#main character getting stabby

[mblue-art]

out w these tall clowns 🌲🌸

[em-writes-stuff-sometimes]

sweeter than blood │ Spike x Summers!Reader

everything he wants 'verse: see my Masterlist for the correct series order!

Part 1 │Part 2 │Part 3 (In Development!)

Returning to Sunnydale for the first time since Angel lost his soul—older, bitter, unprepared for grief—you never expected to fall for Spike. Through the eyes of the others, it's obsession, danger, betrayal. But to you? It’s the only thing that still feels real. (Set post-episode 14 of Season 5, "Crush".)

Hey, guys! Briefly showing up to post a short fic I wrote after getting whacked by the Buffy bug lately. Not going to be frequently updating or anything - I'm literally just posting this and popping back out. Couple notes: this is a three-chapter fic that I'm posting in one single hit. It's like, 22,250 words, so it's long. Also, it's mixed POV from pretty much all the main characters. Keep in mind that my writing style doesn't exactly fit in the Reader or in the OC category; best way I can describe it as nameless, vaguely-described OCs written in second person. Enough from either category to justify calling it both. If that's not what you're after, I recommend you don't read.

Buffy rolls her eyes when she recognizes who’s behind all the commotion by the door, turning away from Giles to give the intruder one of her meanest eyebrow-raises.

“What are you doing here?” she asks, fists clenched and knuckles white as she glares at Spike, tension etched into every line of her body. Her voice is a low, warning growl, her fingers itching to wrap around something sharp and stabby. Anything will do, really. “It’s the middle of the day.”

It’s been only a few weeks since bizarro entered Spike’s brain and he tried to tell her he loved her, and in that time it’s like it never really happened. Sure, he’s been loitering around the house like a pervert, glances lasting a little too long on her as she deliberately ignores him to unlock the door and retreat to the safety of a freshly-Spike-free zone, but his focus is all screwy. It’s like the tap of grossness has spun itself off, still dripping a bit but like… not flooding. Or something. She’s bad with figures of speech.

The evil bleached wonder sneers over at her, still furiously smacking at the smoke trails rising from his exposed skin and stinking up the shop. “None of your business, Slayer. Ain’t my bloody keeper. I can go where I like.”

“Does that have to be where Buffy is?” Xander snipes. “You know you’re never getting a shot with her. Why make us all put up with you?”

Dawn’s here, so Buffy makes a cutty-motion with her hand at him, warning him off the tangent he’s on. Even though Dawnie’s just as mad as the rest of them about Spike’s confession, she still gets huffy and moody whenever anyone spends too long mocking him for it, and Buffy totally can’t deal right now.

Spike shakes his head. “Look, I dunno what Buffy told you about that stuff with Dru―”

Giles advances on him, shielding her from view. “Spike, you’re not welcome here.”

“Yeah, and by the way, we’re working on a way to de-invite you from here,” Willow adds. Though there’s nothing super snarky about the indifferent way she looks Spike up and down, for Wills it’s positively cruel. “Even if it is a public place.”

Spike looks away, lower lip curling under his teeth as he scoffs. “Alright, maybe there was some expression of feelings, but ’m all―”

Whatever he was gonna say dies in his throat. He straightens himself up and runs his fingers through his hair, which, strange, isn’t slicked back like he usually wears it. Has he suddenly realized―re-realized, or whatever―that she’s there and is doing some uber-sketchy peacocking thing? She’s just about to ask him what the hell is up when you brush past her, bookbag swinging as you rifle through its contents.

“Buff,” you say, absent-minded, “d’you know where I put my―oh, hey, Spike. Nice hair.”

You look up and smile at him, a bit unfocused as you wander over to the table, scattering the items inside on its surface. Pens and textbooks go skidding across the wood as you dig through, muttering an aha! when you find your tube of chapstick buried at the bottom. Dawnie shoves at the stuff that’s rolled onto her homework, but you don’t seem to notice at all.

“Afternoon,” Spike says. Buffy narrows her eyes at him. “Settlin’ in alright?”

“Mm,” you hum, smiling, lips freshly glossy and reddened. “Stuff’s unpacked, classes all sorted… everything’s coming up me. How ’bout you?”

“Can’t complai―”

“Seriously, Spike,” Buffy snaps, folding her arms. “Clear outta here.”

She’s such a hypocrite for being so freaked by him basically ignoring her, she knows that. It’s not like she wants him stalking her, but she’s Puzzle Girl. She solves things, and the mystery is that Spike is acting stranger than usual. She hasn’t had time to figure it out, not between helping Mom, rearranging Dawn’s room—well, your shared room now—and grilling you about Hank’s way-too-young girlfriend. That doesn’t even begin to cover the stress of keeping Glory’s demon goons off Dawn’s back. Time is against her at the moment. And after Mom told you about the tumor? Yeah, no wonder you were all in for moving back.

