#mainly it's one of those narrative things

[watermelonlicker]

Seeing the public’s reaction to the picture of Harry is hilarious, but if it’s a fan pic or something unplanned, I’m worried about how his team might react to all the attention it’s getting. They might double down on the straight narrative. That would be so obvious.

a lot of the pics of harry we’ve been getting in succession are intentional. there’s a few genuine ones that slip thru the cracks like the one where he was literally shouting at those stalkers but something like this was given to popcrave by his team. if you scroll thru their account they’ve not posted any of the other pics we’ve seen lately. they mainly only post him when it’s time to promote something like a lot of others.

my gc have been theorizing maybe it was a lil test to see how the gp would react esp since it’s been the general belief he’s been in contract negotiations to get more freedom so maybe it is a soft queer launch like the og anon said. h&l are a team and do nothing without deciding on things first and since they both are working on albums this year maybe the agreement is to allow harry to finally be himself while louis distances himself with his het stint so they aren’t breaching any of the contracts regarding larry. some people have also theorized a friend soft launch so idk but im gonna be hopeful cos god the fandom’s been fun as fuck today

[mechanismslorearchive]

Does the crew of the Aurora canonically discuss, plan out, and practice all their songs before performing them? I know there is (was?) the "random quotes said during rehearsal" Twitter page, but I figured that was more about the performer's shenaniganery than anything canonically to the mechsverse.

I just want to know if Jonny D'Ville has to keep defending his tendency to take the lead role in every album they perform, or if someone's solo crime time ever gets interrupted by the Aurora showing up out of the blue because the rest of the crew desperately needs them playing their instrument to figure out how it fits into the songs.

Ik Carmilla's old website mentions that her "children" continue the cycle of music and crime, so I've desperately got to know if there's anything on their rehearsal or practice process hahaha

You're right that the thingsmechssay twitter was out of character. There isn't any solid, unambiguous canon on how this works in-character, but there is a tweet from Kofi Young that sheds some light on one perspective:

(The bit about personal canon refers to the fact that any of the performers would have a different answer, and that each is equally canon-- this tweet isn't to be taken as word-of-god evidence that no other interpretation is correct, but it's one idea of how that works!)

[queseraphita]

My mind is stuck on that plot trope where the chosen one is accidentally chosen by happenstance and say didn't survive the ordeal but its told in pov of the rival who in their mind was trained and destined to be chosen and are stuck in a time loop where they gradually bond and get attached to them and now actively wants to save them from that fate, anyway thats Cheng Xiaoshi and Lu Guang to me

[seilon]

to this day i do not understand why monster was more popular than lucky one when exo released them both that one year. like lucky one sounds more unique AND the mv has a dope experimental scifi lab concept goin on. is it just the edginess of monster that made it more popular??? I don’t get it. its been years.

[hexhomos]

Hello fellow Jayce defender.

First off, virtual kisses on both your cheeks for your Arcane analysis. They're refreshing to read, and insightful as well.

Something that's always bothered me about the way fans interact with Jayce is assuming that he's always the one making the mistakes in any of his relationships. It's almost funny in a way how they strip other characters of their autonomy and arcs just so they can point out how Jayce is failing his partners.

With Mel and Viktor especially, there's this narrative that Jayce simultaneously ignores both of their needs while also prioritising one over the other. Either he neglects Viktor to go and swoon over Mel, or he abandons his relationship with Mel to go play science with Viktor, or he neglects both to go do his own things while they suffer through their own plots.

And it's fascinating how incredibly mistaken these people are, and also how they reduce his character to only being important when he's in a relationship.

I'm here like, "hey, do you wanna discuss the reason for how Jayce seemingly knows how to navigate the ways of high class society very easily is probably because he's had to rely on sponsorships and donations for most of his youth to find his research because his house is too poor to be able afford it?"

Or "It's canonical that Jayce only ever had one friend in his youth before Viktor, and that was the daughter of his main sponsor, do you think it's interesting that this indicates he probably had difficulty making or maintaining friendships and that this is possibly a symptom of the Academy mainly housing elite and rich students so they couldn't relate to his struggles and he couldn't relate to theirs?"

But no, people just want to hate on him for not being the picture perfect boytoy in a relationship.

And I mean, it's not like it's just reduced to Jayce either. So many other characters have had similar treatments where they're reduced to either their most basic qualities or mischaracterised entirely. And I'm really not trying to be the fandom police or whatever - everyone interprets differently - I just find it frustrating is all.

Anyways, you're cool.

YES I never have time to talk about this bc people don't give a fuck but in Jayce's journals we even see him stewing with envy and petty rage at this star-rising student on the academy that he sees as the example of a perfect prodigy (in opposition to how much Jayce fucks things up...)

It also strongly suggests he's on a scholarship, which ties into his suicide attempt.

Jayce is keeping his experiments a secret from everyone to avoid the blowback and isolating himself further and further when they don't work. Jayce is flawed! He's proud of his dream pitch to the point of hilarity. Jayce doesn't like socializing, he does it out of obligation! Even when he's being raised to a councilor position in s1 he's PANICKING. He doesn't want the fucking job, he doesn't like the parties nor the people, his truest honest self is that moment in season 2 where he declares the lab was always his home, and so was Viktor.

But even then he subsumes his own wants spends most of s1 trying to attend to the needs of other people. He routinely asks Viktor if he's alright, if he wants to come up to do the presentation, if he's sure those experiments are safe, etc. He tries to make Heimerdinger proud despite his constant rejections of their projects, and only turns on him when he threatens viktor's wellbeing. The reason why he doesn't announce anything on progress day is that he Was listening to Heimers so-called wisdom and it only bit him in the ass. Jayce gets himself in trouble with the council by being too naive and assuming his new post will allow him to crackdown on Piltovan corruption aided by the Hexgates. Majority of the complaints wrt relationships I see people making of him are just wildly exaggerated. "He was neglecting viktor" bro he talks about viktor in nearly every scene he has with mel 😭 viktor is the one who isolates himself and randomly disappears at times bc he's a grown man with his own boundaries.

Jayce's entire life is defined by the transactional nature of his existence, his work, the patronage receives - all depending on how much he can play the showpony role without fucking it up. It's not a comfortable position. Jayce is stressing out the whole damn show because if one person isn't pissed at him, someone else will be, and it always comes down to revokable money, investments, social standing. if he really was as uncaring and well-off as some claim he wouldn't give a shit. He could just coast along life, but that's not what he's doing ever. He only 'frees' himself in season 2 by abandoning his life's dream and the rotten reality that existed around it. Which is kind of bleak, but at least its over.

[masterash]

Man. I've been binging Detective Conan for the last month or so and what's fascinating to me about it is how since it's a 30 year old series during one of the times of the most extensive technological advances within the last 200 years. You can see the way the cases are affected by the advancement of technology as well, it's crazy.

Early episodes had things like floppy discs and voice mail machines be key pieces of evidence, what did it matter if Shinichi showed his face a time or two? That could be smoothed over with just asking those present to not talk about it. Phones were evidence mainly because of who called but not too much else. The biggest clues for the black org were a floppy disc with a diary on it and a code based on dial sounds on a flip phone.

Now? Shinichi shows his face even once and it gets on a photo, it's *all* over because that's how the internet works! Evidence on phones now includes extensive camera history, and being able to see with a zoom on a phone camera. These are all cases that couldn't work early on because these things weren't even around in the early days or wouldn't be as big!

It's such a cool demonstration about how technology affects mystery stories, and how it changes as time goes on! I know some people find the slow pace of the story annoying (I don't blame them) but I find it fascinating just what that does to the narrative being told and how much technology plays into murder mysteries.

This also just a few examples regarding what's commonly discussed as advances, but they have so many other things they refer to in the series as new advances in forensics that have such an impact. I'd love to write an actual essay on this concept, not just with Detective Conan but mystery stories as a whole and this impact.

[sugarcubetikki]

From day one, there have been multiple theories and interpretations about what Adrien’s future career path and passions would be as we all wanted to see this boy be able to choose and discover something for himself rather than the dozens of activities his father was making him do. I believe the most popular theories in the fandom were Adrien becoming a baker or a stay-at-home dad. I think the popularity of these theories arose due to Adrien being good with kids and showing a fondness towards Marinette’s family and their bakery in early seasons. Furthermore, as Miraculous is built on subverting gender roles, and Adrien’s characterisation is more traditionally feminine with the narrative I guess we were building on that (and men taking on more domestic roles seems to be loved in fandom spaces in general).

However, I hadn’t quite seen running as a potential career choice for Adrien and most of us wouldn’t expect it either.

I, for one, didn’t expect it but I am not disappointed and I think it makes a great lot of sense for his character for three reasons.

Reason #1

As much as I love baker and stay-at-home dad Adrien aus, I’m glad that canon chose not to take that route in this episode. I think that choice would be more detrimental to his character rather than beneficial in our canon narrative.

As Thomas commented, so much of his character already revolves around Marinette considering that he’s pretty much all he has left and feels the most comfortable around her right now. (Even before his father’s death, his sense of identity seemed to revolve around her a lot as we saw him expressing that his love for her was the only thing he was sure of in S5. I think it’s because he’s been deprived of autonomy so much that he seems to be used to basing his desires around other people’s).

That’s why I believe him going into baking or being a stay-at-home dad at the future would not really help him grow as a character as both those choices still keep him under Marinette’s wing.

