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literaryvein-reblogs · 6 months ago

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Writing Notes: Horror

Horror is a genre within creative writing that relies on one thing: instilling a sense of fear in the reader.

The horror genre is multifaceted—there is a kind of horror for every kind of person.

For some, the most effective scare is the idea of being trapped in a haunted house. For others, it’s being chased by a serial killer on Halloween.

Some of the best horror comes from scary things that can manipulate an audience’s feelings, creating a sensation of uneasiness and fear that stretches beyond consciousness and permeates deep within the psyche.

Horror writing is sometimes categorized within the broader category of thrillers, but not all horror follows the thriller structure.

Classic horror fiction—whether expressed as a novel, novella, short story, or film—will tap into topics that reliably frighten most humans.

Common topics include ghosts, werewolves, vampires, zombies, serial killers, murderers, and the fear of the unknown.

These horror tropes can often devolve into clichés.

A downside of horror’s popularity is that many horror books and movies recycle old content in non-creative ways, but when properly executed, horror stories can thrill audiences and even provide commentary on the human condition.

Horror Subgenres

1. Apocalyptic - In this subgenre, the world is ending or society is collapsing. When this happens, it’s usually because of some creature, demon, or religious event (while climate-oriented apocalypses are more sci-fi).

2. Body Horror - Involves the mutilation, experimentation, or violation of the human body. It can focus on disease, dismemberment, infestation, sexual acts, or a complete transformation of the physical form.

3. Comedy - Horror and comedy seem so at odds with each other, but they work so well together (kind of like spice and chocolate). A trademark of comedy horror is how the protagonist somewhat stumbles through the story, arriving at the end through luck and ridiculous happenstance rather than skill or growth.

4. Cosmic/Lovecraftian - With its origins largely attributed to H.P. Lovecraft, cosmic horror makes us feel small against a threat that is ancient, massive, and incomprehensible. Cosmic horror looks at intergalactic entities, ancient gods, the machinations of the universe, and how helpless we are against it all.

5. Dark Fantasy - Another crossover, this time with the fantasy genre. In dark fantasy, you have elements of magic, fictional creatures or worlds, and everything else that makes fantasy great, plus you add in a good dose of scares. This can also involve other subgenres, like body horror.

6. Dark Romance - Another crossover genre, dark romance takes the feel-good romance genre and makes it horrific. While this subgenre can simply include morally questionable characters and a grittier tone than most romance, it can also include kidnapping, forced confinement, BDSM, psychological and physical abuse, and sexual violence or sex where there is no consent. Bear in mind that it still needs to include the tenants of romance stories, though.

7. Extreme Gore - Not for the faint of heart, this subgenre includes books that have detailed torture scenes or otherwise disturbing and depraved acts. This genre is all about shocking your audience with how awful your characters act or are treated.

8. Folk Horror - Embraces urban legends and folktales. These range from old pagan gods in the woods to weird rituals performed by isolated groups or villages. Sometimes there is a supernatural element to them, even if the “supernatural” is simply perceived or believed by some characters (e.g., Midsommar).

9. Found Footage/Documentaries - Though this subgenre is more common in films than books, found footage and documentary horror stories are about a crew of people recording their experiences, usually unaware of the true danger they are about to face.

10. Gothic - The great-grandparent of modern horror, gothic horror is the brooding, atmospheric genre containing what most of us would consider classics (e.g., Dracula and Frankenstein). Sometimes you throw in a dash of romance, but these tales tackle topics like death and mortality.

11. Post-Apocalyptic - After some world-ending disaster, how horrifying have things become? Post-apocalyptic horror shows us a world without rules or structure. It can contain unrealistic elements (zombies, demons, etc.) or realistic possibilities (cannibals, gangs, and so on).

12. Psychological - Places the spotlight on trauma, mental health, manipulation, phobias, and everything else that causes you to become stressed and anxious. Home invasion stories (i.e., The Strangers) fall under this subgenre.

13. Slasher - Involves violent horror that is more about a single killer stalking and eventually killing a group of people (traditionally targeting teens and using a blade). This subgenre isn’t necessarily as violent or gory as others, but uses suspense to make the reader hold their breath.

14. Splatterpunk - Is known for its disregard of limits when it comes to violence—both physical and sexual. Gore and depravity are grossly abundant.

15. Supernatural/Paranormal - Some folks separate these two subgenres into different categories, but there is so much overlap that they’re basically the same. If you have to, think of supernatural horror as stories that involve werewolves, witches, vampires, and other monsters. Paranormal horror, on the other hand, involves ghosts, demons, and haunted houses.

Tips for Writing Horror

1. Read more horror. There’s no better way to understand what a good story looks like than to read one for yourself. Read as much as you can so you are aware of what other horror writers are doing.

2. Focus on your own fears. Much like comedy, horror benefits from authenticity. So get personal: If you can scare yourself, you can probably scare an audience.

3. Create three-dimensional characters. Write characters whose character flaws feed the action of the story. All good literature and film contains well-wrought characters with desires, emotions, and a backstory. The more human you make the characters of your story or screenplay, the more their missteps and bad choices will resonate with an audience.

4. Recognize that the real can be scarier than the surreal. Sure, you can make up an army of googly-eyed bad guys or plant a severed head in your main character’s bed, but will you really scare your reader? Not necessarily. In most cases, psychological horror sticks with audiences far longer than a jump scare or gross-out moment in a slasher film. Toying with people’s real-life fears tends to scare them much more than just grossing them out.

5. Use the environment. Scary movies and television shows can use jump-scares as an easy way to frighten an audience, but writing scary literature requires its own method of manifesting fear. Setup your environment in a vivid way to fully immerse your readers into your setting. Vividly describing an enclosed space can elicit feelings of claustrophobia. A dark and quiet house becomes more frightening when a character suddenly hears the creak of an upstairs floorboard. Being an outsider in an unfamiliar place, like a small town with no cell phone service and where everyone knows each other, is already unsettling—and if you add a malicious paranormal force to such a setting, you can enhance the feeling of isolation and ramp up the anxiety of the scenario.

6. Write longer sentences. You can heighten your readers’ fear by writing paragraphs with longer sentences. Periods provide natural pauses for readers to take a breath, but if you stretch out your sentences, you build anticipation for the reader—which they might not even realize until they reach the end of the sentence. By using tactics like this, you immerse the reader into your horror story, making them feel what the main character feels and creating a heart-pounding connection.

7. Make your readers breathe faster. Whereas long sentences can amplify the intensity of a story, short one-sentence paragraphs can force your readers to take more frequent breaths while following your narrative. Crafting abrupt lines builds tension in your scary story writing, making the readers’ eyes move more quickly down the page searching for the relief that the protagonist is safe. This can make your audience breathe faster, contributing to the feeling of panic and anxiety.

8. Leverage fear of the unknown. Fear of the unknown is a common theme that can be tracked throughout many of the best stories in horror fiction and horror movies. When there is something that negatively affects us that we cannot control or properly identify, it creates a feeling of panic and dread. Teasing your readers with something not quite definable or a bad guy no one knows how to stop can increase the level of tension and fear when writing horror stories.

9. Lean into dark imagery and your readers’ collective imagination. Consider what images might be frightening to a reader (and yourself). How much of a description of a clown do you need in order to make a reader feel uneasy? How large and grotesque does a rat need to be? Leaving some of these images more general than specific will allow a reader to fill in the blanks with what is most horrifying to them. Example: If you read the word beast, what do you see in your imagination? Most words carry connotations and personal connections. Allow your words to work for you to create the maximum scare.

10. Want tension? Sprinkle in some foreshadowing. Foreshadowing is a powerful tool in your writing arsenal, but it is particularly effective in horror, especially when writing in third person. Foreshadowing is when an author alludes to a future event by showing us something now. The key to foreshadowing is to use it sparingly. We want to up the tension and the fear our readers are experiencing while they yell at the oblivious protagonist not to open the door. We don’t want the reader to know every single thing that’s going to happen.

11. Focus on the moment where things shift. You should consider a pivotal scene in your story idea and try to build around that scene or that moment where the plot actually “shifts.” Sometimes that could be reflected in a realization by the protagonist. Other times it can be represented in some type of ironic twist at the end. By looking at that singular element of your story idea, you cut away the fat so that the reader is left only with the most resonant part of the story.

12. Establish the mundane. Mundane is just a fancy way of saying normal, but the message still rings true. Most story structures tell you to start by establishing the Ordinary World: what our protagonist’s normal life is like. This is important for showing us how important the larger conflict is, because it threatens the protagonist’s normal. In horror, establishing the mundane is arguably more important. In a story where connecting with the character and empathizing with them over the godawful stuff you, the author, put them through, the reader needs to understand just how bad life has gotten. Then you can take both your characters and your reader from a place of comfort and familiarity and plunge them into whatever shadowy hell you’ve concocted.

13. Choosing your POV. By choosing to write your story from a first-person perspective, you are putting the reader exactly where your character is. There are 2 types of third-person POV—limited and omniscient. It is advisable to stay away from omniscient. Part of writing a good horror story is withholding information from the reader, which third-person omniscient doesn’t really allow for. Considering the pros and cons of the different points of view, choose the right one for your story.

14. Avoid clichés. Clichés are boring and predictable, and a horror scene that is predictable is likely to not be scary. A good horror story can still use familiar horror tropes, but a great horror story makes them its own. Look beyond the obvious when trying to write a scary scene—what is something readers wouldn’t expect? How can you surprise them with fear? Use enough of the existing tropes to be identifiable as horror, but make sure you insert your own originality into the mix. One of the reasons people gravitate to genres in general is because they have certain expectations for what should happen in the story. Look for ways to flip archetypes on their heads.

15. Practice. If you’re struggling to get a handle on writing a good story that’s scary, practice with story prompts (see some sample prompts below). Writing prompts can expand your range of thinking and open up new avenues of imagination that you hadn’t thought of before.

Horror Writing Prompts

A scary doll comes to life.

A scene from a nightmare comes true the next day.

Days go by, and your parents don’t come home.

You feel yourself slowly becoming a monster.

Your friends start to disappear, and no one else notices.

You’re lost in the woods, and you don’t know how you got there.

You’re inhabited by a ghost that controls you and makes you do crazy things.

You have no reflection in the mirror.

The teacher is a monster, but no one will believe you.

You hypnotize your brother, and you can’t snap him out of it.

A fortune teller reveals that you are evil.

Someone follows you home, and it’s your exact double.

You find a diary that tells the future.

Every time you wake up, you’re a different person.

Your parents explain that you are actually an alien from another planet.

You know someone is watching you day and night from the house across the street.

You realize you are shrinking.

While reading a scary book, you realize that you’re a character in it.

Someone is living in your mirror.

Everyone knows the new neighbors are vampires, and the kids invite you over for a sleepover.

All the cats in a small town vanish in the middle of the night….and all that remains is a set of big, scary teeth smashed into a car door.

A group of friends takes on the zombie apocalypse.

Strange things start happening after the grandfather clock starts to speak.

You finally meet your child’s imaginary friend. Who turns out to be a serial killer.

When a local police officer goes to investigate the haunted house down the street, he finds a young girl who died decades ago.

Sources: 1 2 3 4 5 6 ⚜ Writing Notes & References

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dreadfuldevotee · 7 months ago

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I'd like to discuss the elephant in the room. Why did we get zero Loumand sex scenes? We got hints and implications, but season 1 was pretty explicit. Do we think that that's a creative choice or something else is happening?

I'm glad I ended up ruminating on this for about a week because episode 7 & 8 really solidified my opinion on it.

I do wanna start by saying that it's very clear to me that there was supposed to be more explicit scenes between them. There has been some thoughts tossed around that censorship happened with the 9 pm timeslot (as opposed to the 10 pm timeslot of S1). I believed this hearing Assad and Jacob talk about the BDSM dynamic between Louis and Armand, but what really sold me on this was Production Designer Mara LePere-Schloop talking about the bedroom set and more specifically about their beautifully carved custom headboard. (If you're a production nerd like me or just want to know more about the design philosophy of IWTV I recommend giving the entire thing a listen!).

I think there are several reasons I think as to why they decided to leave any more explicit scenes on the cutting room floor but above them all is: you cannot separate Armand's sexuality from his abuse. I am really against pulling a "well if you read the books" card but reading just the first couple chapters of "The Vampire Armand" makes me understand so much about not only Armand as a character, but the care being taken to his adaptation. It's clear to me that alongside Rolin & Co.'s commitment to not watering him down to a one-dimensional villain they are also trying to not fall into Anne Rice's tendency to romanticize his trauma.

Sex and sexuality is not the same pillar of Louis and Armand's relationship it was in Louis and Lestat's and so I don't believe their story suffers from the lack of on-screen sex. But I also firmly believe that maybe we don't need to be slutting out the character who we literally just watched talk about how he doesn't remember his life before being sex trafficked. And even when he was "freed" he was still being repeatedly assaulted at the hands of, and under the eye Marius de Romanus. Like it is extremely important to remember that Armand's craving for dominion in his relationships is a manifestation of trauma that deserves the same level of care and depth given to every other trauma portrayed in this show.

I think people have gotten too comfortable calling IWTV a romance when it has always been Gothic Horror. Romance and sex are pivotal to the story but I have found the demands for sex scenes this season a bit absurd and also? unfounded? Loustat share more kisses on screen but there are two sex scenes and both are very plot relevant. I truly figured we were all in agreement that the eroticism of this show is found in the various displays of power, and the dynamics it creates and not the actual clapping of ass-cheeks...which also wasn't happening in S1 either. S2 does not suffer because of the lack of sex-scenes, but the likelihood if it suffering trying to make one work is

#char.txt #interview with the vampire #iwtv #iwtv meta #loumand #the vampire armand #armand #answered #I didnt bring it up here just because this is really an opinion peice #but jacob makes a good point about because this is an interview with them yk still as a couple its also about privacy #its also just not the part they are trying to sell them on Daniel knows they are fucking we all know they are fucking #theyre trying to show that this isnt the stepford wives (it is)#ive written this response like 3 times trying to remove my disgust at the fandom from it LOL #but the way people have talked about this with armand has...really rubbed me the wrong way #like the more i learned about him the more sinister it kind of felt to be like ''well why arent the fucking on every surface''#IDK if you want the extremely personal and petty take too i will gladly give that

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cherries-in-wine · 7 months ago

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𝑷𝒂𝒓𝒂𝒍𝒍𝒆𝒍𝒔 𝒃𝒆𝒕𝒘𝒆𝒆𝒏 𝒍𝒐𝒍𝒊𝒕𝒂 𝒂𝒏𝒅 𝒕𝒉𝒆 𝒗𝒊𝒓𝒈𝒊𝒏 𝒔𝒖𝒊𝒄𝒊𝒅𝒆𝒔 ‧₊ ☁️⋅♡ ࣪ ִֶָ☾.

People call Vladimir Nabokov a disgusting creep for writing from the perspective of a pedophile when in reality if you read the book, Humbert Humbert is not likeable in the slightest. He's an unreliable narrator that's so stuck in his own delusions that he can't see how miserable dolores is because of him. Nabokov is an incredible writer and lolita is really well written- it's dreamy and poetic because that's what Humbert Humbert wants you to see but occasionally the mask slips and the horrifying reality of the situation peaks through, it's your responsibility as the reader to read in between the lines to see the story for what it is- not a romance. It's a great satire in the sense that it's pathetic to see Humbert Humbert think he's oh so charming and these "nymphets" are oh so in love with him. Dolores' trauma is obvious to any competent reader, I don't know how people are so charmed by Humbert Humbert that they can't see how dolores' defiance which he refers to as "teenage rebellion" or "tantrums" is a very apparent cry for help. Lolita is a Gothic horror, a cautionary tale. It's a genius work of art and what's most horrific about it lies in the aftermath of its release, how it's so normalised to sexualise little girls that blatant pedophilia is interpreted as a tragic love story. Nabokov himself referred to dolores as his "poor little girl". He had a lot of empathy for her and it is so heartbreaking to see her being portrayed as this temptress when in reality she is a 12 year old tomboy who likes comics and playing in the dirt. Catherine Demongeot (image on the left) is what Nabokov imagined lolita to look like while on the right is how lolita is perceived by the media. The images speak for themselves.

When I first read the virgin suicides I thought it was a great work of satire. I adore the Lisbon girls with all my heart, I see a part of myself in all of them by varying degrees. The boys who claimed they loved these girls, only saw them as some fantasy. Even in death they never truly respected any of them. How when they found Cecelia's diary, instead of trying to make sense of why she killed herself, they selfishly searched for their own names. I loved the irony of the boys claiming that they loved these girls when they didn't know anything about them. It showed how shallow and surface level their “love” was. I thought the author, Jeffery Eugenides really understood me because as a girl it feels as though you’re only loved if you’re sexualised and how much sympathy you deserve is dependent on how attractive you are, as if that’s the only value you have to offer. But in reality he didn't mean any of the things the boys did to be interpreted as satire. According to him, peaking through windows, stealing used tampons, joking about groping dead girls, these grown men still picturing those little girls years later while they had sex with their wives etc was supposed to show that teenage boys are not disgusting horny dogs, but romantic softies (if anything this made me think teenage boys are much more repulsive than i thought). According to Eugenides the book is satire, but in the sense that you never know what was going through a person's head when they committed suicide and you can't make sense of it no matter how hard you try. Everything about how the boys viewed the girls was not satire and was to be taken at face value. This really broke my heart, an author who I thought really did get me and understood me, ended up making me feel watched instead of seen. I guess this is where "death of the author" comes into play. La mort de l'auteur is a 1967 essay by Roland Barthes that basically argues that instead of only viewing a work of art through the artist's eyes and keeping only their intent in mind, the viewer can interpret the art through their own eyes regardless of what the artist originally intended. I want to, I really do but I can't help but feel that intention matters and no matter how hard I try to separate the art from the artist I simply cannot.

It's so fascinating to me how Lolita which is supposed to be from the perspective of an unreliable narrator was taken at face value and the virgin suicides which was to be taken at face value was perceived as satire.

The same irony can also be seen in the movies. The director of Lolita didn't get her at all, even he thought she was some kind of a seductress instead of a child that was raped and abused repeatedly by a man that was supposed to be a father figure while the virgin suicides movie was so much better than the book, Sofia Coppola, the director, understood the Lisbon girls so well and she did them justice.

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1800-fight-me · 1 year ago

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Dark Devotion

Vampire!Aemond Targaryen x Female!Reader

Rating: E (Explicit) MINORS DO NOT INTERACT

Warnings: Once again, gothic horror romance vibes. The monster gets the girl. Fear, horror, and explicit PiV sex. Slightly non-con as Aemond compels reader, but reader definitely consents (you'll understand when you read it).

Word count: About 5.2k

Synopsis: Running from your old life somehow leads you directly into the arms of a monster, one that shows you pleasures you never could've dreamed of.

Author’s note: I know I have been completely MIA and inconsistent but tbh my life has been incredibly stresseful and I lost all motivation to write for a while. This is the first thing I've written in months that I am genuinely proud of. I even made a whole ass moodboard for it! I truly hope y'all enjoy. Happy Halloween! P.S. Comments will make my entire day and earn you a kiss on the forehead!

I am no longer using a taglist! Instead if you would like to be notified when I post new fics follow my side blog @jo-writes-fanfic and turn your post notifications on!

Aemond Masterlist

There was a phrase you heard quite a few times in your village as a little girl, ‘the night is dark and full of terrors’. Your mum would always roll her eyes and mumble something about ‘religious fanatics’. You were always inclined to agree with her, that is until this night.

This night truly was dark and full of terrors.

Thunder cracked loud enough that your ears rang as rain poured something awful. The harsh droplets pelted at your skin and the sky split in half as a lightning bolt landed merely a stone’s throw before you.

Your horse neighed in panic loud enough that you could hear him over the bellowing wind as he reared back on his hind legs, causing you to slip and fall off and land directly on your backside in the mud.

You gasped in shock and did not even have time to call out before your horse bolted away, leaving you drenched and muddy on the forest floor.

Instead of crying you merely turned your head up towards the sky, embraced the pain of the harsh rain against your cheeks, and screamed at the heavens in frustration.

You managed to pull yourself up before the mud sucked you in below the surface of the world, adjusted the hood of your cloak once again over your head, and trudged forward.

