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cheshiresense · 1 month ago

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In the Ichigo & Starrk time travel 'verse I'm just picturing Ichigo registering for the academy like "I'm Ichigo. From the rukongai. No last name" and then kaien popping up like "he's a Shiba!!!" And the people there looking at each other and whispering like "ohhhh he wants to be independent and not rely on his family name!! How sweet!!!" and then Ichigo just sighing. XD

LMAO with his luck, this is exactly what happened.

Meanwhile Starrk's over there in the corner filling out his application forms and thanking every god he wants to beat up I find it rly funny to imagine he has this passive-aggressive grudge against Mimihagi for a variety of reasons that he in no way, shape, or form resembles any of the five big clans. But it would also be really funny to me if people at the admin desk looked at him, and then looked twice, and then looked thrice, and then be like "You sure you're not a Kyouraku?", because let's face it, he really does look a bit like Shunsui. Like it's not immediately noticeable the way Ichigo is with the Shibas, but if Starrk and Shunsui showed up and claimed they were blood-related, probably no one would doubt it.

And at any other time, people might not think of the possibility, but there just so happens to be a Kyouraku relative - even if she's just a bastard - attending the Academy at the moment, and all the teachers and staff are always made aware of any clan children in their halls. The Kyouraku Family isn't one of the Big Five, they're a Lower Noble House and also not a Shinigami-oriented clan, more politicians and scholars and even artisans than soldiers, but they're old and prestigious and the highest-ranked out of all the Lower Noble Houses, so the Academy paid attention when one of them decided to become a Shinigami for the first time in centuries. She ends up being a disappointment with none of her cousin's talent or charisma or wit, and the Eighth Division captain hasn't pushed hard enough for them to really show her any favouritism, but they've still kept an eye on her to make sure the bullying doesn't get too bad and she doesn't fall too far behind, lest they bring her family's wrath down on them, because it doesn't seem like most of her clan cares about her but who even knows with nobles and the things that set off their sense of pride.

But that means Starrk's looks immediately ring a few bells when he shows up. Of course, he denies it; unlike Ichigo, he really doesn't have any relation to the Kyourakus, although even back in their own timeline, a few people had made that mistake when they didn't know he was a Hollow, had thought he was some Kyouraku relative Shunsui had dug up to help out, because not everyone who goes through the Academy becomes a Shinigami, sometimes they're clan members who go home afterwards to guard the family and continue their own training there, plus with Starrk's strength and skill set - 1) powerful, and 2) sharing quite a few similarities to Shunsui's so it's not even just their looks - it had actually been more far-fetched to a lot of people for him to have just been some random nobody than to be a member of this powerful clan.

But no, no blood relation, just a quirk of fate. Still, the Academy notes his name down and makes sure to keep more tabs on his progress than they would an average Rukongai student. And alright, the teachers can be overly biased or overly indifferent depending on the student but they're not actually stupid, and yeah, for a while, it's Shiba Ichigo who takes up all their attention because Ichigo blows all the other students out of the water and skyrockets straight up to a category of genius nobody's ever seen before, even more impressive than his lieutenant cousin and slated to graduate in a year. It helps (Ichigo: "No it fucking doesn't.") that Kaien is constantly buzzing around making sure Ichigo is treated like a prince befitting of a Great Noble House so no one dares make his life difficult. Well, Koyonagi would probably dare, but fortunately (Ichigo: "No it fucking isn't."), he likes Ichigo enough to not hamper him in any way, even if he does come up with all sorts of annoying tasks to heap on Ichigo "for extra credit" (Ichigo: "For his own entertainment.").

Starrk in the meantime is about as entertained by all this as a passively suicidal grieving widow war vet can get, and he makes no effort to hide it every time Ichigo comes to hide in his room and bitch to him about it, because really, it's partly the kid's own fault for not knowing subtlety even if it shoots him in the face. It's harmless enough anyway so long as Ichigo doesn't stand out more than he already has, so Starrk doesn't see a problem with kicking back and enjoying the show. Right up until the novelty of a prodigal Shiba starts wearing off on the Academy teachers because it's not like they've never seen geniuses before even if this one is a little more unique. So the turn their attentions elsewhere and suddenly realize that the guy who might be another bastard Kyouraku and spends more time asleep than awake have some really interesting grades when they look at them altogether at the end of term. Average in everything—so average it's suspicious, meaning Starrk either has the weirdest luck in the universe or he's literally calculating everything he's doing in class to make sure he always falls within a very specific range. Koyonagi had already noticed of course, and he's checked all the boxes that would jump Starrk up to sixth year starting next semester, but the other teachers catch on quickly enough too, and then they also start taking a fourth and fifth look at him.

Now it's Ichigo's turn to be Very Amused. Shouldn't have laughed at his suffering, huh? Karma's a real bitch.

Starrk is Not Amused, but also he can be just as stubborn as Ichigo, even if it's in the opposite direction. Ichigo very stubbornly isn't willing to be held back, he can do more as an official member of the Gotei, and slogging through six years at the Academy is just wasting time. If he has to graduate in the least amount of time possible and thereby be seen as a genius anyway, he might as well put himself out of his misery early and get that out of the way right off the bat. At least then, by the time he graduates, some of the shine will have hopefully worn off for the masses after they've gotten used to him.

Likewise, Starrk very stubbornly isn't willing to be anyone's show pony. Ichigo isn't either, but Ichigo's solution is to just ignore the fact that he sort of is, for the sake of exempting himself from fatal boredom. In contrast, Starrk 100% doesn't mind going to lectures when nobody can stop him from sleeping through them anyway, and he always turns in his homework on time and never fails his tests either so the teachers can't complain. The training sessions in the practical courses are more annoying but he doesn't usually have to do much there either, especially once he's jumped to the sixth-year courses where the teachers teach less and more often pair them up for spars or take them to fight very low-level Hollows they've captured instead. And since he's been noticed now, he doesn't care about maintaining average scores anymore because once you finish your spar or kill your assigned Hollow, you get to sit around and do nothing until everybody else is done, which suits Starrk just fine.

Koyonagi calls him to his office a couple more times, but as Starrk expects, the man grows increasingly bored with Starrk's lack of a reaction to anything he says. He even pokes at him from the "bastard Kyouraku abandoned in the Rukongai" angle, which almost makes Starrk laugh, because from a hierarchical standpoint, and to all these proudly intolerant Shinigami, even an unwanted bastard disowned from a noble clan would already be several steps up from what Starrk actually is.

There's no substance to this insult anyway, because Starrk really isn't a Kyouraku, and what does a Hollow care about noble blood or lack thereof? Koyonagi takes his shot in the dark and misses, and maybe he sees the amused pity that even Starrk can't quite hide this time, because the man's own eyes go flat with displeasure, for once probably aimed more at himself than Starrk because men like Koyonagi don't like making such crude mistakes. He dismisses Starrk and never calls him back again, although Starrk thinks that might have something to do with Ichigo, who hasn't been best pleased for a while now about Koyonagi harassing Starrk in a way that's completely different from his own harassment, and everyone knows - or will soon discover once again - that it's all fun and games until Ichigo puts his foot down. Either way, Koyonagi gives up trying to make Starrk prey, and Starrk chats his way past the Academy chefs one evening to make a spicy mentaiko udon just for Ichigo as thanks.

So in the end, they both think that's the end of that. Ichigo still has his fair share of secret admirers and envious onlookers and background sycophants looking for an easy ride into the Gotei, but his prickly disposition wards off most of them, and Starrk's flat, indifferent gaze from over Ichigo's shoulder - like he could bury you tomorrow and forget you ever existed the moment it's done - scares away the rest.

And Starrk is likewise acknowledged as another genius, but he's so unmotivated about doing anything with that genius that most of the other students don't really notice, and it's hard for even the teachers to make a big deal out of it. Eventually, they stop trying to galvanize him into displaying more of his abilities, if only to catch a squad's attention, and just let him do what he wants. Geniuses, what can you do? Each one is quirkier than the last.

So that's the end of that.

Except-

Quietly, in the background, possibly Koyonagi's roundabout way of revenge, possibly just the Shinigami's inexplicable attachment to all things bloodlines and pedigrees, the Academy comes to the enlightened conclusion that Starrk must be a Kyouraku. Maybe a branch member who doesn't want attention - seems very Starrk - or he really had been disowned, or there's some other circumstance they're not aware of, but nobility is full of drama so it could be anything. Whatever it is, they collectively agree that this assumption must be true, and over the course of the passing months, it becomes an acknowledged fact that nobody really talks about.

Starrk is lazy, but he's not unpleasant to be around. Who doesn't like an intelligent student? He's also polite, always patient when teachers flag him down for yet another chat despite refusing all opportunities to show off a little, and the Academy chefs adore him because that man can cook - his future wife will be very lucky - and he always has time to trade recipes with them. And on the occasions where some of the youngest students who'd shared classes with Starrk back in the first term approach him with questions on one subject or another, Starrk would frown and sigh a lot, but he would also sit down and answer them one by one, indulgent in a way people wouldn't expect just by looking at him.

If he really is a disowned bastard, well, privately they think that's the Kyourakus' loss, but it also means that it's probably a pretty sensitive topic to Starrk, as these things tend to be, so it's better not to throw it in his face. They're not Koyonagi after all.

(They don't understand for quite a while to come why Koyonagi always rolls his eyes and leaves the room whenever they talk about it amongst themselves.)

To be fair, they really can't be wholly blamed for coming to this conclusion despite all lack of solid evidence and testimony.