As this episode established, Adrien needs to figure and explore his passions for himself. Whilst Marinette will always be there for him, he needs to understand what he wants by his own volition.

(Having him make a breakthrough in discovering his interest for running without Marinette at the end of this episode was a great start!) Reason #2

I thought it was interesting how they started this sequence with Adrien looking up sadly at his big and lonely house before running away from it.

It takes me to what Sublime asks him later on.

This is what Adrien has wanted from Season 1: to run away and escape the four corners of his house to explore the outside world. It feels like a callback to Origins where I think of Adrien running away from house to start school. There’s also several times in the show where he runs away to escape the cold and lonely atmosphere his house brings.

The bars on the gate of the house in this scene also makes it look so much like a prison.

Of course, we now have Adrien standing on the outside of it rather than inside considering that the person who was keeping him in the house in the first place is dead.

It still doesn’t mean that Adrien thinks of the house as less of a prison. An association like that is hard to forget especially now that the house is where both his parents died.

But now, without Gabriel, we know he’s free to run from it for as long as he wants.

I also want to add that in Hinduism, running is considered as a physical response to escape distress.

Reason #3

Should someone’s passion really be built on running away from something else? Well no. But I don’t think we’re meant to see it that way. Adrien running at the end of this episode away from his house is meant to symbolise him finally breaking free from the Gabriel’s controlling influence. Him running away is mainly a step towards his growth.

Besides, running isn’t only seen as means to escape problems but it also signifies pursuit of a goal and taking on a spiritual journey for self-growth. (Dream analysis tends to associate both escapism and pursuit to running in dreams depending on the context and circumstance). This also fits Adrien’s character quite well. Not only is he escaping past trauma, but he’s taking on a new journey to explore what he wants in life.

So yeah, let the boy run!

I’m super excited to see where they take his characterisation with this one. The symbolism behind his potential passion/career choice is just gorgeous.

Edit: I’d just like to make it clear that I don’t see this scene as Adrien finding his passion for life. I more or less see it as Adrien taking a step forward to discover something he potentially is passionate about by himself without input from any of the people in his life (he also makes a new friend on his own and that makes me happy). Running is indeed a potential career choice for Adrien, and it could possibly be something he can see himself doing in the future, and we will definitely get more buildup to this passion of his in future episodes too! It’s not a definite career choice for Adrien though, because as Marinette said, he’s young and he has plenty of time to explore what he’s passionate about. This scene isn’t really about making a definite choice, but rather Adrien being allowed to explore something he feels is right by his own choice.

[princessofghosts-posts]

I've been thinking about Nico's sword lately and honestly? That weapon alone is extremely OP,even more than whatever other weapon we had in the books (that don't include magical artifacts,because those are part af a different category).

Riptide is made of celestial bronze,so it can harm demigods and monsters,and has a special feature of always returning with Percy no matter what because it's enchanted.

IVLIVS could always be with Jason because it was a golden coin that turned into a javelin,but it got destroyed pretty fast in the narrative so we don't know if it had some other frature. It was also made of imperial gold so again,could slay monsters and immortals.

Katoptris's original use wasn't for battle,since Helen used it as a mirror,but with Piper it mainly focus on its special feature: visions. It was quite useful for them but Piper hated it so we never got to know much about the dagger.

Backbiter is a modified version of Kronos's scythe (sick enough with just this,since Luke can open portals and travelable rips through space and time),but it's made of tempered steel and celestial bronze so it can kill mortals,demigods and monsters and sever their souls.

All of those swords have different feature that distinguish them from normal ones,but they are still made of typical materials for demigods: imperial gold and celestial bronze,while stygian iron is only used for one sword in the books. Luke's sword,in this list,is the only one that is similar to Nico's in term of powerfulness,but it's still quite different.

Stygian iron is a magical metal capable of absorbing or destroying the essence of: monsters,Gods,Titans,demigods and Giants. And,unlike imperial gold and celestial bronze,it can harm mortals,monsters and immortals alike,and prevent the souls of monsters from returning to Tartarus,and traps those of the people it touches.

Technically stygian iron is the strongest,of all the metals,in the books. And the only sword made of this material is Nico's. Only the children of the Underworld can touch the material,but the sword itself can only be touched by Nico,otherwise everyone else souls get trapped and things can get ugly.

Like,not even Percy or Luke had this much power in their weapons: Riptide is a "normal" sword,for how much "normal" its user is,and Backbiter had so much power because it got modified to be similar to Kronos's weapon,but originally it was just made of different metals. But Nico? Nico got a weapon of mass destruction and extermination of humanity in his hand every day. And we never talk about how much damage it can cause,and how much OP it is compared to the other swords.

It doesn't even have a name like the others,but people already know to not fuck with a black sword laying around,becuse they know it's Nico's. Because he is the only one to have,use and held that sword. That's just how iconic it is and how unique it is to everyone. And just like Riptide and IVLIVS (before it got destroyed),his sword is always with him since he can summon it from the shadows and the darkness.

That weapon is OP,literally the strongest of the whole main timeline (we are talking about more than almost 20 books) and we never gave it much more than a look.

This is just another moment of Rick "I don't want someone to overshadow Percy but I already added this....I'll just made sure to not use that too much so people will not give it much attention" regarding Nico.

I'll probably do a list for how many times it happens.

[tamby-teeze]

Okay, so I know a solid 40% of the new Fantasy High was about Tracker "There's still deep attraction here" O'Shaughnessy, but HERE ME OUT

Gertie Bladeshield is the perfect woman for Kristen Applebees.

Cause, like, look, there was a lot of talk in episode 11 about impulsivity and chaos as an aspect of Kristen's character, mainly in how it's mirrored in Princess "Kristen if she had money" Naradriel, but it's also been a general focus this season, especially in how she often uses it to guard her emotions. Think back to "That's what you think", an incredible improv moment, but if you look at the big picture, Kristen's estranged parents make an incredibly inflammatory statement about her religion right after actively bullying her little brother, and instead of honoring any of the actual negative emotions she's being filled with in that moment, she pirouettes away. It's brought up in the adventuring party after this exact episode how Kristen is a cleric, a high-wisdom class that is naturally insightful, but uses these silly deflections to hold other people back from being insightful into her (hence Mac & Donna's lifetime insight disadvantage)

This isn't just limited to small moments, too. To take a broader look at the season so far, Kristen's chaotic, shrimp-jumping, wrangler-wearing, salsa-dipping, middle-school-campaigning, steel-workers-union-supporting bid for class president is often shown explicitly as a distraction from her existentially important job as the only cleric of Cassandra. Even when trying to earnestly apologize to Cassandra and prove to them that she's gonna prioritize her over class presidency, the only way she can articulate it is "You're the meat, mama." Her emotions are always guarded by some amount of chaos and impulsivity.

Now, how does that relate to Gertie "I've had a crush on you for a really long time" Bladeshield?

In both of the two scenes we've gotten of The Best D20 NPC (/j (but I do really like her)), Gertie has shown a pretty similar propensity for making bold, chaotic decisions in the heat of the moment. However, in my observation, these decisions do NOT come from a place of emotional suppression. Quite the opposite, actually.

Think back to her Grand Entrance into the narrative. Gertie, being one of the last people awake at Fabian's party, gifts her longtime-crush a jar of honey, something that connects directly to her passion/special-interest of beekeeping, in a homemade container designed as a pun on Kristen's last name. (in hindsight, the crush was very obvious) Then, in the middle of her infodumping to her about honey, Kristen's rich friend makes an incredibly dismissive remark about her good-natured gift. This obviously pisses her off, but unlike Kristen "That's what you think" Applebees, Gertie "I don't give a shit who's kid you are" Bladeshield lets herself feel those emotions very loudly, immediately starts a duel with possibly one of the most accomplished sword-fighters in the history of Aguefort, and declares him a life-long nemesis. She acts very brashly and impulsively, but in a way that doesn't hide her emotions, instead expressing them.

(I know there's a lot of talk about outbursts of anger being tied to Ankarna, but not only does the scene not really seem like foreshadowing to me, it's more interesting to see it through the lens of being Gertie's actual actions)

This trend continues with the 12th most noteworthy thing to have happened in episode 11 (which incredibly high acclaim), where after being explicitly asked to talk about bees by her crush, and being placed inches away from her face, kisses her on the lips. Now, excusing the albeit upsetting lack of consent, it once again shows Gertie acting very impulsively in a way that exposes her feelings to the people she likes. With these two instances of characterization being literally the only two scenes we get with her, it poses her as a very interesting parallel to Kristen, someone who shares in her willingness to make impulsive decisions, but differs wildly from her in the way she uses them to react to strong emotions.

However, does this really make Gertie the Autism to her ADHD?

(idk if Gertie really shows autistic traits, I just wanted to say that) Well, part of what Tracker a good companion for Kristen was that, as a fellow cleric, she naturally had very high wisdom, meaning she had enough insight to look past the layers of shrimp and salsa and engage with her on a deep level. However, clerics aren't the only class that cast spells with wisdom, so do rangers, including swarm-keeper rangers, which is a subclass that both has a good few abilities focused on spell-casting and was confirmed to be Gertie's subclass in an adventuring party. While her highest stat still could be dex (which, come to think of it, is a hilarious contrast to Kristen), there's no doubt that Gertie has a higher chance than most at being able to look past Kristen's barriers and see the complex hive of sweet, buzzing emotions underneath.