Your boots sloshed through the dampened forest floor and you thought that perhaps the naysayers in your village were right. Maybe the gods were punishing you for your promiscuity.

When you laid with the soldier passing through your village and allowed him to take your maidenhood, you were convinced there would be no consequences.

You were no one, nothing, and not having your maidenhood intact changed nothing other than the subject the gossipers in town clucked about.

It seemed it also changed the gods’ vengeance towards you.

This night was dark and full of terrors, that much you could sense as fear shot down your spine.

You increased your pace, fearing the creatures that could be lurking in the woods, desperate for some sort of shelter. The feeling of eyes watching you from time to time during your journey became steady and unceasing. You felt uneasy, the hair on the back of your neck stood straight up, and you knew it had nothing to do with the cold in the air.

Eventually you had no other choice but to ignore the feeling, having looked behind and around you dozens of times in search of your stalker to no avail.

You trudged along for what felt like hours, not once finding anything that could serve as a temporary shelter. That was, until you somehow stumbled upon a near debilitated castle.

As it came into view, you shuddered at the feeling the crumbling building invoked in you, but any shelter was better than none at this point.

Stone walls with vines nearly overtaking them towered over you as you rushed forward towards the large wooden doors. You looked up and thought you saw a pair of gemstone blue eyes glowing in the dark from a window at the top of the tower, but you blinked and they were gone.

You shook your head, sure your tired eyes were playing tricks on you, and reached for the handle of the door.

You took a shuddering breath and pulled the heavy door open. Shock filled your very being as you were overcome with warmth and light.

While the outside of the building was shabby, the inside was magnificent. It was well kept and well lit. A home fit for a king, with a grand staircase was directly in front of you and an elderly man in a servant’s outfit was walking down it.

“Young lady! Who are you and how dare you come into this home uninvited?” the man chided as he descended the last of the steps and stood before you.

“I-I’m so sorry, sir. I didn’t know anyone lived here, I was merely searching for shelter from the awful storm,” you said, eyes wide- portraying how stunned you felt.

The man’s stern facade crumbled and he smiled warmly at you, you let go of your held breath and managed a small smile back at him.

“Ah, yes, I tend to forget the master’s illusion on the outside of the building. He does it to keep the unwanted away,” he said.

“Illusion? Like magic?” you asked.

“Well, yes, of course. Come in, let’s get you out of the cold. You must be miserable,” the man said as he ushered you inside and closed the door behind you.

“Alfred,” you heard the voice of a man call out from another room. His voice caused a shiver to go down your spine.

“Yes, sire,” Alfred, the man before you replied, and the man with the shiver-inducing voice came into view as he rounded the corner and came into the entryway where you stood.

Your breath caught once again as you saw the most striking and beautiful man you’d ever seen in your life.

He was tall, nearly impossibly so, with long silver hair that fell nearly to his waist. He moved with the grace and control of a lethal killer. His facial features were sharp, as if he was cut from marble. His skin of pale white only emphasized his most distinct feature, an eye of sapphire that covered part of a scar that cut across his forehead and cheek. His remaining true eye was also a distinct blue color, nearly matching the sapphire one perfectly.

Ethereal was the word that arose in your mind as he strode towards you, amusement twinkling in his eye as he took you in.

“And who might you be, lovely?” he asked.

After entirely too long of a pause, in which his amusement appeared to only grow as his beautiful lips curved into a smirk, you managed to stutter out your name.

He repeated it back to you, leaning closer towards you, and your heartbeat sped into a gallop. He titled his head, almost as if he could hear it. You dismissed the thought, deeming it absurd.

“My name is Aemond. Welcome to my home. Tell me, how exactly did you manage to find your way here?” he asked curiously.

You leaned in closer with him, not realizing that your face was merely inches from his at this point, utterly drawn in and intoxicated by his presence.

You were filled with a desire to please him and as a result you began rambling. “I was attempting to move away from my village. Take off and find a new life, but then there was a series of unfortunate events including running for my life, becoming irretrievably lost, and then becoming something I’m certain looks similar to a drowned rat after my horse was startled by the storm and I stumbled around for hours attempting to find shelter.”

“Oh you poor sweet thing. Let us take care of you,” he purred and rather than set you at ease, something in the words made you feel as if your misadventures were far from over. And yet, you were entranced by his gaze and could not so much as force yourself to look away or take a step back.

His smile grew wider as you nodded meekly.

Finally, Aemond released you from his gaze as he turned to Alfred and asked him to fetch the maid Portia to assist you in cleaning yourself up.

Before you knew it, you were being ushered up the stairs and into a room you could only assume was a guest room by an elderly woman with a sweet round face.

She helped you to remove your muddy sodden clothes and you groaned in relief as you slid into a warm bath. You smiled warmly at her as you scrubbed your body and she cleaned your hair, all the while chattering to you about her love for her husband Alfred and their happiness working for Master Aemond.

“Can you tell me about him?” you asked curiously as she helped you to dress.

The dress she helped you into was of crushed velvet, sapphire blue like the gemstone in Aemond’s eye that had so caught your attention. The dress had a corset and plunging neckline that emphasized your curves.

Portia hummed as she led you to sit down and began working on your hair.

“He is a bit odd, yes. Intimidating and perhaps even scary to some, but he has a good heart. And is loyal and protective to those he cares for. He has treated my husband and I very kindly,” she said with a caring smile.

Her words put your heart more at ease, still slightly worried about the new surprising circumstances you had found yourself in.

“Does he typically extend that same kindness to visitors?” you asked, nervousness coloring your tone a bit.

“It depends on the intentions of the visitor. A sweet thing like you? You’ll be well taken care of,” she said.

“Does he often have ill-intentioned visitors?” you asked curiously.

“It does happen from time to time, those in the nearest village hold hate for him in their hearts. Old prejudices I suppose, but no matter!” she said, changing the subject and her tone as she turned you around to view yourself in the floor length mirror.

“Take a look at yourself, my dear. You look stunning, see? All the horror of the day washed completely away,” she said soothingly as she ran her hands up and down your upper arms.

Your breath caught in your throat as you saw yourself. She was right, you’d never seen yourself look so beautiful before. You actually looked fit to reside in such a lovely home, unlike before, unlike any other time in your life. You’d never worn such a beautiful and expensive dress. You ran your hands across the soft fabric, up your torso and thought that it was the perfect inviting dress for someone else to touch you in.

Images flashed in your head of the soldier you allowed to touch you, never while you wore something so pretty, but pleasurable nonetheless. Romps in the hay, literally as the two of you would often meet in your father’s barn and he taught you the art of a pleasure you’d never known before.

You were not disillusioned about it, you knew there was no love between the two of you. You knew he would one day have to move on without you, but when he left town just as others found out about your affair, you were frustrated at being left alone with the consequences of a choice the both of you made.

The townspeople, the people you grew up with, turned on you and called you a whore. Even your own father fell victim to their hateful whispers about you and kicked you out of his home. Only your mother helped you, sneaking you out in the dead of night and gifting you her horse to aid you on your journey into another life.

You shook your head slightly in an attempt to clear those thoughts, the memories of both pleasure and pain, and smiled at your reflection.

“Thank you, Portia, your efforts are greatly appreciated,” you said as you turned and embraced her in a warm hug.

She squeezed you before releasing you and leading you out of the guest room and back down the grand staircase.

You followed her into an elegant dining room, a fireplace lit - the fire crackling and warming the spacious room. The table was large enough to seat ten people, but only two place settings were set next to one another, somehow creating an intimate dinner even in such a large room.

Aemond sat at the end of the table, and stood as he saw you.

“Good evening, you look magnificent,” he said, voice as velvety as your dress.

You did your best to hide how his words flustered you as you smiled softly and curtseyed.

“Thank you, sire. But, this is too much. I did not mean to interrupt your your evening so and I-I’ll never be able to repay you-”

He reached a hand out and you placed your hand in his. At the brush of your skin against his, your words fell off.

His hands were cold, and yet- the mere brush of his fingers against yours filled your body with heat.

“There is no repayment necessary, the pleasure of your company will be more than enough if you would please dine with me,” he said.

“Of course,” you breathed out as you allowed him to guide you to your seat.

Your nose was filled with the aroma of a hearty stew in a bowl before you and your stomach growled in anticipation.

You gave Aemond a sheepish look even as he chuckled.

“Eat, of course. You must be near ravenous. I’m familiar with the feeling,” he said, and his voice dipped lower. His eyes appeared to flash at his words, causing your heartbeat to jump, but you were far too hungry to think about it and played it off as a trick of the light, a reflection of the fire in his gemstone eye.

You tucked in and struggled to hold in your groan of satisfaction at the taste of the soup.

Aemond poured you both glasses of red wine and you thanked him as he handed you yours.

“Are you not going to eat?” you asked him, suddenly feeling self conscious that you were shoveling mouthfuls of stew and bread into your mouth while he merely sipped on his wine and watched you.

“Oh I intend to. Just not right now, I had what you might call a late afternoon snack,” he said and something about his words had a chill run up your spine, despite the warmth of both the room and the soup in your belly.

“You told me of your journey here, but tell me about yourself. I find myself fascinated by the entirety of you,” he practically purred, and you immediately forgot your apprehension at his previous words.

“I feel the same way about you,” you replied breathily.

He smiled, a full glorious smile that made you feel as if the storm had ended and the sun had come out. But there was a glint, a sharpness, and with a start you realized his canine teeth were elongated.

He must have seen the fear in your eyes as he reached over and grasped your hand gently. You felt that on fire feeling in your skin once again, but also felt all the fear wash out of your body.

“Tell me about you,” he requested again, voice soft and low, a tone that caused you to wonder if that was how he spoke to his lovers late at night.

You were filled with compliance, with a desire to please him, and so you did as you were asked, and told him everything about yourself. You told him of your childhood, your parents, your likes and interests, your dreams for a better life.

He watched you with rapt attention, murmuring questions to prompt you to further share with him about yourself. And, oh gods, when he looked at you that way, his sapphire gaze so intense, you wanted to share yourself completely.

“What had you so desperately searching for a new life?” he finally asked.

So you explained, shamefully, how you laid with a man and became the village whore for merely choosing your own pleasure over mediocrity for once in your life.

You looked down at your empty bowl, toying with the spoon, while you waited for his reaction, for his disgust and dismissal of you.

Long cold fingers gently grasped your chin and lifted your head up to meet his gaze.

You were enraptured by his undivided attention.

“There’s no need to listen to the opinions of small minded individuals. Pleasure is nothing to feel guilty about. Especially when there are so, so many pleasures in life to discover,” he said and the soft lilt of his voice along with the dark tone made your toes curl.

You wanted to experience unknown pleasures, you wanted him to teach you, to explore with you.

You bit your lip, nodding slightly in agreement, and his hand slid up from your chin to curl around your jaw. His thumb stroked the apple of your cheek and you shivered.

He pulled your bottom lip from between your teeth and you waited, nearly shaking with anticipation, for him to press his lips against your own, to replace the pressure with some of his own, and he smirked as if he knew what you were thinking, but pulled back.

He sat back in his chair, far enough from you that you no longer felt intoxicated by his scent and presence, and you let out a soft breath of disappointment.

Amusement and desire both seemed to dance in his gaze. You took a sip of wine, looking away from him to clear your head, and took a breath to steady yourself.

“Will you tell me about yourself as well, sire?” you asked.

“Aemond,” he corrected. “Please call me Aemond, sweet one.”

“Aemond, I’d love to hear about you,” you requested once more.

It seemed he had the same response to hearing his name drip from your lips as you had when he said yours, for his eyelid fluttered closed and his hand clenched into a fist, but the next breath he had composed himself once more and nodded.

“My life… it feels as if it has been an eternity. A lonely one at that,” he said and this time you reached over and took his hand, holding it in support.

“I was treated as if I were unwanted from the moment I was born, my eye taken hatefully when I was merely a boy, and then as a man I was deemed a monster. I was driven out of my home, my family did naught to protect me, and it took me far too long to find a place to call my own. Still, others that encounter me call me a monster and I find myself alone most of the time,” he explained and your heart hurt for him.

“Why do others call you a monster? Your gemstone eye?” you asked as you leaned closer to him once again.

This time you leaned in and placed your hand on his face, tracing the length of his scar with your thumb as you gently held his cheek.

“Hmmm,” he hummed in a noncommittal sort of agreement.

“I think it’s beautiful,” you said, your voice so soft it was practically a whisper.

It was evident he heard you as he practically nuzzled his face into your hand. He gripped your wrist and ran his nose from the palm of your hand to the inside of your wrist, breathing in deeply.

His actions, though gentle and loving, caused an inexplicable feeling of fear to drip down your spine, particularly when his lips pressed against your skin. You’d never realized what a vulnerable place in the body the wrist was, a bundle of veins, until Aemond pressed his perfectly curved lips against it.

But as soon as it came, the fear was gone as Aemond looked up at you and you met his gaze once more.

You reached out and pushed his silver hair out of his face where it had fallen and tucked it behind his ear.

His long gorgeous hair was so soft you yearned to run your fingers through it and learn of his response, learn of the noises he would make when in pleasure.

“You are so beautiful,” he murmured, appearing as entranced by you as you were by him.

You could do nothing to hide the way his words flustered you, as the weight of his attention had you pinned down and unable to move.

He caught your hand and held it in place against his hair.

As he leaned closer to you, his movements were slow and deliberate, like a predator trying not to spook his prey.

Your heart began to sprint and you were certain you would never be able to slow it again.

His sharp nose brushed against yours, and the anticipation was so strong you forgot how to breathe.

Aemond hummed softly before he finally, finally pressed his lips to yours.

As his lips moved against yours you felt inherently changed, different. It felt as if a shadowed hand with sharp talons dripping with blood had reached through your chest and gripped your heart and claimed it.

You were his, his, and you were prepared to swear to him your utter devotion, your life. You didn’t quite understand what you were experiencing, but you didn’t care as he deepened the kiss. As he claimed your mouth you gasped, letting out a small whimper. This gave him the in he needed to slide his tongue against yours.

You shuddered, gripping his hair tighter as he lifted you with an ease that should not be possible and sat you atop his lap.

Your dress prevented you from straddling him like you wished, but you could not complain as he gripped your waist tightly. You ran your hands from his face and his hair to his shoulders, down to his arms, gripping him tightly and kissing him deeply, with everything you had, with utter devotion.

You let out a small yelp of surprise as your tongue explored his mouth and brushed against something entirely too sharp.

He tore his lips from yours and met your gaze. Your chest brushed against his as it heaved while you attempted to catch your breath.

Fangs, you recognized. Those were fangs in his mouth, made for sinking his teeth in.

You could not discern how you felt, what you thought, for the utter fire for him burned through you.

He traced your jaw, then the line of your neck down to your collarbone, slowly, achingly slowly as you wanted nothing more than for him to kiss you again. Then, his lips followed the same journey his fingers had just taken. You shivered, your head falling back as your eyes fluttered shut.

“Tell me you are mine,” Aemond ordered, and his breath against the sensitive skin of your neck made you shiver.

“I’m yours,” you replied breathily and you could feel his smile against your throat.

“Tell me you want me,” he ordered.

“I want you,” you whined, and his grip on you tightened nearly to the point of pain, but you could not focus on that. No, not when you felt those fangs graze against that most sensitive spot on your neck.

The night is dark and full of terrors, the words rang through your head once more and your breath stopped as you realized you had fallen into this beautiful monster’s trap. Fear shot down your spine and made your body tense and freeze.

“Hmm,” he hummed in reassurance as he pressed a kiss against your vulnerability.

Your body responded immediately, you relaxed completely, becoming nearly ragdoll like in his arms. He lifted you, holding you as he stood, and walked into the next room, a sitting room of sorts, and laid you on a chaise.

“Aemond,” you breathed out.

He kneeled next to where you laid.

“I care for you,” he said as he brushed a hand across your cheek, “I don’t wish to compel you.”

He kissed you once more. At the feeling of his lips against yours, you were reborn. You had control over your body once again and you yanked him atop of you, deepening the kiss.

He groaned into your mouth, and pulled back slightly, causing you to whine in protest.

“You truly want me?” he asked, his tone sounding surprised.

Your survival instinct had long since gone quiet as a result of you continuously ignoring its protests.

“Yes,” you said and pulled his lips to yours again.

“Perhaps we can make a deal then,” he said, trailing his lips down once more to his favorite spot on your neck, where your veins were most vulnerable.

“If you give me what I want, I will reward you with everything you desire and more,” he said and you again felt the sharpness of those fangs.

You let out a shuddering breath.

“Yes,” you agreed, all logic disappearing as desire overtook your very being.

And you knew. You knew and he knew, that his compelling magic was gone, the desire you felt for him this entire time was real and true, not due to compelling whatsoever. There was something more, something deeper at play here, and your choice was your own as you chose him, completely.

And with that, he groaned lowly and sank his fangs into your neck.

Sharp indescribable pain is what you expected but instead it was like a dull buzz of pain nearly overwhelmed by pleasure.

He ran his hands down your body, ensuring he paid special attention to your breasts and you gasped his name.

Aemond’s hand slipped up your dress, inching up your burning hot skin, and finding the wetness between your legs that awaited him.

You whimpered softly as he brushed your panties aside and finally touched you where you wanted him the most.

His nimble fingers spread your slick and quickly found a rhythm circling your bundle of nerves as he continued to drink your blood.

As the heat inside you built, he pulled his teeth from your neck and slowly dragged his tongue up your neck, licking up every last drop of blood from your skin. His fingers moved in perfect time with his tongue, and with no notice your release hit you, overwhelming you completely as you moaned loud enough to echo through the room.

“Absolutely exquisite,” he said as he pulled back from your neck and looked deep into your eyes.

He ran his thumb over your bottom lip, and you stared at him as your chest heaved, absolutely entranced. He then replaced his thumb with his bloodsoaked lips.

He groaned as you kissed him eagerly, your blood in his mouth not causing any hesitation whatsoever.

“I need you,” you gasped.

“I have needed you for an eternity,” he replied as he began untying the corset of your dress.

You moaned as the cool air hit your skin and he slowly and gently removed the beautiful dress from your body, leaving you completely bare. You turned and looked at the pile of sapphire velvet on the floor.

He gripped your chin, turning your head to look at him once more. You helped him to remove his shirt, and then watched eagerly as he unbuckled his belt, beginning to make himself just as bare as you.

“I must admit something to you,” he said and your mouth ran dry as the hard length of him sprung free.

“Yes,” you asked breathlessly as you reached and wrapped your hand around him.

He let out a sound low in his throat, something similar to a growl, as you began to move your hand up and down his length.

“It is not happenstance that you found yourself in my home. I must confess that I have been watching you for a while now. I needed you. I needed to taste you, to make you mine. I influenced your journey here, guided you, so I could finally show you my devotion,” he said.

“Then make me yours, completely,” you pleaded and guided his length to line up with your wet heat.

With a groan he nodded his head and pushed himself inside you.

He filled you, inch by glorious inch, and you could do nothing but gasp for air as you felt fuller than you’d ever felt in your life.

You reveled in the press of your naked chest against his, as you pulled him close enough that you couldn’t tell where your body ended and where his began.

You were one with the vampire atop you, and you’d never felt more intense pleasure in your life.

When he was certain you were ready, he kissed you, surprisingly tenderly, before he pulled out nearly all the way, and pushed back inside you, sinking to the hilt.

His tempo was slow and deep, as he gazed deep in your eyes and told you how beautiful he found you.

“Perfect, so perfect,” he praised as you mewled for him when he tilted your hips up and hit a spot of pleasure inside you that had never been found before.

Aemond continued his pace, holding you tight, as your nails dug into his back.

“Come for me, darling, I can feel how close you are,” he purred in your ear.

He slipped his hand between your bodies and found your bundle of nerves once more, stroking it and you nearly screamed as your release wracked through you.

You felt you had reached heaven, somehow, in the arms of your ethereally beautiful monster lover and it took you several moments to come back down.

So lost in your pleasure, you had not even felt a sting of pain as he sunk his teeth into your wrist. He gulped your blood, moaning in pleasure, as he continued to pump himself in and out of your tight wet heat, chasing his own release.

You tangled your other hand in his hair, and gripped tighter around his cock, urging him on, encouraging both his release and for him to continue to drink from you.

