#mainly an excuse to show more fans the version on the cover

[orkishereemily]

i really really don't want this to be some sort of petty rant account (i've done too much already, i'm still repenting), but i have this little pet peeve that i'm just dying to vent about

so, you might've seen this picture before!

a watercolour sketch made by tolkien himself

usually said to be how sauron is 'supposed' to look (and occasionally accompanied with a comment about it looking bad or tolkien 'not being an artist' which is mean :/)

but it's always missing the context!!

for one thing, this really shouldn't be seen as "what sauron looks like" this is that bit at the very end where sauron is killed and he takes the form of a giant shadow for a moment before disappearing we don't really know what sauron looked like in his normal form (just big and scary basically), but it wouldn't be this!

also, this is basically just a doodle! like, that's why there's another arm randomly placed below it! it's just him testing out an idea, not a finished piece or anything like that

in fact, he was testing out this idea so he could do a better final copy later!

this was tolkien's concept for the cover of ROTK and at the top right, you can see a MUCH better version of the spooky sauron shadow there were definitely things tolkien struggled with drawing (people mostly, and perspective/scale are usually pretty wonky) but i think this picture of sauron is actually pretty effectively sinister! he doesn't get enough credit as an artist, he had a really charming style and i really love a lot of his pieces

unfortunately they couldn't include sauron on the finished cover because it wouldn't have printed legibly (it is already kinda hard to see just in the concept) honestly too bad, i do think the rest of the cover is kinda. mmm. i have never been able to figure out what those two feathery things on the sides are supposed to be

so yeah, to sum up: that watercolour sketch really isn't "what sauron really looked like" or anything like that, AND there's a much cooler version of that picture out there anyway

[ponett]

Recently, I've been looking back at MLP FIM. I was in high school when it began and was at the height of it's popularity. I was never a super fan or anything and watched a few episodes, but never every one, mainly in the first few seasons. I mostly experienced the fandom through fanart and fanfics, oddly enough. I think I stopped paying attention around the time Starlight Glimmer was introduced. It actually wasn't until a year or so after it ended in 2019 that I realized the show had finished lol

One thing that always bothered me about FIM was how it handled non-ponies and their cultures. The early fandom from what I remember, NEVER liked to talk about racism in the show. Not a surprise given it's 4chan roots. It's only fairly recently, on places like Reddit and Tumblr, that these conversations can happen.

From the early seasons, the most egregious examples were Zecora in her debut episode Bridle Gossip and the Buffalo from the episode, Over a Barrel. I have to wonder what exactly were Lauren Faust, the team at DHX and Hasbro thinking. Zecora is pretty much a magic negro stereotype and the Over a Barrel episode was offensive bothsidsing of the historical conflict between settlers and Native Americans. I could see that the writer intended a "don't judge a book by it's cover" lesson in Bridle Gossip, but that's kind of undermined when Zecora is an insensitive racially-coded stereotype.

Later on, it was nice they focused on non-pony races and diversity, but there was this weird cultural imperialism that showed up with the ponies needing to teach everybody else about friendship. Pretty much every society they visited was dysfunctional or were villains. It was like a pony version of the White Man's Burden. They even installed their own Equestria-friendly leaders. It's a good thing the Native American-coded Buffalo never came back for the Friendship School.

I can only imagine that a lack of diversity in the production crew let these things happen. I can see how the staff didn't think through the implications of the Pony's Burden stuff, but Zecora and the Buffalo are a lot less excusable imo. Lauren Faust and co in Season 1 really should've known better

Believe me when I say people have always been critical of the weird racial coding of the non-pony species in MLP, going all the way back to 2010. Especially here on Tumblr, where you'd find more progressive corners of the fandom compared to, like, /co/ or Equestria Daily or wherever. I guess there's less pushback against those criticisms now, which is good, but they aren't new. It's always been one of the show's most glaring flaws, and something that I hope future iterations of the franchise can improve upon.

[xjulixred45x]

Satoru Gojo/Suguru Geto x Idol! Reader

Gojo/Geto x S/o who is a Japanese idol/Singer.

Reader: female/male

Genre: Headcanons

Warnings: Gojo xd, some Canon divergent with Geto, mainly set in Star Plasma Vessel Arc, S/o has a ritual technique related to singing, the Idol industry is toxic ASF, fluff.

Main idea i have: You are a student at Jujutsu High, but you work part-time as an Idol (and you take advantage of the bad work environment to exorcise curses)

Satoru Gojo

Of the two, he is the most likely to know about your career as an idol.

When he sees you for the first time at Jujustu High, he looks at you strangely for a long time to try to remember where he knows you from (you look something different without all the production).

but when he finally realizes it, like the FREAK he is, he points it out shouting at Geto, killing him with shame, and you end up meeting your future significant other.

As you may have noticed, he is quite open about your career, probably using the excuse that it is because it is related to your cursed ritual, but the truth is he just wants to show you off xd.

Although of course, if you ask him to stop, he will. But when you see how tiring it can be to have to juggle two jobs at the same time, being a Sorcerer and an Idol nothing more.

If we talk about more advanced terms of relationship, Gojo probably has AT LEAST a small set of your merchandise, AND HE'S GOING TO SHOW IT OFF TO YOU, he just really likes to embarrass you (in an affectionate way).

I have the idea that Gojo couldn't sing even if his life depended on it, so it would be funny if you tried to teach him your technique (which requires SINGING the high notes) and he, wanting to imitate, only comes out with a sound similar to a drowned duck(?)

If you borrow his phone to search for something and look at the playlist, chances are you will find several of your own songs,even the Acapella versions (no instruments, just the voice), in a way it helps him relax a lot, especially when you go on different missions.

I can see him going to see you at one of your concerts, just to embarrass you a little, screaming and making a mess, at first glance he seems like an average Famboy, but he's YOUR average famboy 😅

If he doesn't go to your shows, at least try to cheer you up, either by going directly to your dressing room to lighten things up a bit, even though it ends up being the opposite.

Gojo: YOURE A BAD BITCH!

You:IM A BAD BITCH!

or leaving a voice message so you know you have his support :3 (although the first is more likely)

Moving on to more serious things, Gojo really worries that working in two stressful environments (one much more lethal than the other) will end up screwing up your mental health in the long term.

Even more so when he finds out how toxic the Idols' work environment is.

leaving aside the "debt" with your company (which is covered by those of the institution), the competitive environment, the haters who constantly harass you online (and in real life), the "fans" who rather are sick people who follow you everywhere--

He can't even be publicly physical with you or any kind of PDA! or say that you have a partner, because oh God knows how people would react to that.

It honestly makes him a little sad to see how you break your back to keep both jobs relatively stable, only to have your effort swept under the rug. it frustrates him.

Gojo isn't that worried about your physical appearance (although the outfits you wear to shows are very cute), but he won't let you starve yourself>:( If he eats something, get assured he'll make you eat too.

When he sees that you are having a particularly bad day, first of all he will try to make you feel better by making you laugh, if you refuse, then he will tickle you! or if you want to vent and let out work frustrations, go ahead.

lots 👏of 👏cuddling👏and👏hugs👏

He's just very clingy, and since he can't show much affection outside on the street and has to limit it to home and school, he makes the most of it.

He may or may not offer you some kind of more domestic date, like playing video games and intentionally letting you win, making comments that he knows will lift your spirits.

If we talk about the most current Gojo, it is most likely that you have already retired from the world of Idols, but you are still part of the training industry part-time (actress/actor or something similar).

and also by that time your relationship with Gojo would be more public (to his delight), of course, there was some commotion, but it is the least important when you live in a world with Curses.

aside, honestly, any Stalker/paparazzi you might have had before, he got screwed as soon as he was even on the same block as the two of you, Gojo is just intimidating when he wants to be, and he appreciates his time with you TOO much for someone to come and try to ruin it. (keyword, Try).

Get ready, now that Idol's job is not a problem (something like that), he's going to take the opportunity to have the most ABSURD amount of PDA you can imagine.

hugs, holding hands, you hang on to his arm, his arm around you, kisses, pet names, he has a whole arsenal.

He still really likes listening to you sing, but I especially imagine that he likes you singing to him to sleep, canonically this man doesn't sleep much, so having you sing to him would probably help him sleep much easier.

It's a good way to relax when he's had to deal with the big boys, just laying on your lap, eating something sweet while you sing him one of your songs. a strangely domestic moment.

He even takes off his blindfold to see you when you sing, it's kind of cute.

If you stroke his hair in the process, it's an absolute BONUS.

Even if you end up leaving the singing career completely, Gojo will always, ALWAYS find a way to show it off to his peers (everyone finds him EVEN more annoying than before thanks to this, Even his students, well, minus Itadori maybe).

Overall, find your Idol career endearing.

Suguru Geto

He's less likely to know about you as Idol than Gojo, but you seem familiar to him in a way.

It's not until 1- either Gojo tells him directly that you're an idol or 2- you go on television and he just sees you. both are equally likely (Gojo wouldn't say it right away just to annoy him for a change).

Be that as it may, at first he is much more interested in your Cursed technique related to singing than to your secondary career.

(note: this occurred to me because the musical note "Si" would literally translate into Japanese as "Shi" meaning "death", you could say that this may or may not be part of your cursed ritual, it's interesting).

It's similar to cursed speech, after all. So initially your friendship with him begins out of pure fascination and curiosity about your abilities.

Although of course, your other work does not go unnoticed, Geto honestly believes that it is something ingenious, because initially you would never think to find so much negative energy in a place like the Idol world(people seen as "pure and angelic"), and it turns out to be quite the opposite.

He found you fascinating in many ways, which only piqued his interest more.

Unlike Gojo, Geto is much more focused on your work as a Sorcerer than as an Idol, which doesn't mean he sees it as a bad thing! Not at all, it's just that it can connect with you better with the first more than the second.

Although yes, he also really likes to listen to you sing (without a cursed ritual or not, it doesn't matter, he thinks you sound very good either way). He feels especially proud when you sing him a future song alone.

He just stands there watching you sing and smiles like a fool. It's therapeutic.

Even if he's not as hyped about your work as Gojo, I can definitely see him giving you a lot of compliments when you wear the outfits they give you for the shows, they're so CUTE! And they make you look even more adorable!

He also cares a lot about your health! He always makes sure to have throat medicine nearby (whether outside or on missions) in case of emergencies. Apart from the fact that he wants you to have a healthier weight (by the beauty standards of the Idols, it is quite difficult).

He feels worried when he sees you worried about losing your supposed "extra weight" when the only thing he sees are your ribs☠️

Geto:"lets get you a Burger"

You:"i can't eat tha-"

Geto:"LETS GET YOU A BURGER, I CAN SEE YOUR BONES"

He can, wants and will take you to eat junk food after each mission, and when I say each one, IT'S EVERY ONE. He simply doesn't want you to end up hospitalized for anorexia or worse, faint in the middle of a mission due to lack of nutrients, the possibility scares him a lot.

Aside from the fact that he won't let you feel bad for being a healthy weight, and he won't tolerate anyone saying anything bad about it (unless they wants to see the rainbow dragon, but not in the friendly way).

He was already pretty aware that the idol environment is pretty bad, but hearing it (and in some cases, seeing the consequences) from you directly is a whole new level.

The slave-like schedules, the impossible standards, the "diets" that practically boil down to not eating, the strange people you run into on a daily basis, it honestly surprises him that you can stay like a Sorcerer with how little you eat and sleep.

At least he doesn't have to worry about money, although I still highly doubt he'll let you buy him things at first, he prefers that you give YOURSELF some self-care

Although he is calm knowing that you can handle yourself well, he definitely can't help but get a little angry when he sees your name on some gossip page or something like that.

Unlike Gojo, I think he will directly ask you to leave the Idol job, but with good arguments, and obviously understand if you don't want to leave, after all doing this kind of thing takes YEARS of preparation, it makes sense that you want to continue with the work as much as you can.

especially if you like it.

but he will definitely be more aware of your situation and in general more present in these types of things and not only those related to Jujustu.

You two become a more stable couple, so to speak.

Going forward to the present day, regardless of whether Geto remains in Jujutsu High or turns evil like in canon, the two remain close.

Mimiko and Nanako ABSOLUTELY admire your old work as an idol a lot, like, a lot, especially Nanako. which is quite cute to see, since you give them the same hairstyles that you used to wear in your youth or even singing your old lyrics to them, Geto could die of cuteness right there.

Listening to you sing when he's had a day full of dealing with "monkeys" is the perfect way to end the day sincerely, even if it's just a hum, it practically puts him in a good mood right away.

Unlike Gojo, I think he would also like you to sing as a form of entertainment (if you feel comfortable), like having background noise while he does things, according to the "work better that way." He says, but only wants You to sing SPECIALLY for him.

The family LIVES to hear you sing too, if you are with them while they wait for Geto, Mimiko will probably ask you with puppy eyes to sing them something to kill time. works 9.5/10 of the time.

Like waiting music.

If you're still in the entertainment industry, you two probably take advantage of money from whatever association hires you >:).

IMAGINE HIM COMING TO SEE YOU WITH THE FAMILY IN SOME VIP SESSION! The girls are taking a lot of photos or recording videos (I imagined them doing the Oshi no Ko dance 🤣😅) and simply admiring how the monkeys are idiots and you are unattainable to them

In this case, I don't think it's necessary to say what happens with the paparazzi or stalkers you used to have >:)

if we talk about Teacher! Geto is not very different from Gojo in several aspects, perhaps just a little more insistent on the issue of choosing only ONE job.

I think if you chose to stay as a singer and leave Jujustu's world, he would be VERY relieved in a way, at least he would never have to worry about him losing you to curses, and you know how to defend yourself very well, so the chances of you something bad happens as a singer are low to none.

In short, he will let you do what makes you happy as long as it is healthy and you are in control. He loves you too much to care about your work.

See your career more as an accessory, in a good way, you will always be more interesting ;)

Shares, reblogs, and comments are very welcome!

___________________________

Ahhhhh ONE DONE!

I have two Request in waiting, but first i Will try to Write one o two other scenerios that i want to make. Have patience with me :')

I hope You like it!

[aziraphales-library]

I’m really not sure how to word this, but can you list me some fics with like... a gimmick? Or a trope? As the basis of the plot? That’s not the best way to word it because it doesn’t have to be gimmickey or tropey, but just... You know, a plot that’s interesting... that starts out with a situation... unusual circumstances?? Am I making any sense? Like I’ve read the stuff that’s easily tagged like spells, fake relationship, soul mates, ect, but just fun, different stuff like that?? Sorry...

First of all, I want to apologise for the super later reply to this ask. I found it sitting unanswered in our drafts. To make up for it, here is an extra long list of gimmicky, tropey fics that i absolutely love!...

i've found a way (a way to make you smile) by curtaincall (T)

Crowley worked in Sales. He had never intended to work in Sales. It had just sort of happened. One moment, there he’d been, a newly minted university graduate off to change the world, exquisitely useless Philosophy degree in hand, and now here he was, having sauntered vaguely downwards into a Hell that consisted mainly of cold-calling new customers and sucking up to existing ones. AU based on The Office.

A (not quite) tinder date by NohaIjiachi (M)

“Oh, gosh, I’m so sorry—“ A man said, breathless, plopping himself down in the chair. He sounded like he ran a marathon. “Got held up at work— I couldn’t even check my phone! I’m so terribly sorry!”

Aziraphale would’ve beamed, at that. He would’ve immediately declared that it was no problem, these things happened, so no worries at all— Except the guy currently catching his breath in the chair in front of him was definitely not his missing date. That was unless he’d decided to shave his beard, make his hair grow magically, and dye it red.

“I—“ Aziraphale croaked, confused. The man tipped his chin down, glancing at Aziraphale above the rim of his darkened glasses with a surprising set of honey-coloured eyes, and winked at him. Aziraphale closed his mouth. “I— It’s quite alright. I’m glad you, huh— Could make it—“

Win a Date With Anthony J. Crowley! by Caedmon (E)

Crowley is a world-famous rock star who sells out arenas. His name is synonymous with 'rock-n-roll', and he thrives on the spotlight. When he agrees to raffle off a date with himself for charity, he's expecting to meet an overzealous fan that wants to wear his skin and very well might try to roofie him. What he's not expecting is to be instantly attracted to the quiet man with the unusual name who shows up for the date at the Ritz... and he's certainly not expecting for Aziraphale to have no clue who he is...

