strong to drop you."
"Oh my god the edits have gone to you head," Azzi groans dramatically, tightening her arms around the blonde's neck, "you're going to drop me and I'm going to die. I'm too young to die Paige."
"You have no faith in me," Paige guffaws, even if she's slightly struggling to get up the three steps that lead up to the door.
"Paige let me down," Azzi whines again.
"You sure about that princess?" Paige asks, a slightly devious plan forming in her mind as she finally makes into the soft fluffy mat right outside the door.
"Yes."
"Okay," Paige says with a shrug as she lets Azzi go, the younger girl falling on the rug with a slight thud.
"OW WHAT THE FUCK?"
"You asked me to let you go."
"Not like that," Azzi growls, rubbing her hips slightly as she gets up and shoves at Paige, "enjoy sleeping by yourself."
Paige's eyes widen as she watches Azzi open the apartment door and saunter towards the elevator.
"Oh hey wait, wait, wait, I'm sorry," Paige has to run to catch up to the younger girl, engulfing her from behind as she presses slobbery open mouthed kisses over every inch of her that she can touch, "I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. Please don't make me sleep alone."
"Ew stop," Azzi crinkles her nose, half-heartedly pushing Paige away.
"I'm sorry. Pleeeeeease," Paige begs as the two of them wait for the elevator, "besides I'm sure you can't fall asleep without me either."
"Oh you're sure are you?" Azzi teases, yawning slightly as the doors ding and open and the two of them step inside.
"I know you can't," Paige grins, nuzzling her face in the younger girl's neck as she presses the button for Paige's floor, making no attempt to press the one for hers as well, "see?"
"Shut up," Azzi blushes slightly, "it's only because I don't wanna deal with Ice in the morning."
"Sure it is," Paige sing-songs before her face morphs into something more serious and she presses her forehead against her girlfriends, "I had a really good time this weekend."
Azzi's eyes soften, "it was pretty great huh?"
"The greatest," Paige confirms, brushing their lips together, "I love you."
"I love you too."
***
Much to Azzi's chagrin -and to Paige's slight amusement though she won't dare say it- she does have to deal with Ice the next morning. And worse than that, she has to deal with KK.
"GOOD MOOOOOORNING LOVEBIRDS," a loud voice echoes way to early in the morning.
Azzi cranks one eye open about cuss somebody out when KK jumps onto their bed, tiny body creating such an impact that it has both her and Paige practically jolting up.
"Morning sunshines," KK grins happily as Ice snickers from where she's leaning against the wall, "y'all done with your world tour?"
"What the fuck is wrong with you?" Paige asks groggily.
"What's wrong with us? US?" KK's voice is as loud as always, "y'all abandon your kids-"
"Again," Azzi says exasperatedly, "y'all aren't actually our ki-"
"EXCUSE ME?" KK recoils before turning dramatically to Ice, "did you hear that Icey? She said we're not her kids."
"That's so mean of you Azzi," Ice pouts, "you practically abandons us for a decade-"
"It was one week-"
"A DECADE! And now-" Ice fake whimpers, "and now you're saying we're not even your kids? What kind of parents even are you?"
"The kind who aren't parents?" Paige says coyly only tfor KK to throw a pillow at her face, "seriously?"
"I cannot believe this," the Wisconsinite shakes her head, "first you abandon us," she glares at the two of them in a warning to not interrupt her, "and now, when we come in here to finally spend some time with y'all, do you welcome your children with open arms? OH NO. No you don't. Instead you make us feel like you don't even love us. Y'all are SICK."
"So SICK," Ice choruses and Azzi narrows her eyes at them.
"Y'all came in here to spend time us?" she asks slowly, "really?"
"Are you accusing us of having other intentions?"
"Well-"
"Oh my god," KK jumps of the bed, fixing them with an offended stare, "can't two children just want to see their parents?"
"Not when it's the two of you."
"I CANNOT BELIEVE-"
"KK," Jana's voice interrupts from outside the door, "is it time for us to come in yet?"
Paige looks between the door and KK and Ice's caught-out face as Azzi buries her head into her hands, "what are y'all up to?"
"Fucking El-Alfy ruining the plan," KK grumbles under her breath as she steps outside and the noise of bickering echoes through Paige's door.
"When we have actual children, we're never letting these idiots babysit," Azzi says softly as she leans her head back against Paige's shoulder.
Something beautiful blooms in Paige's chest as she kisses a smile into Azzi's shoulder. It's the way Azzi says it, the way she talks about them having their own children, like it's an inevitability, like forever means each other.
"Whatever you say baby," she whispers.
"Can you guys stop being gross for one second," Ice chides from the corner, "a whole fucking weekend together and still being this sappy has got to be a crime or something."
"A crime of passion," Paige says airily, relishing the way it elicits a giggle from Azzi.
"What the fuck?" there's a look of disgust on Ice's face as she studies the two of them, "that wasn't even that funny Azzi."
"I thought it was," Azzi shrugs, smiling as she turns her head to press her lips to Paige's cheek.
"Oh my god y'all get the fuck in here," Ice calls out, "they're being sickeningly cute in here again and I feel like I'm suffocating."
Unable to help their curiosity at what shenanigans their teammates come children are up to, Paige and Azzi can't help but look towards the door. Their mouths fall open as KK and Jana wheel in one of the whiteboards from the lobby, Sarah diligently following in from behind them. On the whiteboard is a series of cutout photos of the two of them taken from the weekend. A large hand-drawn paper sign hangs right above the photos: THE PAZZI SOFT LAUNCH tm.
"Ta-da," KK and Jana flail their hands as they present the board to the two gaping girls on the bed, bowing dramatically, "we made you guys this. Isn't it amazing?"
"It was my idea," Sarah juts out her chest proudly.
"It was not. I was the one who said wouldn't it be cool if we could show them how disgustingly stupid in love they looked all weekend," Jana glares at the freshman.
"Right but it was my idea to make the poster board," Sarah defends.
"Girl boo. I'm the one who came up with the title so it was really my idea," KK chirps in.
"All three of you needa take several steps back," Ice warns, "because who was the one who actually made this whole thing?"