First of all, Starrk really does share a physical likeness with the Gotei 13's very well-known Eighth Division captain. Their builds are different - one broad, the other lean - but they're both tall with high cheekbones, and they share the same colouring, grey eyes and brown hair and light skin. In that, Fujiwara's the exact same way, and she is a Kyouraku branch member. It's just even more obvious with Starrk because he's male, plus a few of the Academy teachers have been around long enough to still remember Shunsui before he'd grown his hair out, and Starrk resembles that version even more.

Secondly, and this was less conspicuous, but the teachers had even dug out some of Kyouraku Shunsui's very old, very dusty papers from his Academy days for comparison.

In terms of personality, the two are almost complete opposites. One flamboyant, the other solemn. One outgoing, the other reserved. One a flirt who socializes enough for ten, the other would rather stay in bed and sleep the day away. It's just that Starrk is surprisingly good with people when he tries, and some can recall that even Kyouraku Shunsui had had his moments of quiet contemplation, which only puts more stock in the familial tie theory.

But it's in terms of mindset that really drives it home for them, because when it comes to the way they look at the world, they sync up to an almost frightening degree.

They unearth the captain's old papers from the library archives, and it's been years, centuries, but Shinigami don't tend to change much. If anything, Kyouraku Shunsui’s essays read more immaturely than Starrk’s, but the foundational reasoning from both men is solid.

They review them, and then they look at Starrk's again, and Starrk might leave questions blank on homework and tests but he's never skimped on answers when he does turn them in, and a lot of those questions are essay topics - similar enough even between Kyouraku Shunsui's generation and the current one to make a fair comparison - about hypothetical situations on the battlefield, in a fight, if you meet an ally, if you meet an enemy, if you have to choose who to save, if you have to choose who to let die—what would you do?

The respective responses are evidently written by two different people, well-debated and well-presented, but at the same time, even hundreds of years apart, their opinions and strategies and perspectives and choices on almost every single topic are near-interchangeable.

(They can't have known that Starrk had spent seven years at Shunsui's side, watching him lead, watching him fight, watching him wage a war and command his soldiers and protect his people to the best of his ability... and ultimately fail. They can't have known that he'd spent one final year leading the gutted remains of a Gotei in Shunsui's name to the best of his own ability... and also fail in all the ways that had mattered. They can't have known that even before those years, the two of them had met across a battlefield and crossed minds as much as blades, and even then, they hadn't felt like strangers to each other.)

[AUTHOR INTERRUPTS TO SAY I actually didn't want to mention Starrk's Zanpakutou like this because I have a whole thing planned out for it, as in I was insane enough one day and spent an entire afternoon creating a Bankai for him, but I also think some of you guys have probably guessed at least a bit of what his Zanpakutou looks like since I've dropped a few hints in previous snippets, so whatever, I'll just confirm its sealed form now. I guess this officially makes this snippet not part of the AU though cuz I originally had him not revealing his Zanpakutou until like a year after he graduates, post-time travel reveal. And going forward, he'd be meeting Shunsui differently here since originally their first meeting is at one of Asuka's tutoring sessions. But whatever, you can just go with whichever version you like best. Anyway, let's get on with my increasingly off-topic snippet lmao, sorry Anon.]

And last but most definitely not least, even disregarding everything else, Starrk's Zanpakutou alone is simply a Glaringly Obvious Sign From The Heavens. It's not that people from the same family always share similar Zanpakutou, but it's not exactly uncommon either—just look at the Shibas, they all have elemental Zanpakutou, and the newest one will probably go the same way; the Kuchikis have katanas with identical guards and always a white hilt or sheath; and not a single member of the Feng family that's passed through the Academy has ever left with anything but a wakizashi.

It's especially hard not to make certain connections that lead to the most obvious conclusion when everybody knows that Kyouraku Shunsui is the only Shinigami in living memory to wield a Zanpakutou that exists as two separate blades in its sealed form.

And now there is another.

The first time Starrk had finally removed his Zanpakutou - his entire Zanpakutou - from that wooden case he always carries around over one shoulder for a Zanjutsu assessment compulsory for graduation, the entire room had first gone dead silent, then burst into an uproar. Thankfully, it was a private assessment so there'd only been Starrk and several teachers inside.

They'd all thought they'd seen his Zanpakutou before - after all, he has to use a weapon in his Zanjutsu classes - but apparently, he'd always only taken one blade out for training.

A katana and a wakizashi, a daishou pair, each with a pale gold hilt, a darker gold sheath, and a blue-grey rectangular guard decorated by a sun design. Almost exactly like Kyouraku Shunsui's tachi and wakizashi, with their dark blue hilts and gold rectangular guards decorated by cherry blossom petals.

The meaning of it all could not possibly be clearer. At this point, if they're not family, they would have to be the kind of soulmates you would only find in one of those ridiculously sappy unrealistic romance novels.

(They can't have known that sometimes fate likes its jokes a little too much, and its favourites have always been the butt of them.)

Miracle of miracles, the pseudo-secret of Starrk's Zanpakutou doesn't leak right away. Starrk obviously doesn't want the attention for one reason or another, and the teachers have no real cause to spread it around so they don't. For one, they like him enough to cater to his very simple wishes, and for another, this man is clearly going to be a very powerful Shinigami one day, very likely to snag a captaincy sooner or later, and every noble clan is the same—if Starrk really is disowned, once the Kyouraku Family gets wind of what he can do, he won't be for much longer. And on top of all that, Starrk seems to be friends with the Shibas' most recent pride and joy; that's a connection that will get him far even without his own clan's backing. The Academy doesn't have much to do with the goings-on in the Gotei 13 or the government or the courts of aristocracy, but there's no need to make enemies when they don't have to.

Then comes the day Kyouraku Shunsui himself comes around for a visit.

This in itself is not new. The only career Shinigami from the Kyouraku Family isn't one to throw his weight around too much the way a lot of the other clans like to do for their kin, but he still checks up on his cousin two or three times a year, which in their opinion is already pretty admirable considering Fujiwara is not only from about as distant a branch as one can get, but also illegitimate, out of favour with her clan, and... well, painfully average in a way that means they all have to wrack their brains for compliments every time the captain shows up to ask about her.

Fortunately, for the first time since he'd taken up a position at the school, Koyonagi had done them all a favour and assigned her a tutor capable of working miracles, and so they can very happily and very honestly tell Kyouraku Shunsui all about the leaps in progress Fujiwara has made over the past several months.

The captain listens with a smile that's equal parts amicable and unfathomable, nodding in all the right places. He thanks them for their hard work even as he rakes a discerning eye over them that has them all sweating internally, but at least he also seems willing enough to not make things difficult for them now that Fujiwara is thriving under Shiba Ichigo's protection.

And that should've been it. That would've been it if Akabane Shiina, head of the Kidou department and arguably Starrk's favourite because he actually stays awake in her classes - he's certainly her favourite if the way she gushes about his gloriously tricky projects to a very resentful audience in the staffroom is anything to go by - suddenly bursts out just as the captain is making to leave:

"Are you not going to ask about your other relative?" She demands, her voice gone strident with righteous indignation. "Is it because he really was disowned and cast out into the Rukongai? But he is still better than Fujiwara!"

Shiina has no eyes for anyone without talent in Kidou. She doesn't have a problem with Fujiwara, and in fact, out of the four combat forms, Fujiwara is best at Kidou, although that might not last with the way she's catching up in all the other fields under Shiba Ichigo's tutelage, and Shiba Ichigo is notoriously slow at Kidou so he can't teach her anything in that area. But even on her own, Fujiwara's competency in Kidou is enough to meet all graduation requirements, and she'd even done fairly well in the fourth-year course Shiina had taught last year, certainly better than all her other subjects. However, she doesn't have the kind of flair for it that Shiina values.

Starrk does. And Shiina apparently does not appreciate her favourite pupil being dismissed out of hand just because he's considered one step lower on the social ladder than Fujiwara. Sure, Starrk is far more talented than Fujiwara; he's the last person anybody needs to worry about when it comes to graduating. But that's just all the more reason he deserves at least passing acknowledgement from a captain. And yet Kyouraku Shunsui can show concern for a neglected bastard but not a disowned bastard? Don't make her laugh.

Her temper has always been a straightforward creature, and so she ignores her colleagues' frantic squinting and meets Kyouraku Shunsui's gaze head-on when he pauses and then turns back, except he looks... entirely puzzled.

"Other relative?" The man echoes, looking genuinely baffled. "Did my clan send another child to the Academy? Maa, I wasn't informed. And Asuka-chan hasn't mentioned anything to me either."

A moment of silence follows. Shiina glares suspiciously at the pink-clad captain, who waits her out with the same unflappable calm Starrk pulls out whenever Shiina gets too excited about a Kidou seal and babbles for half an hour straight.

And she's supposed to believe these two have no relation to each other?

"He is not a child," She finally says. She doesn't know how old Starrk is, but it's very obvious he has at least several hundred years under his belt. He makes her feel young sometimes, and she's almost four hundred years old. "He came here from the Rukongai, with Shiba Ichigo."

She watches the way Kyouraku's eyes flicker as he takes in this information, but he doesn't emote anything except mild curiosity.

"Ah, I think I've heard a few things about Ichigo-kun's companion," Kyouraku muses. "Coyote Starrk, wasn't it? Also slated to graduate by the end of the year? But I'm afraid my clan definitely doesn't have a branch family by that name."

Well obviously, if he'd been disowned. He'd probably picked it for himself.

Kyouraku smiles a bit at whatever expression has crossed Shiina's face. It should be a scathing one. It feels scathing.