You’ve Got Kudos by curtaincall (M)

Aziraphale and Crowley both write fanfiction. As it happens, they both write Good Omens fanfiction.

Of course, neither of them would ever admit this to the other.

(A love story told primarily in AO3 comments)

The Best Laid Plans by hope_in_the_dark (T)

Ezra Fell has sworn off romance forever and is perfectly content with his books and his tea and his ugly wardrobe. At least, he is until a handsome stranger hits him with a car.

it’s a new craze by attheborder (T)

CROWLEY: I try not to make a habit of gratitude, but I must give our appreciation to everyone out there who’s been listening and subscribing to The Ineffable Plan. AZIRAPHALE: Ooh, yes, we’ve become quite popular, haven’t we? CROWLEY: Yeah, just hit number eight on the advice charts … No advertising at all. AZIRAPHALE: Mm. How … miraculous. CROWLEY: … Aziraphale. You did not.

***

Crowley and Aziraphale are very possibly the people least qualified, on the entire planet, to start up an advice podcast.

But what else is there to do when the world isn’t ending anytime soon, you’re technically on indefinite sabbatical from your lifelong careers, and you need a plausible excuse to spend more time with your best friend who you’re definitely not, absolutely not, maybe just a little, actually maybe overwhelmingly in love with?

happiness, more or less by TheKnittingJedi (M)

Renting a flat is all fun and games until you fall in love with the ghost haunting it.

An adaptation of the 2005 romcom Just Like Heaven.

on the same page by Chekhov (E)

Aziraphale Z. Fell is a rising star of the spiritual literary genre - the next Eat Pray Love guy - and his version of Chicken Soup For the Christian Soul is flying off the shelves. It's not that he's not grateful, but it's one thing to enjoy a career in writing and another completely to be pigeonholed into a specific genre, so much so that you are almost forbidden from writing anything else. So yes, maybe he has a bit of a secret. An outlet for his less... appropriate urges. And yes, if his typical readership got word of the sort of paragraphs he could put out on a particularly inspired night, they might suffer some form of heart attack typical for their age. But all of that is well hidden, and there is absolutely no way anyone would ever find out about his Arrangement with A.J. Crowley - the most debaucherous romantic fiction author of the decade. That is... until they have to pretend to be married to each other.

The Whole Damn World Seemed Upside Down by WyvernQuill (M)

"I just wish things were different," Crowley says... and the universe happily obliges.

Stuck - perhaps forever - in a reality in which Shadwell is the first Wiccan MP, Pepper's only aspiration in life is to be a dutiful wife to someone, and his beloved Bentley is a rusty VW bus, Crowley is slowly learning that "different" doesn't necessarily mean better...

But how long can he bear to live* in a world where Aziraphale hates him?

*Not that he has any other option. The Death of this world can't see blood...

The Annual Tadfield Cheese-Rolling Festival by summerofspock (T)

Disgruntled newscaster Anthony Crowley is forced to cover the annual Tadfield Cheese Rolling Festival...again. Only this year he's accompanied by a new producer who he can't seem to get his mind off of even though he's swiftly realizing he has far bigger problems. Namely, the fact that the Tadfield Cheese Rolling Festival refuses to end.

- Mod D

[deppsessed]

Good Luck Charm

Hollywood Vampire Series part I

Pairing: Johnny Depp x Reader

Summary: Your lifelong dream to meet your favourite actor, Johnny Depp has finally come true. What happens when you finally come face to face with and manage to impress him?

Feedback is much appreciated

Johnny Depp. Even thinking about his name makes my heart skip a little beat. I’ve been a fan of his for years, seen just about every single one of his movies (and know just about every word in them too). When the Hollywood Vampires had announced their latest world tour a few months back, there was no doubt about me trying to get VIP tickets, but I’d somehow managed to end up with something better. My best friend, Alex, works at the concert venue, and for my birthday, had given me an ‘access all areas’ pass for the show. Not only would I be seeing the concert, but I had full access to backstage. But the thing I was still trying to wrap my head around was the fact that I’d be meeting Johnny Depp.

I’d been thinking about it for months. What was I going to wear? What was I going to say to him? Or would I find a way to make a complete idiot of myself?

Today was going to be the day that I’d finally find out. After days of planning out my outfit, I’d decided on something a little grungy, a pair of ripped skinny jeans, a Jim Morrison t-shirt (to maybe grab Johnny’s attention), leather jacket, and a pair of Dr Martens boots. With it being a Hollywood Vampires concert, it only felt appropriate to dress up a little vampy.

“Y/N! Hey! Hi!”

It’s Alex, and she has her arms open ready to hug me.

“How do I look?” I ask once I pull back and give a little twirl to show off my outfit.

“Like you’re about to catch Johnny Depp off guard and take his breath away.” 

I snorted. “Very funny.” 

“Don’t act as if that wasn’t the answer that you were wanting!”

I have to hand it to her, she knows me well, but she has been my best friend since we were kids.

“I hardly slept last night thinking about it…”

Alex laughs and shakes her head. I know she’ll find it amusing and pretty typical of me.

“But now you’re here, I can give you the whole backstage tour. Come right this way.” 

She ushers me towards a door with the lettering “Artists and personnel only”. After a couple of minutes of walking down one corridor, it opens up to a giant concrete looking area. I’m shown places like the wardrobe room, where all of the band's clothes are already hanging up, ready for the show later. The band's green room, where there are bottles of alcohol ready to be opened. The highlight had been seeing the rack of Johnny’s guitars and better yet, the marked out dressing rooms for the band members. The pre-show buzz was starting to take hold with people running about the place in all sorts of different directions.

By the time that we’re done, it’s time to go to meet and greet. Alex escorts me back down the long concrete corridor, to the meet and greet hall. 

“Good luck! And promise you’ll tell me everything later.” 

The room is already teaming with a couple of hundred fans, all waiting for Johnny, Alice and Joe to come on through. I’m not feeling nervous, but instead, excited. The room erupts into a fit of screams as the band enters the room. My eyes instantly look onto Johnny. He’s wearing one of his usual edgy Hollywood Vampires outfits with layers of jewellery. He’s even more handsome in person. It doesn’t even bother me that I’m at the back of the line, it means more time to be able to look at, and soak up the feeling of being in the same room as him. It’s endearing watching him interact with his fans because he takes his time and indulges every single one of them. I know that when he eventually gets to me, it’s going to be worth it.

Needless to say, when I’m next (and decidedly last) in line, he’s looking a little worse for wear, as if he’s between needing a good drink, a cigarette and a nap… or maybe all three at once, somehow. I hadn’t figured out what my first words to him were going to be, but I wanted to be memorable. Not just for being the last fan. But for not fitting into all the other conversations that I’ve been overhearing him having. I’m not going to be starstruck, he’s only another person.

“You know, if you want to take a moment for yourself to smoke a cigarette or have a drink, you can. I’m not going to go screaming from the rooftops about it.” 

Right away, he’s raising an eyebrow at me, as if he’s uncertain by the invitation. 

“Honestly, it’s fine. I’ve got all day.” 

I can see the little bit of reluctance disappear from his face, and while he doesn’t take up the offer of a drink right away, he does reach into his pocket for his rolling tobacco -- despite all of the no-smoking signs around the room, nobody is going to be telling him off. 

“Do you smoke too?” He asks, offering me the packet. I shake my head and shrug my shoulders. 

“I wouldn’t put that stuff into my lungs willingly.” I can see his eyebrow-raising again, he obviously isn’t going to retaliate with anything. I let him light up his cigarette and move for the next subject change. I’ve overheard people telling him how much they love the album, and the fact that they do a mixture of original stuff and covers.

 “I love the album, you know, Heroes is my favourite cover because you get to sing…” What I haven’t heard once is the suggestion of other songs. “School’s Out is good, but Poison would sound amazing with you and Joe on guitar. I keep thinking how something by the Rolling Stones would sound cool too, like, ‘Paint it Black’ or ‘Sympathy for the Devil’, kind of feels like it would be Alice’s kind of aesthetic.” 

I’m not sure where the apparent confidence is coming from, but I’m happy to run with it, especially when Johnny seems to be visibly impressed by it. His lips pull into a grin, clearly amused by the last part of my statement and what I’m trying to get at.

“I wouldn’t be too fooled by the gothic exterior, he’s a softie, deep down.” He pauses to take a drag on his cigarette. “I’ve always wanted to do something by The Doors… A vamped up version of Light my Fire or something.” Ah, so he has spotted the t-shirt.  

“Good choice.” I’m hardly going to tell him that there are plenty other songs out there that I think they could do better, but then again, maybe he’s secretly testing me and wants me to. “Break on Through to the other side would sound even better.” 

He’s impressed, the way that his eyes light up really shows it. I can see his mouth open, ready for a response for me, when one of the band's security interjects and places a hand on his shoulder.

“Johnny, I’m sorry, but we’re already running ahead of schedule here-”

He scowls, evidently irritated at the fact he’s being told to move things along. 

“I’m sorry,” He pauses and pushes his hand through his hair. “But what are your plans after the show? I’d love to see you at the party and maybe buy you a drink...”

Is this a dream? I’ve got to be dreaming. This isn’t happening.

“I’d love that.” I’m trying to keep my composure and not show my excitement, or the fact I’m freaking out on the inside. 

“Great -- what’s your name?”

“Y/N.” 

He holds his hand out to me to shake. “I’m Johnny.” 

--- 

The music is loud, or maybe my ears are still ringing a little bit from the concert. The band had been simply incredible! I swore that Johnny had been looking right at me at a few points, and even going as far as to wink. Tonight was shaping up to be something.

Johnny had stuck to his promise and put my name on the guestlist for the show after-party. I was still trying to get my head around what was happening. I was at a Hollywood Vampires after-party, and it was everything that I had imagined it to be. The place was decked out in black and red decor, and fittingly playing old classic rock from the speakers. I feel like I’m standing out a little bit. Everyone seems to know each other one way or another and are engrossed in some kind of conversation. 

“You made it,” The voice nearly makes me jump out of my skin. Johnny Depp is standing right behind me. “I didn’t have any other invites,” As if I would have been anywhere else. “The show was amazing, by the way, you were great.” He’s probably had people coming up to tell him all night, but it still feels appropriate.  

“How do you feel about meeting the band and then I’ll buy you that drink?” My widened eyed expression is enough for him to laugh. “I’ll introduce you, come on.” 

The Hollywood Vampires are standing at the other side of the room, laughing together like a bunch of teenage boys. “Guys!” He holds his hand up to try and get their attention. “This is y/n, the girl I was telling you about from meet and greet.” 

He’d been talking about me. 

“And the reason that Johnny was almost late!” The band start to laugh in unison and Johnny shakes his head and lets out a defeated sigh. 

“This is Tommy, Joe and I don’t think that Alice really needs an introduction...” I shake hands with them all in term, but when it comes to Alice, he’s glaring at Johnny. “Hey!” He objects and again, the band are just about on the floor laughing. Making fun of each other in turn is a thing, it seems. 

“I feel like I should be offering to buy you all a drink, what an amazing show you pulled off.” 

“Thank you, darlin’, really glad that you enjoyed it.” Alice replied, “But we’re buying you the drink.” We stand and talk for a little while, mainly about music, before Johnny buts into the conversation. 

“Now if you guys wouldn’t mind excusing us, I do believe I promised the lady a drink.”  

I can feel a blush rise into my cheeks at the realisation that he’s talking about me. “It was nice meeting you guys, good luck for the rest of the tour.” We say our pleasantries and goodbyes. The group disperses, leaving just me and Johnny standing.

“Another admittance on my part, I don’t enjoy these after-parties, they’re too loud for my taste.” He scratches the back of his neck, as if he’s a little nervous . “I know I’m being bold, but would you like to come back to the hotel with me for that drink?”

Pinch me.

Johnny Depp’s hotel suite is bigger than my entire studio apartment. It shouldn’t be a surprise to me that it’s that extravagant, but it’s straight-up like something out of Pretty Woman. It’s a little hard not to stare with your mouth open around the place. Plus the fact, I’m in his hotel room. 

“Pick your poison,” He gestures towards the rooms mini-bar, “Or if none of this is suitable, I can call for room service.”

I shake my head, “A bottle of beer is fine, you don’t need to order a bottle of champagne on ice on my account.” Johnny laughs and grabs a bottle of pass over to me, which I twist the lid from and bring it up to my lips for a taste. 

“You’re an easy girl to impress.”

 I scoff, there are plenty out there that I’m sure would say otherwise. “Somewhat.” 

He, too, grabs a bottle of beer and sits down on the bed. We start to talk, he wants to know about my life, my job, my friends... And while I’m more than certain of the fact that I’m boring the pants off of him, he’s listening as if he’s absorbing and holding onto every word.

When I tell him about my love for poetry, his eyes light up in curiosity. “Who would you say is your favourite poet?” 

I want to set out and impress him, tell him the name of somebody he hasn’t heard before, but I go with my heart. “Oscar Wilde -- I know, it’s a typical answer but there’s just something about his writing which resonates with the soul.” 

“I’d agree, actually-” He pauses to bring his beer bottle up to his lips. “There are only two tragedies in life: one is not getting what one wants, and the other is getting it’ is one that’s always stuck with me.” 

“I can resist everything but temptation.” I grin at him and shrugged my shoulders, always a quote that I’ve related to.

I look back at him, to notice where his gaze is, right at my lips. Before I have a second to comprehend what’s going on, he leans forward, his lips brushing against mine. It takes me by surprise. Johnny Depp is trying to kiss me.

“I’m sorry, shit, I’m sorry. It’s just-” He starts to hastily explain. “I’ve been thinking about it, and I thought-” 

He doesn’t get his last word out because I bring my lips back onto his to return the kiss. It’s soft, slow, and tender. I feel his tongue trace along my bottom lip, as if asking to deepen the kiss.

I’m kissing Johnny Depp. Johnny Depp is kissing me. 

I don’t know how to comprehend it.

Or how I’m even going to begin to tell Alex when she texts me tomorrow.

[wesavegotham]

So don’t hate me but I’m kinda liking damian’s animated versions better than his comic one I really like his comic one but after all the shit happening where he has been nerfed nonstop getting beat by Thomas Wayne Batman, the teen titans red hood (although Jason attacked from behind like a bitch) and now flatline beating him. Not to mention Bruce not being a father and Damian now Being blamed for everything when they all have no room to talk. God I was satisfied when his old team died in future.

This is going to be a really long post, my apologies in advance.

I absolutely get where you’re coming from. I personally still like comic Damian more because I feel like there is more nuance and layers to him compared to the animated universe Damian, but that is simply the fault of the limited time they could spent on him in the movies.

Movie!Damian certainly wins more fights than comic!Damian and was never regressed in any way that is comparable to the shitshow that was Teen Titans (2016).

You’re adressing a problem I have with comic!Damian too right now, a problem that I’ve already talked about with some people here on tumblr in private. Which is that for all the talk about what Damian can do the comics have rarely shown all those skills Damian should have being used in the actual story in recent years and that is frustrating. I find Damian’s arrogance interesting as long as I feel like he can at least back it up in some way, but in recent time he comes off as just an idiot because he has done almost nothing but fail and lose and the writers still have him act like he’s the greatest. But it doesn’t feel like he can back up his confidence anymore. At all.

If I had to name a skill that differentiates Damian from the other Robins right now then I could only list his skill to hide from Batman and that is a skill he only has for plot convenience. We don’t see him do anything to cover his tracks, we are only told that he somehow did it. And I’m pretty sure that the second this skill stops being convenient for the story it will vanish once again. It will probably end like it did with Jon, where Damian somehow hid so well that Jon said they would never find him in Teen Titans, when they wanted an excuse for Jon to not get involved with his friend’s fall into darkness, but now that DC wanted them to interact again all of that is forgotten and Jon has no problems finding Damian.