"Me," all 6 of them turn to the doorway to see Caroline standing there with an exasperated look on her face, "I did all the cutting and glue-"
"You were in on this?" Azzi asks, "what happened to being the sensible one?"
"I am sensible," Caroline defends herself sheepishly, "but you know I love a good arts and crafts project and you didn't see them Az. They were failing miserably-"
"WE WERE NOT!"
"YOU WERE GLUING THE PICTURES UPSIDE DOWN-"
"ONLY SARAH WAS DOING THAT."
"DON'T THROW ME UNDER THE BUS LIKE THAT."
"ALL OF Y'ALL SHUT UP," Paige bellows and Azzi immediately flinches away from her.
"Ow Paige," she whines, rubbing deftly at her hear, "that hurt my ears."
"Sorry baby," Paige coos, pulling the younger girl back in to her arms and apologetically kissing her cheek as suddenly forgets why she'd needed to yell in the first place.
"SEE," Ice cuts, "this is why we needed to make the board. Y'all are so atrociously down bad and if we have to see how sickening it is, so do you."
"I think it's kinda sweet these dumbasses have finally figured it out," Caroline says with a smile.
"Nobody asked for your opinion-" KK grumbles as Paige sulks.
"We are not dumbasses," she says indignantly,unable to help herself from smiling when Azzi kisses the pout off of her face.
"Oh my god," Sarah gags as she looks at the rest of their teammates, "do they ever stop being disgusting?"
She's met with a chorus of "no"s from the rest of the girls in the room who've had to put up with Paige and Azzi for longer than she has.
"Y'all have a lot of nerve coming into our room and then calling us out for what we do in it," Azzi scolds.
"This is NOT your room," Jana corrects.
Paige glares at her as she tightens her grip around Azzi, "don't listen to them baby. My room is your room."
"Fucking hell. Y'all are hopeless," the Egyptian groans, "I give up. Congratulations on the soft launch or whatever. We're all very happy for you."
Azzi splutters, a series of indiscernible noises waterfalling from her lips, "we did NOT soft launch."
"Really?" Ice cocks her forehead, "so this," she gestures to the whiteboard filled with incriminating pictures, "this just looks like a completely normal best-friends kinda weekend to you?"
"Yes," Azzi replies stubbornly.
"Seriously?" Jana points to a series of pictures taken of the two of them practically pressed into each other at two of the fashions shows; there's a noticeable difference in how much space there is between them and the people on their other sides in comparison to the lack of air between the two of them, "y'all sit this close to all of y'alls friends like this?"
"Of course-"
"Hey," Paige wails, "who else do you sit that close to?"
"Not the time," Azzi hisses to her girlfriend, "I'm trying to prove something."
"Prove what? That y'all look at everybody like this?" KK smirks as she points to a set of images of them basically cheesing at each other like lovesick fools.
"That doesn't count as a soft launch-"
"Baby it does look a little bit like one-"
"Shut up Paige," Azzi scowls, digging her elbow into her girlfriend's stomach, "it doesn't count because it's not like we meant to do it-"
"So what you're saying is you accidentally soft launched then?" Sarah raises an eyebrow.
"That's not- I mean-" Azzi struggles to form a coherent sentences as Paige laughs into her shoulder, "your a freshman. Shouldn't you be nicer to your upperclassmen or something?"
"AHA!" KK cheers as she high-fives Sarah "deflecting because you can't deny it. Good job freshie!"
"I AM NOT-"
"Baby," Paige says softly, barely concealing her smile captures Azzi's chin between her fingers to turn her face towards her, "let it go. They're right."
"They're not-" Azzi huffs.
"Yes they are-"
"Well they don't need to know," Azzi says petulantly as she glowers at the other occupants of the room.
Jana regards her with an amused expression, "you know we can hear you right?"
Paige sighs, annoyed at having to look away from her girlfriend as she rounds on the rest of her teammates, "alright y'all made your point. Now will you get the fuck out?"
"That is no way to talk to you children," KK says as she crosses her arms across her chest.
"Ooooh," Sarah grins, "wait does this mean I'm one of your children too?"
"For the nth time-" Azzi begins but Paige covers her mouth with her hands, not wanting to start another bickering session that would inevitable prolong her not getting alone time in bed with her girlfriend.
"We'll think about it," she tells the freshman, a little touched when it seems to make Sarah gleam with happiness, "now please," she gestures to the door.
"Kicking us out so y'all can be all mush-gushy in peach eugh," Ice scrunches her face with disgust, "at least tell us y'all got us gifts or something."
"Even if we did you're definitely not getting them now," Azzi snarls at them.
"So what you're telling me is that there's definitely gifts," Jana says excitedly, "ugh I knew y'all would come through."
"Here," Paige points to both of their suitcases parked against the wall, "how about y'all take those and go to the living room and take whatever y'all want-"
"Wait no-"
"Will you be quiet for one second," Paige pinches Azzi's arms before smiling at the younger girls in the room, "all yours guys!"
KK narrows her eyes at the blonde, "this feels like a bribe-"
"Who cares Kamorea. She's giving us expensive free shit, don't argue," Jana chides as she starts to pull KK out of the room, Sarah following excitedly behind them.
"That's kinda low of you," Ice says with a disappointed look towards both of them, "but hey," she shrugs as she begins to follows the others, "if it belongs to my parents, technically it belongs to me."
"Well played Bueckers," Caroline, the last person remaining, smile as she moves to wheel the whiteboard out with her.
"WAIT," both Paige and Azzi yell in sync before shyly looking at each other.
"You can um-" Paige licks her lips, "you can leave that. It's kinda cute."
"I lied," Caroline shakes her head but does as she's told, "you guys aren't sweet because this," she points between the two of them and the whiteboard as she begins to move backwards, "this is just sickening behavior."
"Y'all are just jealous of our love," Paige calls out, ignoring the chorus of protests that she gets in return, happy to finally have the room back to just her and Azzi.
"So," the younger girl says carefully, as she turns herself around to straddle Paige's hips.
"So," Paige whispers back, hands resting on Azzi's waist as the other girl brushes a strand of blond hair out of her face.
"I think we might have accidentally soft-launched a little bit," Azzi says shyly, nibbling at her bottom lip.