"But now I'm curious," Kyouraku continues, one hand reaching up to tilt his hat up. "For everybody-" His gaze sweeps the room, making everyone straighten in their seats. "-to think he's related to me of all people—we must be very obviously alike in some way."

Shiina scoffs, unimpressed. In some way? Try in every way.

But, at least he hasn't been ignoring Starrk on purpose. Mentally, Shiina grudgingly returns the 50 points she'd docked from him earlier.

She's about to interrogate him about what he's going to do about his curiosity - so help her, if he finds out Starrk really is family, then lets Starrk know that he knows now, and then rejects him for being disowned, captain or no, she's going to make him pay - when one of her colleagues, Koyonagi's gopher actually, because the man himself couldn't be bothered to show up, so as always, he'd sent his nominal vice-department head, interrupts.

"Are you certain you’ve never met?" The man blurts out like he can’t help himself. Especially now that Shiina’s fielded the hard part, and Kyouraku hasn’t taken offense. "Surely you've discussed his essays at least!"

Kyouraku arches an eyebrow. "I can't say I have. But what makes you say that?"

The Zanjutsu teacher flounders. The sixth-year Philosophy teacher is less unprepared and simply pulls out a folder, only about a third full, but they still have a little over a month to go. At least it lets the teachers spread them out a bit instead of having to read them all at once at the end. It was the original reason for the meeting today before Kyouraku had dropped by—going through some of these papers while their workload is still relatively light.

There is an essay question assigned to every student at the beginning of their final year at the Academy. Unlike all other assignments, this one must be completed in order to graduate whether or not your grades are up to par. Students have the whole year to finish it, but it can be handed in anytime.

It's long been said that the the essay question is something Yamamoto Genryuusai himself had come up with, originally posed to his two personal students hundreds of years ago, and unlike all other topics where the details would at least be switched up from year to year, this one has never changed since it had first been included in the curriculum.

To defend honour or to protect life—which should a Shinigami of the Gotei 13 choose to uphold? Why? Which would you choose? Why?

There is actually no correct answer. So long as the paper is written with some thought put in, it’s an automatic pass. But every year without fail, the lieutenant of the First will come by and cart the whole pile away. Nobody can say for sure what happens to them.

Nevertheless, most students choose honour for both parts of the question. Whether they believe it or not, they at least know the politically correct answer, the safe one. Some of the more outspoken students - usually Rukon stock - might choose honour for the first part but argue life for the second part.

Kyouraku Shunsui had been the only one in Academy history to have chosen life for both parts, and now, Coyote Starrk and Shiba Ichigo have joined him.

Shiina watches as Kyouraku wanders back over to peer down at the two essays the Philosophy teacher lays out on the table. She watches as the captain smiles, appreciative and a little amused, as he scans Shiba Ichigo's paper—a fierce discourse on the importance of friends and family, of prioritizing comrades even if it means breaking the law, of doing right by them even if it means discarding the honour of the Gotei or your own honour as a Shinigami because there's no honour in abandoning your loved ones.

And then she watches his gaze move to the other paper, and she watches as his smile fades and his expression goes still. His hand comes up again to tug down the brim of his hat but he never looks up from the essay—a succinct dissertation on doing everything possible to preserve the lives of those in your care, because the duty of a Shinigami to the Gotei 13 is first and foremost to protect the people who depend on them, to shield the world they all reside in, to stand between danger and the realms they have been charged with safeguarding.

—What does honour matter when you cannot protect what you have sworn to protect?

—When you make the choice to step on a battlefield, you are choosing to do all in your power to seize victory, because anything less is an insult to those who have placed their trust in you, a threat to those who rely on you, and a broken oath to those you gave your word to protect.

—When you make the choice to kill, because taking a life is in itself an evil act, you are choosing to carry the necessary sins that will be demanded of you in battle so that others will not have to.

—When you make the choice to protect, you are choosing to discard your honour, because honour will not protect your people. It will not protect the world. It will not protect anything save your own sense of righteousness, and what is that worth if all you care for is gone?

—To be a Shinigami means to shoulder the weight of countless souls. In essence, it is a promise to protect life to the very end, and if honour is the cost, then it is a small price to pay.

Shiina has read Starrk's paper several times already. She had even made her own copy.

She thinks he will make an exceptional Shinigami.

Nobody says a word even after enough time has passed for Kyouraku to have read the paper twice over. What little Shiina can still see of his shadowed face is utterly inscrutable.

When he finally stirs, straightening up to look around, there's something new in his eyes, some emotion Shiina can't place that remains even as he murmurs, "I don't suppose you know where-"

He stops when - as if on cue - a familiar reiatsu signature in the distance rounds the corner of the hallway leading to this room.

It isn't Starrk's reiatsu. He's hard to sense on a good day. But everyone has felt Shiba Ichigo's reiatsu at least once. Boy isn't subtle. He has the skill to hide most of it, but spikes of emotion or even just when he's distracted can bring it out sometimes, and his reiatsu - like that first shocking plunge into ice water that robs you of all breath right before any other sensation hits - isn't one people tend to forget.

And where Shiba Ichigo goes, more often than not, Starrk is there as well.

Shiina checks the time. Classes are out. It's Friday. Chances are good they're together.

Several feet beyond the door, the reiatsu signature comes to an abrupt halt. A few seconds pass, two muffled voices murmur something back and forth, and then footsteps resume, heavier this time, before three brisk knocks are heard.

The head of administration - the one with the highest rank in the room, bar the Shinigami captain - clears his throat, glances at her glower, glances at Kyouraku's perfectly genial expression, and then calls out like a coward, "Come in!"

The door swings open, Shiba Ichigo stalks in, and sure enough, Coyote Starrk shuffles in after him, hands in his pockets, and his bag and the wooden case containing his Zanpakutou slung over one shoulder. His face is so impassive it could've been carved out of marble.

Shiina docks 100 points from everyone in the room. Except Starrk of course.

But even she can't help staring at this meeting that somehow feels like it's been a long time coming.

Starrk's gaze rises. Kyouraku's gaze jumps straight past Ichigo. Their eyes meet, and for just a moment, all of time seems to shudder to a halt.

Silence stretches... and snaps.

"Hey, what's everyone staring at?" Ichigo cuts in irritably, waving the sheaf of papers he's holding in one hand. "We're supposed to hand in our waivers for the assessment on Monday, right? What's the hold up?"

He shoots a look to his left where Starrk and Kyouraku are still standing there staring at each other like the rest of the world has ceased to exist. He's already scowling, but he scowls even harder at the sight.

"Good afternoon, Kyouraku-taichou," He greets very pointedly.

Kyouraku blinks, and Starrk turns away, busying himself with digging out his own papers from his bag. The moment passes, and Kyouraku turns to Ichigo as if nothing out of the ordinary had happened, "Ichigo-kun, what a coincidence. What are you here for?"

Ichigo's gaze bobs between Kyouraku and Starrk again before he shakes the papers in his hand once more. "Starrk-san and I have our second Hohou assessment on Monday. It's the one where they drop us off in an arena full of Hollows, and we have to get out using only Hohou. But we have to assure the school we won't blame them if we get killed, so-"

He brandishes the waivers again and finally looks back at the teachers in the room. "I actually don't know why we have to do this. I asked Matsumoto, and she said she doesn't have to fill out any of this stuff."

The admin head coughs delicately. "It's for clan members, Shiba-san."

Three things happen at once:

Shiba Ichigo, predictably at this point, snaps, "I'm not a clan member!"

Coyote Starrk stops halfway through pulling out his own waivers.

And Kyouraku Shunsui goes back to staring at Starrk, although Shiina thinks he doesn't quite know he's doing it so blatantly.

"Shiba-san, your cousin has already had your name changed to indicate official entry into the clan," The admin head says placatingly. "And he assured us that it was with your approval."

Ichigo glares, clearly all set to spend the next hour fighting this new information tooth and nail. "That doesn't mean-"

"Ichigo," Starrk finally speaks up, but he doesn't say more than that. It doesn't seem like he needs to though because Ichigo breaks off, still scowling, but he also glances back at Starrk, who only arches an eyebrow in return.

Ichigo grumbles something under his breath before slapping his papers down on the desk in front of the admin head. "Fine, whatever, I'll go beat him up later. Starrk-san?"

Starrk meanders over, his own waivers already tucked away again. There's a slight slouch to his frame, his gloved hands are back in his pockets, and he doesn't loom, even stopping a foot behind Ichigo, but when he turns his attention on the admin head, the man almost visibly squirms under that blue-grey gaze.

"I'm not from a clan," He says mildly.

As one, the entire room sans the students and the Shinigami captain turn to look at said captain. A moment later, even the students turn to follow their line of sight.

Kyouraku stares back. Or rather, he meets Starrk's gaze again, dark and intent, searching.

Ichigo snorts. The tension breaks.

"This again?" Ichigo glances at Starrk again. "I thought that rumour went away months ago."

"I thought so too," Starrk agrees in bland tones. He looks from one teacher to the next, and even Shiina ducks her head a little when his gaze sweeps over her.

Another beat of silence ensues before it's Starrk's turn to heave a sigh.

"I'm not from a clan," He repeats in that quietly implacable way of his, and even though there's nothing threatening about him, not in his voice, not on his face, not in his posture, not even in his reiatsu, something in their hindbrains stills like cornered prey anyway.

"I am not a branch member," Starrk continues without much inflection. "Or an illegitimate child, I have never been disowned, and whatever else your... very healthy imagination has come up with," For a split second, he looks almost amused. "I can assure you, I am not that either."