Damian is not the most social Robin, nor the most intelligent one and considering how he seemed to lose against everything and everyone in recent years I can’t say with a straight face that he’s the best at fighting or the most skilled. And that IS a problem. Damian will never be known for his social skills or his detective skills, those niches are already taken by Dick and Tim, but in theory he should be a great fighter or a highly skilled person. Damian has sacrificed his entire life for training, both in the league of assassins and during his time with the batfamily. But if Damian sucks at fighting (as in: he loses a lot more than he wins) and his skills play no significant role in advancing the plot, then what is the point of his character? Great, he’s good at drawing and likes manga now, but how will that help with a fighting tournament? Or with solving the mystery behind the league of lazarus? A protagonist is usually supposed to be able to change the situation he is in, that is why he’s the protagonist and not someone else. So what makes Damian so unique that only  he can solve the situation he finds himself in during Robin and not someone like Conner Hawke? Or what makes him unique in the batfamily? I hope Robin adresses that soon. 

Of course now one could say “He still has an unique position as Bruce’s biological child”, but that also was completely irrelevant in recent years. For all the moments since the start of Rebirth that had batfam-fans complaining that Damian was favored by DC because of his status as the only biological child of Bruce, there were actually very few interactions between the two. Stuff like Bruce talking about Damian or saying that he loves him was primarily found in scenes in which Damian was not present. Or it came way too late, like in Teen Titans (and Bruce refusing to hit Damian in the face because he is his child sets such a low bar, I refuse to acknowledge that as a sign of love)

If you look at how Bruce actually treats Damian or describes him then there is little love there. He ignored his 13th birthday, did nothing when Damian left him after the events of Justice League: No Justice, it had no impact on the Batman books at all, Bruce only called Damian for missions like two times, once in City of Bane (which was just so shitty, as I already explained in a previous post) and a second time in Detective Comics #1017 (He sent Damian to find a missing kid in a snow storm, while he dealt with something else), refused to comfort him at Alfred’s wake and when Bruce reflects on what happened in Teen Titans he blames most of it on Damian’s personality, both in Detective Comics #1030 and in Robin #1, and both times there is nobody questioning Bruce’s asessment. He really doesn’t have anything nice to say about Damian and apparently we are not supposed to disagree with him. So in summary: Damian seems to have no skills that make him indispensable for the batfamily, Bruce seems to have a very low opinion of Damian’s character and now that they have decided to give us Bruce searching for Damian the only reason for that seems to be that Bruce suddenly feels responsible for his child, even though that should have already been the case when Damian seperated from him in 2018 or at least directly after the second Teen Titans annual.

Even the kinda nice things Bruce says about Damian in Robin #1 can be called into question if you think about them. He says he has no doubt that Damian can take care of himself...and then we see Damian getting his heart ripped out at the end of the very same issue. Of course we know that Damian’s story doesn’t end there, so I won’t judge this too harshly yet, but to me this didn’t come off as Damian being able to take care of himself.

And I get letting Damian lose at the start of the tournament to establish Flatline as a threat and to make it clear that this tournament is not a game. I also get that Damian’s fight against King Snake was supposed to make sure that we still think of Damian as competent even though he loses later on. But at least for me, winning against King Snake was not cool or badass enough to make up for the fact that Damian was easily killed, in front of everyone, by a literal nobody like Flatline. King Snake is an old, blind guy, that didn’t show up in any DC comic I read since I started in 2018 and that was apparently beaten by Tim in his solo comic when he was 14 back in the 90s. Sorry, but that just isn’t impressive enough for me, especially since I’ve seen Damian lose so much in recent years. It doesn’t establish Flatline as a badass, it just makes me think that Damian is not that great of a fighter and shouldn’t be in this tournament.

I have some more thoughts on the tournament that make me wish that the arc will start being less about winning the tournament itself and more about something like taking down the league of lazarus soon (mainly the fact that a fight about being the best fighter is useless if the big guns are not taking part, the fact that you can only win by killing your oponent, which should be a problem for Damian and how nothing we know about the rewards for winning, becoming part of the league of lazarus und apparently immortality, is desirable for Damian), but this answer is already too long.

I’m going to be honest an admit that I did not like the ending of Robin #1 at all and that I hope that Williamson will show Damian being competent really soon because I’m not here for another pointless arc about Damian learning humility. I want to see Damian win for once, you know, like other protagonist usually do at the end of an arc and if Damian can’t even win or tell us what’s going on with him from his point of view in a book about him then I’m probably going to feel very disappointed by this book.

[weirdmarioenemies]

Name: Whomp

Debut: Super Mario 64 

You know what I’ve been thinking about lately? Super Mario 64. Haven’t we all, really? Between all the recent datamines and general online discussion, I can’t help but wonder about Super Mario 64! 

Something I don’t think Mario 64 gets enough appreciation for, is being the birthplace of our beloved Whomps! At least, I certainly belove them. Don’t you? We’ve covered pretty much every “Thwomp” variant in the past, and sure, Whomps may be nowhere near the “obscure” side of enemies, but a splendid design is a good thing to appreciate anytime! 

Not only is this their debut, but they get a whole stage themed around them: the Whomp’s Fortress, if by “fortress” you mean a vague collection of scattered obstacles and platforms floating in the sky, like most 64 stages! That sure is a lot of... textures! My favorite part is the little paddling pool near the bottom.

And who could forget the Whomp in all their original polygonal glory? Clearly they just wanted to make an enemy who is just a rectangle with a texture on top, yet the design had all its charm even back then! The sunken eyes with glowing red pupils, the H-shaped mouth with the crooked teeth... it’s very cute, in an ugly way. And on the back, their weak spot is a crack with a bandage on top! Adorable!

If it ain’t broke, don’t fix it- that’s why the Whomp has only really had a few subtle redesigns over the years! When they appeared in Mario 64 DS, they looked just a little bit nicer to look at. They were also in New Super Mario Bros. DS, using the same model- a 3D only enemy in a 2D game, how strange indeed! Their first appearance in a new mainline game in 10 whole years- and it probably just happened because they wanted to reuse assets.

Another redesign? Don’t mind if I do! The Whomp’s grand return to the third dimension happened in Mario Galaxy 2, really cementing them (hah) as a modern Mario classic. This time, they’re huge! And square-ish! And uh, their eyes aren’t wacky anymore. No longer having a band-aid, they instead have a big ground-pound symbol on their back now, which must be just awful, right? Can you imagine having a big logo emblazoned on your back which says “crush me with your butt here”?

This here is their artwork from Mario Party 9. It’s the same as the art from Galaxy 2, but their eyes are glowy now. I just thought this was funny.  But I’m getting ahead of myself here! Before I talk about Mario Party, I need to talk about...

Their monarch, the big bad Whomp King! He’s just... He’s just a big Whomp. He acts just like other Whomps, but he’s big and takes three hits. What’s totally memorable about this boss, though, is the villain monologue he gives before fighting! 

“It makes me so mad! We build your houses, your castles, we pave your roads, and still you walk all over us. Do you ever say thank you? No! Well, you're not going to wipe your feet on me. I think I'll crush you just for fun! Do you have a problem with that? Just try to pound me, wimp! Ha!” 

Uh oh! Looks like Mario’s world has a little problem with under-valuing essential workers! Good thing our world has nothing like that. Well, jokes aside, it’s a pretty cheeky nod at how the Whomps are made of stone- but one has to wonder much of this tragic backstory is serious! It must be a pretty nasty lot in life, huh? 

Don’t feel bad- in 64 DS and Mario Galaxy 2, the Whomp King got a snazzy new crown! At least someone appreciates him a bit!

Well, it wasn’t just him: Galaxy 2′s Throwback Galaxy was one big reimagining of Whomp’s Fortress, meaning this is probably the most Whomp-focused game released in the past decade. The music was remixed, the boss fight was revamped- all in all, a lovely throwback indeed!

And the Whomp has basically just... stuck around! You may have noticed the image at the top (from Super Mario Party) has a slightly different design, being a little more rectangular with smaller, thinner eyes and a more angular mouth! They definitely redesigned the Whomp again at some point, but I couldn’t tell you exactly when... Either way, I’m glad they’re here for good! 

Not that Whomps ever really went anywhere! In the years between Super Mario 64 and its remake, Whomps survived almost exclusively in Mario Party (and other spin-offs), functioning mainly as roadblocks that don’t allow the player to pass!

Which brings me to my final point- between their design and this function, the Whomp is most likely based on the mythological yōkai called... the Nurikabe! And since I’d love nothing more, I’ll now go into a long-winded tangent about what the Nurikabe is, and... Hey, wait!! Come back! It’ll be interesting, I swear! Don’t cut off the post! Hey-

Yeah, yeah. You’re all sick of my long-winded yōkai posts. But I’m happy you joined me here, even if it was out of pity. Let’s talk about the Nurikabe!

Look at this big guy! What a card! Nurikabe literally translates to plaster wall, and they take the form of a big invisible wall that blocks the way of travellers at night. Since they’re invisible, they naturally don’t have many illustrations- leave it to Shigeru Mizuki to depict them as a large, goofy-looking slab of stone! This Nurikabe joined the main cast of the GeGeGe no Kitaro manga, and thus quickly became a cornerstone (haha) of their popular depictions!

(To be fair, there does exist an old illustration of the Nurikabe as a strange, lumpy dog thing... but I’m not MUCH of a fan? I think a literal stone wall is so much more charming!)

Come on, look at this! What could be better? 

Ōkami has a rather lovely Nurikabe-looking guy! Though his design is splendid, if you’ve played Ōkami you likely remember him as “the extremely frustrating memory puzzle” or “the memory puzzle that is literally scientifically impossible for the human brain to solve”. Shame!

Yo-kai Watch has the Murikabe, a.k.a “Noway” in the English version! “Muri” means “no way”. So like, it’s a pun. Hoho.

Nioh’s Nurikabe is quite scary, but also rather cool! Don’t you think? I still know very little about Nioh, but whenever I look at its yōkai I think “Dang! That’s cool!”, and I’m right, and it is cool. 

The Super Sentai series has two whole Nurikabe monsters, each based on a different Nurikabe look! While the latter is quite cool, I’m in love with the former and its weird, grungy brick wall look! It’s like, the dictionary definition of Gnarly! Though I know very little about tokukatsu shows, I think its kind of fascinating how creative they can get with designing humanoid monsters suits!

You may be wondering: was this entire post just a thinly-veiled excuse for me to talk about the Nurikabe? And to that I say:

Hmmmmmmmmmmmmmmmmmmmmmmmmmmaybe....???

[karliesbuzzcut]

When art really speaks to you, pt. 2: probably just a coincidence but idk

Disclaimer: all these theories are rabbit holes on their own, so trying to explain them in a couple of paragraphs is, automatically, doing them a disservice. Especially since I’m only going to be primarily addressing the part of the theory that focuses on the artist communicating with their public through their work.

Since I’ve already dedicated paragraphs to the introduction in part 1, let’s just jump into it.

Leonardo Da Vinci’s fuckton of theories.

Let’s start with the daddy of all conspiracies. After all, not many can gloat about their reachings becoming a movie starring Tom Hanks.

The thing with Da Vinci’s conspiracies is that there are so many of them, and they range from “maybe this is also a painting made by Da Vinci but he wasn’t credited because of reasons” to ALIENS. Which, I think, shows how different our interpretations of art can be, and how much it depends on an already established worldview.

But the most interesting part isn’t the conclusions, but how people look for clues. For example, just like people say Taylor Swift is obsessed with numbers or oranges (depending who you ask, I guess), Da Vinci was supposedly a big fan of reflections. So, if you want to decode his paintings you must mirror them... and then move then a little bit... there you go, you’ve just found yourself an alien...! Or a daemon...! Or someone wearing a funny hat! And that’s totally what he wanted us to find, right? Why else would he had shown any sort of interest in reflections if he didn’t want us to reflect everything!!

Shakespeare is an illusion... kinda, but yeah.

Personally, I think Kaylors would love to dig into this one. Sure, it doesn’t have many lesbians playing political spies. But it does involve a lot of literature analysis. Just like Kaylors don’t think a heterosexual woman could’ve written Taylor’s songs; some people (referred as anti-Stratfordians, thank you very much) don’t think someone from a lower class could’ve written Shakespeare’s plays. 

Here’s the tea... the very cold tea: because Shakespeare was the son of a glover, anti-Stratfordians say he couldn’t have had the knowledge to write his plays. They, instead, come up with a list of “more suitable” writers that could’ve worked together. But they decided to keep their identities a secret because being a play writer, at that time, wasn’t respectable. Here, we will start noticing a trend with Conspiracy Theories: society, as a whole, can’t handle the truth, only a selected few. That’s where Francis Bacon comes in.

Francis Bacon was a very smart dude. He, also, worked for the state - giving him the credentials to be worthy of writing Shakespeare calibre plays. And also, also, he developed a method to conceal messages in the presentation of a text. To be able to do this, you would need to use two typefaces. Guess what has more than one typeface? Shakespeare’s plays.

I have to say - while I don’t believe either theory we have seen, they are somewhat understandable. We barely know anything about Shakespeare and Da Vinci beyond their work, so it’s normal that people are trying to figure out who they were; what did they believed in; where did they get all of their knowledge. We like theorising about the answers to these questions, knowing we’ll never get a confirmed truth. Not so the case with our next conspiracy...

Lewis Carroll was Jack the Ripper - someone had to be, right?

Now, allow me to fangirl all over this one. It combines my interests for conspiracy theories, true crime and pop-culture.

I’m assuming everyone here knows about Jack the Ripper: a serial killer who murdered at least 5 people (mainly prostitutes) in London, between the years 1888 and 1891. Well, someone looked at this and thought “you know what this murder-mystery is missing? Famous people”. Well, this theory says that the author of Alice in Wonderland did it He was the only celebrity living nearby at the time of the killings, so... 🤷‍♀️

This becomes a case of “I have already made up my mind about this issue, so I’m going to go ahead and search for proof that confirms it”. Authors and, now, internet sleuths went through his books, selected this random-ass excerpt from the nursery version of Alice and decided it was an anagram. And a crappy one at that. Supposedly, if you arrange the letters you get a detailed and gruesome confession. You, however, have to take away some letter and add others. Listen, I’m not an English major, but I’ve heard that’s cheating.

This theory also has that characteristic we mentioned: the “I don’t want to admit it out loud, so I’m going to come up with convoluted ways for my audience to figure it out” - which almost borders on psychotic behaviour. But at least it, somewhat, works with the serial killer narrative, you know? Not very much with Taylor, a woman who simply wants to chill with her girlfriend.

The moon landing was fake and directed by Stanley Kubrick.

I’m not going to dig into the moon landing conspiracy, this post is going to be long enough already. Just know that, when the USA government was planning to fake the whole thing, they had just watched ‘2001: A Space Odyssey’ and they were all like “that’s so cool! That’s how we want our fake moon landing to look!” So they contacted its director, Kubrick.

According to the theory, Kubrick felt really guilty afterwards but he couldn’t say anything about it because he signed an NDA? it would be dangerous, I guess. So he did the same thing Taylor would do decades later: he “spelled it out” for us on his work, under the excuse of “I didn’t explicitly said it, did I? My most intelligent and attractive fans just happened to figure it out for themselves”. 

The movie ‘The Shinning’ has been analysed to shreds. Think ‘Look What You Made Me Do’ music video, but 2 hours and 26 minutes instead. There are many theories about its underlying theme, but we’re only focusing on the moon landing one. The biggest piece of evidence, according to believers, comes from that famous scene in the hallway. Basically, the kid, Danny, is on the floor playing and wearing an Apollo 11 sweater. He stands up = the rocket launches. He walks to Room N.237. Which is almost an anagram for MOON - but actually, a perfect anagram for MORON - I didn’t come up with that joke, I’m just sharing it. Anyway. In the book, the room number is 217 but Kubrick changed it to 237 because there are 237,000 miles between the Earth and the Moon... except that’s not exactly true, but this is their Kissgate, you see? 