He groaned as his release found him, sinking deep inside you, bringing ecstasy to you both.

You shuddered a breath as his movements slowed and stopped. He pulled his teeth from your wrist, and murmured your name, like a praise- like a prayer, with utter devotion.

As he looked at you, you reached up and wiped your blood from where it had dripped down his chin.

He brought your wrist to his lips once more, and before you could protest that you were beginning to feel lightheaded, he surprised you by licking the wound clean instead of sinking his teeth back in, just as he had with the wound on your neck.

You watched in fascination, as his saliva magically closed your wound, leaving only a small scar.

He looked up and grinned at you, your blood coating his teeth, and you whimpered and pulled him into another kiss.

He kissed you languidly, tongue moving against yours, as if he had all of eternity with you.

“I have never tasted anything so divine,” he purred against your lips.

“I have never felt so wonderful in all my life,” you said back as you pulled back enough to look upon him once again.

“I can feel it. Can you feel it? You are to be my eternity, my everlasting, my one true mate. I give you my utter devotion. You said you wanted to start a new life. Start it with me. Let me turn you and we can be together forever. Stay with me,” he pleaded.

And so you did.

Yes, this night was dark and full of terrors, but this terror had wrapped himself around you, sunk deep inside you, and devoted his entire being to you, offering you pleasure and love unlike any you’d ever experienced before.

And so, later, when Aemond fed you his blood and turned you and you opened your eyes into this new life, becoming a terror yourself, you grinned and kissed your vampire mate, prepared to spend forever by his side.

#aemond targaryen #house of the dragon #aemond targaryen x reader #aemond targaryen smut #aemond targaryen x you #aemond targaryen x y/n #hotd

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tinysunshine · 6 days ago

Text

━━━━━ ✧˖° 𝐒𝐖𝐄𝐄𝐓 𝐋𝐈𝐓𝐓𝐋𝐄 𝐒𝐈𝐍𝐍𝐄𝐑

‎ ‎ [ 𝗸𝗹𝗮𝘂𝘀 𝗺𝗶𝗸𝗮𝗲𝗹𝘀𝗼𝗻 𝘅 𝗿𝗲𝗮𝗱𝗲𝗿 ] 𝐩𝐫𝐢𝐞𝐬𝐭/𝐫𝐞𝐥𝐢𝐠𝐢𝐨𝐮𝐬 𝐤𝐢𝐧𝐤

female reader, inclusive language. minors dni.

kinks: priest/religious kink, spanking, punishment, oral sex, corruption kink, degradation, dirty talk, guided masturbation, light dom/sub, sex obviously

warnings and triggers: mentions of past sexual assault, abuse (not by klaus), blood play, literal blasphemy, death and violence, hint of stalking, this is more of a horror story than romance

word count: 12.7k

plot with porn, alternate universe. fic visual.

there’s a legend whispered among the people of your town, about a fallen angel named klaus, who resides in an abandoned gothic church, buried deep within the forest. it’s said that if a sinner is brave enough to make the journey, to admit their sins in a confessional to the supernatural entity and offer up a sacrifice of their blood, they would be absolved of all their sins.

when your name becomes disgraced in town and your parents turn their back on you, you’re out of options and decide to make the trek to the church in the forest. every sunday, you sit in the confessional booth, admit to your sins, while klaus orders you to do things for him so you can be forgiven. dirty things. sinful things. he tells you to come back every week until he deems your soul completely clean.

klaus might be supernatural, but he’s far from an angel. He feeds on the unlucky sinners dumb enough to take his legend for word, and with each passing week, each confessed sin, all the time you spend in god’s forgotten house of worship, worshipping the wrong vessel, you come to realize: that although god may have turned his back on you - at least he left you klaus.

“Why are you here?” He asks, and suddenly the fact that you’re staring into the eyes of a supernatural creature isn’t as scary as the fact that this creature is a man. A man is what got you into this mess, the reason you’re here.

He’s got no wings. No horns. No halo. He looks like the average man in your town, although much more handsome. It’s sort of a let down and a nice surprise all at the same time.

You don’t answer. You can’t. Your mouth opens and closes like you’re a fish out of water, and you must look ridiculous.

He grabs your chin suddenly, as if he can’t wait any longer to know the reason you’re here. You thought there’d be a confession booth for this, so you wouldn’t have to look into someone else’s eyes to admit the worst thing that's ever happened to you.

The worst thing you’ve ever done.

“Tell me why you’re here,” he orders, locking eyes with you - and you can’t stop it. It’s like you’re in a trance, and the words spill out. It feels natural, even though it’s not. It’s wrong, it’s scary, and you have no control over it.

“I’m here to be cleansed of my sins,” you say, words spilling out of your mouth like vomit, but the guilt that’s been festering for weeks goes away with the release of the words. You don’t understand how it’s happening, what sorcery you’re experiencing that’s letting you share so easily.

“What have you done, little sinner?” He asks, curiosity evident in his voice. You’re almost glad to be in this trance, because it proves something to you - that this ‘man’ is the legend you’ve been chasing, and as scary as it is, you’re going to come out of this situation pure again.

It’s all you want.

“I’ve lost my purity,” you say, and then he drops your chin and stops making eye contact. Stands back from you and looks you over, like he’s inspecting an object. Your entire body heats up, and a random headache comes on so strong that you shut your eyes for a second.

When you open them, he’s looking at your face again. He’s wearing a sinister smirk that only highlights how handsome he is, and you grab onto the cross on your neck, scared. It’s a nervous tick. You’d never guess that being under the scrutiny of an angel would feel so…sinful?

“Do you know what I am?” He asks, crossing his arms. His shirt is black and long sleeved, and in the dark lighting of the church it’s hard to see anything, but it’s like he glows. Skin pale, sculpted face. You nod.

“You’re an angel,” you reply simply, and he actually lets out a little laugh. You wonder why.

“Call me Klaus,” he says casually, and the change in his demeanor is confusing to you. He takes a step back and his eyes trail over your body one more time, from your feet up to your face, although his eyes linger on the cross necklace you’re still firmly grasping in your hand. You quickly let it go, and he chuckles lightly one more time.

“You’re going to be fun.”

────

You walk into the church and head straight to the altar, palm throbbing in anticipation. There’s an offering dish waiting for you, the bowl gold and gleaming, and you swallow hard with anxiety.

This is your third visit, and you know what to do. Step into the church and walk straight to the altar, where a bowl sits, ready for your offering. Klaus explained it to you during your first visit. Handed you a small pocket knife and told you to give him your blood.

Your heart races just thinking about it, the sting of the blade, the way his face looked when he heard the drip of your life essence into the offering dish. His nostrils flared as you squeezed your palm, watching your blood slowly cover the bottom of the bowl. “Enough,” he snapped after a few more seconds, directing you to the confessional booth on the other side of the church. You didn’t look behind you as you followed his directions, but you could hear him drinking from the bowl.

The light ding when he set it back down on the table. The moan it sounded like he made it when he was done drinking your offering. A shiver ran down your spine.

You know the routine now. You walk into the church and to the table in the front of the room, the pocket knife waiting for you. You cut open your palm with your eyes closed - it hurts more than the first time because your skin is trying to heal itself, not given a chance to scab over, bright pink. You drop some blood into the dish, and make your way to the confessional booth.

You don’t know where Klaus waits, but he’s always somewhere, because he always arrives at the confessional booth after you. You always hear him.

Silent until he clears his throat, the sound of his chair screeching against the floor. “Little sinner,” he says, like he’s surprised you come back every single time. You don’t know why - you’re coming back until he says you’re clean. Your palm burns and you press it against your pants to stop the bleeding, letting out a hiss at the rough fabric of your jeans against it.

“Forgive me, for I have sinned,” you say through clenched teeth. You swear you can hear him smirking on the other side of the booth, although you’re not sure why or how you’d know that. Why he would think any of this is funny. Maybe human pain is silly as an angel, when nobody or nothing can harm them.

“Forgive you,” he says, humming like this is a casual conversation. Like he’s contemplating if you deserve forgiveness. “What have you done now?”

You’re not sure how to answer that. “I’m still impure,” you start, speech rehearsed in your head. You try to get all of it out as quickly as possible, not wanting to carry the weight of all your wrongdoings. You wonder how any one else survives on this planet without sinning so horribly, because a week can’t even go by without you fucking up.

You don’t let this thought hit you, but it’s definitely there. Ever since you stepped foot in this church, you can’t go a week, a day, an hour without thinking about Klaus and the possibility of a gleaming clean soul.

“I’ve upset my parents. Again. I’ve upset my…suitor.” You don’t want to go into details. Maybe if Klaus doesn’t ask, you won’t have to tell him all the ways you fucked up this week.

That you didn’t remember to recite your prayers after a long day, that your shirt was too low cut and almost gave your mother a heart attack. That you fed yourself first before serving your brother, and that you’ve been ignoring Peter, your suitor’s, apologizes that are, in your father’s words, not necessary.

You don’t understand how he did the same thing as you and his reputation isn’t tarnished. Just yours, but you’re used to life being unfair.

Klaus doesn’t answer for a second. You wonder if he wants you to continue. His reply is sudden and sharp. “Yes, well,” you hear him standing up, and you get ready to follow him, because it goes without saying that you’re supposed to go with him to the altar. “You shouldn’t be argumentative,” is his response. You want to say I’m not, but you don’t. You just nod, forgetting he can’t see you.

“Yes,” you reply, voice caught in your throat.

“Come,” he orders, and you know he means to meet him at the altar. He goes a different way than you, but you follow him all the same. When you get there, you lose your breath, take in what he’s wearing and sit down on the stairs of the stage while he makes sure your offering is in order.

Klaus is in a short sleeve grey shirt, and when he lifts the bowl to his mouth to drink your blood, a few drops splatter on the material. You wince, because you know how hard blood stains are to take out - you look down at your jeans and know they’re probably done for, thanks to your bloody palm.

Klaus finishes his drink and sets the bowl down, looks down at you from the step above with a poker face expression. “You’re still bleeding,” he comments, and you nod, thinking he’s going to offer you a bandage or something, but he doesn’t. Instead, he walks down the steps, past you, to the pew that’s right in front of you. He leans back in the seat and looks at you like you’re on stage to perform.

“You said suitor,” Klaus says, and you furrow your brows, wondering why he’s honing in on that. He knows about Peter. But does he know something you don’t? Can he read your mind, find out about the truth of your unholiness?

The thought makes your heart rate pick up, anxiety knotting in your gut. You feel like you’ll start sweating, wondering if the truth about what happened will come out. You’d rather have Klaus believe that you chose to debase yourself - not that you tempted someone into sex. That’s even worse, isn’t it? Being so sinful you’re not even aware of it. Like there’s so much bad in your body that it’s just seeping out of your pores.

You grip your necklace in nervousness, and Klaus notices. He sits up, leans his hands on his knees, and fixes you with a look that makes you look away. You’re scared - of him, and of him doing that weird sorcery thing he did the first time you were here.

“Take your clothes off,” he says instead, lighting your entire body on fire. You work up the courage to look at him, and you find yourself obeying. Standing up to kick your shoes off, your jeans, your shirt off too. When you’re left in your underwear and panties, you hear him let out a low whistle, the kind you hear whenever you walk around in town with one of the shirts your mother hates.

You’re not sure why it doesn’t bother you when he makes the same noise as when other men do. Or why Klaus saying, “Beautiful, every inch,” makes you want to show him more, slip the straps of your bra down your shoulders and let him have a show. “So perfect, it’s a shame you’re a filthy sinner,” he’s smirking as he says it, but you don’t see the playfulness because you’re avoiding his eyes.

“Stop,” he says suddenly, voice low, speeding over to you with a swiftness you know isn’t human. He grabs your hand that’s at your side, and as he does, his knuckles skim over your stomach. You feel your entire body scream with want. Lit up, like fireworks. You’ve never felt anything like it before. Have never met a man who’s gotten this reaction out of you.

Although, you suppose, you’ve never been this close with a man in this state of undress - aside from Peter. But this feels different.

“I can smell your blood from here,” he says, picking up your hand and looking it over. It looks disgusting, torn up and scabbing, fresh blood coming out of the half closed up wound - and it’s embarrassing that he can smell it.

“Who told you to come here?” He finally asks, and you don’t know how to reply. You weren’t expecting that. “My father,” you answer honestly, confusion evident in your tone. Klaus nods, before pressing his thumb into the wound on your hand. You let out a cry, and you swear that for a second you see a dark satisfaction grace his face.

“Father,” he murmurs, with more weight on his tongue than the word should carry. He’s silent, looking at you, gazing over your body while putting pressure on the wound. His gaze lingers a little too hard at the bruise on your hip, one that came from Peter the other day, shoving by you while you ran into him when buying groceries in town. He’s so rough since you refused to forgive him, always looking for excuses to be cruel to you.

“Did your father give you that bruise?”

You don’t answer. You look away, once again afraid of the truth spilling out. Because you don’t know Klaus, or anything about him - but you’re frightened that he, someone heavenly, might deem you too imperfect if he knew the truth. You don’t want to answer.

Klaus is impatient. When he lets go of your hand, he storms out of the room for a quick second, only to enter again with his own wrist all bloody. He grabs the back of your head before you even know what’s happening, and shoves his wrist in your mouth, tells you to suck.

“You say you want to be cleansed,” he accuses, venom in his voice. “But you won’t talk. You won’t open up and tell the truth,” the taste of his blood in your mouth makes you want to puke, and you wonder if he’s trying to kill you or harm you. You can’t tell, but you cry out against him. It’s hard to breathe.

“Withholding the truth is just as bad as the sin itself, you know.” He pulls his wrist away from your mouth and focuses on your reaction, but all you can do is look down at your hand. It tingles because the wound heals on its own, so fast you’re suddenly very aware of the fact that you’re in front of a being that's literally magical. You almost start shaking.

You wonder why he doesn’t just use sorcery again to get the truth out of you. But you begin to understand.

He wants you to stutter. To slip up with your words and make a fool of yourself, so that he’ll have an excuse to punish you. You recall what Klaus said the last time you were there - the more blood, the more pain, the more bruises - the cleaner the soul. You gulp at the reality that you’re about to hurt.

Klaus sits on the steps of the stage and pulls you over his lap. He manhandles you like you weigh nothing, spanks your ass red and raw, grips your wrists and your hips and your thighs to keep you in place until they’re almost purple with bruises. “How’s this for purity?” He asks, fingers pressing into the cotton of your panties that covers your core. You’re aroused, and if he can smell your blood, you know that he can smell that. Your entire body heats up in shame.

Euphoria too. You’ll never understand how what Peter did to you makes you unholy, but this, with Klaus, somehow makes you pure again.

But with religion, you’ve learned to not ask questions.

This moment with Klaus tells you that you’re in the right place - because what kind of person gets turned on, feels arousal, when being punished?

When he’s done beating your behind, he pulls up your panties and practically shoves you to your feet. You’re shaky as you stand and put your clothes on, tears falling down your cheeks. Less from the pain of the punishment - more for the pain in your soul.

Klaus shakes his head, almost talking to himself. “It’s dark now. You should go. Come here again, next week.” You nod, and try not to show just how scared you are of walking home in the dark again. Whenever you leave the church, you practically run the whole way, wanting to get home fast, the sounds of all the animals at night absolutely terrifying to you.

You slip on your sweater, your other jacket (you learned your lesson after the first visit, how cold it gets), and your pants slowly, all while Klaus watches you for reasons you’re not sure of. You wonder, now that your body is bruised and hurting, if he’ll give you some of his blood again to heal you up. But he doesn’t.

When he walks away, cold and cruel, you leave the church and begin to walk back home. You’re only halfway home, the moon as your only light, when you see it.

A massive looking wolf halfway behind a tree, loud as it steps on crunchy leaves and twigs. You freeze, but to your relief, the wolf just walks the other direction.

You consider yourself lucky, although the rest of the walk home, you swear you hear the sound of something following you. Maybe you’re just paranoid. You spend the rest of your walk home replaying how it felt to be over Klaus’ lap like that - how arousal pools deep in your belly at the feeling of pain. It’s different than when you’re hurt without expecting it. You knew the smacks were coming, and maybe, just maybe -

You can enjoy that you will be free of sin soon. How nice it feels, just to put yourself in Klaus’ hands and not worry about the future of your soul.

You make it home and sneak in through the window. Your parents know you left, but it’s not like they care. They just seem surprised to see you every morning when you join them for breakfast. Maybe because they can’t believe you’re taking this soul cleansing thing so seriously. You’re not sure.

You’re quiet as you change into your pajamas. As you look in the mirror and gaze, although with a wince, at your bruises - you realize that Klaus healed you of the bruise Peter made so he didn’t have to see anyone else’s harm on your body.

So the mark of his pain would be the only thing on your skin.

You’re flush red at the thought and turn away from the mirror, walking to your bed. You’re just about to turn out the lights when you catch a glimpse of something moving outside your window. It’s a little ways away, but it’s clear what it is.

The wolf from the forest followed you home.

When you shut off your lights, it walks away.

────

You stand in front of the altar, wondering where Klaus is. You wait for him to call you from a pew, to appear out of nowhere. Maybe he knows you’re expecting him now, know his little tricks, and is coming up with another one. You walk to the confessional booth, the church feeling unusually dark, but then again - you’re here at a later time than usual.

You’re in the hall that leads to the confessional when you see Klaus. Only -

He’s not waiting for you.

Klaus stands against the wall, just a few feet away from the confessional booth. You only see the side of him, but you can tell that he’s smiling, the same kind of grin he gives you when he finally gets you to confess or beg him for some mercy. You think back to your last visit, when he had you over his knee, counting out loud as he spanked you for the sin of lying to one of your friends. For the sin of being impure.

For the sin of getting aroused while he punished you.

Something negative stirs in your chest at the thought of Klaus doing that to another woman like you. That he might use his corrective powers to make another woman pure again. To touch her body and look her over, to lick her blood from the offering bowl.

Only now, you take yourself out of your thoughts and look down to Klaus’ feet. There’s a man on his knees, quietly sobbing, and you realize you know him. He’s a baker from your village, a man that has constantly picked fun at you for years. You remember times you were a few pennies short, or when he just wanted to fuck with you - would tell you he’ll give you bread for your family if you’d just flash him in the baking room.

You wonder why he’s here. What he could’ve done worse than harassing women to show their breasts for bread. But it seems pretty bad.

Something inside of you feels pleasure, at the fact that this man that you hate, who’s caused you so much discomfort, is actually hurting. You wonder what Klaus is going to do to him - if he’ll ever be granted salvation. Surely Klaus isn’t going to spank him?

“Too late for redemption. Pathetic. Up,” Klaus says, voice much louder than necessary. The man stands on shaky legs and wipes his face. It happens so fast, you can hardly make sense of it. Klaus grabs the man by the shoulder and brings him close, lunges for his neck while the man screams. There’s a grotesque sound, one you’ve never heard before, but it’s predatory, the grip Klaus has on him.

It all clicks, just as the wheels turning in your mind tell you that you need to go. You run, fast, out of the church.

Klaus drinks blood. He drinks your blood. He drinks blood from the neck of the people begging for his forgiveness.

Panic surges through you as you run through the church. Klaus is not an angel, you realize, and your body breaks out in goosebumps as you run through the forest away from the church.

The man thats’s been touching you, hurting you, drinking your blood - he’s no angel. He’s not from Heaven at all.

Whatever Klaus Mikaelson is - it can’t be good.

The moon makes the graveyard you’re running through look like sharp fucking teeth. You have a feeling that’s similar to the one you felt after the…incident. After your suitor touched you. The reason you’re here in the first place. Because it’s one thing if Klaus is an angel, but taking advantage of you the way he did?

Why don’t you care more?

He’s touched your body. He’s seen you naked. He’s -

Right behind you.

You can feel him. He must’ve finished with the baker and is now following you. You want to keep running but your body freezes in fear. You stop, because he’s closing in. There’s no way you can outrun him, so you decide to hide instead. Make it to a tree and stop there.

You try to control you breathing, because you’re really scared. Klaus never gave an inkling that he’d kill you, but there’s no way the other man survived that...feed. Maybe Klaus was just waiting for the right moment to hurt you, harm you.

There’s a crack of something stepping on a twig.