"Accidentally," Paige grins as she nuzzles their noses together.
And as the sunlight peeks in through the window and the cacophony of their teammates excitedly unpacking their presents drifts in from the living room, Paige holds Azzi closer to her chest, and she lets herself think of what it'll be like when they hard launch. On purpose, this time.
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bonebabbles · 22 days
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Ivypool's Heart: Finished
Just completed reading the new super edition! I'm pleasantly surprised by this one. Overall, this was a very good book, MUCH better than the past 3 which were some of the most boring and unnecessary entries to the entire franchise.
If you were on the fence about this one, I'd recommend it. Just take this warning; it does the Warrior Cats thing where it harps pretty strong on parenthood and nuclear families being a borderline essential part of life, including a ton of bashing on how uniquely horrible this makes the Sisters.
If you can get past that, it's a pretty solid story about grief that makes some really fun additions to the WC lore, including the wildcats, StormClan, and a broad expansion to the afterlife system.
Meandering thoughts below the cut;
One of IPH's biggest flaws is pacing, but it's not nearly as bad as the past 3 SEs.
Not to mention, this is a pretty small SE. If you're ever bored, it won't last long.
Before the book introduces the Wildcats, it REALLY meanders. It'll pick up, but you will have to wade through relatively uninteresting scenes of the cats traveling and talking about their feelings unprompted.
A lot of "quicktime events" happen out of nowhere to fill pages with cats running away from random bullshit.
There's a horse carriage, an apple picker, dogs, weasels, foxes, a storm, traffic, humans, boats, sandwhiches. It's endless. My eyes glazed over during most of these scenes.
I know a lot of people were dreading Ivypool being nasty and unreasonable during this book, but honestly? I was hoping for it and didn't really receive it.
I find her most compelling when she's holding a grudge, acting on her anger, and generally working through messy issues. But aside from her just thinking about being annoyed or angry, she's really not snappy at all.
I feel like there could have been a lot more interesting and organic conflict between Icewing, Dovewing, and Ivypool's personalities instead of boring Quicktime Events. In fact, I felt like Icewing and Dovewing were kind of underutilized.
The conversations often feel quite stiff, especially in the first half. Everyone is very understanding of each other, respect boundaries and knows not to push too far, resolve their personal issues very easily, etc. It's kinda... unnatural.
Personally, I found that disappointing because I WANTED to see the cats actually process their grief over the course of the book. Watch them act out, maybe get in an fight or two and resolve it for the sake of the mission, have them come to a greater understanding of each other, etc.
Because Icewing and Dovewing are both so motherly and gentle and we're in Ivypool's POV, we don't really get to see them process their grief because of that.
They're not TOTALLY neglected though! I just... wanted more from this group.
However. I wanted LESS Rootspring.
I understand he's there to process the loss of Bristlefrost with Ivypool but god, every time he was on screen I wanted to push him aside and talk to Icewing lmao.
Stop trying to sell me "cool, mellowed from grief" Rootspring. He's a silly little hyperactive man and you will never be able to convince me otherwise.
As a silly little hyperactive semi-manthing myself, it would have been a lot more cathartic to see a clown like me going through grief. Not to mention just generally make for better chemistry with the group.
Between Ice and Dove who are already quite chill as characters, Whistle could have used someone more goofy to bounce off of.
I REALLY didn't like the whole implication that Rootspring is going to move on from Bristlefrost and "find a mother" for the kittens he wants so badly, though.
Erins PLEASE remember that adoption exists. He does not need a wife to be a dad. I'm beaming myself directly into your brains and telepathy-ing directions to the nearest cat adoption agency
aaaaaand on that note.... yeah. I did not like the way that this book leaned so hard on the whole "nuclear family" dynamic. Ivypool has had like two major interactions with her husband and one JUST happened in this book.
It especially bugged me that they leaned into Ivypool having been a very active mother, when we saw very little of that in the ACTUAL book. It wasn't even mentioned that Fernsong was allegedly the primary parent of the kittens when they were young.
But... I was able to look past it and just accept the book in a vacuum. There's a lot of good here.
Like the wildcats.
While I'm still wary of these being Scottish Wildcats and reserve my misgivings about the misuse of species that are very unlike domestic cats... I LOOOOVEEE the culture they've set up for them
I LOVEE the way that individual spirits reach out to the kits, guiding them through life
I LOVE the connection to StormClan
I LOVE their idea of the elements and general spirituality
And I LOVED the fact that a big part of Ivypool coming to terms with her grief was the expansion of her worldview. The way that she realized the religion she was raised with is quite small, and that there is an immense beauty in coming to understand other cultures, accept their advice, and see the world as they do.
I just wish the book had been able to tie that to a flaw that Ivypool has expressed since her very introduction back in OotS-- that she's smallminded.
It would have been a FANTASTIC way to really tackle and address that flaw, and pay off literal decades of set up. I really wish she had been messier in this book because of that!
But, digressing.
I'm over the moon that the team's actually playing with the series' spirituality! After such a long time of them outright avoiding some of the weirder elements in the series, like Rock and Midnight, it's exciting that they're finding some freedom in making new magic lore for themselves.
Hopefully, in the next few super editions, we'll be able to get some more insight to StormClan and the Wildcats.
The book really hits its stride in the second half because of this, and the ending chapters are actually fantastic. Some of the best stuff that's come out of the series (on purpose) in a loooong time.
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WELL.
evil weegee.
idea where luigi becomes evil one way or another (i’m into the idea of it being a wish-turned-curse-situation) and mario and bowser have to team up to figure out wtf happened and to stop luigi from causing mass destruction.
bowuigi bonus: relationship is pre-established meaning luigi is ruling koopa kingdom alongside bowser. perhaps luigi is self-conscious and feels like he isn’t seen as a leader, leading luigi to make a well-intentioned wish to be taken more seriously. the wish is warped and turns into a curse, turning him into a wicked ruler that takes over koopa kingdom, and his subordinates follow him out of fear rather than respect, when deep down respect is really all he wanted. it starts internally by luigi kinda turning against bowser (confusing the hell out of the poor guy) and just gets worse from there. bowser’s dismayed because both his husband and his kingdom have been yoinked away from him, so he begrudgingly has to team up with mario and peach and whoever else to get everything back.🤠
i kinda wanna write a whole fic now but i honestly am not as well-versed in mario lore as i used to be and haven’t played any of the games in years 😭😭 but ngl drawing evil luigi was fun. low key been in love with luigi since i was 8 years old so it was quite cathartic for me
EDIT: guys i know Mr L exists 😩 i knew of him when i drew this but not exactly who he was/what he did. but i still wanna try to make my own thing here/try to differentiate them LOL. there can be multiple flavors of evil right
flats under the cut because i’m not entirely happy with how the lighting turned out 😩
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trappedinafantasy37 · 2 months
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I just went back over my footage of the confrontation between DJ Shadowheart and Viconia as I edit my next chapter and noticed a pretty interesting pattern.