“Paul is Dead” aka “the granddaddy of Kaylor is Real”

Now, this is THE conspiracy theory. Kaylors would love to have the amount of evidence this theory has. Give them 50 years, they’ll get there. 

Our story starts in 1966, Paul McCartney dies in a car accident. The British Government panics, “this will drive our teenagers into a massive suicide!” So they cover it up. They find this guy who looks like Paul and hire him to replace the original. 

You might’ve only heard about those stores where pop-stars get their beards. But there’s also a branch that focuses on celebrity look-a-likes.

The rest of The Beatles went along with it (because that’s how these artists seem to operate, they’re always the victims of their circumstances) but they did not like it. So - you guessed it - they used their music, artwork, photo-shoots, etc. to communicate the truth. Faux-Paul might’ve felt a bit awkward about it, but he’s a nice chap and let the other guys work through their grief. 

Kaylors might have agreed on blue being the colour of breaks up and yellow is for Karlie-Sunshine; but the Paul-truthers concluded white is the colour of heaven, jeans are for gravediggers and black for morticians... oh! And not wearing shoes means you’re dead. Taylor being near a door symbolises her leaving the closet; Paul being near an open trunk symbolises him being in a coffin. Is the letter K, for Karlie, surrounding Taylor? Well, there’s a 28IF in the plaques of a car, for Paul being 28 IF he hadn’t died. People hear a phantasmagorical “she” in ‘Call It What You Want’; just like people heard “I buried Paul” in ‘Strawberry Fields Forever’.

If you have never looked up this theory, I seriously recommend it. There are so many parallels with Kaylor. Here’s a 30 minute video, if you’re interested. It summarises the theory neatly while discussing the effects that these, seemingly innocent, conspiracies have on the way we absorb information.

Paul might be dead but 2pac is very much alive.

If I haven’t made it clear by now, I think it’s very deceptive to use a musician’s lyrics to back up your alternate version of events. As confessional as these verses can be, they’re still a form of art. Which, in terms of music lyrics, they need to follow certain parameters, as well as a desired sound. And, as many other forms of art, they might focus a bit more on transmitting a feeling, rather than an accurate portrayal of reality.

Why am I stopping to say all of this now? Well, because this specific theory relies a lot on Tupac’s lyrics.

A bit of context: In 1996, Tupac Shakur was shot 4 times while at a stoplight. He died from his injuries days later. While there are theories, to this day, no one knows who killed him. Unless you believe one of those theories, which claims no one did.

The believers of this theory cite Tupac’s lyrics to argue that he was explicitly telling his fans that he was going to fake his own death. Here are two examples:

I’ve been shot and murdered, can’t tell you how it happened word for word but best believe that n*****’ gonna get what they deserve. - Richie Rich’s N***** Done Change

I heard rumours that I died murdered in cold blood, traumatised pictures of me in my final states — you know mama cried. But that was fiction, some coward got the story twisted - Aint’ Hard 2 Find

Just like anti-Kaylors don’t necessarily oppose the idea of Taylor being gay; I bet the “antis” of this theory aren’t happy Tupac died and weren’t against his existence on the first place. It’s more of an argument about confusing your feelings with facts, just because they can be more comforting or exciting.

“Avril Lavigne is dead”... or “every artist you think is alive is, actually, dead and, the ones you think are dead, aren’t” I guess.

After everything we have seen, this one isn’t that interesting. The real Avril died in 2003, right after her first album. Her record label bought a new one. Proof? She says ‘dead’ in ‘My Happy Ending’, blah, blah. A poor man’s “Paul is Dead”.

I added it, mainly for the lulz, after the last entry, I needed them. But also because it all started with a blog. What’s hilarious is that the guy who created it admitted he only did it to show how gullible people are but, at that point, he had already convinced people about. The conspirators didn’t need him anymore. So they discarded him but not the Theory... which just reminds me a little too much of how TCG, HBH, Jennyboom &co. have been excommunicated from the Church of Kaylor.

Beyonce and Jay Z are members of the sexy sexy Illuminati.

I did not save the best for last. But maybe I’m just biased because the Illuminati theory bores me to death. However, if you allow me a bit of social criticism... remember how the Shakespeare Conspiracy started because a bunch of classicist people didn’t believe a lower class citizen could write such good plays? I think this one has a bit of that. I’d bet my life that this one started when a bunch of white dudes got super uncomfortable by black people being so talented and earning their successful.

What this Conspiracy shows, too, is the amplifying effect the internet has had on the proliferation of such theories. Most of the conspiracies I’ve mentioned were huge... but how were you supposed to communicate your ideas and add to the old ones, before the internet? You could publish a book. Talk about it at parties. And, at some point, there were internet forums but, still, you can’t compare that to how widespread Social Media is nowadays. 

Today, we can watch someone ramble for 2 hours on YouTube about how Beyonce looks like a robot if you watch Single Ladies in reverse; read someone’s dissertation of ‘Apeshit’; or spend all night looking at those pictures where someone has drawn a red circle around anything that resembles a triangle. 

It might look like a lot of evidence but that’s only because there are a lot of people very attached to this theory. Wanting - for whatever reason - for it to be true (perhaps because it would confirm that their fears about the world were well founded). And all those dozens or hundredths of people were working together to form as many patterns as possible.

Unfortunately we are going to keep talking about the Illuminati in Part 3 but also about Taylor, so that should be nice. Because - to the surprise of absolutely no one - there’s a bunch of people who also think they understand Taylor better than the rest. That they have figured out her secret codes and her ultimate message. Only, not all of those theories involve lesbian supermodels, so they aren’t as popular on Tumblr.

[duhragonball]

Dragon Ball Z 067

Last time, Goku showed up and wrecked Recoome’s shit.   This is what Recoome will be saying and doing for the next episode and a half.

Now Goku’s ready to do the same thing to Jeice and Burter.    The two Ginyu Force members insist that they aren’t afraid of Goku, and that his win over Recoome must have been a fluke.  They’re ready to stand their ground and fight.

Only... they don’t fight, not really.    They fly around really fast, zipping past Goku in a vain attempt to rattle him.    When that doesn’t work, they tell themselves that he’s too frightened to dodge.

Then they shoot energy blasts at him, and he still doesn’t move, and it looks like the blasts pass right through him.

Turns out Goku really was moving, but he was dodging so quickly that it looked like he was standing stil.   Only Vegeta catches on, but only because he notices the footprints.

The closest thing we get to real action is when Jeice and Burter try to chew out Goku for being so unflappable, and he punches Jeice in the face becaue he’s totally off-guard.

Then he blocks punches from both of them, knocks them both away...

And knocks them back with a simple kiai shout, which is kind of like the most basic thing you can do in this show.    Just to give you a general idea, Jeice and Burter are about as strong as Recoome is, and Goku is dominating both of them without even trying.  

Back at Frieza’s ship, Captain Ginyu is rehearsing poses with some of the crew while he guards the Dragon Balls.    Frieza is out searching for a Namekian to tell him how to make the Balls work.   

The Funimation dub turns this scene into a tryout session for the Ginyu Force.  I never understood the point of scouting new members, although at the end of this scene Ginyu clobbers all of these guys, so maybe he only stages these “tryouts” to give him an excuse to harass people.  At any rate, I like the dub version better, because when he does the pose and has them all sound off, they use their real names, or possibly the codenames they want to use.   The guy in the helmet calls out “Captain Strong”, which is positively ridiculous.

And Ginyu takes offense when he registers what the guy said.    “So you’re a captain too?” he asks, clearly upset that a rookie would try to steal his thunder.  

Back at the “fight”, Jeice and Burter still haven’t figured out what to do, so they use a combination called the Purple Comet Attack.

That sounds pretty cool, but all it does is break Bulma’s stuff.

Then Burter has this bright idea for Jeice to attack him with the Crusher Ball, and when Goku dodges it, Burter will intercept him with his incredible speed.  

But that doesn’t work either, mainly because Goku is much, much faster than Burter.   He can dodge Jeice’s finisher and get the drop on Burter at the same time.   

And this wraps things up for the Namek Saga, at least as Funimation defined it in 1999.     This seems like an odd place to break, but there were real-world factors behind that. 

In the 1990′s, Funimation held the rights to produce an English dub of Dragon Ball, but they didn’t have the financial resources to do it alone, and so they collaborated with Saban Entertainment to distribute the series, and Ocean Studios to provide the voice acting.  This collaboration is what’s known as the “Ocean Dub”, but Funimation was always involved in the English edition of DBZ.  

What fans call the “Funimation dub” is the stuff from Episode 68 onwards.   At that point, Funimation and Saban had parted ways, and Funi began to dub DBZ in-house.  I don’t know what the story was there, but this change happened in 1998, and I assume it took a while for Funimation to get all their ducks in a row to continue the adaptation.    The end result was that Episode 68 didn’t air until September 1999, more than a year after the final episode of the Ocean dub.  

So Funimation acknowledged this break by referring to the subsequent arc as the “Captain Ginyu Saga”, and the episodes before it were “The Namek Saga”.   But this was done mostly out of necessity.    Is it really a clean break for the anime?  

I guess it might as well be.   Episodes 36-67 function as a story of Krillin leading this expedition to Namek, and struggling to stay alive until Goku can show up to help them, and then it ends with Goku showing up to save the day.  

That said, I find it a little frustrating how the Ginyu Force episodes get split up across two sagas like this.    I’ve always felt like Episodes 62-74 should have been dubbed the “Ginyu Force Saga”, since they cover the entirety of the Ginyu Force’s actions on Namek.    The “Captain Ginyu Saga” is only seven episodes, and if you combine that with Guldo and Recoome’s appearances, you beef that up to thirteen, which is at least a little closer to what a “saga” ought to be.    

The trouble with doing that is that it makes Episodes 36-61 kind of anticlimactic, since they just sort of end with everyone marking time until the Ginyus arrive.   The final battle of this truncated Namek arc would be Bulma vs. Raspberry and Blueberry.    Kind of a letdown. 

Maybe the best answer is to just take the whole thing as one big Namek arc, Episodes 36-74.  You could add the Frieza Saga to that, but I think the Frieza Saga can stand alone as a separate arc more convincingly. 

At any rate, I’m calling the Namek Saga done at this point, just out of convention.    I’m taking a break for a while, and then I’ll pick up on the Captain Ginyu stuff later.  

Honestly, the Namek Saga feels a lot less frustrating than it was back in 1999, when Cartoon Network kept repeating it while they waited for Funimation to get it together.   The Ocean Dub was pretty crappy in my opinion, and big chunk of the Namek arc are a waiting game, which doesn’t work too well when you’re a fan literally waiting for the rest of the story.   Episode 67 really embodies this, because you just keep waiting for Jeice and Burter to make a move, and they can never quite bring themselves to do it.    It’s a pretty bad episode, even taking Captain Strong and Goku’s sucker-punch into account.  

But the overall saga was pretty good.   It helps to watch it in Japanese, and it probably works well in Dragon Ball Kai, with all of the filler stripped out.    I think Kai reduced the Namek Saga to a slim, trim fifteen episodes, which is probably a much brisker pace than the original animation.   

Of course, the Kai version also removes all the glorious blood and guts.   This is a really visceral storyline, full of horrible villains doing terrible things to innocent people and to each other.    I don’t think Kai could do justice to Vegeta’s slaughter of Zarbon and Cui, and it probably doesn’t convey the agony Goku endured at 100 times normal gravity.   Gohan getting pummeled by Recoome might look high-def in Kai, but it’s probably not as drawn out as the original, which robs it of some of its impact.   

A big theme of the Namek Saga is that this is a universe that desperately needs a Super Saiyan to show up and clean house.   Vegeta thinks it’s him, but he’s just a tin-Frieza.    Gohan wants it to be him, because he wants to make things right, but he just doesn’t have what it takes.    Goku only shows up when it’s over, but the promise is there.   it falls to the next arc to have him live up to that promise.    

[mysticsparklewings]