You close your eyes as he rounds the tree, but when your eyes open after a second it’s not Klaus. Unless…no. It’s a wolf - large, predatory, its eyes glowing in the night.

You take off running, your mind reeling with the fact that it’s the same wolf you saw outside of your window weeks ago. You run until you hear the wolf growl, stupidly going in the opposite direction of your home, but as long as you get away from the wolf you’re fine. Maybe you can make it up a tree, hideout for the night -

But then you fall, over a log, your body shaking with fear and adrenaline. “Why are you following me?” You cry out. “I didn’t see anything, I,” you realize how dumb that sounds. You obviously saw something to act the way you just did.

Slowly, the wolf walks towards you. Big, tawny paws, eyes so scary you shut yours. You wait for it to pounce but it never does. Instead, it stops a few feet in front of you. Looks at you, as if contemplating you.

You look away, but the sound of bones cracking, the horrible sound of muscle rearranging, has you looking again. The wolf’s shape contorts, shrinking, morphing back into the angel you thought you knew.

Klaus.

He looks normal again, although - he’s completely naked. You don’t know if your heart is racing from his perfect, naked body - the first fully naked man you’ve ever seen, or the fact that he’s no longer a wolf looking to kill you.

"What are you?" you whisper, barely able to form the words. Klaus is just looking at you laying on the ground, cupping his…package like you haven’t felt it rubbing against you all the those times you were over his lap.

But if he’s a wolf that means….he was the one following you home?

“Not an angel, love. That much I’m sure,” he says, like this is funny. Like it’s a joke to you. He steps forward, eyes softening in a way that seems almost affectionate. It makes no sense to you.

"I'm a hybrid," he answers, voice smooth.

“Hybrid?”

────

You stand at the entrance to the church again, trying to work up the courage to walk inside. It’s funny, how this time your hesitation is not because you’re scared - it’s because you feel pathetic.

Seeing Klaus as he truly is - not an angel - it should make you run. It should make you never come to this church again, should have you knocking on every door of your village at home, warning everyone of the danger that lives so close to home. You don’t know how long this legend has gone on, you don’t know how long Klaus has been making the perfect trap for the people of your village. Like easy food.

You know now, that Klaus doesn’t have the ability to heal your soul of anything. That the things you did with him - maybe they’re just as bad as the things Peter did to you. You wonder, if that’s the case - why it feels so different then.

After what happened with Peter…you felt ashamed. Wanted to cover your body up. Wanted to hide from the world. But being around Klaus - you kind of feel the opposite. Sometimes you even linger in your window, hoping he’s there in his wolf form, slipping your clothes off and taking too long to put on your pajama top, hoping he sees. You don’t know if he does.

You don’t know what’s wrong with you. Why the monster masquerading as a angel doesn’t have you screaming and locking yourself away in your room for good.

All you know, is that the guilt you felt the first day you came to this church, lessens every single time you see Klaus - and you don’t want that feeling to go away. So you’re here, at night, because you weren’t scared this time to walk here. The greatest threat in these forests has walked you home to ensure you safety before. Has had ample opportunity to kill you - and hasn’t.

You push open the church door. Even though you’re choosing to be here, you can’t help but feel like you’re walking into the mouth of the beast. You take a deep breath, pushing the door open, and step inside.

There, standing at the altar, is Klaus. His arms are crossed, and he’s looking right at you, which is different than the usual times you’ve arrived. Normally, Klaus lets you linger before making his presence known.

You’ve never been one interested danger - you’re a good girl through and through. Or, you were, before the incident. But there’s something about Klaus - something dangerous that calls to you in a way you don’t understand. Maybe it’s the fact that this legend being a sham opens up a world of other possibilities.

Maybe the world as you’ve always known it - a world with god - is a sham as well. You know that should make you scared, but all the thought does is send a crazy relief throughout your body.

You’re going to burn in hell.

But Klaus might be there.

“What are you doing here?” His voice is soft, but there’s a meanness in it as well. His tone is an odd mix of surprise and something that could almost be considered a warning.

You step forward, ignoring the rush of anxiety in your chest, the voice that tells you to leave, dummy. But you don’t listen. You don’t want to.

“I wanted to come back,” you say, voice wavering only slightly.

Klaus exhales sharply, shaking his head and doing a laugh you can tell is one that comes from anger. “Why?” he repeats, his voice suddenly booming. “You know what I am. You saw me. And yet you come back, after all of that? Are you stupid, or just more naive than I took you for?”

You take another step. The pull toward him is like a magnetic force that’s impossible to run from. “I don’t care,” you say, though the words are barely audible. “I don’t care what you are. I just...please don’t make me leave.”

Fuck, why are you so pathetic? It’s embrassing, that you came back here. It’s embarrassing, that you hold onto this beast’s every word like gospel.

Why am I not scared? You scream to yourself. As you get closer, a little voice pipes in from the back of your head.

You are, it reminds you, and you like it.

You think that Klaus is going to ask you why. You think that he’s going to kick you out - although, judging by the way he looks at you, with irritation someone only has for something they don’t despise, you know that’s just your anxiety talking.

A sudden burst of confidence explodes in your chest, and you let it carry you. “I feel…light around you,” you try to explain. Klaus won’t even look at you. Whatever dynamic you two have is insane. It’s cold. There’s no warmness from him, and it’s not like you lead anything to even feel like a part of an equation. Klaus is on a pedestal, literally - and you like it that way. You can’t explain why, but you do.

And he might not be an angel, but he’s powerful enough for it to mean something. Supernatural - and maybe it’s not a gift from the heavens, but one from hell, but you’re not even sure if that matters. Magic is magic. Special is special.

And Klaus is the closest thing you’ve ever come to something extraordinary.

You’re standing by the altar now, on the opposite side from Klaus. He looks at you, with something like pity in his eyes. “Light. You know what that feeling is, don’t you?” he asks. You shake your head. “It’s adrenaline.” You’re still at a loss, not understanding what he means.

“You’re scared of me,” he clarifies.

“I want to, can I - can you,” you cannot believe you’re saying this. “Show me more. Please.” You grip your necklace again, a move that you swear makes Klaus almost roll his eyes, but then you think about what your teacher used to say - at least attitude means youn feel comfortable around me. You wonder if that’s how Klaus feels.

He probably thinks you’re so naive. You play into that.

You worry that he’s going to ask you to say more. Describe in detail what you want him to show you - and even though you’re feeling bold today, you’re not that bold.

He doesn’t.

“Have you ever made a man cum with your mouth?” He asks blunty, stepping around the altar and into your space. Your body heats up, your heart speeds up so fast you’re sure you’re going to pass out. He smells woodsy, warm, like the trees outside - and you wonder if that lingers from his wolf form, or is just what he smells like as a person. You breathe him in, feel his strong hands on your hips pushing you against the altar so you’re trapped.

All these weeks, and you haven’t seen his dick, haven’t felt him in a sexual way beyond the feeling of his hard bulge under your thighs when he has you over his lap, or his fingers teasing you about your wetness through your panties. Little touches, but you’ve memorized them. Think about them whenever you have the chance, to be honest.

You shake your head in response to his question.

Klaus lips curl into a dangerous smile. He’s so handsome, it’s unfair. Like the devil knew looks meant something in this world, and sent his prettiest soldier. “Present your offering to me,” he says, you furrow your brows, confused. Weren’t you just talking about giving head?

You look for the bowl, but Klaus grabs you gently by the chin and chuckles. He lets go. “Your mouth can be the offering today,” and fuck. He pushes you to your knees, and you go easy, looking up at him in all his glory.

He really is glorious. Sculpted abs, pale, perfect skin without an imperfection. It makes sense, if his blood that can heal is running through his veins. You’re a little jealous, of what that level of untouchable means.

“You’ve never done this,” he says, and you can’t tell if it’s a question or not. You nod, confirming. “Shame,” he says, “With lips like that it seems like the first thing a girl like you would learn.”

You blush. Again, you’re reminded about how weird it feels to enjoy what he’s saying - because when Peter talked to you like this, all you felt was disgust. But when Klaus says it, you know that wetness is probably pooling in your panties, your knees jello from how turned on, overwhelmed, you are in this situation.

You open your mouth and look up at him, and then Klaus unzips his pants. He’s hard already, and you can’t deny the thought that you’ve been thinking about this ever since you saw him naked in the forest. It’s primal almost, the strength of this man - it makes sense why you, someone weak and totally human, is on your knees in front of him.

You lick your lips, and Klaus wears that delicious smirk again. He pumps his hard cock in his hands a few times, before running the tip all over your lips. His precum wets them like lipgloss, and you wonder what’s got him so aroused since you just walked in.

Another sinner? A woman, that he plays with like a cat with a mouse? The thought makes jealousy and something in you stirs to be better than her. If she even exists.

But then you see his hands. You didn’t notice the blood at first, but his nails are stained red. It only takes a second for you to realize, and then you get it -

Klaus is hard because he killed someone before you arrived.

“Like what you see?” He asks, looking down at you. You widen your eyes, and he teases you by shoving his cock halfway in your mouth, and then pulling it away. His dick grazes the side of your cheek and he chuckles, and the way you feel on the ground is so utterly degraded.

But it’s controlled, if that makes sense. You know it’s happening. It doesn’t feel like you did, walking through your village with your clothes ripped up after dealing with Peter. It’s - safe? in a way.

Klaus takes a step back to look down at you, thumb and pointer finger running over the smooth head of his cock. He looks like he wants to moan at the feeling, but restrains himself, if only for a minute.

He fucks your mouth after that. Lets you suckle on his dick as he gently pushes it between your lips, so you get used to the feeling. Your mouth stretches, and when he hits the back of your throat you nearly panic.

Klaus grips your hair and reminds you to breathe. “That’s it, love,” he says, voice a coo - almost mocking. He cups your face when he gets a little rougher, slips his finger into the side of your mouth to stretch it even more. Like you’re a toy he’s playing with. He licks over his lips.

“Your eyes,” he murmurs, and you open them wider as he says that. “Like an angel.” It’s not a dirty comment - it’s actually kind of sweet, and that takes you off guard. You sputter around his cock because you forget to relax, and then Klaus lets go of your hair.

He leans against the altar and puts his hands on the back of his neck, arms bent at the elbow like he’s stretching. As you look up at him, gagging around his cock in your mouth, you notice that he’s standing in front of the cross on the wall. He’s a ways away from it, but in this position, it makes it look like he’s meant to be there. Perfectly in the center, his hands and arm position like wings on either side of his shoulder.

He said you look like an angel - but you could say the same about him.

────

“I’ve been too easy on you,” Klaus says the next week, when you’re sitting at the confessional booth. You don’t know why sometimes he chooses to have you talk in the booth all proper, and why sometimes he wants you somewhere else in the church. Nothing with Klaus makes sense - in fact, nothing about this situation makes sense.

And you’re not the only one who thinks so. Everyone in town has been acting weird around you. Avoiding you still, yes, but more so than usual. After your first visit with Klaus, when you came through the door early the next morning, your father literally jumped up from the kitchen table where your mother was serving breakfast. Spilled his coffee all over his newspaper and exclaimed, “What on earth are you - doing back so early?”

You didn’t answer. Just walked to your room and closed the door, ate after the rest of your family left the kitchen.

“Easy on me?” You ask, because you have no idea what Klaus means. Nothing he’s told you to do has been easy. You think about it now, squeezing your knees together as you sit on the other side of the booth from him. The spankings, the blowjob that ended in him cumming all over your necklace.

“Playing naive doesn’t make you holy again. Being meek doesn’t make you immune to sin. You need to learn that,” and for the first time, you actually laugh a little. Because what does Klaus actually know about sinning? He admitted the truth of what he was to you. He knows you come here not to be holy again - but to feel free.

“I know,” you reply, and it’s like something in him snaps. When he speaks again, his tone is mean.

“You know? Well, by all means, show me just how confident you are.” You’re confused. You don’t know what he means by that, and luckily, you don’t have to worry about, because he tells you.

“Tell me what you want. I can smell your arousal from here.”

Woah. That takes you off guard. It’s like your body is trained, to be aroused the minute you walk into this church. To crave the feeling of Klaus’ hands all over your body, to crave the feeling of the pain he brings. The feelings he brings out in you, although not right, are more holy and healing than anything you’ve ever experienced before.

It’s addicting, the feeling of slight freedom you get when you come here. Addicting and appealing enough that you’re able to ignore the different faces of god on the walls of the church as you walk inside.

“I don’t know what you mean, Klaus,” you say shyly, squeezing your thighs together for some relief. It’s warmer out today, so you’re wearing a skirt - maybe that’s why you’re so obvious. Klaus chuckles.

“You step foot in this church and immediately are turned on, little sinner. Practically cum all over yourself when I get close to you. You’re not the shy, inexperienced girl you were when you came in. At least - your throat isn’t. Tell. Me. What. You. Want.”

He punctuates it for effect. Your mind begins reeling, but maybe super religious people are right - not being able to see his face, sitting in your own part of the confessional - it gives your confidence you wouldn’t have face to face.

“I want,” but he cuts you off again.

“Tell me what you think about when you’re under the covers of your bed at home,” he urges, voice low. He’s turned on too. “You really should turn your lamp off at night, by the way. Anyone from the window can see you through the mirror.”

And fuck.

Has he been - ?

“I imagine a mouth,” you admit, cheeks red. Looking down at your hands that you’re playing with in your lap.

“A mouth?” Klaus asks, clicking his tongue. “Or mine?”

“Yours.”

Klaus hums. He’s pleased with your answer.

“Tell me more.”

Your face burns. “I can’t, I, I’ve never done that before. Your…dick in my mouth made me think about what it’d be like…” you trail off.

It’s silent for a moment. You never expressed your desires before, and you feel fucking embrassed. But it’s also empowering. A little spark inside of you burning up the anxiety you always feel about your own needs. You rarely speak your truth. Maybe the shallowness of expressing your desires can be the catalyst for expressing yourself in other ways.

“You want me to lick your pussy, is that it?” Klaus asks, so vulgar you actually choke on some spit. You cough, and can’t see him but you know he’s smirking.

“Don’t be shy, little sinner. You are a sinner, aren’t you? Bad girls ask for what they want, isn’t that right? Haven’t you been raised to be good?” He’s not wrong. “So do the opposite of what you think you should do. Tell me how badly you want me to push that little skirt up and lick you to an orgasm. It’ll be better than your fingers.”

Oh my god. Like a dirty sermon, the words spill out of his mouth. But he’s right.

“I want,” you can’t get it out. Klaus sighs, frustrated.

“You say the words, and I’ll leave my side of the booth and drop to my knees in front of you. I’ve always wondered how you’d taste. Being the first to bring you to the brink of pleasure with my mouth - I’ll never forget it.”

You want this so bad. You sigh, bite your lip, squeeze you legs together again.

“Klaus, I. Please - will you lick me?” God, how fucking embarrassing. How fucking shameless. Your parents would literally dig their own graves if they ever knew you were saying this. You came home with ripped clothes and bruises all over your body after Peter tore your innocence from you even when you said no - and they hate you for it. Imagine how they’d feel now, looking at you begging a creature straight from hell to lick your cunt.

“Good girl,” Klaus says casually, and you feel proud. Nobody has ever said that to you before. You expect to hear the chair squeak, for him to move, to give you what you want now that you did what he said.

Instead, he’s still talking. “Lift up your dress and feel yourself over your panties, sweetheart,” he orders. You do what he says, fingers pressing hard over your pussy through your cotton underwear. It’s painful in a good way, and you’re wet. Probably have a wet spot.

“Tell me. How wet are you? Just from my voice, no?” He’s teasing. Such a cocky, confident bastard. But you nod, and then he reminds you. “Words. Can’t see you.”

“Yes,” you spit out. “Your voice. This place, I,” you rub yourself.

“Take the panties off and touch yourself. How you do at home, with your hands under your covers in your panties and your hand over your mouth.” You open your mouth to ask how he knows this, but you fall short. You do what he says, stand and up to take your panties off, wanting to hear another good girl. After a life without praise, you want that hit of it again.

You sit back down and flip your skirt up, rubbing your clit gently while little moans leave your mouth. “A finger inside. Have you done that? I want you to. For me.”

You’ve never done that. Never tired, but you do what Klaus says and slip a finger inside of yourself. After so much time so pent up, you’re close already. Really. Just a few minutes rubbing your clit, that’s how backed up you are. Klaus must sense it. Because your pussy clenches around your measly finger like it’s hungry and then there’s a slam and he does that speed thing that lands him in front of you.

Your legs are vulgarly spread wide, and Klaus is on his knees in front of you. It feels wrong, him in a position of worship to someone like you. You almost want to tell him to get up, but you’re not that selfless. Not when his necklace hits your leg as he dives between your legs, his hands spreading your knees even further apart. He looks hungry - similar to how he looks when he drinks your blood from the dish.

“Shame you’re not on your cycle,” he says grossly. “That’d be an offering all in itself.”

Klaus licks between your legs and laps up your slick, his warm, skilled tongue feeling like what you imagine heaven feels like. He moves his tongue from your clit down to your aching core. You don’t know why it aches - have never had more than one person inside of you, but god do you want Klaus.

He makes you cum right there in that confessional booth. Three times. Once, on his tongue, and the next two with his fingers buried inside of you. He says you taste sweet, that you could convince a good man to take a deal of eternal damnation for a taste of you, that he’s never seen a pussy so perfect, and all you can do is whine and moan and call out to god.

Klaus pulls away when you do, handsome face covered in your wetness. Smelling like you. Your heart races as he licks his lips. “Call me Klaus.”

────

You stumble backward as Peter shoves you, his hand pressing sharply against your shoulder. The force of it catches you off guard, and you try to regain your balance, but the ground feels slippery beneath your feet. His laugh rings out, harsh and mocking, and you fall backwards, your hands scrambling for purchase. You can’t believe this is happening in town, with people around you watching this - not giving a shit.

Your knees hit the pavement with a sickening scrape, the rough concrete cutting into your skin before you even have a chance to break your fall. A sharp sting bursts across your knee, one ten times worse than the feeling of the pocket knife you use for your offering. You bite your lip, trying to hold back the tears that sting your eyes. The pain is immediate and raw, the kind of sting that burns and throbs all at once.

"Oops," Peter sneers, his voice dripping with amusement. He says he cares about you, that he still wants you, yet he can’t stop tormenting you whenever he sees you. Boys will be boys your mother keeps saying, but surely this can’t be what someone does when they want you? You start to cry, trying to sniffle back the tears.

You glance up, gritting your teeth against the pain, and you meet his eyes. Peter’s smirk widens, and there's no apology in sight - only the cruel satisfaction of someone enjoying the sight of your discomfort. He was bad before the incident, but after it, he’s so much worse. You wish he’d just leave you alone. You can’t believe you ever thought he was handsome - that you were ever excited when he’d come pick you up, or take you out. He’s ugly to you now that you know who he is on the inside.

"Get up," he snaps, his tone cold and dismissive as if this is some sort of game to him. You try to push yourself up, wincing as your scraped knee protests, but your legs feel unsteady, and there's a humiliated heat creeping up your neck.

"Come on, you're not gonna stay down there forever, are you? Oh, well - maybe you are. Spend enough time on your knees at that church, don’t you?" His voice drips with sarcasm. What he says stings more than the wound on your knee - because you’re only going to the church because of what he did to you.

On the flip side, you only know Klaus because of him, so maybe things do happen for a reason.

You want to say something, to snap back at him, but the sting of the scrape and the weight of his presence presses down on you, leaving you feeling small, and it’s hard to muster the energy to fight back. He reaches down for your necklace, and for reasons you don’t understand, rips it off of you.

You look down until he waks away - you don’t want to let him see you cry.

────

“What happened to you?”

His voice makes you jump, and you almost stumble over a gravestone that’s half toppled over. You catch yourself and stand steady, but your heart is beating at an alarming rate at your surprise. This is the first time, in all the weeks you’ve been coming to repent, that Klaus is standing outside of the church.

You’re almost to the front door, but not quite, about to open the door to the broken, barbed gate that was once a protection for the church, but now sits as a reminder of how long it’s been since this place of worship was properly used. Every time you walk past it, you feel something like sorrow in your chest, looking at the locks different couples throughout the years have clasped on the broken fence when it wasn’t so decrepit.