He stops. He needn't have gone on because Shiina definitely believes him this time, or at the very least, she believes he genuinely believes he isn't a Kyouraku.

Except then Starrk also turns to the side where Kyouraku is observing everything in silence. Grey meets grey once more.

"This Taichou-san," Starrk says, looking at the captain in question. His face is unreadable. "Is Kyouraku Shunsui of the Eighth Division, right? Then he should be able to confirm—I am not a part of his clan."

Another moment of silence passes. Shiina catches the way Ichigo's expression has gone grim, although for what reason, she doesn't know.

There's been something off about this whole situation from the start. Why those two couldn't have gone away and come back later is beyond her. They'd clearly sensed Kyouraku inside even before knocking.

"It's true, as far as I'm aware, we really aren't related," Kyouraku says after a few seconds of studying Starrk some more. His eyes don't move away even as he speaks, and his tone is... strangely gentle. "And this should be our first time meeting."

Starrk's gaze slides away at almost the exact same time Ichigo reaches out and snags the sleeve of Starrk's Shihakushou, tugging him forward and around, which just so happens to plant him between Starrk and Kyouraku.

"So is there anything else?" Ichigo says loudly. "Or can we go?"

There's a moment where most of the teachers seem to have forgotten why they're there in the first place. Shiina huffs and decisively takes over.

If she could have her way, she would've already ejected Kyouraku from the room. Maybe they really aren't blood-related - what are the odds though? - but she's pretty sure there's something going on between them anyway. Them and Ichigo.

Whatever, it's not her business. Since both parties have said so, everyone else will just have to accept it.

But now that they've reached this point...

"Come here, I need to tag your Zanpakutou," She says briskly, taking out a box as she beckons them over. "The second Hohou assessment bans the use of Zanpakutou. You'd be surprised how many Zanjutsu-focused students try to cheat anyway, so all Zanpakutou have these attached to them before the assessment begins."

She shows them the tags with seals inscribed across the surface. They're nothing fancy, akin to nametags, but they do their job.

"We don't like separating Zanpakutou from their wielders once students reach their fifth year," She explains. "And all Shinigami are encouraged to get used to carrying their Zanpakutou with them at all times anyway. This way, you'll be able to take them in with you, but we'll know if you unsheathe them."

She takes out three tags and flares her reiatsu, watching half the seals light up before holding them out. "There. Loop the string around the sheath before tying it over the hilt, and then I'll finish locking them. They won't affect your Zanpakutou in any way, and you can still unsheathe your swords anytime. Try not to do that until after the assessment though. There's not much time on Monday to redo the tags, and you'll get marks docked off if you use them during the test."

Ichigo nods and grabs a tag first, head dipping as he reaches for the katana at his waist. Then he jerks back up again, wide-eyed, but Shiina isn't paying any attention to him anymore as she looks up at Starrk.

Starrk blinks at her once, slowly. His expression doesn't shift from its indifferent lines, but after a few seconds, something about his eyes thaws, the corners crinkling briefly with the faintest of mirth.

"You're a bit... petty, Sensei-san," He murmurs in a voice pitched so low only she and Ichigo can hear.

Shiina shrugs unrepentantly. She still can't be 100% sure Starrk isn't a Kyouraku no matter what the man himself believes, but she is sure that either way, it's the Kyouraku Family's loss.

If Starrk isn't a Kyouraku, then it doesn't matter, although knowing nobles, they'll probably be at least a little disgruntled that their unique dual-wielding Shinigami is unique no longer, and it's even someone from Rukongai who's manifested a daishou pair.

And if he is a Kyouraku, an ugly secret the clan had erased so thoroughly that even the only remaining heir of the main branch wasn't told, then Shiina wants them to know, wants to rub it in their faces, wants to shout, Look what you missed out on! Look what you lost! He's no less special than the only Shinigami you've produced!

So sue her. Maybe she's been a little bitter about Starrk receiving no offers from the Gotei divisions beyond the generic ones most students get because there are always unseated cannon fodder positions needing to be filled. Technically, it's Starrk's own fault for utterly failing to stand out in any way, but Shiina doesn't mind blaming everyone else for being blind.

She doesn't know what all Starrk can do, but she is absolutely certain he is far, far more powerful than he's let on. His Kidou work alone is magnificent, and someone like that can't possibly remain in obscurity. Anyone who looks down on him for his circumstance of birth or lack of background will regret it. This is just the first step.

Starrk huffs out an exasperated breath but doesn't refuse her little scheme because obviously she's his favourite teacher. He takes the tags, and then reaches up to twist off the cap of the wooden case.

One could hear a pin drop in the subsequent silence as Starrk retrieves his katana and wakizashi in one fluid motion and lays them out on the desk in front of him. The nearby lamp light catches on the katana's hilt for a moment, making it shine, like sun on sand. With deft steady hands, he attaches a tag to each blade, calm even with a sea of eyes on him.

Shiina slants a look to the side through her eyelashes and suppresses a very satisfied smile.

Kyouraku Shunsui looks like he's been hit over the head with a hammer. She's willing to bet it's a rare look on him, even for someone with a reputation for making a bit of a fool of himself in public whenever he drinks.

He looks stunned now, stunned and... and something else, the same something he'd shown after reading Starrk's paper, except in his distraction, it's far more noticeable now, even if just for a few seconds.

Wonder, Shiina thinks, and doesn't know what to think of it.

"Sensei-san?" Starrk prompts, tilting his blades towards her.

Shiina gives herself a mental shake before finishing up with the tags, Starrk's first, then Ichigo's.

"That's done then, you can go," Shiina tells them. "Have a good weekend. Don't be late on Monday."

Ichigo breathes a sigh of relief, looking reenergized, while Starrk nods at her, nods at the other teachers, and even inclines his head in Kyouraku's direction, before they both turn to go.

"I should get going too then," Kyouraku says, smiling once more and as affably composed again as ever. "Wouldn't want to overstay my welcome."

Shiina stoops down to put the box of tags away just so nobody will see her roll her eyes. By the time she sits up again, her colleagues have seen the captain off, and she silently wishes Starrk good luck with that one. Still, she doesn't regret waving his Zanpakutou in the man's face. She does dock off another 20 points though because she's decided she doesn't much like Kyouraku, especially when he's in Starrk's vicinity.

"Hey!" The Philosophy teacher suddenly calls out, flipping through the papers on the desk. "Where did Coyote-san's essay go?"

Everyone spends a minute looking for it. Shiba Ichigo's is still on the table.

Shiina glances at the door and lets her lip curl. Minus 100 points. She's never met anyone who's hit the negative hundreds so quickly in her life.

The others realize it too soon enough, and the admin head eventually sighs. "It's fine, we have a few copies anyway, and it's not the first time we've lost an essay."

"So... he's not a Kyouraku then?" Someone else pipes up.

An uncertain hush falls over the room. No one is convinced, Shiina included.

"Just..." The admin head waves a weary hand. "Treat him as we always have. It doesn't hurt to be cordial to a future captain, noble or otherwise."

Everybody agrees, and that's that.

-0-

Ichigo has never felt so awkward in his life. He finally understands what being a light bulb means, and these two aren't even dating anymore. Yet. Again. Whatever.

Still, he obstinately makes sure he walks between them. It's not much, but it's probably better than inflicting all of... Kyouraku on Starrk right away. The past twenty minutes had been awful enough. Not many had noticed, or if they had, they probably hadn't been able to pinpoint exactly what was wrong, but Ichigo knows Starrk.

Knows him well enough to tell that the man isn't in any way as put-together as he seems on the surface. Knows too that he's probably thinking about crawling into bed or walking into a lake or disappearing into the sands of Hueco Mundo and just never coming out again.

Ichigo doesn't know how to fix it though, doesn't know if this can even be fixed. The last year in their own timeline had answered him with a resounding no. So all he can do for now is stay close and make sure Starrk is never alone in these moments.

No one is talking. Ichigo wouldn’t usually mind, but the silence this time is tense. It’s also rare to have Kyouraku around and not have any conversation going. The man isn’t actually that chatty most of the time, even if he is a people person, but for there to be something interesting in his immediate vicinity - and Kyouraku is interested in Starrk, even Ichigo can tell that much - and yet choose to remain silent? Ichigo doesn’t like it.

They get all the way to the entrance of the staff building before Ichigo cracks.

“So what were you here for today, Taichou?” Ichigo asks. “Uh, if you can say, I guess.”

Shunsui glances over at him, glances past him, then back. “Maa, it wasn’t anything special. I was just asking about Asuka-chan's progress. You’ve done a good job with her.”

Ichigo flushes a little. “I didn’t do much. She just needed some confidence.”

Kyouraku hums, amused but warm somehow. He's always been good at that. “We’ll agree to disagree then. I’m grateful either way.”

Ugh, this was not what Ichigo had wanted. But he ends up nodding stiffly, and thankfully, Kyouraku gets the hint and drops the subject with a chuckle.

But that also means he has time to glance at Starrk again, like he's checking for a reaction. Unfortunately for him, Starrk is currently impersonating a statue, and he hasn't looked at Kyouraku once since they'd left the meeting room.

It's only when they step outside that Starrk finally stirs. He turns to face them, eyes on Ichigo, features carved from stone. "I turn off here."

Ichigo blinks. Oh, right, but- "You're already going back to the dorms? Fujiwara and Matsumoto want to go out for dinner."

Starrk nods. "I know, you mentioned it yesterday. I won't go. Give me your bag, I'll take it back for you."

Reflexively, Ichigo hands him his bag, but he also tacks on, "You can come too, they're definitely expecting you to."