I’m Not Dead‪

I'm not laughin', You're not jokin' I'm not dead I only dress that way Out nowhere take me out there Far away and save me from my Self-destruction, hopeless for you Sing a song for California --My Chemical Romance, "Boy Division" ____ Have you heard?? Have you heard the news?? Well if not, I'm gonna tell ya: MY CHEMICAL ROMANCE IS BACK, BABY!!! :D On Halloween, we got the announcement that they will be playing a show in Los Angeles, California on December 20th. And just a few days ago we got the news that they're also going to New Zealand, Australia, and Japan which basically confirms to me they're doing so sort of tour, whether they actually call it that or not. There's still a lot we don't know for sure; whether this is just a one-time reunion tour or their official comeback tour, if we'll be getting new original music both at the shows and available for download/purchase or if they're just going to redo their existing music and covers, if it's only going to be the main four that were there at the end or if there will be some of the other members that were in and out over the years rejoining them...Where all they're going to go on this tour...the list goes on. But! The important thing, at least to me, is that they came back at all. Six years. Six years we've waited and hoped and prayed, been let down by false rumors and speculation...And now it's actually happening. I just... Hence why I had to make an art piece celebrating the occasion and as an excuse to talk about it. (I figure if I'm going to dump my opinions on the internet I might as well make some art to go with them. Sue me. ) Originally, I was planning on making something more along the lines of true fan art, as this is more pseudo fan art here, but I just couldn't settle on one good idea that I felt really comfortable pursuing. Although I am still considering doing an updated (or at least colored in) version of my Killjoys, Make Some Noise! (lineart) I did a couple of years ago...we'll see. Anyway. Since we did get the news on Halloween, it's worth noting that originally I'd been debating if I wanted to do any makeup this year at all or just slide on a mask since my only plans were going to Krispy Kreme, who was offering a free donut if you showed up in costume. But after the news broke, my decision was made for me. I had to. MCR isn't strictly associated with skeletons/skulls, as has become my preferred Halloween costume, but The Black Parade, their second album, does have a little skeleton as the leader of the marching band, and the band members did wear skeleton/skull inspired makeup during that time. Admittedly this year's makeup wasn't nearly as involved or elaborate as what I've done in years' past, but it beats last year's absolutely nothing. I ended up taking a few pictures to preserve the look, as I always do even though I rarely take photos of myself, and I would decide to draw one of them where I was trying to do this face that Gerard (the frontman and lead singer of the band) has made on a several occasions; this wide-eyed intense stare. Partly because this, I'm sure, is very close to my actual face when I heard the news that they're back, the makeup was inspired by them anyway, and also because it pairs very well with one of my favorite lines from my favorite song by them. Said line being, obviously, "I'm not dead I only dress that way," from Boy Division, as cited at the top of the description. If I'm being completely truthful, I can't even really put my finger on what it is about Boy Division specifically that makes it my favorite, as I've yet to hear an MCR song I truly do not like, but I think there's something in the lyrics of the full song that just sells it for me in combination with the high-energy music. But whatever the case, it is my favorite nonetheless. Beyond that though, it's really hard to place the rest of them in any coherent order because, at least to my ears, they're all really great. Anyway. So I went about drawing my face, erring slightly more on the realistic side than usually (but obviously not too much) in hopes of capturing the facial expression. Which, it's pretty good, but I do think it could've been a little better. I think my biggest problem was getting the eyebrows a mouth right, and I'm still not sure they're quite there since my real eyebrows are pretty translucent and the mouth was hard to balance between looking logical and more neutral than sad/angry. And I think maybe the proper expression was a little more apparent in the sketch, but it's pretty normal to lose some feeling between the sketch and the final product so that I won't discount too much. After that, I had to take a break from the drawing to think about how to color it in any style it and everything. I ended up transferring the sketch to Mixed Media paper after deciding I wanted to use alcohol markers as a base but not knowing if I'd need to adjust it with colored pencil and/or other mediums on top or not, and I did the lines with my Faber Castell Polychromos once I felt like just black lines would be too harsh and thinking colored lines would be better. Plus, the Polychromos are very non-reactive to water, so if I really wanted to I could add watercolor or something water-activated without having to worry about the lines getting messed up. I did not consider how the Polychromos would react to the alcohol markers, but other than one or two spots where the top layer of pencil kinda dissolved after some heavy layering (which was easily fixed by just going back over the lines in that area again really quickly), fortunately, it worked out okay. Although sweet sparkles I swear it took at least twice as long to actually do the lines as opposed to normal between having to apply enough pressure to get the right amount of color down and working on the differences inline weight.   Anyway. I was a little worried about some of the shading/effects I'd be doing with the markers, but I think I did alright with it. This mixed media paper (Strathmore 400 series for anyone who cares) is nice and thick, so I had plenty of room to layer up and blend as I needed to get the look I was going for. This came in especially handy around the eyes and on the nose when I told myself to at least try and get the colors like the photo before cheesing it and just using straight (or nearly) black. The only area that I think came out a little rough is really the skin, mainly the forehead. But that has more to do with 1. There isn't much contrast on the face in the photo so I didn't want to take it too far in the drawing and 2. I think I may have started slightly too dark for skin this pale. I realize that's a weird thing to say, but when you're pale as a ghost like I am, you'd be surprised how easy that is to do. And to be fair, I probably could've tried to adjust that with colored pencils, and my original plan was to add some white pencil on top in the areas of the face where a highlight would naturally hit (forehead, bridge of the nose, cheekbones, etc.)  But by the time I got done with the markers, I honestly felt like it was nice enough without any additional pencil that I thought it might be best to just leave it alone. Since I still have the original drawing, my thoughts may change on that and I could update this eventually, but for now, my decision stands. On the other hand, I was actually pretty pleased with how the hair turned out once it was colored. That is until I scanned it in. I don't know why, but the darkest shadows in the hair were too dark and too bluish on the scan, despite everything else looking fairly color-accurate. I fiddled with the scanner settings for a few minutes to try and fix it, but it became quickly apparent there wasn't much to be done about it at the level. Which meant I had to try making the adjustments in Photoshop. Now, I've done my fair share of scan-fixing, photo editing, and just color adjustments on digital art, but for the life of me I could not get things to work the way I wanted them to here. It became to the point I'm starting to suspect if the actual true-to-life shades of purple of the drawing are just really hard or even impossible for computers to capture and/or create accurately. Fluorescent colors fall in that category, surely they're not the only ones. In the end, after more time than I bothered to document messing around with settings and adjustments, and firmly decided I was not going to essentially manually re-color/shade the hair digitally, I tried the only other thing I could think to do. I took the hair, as I had been for all my adjustments since the rest of the colors were fine, on a separate layer and took all the saturation out so I was left with just the gray values. And I noted while I was at that point that it didn't seem to be an issue of the contrast between the shadows and the rest of the hair. The transition looked perfectly acceptable in grayscale. Then, I added a color layer on top of that one, clipped it to only show up on the hair, and changed it to an "overlay" layer so that I would get the values from the gray layer, but colored purple. It did take a couple of tries to get the right shade of purple for the color layer, and I'm sure it's still not 100% accurate to the IRL drawing, but it's a heck of a lot closer than it was. And this gets even weirder when you consider that just a few days before I made this drawing, I made a different one for a friend where I used the exact same marker colors for the hair, blended in almost exactly the same manner, on the same paper, and it didn't have this problem when I scanned that one in. I have never in my life. Anyway. The accessories actually didn't give me much trouble in drawing or coloring. Admittedly, I did tone down how many feathers and stuff are actually on the tiny hat for my own sanity's sake, and while I did my best with the lace on the choker, I don't have a ton of practice with drawing lace like this so I'm sure it could be improved. Although I did decide to color both of those areas (what I didn't draw/fill in with the pencils at the line stage) with a super dark blue-violet instead of a gray or straight black for the purpose of not totally hiding the linework I'd put in and to make it just slightly more dynamic. Which I think was a good call as it seems to tie in pretty nicely with the grayish tones on the face. Other than that though, I did try to stay fairly accurate with my color choices, and I think I did pretty well with that, all things considered. (Despite having a much larger selection than I did just a few months ago, I do still need a wider selection of alcohol markers in some areas just for the sake of color accuracy and smooth transitions.) Once my face was done, then came the text. I searched for a while, hoping to find an MCR appropriate font that I could hopefully add by hand, but my search came up empty. I did find one I really liked the look of though, called "Miserable." So I scanned the drawing in and after the aforementioned hair struggles, I got to play with the placement and structure of the words. I knew I kinda wanted something that just has that "I'm a logo/t-shirt emblem" kind of feel, and in the end, I think I got that. But I do think I could've planned out the drawing itself a little bit better in terms of the space left to fit the words into. I really didn't do myself a lot of favors on that one.   It has its problems, but I'm still really actually kind of proud of how this turned out...and that's really all I have to say about it. Eh, maybe I'm just really happy because I know why I made it in the first place. Now if MCR can just come within 1-2 hours of my location so I can actually go see them...please... ____ Artwork © me, MysticSparkleWings ____ Where to find me & my artwork: My Website | Commission Info + Prices | Ko-Fi | dA Print Shop | RedBubble |   Twitter | Tumblr | Instagram

[topweeklyupdate]

TØP Weekly Update #69: Proud of Our Boys (11/2/18)

Technically, not a lot happened this week. Also, everything happened. Does that make any sense? I don’t know, everything’s been a blur since Tyler Joseph wore a pride flag on a Halloween show in the capital of the United States. Let’s cover that and more in this week’s Update!

This Week’s TØPics:

The Bandito Tour Continues

Tyler Visits the Live Lounge- Or, Rather, It Visits Him

The Best Interview of the Trench Era, Conducted by Fans

“My Blood” Moving Slowly but Steady Up the Charts

Major News and Announcements:

No new music, no new tour announcements, but plenty of other things going on this week.

Mark is helping to keep our lanes nicely watered, as he returned to giving us weekly doses of video content for the tour starting almost immediately after the release of last week’s Update. The first episode covers the planning for the tour, Tyler and Josh receiving the first physical copies of Trench, Josh’s unique method of opening CD cases, and Josh getting a nice head injury after falling off his riser during a rehearsal. Plus, there’s a pretty nice piano interpolation of “Morph” to kick the whole thing off. The second goes more into the depths of planning and staging the show, giving a glimpse of just how much of a diva Tyler Joseph is when it comes to getting every aspect of the tour right. It doesn’t exactly put him in the nicest light- he calls the prototype clip that drops his “Stressed Out” beanie “garbage”, clearly expects the crew to be as intimately familiar with his music as he is, and pushes pretty hard to get the transitions faster and faster. But hey, that approach worked to produce a great show, and Tyler makes sure to thank the crew in every Trees Speech.

I was wavering between whether to include the content from the BBC Live Lounge sessions here or in the Shenanigans section, but considering that we got three HD video performances and a high quality recording of a new cover, I’m gonna tie it in here. In-between the stops in Washington and Atlanta, Tyler flew back to Columbus solo to record a session for the world-famous Live Lounge from Newport Music Hall (because of course Tyler was that extra). Sitting at a gorgeous shiny piano and wearing an outfit that looks like a flannel traffic cone (in a good way, honest), Tyler played some stripped-down covers of “My Blood” and “Ride”, using brand-new vocal interpolations for both of those songs that are just incredible. Live Lounge is most renowned for its covers, and Tyler delivered there as well with his version of Damien Rice and Lisa Hannigan’s classic “9 Crimes”. It’s an incredible rendition of a gorgeous song, and the fact that Tyler mentioned the track way back on “Drown” when “9 Crimes” was a brand-new song makes it land as even more heavy. The real kicker came just this morning, when Live Lounge revealed that they recorded one more song: we have our first high quality performance of “Neon Gravestones”. I still haven’t fully recovered, mate.

Performances, Interviews, and Other Shenanigans:

Touring continues to keep us well fed. As I mentioned in the opening, Tyler grabbed an offered pride flag during “Holding On To You”, which deeply affected the entire Clique, especially our LGBTQ+ family. So many kids in that community struggle with depression and lean hard on this band’s music to get through; this clear and pure gesture of support, while small, simply means the world. 

Outside of that show, there were plenty of other great moments from the tour this week. You can tell Tyler’s been tinkering with the format as he’s been getting feedback from the audience response. Despite how dedicated Tyler was to getting back to the stage for the end of “Pet Cheetah”, the big drop now starts while Tyler is still on the skybridge above the pit’s head, which makes way more sense. The ending of “My Blood” seems to be reduced to just getting the audience to fight to be louder than the other side rather than try to harmonize different bits. And Josh keeps writing city-personalized messages on his chest that he shows off to the crowd as he walks across the bridge, dramatically removing his jacket like something out of Magic Mike.

Also, Tyler tossed a frisbee in Boston and the boys discovered finger guns in Philly. Those were pretty cute moments, gotta share ‘em if you missed ‘em.

Interviews continue as the tour travels the nation. KISS FM Cleveland kept the tradition of B.S. first meeting stories alive with a deep dive into Josh’s talent as a painter, though that’s really the only thing you need to watch that interview for. Boston station ALT 92.9 does a little better, though he mistakenly attributes the backflip to Tyler and asks when Josh will get out from behind those drums... To his credit, the interviewer asks about how Jim is accommodated on the tour (unsurprisingly, the crew fights over who gets to look after him) and what Tyler learned from co-producing Trench with Paul.

The best interviews, however, have all been in the form of fan meet-and-greet conferences that have been finding their way online. There’s just something to the energy of these interviews that is so much better than the awkward and rushed ones in cramped green rooms hosted by radio station interns who obviously just Googled a few facts before they’re rushed in. These fans truly care about their band, and their questions were thoughtful and about so much more than just trivia. 

The best of these, I think, is from St. Louis’s 105.7, a station that’s always had pretty good relations with the band.

Tyler has tried to be more intentional about seeing the places they go on tour outside of the venues, with the mindset that he wants to have better stories to tell his kids (oh my God, please help me...). His favorite place that he’s visited? Hobbiton in New Zealand. I love these nerds.

Tyler and Josh talk about the origins of that gorilla suit that shows up in the “Ode to Sleep” video.

They talk about how one of the more difficult aspects of touring early on before “making it” was eating healthily enough to sustain regular shows when they were broke and the only places that were open to eat late at night after shows were Taco Bells.

Tyler tells a truly heart-wrenching story of being at his parents’ house and seeing his two baby nieces playing with (and vomiting on) the keyboard that taught him to play music and opened up the world for him. The obvious emotion in his voice as he talks about learning the “Pachelbel Canon” from staring at the keys for hours and the clear joy he felt at getting to share this private moment with Jenna... I still haven’t recovered.

When one fan asks how she might learn to overcome creative blocks in her career of graphic design, Tyler gives a really technical explanation of how he got past blocks when writing “Neon Gravestones” and “Pet Cheetah” before taking those lessons and extracting how they might broadly be used to help any artist “shock the system” by breaking habits.

Tyler says that he anticipates that “Legend” will be pretty tough to perform live. He further states that a lot of songs don’t emotionally affect him much because he has to worry about achieving the technical aspects of his performance. That said, “Neon Gravestones” has been really emotional for him, and “Holding On To You” is so driven into him now that he actually can think about what he’s saying.

Tyler views the two-man nature of the band as a challenge rather than a crutch to excuse the use of backing tracks due to how hard they have to work to keep audience attention. Tyler does appreciate the dynamic of having a bunch of people collaborate for music (as shown by the cover medleys), and he is not vehemently against the idea of adding members in the future. He’s just very happy about the way things are with just him and Josh.

Josh once again gets very open about his struggles with anxiety, particularly speaking in front of people, tracing it back to how he would even ask teachers to give him alternatives to giving presentations because it scared him so much. He’s come so far since the Vessel days where he just wouldn’t talk in most interviews at all, and I’m so proud of him.

Tyler is against the “Magellan” method of trying any and all new foods, preferring stuff he knows will satisfy his hunger (he mentions that’s been difficult to stick with now that he’s married to Jenna).

Tyler says that you can tell which of his songs started with lyrics before composing the music based on which have rapped lyrics. The raps are almost always poetry that he’s tried to incorporate into a song- otherwise, he almost always starts with the melody.

Another great conference-style interview comes on behalf of Philly radio station 104.5, whose fans also gave some great questions:

As tactfully as possible, Tyler passes on a question about what event specifically motivated him to write about “Neon Gravestones”, saying that he could not do so without violating the respect that he hopes underlines the message of that song.

Tyler tells a pretty rough story about a time when he was working at a restaurant to support the band and school, only to lose weeks of wages to a traffic ticket. It’s a scene that will definitely be in the band biopic in thirty years, but it’s also just a very thoughtful reflection on Tyler’s part about how unfair a feeling it can be to realize that our labor and time are so commodified.

Tyler used to be real annoyed that Josh didn’t like Russel Crowe as an actor, mainly because he admitted that he didn’t have a good reason for it (Tyler Robert Joseph always has a reason). Josh deciding one day that he’d like Russel Crowe because not doing so aggravated Tyler seems like a pretty neat microcosm of their entire personal and professional relationship.

Tyler and Josh haven’t noticed any bands “copying” them, no matter what music press looking for an easy descriptor might say because all they have to copy is “freedom to write whatever kind of song they want”.

Josh keeps himself grounded by searching “21 pilots” on Twitter. Tyler agrees, but also points out that their relationships to their families also play a big role (“our respective families, to clarify”).

Finally, on social media, Tyler keeps hopping on social media to troll fans and his own band account. I hate him so much.

Chart Performance:

Things continue to be a little quiet for Twenty One Pilots on the US charts. The tracks from Trench are slowly sliding off the Hot Rock Chart, with “My Blood” being the only track to gain traction in any region- radio. With that said, however, “My Blood” also managed to sneak onto the very bottom spot of the Hot Pop chart, suggesting that we are approaching a potential crossover moment. We’ll have to wait and see if that happens. (I can only assume until then that Tyler’s having to ignore a lot of phone calls about a radio edit that cuts that slow first verse to keep the general listener’s attention; watch for that.)

Upcoming Shows:

(Can you believe that all of Tyler’s meticulous planning for the marketing and promotion of this album cycle has been totally supplanted by Josh’s cute dog?)

On topic, there’s another host of important shows this week, so let’s get into it!

Show 13: State Farm Arena, Atlanta, GA (11/2)

Capacity: 21,000

After visiting his hometown with Josh yesterday, Tyler rejoins the touring crew today to play a show for the folks in Atlanta at the newly-renamed State Farm Arena. This is bound to be a special one: though the band has headlined the huge Music Midtown festival in the city, this is their first ever arena show in this major metropolitan market. It’s sure to be a real special show.

Show 14: Amalie Arena, Tampa, FL (11/3)

Capacity: 21,500

The band’s next stop is at a more familiar ground. The band played Amalie during the last arena leg. Twenty One Pilots actually has a pretty extensive history of playing shows in Tampa stretching all the way back to college shows from before they were signed. Tyler has some relatives in the Florida area, so expect some more cute moments from this show.

Show 15: BB&T Center, Sunrise, FL (11/4) 

Capacity: 22,300

The touring crew continues their journey south to the outskirts of Miami. Again, they’ve played BB&T before, but if there’s one thing this band has proven time and time again, it’s that they’re not ones to ever get complacent.

Show 16: Toyota Center, Houston, TX (11/6)

Capacity: 19,3000

It might surprise you to learn that the band has never played an arena show in Houston, despite the city being one of the biggest metropolitan centers in the United States. That oversight will be corrected on Tuesday with a show at the NBA Rockets’ home venue.

Show 17: American Airlines Center, Dallas, TX (11/7)

Capacity: 21,000

The last show before our next Update will be held in Dallas. Once again, this marks the second show Twenty One Pilots will have played in the space. Texas will continue to get plenty of love after this show, but we’ll get into that more next week!