They probably thought their love would last, you think, something like bile rising in your throat at the thought. It’s pathetic and sad, that anyone could ever think that love or another person could save them. That’s the angry, negative part of your brain. The other part of you, the one that wants to believe in good so bad you can almost taste traces of it when the moment is right - well, it can’t even make the locks romantic. Can’t even turn love that’s frozen in time into something sweet.

Maybe the couples who put these locks on the fence are still together, your brain reasons, trying to think on the bright side, but your thoughts quickly tumble to the negative as they always do. It doesn’t really matter though, does it? Those couples, even if they stayed together, are dead now anyway.

So much for a bright sunny day.

You grip the gate with one hand and lean against it, hoping it doesn’t topple over - but you need something to support you to be in the presence of Klaus this close. He’s in a black, long sleeved shirt, a rosary around his neck, and he looks so angry you worry about your safety.

“What?” You ask dumbly, so lost in his eyes and the symbol of devotion around the neck of such a monster you don’t even remember what he said when you first walked up to him. You swallow hard when he sighs, obviously irritated, before crouching down and pulling your knee high sock down to your ankle.

You blush, at Klaus on the ground in front of you. His hair is almost golden where the sun hits it, hands strangely soft where they touch your skin. You think about a story your father used to tell you, about the devil; how he’s not a man with red horns and skin, but a beautiful angel that turned rotten.

You think that’s accurate, looking down at Klaus. His beauty. When he looks up at you, still frustrated at your lack of response, you finally realize what he’s talking about.

The white of your sock has a red stained circle where you knee is, some dirt covering it. Your exposed knee burns, now that you focus on it, from when you fell down.

When you were pushed.

You try to push those thoughts out of your head, because you’re here now, and it’s time for you to repent and move past it all. Isn’t that what your father told you to do, after the fight you had with Peter again? Confess. Repent. Get over it.

“What happened to you?” Klaus asks again, his patience wearing thin. You’re no vampire, er, hybrid, but you swear you can hear his breathing. Heavy, like he’s angry, like he’s upset, and then he locks his jaw and looks up at you and you realize what he’s really mad at.

You really can’t go one day without fucking everything up, can you? You made Peter mad today, and now you’re making Klaus mad. Both have the ability to hurt you, one worse than the other. You feel unwanted tears start to burn in your eyes, and you wish more than anything that you’d had a chance to breathe and change your clothes after you fell into the trap that is Peter.

“I fell,” you say meekly, hating yourself for being mousy, average, annoying. Quiet. So utterly ordinary and useless it makes you want to rip your skin off just to start fresh. Be someone, anyone, new.

“You wouldn’t skin your knee this bad if you just fell. Someone pushed you,” Klaus replies, hand still on your thigh. You try to focus on that feeling, his hand steadying you, anything to keep you grounded so you don’t cry. It works a little bit, because you don’t even hear the concern in Klaus’ voice. “Tell me who pushed you.”

You shake your head and try to pull your leg out of his grasp. “I fell, Klaus, I swear,” you lie, and you hate yourself even more, if that’s possible. You feel bad, after the vulnerability you’ve shown Klaus before, that you’re acting like this now. Why should you protect Peter? It’s so wrong. You’re just scared to admit how badly you fucked up today, how you made Peter mad again, when you’re supposed to be getting better. That’s what Klaus has been helping you with, hasn’t he?

You’re such a failure.

Klaus doesn’t reply. Instead, he leans forward and licks at the bloody wound on your leg. It’s disgusting, and you hold you breath, the feeling of his wet, warm tongue on the owie on your leg such a horrible sensation…

Until it’s not.

He cleans off your knee with his mouth, in broad daylight, before standing up. He looks at you all disappointed, because he can see right through you. Knows you’re lying, knows you’re a screw up, and him looking at you with that expression is just too much.

Your eyes water. You instinctively go to grip the cross on your neck, a nervous tick - only to be reminded that you’re not wearing your necklace. Klaus’ eyes follow the movement. He clicks his tongue, disappointed.

Not like the amusement he usually has when he makes that noise. The fun he gets, out of making you confess.

“Come, little sinner,” he orders, a hand on your shoulder to direct you past the run down gate, into the even more worse for wear church. You follow, doing your best not to stumble, wound on your leg still burning despite the way he licked it clean.

You ignore the other burning you feel, always feel, around Klaus. In this church. Burning of your cheeks, burning of arousal in your core, burning with want in every inch of your body he touches and doesn’t.

When you’re inside the church, Klaus leads you to the altar and orders you to strip and kneel.

“But my knee,” you say before thinking it through, another sin for not just obeying. A woman is supposed to obey, you hear your mother’s voice in your head.

God, you ask, and not as a curse - it’s a genuine plea. A genuine question. Why can I never do anything right?

“When you tell me the truth about what happened to your knee, you’re free to go. Already got my offering,” he reminds you, referring to the blood he lapped up off of your knee. Klaus is sitting a few pews down to watch as you get your shoes off, pull your socks off, something dark in his eyes that you’re not sure is desire or frustration or something else entirely.

He looks too beautiful to be watching you be so useless, the sun shining through the stained glass window casting his pale, handsome face in a mosaics of bright colors. What you wouldn’t give, to look like that. Painted by the sun itself. Instead you’re dreary, dumb, a punching bag who can never get anything fucking right.

You do what Klaus says, get on your knees and stay there until you can’t take it anymore. It hurts, putting all your weight on the wound, but the position is uncomfortable anyway. And Klaus just watches, in the third pew from the stage, while you cry, trying to come up with the words to say what happened without admitting the whole truth to him.

I made Peter mad, you want to say. You want to cry out. I asked him to apologize for what he did to me, and I should’ve left it alone. That’s why he pushed me. Please, just clean my soul of this.

Nothing comes out.

Klaus sends you home an hour and a half later, knees bruised, cheeks wet with tears. He brushes them away roughly when he helps you stand, pulls your socks back up your knees and helps you out the door.

“You waste my time when you lie to me,” he reminds, which you know. “How can I help you if you won’t tell me what what’s wrong?” You don’t hear the pleading in his voice.

All you hear is how big of a disappointment you are.

────

“Here,” Klaus hands you a box just as you pick up the pocket knife from the altar. He comes out of nowhere, behind you, and you can’t help but think that he chose to make himself known that way so he could press himself against you. Your body burns where he touches you, and you find it funny that he put a nice looking box on the altar where you slit your hand open for him.

“A gift?” You ask. You can count on one hand, the number of gifts you’ve received. Your parents don’t belive in shit like that, but you’re excited nonetheless. You don’t wait to open it, and your surprise when you see what’s inside must show on your face. Klaus does a shy smile, an expression you’ve never seen him wear before.

It’s a necklace. Like the one Peter broke. It’s gold, heavy - the same material as your cross one. Only -

There’s no cross on this one.

Just a K.

For Klaus.

It’s a weird gift. You don’t know what to say to it, because Klaus expects you to wear this? An initial of his name? You’re not sure what’s happening here, only that you feel like this is…serious. Sensitive. What?

He must see your face again. But you don’t want to disappoint him. You grab the necklace and hand it to him, turning around and moving your hair out of the way so he can clip it on you. His hands linger, and then cup the sides of your throat. For a split second you wonder if he’s going to snap your neck, but he doesn’t.

“I want you to wear it, when you’re here,” he says, like an order he knows you’ll obey. “But if you ever wise up and choose to…get out of this town, you could probably sell it for a pretty penny.”

You furrow your brows and then to face him. “Leave? What else is there? More shitty towns?” Klaus looks at you like you’re crazy.

“You’ve got no idea what’s out there, do you?” You shake your head, confused. “It’s part of your appeal, little sinner, that naivety - but there’s so much more out there. Art. Music. Beautiful places, and cities. Places where men don’t,” he pauses, and your breath hitches. You wonder what he’s going to say. “Nevermind.”

“You talk like you’re going to leave,” you say, insecurity showing in your voice. Because you’re not sure what you and Klaus are. Aren’t stupid enough to even think that you’re something. But the thought of him leaving when he’s the only thing in your mind, the only decent thing in your life, is just too much to handle. What’s wrong with you? One man shows you a lick of kindness and suddenly you’re worshipping at his altar?

Klaus steps closer to you, grabs your waist. “I’m not leaving.”

You open your mouth but Klaus cuts you off. Looks at the necklace on your neck, his initial, like a brand. “I want to fuck you,” he says suddenly. Your body responds, you feel your nipples harden and your stomach tighten, turned on with just those few words.

You look down, shake your head. You want Klaus to fuck you - of course you do, but it doesn’t change the fact that the thought of sex makes you freeze up. You’ve done everything else, naughty things with Klaus, yet -

You can’t run from your past.

“Klaus,” you want to explain yourself. You’re ready this time, to tell him what happened to you. Why you come here. You want to share. “There was this man. My suitor. He pushed me and he hurt me and -“

“I’m not going to force you.”

You’re frozen after that. He knows. Even better, he seems to understand what happened to you by the hands of Peter, and he doesn’t seem to blame you.

Klaus bends to his knees and runs his hands down leg. It’s gentle, for no reason other than the fact that he wants to touch you.

“What are you doing?” You whisper, and he doesn’t say anything. Just kisses the scar on your knee, up your thigh, and then pulls your panties down your legs. He stands, gets his own pants off, and when he bends you over the altar and stuffs his cock inside of you, you realize that sex was never the issue at all.

Peter was.

“Beautiful girl,” Klaus murmurs. “You’ve got no idea the power you have.” He grabs your hand as he puts his weight on your back, using the altar to to support you while he fucks into you with slow thrusts. You think he’s just going to hold your hand, but instead he bites into it, takes his own offering while he claims your body. He feels so fucking good, stretching you out. Going slow, tender. You never imagined someone like Klaus would fuck you like he actually has a soul.

When you cum around his cock, you keep your eyes open, locked on the cross in front of you at the back of the room in the center of the wall.

“Klaus,” you call out like a prayer.

────

You walk into the forest with Peter, his friends trailing behind you - and you wish you hadn’t come. When he showed up at your place a few hours ago, your father and mother all but shoved you out the door with him. You don’t understand how or why they’re still pushing you into his arms, but you know they just want to get rid of you. It hurts.

Their laughter echoes off the trees. They’re all drunk, except for you, and it’s insufferable. Peter keeps pulling on your wrist, trying to grab your hand, and eventually you won’t be able to fight him off.

His hand isn’t Klaus’. And you wish you weren’t such a pushover - wish you stood your ground and never let your parents tell you, a grown woman, what to do and with whom. You don't want to be here. Not with Peter, and not close to the area where you walk through the forest to see Klaus. You don’t want those memories, the only thing positive in your life, tainted by Peter.

You zone out, breathing in to try to calm down. If you just get through whatever campfire they want to go to, then you can go home. The air is thick with the smell of pine and earth, and for a moment, it almost feels peaceful. But then, Peter’s voice cuts through the calm, teasing.

Mean.

“You really went to that church again this Sunday? This is a far walk from home,” he says, his tone dripping with mockery. The others chuckle, and you feel your face heat up. He’s not asking because he cares. He’as asking to make fun of you.

You bite your lip, trying to ignore them. You’ve heard it before, the constant jabs, but it still stings every time.

“I don’t see what’s so funny,” you reply, your voice a little sharper than you intended. You don't know where it comes from, when you’re shaking from being so bold. “It’s important to me.” You want to scarem that he's the reason you have to go, but you refrain. Because these days - he’s not. Not anymore.

You hate him so fucking much.

You should just run back home, but the only thing stopping you is the fact that Peter’s holding the only flashlight. You should have brought your own.

Peter snorts. “Yeah, I get it. You want to be cleansed. You’re all about that holy stuff,” he mutters, and then one of his friends chimes in. “Weren’t so holy when you let Peter pop your cherry though, were you?

His friends laugh again, and you can feel the heat rise in your face, but you try to hold it together. You don’t want to give them the satisfaction of watching you cry.

You say nothing. Peter tries to wrap an arm around your shoulders, but you’re seething so hard you pull out of his grip. Stupid, maybe, because in retaliation, he shoves you, just a little too hard.

Your feet slip on the uneven ground, and you lose your balance. It’s a rough part of the woods, and you twist your ankle. The world tilts as you fall back, your hands shooting out to catch yourself, but there’s nothing to stop you. You hit the dirt, your head on a rock, with a sickening thud, the breath knocked out of you.

For a moment, everything is still. Your heart races, panic spreading in your chest. Peter doesn’t move, just watches, face unreadable.

His friends are silent now, their laughter gone, replaced with something else. Something you can't quite read.

You slowly push yourself up, your hands shaking, dusting off your knees. But even as you rise, the hurt from the fall doesn’t compare to the sinking feeling in your stomach. This is more than just a push. You can’t stand up. You can’t move. Everything feels hazy, and then you hear the urgent voices of his friends. You’re not sure how you missed it before, but now, it’s undeniable. Something’s wrong.

And then everything goes black.

────

You wake up on the hard, cold ground of the forest. Your head is aching something fierce - you’ve never experienced this level of pain before. The minute your eyes are fully open, you let out a cry, laying your head back down on the dirty grass underneath your body.

“Fuck,” you mutter, covering your eyes with your arm. You breathe in, coughing immediately. You sit up with another cry, your body stiff and heavy feeling, every nerve on edge.

That’s when you realize the smoke. There’s a fire at a distance, that much you can tell. You smell the charred odor, along with something earthy - but the scariest smell is the smell of something metallic. Sour.

It’s blood. Coherent enough to look around now, you notice that even in the dark, it’s clear that wherever you’re lying is a crime scene. There’s blood everywhere - but strangely enough, not a lot on your clothes. You know you should stand, but you can’t bring yourself to. The air is too thick, too choking, and your head and your limbs just feel too heavy and -

“You’re up. Fantastic,” you hear, along with the crunching of leaves that tells you someone is walking towards you. You know that voice anywhere, but you’re not sure why it’s here.

Klaus.

The last thing you remember is Peter, and his friends, and walking into the forest together for that stupid bonfire. So how are you here, with Klaus right now? How - what?

Klaus crouches down next to you.

“There’s enough blood here for a baptization,” he says, voice a little too cheery for this eerie situation. You ignore him, even as he touches the back of your head, like he’s checking something.

That’s when you realize - the back of your head is covered in blood, hair matted against your sclap. No wonder you’ve got a headache, but even scarier - with this much blood loss, how are you even awake?

“What? Klaus, I,” he cuts you off. “You’ll feel better once you eat something, little sinner.” He stands up and walks away from you, and you watch him, heart beating too loud and too fast in your chest. You could gag at the smell around you, and your head pounds at every step Klaus takes. Why is it so fucking loud? Why are you feeling so much?

What happened?

Klaus returns with a bloody paper bag. You don’t understand. “What’s going on? Why are you here? Where’s Peter?” But you don’t finish again. Klaus shoves the bag at you, and you open it, a cream threatening to escape your throat when you see what's inside.

“Now,” Klaus starts, crouching back down. “I would never force you to do anything, but in a few hours, you're going to be feeling worse than you’ve ever felt in your entire life. Hunger, like you’ve never known. I would suggest, love, that you take a bite out of the heart, just to keep your appetite at bay while we find you some clean clothes,” the immediate reaction in your body is to hurl.

You want to throw the paper bag with a heart inside of it, but instead your own beats faster. It's like your veins throb, your stomach growls, so hungry for this organ that you can barely contain it. What the fuck is happening to you? And why is Klaus so calm?

“Klaus, explain, please,” you look at him, noticing only now that he’s entirely drenched in blood. Up to his elbows almost, so thick it looks like he’s wearing gloves. Your head spins, making you dizzy, and you stand up because you don’t know what else to do.

Klaus looks at you like you’re crazy. “That’s a heart. You’ve never seen one before?” As if you've seen an actual heart outside of a body before. You lean your back against a tree, your own heart about to leap out of your chest at the disgust you now feel for yourself - because that heart - why does it smell so good?

“Why?” you manage to get out, and Klaus actually laughs. He’s having fun, you realize. This is the first time in all you’ve known him, that Klaus is actually fucking smiling.

“That suitor of yours. He pushed you, although I do wonder what you were doing in the woods with him and the others, without your necklace on,” you want to tell him that you keep your necklace somewhere safe, as to not draw suspicion from people in town. But he just keeps talking, on a high that only death can give him, apparently.

“I tried at first to get him to cut his heart out of his own chest, but as you know - people don’t like to be forced to do things. Even him. So I did it for him. Kind of me, I know.”

Peter is dead. Klaus found you in the forest with him and he killed Peter and the others.

But more than that - you can’t breathe. Can’t think. Klaus takes a step closer to you and places a bloody hand on your shoulder. You’re full on crying now.

“Don’t cry,” Klaus says, as if that helps. “He deserved it. Think about what happened. What you last remember. After we were intimate, before you left - I fed you my blood to heal the wound on your hand,” and you remember that. So why does Klaus sound…desperate for you to understand?

But then everything comes back, and it only takes a second for it to all come together.

Peter - he pushed you. You had Klaus' blood in your system , and all the vampire facts he told you after you found out he was a hybrid came flooding back. Peter -

He killed you. You must’ve hit your head when you tumbled down the hill. And because Klaus’ blood was in your body you -

You turned. You're a -

“No,” you shout, pushing past Klaus. The fear in your body is enough to push past the pain and stand up. “I can’t be this. I’m going to hell, Klaus.” You've never felt an emotion this devastating. This is horrible. You’ve experienced self hatred before, but nothing quite like this. You have an eternity to accept this disgusting, disgusting truth.

Klaus actually looks offended. But he doesn’t get it. How could he? You’ve been trying to be someone new, but the beliefs that have been drilled into your head since you were a child are strong. And you’re scared.

You drop to your knees and plop on your ass, holding your legs to your chest. Klaus comes to you, but not to comfort you. To twist the knife deeper.

“Look around,” he says, voice loud. You don't want to. To see what - blood, smoke? “You’re already in hell. Your father let that man around you. He told you to come to me. You don’t think he knew what I’d do to you?”

You don’t understand what he’s saying. Your father - ?

“He was hoping I’d kill you. Don’t you see?” You don’t know what to say to that. But it’s all clicking, and you’re going to be sick. Your father sent you here to die. It makes sense why he was surprised every time you came home. You cry even harder, body shaking with sobs.

“But don’t worry. I took care of it. You’re holy now, you understand?. Safe. Untouchable.” You look in the direction of the smoke and realize it’s coming from your town. Did he - burn the town down? And maybe supernatural sense are even crazier than you thought, because you focus on the scent of char and pinpoint that the scent is coming off of Klaus’ fingertips.

He grabs the paper bag and sits beside you. You shift away from him. This is too much. You can tell he’s upset by your reaction, but what did he expect? He moves closer to you. “Leave your faith and follow me, and I’ll show you things the Bible never taught you.” But he still drops something on your lap.

It’s your old cross necklace. All bloody. He must’ve got it from Peter. It’s a thought you’ll have to go back to later, to understand - Klaus, giving you back a piece of yourself. Even one he doesn’t agree with.

“I’m going to hell,” you repeat, frozen. You’re looking forward, unsure if you’re even blinking. You can’t process this. You will never, ever get over this.

Klaus waits a moment, before he opens the bag and hands you the heart. It looks smaller than you imagined, but softer. The smell is so vile it’s good and your stomach rumbles.

“Welcome to the club, little sinner,” he says, and without looking at him, you grab the heart and bite into it.

Klaus grabs your free hand and gives it a squeeze.

this fic is a gift for @myklaus ♥︎ thank you for the yaps, the laughs, and the idea!

#𝐦𝐲 𝐟𝐢𝐜 #𝐤𝐥𝐚𝐮𝐬 𝐱 𝐫𝐞𝐚𝐝𝐞𝐫 #klaus mikaelson #the originals #the vampire diaries #vampire diaries #tvdu #klaus mikaelson x reader #klaus mikaelson smut #klaus mikaelson imagine #tvd #the vampire diaries imagine #the originals imagine #klaus x reader #klaus mikaelson imagines #klaus mikaelson fic #klaus mikaelson x you #klaus mikaelson x y/n #klaus mikaelson one shot

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wholoveseggs · 8 months ago

Note

Hi there!! I been reading your works and I love your writing. This my first request ever.