Starrk shakes his head. "I'm tired, I'll probably just turn in early."

Ichigo opens his mouth to argue, but... to be honest, in Starrk's place, he probably wouldn't want to be inflicted with Matsumoto's energy either. Fujiwara's taking after her a little too much for comfort these days, and Gin is probably going to be there too, and nobody wants to put up with Gin when they're already feeling bad. Of course, Gin always looks sour-faced around Starrk instead of the other way around. Ichigo is pretty sure it's because Starrk has a way about him that makes the suspicious brat feel like the man's constantly catching him red-handed or something every time Starrk so much as looks at him, which is hilarious, but it also means Gin tends to either avoid Starrk whenever possible or needle him when it isn't. Starrk doesn't usually care, but it isn't exactly what anyone would call a good time.

"Okay," Ichigo says instead. "Just make sure you eat something first."

"Mm," Starrk says, very obviously not agreeing to anything. God, Ichigo is surrounded by people who are going to worry him into an early grave. On the other hand, can it be called an early grave when he probably should've died something like ten years ago?

...Wow, that's depressing. Best not to think about it too hard.

"Go have fun," Starrk says before Ichigo can press on the point about food. Sometimes, it's like Starrk forgets he's not just a Hollow anymore. Ichigo had heard that Starrk had transcended hunger even as an Adjuchas because his reiatsu had done the "eating" for him—and then some. And even after reaching the peak of a Hollow's evolution, he's still never needed as much of any kind of food as regular Shinigami, but that doesn't mean it's healthy either for him to eat nothing.

"Don't stay out too late, don't drink too much," Starrk continues, and Ichigo is distracted enough by this to drop the previous subject.

He rolls his eyes. "Okay, Dad. You know it's a Friday, right?"

Also he's not a teenager anymore, he doesn't say, because he's still mindful of Kyouraku's presence behind him.

(His human body had died as a teenager though, at the ripe old age of seventeen. Some days, it feels like he's still aging at the pace of a human, all grown up and as jaded as an adult can get. Other days, when Kaien acts like an annoying big brother around him, or when Starrk fusses over him in that weary, gentle way of his, Ichigo feels exactly like the kid he would be if he'd been born in Soul Society.

He's still not sure how to feel about that. It's weird, always, but... not always bad.)

Starrk raises his eyebrows. "Matsumoto has a makeup test at noon tomorrow. Ichimaru has an early shift in the morning. Fujiwara has an appointment with her advisor at nine, and you-" A wisp of amusement actually makes it all the way onto his face for a moment. "-have remedial Kidou lessons with Koyonagi at ten."

Ichigo immediately scowls. "It's not remedial lessons! That bastard just doesn't know how to butt out of my business!"

Starrk hums noncommittally, but Ichigo's on to him. That's his I'm laughing at you on the inside because I'm secretly an asshole hum.

"How do you even know all these things?" Ichigo grumbles, because honestly, even when Starrk comes to hang out with them, he spends at least two-thirds of the time napping instead of paying attention to anything going on around him. Ichigo hadn't known they'd all be so busy tomorrow.

Starrk just gives him a blank look like he doesn't understand the question. Ichigo rolls his eyes again and gives up.

"It's not like I was planning on staying out that late anyway," He huffs. "We'll be fine for tomorrow."

Starrk nods and says nothing else. Ichigo doesn't have the words to describe how much he likes that about the guy. Unlike Kaien, Starrk says his piece when he feels strong enough about something to actually make his opinion known, but the rest is up to the other party to decide for themselves, for better or for worse. Unless of course you're bleeding a river with your insides hanging outside and trying to insist you can totally still fight.

Healers. They're somehow all carved from the same terrifying, unbending mold. The day Starrk meets Unohana, the Gotei 13 may never know peace again.

Starrk slings Ichigo's bag over his shoulder as well, and then his gaze finally skates past Ichigo to the man waiting patiently on the side while listening with shameless interest.

"Kyouraku-taichou, I'll be taking my leave," Starrk says, polite and formal as he bows his head, as an Academy student should before a captain, and it's- it's wrong, it's all wrong.

Ichigo doesn't really count the first time he'd met Starrk as their first meeting, which means that for as long as he's known this man, it has always been as a package deal with Kyouraku, right up until that final year. To this day, he has no idea how those two had happened, but it's not like 80% of the people he'd known and befriended hadn't been his enemies once upon a time too, so he has no room to judge.

The point is though, from Ichigo's perspective, Starrk had always followed faithfully in Kyouraku's wake, in his shadow, at his shoulder, hunched over the same desk and working long into the night or decimating a battlefield on Kyouraku's command, with eyes for no one else, even when - in the early days - enemy Quincy had mocked him as the Captain-Commander's tamed mutt, and their own allies had disdained him for being Ukitake's substitute. But likewise, while Kyouraku had forged ahead to pave a bloody road through the enemy ranks because there was no one else to do it for them anymore so he'd had to do it for everyone else, it was always Starrk he'd looked back at, always certain that he would only ever have to reach out and there Starrk would be, and no matter what anyone had said about lingering loyalty to Aizen or potential spy for the Quincy or even a Captain-Commander with such an unsightly weakness, Starrk had been the only thing Kyouraku had refused to hear a single dissenting word about.

They'd orbited each other and stood as a unit at the helm of the Gotei 13, and to see them like this now - separated by death and time and memory - even Ichigo aches at the sight. There's barely five feet between them but it might as well be a canyon.

Maybe Kyouraku can sense something of it too, because he tilts his hat down until it casts a shadow over his eyes, like he can't bear to look, but at the same time, his gaze remains glued to Starrk like he can't bear to look away either.

"Aa, I'm glad to have met Ichigo-kun's most mysterious friend at last," Kyouraku says, voice as laidback as ever, eyes anything but. "You've never come along with the others when Ichigo-kun is training Asuka-chan in my backyard."

It isn't quite a question, but Starrk blinks slowly and replies, "That's usually late afternoon. I prefer taking a nap."

Kyouraku smiles a little, and the curve of it is almost sly. "My division grows the most beautiful cherry blossom trees in all of the Seireitei, and they're just starting to bloom. It's a good place for a nap while you wait for your friends to finish up."

Starrk's brow furrows faintly. "...It would be disrespectful to intrude. I'm just a student."

Kyouraku waves a dismissive hand. "And I'm the captain. I can do what I want. And letting someone sleep under a tree is hardly an earth-shattering allowance."

Starrk blinks again before giving the impression of a shrug without actually moving his shoulders. "Thank you for the offer. I'll keep it in mind."

Even Ichigo has to hide a wince at the flat tone. But Kyouraku only smiles some more. "Good. You can come by anytime."

Starrk nods, a graceful dip of his head that lets his gaze fall away as he directs his next words at Ichigo, "I'll see you when you get back then." Then once more at Kyouraku, "Have a good evening, Kyouraku-taichou."

And then he's gone without so much as a blur left behind. Ichigo doesn't understand why they don't just give Starrk an automatic pass for Hohou when the guy uses Shunpou like he's teleporting, and then he remembers that most likely no one else has actually seen him use it yet with this kind of proficiency.

He turns back to Kyouraku, then falters. The man is staring after Starrk, smile nowhere to be found, which Ichigo had expected, but there's also an unsettling air of loss about him, heavy as a funeral shroud. And then, in the next second, Ichigo suddenly finds himself on the receiving end of a dark, ruthless, calculating gaze that Ichigo's only ever seen on the future Kyouraku, on the Captain-Commander at his best, at his worst, his blades stained with lifeblood, his shadows come alive with abyssal hunger.

All the hairs on the back of Ichigo's neck stand up, and a chill runs down his spine. He will honestly never understand how Starrk could look at this particular monster time and time again and never even seem to notice the threat, had always walked in Kyouraku's shadows like they were an embrace and not a bottomless void of remorseless avarice. But Ichigo's also faced down plenty of things just as scary as Kyouraku Shunsui, so he only needs a moment to re-center himself and beat back the instinctive lurch of alarm in his gut.

It's easy to forget, most of the time, just what this man is capable of.

They end up staring at each other in silence, and for a moment, it almost seems like Kyouraku might finally push for some answers. Ichigo knows he hasn't been the most subtle, and there are a handful of people out there nowadays who have their suspicions about him, but so far, none of them have approached him about it.

Kyouraku looks like he's about to. For a split second, he looks like he dearly wants an explanation, and he won't much care either what he might have to do to get it.

Figures, a part of Ichigo thinks wryly even as the rest of him goes tense with a guarded sort of apprehension. It would be Starrk-san who brings this out in him.

But between one breath and the next, Kyouraku blinks, blinks again, and the strained tension pops like a balloon as the monster disappears back into the shadows, and Kyouraku is casually adjusting his hat like the whole stare-down hadn't happened at all.

Ichigo feels his eye twitch.

"Well then, I should be heading off too," Kyouraku declares, and his gaze is feather-light when he glances at Ichigo once more. "I suppose I'll see you at Asuka-chan's next tutoring session. Perhaps I might see some of your friends too, hm? The more the merrier of course, so don't worry about any noise complaints. It's good to be livelier when you're young."

"Uh-huh," Ichigo says very dryly. Internally, he sighs and makes a mental note to do his best to convince Starrk to come with him next time.

Of course, he'll be first in line to beat Kyouraku up if this all turns into (more) heartbreak and (more) tragedy, but...

He's not actually so oblivious that he doesn't know Starrk might still only see a cliff's edge that he'll be more than happy to take a swan dive off of at the end of all this. He talks a good game, and after a year of practice, he's gotten a lot better at hiding his grief. At the very least, ever since they'd come back in time, Ichigo hasn't been able to pick up much more than a haze of melancholy from Starrk that comes and goes at irregular intervals.