As I've mentioned plenty of times before, Minthara and Shadowheart do have shared mommy issues and I think Minthara would connect with Shadowheart over that. Minthara also has a habit of using the word "child" when speaking to children or those that she perceives as being in need of guidance, such as Lae'zel or Shadowheart herself. One of my mutuals proposed the theory that Minthara uses "child" as that is more than likely how her own mother spoke to her.
In the confrontation between Shadowheart and Viconia, Viconia repeatedly uses the word "girl" when speaking to Shadowheart. If my mutuals theory is correct, this would draw an immediately parallel between Shadowheart and Minthara in regards to how they were treated by their mothers, and could provide some insight into Minthara's relationship with her own mother. Personally, in regards to the gods and their mother figures, Minthara can easily project herself into Shadowheart's situation, similarly to how she projects herself into Durge's situation (since Shadowheart and Durge have very similar storylines).
This is something that I do plan on addressing in To Be Free From the Gods and my eventual Shadowheart fic. But, just imagine how Minthara feels watching one of her closest allies be treated by their mother in the same way that she was when she was a child. Now, Minthara is definitely one of those people that goes, "I was beaten as a kid and I turned out fine" (when it is very obvious to everyone around her that she is not fine). However, Minthara also does label her mother as her tormentor so it makes me feel that Minthara deep down does acknowledge she was abused as a child, even if she feels that abuse did make her stronger. But Minthara is also extremely protective of those that are in her circle and would not abide witnessing one of her allies being abused in a similar manner.
I'm gonna get a little personal here, which isn't something that I do often. But, I had a parent who often spoke to me with that kind of language. They would often refer to me as "half a person", or "not quite yet a person", or "still cooking", and things similar to Minthara being called "child" or Shadowheart being called "girl". Even as I got older, the language never changed and they often did not even call me by my name and instead opted to use these "nicknames" for me. Because to them, I was always going to be a child. And that type of language made me feel so small and weak. They always wanted to remind me that I was less than them, that I could never accomplish what they could, that I would never be able to understand what they could, and that I would always be dependent on them because otherwise I would fail without them. It's dehumanizing.
Shadowheart is nearly 50 years old (cause remember, she's a half-elf). And Viconia is still calling her "girl" because that's what Viconia wants Shadowheart to feel like. She wants Shadowheart to feel small, and weak, and like a child. Even when she has Shar's (or Selune's) favor, there is just a brief moment, and it is really easy to miss, but for just a brief moment, that is exactly what Shadowheart feels when she encounters Viconia again. And Minthara is just standing there, watching this interaction take place. Throwing her back to herself growing into her own 50's, and then making her first century, and then getting to 200 years old, going through clerical school, becoming a paladin of Lolth, and yet still being called "child" by her mother. Not to mention, the prefix "Min" in her name translates to "lesser" in drowic. For as long as Minthara would live, she would always be less than her mother and her mother would never let her forget it or feel otherwise.
It must be so cathartic for Minthara to watch Shadowheart kill Viconia as that is all Minthara wants to do to her own mother for tormenting her and always making her feel weak.
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flippinpancakes64 · 2 months
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Hello, I just want to know if I can request the Cullens to have an S/o that is in a band like sick puppies or skillet, please, and thank you
Also, I love your work
The Cullens with a reader who's in a Rock Band
Hello! Thank you for requesting!
I am someone who's into alternative music but I've never heard of these two bands. So I did my best to listen to some of their songs to get a feel for what kind of band you were talking about. They both reminded me a lot of Three Days Grace, Seether, Godsmack, and other bands like that so I based it off of that too.
In short, I basically went the route of a 90s-00s rock band
I hope you enjoy!