I had this idea, and I was thinking about a gothic vampire reader with the personality and the looks of Morticia Addams, and the love for the macabre. And Elijah catches her attention and she catches his attention. Of course, they meet at a gala, a opera etc. And for weeks, they have been getting to know each other. Until one day, he comes over to her house, they are having a good time then the visit turns steamy and smutty, it is passionate and feral. And maybe with blood sharing between the two.

But of course, if you don’t want to then you don’t have to and you can ignore this.

Decadence

18+ ---- {Masterlist} {Tag-List}

Elijah meets an intriguing woman at the opera, leading to an evening of music, wine and vampiric indulgences.

♡♡ Thanks for the request @thealienartist!! Absolutely obsessed with this idea, I LOVE gothic romance & horror!!! This was an absolute dream to write. Can Elijah please be the Gomez to my Morticia heart? ♡♡

5.9k words - Warnings: smut, oral sex, blood drinking, I was self-projecting hard with this one... {I just want to be her}, black cats, chocolate cake, vintage wine, a love letter, Victorian gothic everything... I listened to Totentanz on repeat while writing this... {its a vibe}

Elijah had always enjoyed the arts, whether that be in music or literature or even painting and live performances. He found that the arts were one of the only things that made him feel truly alive. Even with his undead heart beating within his chest.

Around the turn of the century, Elijah discovered his love for horror. It amused him to see how humans depicted the supernatural, their interpretations of his kind were rather off. Vampires living in run down castles, with no regard for the world around them, their main purpose to drain the blood of the innocent. It was almost laughable, though some of his kind did enjoy that lifestyle.

It was during this time that he fell in love with opera, something his siblings didn't exactly agree with. Rebekah found it to be dull, Klaus found it to be pretentious and Kol didn't care either way.

They just didn't get it, the music, the drama, the costumes, had him completely enraptured.

So, when he heard that La bohème was being performed, he immediately made plans to go. He had seen it many times, but never got tired of the performance. He just wished that he could have somebody to go with, but none of his family wanted to attend.

He put on his favorite four piece suit, combed his hair, grabbed his black trench coat and made his way to the opera house.

As the lights dimmed and the stage lit up, Elijah couldn't help but feel a little sad, wishing he had someone to share this interest with, but he was content watching alone.

He watched as the curtains parted and the actors began their first scene, he immediately fell into a trance as he took in the performance.

Intermission was announced and he went outside for some fresh air, he was surprised to see a woman, who looked like she was plucked straight out of the past, standing on the balcony.

She was smoking a cigarette, the long stick held elegantly in her fingers. Her nails were red talons and her dark hair cascaded down her back, stopping at her hips. She was dressed in a all black Victorian style dress, which complimented her pale skin, making it look almost ghostly.

She tilted her head at him in acknowledgement, then went back to staring out into the night.

Elijah usually wasn't the one to approach women, he preferred for them to make the first move. But something about this one intrigued him, he was curious about her.

He stepped onto the balcony and approached her slowly. Watching the wisps of smoke rise into the air.

She looked up at him and smiled.

"Elijah Mikaelson, I presume?" Her voice was deep, but still feminine, her eyes darker than his own. She was strikingly beautiful, there was no doubt about that.

"You know who I am?" Elijah raised his eyebrows.

She chuckled, gracefully flicking her cigarette butt away.

"Who doesn't? The infamous Mikaelson's, who rule the streets of New Orleans with blood and fear... I'm a big fan," she said.

He smiled and shook his head, "We do not rule the city, we simply protect it from our enemies."

She hummed, a smirk gracing her ruby red lips.

"You do have a reputation," she replied.

Elijah nodded and stepped forward.

"What is your name, darling?"

She chuckled and leaned against the railing, gazing up at him with a smirk. "Y/n," she said, extending her hand out to him.

He grasped her hand gently, his lips brushing against her knuckles, her eyes sparkled as she watched his lips.

"Hmm, they don't make them like you anymore," she mused, her eyes traveling up and down his body. "You are so very old-fashioned," she added with a sly smile.

"Well I am quite old," he jested, matching her smile.

They stood and stared at each other for a moment before Elijah broke the silence. "What do you think of this performance?" He asked, gesturing towards the theater.

She shrugged, "I've seen worse, I've seen better," she replied.

Elijah found himself smirking at her response, not really knowing why. Maybe because he had found himself feeling the same.

"May I ask what brings you here?" He wondered why she was attending an opera alone.

"I was bored, looking for someone to eat," she stated. Her eyes roaming over his body once more.

Elijah let out a chuckle and ran a hand through his hair. There was only a handful of times in his long life that a woman actually made him nervous, this being one of those times.

She reached forward and placed her hand on his chest, leaning closer towards him, her lips ghosting against his ear, her scent surrounded him, it was intoxicating and Elijah found himself leaning into her.

"I'll see you around Mr. Mikaelson," she whispered and gently pulled away from him, giving him a wink before going back inside. Elijah watched her go, letting out a sigh as he shook his head, not being able to wipe the smile off of his face.

You considered yourself a solitary creature. Even in your human life, you tended to keep people at a distance. You felt misunderstood, even a bit judged by your peers, you didn't really like being around people.

After you were turned, things hadn't really changed that much, you still found it difficult to connect with others, but now you were mostly untethered and unburdened by society's rules.

The freedom of being a vampire was nice, to be able to go and do whatever you pleased, whenever you pleased and live however you saw fit.

You spent most of your years traveling, seeking out new places, experiencing new cultures and meeting people along the way. And with all this knowledge you learned exactly who you are and what you like.

New Orleans was one of your favorite places, full of vibrancy and life. It was an aesthetic heaven for you, a place that celebrated death, promoted the macabre, had strong connections to magic. Not to mention their appreciation for the arts.

For the last few decades, you had taken up residence in an old Victorian home. You compelled the local historical society to allow you to paint the exterior completely black. Planted dark red roses along the windows and hung little chandeliers made of animal bones along the porch.

You had spent quite a bit of time decorating the interior, making it a space that you could feel truly comfortable in. Something that made your home feel like it truly reflected your personality.

The house fit you perfectly; outside looking like something from a B-horror film, but the interior was homely and feminine, decorated with macabre pieces, gothic furniture, tapestries adorned the walls and candles were scattered everywhere.

You never really acclimated to modern society, you were turned in the 1800s and preferred to live according to the time. You liked old things, dark antiques, things that held a certain kind of energy within them.

So when you met Elijah Mikaelson at the opera house, you knew you had to add him to your collection.

You had heard about the Mikaelson family for a long time, whispers of them among the vampires. You had become intrigued, they were the oldest of your kind, the knowledge they possessed fascinated you.

You couldn't help the smirk that had stretched across your lips when you finally came face to face with Elijah, he was exactly how you imagined him. Tall, dark and handsome, dressed to perfection, emanating wealth and power. Finding him at the opera added to your attraction, knowing that his interests matched your own made it all that more charming.

Elijah Mikaelson was the fine wine of men and you wanted to bathe yourself in it. Wanted to drink up every drop of it, savoring the taste of it on your lips.

You sat in your living room, your cat on your lap, purring contently as you ran your fingers through his fur. You were dressed in a large silk robe, your hair tied up in a bun, dark wine colored lipstick on your lips. A mug filled with blood sat on the table beside you.

You were writing out a letter to him, with ink and parchment, your favorite fountain pen adding a certain flourish to your lettering. Your cat jumped off of your lap and you grabbed an envelope to place the letter inside. You folded the parchment and stuck it in the envelope, sealing it with wax and writing Elijah's name onto the paper.

You hoped he would like the gesture, you knew he was an old fashioned man, so sending him a letter with a gift was bound to catch his attention. It had been a long, long time since you felt nervous, and it had been at least a hundred years since you had a crush like this.

You grabbed the parcel with his gift in it and walked over to your front door, slipping on your heels, you headed out of the house and down your side walk, plucking a rose along the way.

The postman was close to leaving, just as you approached his mail van.

"Hello," you greeted, and watched as he turned and jumped, clearly startled by your sudden appearance.

"Jesus lady, I didn't hear you coming," he stammered, looking you up and down, a nervous smile on his face.

"I'm sorry, I just wanted to catch you before you left."

He shook his head and smiled, waving away your concern.

"I have a parcel for you to deliver," you said.

He nodded and held out his hand for the letter.

"What's the address?" He asked, staring down at the envelope, taking note of your fine penmanship.

"The Abattoir, in the French Quarter. For Elijah Mikaelson," you told him, running your fingertips along the thorns of your rose.

The postman nodded his head and placed the letter in his van.

"Have a nice day," he said as he walked away.

You watched him climb into his vehicle and drive away, a smirk playing on your lips, hoping your letter would get the attention you desired.

Elijah was spending the day lazing about, enjoying a rare day of peace and quiet, catching up on his reading. He wasn't expecting any visitors, but a knock sounded at the front door, which was a highly unusual occurrence.

He wandered downstairs, a nervous looking postman was waiting at the gate, looking around the old compound with fascination and hesitation.

"Elijah Mikaelson?" He asked timidly.

"Yes?" Elijah looked at him in bewilderment, it had been a long time since he had received anything in the mail, it wasn't like he had a registered address.

"This is for you," he said, handing him the envelope and a small package, wrapped in crimson coloured paper and tied with a black ribbon.

Elijah thanked him and made his way back into his home, he wondered who could have sent him a letter, the handwriting was immaculate, a skill that wasn't common in today's world.

He realized who it was from instantly when he saw the initials, y/n. A smile graced his lips, feeling like a giddy schoolboy instead of a thousand year old vampire.

He quickly undid the black ribbon and opened the paper, revealing a beautiful piece of art, depicting a flying demon eating a young woman's heart. The detail was incredibly fine, and he realized after a quick sniff, that the red of the painting was not paint. It was blood.

A thought crossed his mind, he wondered if it was a piece of your art, he found your work to be truly frightening, beautiful and enchanting, reminding him of the piece Nighthawks, though darker and macabre.

Opening the letter, he read it carefully,

Dearest Mr. Mikaelson, I hope this letter finds you well, if not please pardon my forwardness. I never understood the flirting etiquette of the modern woman. I find myself longing for the company of a man with your refined tastes, such a delicate palette. I was intrigued from the moment we met, our meeting felt fortuitous. I must confess that I have not felt this way in centuries, being in your presence awakened something within me that I wasn't aware still existed. I find myself completely enamored. Perhaps my feelings are returned? If not, then please accept this gift in hopes of extending our friendship. Though I do wish you share in my hopes of something a little more. I will be home tonight, perhaps you would do me the honor of joining me for a drink? Until then I remain Your Admirer, y/n.

Elijah couldn't wipe the smile off his face as he gently folded the parchment and placed it on his desk. He immediately went to check himself in the mirror, fixing his hair, combing it neatly to the side. He found himself anxiously changing his tie, nothing matched what he was wearing, but he wanted everything to be perfect.

He found a pair of ruby cufflinks, feeling that they complimented the letter and would perhaps set the mood.

Grabbing his black wool jacket and adjusting his tie, he made his way outside before stopping and running back inside, he couldn't possibly come empty handed and he knew just the thing to bring you.

You waited nervously inside your house, you had decided to wear a simple black slip dress, your hair flowing over your shoulders in waves, your black winged eyeliner perfectly defining your eyes.

You needed a way to quell your anxiety, so you decided to play a tune on your organ, something to fill the silence, create a soundtrack to go along with the nerves that bounced around inside your mind and heart.

If he didn't show, you would understand. It had been quite a while since you've expressed your affections to anyone. It had been a lifetime since you were courted.

Your fingers idly drifted over the ivory keys, producing a somber yet melodic tune. Your nails were filed into sharp talons, painted a deep crimson, matching the lipstick on your lips.

The melody flowed through the house, the tune reverberating against the walls, seeping through the floorboards. Your cat jumped up and settled in your lap, the soft vibrations from the organ lulling him into a purring trance.

A soft knock broke the melody and you felt your heart stutter. Placing your cat on the seat you walked over to your door. Taking a steadying breath, you grabbed the handle and opened the door.

Men usually didn't have you so utterly flustered, but with Elijah, it seemed like even your centuries old blood could grow warm.

"Good evening, I received your letter and gift, thank you."

He greeted you with a genuine smile, an excited glint in his eyes. You let your eyes wander over him, taking in his appearance, he was dressed to perfection, like always, obviously following along with your old fashioned aesthetic. You liked that you didn't have to ask him, he just got it.

"Please, come in," you stepped to the side to make room for him, you shut the door as he walked inside.

"Quite a lovely home you have here," he said, admiring the interior of the house.

You took his coat and led him into the sitting room, pointing to one of the antique sofas.

"Please, take a seat."

He sat and placed the bottle of wine he had brought on the table.

You took the bottle and marveled at the label, your interest peaked, feeling slightly taken back, it was one of the rarest reds, bottles of this were difficult to come by, most of them now lying at the bottom of the sea.

You knew it was not a simple gesture, this was the kind of thing you save for very special occasions. Knowing that he considered this date that special made your stomach flutter.

"Now how did you manage to get your hands on this?" You asked, placing the bottle beside the two glasses you had set out earlier.

"My brother was the culprit behind a number of shipwrecks, during the golden era of piracy," Elijah responded, a smirk gracing his lips.

You chuckled as you grabbed the corkscrew. "That is no surprise," you replied as you popped the cork out.

You grabbed the glasses and walked over to him, passing him one of the glasses before sitting across from him.

You both raised your glasses and clinked them together, taking a drink, closing your eyes and savoring the taste.

"I heard you playing as I approached the house, you have a lovely talent," Elijah said.

You smiled and nodded your head, looking down at your wine.

"That was very sweet of you to say," you looked up at him through your lashes, admiring his handsome features.

You took another sip and watched him over the rim of your glass, his eyes watching you as well.

"What were you playing? Totentanz?" He asked.

"Indeed, it’s one of my favorites," you said, tilting your glass in his direction, "and it felt appropriate," you jested.

A beautiful smile stretched across Elijah's face as he let out a chuckle. His smile made your lips curl up, mirroring his expression.

"So tell me," he began, "What made you decide to come to New Orleans?"

You shrugged and crossed your legs, the sliver of skin left exposed as the fabric cascaded over your thighs, capturing his attention.

"I love it here, the culture, the art, blood tastes sweeter here," you said, letting a sly smile grace your face. "I like the way this city weaves death and beauty," you paused and took a sip, "it just feels like home to me."

Elijah nodded his head in understanding, he appreciated what you had said. "Yes, there is a certain allure about this city,"

"Your family helped build it back in the 1800s, no?" You asked, running your finger along the lip of your glass.

He nodded, "yes we did, from swamps and brothels to one of the wealthiest cities."

You chuckled and shook your head, "yet the swamps and brothels remain," you mused.

"But not nearly as much," he joked.

You both sat and talked for hours, getting to know each other, laughing and drinking. Elijah was surprised to find that you didn't mind listening to him talk about his travels and life, in fact you hung onto his every word. To him, you were utterly enchanting, the way your eyes lit up as you talked, your laugh, the way you looked at him.

At one point he got up and sat closer to you, his hand gently grazing your thigh, leaning in close as you spoke, his eyes locked on yours. Your lips parted and you felt his breath ghosting across your mouth, his eyes flicking down to your lips. He was such a gentleman, waiting for you to initiate the kiss, but you wanted to do one last thing before you tasted his lips.

"I made something for us, if you would like to try it," you whispered.

He leaned back and tilted his head, his eyes curious.

You smirked and placed your wine glass down, slowly standing up.

"Follow me," you told him.

Elijah trailed after you into your dining room, a large wooden table in the center of the room, filled with silver platters and a centerpiece of black and white roses.

You had made a decadent chocolate cake using human blood, the dark rich blood mixing with the cocoa, making a sinfully dark and delicious dessert.

You pulled out a chair for him and motioned for him to sit.

"This looks delicious, did you make this?" Elijah asked.

You nodded and cut a slice for him, placing it on a plate.

"Yes, I made it from scratch," you said, a small smirk playing on your lips. "Gathered all the ingredients from local suppliers."

Elijah hummed, taking his first bite, his eyes widened and he let out a soft groan.

"This is divine," he exclaimed, the veins around his eyes darkening.

You sat and watched him eat the entire slice, his eyes were blown out, the bloodlust apparent in his expression. You bit your lip, trying to hold in your excitement.

You pushed your plate towards him, a wicked grin on your lips. "Would you like another slice?"

His eyes flicked up to meet yours, the bloodlust making him look feral, his eyes completely black.

"I would prefer to taste something else," he said.

Your lips curled into a smile as he stood, pushing his chair back and pulling you out of yours.

His arms snaked around your waist, his hand coming up to tangle in your hair, pulling you flush against him. You ran your hand up his chest and wrapped it around his neck, your lips meeting his.

He tasted like red wine, chocolate and just a hint of blood, his mouth soft and pliant, his tongue brushing against your lips. You nipped at his bottom lip and he growled, pushing his hips against yours, walking you backwards, pinning you against the wall.

"Where did you come from?" He marveled, his hands grabbing your ass.

You laughed and ran your hand through his hair, giving it a light tug.

"Does it matter?" You whispered, pressing your lips against his again, kissing him hungrily.

"You've been in my city for so long, yet I only just met you, how very unfortunate," his voice was gruff as he spoke, his hips rolling against yours.

"I guess we will have to make up for lost time," you said, your voice dripping with lust.

Elijah picked you up and flashed up the stairs, his hands cupping your ass, his lips attached to your neck. He walked you into the bedroom, tossing you on the bed.

You laid there, propped up on your elbows, staring up at him, a teasing smirk on your lips, your dark hair fanning out on the pillow.

He looked at you in awe, your red lips were swollen from his kiss and the hem of your slip had risen up your thighs. He climbed onto the bed and crawled towards you, hovering over your body, his mouth finding yours again, his hands running up to the hem of your stockings, his fingers teasing the skin under the material.

You wrapped your legs around his waist and flipped him, straddling his hips. Your hands ran over his chest, undoing the buttons of his shirt, revealing his toned chest.

His hands roamed over your body, slipping the straps of your slip off your shoulders, revealing your black corset, his hands trailing over the boning, the lace covering your breasts, the garters that held up your stockings, and the panties that were already ruined.

"I miss when women would dress this way," he sighed, his eyes drinking in the sight of you, a look of hunger in his eyes.

You chuckled, bending down to nip at his bottom lip, your lips moving along his jaw.

"Happy to keep the tradition alive," you whispered, nuzzling your nose against his neck, your fangs running along the artery, feeling his pulse against the tip of your fangs.

Elijah flipped you over and pressed his body against yours, his hand wrapping around your throat, squeezing the sides, his thumb tilting your head back. His other hand found the ties inn the front of your corset, slowly undoing the knots, the ribbon sliding through the eyelets, the corset loosening with each pull.

You watched his eyes flicker over your breasts, his fangs extending, his breathing heavy. He looked up and met your gaze, his face shifting, his veins spreading underneath his eyes.

He bent down, his fangs sinking into your chest, your blood filling his mouth, dripping down his chin. Your eyes rolled back as he fed from you, his hand squeezing your breast, his fingers pinching and twisting your nipple.

The pain of his fangs and the pleasure of his hands were overwhelming, you felt drunk, you felt euphoric.

You grabbed a fistful of his hair and pulled his head back, your mouth colliding with his, tasting yourself on his lips. He groaned into your mouth and rolled his hips against yours, his bulge pressing against your core.

You both frantically began to undress, his pants and belt tossed aside, your dress and corset ripped off, thrown onto the floor. You laid back, wearing nothing but your stockings and panties, his boxer briefs the only piece of clothing left on his body.

He grabbed your hips and pulled you back underneath him, his lips finding yours, his hand running up your leg, hooking his finger into the thin strap of your panties, tearing them off.

"That was entirely ungentlemanly," you said, a teasing glint in your eye.

Elijah smirked, kissing his way down your stomach, stopping at your pelvis, his fangs lightly scraping the skin above your pussy.

"You don't seem to mind," he mused, his hand pushing your thighs open, his lips wrapping around your clit, his tongue flicking over the sensitive bundle of nerves.

Your hips bucked and your hand grabbed a fistful of his hair, tugging it, urging him on. You appreciated his enthusiasm as he indulged in pleasuring you.