Hell, maybe that's where Gertie's crush comes from in the first place. Maybe, seeing this popular, proudly sapphic cleric be incredibly playful and chaotic on school grounds, she not only saw a bit of herself, but a little more. Perhaps, the type of mind that dedicates itself to allowing small, harmless critters to prosper even when no-one cares to join her club, is also the type of mind able to recognize when someone isn't allowing their truest emotions to prosper, making her wonder if they might have something to gain from sharing some of that chaos, using it not to hide, but to be free.

Or maybe it's just cause her last name has "bees" in it, idk.

[directdogman]

Dialtown is the most USA-core game I've ever played. It's so fucking American that it's scary, and I've lived there my entire life! Like, this feels fundamentally tied with the game's themes and narrative, that's how extreme it is. And it's not even alienating OR nationalist?? It makes such genuine commentary? And then there's so much other shit to think about too; Dialtown has a very real identity outside this that anyone could love?

One: I am VERY impressed that you have done the USA and its people this well. I am actually astounded, bewildered, and chuffed. I've never felt so seen by a video game, culturally-speaking. I didn't even know there was a culture to see.

Two: WHY did you do that. Dialtown is like USA Culture Absurdified: The Visual Novel. What drove you to make a game this rich with American culture and ideas???

Hello!

It would've been odd for an outsider (non American) who enjoys reading up on history to make my setting nationalist or alienating. America is a country with a lot of serious issues. You can't really study how America is (and has been) internally run without facing glaring and obvious systematic issues. DT's setting is one of scarcity and most of the main characters you follow in DT are kinda just scraping by without much hope for true mobility/advancement. A lot of Americans (especially younger generations) would agree this sorta encapsulates the national mood of the country right now.

Of course, the systems that run a country don't define its citizens - many of the finest people I've ever known are American and are victims of the whims of those with power, not willing participants in this system. I could be wrong, but that's why I think the setting connected with a lot of people. We all know Randys, Olivers + Karens, people who've fallen through the cracks in some way. To them, America's spirit of self-determination isn't about individual identity - it's more "you're on your own."

Why I chose to set DT in America would be a novel length answer in of itself, but it mainly came down to history + narrative opportunity. I wanted to set the game in the epicenter of where the phone-revolution came from and Crown likely couldn't have pulled his plan off anywhere else and probably not during any other time. It had to be 1960's America.

Of course, some parts of DT are sorta universal and were inspired by the the Great Recession and what followed. I remember there was an area not that far from my house that was full of green fields when I was born and when I was a kid (and when real estate boomed), stuff started being built there. Parts of it looked really nice, not quite like anything nearby. Like the future was coming. Then the economy crashed and stuff was left sitting there, half-built for like a decade. Skeletal, unfinished buildings. DT is much the same.

There's a feeling that the city could've been something better and while things could be more equal, it does feel like there are no easy solutions to fix everything - unless someone very smart and determined somehow bypassed every safeguard that was set up to halt radical change and enacted a genius plan to somehow eliminate scarcity. It happened once and might never again.

I don't think most people understand the intricacies of stuff like global commerce all that well (myself included), but when you're sitting looking at a half built neighbourhood mere hours after speaking to a friend who just kicked out of rented accommodation and doesn't have a stable family unit to fall back on, you'd have to be a real dolt not to understand that things aren't great right now. Most people are scraping by and feel if they could just get affordable housing locked down, if they had maybe one good opportunity - maybe there's hope that things could change for the better.

The end of DT isn't really utopian, things don't massively change for the better and indeed, the town has a lot of rebuilding to do. But, a collection of lonely people are now looking out for each other and through the relationships they have, now feel like they have a place in this world. That no matter how bad things really get - they aren't truly by themselves anymore. Most individuals don't have the means to significantly advance change on their own - but you can live your life, love those around you and support others and plan for when the opportunity to affect change comes about.

I guess that's what life is, in America or anywhere else. Sorry I rambled for so long. Hope this answered the question!

[moongothic]

Rereading Dressrosa for the first time in quite a few years, after having become a Crocodad Truther specifically, was a really interesting experience, mainly due to the relationship between Kyros and Rebecca and Luffy's very strong feelings about those two in particular

Starting with the latter point; watching Luffy get really passionate about making sure Rebecca reunited with her father, instead of the two never seeing each other again as Kyros had planned, was just really facinating to me.

Now there ARE layers to this; Luffy saw first hand how much Rebecca and Kyros love each. Even if he didn't know or understand all the details, he knew these two were family forced to live apart due to Doflamingo's rule and that, even though Rebecca didn't know Mr Soldier was her father all those years, he still looked after her and did all he could to protect her. Luffy understands how much they matter to each other. Luffy also gets that Kyros was trying to make a sacrifice out of self-loathing; Kyros saw himself as a bloodstained monster who did not deserve to be by his daughter's side, thus his insistence on them going their separate ways. But not only is that "sacrifice out of loathing" not a thing One Piece rewards within the narrative*, but Luffy emotionally understands what Kyros was trying to do was stupid as hell. *(See; Robin trying to save the crew in the CP9 Saga, Sanji trying to offer his head to Kuma to spare everyone else (because he saw himself as the "least worthy", compared to Zoro who believed he was the only one who could actually tank Kuma and survive), Sanji again during Whole Cake Island, etc)

Adding to that, in what I feel also harkens back to Alabasta (vaguely important since Dressrosa in many ways is a reflection of Alabasta); Vivi made her decision to stay in her home because that's what she wanted deep in her heart, because she loved her country. Just the same way, dethroning Doflamingo, getting revenge for her mother and reuniting with her extended family were all fine achievements. But all Rebecca wanted deep in her heart was to stay with Mr Soldier (regardless if he was her father or not). That's what mattered the most to her.

How could Luffy even think about leaving without making sure Rebecca was able decide on her own if she wanted to stay with her father, instead of him making that decision for her, not because it was truly "for the best", but out of Kyros' own guilt and self-loathing.

All of that to say; Luffy becoming so emotionally involved in Rebecca and Kyros' father-daughter relationship is perfectly normal and on-brand for him, it's not strange at all.

...At the same time. I could not help but to wonder if those two's relationship could somehow reflect Luffy's relationship with his estranged parent(s), and more importantly, kind of debunk the fandom idea of Luffy as someone who 100% does not care if people are related or not and has ZERO interest in Dragon etc

Like I have discussed this before but I've been meta posting for so long on here I'll repeat myself just a lil; I feel like it's less "Luffy doesn't care Dragon is his father" and more "Luffy doesn't know HOW to feel about Dragon". We don't know what Garp told Luffy about his parent(s), presumably and based on the conversation post-Enies Lobby it just seems like Garp never mentioned ANYTHING to Luffy? Like he didn't even tell Luffy a white lie about why his parents weren't there for him? We simply do not know. But what we do know is these three things: 1. Luffy hates being alone, even more than "being hurt". Being alone is his worst fear 2. Although Garp was responsible for raising Luffy, he wasn't always there, meaning other townspeople and Shanks' crew alike were equally "responsible" for looking after Luffy. 3. Meaning Luffy was essentially an orphan. Fans will joke about Luffy's surprise at him having a father being because he's stupid, an asexy and doesn't know where babies come from, and while I may not be fully able to debunk that conceptually. Like. It's just as possible that because Luffy was raised like an orphan, he might have assumed that either his parents were dead or had abandoned him because they didn't want him. And I'm going to argue that if that's what Luffy always assumed was what happened, yeah, it'd contribute to his fear of being alone. It'd explain why he'd be surprised to find out he actually does have a father out there somewhere. And yeah, Luffy might not know how to feel about Dragon if that's the case. Should he hate Dragon because he wasn't ever there for him (from Luffy's POV)? Why wasn't Dragon there for him? Did he really not want Luffy, or did he have some reason for leaving Luffy? What is he like anyways, is he nice or cool or a dickbag?? Should Luffy even care about any of that stuff??? All of that to say; I don't think Luffy is completely disinterested in Dragon, I think he doesn't know how to feel or think about Dragon, and it's not relevant to Luffy right now anyways because Dragon's like, out there somewhere while Luffy is on his journey. Where as, if Luffy were to meet Dragon, get to know what he's like, why he wasn't there for Luffy and most importantly, how he feels about his only son (does he care about Luffy and his wellbeing? Is he a Kyros or a Kaidou?)- yeah, I think then Luffy COULD learn to be interested in Dragon and care about him Not out of obligation (because of their blood) but out of Luffy's own will, out of Luffy's acknowledgement of Dragon's love for him

And yeah, then we get to add the ever-delightful layer of Crocodad Trutherism to this mess.

You know how my personal theory goes; that Crocodile's been trying to find a way to overthrow and nuke the WG (potentially with an Ancient Weapon) to make sure his long lost child would be able to live freely and do whatever the hell he wanted without having to fear the WG would ever target him because he has Evil Revolutionary Leader Blood coursing through his veins. That's what makes the most sense to me as Crocodile's ultimate motivation. To protect his child, no matter the cost, even if he had to become the devil himself.

And hey, what was the story between Kyros and Rebecca again? Kyros trying to overthrow a corrupt government (a fallen Tenryuubito to boot) to protect his child so she could live freely without having a target on her back?