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Edward:
He's not the biggest fan
Not of you being in the band, but of the music
He's not really into all the screaming
Even though it's not all screaming lol
He is pretty old fashioned
But overall he'd be an enjoyer
He would be at all of your concerts watching from the front row
He will proudly tell anyone that asks that he is your boyfriend and that you two are very much in love
And if you guys ever wanted to write a slower, ballad-type piece he is so down to compose and play the piano part for it
Also you guys don't need to worry about money
If one of your guitar strings breaks he's sending you 1,000 dollars and telling you to keep the change
He's also a good personal bodyguard
No need to worry about rowdy fans when he's there
He supports all of your dreams
He just doesn't listen to the music in his free time
Sorry
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Alice:
She is SO into it
I feel like she doesn't care about genres or anything like that
If she likes a song she likes it
And when you tell her about your band and show her one of your songs, she is in love
You don't need to hire a merch designer or a hair/makeup artist ever
She's on it
She loves helping you choose an outfit and doing your hair and makeup before you go on stage
And it does stroke her ego just a little bit when people post on Twitter about your outfits :)
She's also definitely the type to print out like a hundred posters and staple them to all of the telephone poles in like the whole state
Also always at every concert
Except she's backstage
She prefers to be close
Stands to the side the whole time holding a bottle of water for you whenever you need it
She definitely has a shirt with your face on it that says #1 fan
She doesn't wear it but she does have it
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Jasper:
He's also a little confused by the music
I don't know why but I literally cannot imagine this man listening to music ever
So he doesn't really have a favorite type
But he loves your voice so obviously he loves your music
He doesn't trust himself to be in the crowd at your concerts
So he's always backstage too
Even though it's loud, if you even whisper under your breath that you're thirsty he is there with a bottle of water
For some reason I get the feeling he would be good at audio design tho
This guy can make fire edits to a song
Your bandmates love him tho because he moves all of the heavy equipment
He likes to be in the studio when you're recording
Quality time
And he can be perfectly silent so he never interferes with the sound equipment
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Rosalie:
I feel like she'd shock you with the fact that she LOVES alt music
She's so angsty
It perfectly displays her emotions
The screaming is cathartic to her
So when she hears that you're in a band and you make the exact type of music that she loves, she is so excited
She wants to be involved in everything
She would love designing your outfits
And I feel like she would be a good songwriter
She is in the crowd every time
Directly in the center
Directly in the front
One time, when one of your concerts was coming up, she printed out hundreds of flyers and went around the school telling people to show up
Not asking
Telling
The show was packed
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Emmett:
I think he would love it purely for aesthetic reasons
Not to say that he doesn't like that you're happy and doing what you love
But I think he would feel so cool with a badass rockstar S/O
Like when he looks up at you on stage he just gets so much pride
Like hell yeah everybody came here to see MY S/O
Also he is your personal bodyguard
He would have so much fun kicking people out of shows
He puts on the sunglasses, the high vis vest, everything
Obviously he is in the crowd every time
But that's because he's the guard
He would proudly wear a shirt with your face on it btw
And no he won't get rid of it
No matter how many times you ask
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Esme:
She's another one who's not really into the music part
I get the feeling she would like jazz/classical music more
She just gives me calm energy
So she wouldn't really like your music sorry
But that doesn't mean she won't support you
She is at every concert
Backstage
And she helps you with anything else you may need
She is shockingly good at filming music videos
She also likes to take action shots while you're performing
And then she makes a scrapbook out of it <3
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Carlisle:
This man is older than electricity
He's watched the evolution of all music genres
And he is familiar with all of them
He's sort of like Alice in that he likes songs from all genres
He is completely supportive, though
Gives you all the money you could ask for
And then some
He talks about you to his patients all of the time
"Oh you broke your arm at a music festival? My S/O is in a band, you should check them out sometime."
The nurses get a bit annoyed
The only downside is that, because he works so much at the clinic, he can't help that much
He does his best to be at every one of your concerts
But he can't make all of them
When he does show up though he is front and center
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Vampire! Bella:
Stephenie Meyer confirmed that Bella listens to Linkin Park
So yes she totally loves your band
I can imagine her in the mosh pit
She'd love it
She would stay far away from the stage though
Like she does not want to be perceived by the public
She helps doing other stuff though
I feel like Edward probably taught her how to play guitar at some point
So if you're ever stumped on a riff or something she jumps in to help
Obvs she's at every concert too
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mx-piggy · 1 year
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EDIT: I posted an essay to my website based on this post. I'd really appreciate if you gave it a read!
I finally had an intelligent thought about Heartstopper and I wanted to write it down and share it.
I think Heartstopper season 2 was even better than season 1- for me, at least- because of how it felt like a more expansive look at the queer experience, and how it made me feel a little less like I’m falling behind as an almost-eighteen-year-old who has no romantic experience whatsoever.
With most of the main characters coupling up with one another, Heartstopper could easily be a show that says little more than ‘love is love’, which- while a sentiment i agree with- often fails to include people whose queerness has nothing to do with who they love, or does not involve sexual and/or romantic feelings. So, having Isaac’s storyline involve him coming to terms with being aroace as well as grappling with the isolation he feels in a friend group full of couples offers a different aspect of queerness. I’m someone whose never had my first kiss nor have I ever been in a relationship- and at the moment I have little desire to change that right now beyond the pressure of feeling as though I’m running out of time- so to see a character who feels such a similar sense of alienation feels really cathartic.
I also really appreciated Mr Farouk and Mr Ajayi’s relationship, and I felt especially comforted by Mr Farouk’s character. I’ve been aware of my queerness since I was around the age of 10, but I relate to Mr Farouk’s quiet mourning of the queer teen experiences he never had. I think it’s really important for this show for and about queer teens to say ‘it’s okay if you don’t get what Nick and Charlie or Tara and Darcy or Tao and Elle get at their age. You’ve got time.’ I’m only 17 (18 this month) so I’m not exactly like Mr Farouk, but there’s something a little saddening watching a show about teens younger than you who have something part of you wants.
Perhaps this is very much a ‘me problem’, but Heartstopper is something very bittersweet for me, because it makes me mourn for the teen experiences- queer or otherwise- I’ll never have. I don’t hang out with my friends more than a few times a year, I don’t have a queer friend group who can relate to my struggles and I’ve never had my first kiss or had anyone have feelings for me. At times, its made me feel like I did the whole queer teen thing wrong, because I knew I was queer the whole time. But, having a character whose storyline involves realising that romance isn’t essential, and a character who realises it isn’t too late to live his life as a queer man makes Heartstopper a much easier and much more cathartic watch for me. I can finally watch it and say ‘I’m not doing it all wrong, and I’ve got plenty of time.’
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elodiah · 7 days
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Fic authors self rec! When you get this, reply with your favorite five fics that you've written, then pass on to at least five other writers! Spread the self-love 💞
Thanks @kcscribbler!
This was interesting, because I had to go with my gut feeling in the moment, but I reckon the contents of this list could easily change at any given time depending on my mood.
1) Revival
Summary: Loki and Mobius take what amounts to a vacation, whilst Loki recovers from his harrowing experience of babysitting the multiverse.
This began as a single-chapter ficlet to fill an ask game prompt. Later, I decided to revisit this version of Loki and Mobius to fill a bingo prompt in ch 2, then a random computer-generated prompt I had in my ideas doc for a 3rd and final chapter. Apart from a little Loki-whump in ch 2, it’s generally a sweet, soft and cozy pre-romance, and very cathartic to write.
2) Within
Summary: Loki and Mobius are marooned on a volcanic nightmare of a world, their survival depending solely on Loki's tenacity.
Part of my ‘Patience-verse’ series, this fic contains some of my favourite tropes, such as ‘trapped together in danger’, ‘magical drain/depletion’ and ‘the power of love’. Also a little twist of UST/URT — gummy bear feeding, my beloved! 😆
3) Sleepless
Summary: Mobius and Loki get stuck in a broken elevator for hours, and as a result Mobius discovers what's been bothering the object of his (as yet unspoken) affection.