His tongue felt deliciously warm against your skin, your eyes shut, your breath ragged. It had been so long since you had a man between your legs, and Elijah was no ordinary lover, his skill level matched his age.

You moaned and writhed beneath him, his thumb pressed against your clit, your wetness covering his chin.

"Fucking hell," you panted, your body starting to tense.

Your hands gripped the bedsheets, your body a ball of pent up tension, with one final stroke of his tongue, your orgasm broke through the last sliver of control.

You shook and gasped as your climax took over, your whole body erupting in pleasure. Elijah lifted his head, watching you, his lips curling into a sly smile.

"That's a sight," he praised, sitting up and wiping his chin with the back of his hand.

You slowly opened your eyes, a blissful smile plastered on your face.

"Indeed it is," you replied, your breathing uneven.

"But you should watch your language, I thought you were a lady," he teased, his eyebrow raised, the corners of his mouth twitching upwards.

You narrowed your eyes and smirked, leaning forward, grabbing his shoulders and rolling him onto his back. Your bodies were slotted together, your faces close to each other.

"When have I ever claimed to be a lady?" You asked, kissing along his jawline, nipping the soft skin at the end of his neck.

Your hands trailed down his body, running over his chest, letting your nails run down his torso, breaking the skin, long bloody tracks appearing.

You kissed your way down his chest, licking the blood up, your fangs scraping against his abdomen. You looked up and caught his hungry gaze, his body tensing under you, his erection straining against the fabric of his boxers.

Smirking, you kissed the fabric that separated you from his cock, your hands reaching up and tugging at the waistband, pulling them down slowly.

Your lips wrapped around the tip of his cock, licking the pre-cum. His eyes fluttered shut and he hissed in pleasure, his hands tangling in your hair.

"Mr. Mikaelson," you said as you slowly descended on his cock. "I may look like a lady," you popped off him and kissed the head. "but I fuck like a dirty, filthy whore."

Elijah groaned at your words, the hands in your hair tightening, gripping your strands, guiding you back down, taking in more of him.

You bobbed your head along his shaft, sucking and lapping at the vein along the underside, one of your hands pumping the part you couldn't fit in your mouth, the other gently cupping his balls, squeezing and massaging them.

Elijah slowly began to rock his hips, matching your rhythm, his breathing heavy and rapid, his voice hoarse as he murmured your name.

Pulling his cock out of your mouth, you looked up at him, tilting your head, "yes?" You smirked, blowing air onto the tip.

Elijah pulled you up and kissed you, flipping you over and once again pinning you underneath him. He pulled your thigh up to hook around his waist, gripping your ass, letting his cock rub along your slit. He pulled on the hem of your stocking, letting it snap back against your skin.

"Gorgeous, intoxicating thing," he cooed, slowly sinking into you.

You threw your head back and let out a moan, your leg hiked up to allow him deeper access. He placed one hand under your thigh, holding your leg in place, while the other found your neck, his thumb grazing your windpipe, applying the perfect amount of pressure. The hand under your leg holding you firmly. You knew that a part of him wanted to give into the bloodlust, the animalistic side of him that was desperate to sink his fangs into your neck. His gentleness mixed with his aggressiveness drove you wild.

You felt every inch of his cock as he slowly rolled his hips, pulling out of you almost fully before entering you again. He leaned down and kissed you deeply, his tongue dancing along yours. It was intense and overwhelming, the way he had all your senses tied up in his touch, his mouth, his taste, the sound of his breathing, his movements.

You struggled to hold it together, your pleasure building with each stroke, and he knew, he loved seeing you come undone.

He began to pick up his pace, his hips snapping against yours. It was like the perfect dance, his hips moving so smoothly and perfectly in time with yours, both of you chasing the inevitable crash.

Your eyes met, and everything else seemed to fall away as you lost yourself in his gaze, everything slowing down. He kissed you softly, tenderly, making you melt in his hands.

You brought one hand down to rest on his cheek, holding his face against yours, kissing him back just as tenderly. You ran your index finger along his jaw line, your sharp nail drawing blood, dipping your finger between your lips. He tasted so much better than you imagined, like pure power and divine lust.

Elijah groaned at the sight of your blood stained lips and he sped up, his lips on your neck, his fangs running over your skin.

You tugged on his hair, urging him to bite you, to drink his fill, you wanted nothing more than to give yourself over completely.

His fangs sank into your neck, your blood spilling into his mouth, some of it dripping onto your chest, his teeth slicing into your skin.

The sensation pushed you over the edge, your orgasm ripping through you, your hands grabbing at his shoulders, a strangled cry of his name leaving your lips.

He didn't stop, just as he was reaching his peak, he sank his teeth in deeper. He growled, his hips losing their rhythm as his climax hit him. You were both a gasping, moaning mess, clinging to one another, your fingers digging into each other's skin.

The two of you collapsed in a sweaty heap, tangled in the sheets, your skin glistening, breathing heavy.

You felt light headed and euphoric. His gaze was piercing and loving, his fingers brushing across your neck, softly wiping the blood off. His mouth gently caressed yours, his hands cupping your face.

He brushed your hair behind your ears, pulling you into his embrace, his fingers tracing your skin. It was hard to believe that you had only known him for a night, it felt like a lifetime.

A long overdue release of tension and you were happy to be the object of his affections. He was by far the most interesting man you had ever met.

You melted into him, his hands wrapping around you, holding you close. Everything felt perfect, the dim lights, the sound of rain in the background, the weight of him beside you.

The slow creak of your bedroom door opening, cut through the stillness of the night. The soft mew of your cat greeted the both of you, followed by the sound of him jumping onto your bed. The comforting feeling of his paws walking along the sheets as he came to investigate the disturbance in his home.

He walked along Elijah's body, bumping his head against Elijah's outstretched hand, purring happily.

"And who might you be?" Elijah asked.

"Erebus," you responded, stroking Erebus' fur. "It means darkness."

Elijah nodded, the corner of his mouth turning up in a smirk.

"An appropriate name," he mused, watching the black cat turn around on his chest, finding a comfortable spot to settle.

Erebus yawned and curled into a ball, closing his eyes.

You smiled and snuggled in closer to Elijah, your head resting on his shoulder.

"I guess Erebus wants me to stay," He chuckled.

You laughed and reached over him, scratching the cat behind the ears.

"It does seem that way," you teased. "And I have no intention of kicking you out."

Elijah smiled, kissing the top of your head.

"Good," he said. "Because I intend on staying right here."

You looked up at him and smiled, your heart skipping a beat. You had never met anyone who could make you feel so special and desirable.

Elijah's face was gentle, his eyes crinkled, his mouth curled into a smile. He kissed you again, a sweet, chaste kiss, and then he turned his attention back to Erebus, who was now fast asleep on his chest.

"Did you know that Erebus fathered Eros, the god of love and desire?" He asked.

"I did," you chucked, watching your little cats chest rise and fall.

"There is a play house not far from here, they are putting on a performance about it, the play is called Sweet Eros. Would you like to go see it? It's quite twisted, it seems like something you would enjoy."

You nodded and kissed him, a grin on your face.

"Mr. Mikaelson, I think this is the start of something beautiful," you teased, your fingers tracing his collarbone.

"Oh my darling," he said, his lips brushing against yours. "It already is."

♡♡ Tag-List ♡♡

♡ @gorgeouslydangerous ♡ @starkleila ♡ @lydia1369sworld ♡ @notleylaaa ♡ @vampiresluv ♡ @myanmy ♡ @xflowerbombxo ♡ @maryvibess ♡ @always-and-forever-daydreaming ♡ @criminallminds ♡ @theesexystallion ♡ @rosemarypotion ♡ @spnaquakindgdom ♡ @amournoir ♡ @loving-and-dreaming ♡

♡ @meeom ♡ @damienmorton ♡ @wickedmuse ♡ @sunkissedebony97 ♡ @idk00sblog ♡ @savannaounana♡ @cs-please ♡ complicatedandconfusing-25 ♡ @hamiltimes ♡ @akala6670229 ♡ @yeaiamme2 ♡ @itsjulzandmydiamonds ♡ @spideysbabe ♡ @witch-of-letters ♡ @elijahmikaelsonsboy ♡ @rosecentury ♡ @sekaishell ♡ @ziayamikaelson ♡ @amanda08319 ♡ @starshipcookie

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cinnbar-bun · 1 year ago

Text

Mihawk Gen NSFW HCs

Rating: NSFW, it's all smut here baby

Headcanons are under the read more.

You can read this on my AO3 here!

A generous, thorough lover, who doesn’t waste any time getting down to business with you.

Mihawk is incredibly patient and passionate with his touches. It’s intimate, it’s loving, and he uses physical action to express more of what he feels than through his own words.

Mihawk, first and foremost, is a lover of roleplay. And not just any roleplay. No, no, no- we’ve seen how extra Mihawk is in general, and it is no different in the bedroom. He loves certain “themes” (which you begin to recognize the pattern of after a few ‘sessions’ with him).

His favorite roleplay scenarios include:

Injured, wandering swordsman needing a place to stay and heal after a terrible battle, and you happen to find him and take him in (and fuck him).

Wandering swordsman comes across a dark castle with you trapped inside due to your evil father/lord (and then you fuck).

Lord of the castle sees you trespassing on his estate and takes you as his prisoner (whom he falls majorly in love with and fucks).

Loyal swordsman/bodyguard falls for his lord despite the different class ranks and society forbidding your love (you two fuck anyways).

Dark vampire swordsman invites you into castle after you stumble in during a terrible storm (and then he fucks you to remind you to never trust unsuspecting strangers in their dark castles).

This man gets VERY into his scenarios. He’s preparing a script for himself, buying outfits and decor that perfectly match the theme (because how DARE you try to have sex in a room that is NOT accurate to gothic interior design), and lighting different scents and waiting for the perfect weather.

That doesn’t mean he’ll never have sex otherwise, he’s just a very detail-oriented person who gets really caught up in things like settings and feelings. It makes the sex better when all his senses are filled with what he feels are the “correct” attributes of a scene. It makes him excited that you trust and enjoy playing along into these scenarios with him, and he views it as a bonding activity.

He wasn’t particularly sexually active with someone before, so when you two get close together, he begins to read plenty of romance novels to get an idea or two for a good way to woo and excite you. This does mean reading plenty of smut. You can tell when he’s reading it by the way his face looks even more serious than usual. It’s very subtle compared to his normal appearance, but when he furrows his brows and nods curiously at different times, he’s almost certainly reading a smutty scene.

A way you can tell he’s in the mood (beyond him proposing and asking to do a roleplay session with you), is when he kisses your neck more and offers you plates of fresh fruits like apples, pomegranates, figs, or strawberries.

Speaking of fruits, he’s not averse to food play. It depends on the type of food, generally, but with things like fruits or even honey, he’s absolutely down for it. If you two are really feeling frisky, he might pour wine on you and lick it off.

Despite his eagerness to cut his enemies down- he absolutely will NOT cut you. To him, as a swordsman, seeing any scars on you would mean he has failed to protect you, and he sees that as a source of shame. It would take a while before he dares bring a knife or sword into the bedroom to use on you. Until then, it might appear as a prop or just be held by your side to get the “thrill” of being cut.

I also doubt he’d enjoy getting cut either, as a scar is a source of shame on a swordsman. Actual cuts are not something he wants, but he probably would not mind something like hickies or hand/finger prints.

He does enjoy restraints- whether on you or him. He prefers ropes and leather belts over something like handcuffs. Hell, even your own hands will be good too.

Mihawk adores your neck and your hands. Pro tip, moisturize your hands a lot and he will spend his time peppering kisses all over your hands.

He can get sappy as hell during foreplay. He will kiss all over your arms and hands and body. It’s Gomez Addams levels of adoration towards you.

Tends to whisper affectionate nicknames to you, and occasionally, when he’s really into it, he will whisper beautiful words of praise for you in his language (I personally hc him as Transylvanian so I think he’d speak Romanian, but I know many others believe him to be Spanish or Italian so hey, whatever floats your boat my lovelies <3. You can just imagine).

Mihawk isn’t loud during bed (but then again, when is he ever?), but he lets out the most beautiful moans and pants ever. When he gets close, his breath picks up and ugh, can you imagine the world’s strongest swordsman just panting in your ear? It’s a sound you won’t be forgetting anytime soon.

He is rather possessive but also respectful of your feelings, so he wouldn’t prefer to have public sex or sex with a risk of getting caught. He would not have sex where Perona or Zoro could easily walk in (Perona has made that mistake once and never again), so Mihawk always blocks off a room in the castle specifically for the both of you to indulge in all of your whims together with. Everyone else knows not to step in there for fear of Mihawk’s wrath.

His aftercare is wonderful, and during this time, he may become more talkative. It’s more so to make sure you were okay and if you enjoyed it or not. He’d carefully tend to you and clean you and the bed up before you to go to sleep or back to work.

Mihawk likes to have sex with you the night before he leaves to various missions. One reason being that it’s a way for you two to enjoy the intimacy of each other before a long stretch of time where he’s off. Two, he likes seeing the smile on your face and the post-sex afterglow that surrounds you when you begin to fall asleep. It comforts him and gives you a good reminder of him when he’s gone in the morning (not without him leaving you a note saying he’ll seen you soon).

#one piece x reader #one piece hcs #one piece smut #dracule mihawk #one piece mihawk #mihawk x reader #dracule mihawk x reader #smut #op smut

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angelflms · 3 months ago

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i lied. i totally lied. put your clothes back on. we're gonna talk about how deadpool & wolverine has the classic tropes of a rom-com including the haters to lovers trope, the fade to black "sex scene," and two actors in the cast who are a part of two iconic rom-coms from the 2000s/10s and the reason it probably wasn't promoted as such is because it's being distributed by the same company who can stand shows like the owl house and gravity falls because of queer romances that the creators try to make and the reason why people scream "deadpool and wolverine aren't/can't be gay" til their face turns blue because they can't fathom the idea of relating to a queer character because of the homophobia raging inside them because of the fear that if they relate to a gay guy, they might be gay themselves.

strangely enough... this can also apply to agatha all along and it being a sapphic gothic romance.

#deadpool and wolverine #deadpool movie #deadpool 3 #peanutbub #poolverine #wade wilson #logan howlett #ryan reynolds #hugh jackman #agatha all along #agatha x rio

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avelera · 7 months ago

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It makes me sad when I see posts by people who are enjoying the Interview with the Vampire show but say they've decided not to even try to read the books.

To be clear, it's fine to just not want to read the books, there's plenty of reasons the books might not be everyone's bag, and one reason is that people might just want to enjoy the show without spoilers or the source material muddling the experience.

But I just want to clarify a few points that people might be hung up on with regards to reading the books in case they've decided not to on false premises:

Anne Rice was not homophobic or otherwise anti-sex or against queer relationships for her characters - those are lies, lies, and damned lies. Anne Rice was a queer writer before being queer-- much less writing about it--was cool (to say the least). She more or less defined herself as nonbinary before there was terminology for it, her son is gay, and she left the Catholic Church the second time because they wouldn't accept him (even though the Catholic Church had basically become her life at that point after her husband died, which is a long complicated story). She also wrote tons of erotica, specifically bdsm erotica, which was also very queer. She would not be horrified by the queerness of the show.

Anne Rice was anti-fanfic - Yes, she was. Yes, she was one of the most aggressive authors against fanfic (though she softened later). But just to be clear, she had a legal reason for it. I was one of the people most heartbroken in the early '00s by her aggressive take down of fanfic over the years but even then, I always understood why she did it, she reasonably believed she had to be aggressive in order to defend her copyright. You can dislike her for it but she wasn't just hating on fanfic for the sake of it, the early internet was extremely muddy when it came to the legality around fanfic and copyright and as an early adopter of the internet, she was very concerned on that front specifically.

The books are not poorly written/not fun to read - Look, your mileage may obviously vary, and many have found flaws in her writing (IWTV in particular is probably the slowest read of the bunch) but Anne Rice wasn't a NYT Bestseller on basically every single one of her books for no reason. Her style is easy to read, fun, engaging, and often darkly beautiful and deeply empathetic. She basically defined the modern vampire genre and modern supernatural gothic romance for the last 50 years, I mean she dominated the genre. Don't take an out of context excerpt of the opening of The Vampire Lestat sounding like "My Immortal" as an indication of anything. (The whole point of that intro is that Lestat is supposed to sound like a self-obsessed drama queen in the opening pages, that's the conceit of the book and introduces him as a self-centered unreliable narrator, which she then plays with to great effect. It's actually rather deftly handled how she introduced Lestat as a POV character with that introduction. As a writer, I will defend that introduction as actually genius.)

Anne Rice wasn't perfect, to say the least. And the books might not be everyone's cup of tea, she was often dealing with transgressive topics and probably held many ideas or presented many concepts decades ago that would be side-eyed today.

But they're bestsellers for a reason and she's an era-defining author for a reason. The show is doing some interesting stuff with modernizing and deconstructing the books but the rich material they have to do it with comes from the books.

At the very least, I suggest trying out "The Vampire Lestat" and then "Queen of the Damned" which I think are two of her best and will go a long way to informing how audiences view the show and what's coming next.

#anne rice #vampire chronicles #iwtv #interview with the vampire

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see-arcane · 7 days ago

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You can’t make people ship ships the way you want to ship them though. People can ship Orlok and Ellen in any way and under any lenses they really want to. Also judging by how interviews of cast and crew go they also wanted people to ship these characters and don’t view Ellen as abuse victim or CSA victim. It’s indeed kissy kissy vampire movie in a way as Ellen literally kisses Orlok on the lips and they have quite sensual vampire sex. I understand you can have frustration with some shipping or shippers and you are free to vent but you can’t change that people ship things or how they view and ship these things or how they view movies. People don’t look at movies and world with your eyes nor should they.

Don't want this to turn into a Thing, so I'd like to cap the topic off here.

I do not have a problem with people shipping Ellen and Orlok, or Thomas and Orlok, or Ellen and Thomas, or any combination thereof. Same goes for the actors/director who clearly wanted an element of attraction happening in the dynamic(s). It is gothic horror centering around the amorous and fucked up triangle these characters make. Ship happens.

What aggravates me is not just the bleaching and rose-colored glasses phenomenon with some folk's very literal non-joking interpretation of Orlok's attentions as purely ribald-romantic, but how it locks into a much longer, much more headache-inducing tradition that keeps getting grafted onto a very Specific kind of relationship in stories like this.

Red Riding Hood and the Wolf. Persephone and Hades. The last living wife standing and Bluebeard. Mina Harker and fucking Dracula.

Every time. Every single time that there is a Girl and an Aggressive Admirer/Predator involved in an original telling, it gets garroted, dragged through a Valentine Card printing press, and spat out the other side, either in genre-blind reinterpretations of every violent act or full-on spinoffs as Beauty and the Beast-flavored naughty xxx romance 😜 (Don't worry, she totally wanted it, she was just playing hard to get uwu)

When the girl is hunted. When the girl is imprisoned. When the girl is raped. When the girl has her life and the lives of loved ones threatened in order to make her compliant with what her attacker wants. No matter how much slaughter or entrapment or physical or psychological abuse is branded into the mythology or book or film, the rosy romantic revamp keeps happening.

I'm not going to sit down and go full hack psychology about the mechanics of forbidden fruit/desire/escapist kink involved in people's enjoyment of these stories. I love those stories! Can't get enough of the fucked uppery involved with narratives that take something like Love or Desire--traditionally upheld solely as Virtues reserved for curing a villain of their evil or firing in a glittery beam from some magical high schooler's wand--turned into something dangerous, maddening, and horrific. I eat that shit up.

What annoys and worries me is the lack of comprehension, or else outright ignoring, of the bare minimum of reality within a story in favor of sanitizing and filigreeing it into 'Just a naughty ;) romance~' wherein the Aggressor was definitely for real just a misunderstood suitor the Girl wanted all along..! as long as we ignore all the bodies and the repeated assaults and the bodily chucking her when she said a thing he didn't like and the point blank gaslighting and the attacking and entrapping her as a teenager as she screamed and went into the first of many many seizures and the fact that she was willing to die in order to kill him

Obviously I can't stop people from seeing what they want to see or thinking what they want to think. Imagination Land has no borders and folks can do whatever. I'm not going around with hardcover editions of Dracula, pummeling errant shippers for their transgressions.

