#make it make sense i beg

[gh0stcav3]

i miss my rat daughter and yet i cant get myself to listen to any jrwi stuff lately 💔 the mind is such a cruel thing

[pierregaslays]

imagine your parents taking your ex’s side in the breakup over yours 🥲

[juniemunie]

[Abandoned by the Lightners, his heart became cracked with hatred.]

Hitting a lil' too close to home?

[spliceyblues]

☆ He's a master of fright

and a demon of light ☆

[modawg]

it’s so crazy to me that nico’s “final attempt at getting percy to like him” is a gift/thing that has literally nothing to do with what percy as a person would’ve liked to see from nico

like nico getting him to the styx and telling him to get in is the pinnacle of nico seeing percy as a warrior or hero above all else

in hoo nico talks abt finding percy cheesy and goofy (talking abt traits other than being a hero) but above all else he will always be a hero to nico which he again shows by talking abt how strong percy is when he falls into tartarus

on the other side in tlo when annabeth is also in a kind of last ditch effort to prove herself she does exactly what shows percy that she’s literally it LMAO

she takes a dagger for him (even tho he’s like why tf wld you do that) she literally mirrors his fatal flaw back at him showing deathly and devoted loyalty like he has many times to her

and when their in tartarus and either one of them is getting beaten down they don’t talk abt fighting or winning they talk abt the future and abt living a full life (one outside of being hero’s)

i love being able to see when people will and won’t work well together even on such a small subconscious level

[neonsbian]

INTERVIEW WITH THE VAMPIRE 2x05 | 2x07

[wistfulwatcher]

in a n o t h e r life

[myuminji]

two people come to a realisation that day. both are doomed by their realisation.

thinking about the idea that wolfwood just gets so devastated how vash, someone he cares about so much, could treat himself like that, and gets overwhelmed by the realisation that he can't do anything to stop him. how he loves this person but he can't do anything about it. how he loves this person and he can't do anything about it either.

and then there's vash who completely on the opposite end—found someone who cares enough for him when he doesn't anymore, and he can't do anything to stop it. it's too late, he knows it, the person will now shed tears in his stead.

(he realises it's too late to stop him, or himself. the gears on the clock turns again. and again. and again. it never strikes.)

[creeksidekiller]

theyre very important to me.

[totallynotthedarkreunion]

When the anime protagonist is awkward and seemingly unsociable but they unintentionally draw so many good people toward them like they're a good people magnet and the plot of the show isn't centered around the growth of their abilities but the growth of their relationships with the people around them and their ideas because said protagonist already has insanely amazing abilities and a mysterious original charm and that's usually why they have so many unexpected friends (but not in the way thag they're great at this thing and people want to be friends with them just because of that, I mean in the way that the people who they meet love them for their personality and their awesome abilities are like a cherry on top) and it helps them to become a person they never expected they would be

[trappedinafantasy37]

I went to a very old save of mine in which I knocked out Minthara in Act 1 and I talked to her again in the throne room. If you knocked her out, this is how she looks at you when she questions you:

She seems genuinely disturbed over your actions. Can you blame her? You were the one who knocked her out. You brought her harm for reasons that she cannot understand. She can understand someone killing her as that is what she expects of those around her. She will criticize your choice of sparing an enemy and showing mercy to someone you have greater reason to kill. Even though she has doubts about you, she shuts herself down, thinking she should be more grateful rather than doubtful of you.

You can tell her that you saw her as a potential ally, but she will call you a hypocrite as Gut and Ragzlin were not shown the same mercy, nor was any other True Soul.

You can even tell her, "You were simply too stubborn to die" as a means of trying to take any culpability off yourself. To try to turn the situation into a little jokey joke. However,

Minthara does not take it as a compliment and she knows you are full of shit. Even though you took the "good" path, she does not trust you.

Minthara understands mercy and even she believes some people are deserving of it. Sadly, she does not see herself as one of those people and is disturbed as to why you gave her mercy. There is no answer you can give her here that will make her trust you. She knows you went out of your way to spare her and only her, and that frightens her.

Remember, this is not the first time in which Minthara's entire army was killed right from underneath her and she was deliberately left as the sole survivor. Orin slaughtered all of her men in a blink of an eye, and Orin's "mercy" only brought her pain and torture. Later down the road, Minthara criticizes herself for not paying more attention to Orin when she first arrived at Moonrise. And so she is giving you a lot of attention, she is watching you, studying you, because she fears that you are going to hurt her the moment she takes her eye off you. Because you already have. Your "mercy" gave her a concussion, your deception had her found guilty of incompetence, and she was then subjected to even more torture by the Absolute in which she was given permanent brain damage. She is afraid that the only reason that you spared her, is because you want to torture her. Even when you show up in Moonrise and enter into her mind prison, she is expecting you to kill her and begs you do it quickly. She is not expecting mercy from you, only death. She is only in that predicament because of you. Why would she think for a single second that your mercy comes from a place of good intentions?