“Wait,” Anya says, frowning. “I thought Spike didn’t know her. Why are they talking?”

“Introduced meself, yeah?” Spike’s stink-eye is ineffective as usual. “S’what civilized people do and all that rot.”

“If that’s civilized,” Anya mutters, too low for anyone but Buffy to properly catch, “then I’ve been using the wrong definition. Civilized people don’t pant like wolves in heat—”

“He’s nice,” you say.

“—yeah, most men pretend to listen,” Buffy hears her whispering to Tara. She tunes it out. “Vampires probably do it better. Less hormonal noise.”

Patting your sides down―looking for pockets, though as usual you’re wearing a dress that doesn’t have them―you shove your chapstick down the neckline before going back to sorting through the things you’ve discarded. Buffy watches Spike watch you, watches his eyes settle where the balm presses through your bra. Disgust curdles in her belly—but it’s not just disgust, and that’s the worst part. It shouldn’t matter. Really. He should look anywhere but at her. Still, the absence of his usual obsession lands like a slap. Her chest tightens, breath caught in her throat. Embarrassing. She rolls her shoulders back, forces her focus elsewhere.

“We talk sometimes,” you add. “He’s a good listener.”

“Thanks, pet.” Spike’s smile looks genuine enough to fool even her.

“Uh, he’s a vampire.”

“Good for you, Xan,” you say, levelling him with one of your are-you-the-dumbest-person-in-the-world? looks. You’ve always been good at that. “Your observational skills are A-okay. Congrats.”

Xander sputters. “He’s evil!”

“Not this again,” you mutter. Continuing in a deceptively mild tone, you say louder, “Evil’s relative, isn’t it? Is the lion evil for hunting and eating the gazelle? No, because you can’t moralize about the predatory drive of a completely different species with different—”

“He’s not another species, though,” Giles interrupts, taking his glasses off and scrubbing at them with his cloth. “He’s a demon.”

You cock your head, slight curve to your lip. “So, not human, right? Ergo, another species.”

“Okay, difference of opinion, agree to disagree!” Buffy calls out loudly. She really doesn’t want to deal with broken-brain Giles, and he always comes out when you prod at his whole Watcher upbringing. “We’re wasting time. Can we seriously get back to the whole April thing?”

Her resolve face is enough to get the Scoobies moving back to the counter, and though the conversation begins flowing in the right direction once again, Buffy can’t help but pay a little more attention to what’s going on across the room. You’ve sat down opposite Dawnie, tugging out the worn copy of Emily Dickinson poems that Buffy had to read when she was in junior year, too. You probably borrowed it from her closet, actually, where she keeps all her old high school stuff. That’s not the problem, though. It’s that Spike’s gone and swung himself across the seat right next to you, spread-kneed with arms folded and resting on the chairback. You shift obligingly, murmuring something just out of earshot to him, and he seems to be considering your words thoughtfully—for him, at least—gesturing to the text on the open page before you.

She watches Spike watch you as you’re preoccupied with getting your essay perfect. He used to look at her like that. In fact, he hasn’t so much as glanced her way like he would usually. She doesn’t know what to make of it.

“It’s weird, right?” Willow’s nervous voice interrupts her focus, and she turns to find her staring in exactly the same direction. “That. It’s like, all sorts of ooky.”

“Spike’s, um… he was a poet, wasn’t he?” Tara asks, uncertain. “It’s no–not that weird. He prob–probably knows a lot and wants to he–help with her assignment.”

Suddenly, you laugh, drawing their eyes back to you. Buffy’s stomach twists. That laugh—light, happy—doesn’t belong here. Not in this context. Not with him. Spike’s grinning at you, unaware of all the attention on him. Even Dawnie seems a bit startled, her gaze darting from you to him and back again. And you… you’re looking back at him like he’s a good friend of yours, like he’s safe. Like he’s normal, and not the soulless demon who’s caused so much hurt to so many people in the room right now, who would go on to cause even more pain and suffering if not for the leash in his brain keeping him from harming them. It’s like watching someone pet a cobra and call it a puppy. And Spike just… lets you.

“Yeah, right.” Xander huffs, scathing. “He’s probably thinking ‘gee, maybe the Slayer’ll get the lust on for me if I play besties with little sis’―”

“Unlike the rest of you,” Giles cuts across, adjusting his glasses, “I have little care to understand why Spike does what he does. So long as he is being useful and is leaving Buffy be, then by all means… Shall we return to the problem at hand?”