I don't need to explain how One Piece does have repeating themes and motifs, surely. (Also there's something to be said about fathers in One Piece who would go to hell and back for their daughters, Kuma being another example, but that's a whole different essay. But Oda's Girl-Dad Agenda is showing)

But yeah, what's even more interesting here is how Kyros believed he didn't deserve to have a reunion with Rebecca. He commited a murder decades ago, and although everyone else seems to have forgiven him for that crime, Kyros himself still thinks of himself as a horrible murderer with bloodstained hands. Not helped by how Kyros thought him teaching Rebecca self-defence skills was a failure on his part as a father (instead of him doing all he could in the horrible situation they were stuck in; teaching Rebecca how to defend herself was absolutely justified, and Kyros shouldn't have blamed himself for anything there).

Kyros didn't think he deserved to be with his daughter because he wasn't a good father, because was a monster. And Kyros could not believe anything other than that until Rebecca essentially forgave him, by explicitly telling him she wanted them to stay side-by-side. That she wanted him, and no one fucking else, as her father.

And I once again repeat myself just a little as I ask; how would Luffy feel if he found out Crocodile was his father? How would Luffy feel if he found out the reason Crocodile was going to destroy Vivi's country was because he was trying to protect his son from the WG? And that son was Luffy himself? How would Luffy feel that the asshole who stabbed him through the gut, mummified him and poisoned him was his very own family? Who also saved Luffy's life the second he learned of their blood connection? How would Luffy feel in that situation, if he found out Crocodile cares about Luffy, and wants him to be okay? And how does Crocodile feel? After stabbing Luffy through the gut, mummifying him and poisoning the brat, does Crocodile feel like he has any right to call himself Luffy's parent, let alone father? He knows Luffy rightfully hates him for all the horrible things he has done, how could Luffy ever accept him?

The past is in the past and it can't be changed. But you always have the choise, the free will, to change yourself and become a better person. You can choose to do better things, to help others and be kinder. You can have a second chance.

Robin was given a second chance. Hacchi was given one too. Kyros was given that chance to become better. So why not Crocodile?

[tonythr]

Quick Slash is even cooler from a narrative perspective, and why I think the Nailsmith's story parallels the Pale King's

Cold take: Quick Slash is the best charm in Hollow Knight.

Slightly Warmer take: Quick Slash is the only S-tier charm that is great from both gameplay and lore perspective (aside from maybe Spell Twister).

The reason for this is that its existence is actually a

metaphor

Here, look at this.

So, Quick Slash is something that was created from a relatively big number of objects that were discarded and deemed imperfect, and that possess a collective will of wanting to fulfill their purpose.

You know what that reminds me of?

A large amount of creations: check.

Discarded as imperfect: check.

Still possessing a will to find closure: check.

Being a part of a larger, more powerful thing: check.

Having a common creator who is responsible for their creation and rejection: check.

So yeah, I think that Quick Slash's lore (or at least its description) is meant to parallel that of the Vessels'.

But I wanna talk about that last point: the creator.

It is heavily implied that the person who created and then later discarded those nails was the Ancient Nailsmith we see in the room where we get Quick Slash.

(Oh by the way I just realized that this stone ring thing on the right of that room is actually the furnace, neat.)

Judging from their Dreamnail dialogue, this Ancient Nailsmith was trying to achieve the same goal as the other, more famous Nailsmith we all know and love: creating a Pure Nail.

And you know who else was trying to create a perfect, Pure thing while discarding many other similar things that later gained a collective will?

That's right - it's the guy who is also responsible for creating those other discarded things we discussed earlier!

Ok, but what I really wanted to talk about here is how all of what I just said ties back to that other, more famous guy - The Nailsmith.

We don't know for sure how the story of the Ancient Nailsmith ended, but it feels like it exists there mainly to put an emphasis on the City's Nailsmith's story; to convey that his struggle is an important theme in this narrative (because ancient means important, ok?) And, I mean, the City's Nailsmith's story also parallels that of the Pale King's in the same manner, right?

The thing is, we already know how PK's story ended.

In trying to achieve perfection, to create an eternal Kingdom by making a Pure Vessel devoid of mind, voice and will, the Pale King doomed himself to be taken over by his regrets, by the vast emptiness of the futility of his struggles. But was it because he failed, or because that was where his story was headed all along?

What if PK succeeded? What if the Radiance was sealed forever? What if his Kingdom actually stood eternal, never to change, never to end? What if he realized he achieved his only goal in life?

And that's the part where we get to a story the ending of which is up to the player's choice.

To quote White Lady, only two obvious outcomes there are from such a thing.

The first is an honorable death by the fruits of his labor.

If we choose to kill the Nailsmith with the Pure Nail, he dies happy, knowing that his life's goal is accomplished and having gained all the satisfaction he could from it.

The second I find preferable, a new passion.

If the Nailsmith doesn't feel the finishing blow of the Pure Nail, he is left unsatisfied. But, while trying to resolve that unsatisfaction, he eventually finds something (and someone) that gives him a new calling, a new thing to create, a new reason to live.

And, while those are both equally valuable, equally canonic outcomes, don't you think the second one is just... better? I mean, not only does it include the achievement of the Nailsmith's goal, but it lets him live AND gives two lonely souls a partner in life! I feel like that's the thing this narrative is trying to convey. What it's trying to say about the meaning of life, about our dreams.

Maybe that was the ultimate folly of the Pale King - the inability to change. His story would've ended in the same way, regardless of whether Hallownest lasted eternally or not. He would be dead, if not by the hands of the Void, but by his own - but ultimately, by the hands of that vast emptiness of realizing that you achieved your only goal and that now all there is for you is this eternal satisfaction that slowly fades away, leaving you with nothing.

TL;DR: Quick Slash is the best because it's a metaphor for discarded vessels; perfection is overrated, try to get laid instead.

[thepersonperson]

Sukuna’s Loneliness Part 4 (Sukuna’s Negative Rizz)

Part 1 Part 2 Part 3 Part 5

Some warnings before we start.

1) This analysis deals with sexual topics.

2) I will be mainly using the TCB scans because of their accessibility. Raws are from mangareader(.)to.

3) This was written as of JJK 262 266. (I'm just going to keep updating this until I stop finding things I should've noticed earlier.)

4) The raws broke me in ways you cannot possibly imagine.

(Click images for captions/citations.)

Fighting as Communication

Baki the Grappler. This is a manga where men destroy each other’s bodies as a test of strength. It’s poorly written but the art is terrifying and I love it so dearly. Between fights of extreme violence and body horror the characters eat. And that’s it. That’s the manga.

I bring Baki up because Gege is a huge fan of Fujimoto Tatsuki, the creator of Chainsawman. Fujimoto is a fan of Gege too, but more importantly, he is a huge fan of Itagaki Keisuke, the creator of Baki. (His daughter made Beastars btw.) In a way, this means Jujutsu Kaisen has been influenced by Baki. But that’s not a surprise, a lot of manga is.

Itagaki’s work is so massively influetial on Japanese media that it’s kind of hard to grasp since it’s not as popular overseas. When listening to interviews from various Japanese creators, Baki will often be cited as a major influence. And the thing is, you can tell when a creative has read Baki. There’s nothing quite like it. If you’ve read Baki and consume Chainsawman, you will see its bones everywhere. I feel the same about Jujutsu Kaisen.

The main antagonist in Baki is Yujiro Hanma. He is the strongest creature alive. So much so that he has no one to call a rival. He’s bored. He causes trouble. He kills his wife to motivate his son, Baki into becoming stronger. His son, Baki, who he grooms into becoming a fighter that might beat him in combat one day. Kind of sounds like Sukuna, right?

But that’s not my point here. My focus is how Baki doubles as a discussion about strength and manhood. It’s aggressively bisexual. Men love each other with their fists. Straight up the main character says having sex with women is the same thing as fighting men.

And it just doesn’t stop there. The homoerotic nature of the fights is never shyed away from. Here’s an example of my favorite.

He grabs his balls and compliments their size. That’s pretty gay, right? Well there’s this reanimated prehistoric caveman called Pickle that fights Baki’s brother Jack. And how do they fight? They kiss.

I didn’t call it a kiss. Itagaki did. I didn’t say they melded together. Itagaki did. This mangaka overtly calls attention to the homoerotic nature of men fighting men, and how men communicate their love for each other through violence. And yes, it’s sexual. Itagaki wants you to read it that way.

But sometimes he doesn’t want you to read it that way. Sometimes the fights are a dialogue, an emotional conversation. Like one between father and son.

Itagaki is a master of narrative framing. When he wants you to feel a certain way, you will feel it. He also tells his readers that there’s more to the fights than just fighting.

Those are the ideas that help me see the bones of Baki in other works. Men loving men with violence. Men communicating with men through violence. I see these ideas in Jujutsu Kaisen too.

Jujutsu Communication

I’ve gone over how Yuji commucates with other people on their own terms. And a lot of it is through fighting. A conversation without words, learning how someone works. Yuji is good at using fights as tool of communication.

But he’s not the one who tells you that there’s more to the fights than just fighting. Maki does in her spar with the sumo guy.

Just like Baki. Fighting is a means of communication. Gege has told you that there can be more to the fights than fighting. It's a tool used to understand the self and others.