-

Power to the local dreamer!

|-/

[nectarinejellyfish]

In this post, I want to address some of the issues of Powerpuff Girls Z, specifically related to the sexualization/pedophilic treatment of its main cast.

To be honest, I don’t consider this to be the only PPG show to have issues with pedophilia, so I’m not singling it out for that reason (the original is actually loaded with sex jokes, some of which involve the girls themselves, so it’s not exactly guiltless in this area). For now I’m just going to focus on PPGZ though, mainly because I’d brought it up at @safeanimations before, and I wanted to provide a better explanation of some of the pedophilic aspects of the show than I did previously.

Examples are under the read more, with screenshots/other images included.

First, I want to establish that in this adaptation, Blossom, Bubbles, and Buttercup are all 13 years old, and attending middle school. I couldn’t find any official character bios in English, but I found some in Japanese, which I’ll link to, since they confirm the ages of the characters:

http://www.toei-anim.co.jp/tv/ppgz/chara/index.html

As for the grade level, in both the Japanese and English language versions of the show, it’s specified that the girls go the same junior high school. I’ve seen some statements floating around that the girls go to high school/are in their older teens in this show, so I just wanted to clear this up briefly.

Before I get into scenes from the show itself, I’m just going to point out some official artwork produced for the show (mainly for DVD/CD covers and other similar merchandise)

All of these images have some...uncomfortable choices for depicting three middle schoolers. There should be so many ways to depict kids that don’t come off as vaguely skeevy, but this is...not it. I could probably write at least a couple paragraphs to point everything unnerving in these images, but the general problems with all of these is skimpy clothing and weird poses, which result in awkward things like Bubbles having her butt practically showing in the second image, which could’ve easily been avoided had the pose just been changed slightly

Getting to the show itself, there are definitely bits where the characters are drawn in really undeniably sexualized ways

This is a screenshot of Buttercup from the show’s second opening sequence. This is an incredibly pedophilic way to depict a 13 year old in a swimsuit, everything from the pose, to the way the highlights and shadows are used (I mean, what other reason is there for putting highlights on a kid’s crotch), to just the way the swimsuit is drawn (like no normal swimsuit would be absolutely skintight and suction to the body like that, for her chest to look that way)

Next, I'll touch on some episodic content. The first scene I’m going to bring up isn’t a case of sexualizing minors, but it’s...somewhat related, in a ‘not condemning harmful age gaps’ sense, and I’ll try to explain my concerns with it as best I can

In episode 46, Blossom tries to ask a guy who's clearly a good deal older than her on a date. (How far apart they are in age is unclear, but the screenshots below can kind of give an idea. It’s not obvious from the screenshots I took but he is wearing a school uniform, I think, so probably a high school student? Too old for a middle schooler at any rate) In other episodes, Blossom is frequently attracted to older/adult male characters, to the point where it’s something of a running gag, but usually it goes unreciprocated on the guy’s end - but, not in this episode. He initially turns her down, but after the villain Him uses his magic to possess him, the guy breaks up with his girlfriend, returns to Blossom to tell her that he’s fallen in love with her, and asks her to go on a date with him, which she happily accepts.

Once the other girls catch onto Him’s plan, they show up to undo the magic and snap the guy back to his senses, and then he goes back to rejecting Blossom.

Even though this all happens within the context of a guy being manipulated by a villain to do these things, I feel this was a pretty badly mishandled subplot. The fact that Blossom was romanced by someone who appears to be quite older than her, and he even succeeds on taking her on a date, without anyone else initially knowing about it, is ultimately really quickly brushed over. Nothing in the episode seems to portray Blossom as being in any real danger, she doesn’t learn anything from the encounter, even the other girls don’t really comment on it at all when they rescue her. If anything it almost ends on a gag note, like “haha Blossom almost got what she wanted, too bad it was just a trick”, as if we’re supposed to sympathize with her for having the date ruined. 

And this scene bothers me more in the context of this being in a show where underage girls are already being sexualized, because portraying one of them as being super willing to date an older guy and there being no consequences for it, ends up feeling like it was written with some pretty bad intentions (I realize out of all of these examples, this is probably the most ‘ymmv’ one, but considering this scene was troubling enough to someone to be censored in the dub, which I’ll touch upon later, I figured this was worth bringing up)

The other two scenes I’ll bring up both come back to sexualization again. The first is from episode 20, where the Rowdyruff Boys make their introduction, and pull a bunch of pranks on the Powerpuff Girls, including...running past them and flipping their skirts.

There aren’t any actual panty shots in this scene (what would otherwise be a panty shot in the above image is obscured by Boomer’s arm), but it’s still portraying sexual harassment of the girls as a joke. Also, it's pretty gross that Bubbles reaction is obviously supposed to look ‘cute’ here, like as if this scene wasn’t skeevy enough, this gives it even more a fanservice vibe rather than it just being a gag (not that I’d excuse it if it was portrayed in a strictly humorous manner, but I’d argue that trying to make the girls look ‘cute’ while being sexually harassed does actually make it a whole lot worse)

But, I can’t even say this show is free of panty shots, which brings me to what is probably the most glaring instances of sexualization in the entire show, even considering everything else.

In episode 36, Him is once again the main villain, this time using his magic to put the girls in embarrassing or uncomfortable situations that they end up blaming each other for, to cause a rift in their friendship. Him ends up using his magic to create a large heart-shaped hole in the back of Blossom’s gym shorts, right as it’s her turn to perform a vault, causing her to flash her underwear to her entire gym class, and then there’s a closeup of it

And it probably seems like it wouldn’t get any worse than this, but then, shortly after that, Blossom has a flashback to what happened, except in the flashback she’s in a different pose that’s somehow a thousand times worse?

WHAT THE FUCK IS THIS SHOT? WHY DOES THIS LOOK LIKE IT WAS TRACED FROM PORN??

Seriously, what else was this pose supposed to evoke??? And if the plot of the episode required a character to be put in an embarrassing situation, the show could’ve gone with fucking anything else like messing up a presentation or falling asleep during class, it’s like they purposefully went with something that could be be construed as fanservice and then proceeded to execute it in the most blatantly pedophilic way possible

So yeah, that’s a lot of the bad stuff, and it’s...pretty fucking bad. All of this stuff mainly pertains to the original (non-dubbed) version of PPGZ, as for how the English dub differs - some scenes are heavily edited or removed. For example, the scenes with the older guy asking Blossom on a date, were completely rewritten in the dub so that he was merely a comic book artist that Blossom was a fan of, and they meet up to discuss comic books rather than it being a date. So any pedophilic/creepy age gap implications from that episode were more or less written out in the dub.

However, the skirt flipping scenes are still in the dub, all that was cut out was the moments where the boys hands reach under the skirts to flip them, but then the rest just plays out like it did in the original. (So for those two screenshots of the skirt flipping scene - the first one doesn’t make it into the dub, second one does.) Also, the first of those two panty shots made it into the dub too, they just removed the second one (for incredibly obvious reasons).

That’s everything that I wanted to cover, hopefully this was an adequate (if somewhat jumbled) explanation of the show’s sexualization issues. I realize the examples above are probably do not represent the entire show (or even the majority of it), but the presence of stuff like this definitely deserves to be acknowledged and taken into consideration when discussing/evaluating the show

[dragimal]

alright just finished Crybaby, and here are my Opinions

(big spoilers for anyone who wants to watch it, and if u do plan on it, be aware of major trigger warnings like hardcore gore/body horror, death, full-on nudity/sex, and sexual assault. some of these elements are present in most dman adaptations to some degree anyways, but imagine those adaptations ramped up to 50)

things I liked:

- art style! I’m a HUGE fan of the fluid, gangly style, and it works so well w/ the high-action, intense fights

- the crying theme. it's a rly nice visual indicator that Akira is still in there, and how much he was affected by all the death and heartbreak. one of my fave parts of Akira as a character is how he has to reconcile his demon instincts w/ his humanity, so to see Crybaby Devilman break out into tears is esp powerful

- the development of the side characters. the bullies are some of my fave characters in the original, and I rly like how they were adapted into disenfranchised rappers in this one (and I esp love the relationship the one rapper had w/ Miko briefly like?? precious). speaking of Miko, she was EXCELLENT, easily one of my new faves, and her confession to Miki was heartbreaking. I also love that one gay runner (forgot his name..), and his camaraderie w/ Miko was truly mlm/wlw solidarity at its finest (before he y’know.... betrayed humanity...)

- I also rly like the approach to Miki’s character in this one; making her strong and capable was a good move. some ppl may know that I have mixed feelings abt og Miki, b/c I like her individually, but I hate how whenever she’s w/ Akira she bullies him for being soft (at least pre-Devilman) and forces him to protect her in fights she instigates. I like how Crybaby completely cut that from this adaptation and just made her awesome and actually nice to Akira. and believe it or not, I actually ship them in this adaptation, which is shocking to me b/c I’ve only ever shipped them in the chibi “Go Nagai World” adaptation and Devilman Grimoire. like that bit where Akira was all over-acting like, “oh yes, I saved you!” and swept Miki off her feet? I die. actually I ship Miki w/ several ppl in this adaptation, like Miko (of course), and that one bald rapper. also, was her “witch” nickname a reference to Grimoire? if it was, that’s cute <3

- the restructuring of the plot points to fit a slightly new plotline were mostly p good. like it was cool how Crybaby had Jinmen possess Akira’s dad, making for a double-whammy of pain seeing both his parents die at once. or how Devilman sucked Ghelmer straight out of Miki and burned the water out of his own body. just some neat changes. also I didn’t think any adaptation could ever top Jinmen’s subplot in terms of heart-wrenching pain, but look at that! Miki’s demon-bro topped it! thanks Crybaby I didn’t need my heart anymore!!!!!!

- Miki’s cat became a demon?? 10/10 easily the best part of the series

things I didn’t like:

- Ryo. just.... fuckin Ryo. part of me wants to like Ryo in any dman adaptation, so I didn’t actively hate him while watching the show, but the more I think abt how his character was portrayed in this, the more frustrated I get. like, Ryo is easily my top fave character from Devilman as an overall franchise (if not necessarily every specific adaptation), alongside Akira. so to see this character I love just whittled down to what he is here... it hurts, man. for those who aren’t super familiar w/ og Ryo, let me show u a panel that I think encompasses his temperament

Crybaby Ryo is cold, calculating, and largely unemotional. og Ryo, on the other hand, rapidly flips between stone-cold, almost comically blank, and hysterical. he’s not a “cool” character necessarily; Go Nagai may have attempted that portrayal originally, idk for sure, but any reader will tell u that’s not the outcome he achieved, nor how he was eventually portrayed in the OVAs. og Ryo is unhinged and clearly not emotionally prepared to take on the world, but by GOD that fucker’s gonna run in guns a-blazin’ or die trying. the simplest way to describe him is, “nihilist conspiracy theorist with a gun, oh god why does he have a gun who gave him that-”

just imagine this guy w/ a gun, shades, and blonde mullet, and that’s Ryo. but instead of getting that Ryo in Crybaby, we get, “unemotional nihilist (with a gun)” Ryo, and that’s rly all there is to him

and one of the worst things abt Crybaby Ryo is that he’s so.... reprehensible. not that og Ryo doesn’t do some terrible things-- he absolutely does-- but he either does them in such a hilariously goofy manner, or he’s so earnest u can’t help but shake ur head at him like, “Oh Ryo~” (again, not to excuse him, but trust me, there are ways to make villains charming, and Go Nagai originally hit on that p damn well, whether intentional or not). plus I don’t rly remember og Ryo ever killing ppl for the sake of “covering his tracks”. I only ever remember him killing ppl who were directly harming himself/Akira, and then just injuring ppl as a part of his goals (like that scene w/ him slashing ppl at the black sabbath is in the og version, b/c the sabbath needed fresh blood to initiate the transformations). I could be wrong, but I don’t think og Ryo particularly cares who sees him committing crimes, so long as he’s not directly confronted abt it. he’s.... not exactly a gr8 strategist in that respect... or at all....

and this is double sad for me b/c not only does og Ryo actually have emotions, but he’s so clearly pining for an oblivious Akira throughout the story, which is why they’ve always been my dman otp. there are some cute moments b/t Akira and Ryo in Crybaby (the pool scene, mainly), but they seem more instigated by Akira on an unwilling Ryo, and Ryo seems to only keep Akira around for the muscle/demon-power, so I can’t rly buy Ryo’s apparent “affection” for Akira here at all....

- there was too little build-up to Akira becoming Devilman. like the whole first volume in the 5-volume og series is dedicated to Devilman’s buildup and initial transformation, yet only one ep of this 10-ep series is dedicated to it. this fails for several reasons: 1)  the longer build-up in the og establishes how close Ryo and Akira rly are, and how willing Akira is to help Ryo, even at the expense of his life. 2) the og build-up gives you time to get attached to Akira before his transformation, and not only feel his pain at losing parts of himself to the transformation, but also the ability to recognize when his Akira-brand humanity is making an appearance post-Amon. 3) why the hell did Akira believe Ryo so readily? why isn’t he concerned at all about either demons’ existence or Ryo’s mental health? where’s Akira’s classic, “WHERE’S THE PHONE,” reaction??

- now setting aside my love for og Ryo, and Crybaby Ryo’s likability as a character for a sec, Crybaby’s approach to Ryo RLYYYY fucks up the entire Satan plotline for me. in the original, Ryo also doesn’t remember being Satan, so he is also trying to help humanity. but in the original, you FEEL that! you can feel how hard he's trying, and yeah he goes abt it in often dangerous/morally dubious ways, but in the end (before he regains his memories), his goals are for humans. he's a, “sacrifice the few for the many,” kinda guy-- which is absolutely questionable, but still has humanity as a whole in mind

Crybaby Ryo, on the other hand, doesn’t feel like he has ANY protectiveness for humanity, even when he's still under the impression he's a human. hell, I thought this adaptation had him start out knowing he’s Satan and actively manipulating Akira for his plans the whole time, that’s how little I believed in his want to protect humanity (I mean, the 2004 live-action film went that route, so u can’t rly blame me for being wary). maybe it would have been different if I had come into this fresh, not knowing Ryo was Satan, but I just never bought that he was anything but manipulating everyone specifically for the demons, so I was kinda surprised when he started to “regain” his memories b/c I thought he already HAD them. which is just frustrating b/c that big reveal is one of the best twists ever, in the original! b/c u believe this weird gun-toting dude’s rly truly trying to help out humans, but it turns out he’s been in the demon’s league the whole time!

b/c of this, the Crybaby ending also severely lacks the emotional punch of the og end, when Satan realizes they were wrong (and no, ”you taught me abt love,” is not the same thing as confronting their mistakes)

- and that leads into how Crybaby dropped the ball on the demons in general too. in the original, the demons were Earth’s original lifeforms, but this didn’t please God, so he tried to wipe them out. Satan was the only angel who defied this, trying to protect these creatures who had the right to keep living. THAT was why Satan was cast out of heaven, and Satan convinced the demons to freeze themselves into hibernation until they could later confront God together. upon reawakening, Satan and their demon crew are pissed to find the world taken over by humans, and THAT’S why demons have a grudge against humans. thus, Satan decides to disguise themself as human and tuck their memories away in order to intimately learn the weaknesses of our species in order to end us. all the demons were in on this plan, and were willing to sacrifice themselves to the cause. in the end, when Satan is sitting on Sadness Island w/ (half of)Akira, they realize that in their rage, they turned into exactly what they originally opposed, but it’s far too late to reconcile their mistakes

what’s the motivation of Crybaby’s demons? uh... fuck man, idk. snuff films? I guess they want to be revived, but why aren’t they in on Satan’s plans? why are they all surprised when Devilman is made, when this is a specific goal in Satan’s grand scheme? why didn’t Jenny reveal this plan to anyone else? how did demons’ “essence” survive, can we plz have more of an explanation for that? it doesn’t make sense???

not that the og didn’t have its own weird explanations for things (”global warming is melting the demons out of their hibernation! also here’s a complete misinterpretation of evolutionary theory!”), but idk man, at least it mostly made sense w/in its own canon, I think. 