She knows fully well that she owes her life to you and that her life is entirely at your mercy, one you can revoke at any time. She doesn't trust you, she doesn't trust the rest of the companions, but she cannot leave nor walk away. There is no good way out of this for her and she's afraid of the cycle repeating. She is not going to make the same mistake again. Instead of her oath to you being from a place of affection, her oath to you comes from a place of fear.

[violent138]

Superbat parenting babies would be a breeze in my humble opinion. Bruce's medically well-versed enough and immune to even enhanced interrogation levels of sleeplessness, and loves kids and would probably be happy reading them stories to sleep every night.

And Clark could always tell if the kid swallowed fridge magnets/batteries/something else. Also, tell me which baby wouldn't enjoy Clark's presence and calmness. They'd be like little hamsters cajoled by the steadiness of his hold.

[pettyprocrastination]

The Revenant Wife

Pairing: Joel Miller x Fem!Reader

Warnings: Mentions of grief and death. 

Summary: Ellie knows very little of Joel and even less of the wife he had before the outbreak. When she finally meets you, its just as much as shock to her as it is to your husband. 

Word count: 1.6k

Note: ficlet is based off of this previous post about Joel getting separated from his wife during the outbreak and assuming you died until you find one another years later. Reader is described to look like Sarah. Title came from the ever lovely @djarin-junk​ <3

Tagging those I think would enjoy: @pedrostories​ @thesadvampire​ @joel-mlller @softanon​ @max--phillips​ @captainsamwlsn​ @hooplahoopla​ @moondirti​ 

-------------------------------

Ellie didn’t know that Joel had a wife. 

Granted, she didn’t know much about his old life at all. 

She knew he built things. That he had a brother named Tommy and a daughter named Sarah, but didn’t like to talk about the latter that much. In one fleeting conversation, full of mumbles as her eyes began to close while they rested under the night sky she heard him mention you but was far too gone to truly hear what he said. Nothing more than the vague rumble of his voice saying “my wife” before her eyes opened once more. 

“You’re married?”

She asks with such incredulous shock it sounds more like “somebody married you?” but girls at her age hardly ever have filters. 

“I was.” 

There’s the same bristle in his throat and far off look in his eyes as when she first asked about his daughter. An open answer but one that carries enough unsaid to tell Ellie of your fate. To warn her that she should change the subject or simply shut her mouth and go to sleep before plucking his raw nerve one too many times until he snaps- 

“What was she like?” 

But Joel learned early on that Ellie wasn’t one to follow warnings. 

“Kind.” His breath stutters. “But not a pushover- she didn’t take shit from anybody.” He stares up at the sky, feeling his chest grow tight and fingers twitch by his side until there’s a rustling, the girl next to him rolling over to face him and he turns to find Ellie peeking out from her sleeping bag with a smile. 

Damn this girl. 

“Not even from you?” 

Joel scoffs. “Especially from me. The amount of times she gave me and Tommy and earful-” he shakes his head, Ellie watches a smile grow on his face in silence, as if worried she may frighten it away. 

“Did she cook?” 

Ellie thinks of the stories the older kids would tell her. The ones who remembered life before the Outbreak, who told her of freshly baked pies on weekend and fluffy pancakes in the morning. 

Joel remembers the first time you tried to bake him a cake for his birthday back when he was sixteen. How he opened the door to your forlorn face and a store bought sheet cake in your hands because as your mother told him over the phone, you damn near burned the whole house down trying to bake for him as a surprise. 

“From time to time.” 

There was only so much she could get out of him before his voice became clipped and eyes full of an emotion she didn’t quite know the name of that he told her to get some rest. Leaving her with nothing to do but to stare at the sky and wonder about these stories in the shape of a woman who unveiled a little bit more about the mysterious man she traveled with. 

Of all the silence and secrets that made up the man that protected her, she created stories to fill them. Stories of Joel Miller, husband, father, brother and badass contractor that everybody loved.   Of his soldier brother, of his wife and their smiling daughter between them both. 

In Ellie’s mind, you didn’t work. 

But not in a ditzy lame way like some boring housewife. But just because you didn’t have to. 

Joel said that everybody loved contractors so that means he probably got paid like, a ton of money to build stuff for people so you got to stay at home all day. Ellie imagined your house to be ginormous. Maybe Joel made it himself for you when you guys first got married. It was big enough that when Joel came home everyday he’d call out your name and it’d echo through  the hall as you called him into the kitchen, where your daughter sat reading as you set dinner on the table. Sometimes you’d get upset if he came home late but then he’d kiss your cheek and you would roll your eyes but smile before you all sat down and ate as a family. 

Ellie imagines Joel’s daughter, she wonders if Sarah looks more like her mother than her father. 

Ellie wonders as the sleep takes over her body, if they could have been friends. 

When it happens, months later after she’s come to think of Joel as something akin to family and he thinks of her as something he can’t say out loud just yet, she’s shocked. She’s face to face with a woman holding her at gunpoint that looks nothing like the smiling mother she dreamt of during cold nights. 

You don’t match the stories Ellie made up in your head.

You’re mean. 

No. Mean isn’t the right word. 

Cold. Yes. you're very cold. 

Ellie watches in shock as you ask where they're headed, gun focused on the center of her chest while the two boys at your side point their own at Joel, who has yet to speak. 