With that in mind, I want to reexamine a particular fight under the lens of Baki rather than Umineko.

Sukuna vs Gojo

Baki tells you that homoerotic readings of its fights are intentional. If you ask me, this probably stems from historical stances on masculinity and homosexuality in ancient Japan. Men loved men and women differently, but both were ok. That’s how Baki can have a girlfriend and his gay fights. Peak bisexual optimization.

What does Jujutsu Kaisen have to do with this? Well it has been extremely queer friendly. We have a multidue of canonical trans characters, non-binary characters, and other flavors of queer characters not disparaged for their identities, Gojo Satoru included. It may not be stated outright, but Gojo and Geto do love each other in a gay way. The subtext is so persisent it’s basically text.

In other words, Gege has already told us, yes please have queer readings of this text. It’s the same way Baki tells you, yes this is straight up convoluded gay sex. So that’s what I’m going to do. I’m going to reread the Sukuna and Gojo fight as some ridiculous mating display between two men who are fighting over can miscommunicate their intent the hardest.

Framed as Courtship

Let’s start with the framing. The pre-fight set up. How does text tell you queer readings are allowed?

Kenjaku does. It’s romantic. It’s a date. This reading has been made valid explicitly. And if there’s room for doubt because of the sarcasm? There’s still additional support for it.

We already know how badly in love Gojo is with Geto. The fight is on the 24th of December, the most romantic day in Japan. And in a fun little Geto parallel, who declared the start of war on this day, violence underlines this new romantic venture.

That doesn’t include Sukuna who recalls Yorozu’s words about teaching love in the context of marriage.

Gojo never heard that conversation which is why the next point is absolutely insane.

The outfit Gojo initially is in resembles that of a groom at a Shinto wedding.

Shinto weddings were implemented after the Heian era. Part of the ceremony includes a priest and a shrine maiden who respectively stand to the right and left of the altar. A purification ritual will occur, lead by the priest, to cleanse the shrine before vows are exchanged. Gakuganji is the priest and Utahime is the shrine maiden. To the right and left of Gojo respectively.

The bride at a Shinto wedding wears mainly white. After the 200% Hollow Purple cleanses the area, the dark shawl is removed and Sukuna remains in mostly white.

How interesting that this battle has been framed as one between groom and bride.

The thing is, marriage in the Heian era was far more lax. There were no major ceremonies. If a man was interested in marrying a woman, he would visit her for 3 nights after receiving approval from her father. Upon the passing of their 3rd night together, the family would have an informal celebration of their union in private. Even after marriage, multiple partners were allowed and sometimes encouraged.

Yorozu’s big celebration proposal to Sukuna and banning of concubines was quite improper by Heian standards. Though it is in line with modern marriages. If Sukuna did not consume any Shinto wedding literature, he probably didn’t recognize that Gojo was dressed as a groom.

But did Gojo dress this way for Sukuna intentionally? The Toji fit served an entirely different purpose. It’s the robes and pre-fight ceremony that catch my attention. So I propose the following:

1) Gojo dressed up as a groom to die and be wed with his one and only Geto in death.

2) Gojo dressed up as a groom in part as an offering to Sukuna. And because Sukuna is from the Heian era it went over his head entirely.

3) Gojo intended for both of these things at the same time and left who he would end up with to fate.

Regardless of what Gojo was going for here, it’s a visual cue combined with the knowledge of it being Dec 24th that encourages the reader to perhaps consider the fight as something other than just a fight. A date perhaps? Kenjaku made the connection and neither Gojo or Sukuna really denied it. Gojo gave the weak excuse of a death anniversary confusion. But much weirder, given how hostile he was to Yorozu, Sukuna did not object to the romantic framing in any capacity.

Am I reaching? Is this reading intentional?

When I start getting this confused by how a translated work wants me to read it, I try to refer to the original language text and anyone who knows it for missing context. Sometimes localizations add things that weren’t there or push readers towards one interpretation. So for the rest of this analysis, I’m going to be focusing on the raws.

I’m going to be honest. My Japanese fudging sucks. I can barely read kanji and can’t reliably translate anything. Feel free to correct me if I got something wrong. That being said, with what little I do know, I have discovered something interesting.

In this post I talked about how weird Sukuna’s manner of speech is. I focused on his you pronoun usage of お前 (Omae) for everyone else and 貴様 (Kisama) for Gojo since this is a strong indicator of how a character views their relationship to someone.

Here's a summary of the two points I made in that post:

1) Omae is informal and either a casual thing amongst peers or indicates the speaker's higher status. Since Sukuna is arrogant, we can reasonably assume he's talking down to people.

2) Kisama historically was a formal show of respect, but in modern times it is a hostile insult, much more rude than Omae. Since Sukuna is 1,000 years old and hates Yuji (who he uses Omae with), we can reasonably assume Sukuna was being friendly to Gojo when he used Kisama.

With that pronoun usage in mind, while examining the raws for the infamous “You Cleared My Skies” speech I found this:

Kisama. Sukuna is very happy and lavishing Gojo with praise. The assumption it was formal from the start seems to be correct. It's hard to read this any other way.

Though Japanese can easily be dubious in its interpretation, there are instances where context can cut off all other readings. I truly believe this one of those cases.

Now, to confirm Sukuna is still only treating Gojo this way I started looking at his you pronouns as he got excited post-Gojo death. Maki is the person he seems to admire the most.

He’s still just using Omae. What does that mean? Gojo is in his own fudging category for Sukuna and he has been there since the start of the manga. (For more on why this is significant, refer to this post.)

Wow ok. That’s pretty intense! We’ve got Gojo dressed up as a groom on December 24th and Sukuna treating Gojo different from anyone else. I read their fight again under the lens of explicit courtship and focused in on these specific panels.

Satisfaction. Now that’s a word that can easily carry a sexual connotation. Love as well. The parallel syntax fascinated me in English. So I decided to look at the raws and see how close they are.

Pretty much the same except for "the one who will teach you love" and "the one satisfying him now". Since the one being satisfied is Gojo by Sukuna, it really seems we can assume the one being taught love is Gojo by Sukuna.

Time to learn some Japanese again!

Kanji has multiple readings. Most have at least two. The Onyomi (Chinese) reading typically used for nouns and the Kunyomi (Japanese) reading typically used for verbs. (This is not always the case but it’s the basics.)

That’s probably why 満 is read as まん (man) when Gojo and Geto are talking about “satisfaction” using the On version and み (mi), the Kun version, when the narrator is talking about who “satisfies” who.

However 満 on its own does not mean satisfaction. It means full. To be filled. Or fullness. 足 (zoku) is added as a modifier after 満 to be read as satisfaction 満足 (manzoku). 足 usually means feet, but it can also mean to be sufficient. Manzoku therefore has a direct translation of being sufficiently full. It’s not a surprise a lot of food places in Japan use Manzoku in their names or advertising.

But what’s this? Why is this sentence written as 満たして or Mi(tashite) instead of 満足して or Manzoku(shite)? The addition of Zoku is what transforms Man into "satisfying". Without the Zoku, it’s just "fill". The means this sentence can be read as “The one filling him up now is—”

We’ve already established that the blank is Sukuna. The new problem is that he’s filling Gojo up. And boy, does that sound homoerotic to put it lightly. But perhaps I am reaching.

So I did what any sane person would do in this situation. I read hentai.

Surely if the phrase 満たして (mitashite) can carry a sexual connotation I will find it in hentai.

...

I immediately found a yaoi doujin called Fill me with your Big Love aka おっきな愛で満たして (Okkina Ai de Mitashite). Honestly, I found too many doujins about creampies specifically. (You have internet access verify this yourself.) When you search Manzokushite the results are much more in line with life satisfaction than sexual satisfaction. ...So Gege decided to use the more frisky phrasing.

Manzoku is also the name of an active sex toy manufacturer (I’m not linking them use a search engine.) and a discontinued adult entertainment news company. So the satisfaction Gojo and Geto talk about, along with Geto using 妬 (ya), the jealous kanji often used between lovers, is definitely probably carrying a sexual connotation too.

So, I’m not reaching. What the fudge did Gege mean by this?

Now that we've established that I am NOT reaching. What do we do with this information?

Well, we ruminate on the fight with the knowledge that Sukuna, of his own volition, decided to get Gojo off, probably.

I have forgiven Nanami for calling Gojo a pervert. If I watched someone bust a nut after being cut in half by his sworn enemy instead of saving the country, I too would be like what the fudge.

Anyways, the typical phrase used for an orgasm in Japanese is 行く(iku). It translates as to go. And yes it can mean to die, as in going to the other side. To die and go to heaven if you will. Which is what Gojo did with a big old smile on his face.

There’s also the term 心天 (tokoroten). It refers to a dish were a semi-opaque white substance is pushed through holes to create noodles. Literal translation using the kanji for heart 心 (kokoro) and the kanji for heaven 天 (ten). (Don’t ask me why them being smack together turns the Koroko into Tokoro. I don’t know.) Which in slang refers to prostate orgasms. This has nothing to do with this analysis I wanted to drop this fun fact in here. …And this image of Sukuna clutching his heart while looking at someone he sent to heaven.

(This is a reach but the idea of this being an elaborate gay pun amuses me greatly.)

I have another fun slang term: 賢者タイム (kenjataimu) which directly translates to sage 賢者 (kenja) time タイム (taimu). This refers to post-nut clarity sending someone into a meditative-like state.