He doesn't know how to fix it, doesn't know if it can even be fixed. But he does know that if anyone can pull Starrk back from that cliff, it's this man in front of him.

And Ichigo's lost enough people. He doesn't want to lose Starrk too.

So he'll keep an eye on this relationship, make sure Kyouraku doesn't overstep, and make sure Starrk isn't letting Kyouraku overstep, but otherwise, he doesn't think it's a bad idea to help it along a little.

He fervently hopes he's making the right choice.

Kyouraku takes off with a last friendly nod, and Ichigo also hurries away to meet up with Fujiwara and Matsumoto.

For now, everything will keep another day.

#bleach #kurosaki ichigo #coyote starrk #kyouraku shunsui #shunstarrk #myscrap #ichigo & starrk time travel verse #ok lbr out of the entire bleach cast who else would make the most sense to have two blades for their Zanpakutou in sealed form?#like even in canon Starrk was a dual wielder from the start (Kubo sure understood his audience when he threw him and Shunsui together lmao)#technically you could argue that even as an arrancar the “sealed state” of his Zanpakutou was already two “blades” him and Lilynette #because his power was never sealed in the swords that either of them had those were basically just decoration #so in this AU once he evolved enough and his soul was whole enough to produce a real Zanpakutou ofc it would manifest as a daishou pair #anyway this was fun to think about #and again it doesn't exactly fit with what i've written so far for this AU but you can just go with whichever version you feel like lol #also did i create yet another OC out of the blue? yes yes i did. i suppose we'll see if i do anything with her. fingers crossed for no lmao #i was going to make her a katori but then i was like cross be a little less obsessed with shunsui not everything has to tie back to him #so i just made up a name but who she is and what's her background idk tell me wat you think of her i guess #i do headcanon starrk is a natural at kidou because both kidou and ceros are basically reiatsu manipulation when it comes down to it #and starrk could fire ceros instantaneously all damn day from any part of his body without moving a single finger #i think that that control and skill would translate to kidou

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spacedace · 10 months ago

Text

Got inspired by the below tiktok and the idea of the Rogues killing the Joker in revenge for Jason instead of Bruce and had to write about it.

Here, have probably way too many words (with more to come most likely, this really won't leave me alone) of the Rogue's feelings about Jason's death at the Joker's hands and everything that followed.

(also I know the timeline is a bit screwy, shhh just go with it, we're going on vibes with this one lol)

Childhood was not held universally sacred in the dark streets of Gotham.

The city was hard and cruel and she didn’t care about the ages of those that were ground up and spit out in her oily black heart.

A kid could slit your throat as easy as a man grown in a place like their fine city, maybe easier even for those who still fell for the ideal of children being incapable of anything but innocence and sweetness. Children learned from the world around them though, they learned from the savagery that filled their world, the hard scrabble desperate attempts to survive. They learned what dark corners to avoid, which ones were safer to skitter down.

It didn’t mean there weren’t still some rules of decency to be honored though.

Most folks, even those in the circle of the Rogues, largely left kids out of the equation. Crossfire happened of course, hitting busy city centers always meant some kind of collateral. But there wasn’t much that they got out of purposefully hurting kids outside a black mark on their name in most levels of the grungy underbelly of the city and one hell of a big target on their back. Both from the Bat and those criminals in the dark with them that took offense to those kinds of things. They were crooks, but with few exceptions they weren’t complete monsters.

Robin had always held an interesting place in their grungy little ecosystem. Anything to do with the Bat was generally ruled as gloves-off, do what you do without hesitation. And Robin - both of ‘em - had no problem hitting hard and being ruthless. The first one in particular had a feral sort of rage to him that was a terrifying thing to be on the business end of.

But they were still kids.

Defending yourself from any kid swinging on you was fair game, a person had the right to defend themselves. Grabbing up Robin to hold hostage or bait Gotham’s local cryptid, that was all fine and dandy. You could even get away with roughing the kid up a little here and there, so long as you made sure not to go too far and always kept hits to where the kid’s armor was the thickest. No hard and fast written rules, mind, but general rules of thumbs. Lines indistinct due to the shaky ground a child dancing through the night as a vigilante left all of them on, but ones clear enough that you knew when you were at risk of going too far.

Besides, the Robins were good kids. Fucking feral little shits, of course, able to leave you bleeding just as easy from a kick as they were a sharp word. But good kids. Even most the Rogues in the Gallery liked em. It was hard not to be at least a little fond of a gutsy little punk like that.

Though they were all maybe a tad less nervous around Robin II than they were the original.

Robin I had a lot of anger burning in him, a lot of anger in him, but he was still a cheerful boy with a bright attitude that was refreshing in a world so bleak and dark as the one they all lived in. It was up in the air which was scarier about the kid: The smiled he gave when he was about to give a hands on demonstration about how much force a tiny ten year old could put into a kick when they had half a dozen spins shoved into a flip to wind up to 80 miles an hour, or the flash of his teeth when he was demonstrating the knife sharp brilliance of his belief that Batman was only as frightening as Robin was hopeful.

They weren’t sure if he realized that sometimes they felt a helluva lot more hope at the sight of the Bat when the little bird was putting the hurt on them, or if he’d simply folded that fact neatly into his core philosophy without issue.

Robin II on the other hand had this kind of quiet shyness to him - even as he was shouting the most inventive swears ever heard by human ear at someone while he kicked them in the balls hard enough to make ‘em see not just the face of their own god but a few dozen besides. He was just as unhinged as the Robin before him - seemed to be a requirement for the job really - but there was a distinct different in how the two birds flitted about the darkened skyline of the city. Where the first Robin’s smile was as much danger as it was dazzle, a fanged declaration of victory against the dark, Robin II’s was a sunny, stubborn declaration of perseverance. Kid was sassy and smart, and never - ever - flinched away from extending a hand to those he thought in need of it.

Even if the folks he offered that hand to were in the middle of an attack on some fancy Gala or Wayne Enterprises or whatever target of the week it was. Even knowing the offered hand was likely to be slapped away and followed by a right hook. Kid still always tried.

They all knew why.

The Bat was big on offering chances, on rehabilitation rather than damnation. Some of Robin II being the way he was came from the broody cryptid he followed around. But Batman couldn’t claim to be the sole reason for Robin II being the way he was, couldn’t even pretend to be the cause of most of it. Nah, they knew why the little bird was the way he was.

That unmistakable thick accent. That frame that was always a little too thin even as he got older and stronger. That unshakable, headstrong spirit.

Robin II was an Alley Kid.

A true child of Gotham.

Her polluted waters in his veins. Her smoggy air in his lungs. Her shadows clinging to his edges less like a beast looking to swallow a small bird up and more like a protective mother hiding her hatchling. He understood the world most of them came from. The one they all lived in. Knew it in a way anyone who hadn’t been swallowed up by the dark never really could.

Everyone had their favorite, but even those that claimed the first Robin as theirs couldn’t deny that Robin II was someone to be respected. Nor could they deny a fondness for the chain smoking, classic lit referencing, perpetually baby-faced little shit. They’d all had knock out drag out fights with the kid and knew how fucking unhinged the puny motherfucker could be in a fight, but he always tempered it with offers of resources, of a listening ear, of understanding.

He visited them after they’d been arrested sometimes. In Arkham, or Blackgate or wherever else they’d been locked up in after being stopped by the Dynamic Duo. The little bird would make the rounds whenever he had a broken wing or was stuck waiting as the Bat interrogated someone else or for any other reason he wasn’t out flitting about the city skyline at night. He’d bring cookies or snacks and even cigarettes from his own secret stash on the rare occasion, mask unable to hide the furtive glances around to check for the living shadow that was the disapproving Bat.

The Rogues and their Goons always had a soft spot for the Robins. And Robin II made it especially easy to let fondness bleed out of them from time to time. He was a good kid.

But childhood was not held universally sacred in the dark streets of Gotham.

Bad things happened to good kids all the time.

And some of the monsters that lurked in the city’s darkest shadows took the black mark of a kid killer as a point of pride.

Robin II disappeared one day. Just after that piece of shit Garzonas took the fast way down from the top of a tall building. There were a lot of Rogues with doctoral degrees to their names but even those Goons that dropped out of school before they learned to spell their own names could do that math.

The big bad Bat had benched the boy after the fierce little bird had done what any decent member of the criminal underbelly would have. There were those that thought maybe it’d been an accident, that the kid was pulled off duty because of being too upset at unintentionally crossing the heavy line the Bat drew in the sand. Those voices were drowned out pretty quick though.

Sure, Robin II was all about second chances, of doing better, of redemption. But Garzonas had chances to spare and only ever spat in the face of those offering them. Doubled down on being a monster in a way very, very few of the Rogues Gallery would. The kid was a sweetheart, but he wasn’t no push over and there were some things so heinous that there was only one way of handling them. Crime Alley had its own kind of justice system, and when faced with a monster that was beyond even Batman’s jurisdiction, Robin II did what he always did: fell back on his roots.

Or so the rumors said, at least.

That was the thing about Gotham’s seedy underbelly. It was a grimy, wretched nest of vipers and cut-throats, but it was also worse than any beauty parlor when it came to gossip. No one actually knew anything other than that piece of shit motherfucker took a dive while Robin was chasing him and that he’d not been seen on the streets since. But most had a fondness for the kid, and a distaste for the kind of cruelty Garzonas reveled in and there was no proof that Robin hadn’t gone and done the world a favor by drop kicking that barbaric sack of shit off a roof. So as far as most in the Gallery were concerned, the little bird had stepped up and been a hero.