Also a part of ‘Patience-verse’, and it’s such a trope-y scenario, you’ve gotta love it. I mean, that was the whole point of the original fic that spawned this series, after all. Basically, my reason for choosing this is not just because I’m absolutely feral for exhausted!Loki and sleepy cuddles, but also because I can’t believe I was able to write 3k+ words about Lokius in a lift. 🤷‍♀️
4) Apokruptein
Summary: A curiosity on an unknown world hurtles Loki and Mobius into peril.
A double bingo prompt-fill for ‘Forest’ and ‘Cursed object/artefact’. This 4-chapter fic is not really my best writing, but it’s the only time so far I’ve gone all-out with a full on adventure style fic, with a little worldbuilding/backstory, a lot of whump, and the lovely trope ‘temporary amnesia’ to boot. I worked really hard on the conception of this one, and I’m pretty proud of it.
5) I’ve lumped together two ficlets for my #5 spot, because they’re both similar in that they are absolutely NOT anything near what I would usually write.
a) Sit Tempus
Summary: Furnishing their new apartment, the last thing on Loki and Mobius’ list is a decent couch.
An idea that popped into my head during a boring drive home… and I wrote, edited and posted the whole thing in one night. 😏 My only ‘established relationship’ fic to date (watch this space.. 👀), although nothing remotely spicy, I should add. Just pure cute fluff, and a very vague S2 fix-it.
b) Unexpectedly You
Summary: A kindness from Loki for a mutual friend causes Mobius to have a ‘Moment’.
Terrible summary, but it’s another little ask game prompt fill, so nothing much happens in it at all. A lot of people seemed to like this one, which kinda made me like it more too. 🤣 It’s simply Loki being a sweetheart, and Mobius being proud of him. 🥹
I also wanted to add two honourable mentions for Reach (Loki/Star Wars crossover) and Reset (Loki/Red Dwarf crossover). I never in a million years thought I’d be capable of writing ONE passable crossover fic, let alone two… so the fact I managed it makes me super proud, even if they’re ludicrously niche.
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mirror-to-the-past · 3 months
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Day 1, and I am... immediately not too pleased with the story adaptation in the OMORI manga, unfortunately. Pacing is absolutely BREAKNECK SPEED, with the majority of day 3 being zoomed through.
The most criminal decision is that the prologue beginning in White Space and Headspace was swapped for a flashback to the Christmas Day memory, and then Sunny wakes up and meets Kel at the door. No Headspace centric prologue in which we lose Basil, get introduced to the cast from how they are relevant to Sunny's feelings and memory, and develop our perceptions of the supporting cast alongside Sunny's dated memories of them. Just BOOM, here's real-world Kel, Basil, and Aubrey.
And in the case of Aubrey, this ESPECIALLY hurts her real-world character introduction. A large part of what made her character immediately compelling was really being able to appreciate the contrast between her real-world self and her Headspace self, which leads the player/audience to be like "What? But she was so sweet before!! What on earth made her like this? How can I help her become like how she used to be? CAN she be like how she used to be??" She's got fanfic characterization of being much more of a violent bully rather than a girl with bad communication skills and angst for days, particularly in that she is ACTUALLY HITTING PEOPLE WITH HER NAIL BAT. Uhm, WHAT?! (Also HOW on earth did Basil get completely bodied with Aubrey's bat in the side of the head and proceed to get up, unbloodied, the next panel? What are they feeding my boy to make his epidermis and cranium made of steel??) (Edit: Looking at the scene again, it looks like Aubrey might have kicked Basil to make him fall over, right after swinging her bat around in close proximity to his head. They don't really make the flow of action all that clear, so it's easy to have the misconception that Aubrey is being actually more violent than she really is, rather than just putting up an intimidating front.)
In the manga, the character introduction name cards and descriptions only first appeared in the Headspace portion AFTER all of the Day 3 stuff turbo-sped past us, which really makes you feel like all the jumbled together Day 3 stuff that ACTUALLY introduced the characters in this adaptation was just a strange choice.
Other nitpicks, I LOVE how Sunny is so expressive in this when he is afraid and whatnot, but why is Omori so expressive? The whole point of Sunny's Headspace-sona was that he was meant to be a temperate means of repression and giving Sunny emotional numbness- to the bad AND good. It's partly why Sunny's smile at the Good Ending of the game is so cathartic- he triumphed over Omori, so he's more able to feel the positive emotions that "Omori" caused to be stifled.
Also they're really just... putting all the stuff with Mari right out in the open from the beginning, huh? BOOM, here's violin imagery, BOOM your sister is dead, etc etc. I dunno, man...
Anyway here's gay boys
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they be lookin'...
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lashes for DAYS, also I love how Basil looks so sopping wet. I approve
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Basil voice: "Hello everyone~..."
and honorary Hero because they made him look so 💅💅💅 here
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Anywho, the art is absolutely LOVELY, I love the style, and the Hellmari panel was *mwah* MAGNIFIQUE. I will at least enjoy the visuals, I am sure.
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groenendaelfic · 6 months
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Faroe Gone Final Chapter Sneak Peak
So there's still lots of editing I need to do before I can post the whole thing, but with tomorrow looming I thought I'd share something "happy" and "cheerful" to distract y'all.
Have fun reading the beginning of the final chapter and hope you enjoy! 😇
Simon doesn't know if it's the sudden fog, his tears, or the fact that all he wants to do is be a fool and turn back around again—the first one, definitely the first one—but he drives back to Tórshavn at almost a snail's pace.
It doesn't matter. He has well over a day until the ferry makes its return journey to Denmark and nothing else to do except go over his time with Wilhelm again and again, replaying the good times and the pleasurable times and wondering if he could have said or done anything to change the outcome of his journey—other than realizing that all of his feelings were mere nostalgic illusion and fantasy, which of course turned out to not be the case.
Quite the opposite. Real Wilhelm was so much more than what Simon made him out to be in his head. There's so much he's missed. So much he doesn't know yet and which he desperately wants to find out.