Oh that’s a bit familiar. Sukuna was giving sagely advice to Kashimo and reflecting on satisfaction and love.

And what’s this? Mitashite has made a reappearance! Sukuna is saying “I’ve never thought about needing another person to fill me up.” Which 1. further supports the 'The one satisfying/filling him (Gojo) now is—Sukuna.' reading and 2. suggests Sukuna is a top suggests Sukuna really doesn’t have sexual interest in people. (Since the context of this convo is relationships and love.)

By the way. Acts of eating in Japanese can be modified to carry sexual meanings. It’s a bit more suggestive than English, but it carries over pretty well I think? 肉食系 (nikusokukei) refers to someone who aggresively pursues romantic or sexual relationships. Composed of the kanji 肉 (niku) for meat, 食 (ta) for eating, and 系 (kei) class. If you noticed, 食 isn’t usually read as Soku. It becomes Soku when paired with Niku for some reason. (I don’t know why someone please help me.) Side by side the kanji 肉食 (nikusoku) means meat-eater.

食 is still interesting on it’s own. The 食べる (taberu) reading is normal eating. The 食う(kuu) reading is an innuendo. It can mean to devour someone, like a cannibal, or devour someone sexually.

Sukuna has made it very clear that his eating of people is literal. There’s no innuendo. In fact, if you read into it, he’ll kill you (rip Yorozu and Kashimo).

Gojo, however, appears to be his sole exception to this rule. When Sukuna tells Kashimo not to spoil his pleasure he uses the kanji 興 (kyou). This of course can be directly translated as pleasure, but the Chinese reading of it can also indicate intense excitement or sexual arousal.

Sukuna is pretty good at double-entendre wordplay if his earlier stunts with the kanji for Enchain doubling as Megumi Activities if read a different way is anything to go by. He's a fan of Chinese literature. It's not a stretch to assume there's more going on here.

And if notoriously homophobic Reddit dudebros are posting things like this. Maybe there's a lot more merit to this reading than I can currently grasp.

I’m still pretty convinced Sukuna is aroace. That of course doesn’t bar him from pursuing romantic or sexual relationships. Sometimes there’s the one exception. Sometimes the desire to be with and please an allo partner allows for engagement of activities they aren’t into. Sometimes the actions are pursued without the emotional attachment because they physically feel good. There’s also the gray-scale and demi labels to consider.

With that in mind, I want to emphasize this all points to how important Gojo is to Sukuna regardless of sexuality. He tried to engage with and understand Gojo on terms he won��t for anyone else. And he’s been pursuing this connection relentlessly since the start of manga.

Sukuna’s Negative Rizz

Ok I established that reading the Sukuna vs Gojo fight as unhinged courtship is supported by the text. That doesn’t really say anything about Sukuna sucking at it.

But, my dear reader, that in of itself is proof of his negative rizz. I had to sit down. Learn about Heian era and Shinto wedding rituals, learn more Japanese, splice seemingly unrelated manga panels together, read hentai, and know that Gege is into yaoi to come to this conclusion. I had to rip every little shred of characterization and context apart and rearrange it into something comprehensible.

You know who can’t do that? Gojo.

As far as Gojo is concerned, Sukuna hates him. Kisama is an extremely hostile you pronoun in modern times. And if Gojo can’t tell Shoko (his closest friend after Geto) is stressed over him being used like a meat puppet by her visibly falling back on her addiction, he’s going to default to the assumption Sukuna hates him just as much as everyone else.

And Gojo does just that. He assumes he failed to reach Sukuna. Despite how often they did hand to hand combat and weaponized their knowledge of each other, Gojo believes they never had proper conversation through fighting. He dies not understanding Sukuna, convinced the other was not trying to communicate with him at all.

And if you recall, all of this fight occurred while Sukuna was wearing Megumi’s face. That boy is pretty much Gojo’s adopted child. From my experience, most single parents do not go looking for clones of their kids as partners.

If someone wore the skin of my family member I would assume they were trying to torment me. And torment Gojo Sukuna does. He draws attention to Megumi’s soul being used as collateral and attacks him with the 10 Shadows. We as the audience know this is all for the sake of getting past Infinity using his Shrine. Gojo doesn’t know that. He’s fighting an evil dude who is puppeting the body of his son for god knows what reason.

Seriously, Sukuna sucks at communicating intent.

In Part 3 of my examination of Sukuna’s loneliness, I said Dismantle is a tool Sukuna uses to understand. And that him upgrading it by making Gojo the center of his world was indicative of his desire to reach him. I also said his refusal to use it on Yorozu was him expressing how little interest he had in her.

Yorozu is pissed by this. She sees it as Sukuna rejecting her and I don’t think she’s wrong. Sukuna saved his special Cursed Technique (CT) for Gojo while turning Yorozu down. If we’re considering all the wedding imagery and references that started with Yorozu, I’m certainly allowed to read that as him saving himself for Gojo. (Think of how he lied to Gojo about being the first one he killed.)

There’s also the fact that Yorozu saw their battle as an expression love and lust—that the usage of CT is a type of foreplay under certain circumstances since it is an extension of the self. Combine that with the established premise that fighting is a type of a communication thanks to Maki vs Sumo Guy and you can start to see the courtship logic behind Sukuna’s treatment of Gojo.

If we are to read “The one who will teach you love is…Sukuna” there’s another adorable caveat. Yorozu uses the you pronoun あなた (Anata) for Sukuna.

It’s an informal you pronoun used by people learning Japanese. Native speakers try to avoid using it as it can come across as rude. But in the context of love? This is colloquially called the wife pronoun as its often used by a wife to her husband.

If you wanted to localize its usage in the way Yorozu means it, Anata might become “you, dear”. So here we have Sukuna dressed in white, like a bride to Gojo’s groom, thinking of him as Anata.

The problem is, Gojo doesn’t know that. Sukuna never bothered to open his mouth and say this was an act of love. Sure he told Kashimo in the most roundabout way possible, but Gojo was the one who needed to hear that. If a courtship is going to be this diabolically complicated, there has to be clear hints for the other party. JJK is not Umineko where there’s a witch that can revive the dead over and over until the idiot finally understands this was all for them.

Gojo also doesn’t have access to the kanji Sukuna uses to describe certain techinques or words. He hears the phonetics and runs with whatever best fits the context. This means there’s no way for him to catch the double-meaning unless he’s a certain type of lingust, which he is not. His manner of speech and personal interests don’t line up with the flowery language of the Heian Era. The types of written works Gojo is into are historical war politics from the Sengoku period (known for violence more than the fine arts), Shonen manga, and physics/math.

And what's this? According to CFYOW (the canon light novels): JJK Thorny Road at Dawn, Chapter 3 Asakusabashi Elegy, Gojo doesn't even like ancient poetry. You know, the thing Sukuna enjoys and tries to communicate with.

The Kokin Wakashu Gojo off-handedly disparages is a compilation of Hiean Era poetry known as Waka. This was the primary means of communication amongst the noble class and spiritual leaders at the time. And the thing is, this poetry is supposed to be read into. Down to the quality of stroke and paper, not just the kanji written. Especially for courtship.

It’s not that Gojo is stupid. He just doesn’t specialize in the studies that would give him a more critical ear to Sukuna's words. And Sukuna doesn’t seem to understand that no one in the modern era communicates like this anymore.

If you didn’t know, this is why Japanese characters introduce themselves they often describe what kanji their name is spelled with. Take for example: Satoru. He uses the kanji 悟 meaning enlightenment. This kanji can be read as Go instead of Satoru. Additionally, the name Satoru can be written in kanji as 聡 for smart, 智 for wisdom, 知 for knowledge, 了 for understanding, 哲 for philosophy, 聖 for virtuous, or 暁 for daybreak. That’s 8 different kanji possible if you hear the name Satoru.

This is why Sukuna’s wordplay for everything else can be easily missed by other characters. They hear the words and cannot read the kanji like us. Context decides what Sukuna means for them. And since Sukuna’s context for most is violence and insults, it’s very hard for them to think about his words in any other way.

And boy howdy does Gojo miss it. Sukuna straight up calls him his husband and it took me several rereads to catch it. While mocking Gojo for being unable to open his domain, Sukuna calls him "painfully ordinary". This is localized from the word 凡夫 (bonpu) which can also be translated as unenlightened. (A layered insult! Sukuna is pretty much saying Gojo's sorcery is so boring he shouldn't even call himself the Honored One.)

The thing is...Bonpu is comprised of the 2 kanji 凡 for mediocre, and 夫 for husband. (Please note that there are many other ways to call Gojo a ditz without using the kanji for husband.) And an update from the Replies: Turns out there's layers to the gayness too.

It's come full fudging circle. Gojo came dressed as a groom for a wedding and Sukuna thinks they're already married. The miscommunication is off the rails.

But wait! There's more...

Earlier I mentioned that the kanji for Enchain doubles as Megumi Activities. Let's break that down more. (Unfortunately the Twitter account of the person I referenced may or may not be nuked so here's this screenshot I've doctored.)

So we have the translation of Enchain from 契闊 (Keikatsu), which might be better localized as Separation.

This term comes from a Chinese poem about lovers who are husband and wife in The Book of Odes, Section I (Lessons from the States), Chapter 3 (The Odes of Bei), Poem 31 (Banging the Drum). (Here's a link to the full poem and context of it.)