- the one other big thing that bothers me is the fact Devilman, the franchise, exists Crybaby? like I get that it’s just a joke, but it wasn’t just one-off, like this is brought back SEVERAL times, and it rly breaks my immersion every single time. like if the dman franchise exists in Crybaby, why is anyone here surprised by anything? and it’s not even an obscure story in-canon, it’s popular enough that ppl recognize the character, and Miki’s brother is obsessed w/ it. so if there’s a rly popular story that already reveals more-or-less Satan’s entire plan to the public, why are ppl so shocked?

the only way I can justify this is that it seems like maybeeee the only part of the dman franchise that’s present in the Crybaby universe is the 70′s tv show, which has a distinctly different plot from the original, and doesn’t feature Satan at all. but even with that explanation, not everyone who’s watching Crybaby knows that, and it’s still immersion-breaking even knowing that. like if they wanted a cute reference to Go Nagai’s works, why couldn’t they have featured Mazinger Z, or hell even Violence Jack

- some of the psych horror of the og/OVAs was cut and that’s a real bummer b/c it was honestly more horrifying than the gore. like og Miki’s parents phasing thru the walls/furniture when Ghelmer is attacking? that haunts me. also a lot of the demons in the og sacrifice themselves by merging w/ humans and killing the humans and themselves in the process in order to increase mass panic in the humans, which is a horrifying but cool tactic

- thankfully these bits were p quick, but everything involving the Amazon natives was....... uncomfortable at best. like, fair-skinned boy being worshiped as a god by darker people? hmmmmm. like idek why that part even existed, why didn’t Ryo just immediately wake up on that island where Akira lived, why did he have to be raised by the people in the Amazon only for him to become an orphan on that island anyways. Akira could have still found him on that cliff later on, it’s not like Satan Themself would have died if he wasn’t cared for as a baby. it would even make sense for Crybaby Ryo, considering that lack of affection in his formative years could have made him into the sociopath he is today

also when Ryo was explaining how old monsters of myth are demons, there were a few shots of gods shown, like.... Ryo.... those aren’t monsters those are religiously/culturally significant figures wtf are u doing...

- this adaptation is weirdly sexual? I mean, most dman adaptations have weirdly sexual elements, but most of the time it’s purely nudity with some /hints/ at sexual elements. like, ppl just Happen To Be Naked, and also sometimes make sexual comments. not that this isn’t questionable in and of itself (Silene’s og design, w/ her tail feathers UNDER her buttcheeks is uhhhhhhhhh), but it never felt like sexual assault or anything when ppl were fighting; ppl just happened to have their Whole Titty out when fighting. in Crybaby, there’s a blatant connection between the violent gore and the sex, and it’s uncomfortable at times. like I’m not necessarily a squeamish person, so most of the time I wasn’t that affected, but when Akira-- our hero-- effectively raped Silene on-the-fly during their fight I was like NO THANKS

overall opinion?

despite how long the “didn’t like” section is, I do like the show a lot. it’s strong as an independent series, and there is a lot to love as a dman fan as well. however, Ryo is not only an important character to me, but to the Devilman franchise as a whole, so to drop the ball on his character isn’t just insulting to me personally, but weakens Crybaby’s overall lore/plot in places it should be strongest

[salarta]

My Attitude/Pessimism Toward Marvel

I’m tired but can’t sleep. That means writing a post about Polaris and my general pessimism toward Marvel.

I’m putting this behind a cut because I know some people out there don’t want to see it, and I won’t push it on them when they search. Others have probably seen it over and over and are sick to death of seeing it. Here I go.

I’m extremely pessimistic about Marvel these days. I expect a mix of nothing, backhanded/sabotaged use, and empty gestures that function in the most technical sense possible but don’t actually amount to anything.

Preface: when I note a specific person, do not harass them. I am not just saying this. I mean it. Harassment is bad. It sucks. Don’t do it.

Introduction to Marvel

I learned about Polaris in 2009. I’ve been putting up with Marvel’s behavior for the past 8 years. I’m jaded and pissed off.

When I discovered her, it was at the precise moment when Marvel was shutting down the good things going for her and trying to discard her in space. I loved Jeff Parker’s Exiles run. They abruptly shut it down after six issues; Jeff Parker even had most of a script for issue #7 done when they did it. I loved Lorna’s presence in the Wolverine and the X-Men cartoon. They abruptly canceled it after one season, despite the team having plans as far out as season 3.

My introduction to Marvel’s attitude toward her was already on a sour note. In spite of it, I entered into Marvel with optimism. I naively thought that perhaps with enough positivity and shows of support, things would change.

But then I got to Tom Brevoort. Presently Senior Vice President of Publishing.

Introduction to Editorial/Executive Individuals

Back around 2012, Brevoort was very openly negative toward Polaris. When the matter of Lorna’s parentage came out, he was more than happy to try to claim Lorna couldn’t possibly be Magneto’s daughter, yet somehow Siryn could be Banshee’s daughter, with some convoluted excuse about “genetics breeding true.” When someone asked about Polaris possibly being in the Avengers vs X-Men event, his response was to say that Lorna couldn’t be part of it because “events are only for A-listers and B-listers.” Meaning he blew off any potential value she could have to the story, and looked down on her as a “lesser” character.

This is in addition to Brevoort bending over backwards to exclude her from family events in things like Children’s Crusade.

My first experience with someone at Marvel in an editorial/executive role was someone who had nothing but contempt for my favorite character and looked for any excuses he could find to devalue her and exclude her from anything he could.

Handling Lorna’s Return From Space

At the time I got into her, Marvel comics had Lorna shoved into space, same with Rachel Summers and Havok. You know how important they seemed to see her? They kept her in space limbo for a year. A full year lost, because according to what I’ve read, the X-Men and space offices didn’t know who had control of the characters.

Think about that. If this was someone like Wolverine or Storm, they would’ve been on top of making sure who could use them. Instead, they cared so little that they spent a year just letting her hang with no writers able to use her.

When they did finally bring her back? They shoved her back onto X-Factor.

X-Factor

Now, a lot of people love X-Factor, and they love Peter David. I understand that. I had a volatile start here, and if I’m completely honest, I didn’t give Peter David a fair shot before judging at the time. But I need to explain why I was volatile over this.

Polaris was in X-Factor in the 90s. She had a lot of major development afterward. She joined her father Magneto and her step-siblings on Genosha, developing her powers, gaining vital skills, building a reputation. She survived the genocide and dealt with trauma afterward. She lost her powers from Scarlet Witch stripping them from her. Got them back when Apocalypse forced her to become Pestilence. She went through Hell.

... Then Marvel decided to kick her back down to where she was before all of that development. They shoved her back on her old 90s team. Forced her to remain Havok’s supporting girlfriend. The reveal cover even had her standing behind Havok to drive this point home.

To me, it felt like a symbolic “fuck you” to everything Lorna suffered through, all the growth she had, all the ways she established her own character.

This was my first experience with, in my eyes, Marvel technically fulfilling something I and other fans wanted while undermining it. Fans wanted her back from space. They brought her back from space... then put her on a book that at first glance turned back the clock on all her development, and with a writer who is deeply opposed to characters he’s writing being involved in crossovers and broader Marvel events if he can help it.

Marvel traded exile in space for exile on X-Factor. They didn’t solve the problem. They just changed where the problem existed.

But like I said. I don’t think I gave Peter David a fair shot at the time. He did do some good things.

Sabotaged Milestones

I want to note going into this that I had some major problems with some of Peter David’s writing. I was very upset when he wrote Lorna saying he could do without seeing her father for the rest of her life; giving Marvel an excuse to never use that relationship. All-New X-Factor #3-6 also treated Lorna very, very poorly. It lacked empathy in writing her “rage” moments, and undermined her leadership to make Gambit look better.

I wanted to get that out of the way for context.

X-Factor #243 told Lorna’s origin story. She’d gone over 40 years without it being told. And it was good! Much better than I expected.

All-New X-Factor let Lorna lead a team in her own right! It also took over 40 years to happen. Until then, she only got to be “replacement leader” for other characters’ absences.

All-New X-Factor in general let her interact with Quicksilver, and #14 let her interact with Scarlet Witch! It was the first time she got to spend time with her siblings in around 10 years.

... And Marvel refused to promote any of it.

Marvel did nothing to promote Lorna’s origin story getting told after 40 years of Marvel never telling it. They didn’t promote ANXF at all. When ANXF #14 was coming out, they went so far in trying to keep people from knowing about it that they withheld its cover until a week before release. Too late for most people to order it. Not to mention it was the second issue of a double shipping month.

But wait. It doesn’t just stop there. It also goes into Marvel trying to use attributes of Lorna while refusing to actually use Lorna herself.

“Replacing” Lorna, Not Using Her

At the same time as ANXF #14′s release, Marvel had promoted Axis with a cover months in advance of Scarlet Witch paired with Enchantress, with Wanda’s hair tinted red and Enchantress’ hair tinted green. So basically? While Marvel tried to bury ANXF #14 happening, they tried to exploit the visual of Lorna and Wanda to sell more copies of Axis.

Then, after Axis forced a retcon that made Scarlet Witch and Quicksilver suddenly not Magneto’s kids anymore, Marvel decided to do something else dickish. They created a character called Luminous, to be a “sister” to Wanda and Pietro.

That’s not one, but two times Marvel - mainly the Avengers side, meaning most likely Brevoort - tried to replace Lorna instead of actually using her. One, a character they saw as “more worthy,” and another brand new character they created for the sole purpose of occupying the role she had. That’s how much Marvel looked down on Lorna: they decided they’d rather create a character than use her.

Forced Limbo

Marvel canceled All-New X-Factor “due to low sales.” Notably, when they put out the Scarlet Witch solo, they let that book last for a year despite having sales just as low starting with issue #2.

The last time we saw Lorna in anything before her return this year was Secret Wars in 2015. At the time, I was excited. She was going to be able to interact with her father. Her broad family ties were acknowledged with Secret Wars: House of M. Various alternate reality versions of her had cameos.

I started dreading that Marvel doing so much for her all at once was a sign they planned to throw her into limbo afterward, and this was just to smooth things over before they did. I kept it to myself though because I wanted to believe Marvel intended to do better by her from that point onward.

Except I was right.

For two years, Marvel kept her in forced limbo. No appearances. No cameos. Nothing. The absolute most she got in that time was Sabretooth talking about how she smelled. Marvel looked at interest in Lorna, and for two years said “Fuck her, let’s use literally anyone else.”

Oh, but she’s back now, so it’s all fine! Right?

No. It’s not.

Beneath Men On Return (X-Men Blue)

Her first appearance this year was an alternate future in Deadpool and the Mercs for Money. There, she wore an all green costume with Magneto’s helmet and Magneto’s chest element. At the time, I made the mistake of supporting it. I should have seen and treated it as a bad omen of things to come.

When she finally got re-introduced with X-Men Blue #8 and #9, I was pretty damned jaded by Marvel. After everything I explained above, after two years of forced limbo, I expected she would briefly appear and then get thrown back into forced limbo. It turns out, how she’s been written and still being written makes me wish Bunn would stop writing her.

X-Men Blue #8 spends a ton of time building up Havok. He gets to be a threat to the teen X-Men. He gets to lead a brand new team of his own. He gets to interact with Briar Raleigh and get introduced as working with Emma Frost. He gets to establish connections. He gets all of this.

Then Polaris gets introduced. And how is she introduced? With dialogue exclusively emphasizing that Havok is her ex. And a description text box that describes as only one thing: “Daughter of Magneto.”

Think about that. Imagine Havok bursts into a room Polaris is in and all he says is “I know you were my girlfriend, but I won’t let my feelings for you hold me back.” Imagine Magneto shows up, and the only thing Marvel thinks you should know about him is “Father of Polaris.” Nothing else.

X-Men Blue #9 proceeds to reinforce this. It takes great pains to re-frame Lorna’s long-held “Mistress of Magnetism” title into looking like something she’s only allowed to have because Magneto is her father. When Lorna uses her powers to make two team members leave, one of them says it’s a sign she’s definitely Magneto’s daughter.

Because, y’know, a silly woman like Polaris couldn’t possibly want to do that of her own accord. It must be because of her daddy. Right?

Then, in a future issue (I think the next one), Bunn writes Lorna acting surprised by an attack on the team’s base - just so he can write Magneto “correcting” her about how attacks can come at any moment.

This is Polaris. A woman who’s been attacked out of nowhere repeatedly for decades. She survived a genocidal massacre that came out of nowhere and killed millions, for fuck’s sake. There’s no way in hell she’s going to not expect an attack while in a base of operations. She wasn’t safe in the heart of Genosha, she’s not going to think a piddling mansion will somehow be safer. I found this very insulting as a whole.

In the latest event, Lorna is put in the Malice costume at one point. Her reaction can be summarized as “Oh wow, this is one weird costume alright! How strange. Oh well.” While the scene is designed to heavily emphasize Mutant Massacre, the horror of dead mutants in the sewers, and Magneto’s outright about it.

Here’s the thing. Malice possessed Lorna and used her body to hurt and kill people, including those she loved. She was a passenger in her own body, forced to witness the horror of it all. For Lorna to have no kind of real reaction at all is insulting. The book plays it like it’s just for fun and thrills and doesn’t care at all about how Lorna would actually behave.

And something that doesn’t help is occasionally forcing dialogue where Lorna says ‘father’ or ‘dad’ in spots that are completely unnatural, just to remind everyone that he’s above her in that fashion. As I write this, I’m trying to remember if I saw Magneto refer to Lorna as “daughter” like this at any point.

The consistent pattern in everything Bunn’s done with Lorna so far is this: “Magneto and Havok are great, Lorna is beneath them and that’s the only value she has as a character.”

Odds and Ends

I’ve said a lot here, but there’s some pieces throughout the years that didn’t fit above.

The X-Men franchise had its anniversary in 2013. Marvel made covers meant to combine into one big image. Polaris was on none of them. Yet, Marvel included Havok alongside four of the original five X-Men on one cover.

In general, Marvel has been forcing Havok into every major development for Lorna while never raising her profile when things happen for Havok. When he went to Uncanny Avengers, the most she came up was unnamed as a “crazy girlfriend” he’s glad to be away from.

Yet, when Lorna’s origin story was told, Havok got to be involved. When Lorna led a team of her own, Havok got to be forced in as spying on her via Quicksilver with the reason being that Havok in sum thinks she’s not smart enough to avoid being taken advantage of by Harrison Snow. And then X-Men Blue, where he got to be the primary focus of what was being played up and promoted as Lorna’s big return after 2 years of forced limbo.

With regard to Avengers vs X-Men, Brevoort did technically relent to include her... as a nameless cameo. Who gets mind-controlled into submission by Emma Frost. And who Magneto completely ignores being treated that way after having gone into space to help rescue Lorna just a month prior.

When Occasional Good Isn’t Enough

As you may be picking up here, Marvel did allow some good things for Lorna during these past 8 years.

She returned from space. Magneto is her father. She got to interact with Wanda and Pietro. She got her origin story told. She got to lead a team of her own. She got her first playable appearances in video games. She got a figurine after a decade without one and lots of fan demand in top 10 lists. Arguably (cause Nix took the initiative to ask to use her), Marvel allowed her to be a star on Gifted, which is the best writing she’s had in a long time.

A person might look at the good stuff she’s managed to get in the past 8 years and think: what’s the deal? Why be pessimistic and negative about Marvel when they’ve done good things for her in that time?

Here’s the thing. Doing the occasional good thing does not undo massive heapings of bad that happen at the same time. If you burn down my house, giving me a brand new car isn’t going to bring my house back, nor is it anything close to a replacement for what I lost.

I’m not “ungrateful,” I just don’t let the rare nice thing from Marvel blind me to all the times they’ve screwed over the character I care about and keep doing it. I don’t let the occasional nice thing make me forget that Marvel’s spent most of her nearly 50 years of existence cheating her out of everything she can be.

My attitude toward Marvel is a reflection of Marvel’s attitude toward what I care about.