Buffy nods absently, mind still whirling as she tunes back in to the previous discussion. She can totally do two things at once. Xander’s right. Spike’s probably just trying to get her interest. Is it that you’re her younger sister, or is he trying to make her jealous? That won’t work. You don’t get involved in stuff like that. She’s wondered if you even notice boys sometimes, let alone get dragged into some messy demon-y love triangle. Line. Whatever. So it must be him thinking that you’ll get him on her good side or something, which ew. Talk about desperate.

It’s a good explanation. Perfect, actually. If only her chest didn’t feel tight in that way it gets when she knows, deep down, that she’s missing something. Not danger. She knows that feeling too well. This is worse. It’s something personal. Something close.

“… your thoughts, Buffy? Buffy? Buffy!”

“Huh?” Giles’s face is unimpressed. Buffy smiles apologetically, turning to face him properly. “Sorry. Problem-Solver Buffy, reporting for duty. Hit me again.”

For now, she’ll have to deal with the weirdness. She’ll figure it out later. There are more important things to worry about… like superstrong robot girlfriends causing havoc across Sunnydale. When did it begin?

Since you came back. The thought pops unbidden in her head as she tunes in to Slayer mode. Hm.

The muscle below his eye twitches as he watches Spike across the cemetery, moonlight tracing the sharp lines of his face. The graveyard is silent now, empty of mourners, the solemn faces of those in black who came to watch as Joyce Summers was laid to rest in the ground. Even Buffy is home now, numbed and tired from the hours spent cradled in Angel’s arms. Just faintly, his senses pick up the murmur of hushed voices: yours soft and raw, Spike’s a slow, gentle rumble. Of course he’s found a way to worm his way in, always lurking where he doesn’t belong.

You stand too close, arms wrapped tight around yourself and shivering despite the mildness of the night air. It’s the first time he’s seen you since you were sent away. Since Angelus. You were small then, too. Frightened, stalwart in your sadness over Buffy having convinced Joyce that spending some time with your father might make the night terrors go away. A cover that should’ve put you out for a month, maybe two, and instead led to years of isolation, all because of him. Guilt congeals acrid in the back of his mouth, from memory and from here and now, blurring together. He didn’t even think to check on you, so wrapped up in Buffy’s grief as he’s been. You look like Buffy did after the funeral. But not the Slayer version—the kid version. The girl who used to beg her mother for a later curfew. The one he couldn’t save from heartache, then or now.

He sees Spike shrug off his duster and drape it around you, fingers lingering on your shoulders. You tug it closer, inhaling deeply, the sleeves all but swallowing your hands. You look like a child in too-big clothing, hunched as though grief itself is sitting on your shoulders. Your eyes are puffy and red as you look down at the hole in the dirt, the place where what is left of your mother now lay, your cheeks streaked with the gloss of tears that glimmer under the glow of the night sky. Angel can hear the ragged edges of your breathing, the way you try and fail to even it out.

And Spike—

His posture’s casual, the type of relaxed Angel knows is deceptive, calculated. His focus is wholly on you, head bowed, eyes flicking over your face as if memorizing every twitch and quiver. His fingers find the crook of your elbow, stroking gently. Too practiced. Too careful. As if care could be learned by imitation. He’s never mastered the art of guile, for all that Angelus tried to beat it into him. Too soft. If not for the hair, the coat, Angel might mistake the demon ahead for the human he’d been.

It’s not just the way he looks at you that bothers Angel. It’s the way you look back. The small, anxious clutch of your fingers on his lapels, how you lean instinctively into the rumble of his voice, unguarded, drifting closer as though the space between you is a safety net. Spike’s too close, saying something low that makes your lips quirk up in a wobbly, trembling smile. His answering smile, lax around the edges, is unsettling—not the predatory leer or cocky smirk Angel’s used to seeing on his face. You step toward him, easily accepting the embrace he offers, and the way you fold into him makes the hairs at Angel’s nape rise.

He clenches his fists. It’s an act. It has to be.

Pushing forward, his bootfalls are deliberate and heavy, purposeful, and the noise draws your attention as he knew it would. The talking stops. You glance up, startled, and Angel takes note of how quickly you wipe your eyes, trying to hide the tears. Spike’s features harden, his mouth curved into a stubborn, disdainful sneer.

“What are you doing here, Spike?” Angel demands, crossing his arms. The chill of the air seeps through the layers of his clothing.

Spike smirks. “Nice to see you too, Peaches. Out for an evenin’ stroll?”