It hurts, and yet there's nothing else Simon can do, no other choice which wouldn't hurt more sooner or later.
No. Simon tried. He did the best he could and that is enough. It has to be enough.
Simon had to leave while he still could.
The road ahead of him is empty, no one else in sight. No people, no cars, no sheep. Nothing except the wet, cold fog swallowing up everything and a rushing noise in his ears which might be the wind or the ocean or Simon himself.
Simon blinks away another tear and keeps driving, turning up the heat and hoping it will help.
It doesn't.
On the next island he passes a camper van. It's parked, and Simon thinks he can make out a brave tourist trying to take a picture, but he isn't sure. It's not as if there's much to see except an endless wall of grayish white.
Maybe that's the fascination.
Wilhelm told him that there are thirty-seven words for fog in the Faroese language, and while Simon laughed and told him to stop kidding, he's sure he's already experienced half of them, and it's only been two days.
Okay, that might be an exaggeration, but contemplating the uselessness of taking pictures of fog is a lot more bearable than lingering on the fact that he'll never get to be with Wilhelm again, never feel that satisfied ache in his muscles, not like this, and really how long can a grown man cry before he's all out of tears?
Pretty long he guesses.
Simon once stopped Ayub's baby daughter from attempting a daring escape on all fours, and Simon swears she was crying forever. Not that he blames her.
Crying is cathartic if it's anything, but if she could produce that many tears because of nothing more than a foiled plan to explore the stairway, then how many will Simon be able to shed before he's all wrung out? He’s a lot taller than her after all and guaranteed to not forget the reason for his tears even after being presented with some candy.
Simon doesn't want to know.
Simon wants to keep driving through this fog forever, because all that's waiting for him at its end is the mundanity of his never-changing life and a scandal revealing the Crown Prince to have been the victim of underage revenge porn thanks to his second cousin and presumed successor, and that is guaranteed to make it worse, to drag Simon’s name back into public awareness.
He should probably call home and warn his mom, warn Sara, but facing them will be torture of an entirely different kind, and also the investigative journalist they chose is a good one, one bound to build a case and not blindly believe her sources before going public, so there is still time.
Not too much though, as there is an impending deadline if the Royal Court and the Prime Minister are to be believed, or at least Simon would really prefer news of August’s deeds to overshadow him being taken into the line of succession.
Not that he’s so naive as to think a mere article can do more than delay the proceedings at best—although one can always hope—and ideally the journalist and whoever else gets a say in choosing the right time will see it the same way, but all of that is still more than half a week away, so why burden his family before he absolutely has to?
No, he's not going to call home yet, but maybe he should reserve a room before he gets back to the capital.
He decides to do it the old fashioned way and pulls over at the next opportunity. A viewpoint, or so he presumes the sign a few meters away from him would tell him if only it was clear enough to see.
He wipes at his cheeks and opens his phone. There are plenty of options for him to stay at. Small, privately owned places, holiday homes with kitchens and living rooms, quaint little hotels doing their best to sell their Nordic, rustic charm to tourists wealthy enough to make it there, and of course a camping ground, because unlike Sweden, the Faroe Islands don't allow one to set up camp anywhere else.
Simon doesn't choose any of them. He wants a warm but bland room, boring and inoffensive and as likely to be in Tórshavn as on the other side of the world.
Something as far from Wilhelm's colorful and most definitely handmade and expensive wooden furniture as he can get, and so he books himself a room at the first—and only—international hotel chain he can find, something he'd never do otherwise, and pretends that he's looking forward to it. The hotel has a fitness center after all and well over a hundred rooms. Simon is almost going to feel like back home in Uppsala.
Not.
He sighs and makes sure he received a confirmation for his booking, before he throws his phone onto the passenger seat and sighs again.
Somehow, magically, or rather because he's on a windy archipelago in the middle of nowhere, the fog is starting to clear. He can see a few meters of grass now, and then a cliff, and below it the cold, dark ocean pretending at being calm.
Simon wants the fog back, but when has he ever gotten what he wanted, and by the time he's back on the road he swears he can see a tiny patch of blue sky up ahead.
The hotel is on the outskirts of town and exactly as impersonal as Simon hoped it would be. He isn't hungry, and so he goes straight to his room and falls face first into bed.
The sheets are white and the pillows are white and they smell bland and clean and inoffensive, nothing at all like Wilhelm, and why would they?
Simon hates them. Simon also hates the hotel, but it's not as if he's in the mood for sightseeing, and as he isn't willing to take a shower yet—what? He's alone, no one's going to smell him, and isn't that the entire problem?—all that's left to do is turn on the TV, because he's for sure not touching his phone again any time soon.
Not when that would mean having it confirmed with every passing minute that he was a fool to leave Wilhelm his number. Wilhelm isn't going to call, but Simon would rather live in denial for as long as he can.
The TV does not greet him with an info screen as Simon expected, but an English speaking news channel, the volume turned up way too loudly, and Simon turns it off again as fast as he can.
Wallowing in self pity it is then.
Unfortunately Simon's usual answer to bouts of self-pity—angrily jerking off to thoughts of Wilhelm—is not an option right now, because Wilhelm is the entire reason for his misery, and so he grudgingly reaches for his phone after all and starts up a game which would work much better on a computer screen.
He's just about to finish off the newest boss, when a text message pops up.
If I do it, it reads. Then can we
The sentence stops halfway through, and Simon almost has a heart attack.
The delay in his reaction is enough for him to be killed instead, but it's not as if Simon notices.
Wilhelm. It has to be Wilhelm.
He taps the message, and while that makes it larger, it doesn't change the words.
He almost calls Wilhelm back right away, because Wilhelm is swaying, is reconsidering, and Simon wants that, he wants it so bad, to have Wilhelm back in his arms and his life, but also Simon already told Wilhelm that he can't be the only reason Wilhelm returns, that this is a life changing decision if there was ever any, and that Wilhelm needs to make it for himself and not for a hope of them maybe working out, and so he doesn't.
Instead he waits an excruciating minute and then another, just in case Wilhelm wants to add something or pressed send too soon, but no further message follows.