She waits for him to answer, but he just stares at you in awe. The same man she’s seen kill and threaten to keep her safe day in and day out is rendered speechless until all he can do is utter your name and she realizes that he knows you. More than that, judging by the way he surrenders his gun to you with no fight, something she had never seen him do. 

You lift your head to look at him, the brim of your hat raises just enough to clear the shadow cast over your face and Ellie can finally see your eyes and the snarl on your face. 

You’re also very pretty.

“I won’t ask again.” 

The two boys standing on either side of you have your eyes. Same color and intensity, narrowed into slits like guard dogs waiting for an order and Ellie sees the way Joel stares at them. 

She wonders if Sarah had brothers. 

“Out west.” He manages. “Takin’ her to her family.” 

Your eyes move to her and she holds her hands higher in the air. 

“That true?” “What?” 

“Is he telling the truth?” 

The taller one, Duke, she had heard you call him, had already ripped the bag from her back and emptied its contents onto the ground, she had nothing else to hide from you. 

But then she sees something in your eyes. A concern for her that she hadn’t seen since Tess or Marlene. 

And she understands. 

“He’s telling the truth.” Ellie forces out. 

You watch her for a moment and there’s a moment of panic where she thinks you can see right through her lie. 

But then you lower your gun and jerk your head over your shoulder. 

“C’mon.” is all you say before you begin to walk away. The boys gawk at you for a moment before you give them a look of warning and they follow in your step, occasionally casting glances behind them at Joel and Ellie who follow suit. 

She’s quick to grab onto the sleeve of Joel’s jacket and pull with a harsh whisper as the other’s march forward. 

“You know this psycho?” 

Joel flinches at her voice as it pitches up. If any of you heard her, which he gathered you did because Ellie didn’t have an inside voice to save her fucking life, you didn’t care enough to react. 

Ellie whispers his name again. Insistent and angry for answers but he just keeps looking forward. He can’t take his eyes off of you or the boys ahead and it fills her with worry but she doesn’t know why. 

“She’s my wife.”

You lead them to a cottage. Its paint is chipping and the fence is reinforced with wiring around the perimeter but it looks like a home. She can vaguely hear the soft clucking of chickens nearby and there's a flash of fur behind the fence with a pair of pointed ears that duck away just as fast as she saw them. 

Ellie has seen the remnants of homes before the outbreak. The plates still stacked in the sink and the jacket still hung up on the hook. A story telling a family that once lived within its walls and is now nothing more than memories that ghosts along its foundation. 

But this one is real. It’s yours. 

 There is a rickety wooden table in the dining room. Each chair around it seems to have been brought from a different house and is varying shades of faded brown. You kick the leg of one and nod toward it.“Sit, both of you.”

Ellie looks to Joel before sitting. He follows suit, choosing the chair closest to her. 

“I’m gonna get some bandages for that leg-” 

Joel shifts forward. “I don’t need-” 

“I wasn’t fucking asking, Joel.” 

You’re not stronger than Joel, if she had to guess. You both look the same age, but she’s seen his strength, his violence, all done for her safety and knows if it came down to it, you might not win in a fight against him. 

But at your order, he sits back in his chair. 

You turn and set a shoulder on your son’s shoulder. 

At least. She thinks he’s your son. 

Softly spoken words are exchanged while the other keeps his eyes on Joel and his hand on his holster. The boy says something back in insistence, but you tilt your head and he nods. 

“If either of them try moving or taking anything.” You offer them one final look over your shoulder before slipping out of the room. “Shoot them.” 

They listen to your footsteps slowly retreat until there’s nothing but the subtle creak and groan of the wood floor beneath them. Ellie leans forward to look at Joel, setting her hands firmly on the dinner table in announcement. 

“Dude-” The young girl breathes out. “Your wife is a bitch.”

[drewsarms]

drew makes this face mocking you when you’re begging him to fuck you

[the-cassandriad]

i've not written poetry in years (i'm more of a novelist) but i allowed myself some cassandra thoughts (as a treat). i actually had a lot of fun with this and i'm desperate to do more with the idea in the future so we will see.

inspired obviously by my own muses, @two-bees-poetry for the brilliant contrapuntal poems about greek myth, and anne carson, specifically when she talks about cassandra's speech being split in two and her bridging of past and future!

more of my logic in the tags because i'm annoying!

[farshootergotme]

Batman 'firing' Robin will never sit well with me because having the authority to fire someone implies they applied for a job, and a job includes payment.

So, Batman firing Robin is like saying he's paying Robin for doing his job. Except, is he paying? The simple answer would be no, but then the next logical option is assuming that the payment comes with everything he does for a Robin.

Since Batman provides the equipment he has the right to take it back and that's not the part that bothers me. What bothers me is that there's another crucial thing that Batman does for Robin: provide a home.

And while, yes, Batman's intention isn't to take away the safe space of Robin or to make him believe he's making him leave his house, intentions don't matter in miscommunication.

Firing Robin means not 'paying' him anymore. It means taking away what he's giving him because he isn't doing his job correctly.

For Robin, it means losing his home.