Angel’s glare doesn’t waver. “Get away from her. Now.”

You wince, but Spike doesn’t move. Instead, he lets his thumb brush the back of your arm, a gesture so brief, so casual that Angel might’ve missed it if he wasn’t watching so closely.

“Girl’s having a rough go, not that you’d notice,” Spike says arrogantly, “trailing after Buffy like you’re her bitch. Thought someone ought to check in.”

Angel’s eyes dart back to you, ignoring the barb. “You can talk to Buffy. Or Giles. Not him.”

“I tried, but… She’s got so much on her plate. She’s doing her best. I don’t—I don’t blame her.” You sigh, weary, pulling Spike’s coat tighter around you. “I just… I needed someone who could listen. Without trying to fix it.”

Spike glances down at you, the hardness in his gaze melting like ice in the heat. “Gotta let yourself feel it, pet. S’not weakness.”

You look up, eyes wet. It’s as though you’ve forgotten Angel exists. “It’s stupid,” you whisper. “I keep thinking she—she’s gonna just… walk in, tell me to wash my face, snap out of it.”

“Not stupid.” Spike’s mouth twitches. “Just means you love her.”

The words hang heavy in the air for a beat; two; three. Your chin dips, face crumpling, and Spike’s grip tightens, hand sliding to span the back of your head. You lean fully into him, forehead pressing to his chest, and he mutters something too low for Angel to catch. It makes you nod, knuckles clutching his red jacket. His hand drifts to your spine, drawing soothing circles, gentle and patient. It looks practiced. Habitual. Wrong.

“You’re using her,” Angel growls at him, feeling a bit of fang slip with the flare of his temper. “Trying to get to Buffy. It’s pathetic.”

Spike rolls his eyes. “Oh, right. Because I’m raring for the Slayer’s approval. Tell yourself whatever helps you sleep, mate. Assuming you can.”

Angel’s jaw clenches. “If you think for a second that I’ll let you manipulate her—”

“Not manipulating anyone,” Spike snaps, snarling. His arm curls tighter around you, unconscious. You glance between them, wary. “She’s grieving. Thought I’d help.”

“Help yourself, more like.”

Spike’s eyes flash, his own fangs bearing down against his lip. “Don’t care what you think, sire. M'here here for her. So unless you plan to dust me, sod off.”

Angel hesitates. He’d like to. It’s bad enough that Spike’s been after Buffy. But she can handle herself—you’re too easy a target.

“It’s okay,” you say then, shifting in place. You press closer to Spike’s side, entirely unbothered by the appearance of his game face. “He’s… he’s my friend. He’s kind.”

Spike scoffs. “Careful, pet. Man’s liable to think I’ve gone soft.”

“Nah.” You shake your head, the side of your mouth curling up ever so slightly. “You’re evil, remember?”

“Too right.” It’s warm, indulgent.

The words land heavy in Angel’s chest, like stones in a sinking ship. He glowers. “This isn’t a game, Spike.”

He’s not talking about Spike’s sudden helpfulness. The meaning is clear. ‘Not her. She’s too good for you.’

Spike stiffens, drawing himself up to height. “Never was. That’s your problem, Angel—you think everything’s about you. S’nothing to do with you, or anyone. Just me ’n her.”

Angel’s scowl deepens. “If you hurt her—”

“Get in line,” Spike interrupts, all arrogant swagger. “A popular threat, where she’s concerned.”

Angel’s stare lingers on you, on the openness of your expression: face relaxed, eyebrows tilted upward, lax jaw. He watches the way you lean into Spike, nonchalant, his grip proprietary.

“You deserve better,” Angel says.

“Maybe. Maybe not.” You hold his gaze, unconcerned and unafraid, bolder than he remembers. Surely, it’s easy for you to front up to him when you’re tucked under the arm of someone like Spike. “Either way, it’s my choice to make.”

He eyes Spike, who glares back with an unspoken challenge. ‘Leave,’ he says without speaking. ‘Go back to where you came from. You aren’t needed here.’ Eventually, Angel turns away, shadows clinging to him. “If he lets you down—”

“He won’t,” you say, conviction lacing your voice.

The certainty makes Spike’s eyes widen, smile hinting at the edges of his mouth, a glimmer of something raw and unspoken to be read in the planes of his face. Angel’s frown deepens. How can you trust him? What has he ever done to deserve your confidence? Angel earned Buffy’s affection, her faith, and look where it got him: no girl, no love, no happy ever after. It’s as though Spike hasn’t even had to try, the resentment a sword to his chest all over again. He murmurs some vague attempt at goodbye, an invitation to reach out if you need anything, though you and he both know you’ll never do it. You’ll never need it. Spike, he snubs entirely, suddenly exhausted, not wanting to see the victory in the set of his frame. As he sets off, a shade in the moonlight, he expects some final dig to reverberate across the cemetery, some juvenile taunting yell that’s so typical of the other vampire. Instead, nothing. Angel turns, taking one final look at the pair of you, standing together so damn closely.