In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Hey that sounds just like what Sukuna did to Yuji!)

Keikatsu specifically comes from this passage:

“Our vow is beyond death and life”, I and you are together I always remembered. I will hold your hand, And together we grow old.

Too pitiful we are faraway apart, The distance separates us to meet again! Too miserable this takes forever, And it does not let us fulfill our vow!

Keikatsu is used to exemplify how the physical distance between the husband and wife prevents them from fulfilling their wedding vows. And that's just what Keikatsu/Enchain does to Yuji and Megumi, it causes painful separation neither of them wanted.

Keikatsu also tells Yuji exactly how Sukuna plans to do it. 契(kei)闊(katsu) can be written as 恵(kei)活(katsu). The kanji 恵 can be read as Kei or...Megumi. (It's the literal kanji used for his name.) The kanji 活 (katsu) can mean "activities", which is how we get Enchain=Megumi Activities.

A two for one special! Sukuna mocks Yuji for being so close with Megumi while telling him exactly how he's going to destroy their relationship.

It seems this has nothing to do with Gojo until you consider the 3rd possible reading from wordplay with 契闊 (Keikatsu). The kanji 契 when read as Kei refers to a promise, pledge or vow. When 契 read as Chigi? It can refer to sexual intercourse, especially between husband and wife.

So we have 契闊(keikatsu, separation), 恵(kei Megumi)活(katsu, activities), and 契(kei chigi, spousal sex)活(katsu, activities). It's no wonder he erased Yuji's memory of it.

Keep in mind, that when Sukuna uses Keikatsu, the only vow that he has made at this point is his promise to kill Gojo. He eventually does that using Megumi's body during a fight framed between groom and bride. And for reasons beyond their control, Sukuna and Gojo have been unable to fulfill that vow through lengthy separation.

Notes from poem "Banging the Drum" Sukuna references include the following:

"And during the operation, he lost his horse, which was a desperate situation (horses in ancient time carried soldier supply and weapons, are life companion for soldiers in advance or retreat), he lost his horse, his supply, maybe his armor and weapons, and the road he was facing that we may lose his life so he may never go back. In all these mess, he started searching, and somehow at this hopeless moment he started to revisit his happiest moment, when he together vowed in marriage ceremony with his wife, and he was even afraid that he might never see his love again."

"And His last statement for his true value is his home, his love, his fulfillment of his vow is his true duty. Hero's duty is to pursue love."

In Buddhism, which JJK is heavily influenced by, horses are a pretty big deal. Horses can represent the path to enlightenment, especially since The Buddha's horse is what takes him on this journey away from his wife and children. They separate in the end though, the horse dying of a broken heart.

Remember how Sukuna called Gojo unenlightened? He sort of guided Gojo to enlightenment using Mahoraga, whose Eight-Handed title is a reference to the Eightfold Path to be followed for enlightenment. Buddhist enlightenment is centered around liberation from suffering. (Just check the wiki entry to verify this.) Infinity was the source of Gojo's suffering and Sukuna cut right through it.

Sukuna has been running around with a broken heart for a good chunk of the post-Gojo fight. And if you take that into consideration with this poem and all the other symbolism, he's somehow a Buddha, a Bodhisattva, the dying husband, the widowed wife, and the heartbroken horse all at the same time. Not unlike his wordplay taking on every possible meaning at once.

But my point here is that Sukuna might’ve seen his fight with Gojo as consummation of their marriage. (There's probably a joke in here about the husband reaching climax while leaving his wife unsatisfied.) Remember in the wise words of Itagaki Keisuke, "Fighting and sex are exactly the same!"

In Conclusion?

This is possibly one of the most bizarre and elaborate expressions of love I have lost my mind over. Sukuna gave everything Gojo ever wanted from Jujutsu violently. He did it in such an unpleasant and cruel way that the target of his affection thought there was nothing between them. Sukuna also hid his intent under social norms that no longer exist. Unless Gojo happened to be into ancient literature, there was never a scenario where he would catch onto this. Sukuna's failure is critical on multiple levels.

It’s impressive. It really is. No one knows how Sukuna’s strange little brain works so he’s stuck being loner without anyone that fully understands him. (I’m still thinking about how Uraume didn’t know Sukuna was a twin for over 1,000 years.) He’d have to let people in and tell him outright, but he’s just like Gojo so I guess that’s never happening.

[greenfiend]

Most of Stranger Things is within Will’s head…

Including El, the Mind Flayer, Vecna, and more characters...

A lot of people aren't going to like this or agree but- if you are willing to read this at risk that you won't like it... try to keep an open mind and keep that curiosity door open.

(Above is a direct cut from Will to this line...)

I just want to begin by saying: I believe Will is the center of this show. I know many disagree, and place other characters at the center but let me explain to you why I believe the show is mainly about him.

The show begins with Will, as his disappearance is the catalyst for every single event to follow.

If you take a step back, and look at the show as a whole… making Will the center makes the most narrative sense. Without Will… there is no Stranger Things.

(GIF from @/kaypeace21's post here)

Lonnie hammering a nail into the wall while we cut to Mike poking a hole into a piece of paper visually tells a lot. Remember guys, this show is all about showing and not telling. Here they are showing us that the abuse Lonnie has inflicted unto Will caused the gate to open. The Upside Down exists due to Will's trauma. This is because the Upside Down is Will's mindscape.

DID and Internal Worlds

Will has experienced trauma far more severe than we are explicitly told. His trauma mainly leads back to his father. If you are prepared to read about the depths of said trauma, read this post. Not for the faint of heart though, my friends.

In Will's case, his trauma as led to a specific rare mental health condition called: Dissociative Identity Disorder.

Dissociative identity disorder (DID) is a mental health condition where you have two or more separate personalities that control your behavior at different times. When personalities switch, you’ll have gaps in your memory. The identities are usually caused by living through trauma. x

This means I believe that many of the characters we know and love were created from Will's mind. There are common alter roles within a DID system, and this show has been assigning different characters to some of these roles this whole time.

Now, this is NOT a new theory. The creator of this theory is kaypeace21 (one of the original Byler theorists!) Check out her posts here and here. While I agree with a lot of what she has to say, I do not know if I agree with all of it... specifically: the Persecutor Alter... more on that soon (not to fault her at all! As Vecna did not even exist prior to ST4).

Let's go back to the Upside Down being Will's mindscape:

Many individuals with dissociative identity disorder (DID) have an internal world in which they or their alters can manifest as themselves and interact. These internal worlds, which are also known as inner worlds or headspaces, can range in size and complexity. x

The Upside Down = Will's internal world. Those that inhabit that world or arose from said world are likely Will's alters. Yes, that includes El, the Mind Flayer, Demogorgons, etc. and of course: Vecna.

Here's another visual clue! A hole in the wall (an opened gate...) at the Byers' house that may have "always been [there]".

I know we are told the gate had opened prior to Nov 6, 1983, and that El had been the one to open that door/gate. But... that's because El herself is Will. She is a personality that had developed from him.

Now, lets talk common DID alter roles and how some of our favourite characters fill these roles to a tee.

El, the Gatekeeper Alter

I talk about the Willel theory here but I'll explain it briefly. El is "the gatekeeper", she is the one who Will lets "front" most of the time. Because remember guys... Will "likes to hide".

El was even compared to D’art (who came from Will…) see post here.

Also worth noting: Will's abduction in the shed is compared to... the first atomic bomb (used in an act of war) called "Little Boy". Post about that comparison here. What occurs during a nuclear reaction? Nuclear fission. Fission meaning: SPLITTING INTO TWO! Just as we see with the Phineus Gage comparison. That exact moment was when "El" emerged from the UD (Will's mindscape) into "reality". Leading to her becoming... a literal gatekeeper for Will.

She also helps solve Will's dilemma of to stay or to go, as Will himself stays (in the UD) and El goes.

So... what do I mean by “the gatekeeper"?

A gatekeeper is an alter that controls switching or access to front, access to an internal world or certain areas within it, or access to certain alters or memories. x

Now. Remember guys, we literally see her closing the gate and she (allegedly) was the first to open said gate. She also is heavily associated with repressed memories (the whole NINA plot...)

El has always been protecting Will from facing his trauma and facing himself. That is why we see her "save" him multiple times, why she takes on the role of Mike's romantic partner, why she takes the brunt of the bullies at Lenora, and why Will looks on like a helpless bystander... It is not due to resentment nor cruelty but fear. Will has been hiding behind her this whole time. He is not ready to face his memories, trauma, and the world. Not yet...

The Mind Flayer, the Demon Alter

In abusive groups, a young child can be severely traumatized in order for abusers to intentionally create an alter, and the alter can be tricked into believing they have been possessed by, and have become, a demon. X

This one is pretty self-explanatory, as we literal have a "possession" plot line involving Will. Though, instead of being "possessed", this alter of Will's was fronting.

Vecna, the Persecutor Alter

This is the one I'm most excited (and nervous) to talk about because it is SO fascinating and it matches his character perfectly.

So basically, Vecna is NOT Henry Creel. Vecna is an alter of Will's existing in his hive mind. Hear me out about this.