Simon curses and swears and kicks up his feet, because now he has hope again and that is great, but also torture. He doesn't want Wilhelm to get the wrong impression, doesn't want him to think that Simon wouldn't be willing to pick right up where they left off if he could—in the bedroom that is, not when it comes to fighting—and maybe they could also go on a date which has been nineteen years in coming.
Simon wants that. Simon really wants that. How can he not, now that he's had a taste, has spent time with Wilhelm, just Wilhelm, has had breakfast with him and done chores with him and played with his dog. Simon wants Wilhelm back, now more so than ever.
Simon knows he's an idiot, thinking of romance and dating when he just left the love of his life behind, and even if he hadn't, a returning Wilhelm would have much different things on his mind. He'd have to. He'd have no other choice. Things like his dying mother and the throne and the public reacting to his return after ten years in exile.
Wilhelm wouldn't have time for Simon, no matter how much Wilhelm would want him. Not for weeks and not for months. Simon would have to sneak into an assortment of palaces with the eyes of the entire nation on nothing but them if he wanted any time with Wilhelm at all, and Simon wouldn't want that. Simon doesn't want secrecy and sneaking and lies. Not that'd even be an option, what with the press and curious bystanders everywhere.
There is another option of course. The only one Wilhelm would ever consider coming back for. The one which at first glance sounds perfect because it means being with Wilhelm and standing by his side. It would also mean giving up everything else in Simon's life though, but what has he really got to lose? Why stop being foolish now?
Wilhelm told Simon that he's it for him. Wilhelm loves him. Simon's already traveled across an ocean. What's one tiny text message compared to that? Why can't he be selfish just this once and fuck the risk and the idiocy and the fear of what will be in one year? In five? In ten?
It all might end in disaster, but it might also not, and why should he be miserable if there's even the slightest chance at some fleeting happiness. After all it's not as if the email Wilhelm sent isn't bound to upend Simon's life anyway, and it's not as if Wilhelm is actually going to come.
Simon wants to be happy.
Simon wants to be happy and now there's a chance for it and so why not take it? He's done stupider things before, like coming here in the first place, so he might as well go all the way.
He doesn't text Wilhelm a yes, doesn't make any promises. He texts one word and one word alone, followed by a number, the name of the hotel and his room number, and maybe that's the biggest promise of all.
He doesn't regret it. He couldn't stay, not without making his inevitable departure even worse, but now he's done his part and the ball is in Wilhelm's court, all the balls are, and Simon is here and waiting.
For a ferry. For Wilhelm. For the life they could have had.
Fuck.
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You know what is really bothering me about these last couple of days in Thai BL land?
Yes there were a lot of tears, but none of them were mine. (the exception being cherry magic. that sequence of Karan taking care of Achi and then being heartbroken. My heart wasn't ready)
These are my personal and maybe unpopular opinions so just let me explain. Spoilers galore as usual. We had some heavy episodes this week. Starting with 7 days before valentine and ending with the sign.
7 Days Before Valentine Look, was it heartbreaking? Sure. Did I feel sorry for Sunshine? Nope. Not even a little. Because for 8 episodes we've seen a selfish, self centered human being make a mess of the world without an ounce of remorse. Just picking people off one by one for his own selfish desires. So even if this episode was actually good, because he finally confronted his selfishness, I was watching wearing a big neon sign saying - you had it coming... the world's smallest violin etc... Also we know he's not actually gone so. (this is the recurring theme of the week btw)
Pit Babe I mean Pavel did a great job and this show is doing a great job at showing men being vulnerable and crying. But let's be real. Charlie is not really dead. We know that. Omegaverse or not, this is Thai bl and we don't play that here.
So the idea to leave the audience in the dark is an attempt at a cliffhanger but ultimately void of any real suspense. If the audience were to be let in on the plan, I'm sure there is one, then we could've felt Babe's suffering in a more profound way. Because, in my opinion, that would be more powerful. We could've seen both sides of this and felt bad for both of them. What's the point of leaving us in the dark? Am I suppose to gasp next week when Charlie appears? When what will actually happen will be that as soon as we know Charlie is alive we will get angry at him for making the person he loves suffer and next at Babe because they will get right back to the papa and mamma talk before the I'm sorry leaves Charlie's lips.
Twins I mean, there wasn't really a lot of suffering left to be had here. I was the only one suffering due to the fact that this show really waited until the last episode to make Sprite come clean. And to top it of, making First feel even more like a door mat by forgiving Sprite so fast. What a waste.
Last Twilight I've already said my peace about this show a couple of times. I did feel Mhok's pain. Him alone crying outside the house was heartbreaking. But the problem is how it happened. Idiotic. The catharsis didn't have the time to actually be cathartic for Mhok. The noble break up was not noble. So in the end I cannot emotionally connect to any of this. They threw Mhok's nightmare in there in case we'd forgotten about his baggage, or maybe because they had, so that sudden confession of Mhok had diminished impact as it was followed by the break up which of course is the real heartbreak I guess.
The Sign What is up with the editing of this show?
I already said somewhere last week that I thought the editing of the rescue was terrible because it was not done as to invoke any emotional impact. The same happens this week.
What the hell was that cut after Phaya woke up? We had like 15 seconds of them looking at each other and Phaya reaching out before they cut to Dr ican'tkeepupwiththenamesatthispoint and then to the police story line that let's be honest, it's taking space from everything else that's more interesting and it's not giving us anything of value in return. Stop putting everything but kitchen sink into shows if you can't manage it properly. If you don't have space for these stories to breathe and give me something I'm missing in the main story lines. Look I love that Phaya got up from his hospital bed and immediately went for it, but I mean what am I suppose to feel about it? The show is not letting us settle into any one emotional state long enough to feel anything at all.
And, I'm really asking. Is anyone at all interested in the police investigation? You can have a police investigation as backdrop to a story. But if you're also gonna take it upon yourself to have this massive mythological, past and present lives star crossed lovers story, then something's gotta give. Maybe just make it a case that doesn't also span generations and brings secrets and lies along for the ride.
I'm so mad at Thai bl at the moment. Not you Cherry Magic, you are my precious ray of sunshine in the middle of all this rain. Please be good till the end.
[Thank you @twig-tea for being my proofreader. You're the best. 💜]
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