Time passed. Not a lot. But enough. The Bat disappeared too, popping up on an entire other continent in a way that was awfully tempting. Even with other Masks playing baby sitter while the local cryptid was away. Rogues were scrambling to set plans in motion, Goons getting hired en masse, weapons and weird chemicals getting delivered to shady places across Gotham by the truck-full. The criminal underbelly was abuzz with the same excited energy of children the day before a big birthday party.

And then the news came in.

There were people in the dark who made their living finding things out. Knowing things that no one else did or could. Some even specialized, keeping tabs on Batman and Robin better than anyone else in the business were able. And when the information they found wasn’t anything handy to have tucked into a back pocket or a secret they were paid extremely well to keep? They held on to with the same tenacity a sieve clung to water.

Robin II had run off across the globe and ended up in Ethiopia. Something to do with a doctor doing aid work, the same something that had the Bat end up there was the assumption. Kid ran off to handle things himself or was sent on a separate path on purpose for some plan or other the Bat had cooked up on his hunt.

Whatever the reason, the kid crossed paths with the Clown.

Alone.

Childhood was not held universally sacred in the dark streets of Gotham. The city was hard and cruel and she didn’t care about the ages of those that were ground up and spit out in her oily black heart. But Robin II was hers, the child of her heart, an exception to the rule. And besides, most folks - even those in the Rogues Gallery - largely left the purposeful harm of kids out of the equation.

The Joker wasn’t most folks.

And the little bird was a long way away from the protective shadows of his mother city.

The Rogues and their Goons always had a soft spot for the Robins. And Robin II made it especially easy to let fondness bleed out of them from time to time. He was a good kid.

When the news broke, it broke most of them right along with it.

Plans stalled. Schemes ended. Gotham, for an unnervingly quiet stretch of time that neither its civilians or the world at large understood, went still. Crime continued, of course, but the big names weren’t seen. It was only right, by the standards of those that lived their lives in the dark, that they hold off and give the man that fought them all so relentlessly over the past years the time he needed to focus on hunting down the monster that killed his son. He didn’t need the distraction, and they all owed it to Robin II not to interfere while the Bat at last put a final end to the Clown.

And the hellish cryptid would need his full focus on this one. The Joker wasn’t one to take lightly at the best of times, but he’d set himself up neatly in the middle of a nasty bear trap. Ugly and complicated in the way everything with the Clown was. Interference from the CIA, from the UN, from Superman.

Shit went down. People heard about the Bat and the Clown throwing down in a helicopter plummeting from the sky in one hell of a water landing. Big Blue fished Batman out of the drink before he could drown but there’d been no sign of the Joker.

But the Bat would find him.

They all knew the relentless bastard would find him. It was just a matter of time. With the hellish drive of a demon straight from Gotham’s darkest shadows, the Bat would track the grinning, child killing ghoul down and make right the terrible wrong the evil motherfucker had done. Batman would hunt him to the ends of the earth and enact the justice he held up so fiercely. Robin II would have the vengeance the kid so rightly deserved.

It was just a matter of time. So they waited. And waited.

Days.

Weeks.

Months.

The Clown still lived.

The world, impossibly, began to move on. The Bat returned to his lurking in the night, picking off gangs and petty crooks and no-name gangsters as if nothing had happened at all. More vicious, more savage, but failing to turn that rise in brutality into the killing blow against the one figure that so rightly deserved it.

No one knew what was happening. There were rumors and theories, as there always were in the underground. Some thought that it wasn’t the Bat at all back in Gotham but someone else pretending for awhile, looking after his neglected city while he continued his pursuit of the Joker. Other held that it was the Bat but the whole thing was a ploy to draw the Clown out into the open. A pretense at not caring meant to get under the Clown’s skin, make the asshole mad enough to get stupid and sloppy and reveal himself.

That the man simply had given up was beyond comprehension. Beyond what any upstanding Rogue could accept. So it simply couldn’t be true. There was a trick being played. Some brilliant game of 4D chess that none of them had been able to parse out. It’d be revealed in time, and they see the brilliant trap that had been set. The Clown would be lured out, the Bat would put him down for good, and then they’d all at last raise a glass to the little bird that had been shot down far too soon and smoke shitty cigarettes and quote literary masters and mourn the loss one of Gotham’s own true children.

They just had to play along. Stumbling forward back into their usual habits, pretending that it was a choice and not the world just forcibly dragging them along. It’d make sense, eventually. The Bat had a plan. Robin II wasn’t forgotten, his killer not left free to roam and ravage unpunished for what he’d done.

And then one day there was a new bird flitting across the rooftops.

Chasing the Bat’s looming frame like a reverse shadow. Bright flashes of color in contrast to the bleak darkness of Gotham’s grimy nights. Small and thin and young.

Not the first Robin. With his showman bright grin and bloody rage and unwavering belief in the terrifying power of hope. Not the brilliant, vicious little boy that they’d seen grow over the years into the fierce and fearless Nightwing.

Not Robin II either.

Not Gotham’s soft hearted little bruiser with his unshakable belief that people could be better if given the chance, shinning so bright in the dark as he held out a hand that even the Rogues had no choice but to believe right along with him sometimes. Not the tough little songbird they’d never get to see grow up. Unavenged and unhonored. Put in a box and buried in the ground with a name none of them would ever know carved into a stone they’d never be able to visit.

No.

It was a new Robin.

A new child with the R emblazoned upon his chest.

Sharp and quick and young in the way the birds always were when they started flying at the Bat’s side. Every inch of the boy’s tiny frame a tragedy and an insult. One very, very few of Gotham’s vicious underbelly were willing to tolerate.

Childhood was not held universally sacred in the dark streets of Gotham, but there was a damn big difference between holding something sacred and not giving a damn about it at all. There were rules unspoken but understood, a way things were done. Nothing so solid or concrete as a code of conduct, more a collection of time honored traditions. Blood for blood was among the oldest and truest, and the more precious the person taken the more vital and vicious payment was to be made in kind.

The Clown had killed Robin II.

Beaten the kid half to death and then finished the job with a bomb.

Everyone knew he’d done it laughing all the way.

The Bat should have done the same in kind. Done worse. It was justice, it was what was right. You kill a kid you’re marked forever. You kill one so well liked and kill ‘em like that and you’re destined for a cruel and cold death. The Bat had first dibs. It was his kid. It was his right to put an end to that awful laughter and let his son have peace at last.

But he never did.

Nightwing had. For a bit. For a moment.

Robin I, who half the time had scared them all more than the Bat ever could. Dazzling and dizzying and dangerous. Gave back the pain and hurt the Clown had forced upon him with clenched fists and bone shattering hits. They were glad for him, that he was able to beat the monster who had taken his little brother from him to death, that he was able to have such justice.

And then the Bat stepped in.

Revived the fucking Clown.

A slap in the face. The snapping crack of a spine beneath one straw too many. The final, unforgivable insult the man had dared visit upon not just the child taken from him but the entirety of Gotham.

The Rogues and their Goons always had a soft spot for the Robins. Respected their ferocity, admired their moxie, marveled at their ability to keep shining in the dark like they did. Robin II made it especially easy to let fondness bleed out of the city’s dirty criminal underbelly from time to time.

He was a good kid.

He deserved better.

Better than the silence and peace he should be granted in death to be marred by the mad cackles of his killer still running around alive and unpunished. Better than his father giving up, returning to the same old routine as if nothing had happened at all. Better than the Bat snatching up a new bird less than a year later.

Gotham and her Rogues had given the Bat time enough to do what needed to be done.

It was their turn.

#batman #batman au #batman rogues #batman rouges gallery #dc penguin #dick grayson #jason todd #jason todd robin #dick grayson robin #bruce wayne #the joker #tim drake #dc robin #gotham city #open season au #i don't go in for Jason being the 'angry' robin or the 'violent' robin #he was the lil chainsmoking ball of sunshin robin that made sure to do his homework first before going out to fight crime #dick was the scariest robin because he was BOTH incredibly violent & full of rage AND a ball of sunshine & unrelenting hope #Jason was a Gotham kid (an Alley Kid) and I think a lot of the rogues would have respected that #dick got his respect by teaching them how many of their bones a tiny 9 year old could break in a single kick #feel like there's a scene in the extended au in which Tim gets kidnapped but instead of being held for ransom or threatened #it's just the Rogues aggressively mother-henning him and trying to make sure he's alright #Dick gets a call from Harley later that the newest Robin is fine he and Riddler are coming up with deadly traps together #No she doesn't see anything wrong with that - it's just some enrichment activities for them - why do you ask?