I am just venting. Because venting and languishing and praying for actual critical thinking to make a comeback in media literacy is all I can do in the face of so many people reinventing the Coppola Wheel and stapling it over a work that is itself hammering the audience over the head with a plot about coercion and twisted relationships and murders committed en masse to make a girl put out for her stalker

Give it five years, we'll see Nosferatu: A Love Tale in theaters, directed by Luc Besson, in which the tragic Prince Orlok pines for the time displaced period piece goth girl, Ellen Murray, who is so very sick and tired of her boring boorish throwaway fiance, Thomas Hutter and longs for Orlok's leather clad embrace.

#I'm tired man #let me be fucking tired #nosferatu #nosferatu 2024

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yanderestarangel · 1 year ago

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HEADKANONS MK1 | SHANG TSUNG | MORTICIA ADDAMS AND GOMES CONCEPT

TW: marriage, stable relationship, gender neutral reader, gothic romance, implicit smut.

𝐘𝐎𝐔 𝐀𝐑𝐄 𝐇𝐈𝐒 𝐆𝐎𝐌𝐄𝐒, 𝐀𝐍𝐃 𝐇𝐄 𝐈𝐒 𝐘𝐎𝐔𝐑 𝐌𝐎𝐑𝐓𝐈𝐂𝐈𝐀.

Shang tsung needs to be pampered, adored and have you at his feet, kissing the ground he walks on, whether you are a man or a woman, you will be his gomes. You would adore him, take care of him, follow him everywhere, like a good husband/wife to him, even opening the carriage doors for him to get out while you offered him your hand, which he would readily take with a pompous smile.

He likes to be taken care of by you, walking with you all over the world and showing you off to everyone, you are beautiful and so is he, a perfect couple and best of all, you are crazy about him. Shang tsung will want you to hold his hand while the two of you walk around, he is still proud, always with his chin up and wants you to do the same.

He will always ask you for help choosing his clothes and if he wears some kind of cape, you will have to hold him, but you do it out of pure desire to serve him, and he likes that. Tsung won't force you into anything, oddly enough, he likes to let you do it because you want to and not out of pure pressure. "-If you're uncomfortable, just don't do it, regardless of who it's for, even if it's for me." -That was the phrase he always told you, and you always agreed, after all, you were his love.

Shang likes to receive flowers, preferably red ones. He loves receiving big bouquets of roses every romantic dinner you two have at his castle, while you kiss his palm. Gifts are also well accepted, jewelry, clothes, fabrics or even spell books that he doesn't have yet. "-Thank you my love, you are the best, I am a great man with you by my side (Y/N).

He will live with you in his castle, every morning you will wake up next to him, Shang looks like an angel sleeping, a peaceful angel even if you knew he was a sadistic sorcerer, you loved him. He would whisper your name in his sleep, involuntarily seeking some comfort from your body in bed, you would hug him, arranging his fallen hair in your lap, while a chaste and light smile appeared on his lips, you were his soft spot, even if he never admitted it.

You two are a scary couple! In a good way - or not - you accept everything Shang wants, even helping him with his spells, he always asks you by giving you kisses on the face to do 'x' task, which you would gladly do, making Shang smile and blush a little, just an effect you could have on him.

He likes to make you jealous sometimes, the feeling of being desired by you is addictive for him, the feeling of knowing that on the night of that day, you are going to have rough and aggressive sex with him, dominating him, making him moan and scream, whispering words of possession in his ear as he challenged you even more, just to have you like a beast hungry for him. Tsung loves the next day dawning completely scarred, bites, purple and red marks from hickeys given by you on his skin, and you next to him.

"-You scared me last night (Y/N)... So wild, dominating me, making me scream your name like something sacred..." Shang sighs, looking at you, looking at himself in the mirror. "-Do it again..." He speaks quietly, but enough to fall into your ears.

Would he want children, two or three children, or more, who knows? He wants to have a family with you and pass on his legacy as a great wizard with you always by his side as the children's father/mother.

Your relationship song is: "Enjoy the silence - Depeche Mode", Shang knows all the words by heart, and you usually sing it together while enjoying the comfort of the night and the moon that illuminates you both, hands clasped together, while the wizard hisses the lyrics with you.

He can't love or like anyone other than you, he can't live without you, even if he wants to convey the view that he's in charge of you... You both know it's the opposite, he can't do it without you... you are what completes the sorcerer and his soul.

The two of you also got married in the exoterra forest, some of Shang Tsung's acquaintances showed up, and Quan Chi performed the ceremony for his friend. He dressed in the best clothes, completely black, with gold ornaments and loose hair combed back, while wearing a crown, holding a bouquet of black flowers - with eyes focused only on you, who was already waiting at the altar, with a suit/dress matching his color palette - you heard the consecration that Quan Chi made, while Shang Tsung held back the tears that tried to fall, a happiness that only you caused. You held hands, reciting the dark and meaningful vows, practiced many nights before the official ceremony, reverberating as the still life surrounded the two of you there.

"In the dark embrace of the abyss of desire, Where shadows dance and secrets hiss, With trembling hearts and souls intertwined. Our union forged, bound forever. Through storms and moonlit haze, Our love will prosper in his godforsaken labyrinth. We will face the world together, without fear, we dare. In crypts of passion and whispered sighs, Our love will bloom where the crow flies and will never fly again. In the dark and in the light, we will never part. United by the curse of love, two hearts, in one soul.

So take my hand, beloved, and never let go, so be it, by our power."

With that Shang Tsung sealed your lips on his, as he hugged you close to him, applause was heard from the guests, but the world disappeared, what mattered to the two of you was your embrace of each other. He threw the bouquet into the crowd, being caught by Nitara, as the two of you walked out of the forest hand in hand, with you finally seeing Shang break down and cry, thanking you for everything and that you were the best and the only thing that would make him give up. everything, power, dominance, nothing mattered if he didn't have you by his side, you kissed the sorcerer's soft, salty cheek, kissing the back of his hand, while smiling, you were happy, happy being his.

𝐀𝐥𝐥 𝐈 𝐞𝐯𝐞𝐫 𝐰𝐚𝐧𝐭𝐞𝐝

𝐀𝐥𝐥 𝐈 𝐞𝐯𝐞𝐫 𝐧𝐞𝐞𝐝𝐞𝐝

𝐈𝐬 𝐡𝐞𝐫𝐞 𝐢𝐧 𝐦𝐲 𝐚𝐫𝐦𝐬

𝐖𝐨𝐫𝐝𝐬 𝐚𝐫𝐞 𝐯𝐞𝐫𝐲 𝐮𝐧𝐧𝐞𝐜𝐞𝐬𝐬𝐚𝐫𝐲

𝐓𝐡𝐞𝐲 𝐜𝐚𝐧 𝐨𝐧𝐥𝐲 𝐝𝐨 𝐡𝐚𝐫𝐦

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kenobers · 2 months ago

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nsft alphabet | fem!Jason Todd

but first free palestine !! once more...what the title says ! this time, jason's a woman tw; explicit wlw sexual content, jason's insecurities, afab!reader a/n: this is a lot of the same stuff in the original jason alphabet, but it's all rewritten with lots of new content added. i'm still suffering from writer's block, but fem!Jason is such a powerful muse...

A = Aftercare (what they’re like after sex)

Jason's gonna make sure you're comfortable afterwards. She'll wipe you down, check that she didn't go too far. If you leave afterwards, she'll make sure you get home safe. If you stay, she'll offer you a t-shirt to sleep in. Outside of the actual act of sex, she's incredibly awkward about intimacy, so for a while, she wasn't big on the physical aspect of aftercare. In fact, the first couple of times you came over, you thought she was maybe trying to usher you out of her apartment afterwards. However, as the two of you grow closer, holding you close becomes second nature. It feels so comforting and so right to have her arms around you after driving you to your limits. She's big on eating after sex. If you have enough energy, she'll turn on the tv and order some Chinese or throw a frozen pizza in the oven. Sometimes it's kind of astonishing how the woman will fuck you until you're more than a ragdoll, then immediately demolish like three Big Macs.

B = Body part (their favorite body part of theirs and also their partner’s)

She loves hands. She loves her hands. They're big and strong, they can protect you, please you, provide for you. She adores the way you feel under them, soft and clean. She loves to feel you press against her palm while her fingers disappear inside of you, until the tips of her fingerless gloves tickle your entrance. She loves your hands, the way they feel on her skin. They always look so beautiful against her breasts, which fit so perfectly in your palms. She cherishes every mark your fingernails leave along her back, every sting they leave on her scalp when they twist her hair as her own fingers make your writhe. She loves that your hands can go from caressing her scars to replacing them with a much more loving display.

C = Cum (anything to do with cum, basically)

Jason likes to think she can hold out. Well, she can, but she's so damn impulsive. Fuck if she doesn't loves the sight of you, sweaty and panting, with your mouth, thighs and fingers glistening with the proof of how good you make her feel. And yeah, she's a little possessive. The sight of your excitement all over her fills her with a very specific, very strong sense of pride. It makes her want to give in again and again and again.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

She loves having high sex. Drunk sex is so clumsy and disconnected, but when the weed hits just right, so the world reduces to nothing but you...that's that good shit right there. Especially when the mood lights and the playlist are working in tandem...oh man, she gets so locked into you that it's like nothing else exists. You're in your own beautiful universe, creating new constellations with every mark she leaves on your body. She's numb in every place that isn't touching you. It adds a certain level of passion, of desperation, for each of you because your senses are so heightened to each other. There's never any goal in mind, you aren't racing towards an orgasm. It's just the two of you moving against each other, making each other feel so so good. She also likes a little bit of role play. What can she say? The Big Bad Red Hood persona lends itself to the bedroom quite well. It's so cheesy and if it were to ever get out, she'd go on a spree, but she really loves the idea of being your (Arkham) knight and coming to your rescue. Like in a very bodice ripper kind of way - although she would argue it's in a much more gothic romance way.

E = Experience (how experienced are they? do they know what they’re doing?)

She isn't as sexually charged as you would think and she typically waits to get to know a person before having sex with them. And not just because she never knows how to react when someone flirts with her. So in that regard, one of her body counts is significantly higher than the other, but she's had enough experience to know what she's doing. She knows what she likes and she knows how to figure out what you like.

F = Favorite position (this goes without saying)

So long as your legs are hooked over her hips, she's happy. If the strap is on, Jason particularly loves it when she's on her knees while you're on your back with your hips angled over her thick thighs. It lets her get deep inside of you while still getting a good view of your pretty pussy and your gorgeous face. Not to mention, she loves grasping your hips, spreading your legs wide. (According to trusted resource, SexPositions.Club, this is position 5. Aquarius) She also loves having you up against or bent over things. Against a wall, on the kitchen table, the handle bars of her motorcycle. The way you hold onto her in more ways than one really adds something to the moment. And yeah, maybe it allows her to show off her strength to you. But she also loves to make you ride her, whether you're sinking down on her strap or grinding your cunts together. She love love loves to make you work for what you want. The way you bite your lip and squeeze your eyes as you put your back into it, the way your tits bounce like a hypnotist's clock...mmh, she could watch that all day. But don't worry, she'll always make sure you get what you want...and then some.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

Jason's tone depends on the time and place. For the most part, she's serious. She teases you, lets out a low chuckle when she gets a sought after reaction from you, but it isn't humorous. But sometimes...sex is just incredibly unserious. Like lazy morning sex, when neither of you can be bothered to do much more than stroke each other. Like you're horny, but Jason looks so goofy with her hair sticking up and you're a real beauty queen with your crusty eyes and that fuckass alarm keeps going off. Or the aforementioned high sex, when both of you are so lost in your pleasure and laughter. One time she said the word "clitty" and giggled about it until she fell asleep. Then giggled some more when she woke up.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

She lives and dies by the dark curls. Maybe she'll trim here and there, but she lives free.

I = Intimacy (how are they during the moment? the romantic aspect)

Jason doesn't take sex lightly. It's either a tool or a declaration of love (no matter how lazy). If she's using sex as a tool, she isn't going to be very intimate. She'll praise you, sing songs about your body, but it isn't going to be very personal. She's going to bounce you on her strap to keep some distance between you. However, when you're in an established relationship, she's very intimate. There's much more kissing and eye contact, lots more "that's my baby" instead of "that's it, baby". She'll press every inch of her warm body against you, invite you to see and feel every part of her.

J = Jack off (masturbation headcanon)

Oh yeah. Usually only if you're gone though. She'd rather have the real deal, but if she can't have you and thinks about you for too long, she'll help herself. It's never as satisfying as she hopes, but it gets the job partially done.

K = Kink (one or more of their kinks)

Jason's kinks are sort of a revolving door. She likes to go rougher and she likes to be in charge typically, but everything else is dependent on your moods. One day she'll blindfold you, the next you'll tie her hands together while she gives you orders you have to follow on your own. She lowkey likes being called daddy and sometimes she'll promise to make you a mommy when she really gets going with the strap. But mostly, she just likes to hear you cry out Jason. She also gets a thrill out of doing it with the Red Hood mask on - and she'd be lying if the whole "Oh, Red Hood, my knight in bloody armor, what are you doing my bedroom at this hour?" routine didn't work for her. She's also got a praise kink. There's nothing that gets her going more than hearing you babble about how good she's making you feel, about how much you love her. It goes the other way as well. She loves to tell you how good you feel, how beautiful you are.

L = Location (favorite places to do the do)

Where ever the mood strikes. Generally speaking, her apartment is her favorite place. There isn't a particular room, she just likes the knowledge that this is your space to do as you please. But she does get a little thrill whenever you manage to do it somewhere risky.

M = Motivation (what turns them on, gets them going)

It's cliche as hell, but the sight of you in red really does work wonders for her. Whenever she notices that that little red thong is missing from your underwear drawer in the morning...it's all she'll think about all day. If she can see your nipples through your shirt, it's over. If you don't already own one, trust that she'll buy you a tight little red satin party dress - one with an open back, so you can't wear a bra with it. Watching you doing or say something intelligent is a huge turn on. Watching you get impassioned is her own personal kryptonite. She likes to watch you work for it. The way you oh-so-conspicuously bend over to pick something up or shiver so your chest sticks out. Make a suggestive face as you drop an innuendo only she understands and she'll see to it that your efforts don't go unrewarded. But also the sight of you all helpless and needy...she knows it isn't very feminist, but fuck if it isn't sexy as hell.

N = No (something they wouldn’t do, turn offs)

She's not a voyeur. If she's gonna do it in a public setting, it's gonna be in a closet or a bathroom stall; somewhere that still shields your bodies from prying eyes. That's just for the two of you. It's fun to risk getting caught and she loves the thrill of it, but only so long as she can pull the "do you know who my father is" or "can you not see I'm thee Red Hood" cards should you actually get caught. She's also not going to do anything that could result in you being injured. Maybe in concept, like if you wanted to suck on her gun or have her wrap a hand around your throat, but she's not going to make you bleed. She's also not going to hit you anywhere but your fine little ass.

O = Oral (preference in giving or receiving, skill, etc.)

Jason is nothing, if not a giver. Just lay back and let her take care of it, baby. She can spend hours between your legs, holding your thighs wide open and high. Her tongue knows just where to work you, she knows just how much teeth you like, where the biting boarders on pain. And if her fingers aren't right next to her mouth, they're kneading your skin, raking her nails across your stomach with a featherlight touch, massaging the kinks in your thighs so you can open them a little more. If nothing else, her mouth and hands can cover a lot of ground. Once she's secure in your sexual relationship, she'll rarely say no to allow your own bite to eat. It secretly made her giddy when she realized you had every inch of her cunt committed to memory...but anyways, she likes to sit on your face or have you kneeling on the ground when you eat her out (although she leans towards the first option, unless she's feeling real cocky).

P = Pace (are they fast and rough? slow and sensual? etc.)

Jason likes it fast and rough. She'll drag out foreplay to her heart's content, but once you're good and ready, she's fucking you like her life depends on it. Then she's flipping you over and doing it again. You're going to bounce on that strap like it's a damn trampoline. That said, she has her slow and sensual moments. After a rough night when she's feeling particularly sentimental and grateful for you, she'll take all the time in the world just to watch you underneath. She'll just soak in the feeling of your warm cunt on hers, cooing about how lucky she is that you even let her glance your way.

Q = Quickie (their opinions on quickies, how often, etc.)

Pro quickie, but usually if it's an appetizer for what comes later on. So, most of the time quickies look like her fingers sneaking down your pants during your lunch break, her head between your thighs in the bathroom at a charity event, or you on your knee taking care of her before patrol like it's not going to leave her twitching for the rest of the night.

R = Risk (are they game to experiment? do they take risks? etc.)

As mentioned earlier, her kinks are a revolving door, so she would be down to experiment. She's pretty good about saying no when she needs to, and if she trusts that you can do the same, then she's open to trying new risks.

S = Stamina (how many rounds can they go for? how long do they last?)

No one recovers like this menace. She can go for as many rounds as your heart desires. Unless she's already been yearning the whole damn day, Jason can last until the cows come home. That's part of the reason she lets herself give in so easily - she knows she'll bounce back.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

She has toys, but nothing fancy. She has a little pocket vibrator she bought from Target on a whim (and was very embarrassed to discover could not be purchased via self checkout). She invested in a bigger one when your relationship became official. The real crown jewels are her small collection of strap-ons. It started out as a joke, where she'd come across a ridiculous dildo and buy it, thinking it was funny because...well, when would you even use something like this. But then she got with you and realized she did, in fact, have occasion to use them. She's got a double ended up she'll use on herself, but mostly their appeal for her is about how they look going into you. She'd rather you use a vibe on her.

U = Unfair (how much they like to tease)

She likes to tease up to a certain point. If you're out doing something, she'll keep sliding her hand higher and higher up your thigh, then pull away completely, or lean down to say something to you so that her breath hits your neck in that one sensitive spot. She wear a sports bra that's just a smidge too small as a top and make a phony complaint about how she's got a knot in her shoulder so she can arch her back and stick her chest out... But once your clothes are off, she can only restrain herself for so long. Although she does like to make you beg before she lets you finish sometimes.

V = Volume (how loud they are, what sounds they make, etc.)

Low groans and swears. Her mouth as a mind of its own when she really gets going as she praises you, teases, calls out to you. You're her Baby, her Pretty Thing, her Gorgeous Girl, so so good for her, taking it all like this. Oooh. Look. At. You. Sometimes she surprises herself with what comes out of her mouth. You can always tell when she's close because her panting turns to grunts, her sweet nothings become more intense as they strain between her teeth.

W = Wild card (a random headcanon for the character)

She's secretly a little self conscious about her body, particularly about her scars. Like, yeah, she's big and muscly and people always say they dig scars, but...some of hers are, like, real nasty. Not to mention, that some of them have triggering memories attached to them. She finds her autopsy scar to be especially gross. It takes up so much of Her torso and it doesn't seem to want to fade like the rest of her marks tend to do. Not to mention that it's hard not to compare herself to other smaller, softer, cleaner women. So for a while when you first started having sex, she found ways around taking her shirt off. And if it did come off, it was in the dark. It takes a lot of proving just how divine you find her goddess-like body before she really lets you get a good look at her. Once she works up the courage to finally show you all of her in proper light, she's surprised when you're more fascinated with it than anything. She can't suppress the shiver that runs down her spine when you press your lips to the crux of that T-shaped stamp. She probably won't ever love her scars, but she'll always adore the way you treat them.

X = X-ray (let’s see what’s going on under those clothes)

Jason Todd is easily over six foot with never-ending muscles, tits designed by Aphrodite herself and a side of love handles in every iteration. This one is no exception.

Y = Yearning (how high is their sex drive?)

Her libido is strong for you. As previously stated, she's not as sex charged as you would think, but she does have a strong desire for you. She initiates sex fairly regularly, but she doesn't feel the need to have you bent over 24/7. She is very touchy though. She can't help it, she's anxious.

Z = Zzz (how quickly they fall asleep afterwards)

She almost always waits until you fall asleep. If you manage to fall asleep quickly, then she'll follow suit typically, especially if she's spooning you. She's putting American Dad on for background noise though.

♡ i see your reblogs ladies, and they make me smile ♡

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