What I believe is that Henry Creel (or perhaps Edward Creel), was a real person that Will had heard about resulting in him creating an alter based on him. This is called "Factive Introject":

An alter with the form, personality, and possibly the psychological backstory e.g. memories of an outer-world person, whether a relative, a celebrity, or even an acquaintance. x

I believe that when we see "Henry" within both the Rainbow Room AND the Upside Down... this is Will's alter. (The Rainbow Room is likely another inner world of Will's...).

Are you still with me on this? Because lets get into the real evidence here.

What is a persecutor alter?

Persecutors are alters that purposefully harm the body, system, host, core, or other alters, sabotage the system’s goals or healing, or work to assist the system’s abuser(s). x

I know that sounds pretty scary, and some easily dismiss persecutor alters as "evil" BUT they are not. Viewing any alters this way is harmful. All alters' goals are to protect the system, even if they may do so in misguided ways.

x

Most persecutor alters start out as protector alters… which exactly what we see in the show! “Henry” is kind and protective towards El (who is another alter).

Then he decides to “kill” the other kids/alters (I say kill but they will still live on in the mind.)

Lets look at the exact terms used to describe the effects the persecutor alter has on the system...

X

Headaches…

Internal bullying…

Increased blank spells…

Interference with function…

Self-multilation…

Still have doubts on this? Let’s continue…

x

As I said, the persecutor alter is not "evil", it is a misguided protector. Its goal is to protect and often does this by taking on all the suffering experienced by the host and the alters...

But why? Why does the persecutor alter do such things if the goal is to protect?

X

To prevent the host and alters from disclosing their abuse. Think about this for a moment. What did Chrissy, Fred, Patrick, and Max all have in common (other than trauma)? They all were seeing the student counsellor Ms. Kelley and revealing to her aspects of their trauma and abuse.

Vecna, as the persecutor alter, was having NONE of that and thus… “killed” them to protect the system. As he feared the consequences for Will/the system as a whole.

This is VERY telling for Will, because he has long been afraid of opening up about his abuse, trauma, and everything…

We see this emerge in many forms:

The Byers phone frequently going unanswered throughout the show due to Will’s fear of opening up/communication.

Lonnie telling Jonathan to keep his mouth shut for his mom’s sake…

The rats in ST3. To “rat” = to snitch.

El’s bullying in ST4. Angela repeatedly refers to her as a “snitch” even though she never did snitch.

Papa/the Demogorgon/Neil, the Abuser Alter

x I’m going to go right out and say this: “Papa” represents Will's abuser. We see him abuse El, Henry and others in a manner similar to what Will had experienced with Lonnie.

That’s why he’s called “Papa”, as he is a representation of the abusive papa of Will: Lonnie Byers.

Like Henry Creel, he is also likely based off a real person... Richard Brenner perhaps?

"That's what I have to do to keep her close to me. I don't want her going out. Men only want her for one thing and then they hurt her. She doesn't need anyone else but me." In addition to intimidating her so that she would not seek contact with men and risk further abuse, [the abuser alter] was also possessively trying to strengthen her attachment to him. X

This perfectly applies to Brenner's relationship with El, Henry and the others. He wants to isolate them to "protect" them from further abuse. We see this clearly as Brenner prevents El from leaving NINA, at all costs.

Again, even the alter representing the abuser should not be seen as “evil”. It’s complicated. All alters are aspect of the host, they are not evil. There are good intentions behind the bad actions.

Other Alters…

So, I believe other characters are also alters of Will’s such as:

Max, Billy, Chrissy, Fred, Patrick, Eddie, Argyle… and more. This post is getting far too long for me to expand on that just yet though.

Mike is “The Key” but… he’s not the only key

Let’s not forget about Ms Kelley and her key necklace!

Although Mike’s love will be an incredibly important aspect to saving Hawkins and saving Will… Will also needs to open up, face his trauma, and reveal his truth. Keeping all of this bottled up inside is causing far more problems…

When it comes to treatment for DID, there are different methods. Some include:

Identifying and working through past trauma.

Managing sudden behavioral changes.

Merging separate identities into a single identity. x

The latter being a highly controversial one, and it may not be the right choice for everyone with DID.

Within the show however? We will likely see merging or fusion of some of the characters in the end (we likely already have too...)

We already have foreshadowing of fusion between Will and El:

Robin and Steve discussing the act of "combining" to "solve all [their] problems".

Dustin hugging El and Will only to have El visually disappear during their hug.

El ending the season standing alone in the Upside Down.

In DID there's also a concept called integration, which may not be as extreme as fusion.

The individual must then make the choice of to what extent they want to integrate their alters as part of their healing. Again, some degree of integration is inevitable. The individual must integrate traumatic materials in order to heal from PTSD. As well, enough integration between alters must occur to allow for easy communication, a lack of dissociative amnesia between parts, and a consistent sense of being grounded in the present and in the body. The individual must be able to take responsibility for all of the system's actions, and all alters in the system should work together towards the same goals. x

Basically, Will must become insightful of his condition and see all aspects of himself (all alters) as helpful (even if they may be misguided). It will NOT help him to simply "kill" any alters, that will not work. He must accept himself for who he is. He must learn to love all aspects of himself.

I won’t touch on it here, but I will just mention that I’m very confident the show will end with another realm/internal world that’s beautiful and full of life. Implying that Will has finally found some peace of mind. I talk about it in this post.

[veranavera]

PSA: most trans people on hormones don’t pass after a year. I think the prevalence of “passing at 11 months!!!” type stories has given a lot of people the impression that somewhere around there is when people start to look like what they want. And like yeah, some people do, and fucking great for them, but you don’t see nearly as many people talking about how they don’t pass at that point because a) people share those things online less often and b) those posts get less traction because they’re heavier

Me? I passed for the first time at 7 months. I passed for the second time at 19 months. That fucking sucked. I felt like I had been given exactly what I wanted and watched it get taken away from me, and the idea that I should be passing more regularly in the months following really ate away at me and made me feel like I “failed” in my transition - I legit thought that I would never pass

It certainly didn’t help that, in addition to overwhelmingly seeing narratives online of passing early in one’s transition, every piece of medical information that was presented to me said that most changes would happen over the first two years. Maybe I was deluding myself, but baby trans me thought “oh that means I have two years to transition or else I fail because hormones won’t do anything past that”. And that ate away at me more than the not passing, cause I felt like I was “missing my chance” at having the body I wanted

And boy was I wrong, in the last year (my third year on hormones), I feel like I’ve seen more changes than I saw in my first year. My boobs are filling themselves out, my body hair is getting even lighter, my skin is noticeably softer even though I stopped moisturizing/doing most of my previous skincare routine. Hell, even my hips and ass have gotten wider. And this was *all* during an era that the medical information I was presented with gave me the impression that any changes that did occur would be minor

To show you what I mean, compare one of my first trans-flag photos, taken at 11 months on e, verses a semi-recreation I did earlier today at 33 months on e (same clothes and roughly the same pose/lighting, different mountains)

Notice a difference? I sure do - and to prove to you that this happened in the third year, here's a similar photo of me in between these two at 23 months on e:

I’m usually not one for transition timelines, mainly because my whole project is kind of a transition timeline, and if you wanna look through and see more of what I'm taking about feel free to either scroll a few posts down on my blog, or check out my google drive with all the photos from my projects. The difference doesn't look *too* dramatic to me, but some people I know irl have expressed that it is

Regardless, the point I'm trying to make here is that my experience on hormones was *not* passing at one year - and that's the experience of the vast majority of people I know who've been on hormones. Puberty takes many years, and yeah, that can suck to hear when you're expecting it to take two, but trust me, it's a healthier mindset to think of yourself as continuously moving in the direction you want, rather than waiting to arrive at a particular destination

If you've started hormones in the last year, be sure to give your body the time it needs to make the changes you want - transitioning is a marathon, not a sprint

[starchytart]

pinch me or wake me up, from this cursed daydream

Drawing this mainly because i saw a comic on twitter (i completely forgot what its from im so sorry) where the artist is drawing sketchy head instead of gore to depict someone getting shot point blank. Immediately remind me of Rosamund's prince face not-yet-decided when they try to look for him in timothy's books. (as in, at the core a picture is not made by flesh and bone, i think that works really well considering how neverafter works)

But other than that he has been in my to-draw list since forever. BIG fan with how things resolved in ep 17. I think its so cool that the fairies thought they have chance to taking back control of her narrative with that offer, when really, by having choices in the first place rosamund already won, even though neither of them really ideal, but at least whatever it is it would be her decision. (Of course one also could argue that with those choices being unfair, it was not really choices at all *insert that cow with two path meme* and i am just being delusional and you might be right, anyway im going to ignore this)

Also, I love how even until the epilogue when everyone is getting back what they gave up, Rosamund's part didn't really mention that she met his prince again. This makes we never really have official design for him (which is crazy like whoa his face was never decided even on meta level), and I think its perfect to capture how "and they live happily" works for rosamund. you get what i mean??, when romance just become one thing among other parts of her life rather than the whole point of her story. Its still there, if you want to, but the matter isnt as suffocating. It would be really easy for brennan and siobahn if they made the end one extreme of either "oh she got his prince back" or "oh she doesnt need love at all actually" and for them not do that feels really refreshing for me.

(I can go on talking how rosamund lost 100 years of her life and finally living the mundanity of learning and making friends are also so important, not to mention with snowwhite and their shared fate etc etc but then i might never stop asdjsldmsk i love neverafter so much)