Some people are quick to play nice over that occasional good. I see doing so as a mistake. It’s giving Marvel permission to keep treating Lorna poorly as long as they throw a tiny breadcrumb over every so often. I think it’s part of what’s allowed Marvel to hold her back for literal decades. They don’t have to do anything more than the bare minimum if the bare minimum looks like it’s enough for Polaris fans.

Some people are afraid Marvel will at some point “punish” demanding more from Marvel after the occasional good. My stance is this: if Marvel is genuine, if they really want to do right by Lorna, then they’ll try to do right by her no matter what I say. If they try to tear down Lorna for things I’ve said, then they were lying any time they said they support her or that they said they try to be a good writer/editor. At which point they require more criticism and complaint, not less.

This post was long, but necessary for me. I needed to say all this.

[furederiko]

"It's only through dedication and hard work that I got to where I am!" Countdown Counter: 9. A Deathball December for Kyuranger 40! Serving as a special homage to the Super Sentai title that started it all...

- After obtaining the Perseus star energy, the team's next goal is of course the Cassiopeia System. That's why they have arrived at Planet SBC to get their hands on the last piece of the 'Barrier Quartet'. - Turns out, Menaster Gloven is waiting for them in the sport stadium-shaped world. He openly challenges the team for a Deathball match! Which is basically the Jark Matter's version of Earth's Baseball. Lucky has been holed up in Planet Luth all his life, so this demands an explanation. I'm not fluent in sports, but according to Wikipedia, baseball is... "a bat-and-ball game played between two teams of nine players each who take turns batting and fielding. The batting team attempts to score runs by hitting a ball (that is thrown by the opposing team's pitcher) with a bat swung by the batter, and then running counter-clockwise around a series of four bases: first, second, third, and home plate. A run is scored when a player advances around the bases and touches home plate. Players on the batting team take turns hitting against the pitcher of the fielding team, which tries to prevent runs by getting hitters out in any of several ways. A player on the batting team who reaches a base safely can later attempt to advance to subsequent bases during teammates' turns batting, such as on a hit or by other means. The teams switch between batting and fielding whenever the fielding team records three outs. One turn batting for both teams, beginning with the visiting team, constitutes an inning. A game is composed of nine innings, and the team with the greater number of runs at the end of the game wins. If scores are tied at the end of nine innings, extra innings are usually played. Baseball has no game clock, although most games end in the ninth inning.". So yeah, Tsurugi says it best. Baseball is indeed a perfect game for Kyuranger, because it requires NINE players to secure NINE rounds. Not to mention, it involves a ball, if you know what I mean. - Of course, the team is consisted of 12 members now, so three of them gets to be benched out. In this case, Spada, Tsurugi, and Commander Xiao. Naturally, Xiao immediately assumes the role of a coach, and instructs Lucky to use the #84 Sagitta Kyu Globe for a quick... wardrobe adjustments. Yep, that's its only ability. LOL. For some reason, Spada looks a little... concerned. I wonder why? Fun fact: You might be wondering, what does the Constellation of Arrow has anything to do with baseball? Well, it doesn't have one really, because it's meant to work as a pun. In Japanese, the name of the Constellation is 'Ya'. Baseball itself goes by the word 'Yakyuu'. So it's 'Ya Kyuu-Tama'... and 'Ya-kyuu'. Get it? This is the reason why a supposedly offense-themed Constellation hasn't been utilized until now. It is saved for a baseball tribute episode. And before you ask, the sport is a popular one in Japan, giving birth to several iconic manga and/or anime titles. - Team Kyuranger vs. Team Jark Matter's (basically just Gloven and Mecha-Madako with 7 Indavers) deathball showdown begins! Everyone is assigned positions in the field, and Lucky gets to serve as the pitcher. Recapping the entire match would be... spoiling and ruining all the fun. So I'm going to just cover up the important elements. - Team Kyuranger is winning, so Team Jark Matter obviously responds to that by... CHEATING. Well, DUH? Expecting them to play fair is... out of the question. Particularly when the referees are also mostly provided from their side. Mecha-Madako lures Stinger to a fight, prompting the Scorpius warrior to be disqualified and banned from the field. Lucky is pitch perfect, so Gloven deliberatedly targets to injure his right arm during the clash. And his replacement Tsurugi, gets blown away for batting Gloven's secret move, the flaming Devil Ball: Death Killer. These are just a few examples among the Jark Matters' various sabotages to win the game. Then again, the Kyuranger also utilizes their Kyu Globe abilities, so... in a way they are also cheating. - Stinger's replacement is Spada, and that's where the focus of this episode lies. Raptor suspects something isn't right with him, and her worries are immediately answered. Genius Chef Spada is in fact... BAD AT SPORTS. Goodness, the way he AVOIDS the ball is darn hilarious! Problem is, with Team Jark Matter out-cheating the opponent, he ends up becoming the conclusive batter. It is all up to him now to provide victory for the team, but can he whip up a quick recipee to do so? - Knowing the dire situation, Coach Xiao instantly... times out the game. Why? Because it's getting... dark. LOL. Spada is struggling, because he wants to deliver a win for his team. He refuses to back down, and doesn't want to make excuse and runs away from this situation. Determined to do what he can, he runs off to train with Lucky. Gotta love seeing Raptor acting as his secret supporter here. And that time when she simply smacks Xiao away before he can substitute Spada? Aaaawww... - The Rebellion Master Chef returns just in time, making his triumphant comeback to the game. Gloven might have previously refused to give him his Devil Ball, even calling him useless bum. But he soon learns that it's not wise to underestimate others. Spada challenges Gloven head on. And by head on, that's literally speaking! Gloven's Devil Ball: Swordfish Killer hits directly at the horn of Dorado Yellow's helmet, to which he then brilliantly uses it to throws the ball away as a solid homerun. Talk about an unexpected solution to the problem. Legendary grand slam, claims Tsurugi? Nope, comedy gold! - Dorado Yellow's victory and rousing speech earns him the #38 Cassiopeia Kyu Globe, just in time to deal with the Jark Matter's attack. How? By launching the... rainbow-colored "Kyuranger Hurricane! Championship Pennant!". Yes, this episode IS indeed a special callback to "Himitsu Sentai Gorenger". But instead of a finishing move that utilizes 5 members, this time it's a 12 members version! I'm aware that Xiao does nothing, but he still counts right? LOL. - It's been a while since we see Kyutamajin in mecha battle. And it works as a humorous pun too. Gloven knows his way with balls, and we know that this mecha consists of all balls. So that's where Orion Battler, a mecha with a built-in 'baseball bat' comes in to solve the issue. Brilliant! The humour is subtle, but brilliant nonetheless. - The team wins, and they celebrate their victory with Spada's after-match hot pot feast (a special winter tradition for Japanese!). Took me all these time to realize, but apparently Spada is the 'mother' of the group! Since this is probably among the series' few heartwarming 'calm before the storm' moments, I'm going to leave you with Spada's special words that is full of inspiration: "A great chef one said... whether it's cooking or life, nothing goes smoothly at first. You can't produce miraculous meals without making a few mistakes. Life is the same way. When you make a mistake, you just need to try again."

Overall: This episode was a full-on baseball episode, complete with all of its drama and cliche moments that leapt out of those sports mangas. I know what you're thinking, what does Super Sentai has anything to do with this particular sport? Well, Super Sentai fans would easily know that it's a homage to one of the most popular element of Gorenger. A title that aired 41 years ago (hence episode 40). I've been reading in forums and message boards that some audience aren't liking this comical episode, and well... it's understandable. Not every season, and every episode is meant to work with every audience. Weirdly enough, I happen to really REALLY enjoyed it. Sure, it might be a carefree and rather forgettable one to some, but to me it was surprisingly a genuine delight. Mainly because of the sweet heartwarming feel of teamwork and family that it exuded. They put a warm smile to my face! Further more, it might not look like a grand nor perfect focus episode for Spada (his lack of backstory is still an issue), but it still worked greatly by showing off his personal weakness and struggles. Spada might be a hero, but a hero is still human, and human is not perfect. That's the inspiring and uplifting morale of the story, and I truly appreciate it. I don't know why, but perhaps I just love it when a hero gets to showcase their vulnerable sides. More importantly, Spada's story was pleasantly relatable to me, a guy who have always been BAD at sports! So trust me, I can totally tell that struggle IS real... XD Next week: Southern Cross Skirmish! Garu in trouble!!!

Episode 40 Score: 8,2 out of 10

Visit THIS LINK to view a continuously updated listing of the Kyutama / Kyu Globes. Last Updated: December 5th, 2017 - Version 3.08. (WARNING: It might contain spoilers for future episodes)

All images are screencaptured from the series, provided by the FanSubber Over-Time. "Uchu Sentai Kyuranger" is produced by TOEI, and airs every Sunday on TV-Asahi. Credits and copyrights belong to their respective owners.

[gosatsuvns]

Weekly Update #176 - A Look Back At 2017 & A Look Ahead At 2018

Tomorrow's the last day of 2017. With that in mind I have decided that, rather than postpone it until the 1st or even wait until next Saturday, I will use today's blog post to take a look back at 2017 and give you an idea as to what you can expect from us in 2018.

So, without further ado, let's see what we have managed to accomplish throughout this past year!

Unfortunately, this year, we don't have anything as big as the release of SHINRAI - Broken Beyond Despair to look back on. Nevertheless, there are a number of things I'm rather proud of.

At the beginning of the year, I was mostly working on SHINRAI's sequel, Withering Without Hope, updating the sprites for recurring characters like Raiko, Nobara and Henjin, for example. I generally worked on a lot of basic things in order to lay the foundation for our next game. Like the story and setting, planning the layout of the new location and starting to work on its design. If you have read one of our more recent blog posts, you might already know that the events of WWH will take place at the Ginmaku Movie Theater. I'm planning to finish the first background of the game as soon as possible so that you can have an actual first look at it.

Over the past 1 1/2 months, I've gotten back into WWH again and I'm planning to continue working on it over the next few months as well... as opposed to pushing it aside almost completely like I did around April.

Why did I do that, you might wonder... Well, that's because I wanted to focus solely on GENBA no Kizuna, the other project we are currently working on and which we officially revealed in June along with its main cast.

Up until that point, I had referred to it as our "dinosaur project" and by now, you should know why that is (at least if you've kept up with our blog posts over the last six months).

GENBA takes place at the Kaseki Residence, home of a world-renowned paleontologist. As such, it features a dinosaur-themed interior, but this "dinosaur theme" is also seeping into character designs and other things, similar to how "Halloween" was the theme for BBD.

GENBA is going to be shorter, a bit more fast-paced and more gameplay-oriented than SHINRAI, featuring a lot more interactivity. With the police actively involved in the investigation, the story being told mostly through dialogue, as well as the ability to experience it through the eyes of multiple characters, it will certainly feel rather different from our previous VN.

Nevertheless, it is still a murder mystery and it does actually connect to SHINRAI in very important ways. A topic I've talked about not too long ago.

With our focus mainly lying on GENBA for most of the year, we naturally made quite some progress with it. By creating a whole bunch of assets ranging from backgrounds to sprites and even menus, the game's foundation is laid now as well, to the point that we're getting really close to the release of a first demo!

That's really what most of our energy went into this year. We did pull off a few other things too, though.

For instance, after all this time, we now have our own website, which we launched back in June along with the GENBA announcement. It still requires more work and I really want to finally expand the sections for GENBA and WWH as well as add some other things to it, but that will be one of my goals for early 2018.

Outside of that (after an eternal back and forth), we have also decided to launch a Patreon page, which we did back in September. Through this, we hope to get enough funds together to eventually hire more people for our tiny team. At the moment, however, it's main purpose is to help us with covering the costs of GENBA's soundtrack.

Now, you might wonder, what exactly you'll get in return for supporting us on Patreon. Well, here's a quick list of everything you currently get access to:

- 3 character design sketches for the suspects appearing in GENBA - design sketches for Kenji and Misaki, 2 of the new characters in WWH - 3 full-length BGM tracks for GENBA - a look at the full script of GENBA's prologue - the first part of WWH's prologue - a post featuring unused BBD art + talk about visual clues - higher resolution & alternate versions of seasonal artworks + a whole bunch of WIP-looks

Things patrons can look forward to in the coming weeks: the final suspect character for GENBA, WWH's first BGM track, the second part of its script and more character designs. You'll also be able to decide through a poll who will be featured in February's Valentine's artwork. And, last but not least, early access to our GENBA demo!

Patreon is really about getting to see things way ahead of everyone else and being able to influence the stuff we do by offering suggestions. Patrons will be able to help us prepare the demo for its public release, for example.

Another thing I want to use Patreon for, however, is to post more WIP-stuff and other things I've always been way too shy and embarrassed about to share publicly. One big other thing patrons can look forward to, for example, is a post about our very first VN project which never got released. I will talk a bit more about how we got started and share with you some very old assets to give you an actual look at our early work from way back in 2011.

So yeah, if you're curious about those kinds of things, please consider checking out our Patreon page. Your support would be greatly appreciated!

I'd actually like to take this opportunity to once again thank everyone who has supported us thus far, whether it'd be through Patreon or any other means.

Throughout this year, we had some incredible things happen. From something as simple as getting new reviews on Steam to even receiving fan mail, both digitally as well as physically. It still feels strange and very surreal to think that some people actually enjoyed SHINRAI that much. People have even asked about possible merchandise, which is kind of shocking to me. But I guess that will be something to look into in 2018.

One of the greatest compliments I have received this year, however, is that SHINRAI actually inspired others to go forth and make their own stories. That's quite touching to hear and... I dunno... like I said, it's surreal. Sometimes it's really difficult to believe that this isn't just a dream. Because these are the kinds of things I have dreamed about for the longest time. For a big chunk of my life, actually.

Really, I'm deeply grateful for all the support we have gotten. People going out of their way to leave us a good review or even send us a message simply to show their appreciation... things like that truly make me happy and I couldn't ask for more. And they certainly serve to fuel our passion. I hope that all of you will continue to stick with us until our next projects come out, no matter how long it will take!

Which I guess brings me to the final point: what's in store for 2018?

Well, like I said before, our main focus will lie on finishing that GENBA demo. It was already supposed to be released in late November, which didn't quite work out. And although not much is missing anymore, we didn't make too much progress on it in December. Which is mostly due to the fact that December is always a really busy month. Aside of a lot of RL stuff, we had to take care of the seasonal artworks and... I admittedly decided to rather devote myself to WWH, simply because I was in the right mood for it. And while I plan to continue work on WWH, I will definitely get back to that demo now, too.

When will GENBA be finished in its entirety? That's a good question. To be honest, I was hoping to release it in 2018, but it's always difficult to assess whether or not that will work out. I can't foresee what kind of hurdles we might stumble into or how long exactly certain tasks might take. That said, I still want to make it my goal to finish GENBA in 2018.

Please keep in mind though that whenever I set goals such as this (even the demo release for late November), it's more of a way to motivate myself rather than me making an actual promise. Might sound like a lame excuse, but... I know that, even if I don't manage to make the deadline, I will still do my best to actually meet it, resulting in more progress than I would achieve otherwise.

If I tell myself that releasing GENBA in 2018 is impossible, so I'll just say 2019... I will make a lot less progress on it, because I'll have that "there's still time"-feeling in the back of my mind. That's why I think it's always important to set personal goals and work towards them as hard as you can. Whether or not you actually manage to reach those goals doesn't really matter as much as the amount of progress you have made once their deadline hits.

Of course, those goals should still be somewhat realistic, so that you can actually feel as though they're perfectly possible to reach. There is no point in purposely setting completely unrealistic goals. That might actually be more detrimental to your work ethic than anything else. But finishing GENBA in 2018 seems doable to me, so I do want to work towards that. Just don't be mad at me please if it doesn't work out after all, haha.

Anyway, this is starting to get a tad too long, so I should finally wrap this up. I will talk more specifically about our January goals in next week's blog post. Until then, please take care and have a happy new year!

And once again, from both Natsu and myself: thank you so much for your interest in the things we do!