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randomalistic · 2 months ago

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Wait you guys are actually buying Disney products I thought it was a joke

(READ TAGS FOR FULL CONTEXT Sorry it’s long dies

#Honestly I’m only bothered bc I feel partially responsible (WTF EGOMANIAC OVER HERE)#I know I can’t control other people’s spending habits and my own habits are. Less than ideal !!#But when I wanted to spread my love for Wreck it Ralph I didn’t want people to get that takeaway 😔#IMPORTANT NOTE ‼️It’s okay to express your love for something through buying official things !!! That DOESN’T make you a “bad person” !!!#Still ! I think we have to let ourselves feel bothered by things and we need to be more critical of exploitative companies #Of course I chose to watch inside out 2 with my mom in theaters so I’m not immune lmao. Also using amazon / Etsy … just as a whole #But if you need help finding Disney movies without supporting them please just ask me!! PLEASE don’t use Disney+ if you can avoid it #I know we are all capable of finding our fulfillment from better places. But sometimes it’s hard #Capitalism sucks and yet that’s how we are endlessly pressured to live :(#We’re all at different points in our lives. Sometimes self care involves consumerism #Be hopeful that it someday won’t have to #Txt #again I’m sorry if this comes off as horribly egotistical to even consider being single-handedly responsible for #Social media is bad …. numbers bad…. Distorts reality and your perception of yourself…..#Or as me trying to guilt trip people in any way. Genuinely do what makes you happy but WE CAN BE HAPPIER & HEALTHIER I KNOW WE CAN #Wreck it ralph #Rant #Also sorry I have huge beef with streaming services I don’t mean to enforce that on other people but also. Sharing my opinion

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biggest-gaudiest-patronuses · 1 year ago

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*tries to organize my thoughts*

*remembers i'm not in school and therefore beholden to neither heaven nor hell nor any man's grading system*

*joyously shredding & tossing all my carefully arranged 3x5 mental notecards into the air like so much beige confetti. raising my arms in victory, cheering raucously until i accidentally inhale bits of homemade confetti*

(*coughing up itty bits of paper like a cat evicting a hairball with a firm understanding of tenants' rights*) wait wat happens next

#i marie kondoed my thoughts and *i* feel great. but now my stream-of-consciousness has escaped containment #so many innocent bystanders at stake #every time i try to organize my thoughts i run out of plastic bins and have to make a trip to the container store where i get even more dis #racted so. you can't just hand me THIS brain and NO catalogue OR library classification system #and expect me to single-handedly sort through all this nonsense? bad form but fucking form not in my job description #aNYways. formal education sure did a FUCKING NUMBER on us huh #(a number i measure not in gpa or dollars of student debt.#but in the number of therapy sessions & medical debt it will take to recover.)#seriously folks. our education systems are...innately traumatizing for a huge number of students. and we NEED to address this.#the fact that it is culturally common for adults to have anxiety nightmares about school/exams...even decades later?#that is not cute. it is Alarming.#no one--much less entire generations--should be spending their developmental years in an environment of chronic stress & pressure & strain #and yet that is the reality for millions and millions of pre-teen and teenage and young adult students #this isn't healthy and it serves and empowers NO ONE #...except of course the many exploitative educational & financial & debt-collecting institutions thriving from the current balance of power #and of course it's a nefarious and powerful way to sabotage/erase the middle class #which billionaires and the wealth-inequality creators they finance couldn't possibly have any noteworthy interest in whatsoever #it's not like there's an elite group of people with huge financial incentives to drain/steal resources from the masses...#anyways sorry for going all Conspiracy Theory on you.#obviously the billionaires who control the vast majority of our resources and news and political campaign funding #are not tied to every single itty bitty social issue and i'm a silly billy to imply it #please tell elon musk to ignore this tweet i am so subservient and acquiescent #mr musky u r so good at inheriting slavery-built mining fortunes & buying other people's companies #& building rocket ships & fancy cars that do NOT explode/catch fire & also NOT running billion dollar companies into the ground #mr musky u r so talented genius billionaire playboy with 10 kids and ex-wives who find you creepy af babe u r basically iron man

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lemongogo · 3 months ago

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they should get to kill each other at least twice .i think

#gravity falls #stanford pines #stanley pines #lg doodles #i drew this a few days ago but im so tired after work ngl . sittingnin bed like =__= ..#and im visiting family this weekend so idek if ill get to it until next weekend #but ya i love them i loge them so much #i love the tension in atots right after stanford comes back #and hes like writing sll this shit ab stan in the journal #while learning that he stole his identity and so on and stans like hey so i did this rly selfless thing for u can you at least #acknowledge it and they r just stewing in their own anger 😭#actually i love their dynamic so much . the arguing as they mimic each other 1:1 and rhe animosity and #ykw im gna make another post but the grammar stanley scene is my favorite #magbe its not post worthy nvm idc but thats probably one of my fav interactions in the whole series #its so stupid that u know its real HELPPlike yeah that rly isnjust how it is . in fact ive done more over less 🫶#HAHAHAHAH #ugh.love . lovee i wish #i dont think gf needs a continuation im totally in the 2 season boat here #but if they ever did a post series stan and ford exploration ohhh believe . trust tht i would not shut up ab it ever #i want to see them talk so bad . im so greedy bc i feel like they didnt talk enough in the series bc im partial 2 them i just want them in #everything .#i think their personalities are so fun esp bc ford isnt the annoying nerd archetype i like that hes a cocky bitch #and i like that stan is an equally cocky bitch and they both have too much pride that they butt heads over literally everythjng #but they also recognize how ridiculous it all is like 😭. even when theyre fighting over the journal they both r like ok pause r u ok #hmm.. so many ppl here capture their dynamic well too.😭at least the people who dont generalize either into a single personality trait yk #imso tired im tired #but guys i love talking ab ford and stan theybr so everything to me in ways i dnt think incould ever articulate like u see them and u just g #get it . ugh. turning my head and passing out . ford is so funny hes so stupid i love him i cant bekieve i was a ford hater im sorry ive #atoned im changed im a changed oerson i didnt realize the magnitude of his serve .but stanley as my day 1 will never change . just know .(k #idk if anyonf ever reads this fsr down but if u r here say cheesee📸📸

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the-judicial-assistants-notebook · 4 months ago

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not enough discussion about the gavins' complicated relationship with feminine-coded/beauty products, i don't think.

#for klavier because it's not as direct it's about how we never see him actually wearing lipstick? even though apollo literally attends #a concert of his which is where you'd most expect him to wear makeup. but apparently he just doesnt. or at least not in public #klavier gavin #kristoph gavin #i feel like there are several ways you can read into it. the misogyny/toxic masculinity one is really obvious clearly with kristoph's #singling out of men specifically and klavier's (probably accidental?) condescending manner of calling women 'fraulein' plus his general #mildly patronising attitude towards many of the women in the game (also probably unintentional)#(i think he's trying to be charming and it's coming off wrong to some of them. like ema. and me.)#but i feel like there's also maybe an element of... inherent perfecfionism to it? like both of these products are conventionally beautifyin #products and kristoph while he is open to showing people he uses nail polish specifically chooses one that's clear and missable unless you #see him apply it. he also feels the need to justify his use of it and specifically spell it out as something he chooses to do rather than #needs to do even though duh. that should be obvious.#idk there's just something about his seeming need to take control of that narrative that i find interesting. his need to spin it into a #'there's nothing wrong with my nails but I had the foresight to see that even the smallest parts of my appearance should be kept immaculate #and it's a choice i'm making to refine an already adequate part of my personage /not/ to cover some unsightly defect.' the need to emphasis #that specifically is so. hm. and with klavier i could see it being a case of him liking makeup liking the pops of colour yet being unwillin #to admit to it because he's afraid that other people might see it as him being dissatisfied with his own appearance regardless of if he is #or isn't. or even just perceiving colourful makeup as being unseemly because it's so overt and unnatural.#like i can see this as them both viewing 'real' beauty to be that which is inherent to a person and seemingly effortless #thus somehow negating the beauty which one achieves through cosmetics or other external means.#and if you want to use external means to achieve beauty or neatness or whatever then your only valid options are those which blend into you #natural state. like clear nail polish. or really awful spray tan.#i feel like klavier's less confined by these ideas (if they hold merit at all) considering he actually owns coloured lipstick and he wears #jewellery (admittedly quite 'masculine' jewellery no gems or pearls or anything like that but jewellery nonetheless) but i think it just #makes it more interesting that he doesnt seem quite able to cross the line anyway. like it's that ingrained into his system.#anyway that's all i've got. you guys should tell me what you think too #annotations

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anominous-user · 8 months ago

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Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton.

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff | Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine | Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on.

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives.

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair.

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another?

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her."

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first." • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

#honkai star rail #double indemnity #veritas ratio #aventurine #golden ratio #ratiorine #an attempt at analysis by one a-u #relationship analysis #you know what‚ i guess i can tag the other names of this ship #aventio #raturine #you could make a fucking tierlist of these names #um‚ dynamics (yk what i mean) dont really matter here in the analysis just fyi if youre wondering its general enough #also if you're wondering about the compilation thread - its not done. it'll take a while (a long while.)#this post was so long it was initially just a tumblr draft that i then put into google docs. and it ended up being over 2k+ words long #is this a research paper‚ thesis‚ or essay? who knows! this just started as just a short analysis after watching the movie on may 5 #final word count according to docs (excluding alt text): 13013 - 43 pages with formatting #i wish i could have added more images to this‚ 10k words vs 30 images really is not doing me any favours…#plus‚ i hit the character limit for alt text for one of the images.#if you see me mixing up british and american spelling‚ you probably have!#oh yeah. if any of the links happen to break at some point. do tell. i have everything backed up #there also may be multiple links strung together‚ just so you know.#I link videos using the EN and CN voiceovers. Just keep that in mind if the jump between two languages seems sudden.#I had to copy and paste this thing from the original tumblr draft onto a new post because tumblr wouldn't let me edit the old one anymore.#Feels just like when I was finalising my song comic…#(Note: I had to do this three times.)#I started this at May 5 as a way to pass the time before 2.2. You can probably tell how that turned out.#Did you know there is a limit to the amount of links you can add to a single tumblr post? It's 100. I hit that limit as well.#So if you want context for some of these parts... just ask.#I'm gonna stop here before I hit the tag limit (30) as well LMAOO (never mind I just did.)

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