Cigarette smoke drifts up, curling in revolutions from Spike’s loose grip. “Brave girl,” he tells you, fond.

“Or stupid.” You sigh.

“Never that, pet.” Spike’s palm drops to the small of your back, spanning wide. He cards through your hair, rubbing the strands between his fingers. “Never that.”

Angel swallows, flexes his fists once, again, and walks away.

He doesn’t hear what Spike says next. Doesn’t see the way you press your cheek into his shoulder like you’ve done it a hundred times before. He never sees it coming. That’s what hurts most of all.

The sun is setting, the sky colored in bruised purples and fiery oranges. Anya leans against the half-wall that separates the porch from the side of the Summers house where she slumps, watching as night falls. A storm is brewing. A metaphor, maybe, but it definitely feels like something’s up with the world. It’s like the Earth knows what’s about to happen, what they’re up against. Dawn’s in trouble, and they have to save her from the hellgod who wants to bring death and destruction to this dimension.

Everyone inside is tense: dealing out weapons, talking through battle plans, trading worried looks. Buffy’s on a rampage, taking everything anyone says the wrong way, as an attack on her littlest sister—especially Giles. He only suggested killing Dawn once, and he apologized for it, but Buffy won’t let it go. Willow’s busy trying to distract Tara from walking out the door until it’s time to fix the brain-suck Glory pulled on her, so she can’t stop them from fighting like she would normally. Xander’s the one trying that, and even though Anya loves Xander, he’s not the best at calming people down. So yeah, everyone’s freaked, driven to it by all the waiting, trying to pretend like they aren’t secretly hoping for some miracle.

Anya doesn’t believe in miracles. She’s lived for a thousand years. She believes in what’s real: power, blood, the occasional loophole in cosmic prophecies. She knows the sound of desperation, though, the smell of it, even if she doesn’t have her old senses anymore. But that doesn’t mean she doesn’t understand what she’s seeing now.

Spike’s standing in the front yard under the tree, far enough away that he probably can’t tell she’s out here too, smoking one of his cigarettes with a too-casual stance that only makes the tension on his face more obvious. He’s not alone: you’re with him, arms hugged to yourself like you can keep all your bottled-up worry and fear from exploding out. Anya’s watched the two of you skirting around each other for weeks now. She’s not the only one who’s noticed. Most of the others have. They’re just too determined to pretend they don’t know what it means.

She remembers the argument from earlier, how Buffy and the others tried to order you to stay behind, to leave Dawn’s fate to the rest of them. ‘Too young,’ they said. ‘Too helpless.’ Anya disagrees. She knows better than most that appearances can be deceiving. The fire in your eyes reminded her of a certain vengeance demon who once went toe-to-toe with hell lords and never flinched. She wasn’t all that shocked when you refused them, furious, but it was Spike’s support that threw her a bit. He sneered at them, claiming he’d make sure nothing happens to you. After you stormed outside, he rounded on the Slayer, reminding her how headstrong you were when you thought you were right, asked how she planned to stop you from following after. That exchange was ugly.

Buffy’s eyes narrow, lips pulled into a thin, furious line. “You think you can keep her safe?” she snaps, crossing her arms. “Like you kept Dawn safe?”

Spike’s jaw tightens, muscles twitching. “That was a trick. Can’t fall for the same one twice.”

“Doubt you’ll get the chance,” Buffy says, voice cold as a blade. “If you even think of letting her get hurt—”

“Yeah, yeah. Big, scary threats,” Spike drawls. “But if you think anyone’s gonna keep her from fighting, you’re wrong. Least this way, I’ll be there when the fists and fireballs start flyin’.”

For a moment, Buffy looks like she might argue, but then her shoulders sag, and she nods sharply. “Fine. But if she dies—”

“I’ll be dead first,” Spike interrupts. The promise lands heavy and solid, and Buffy’s glare softens, but only slightly. She turns away, shoulders stiff. He watches her go, tension simmering, then stalks outside.

Anya ducks a bit further down when Spike starts speaking, not wanting to get caught. Something’s telling her she’ll want to hear whatever it is that’s going on.

“I might die tonight,” he drawls, flicking ash to the ground. His voice is rough, a strange sort of fragility lurking underneath. Her brows arch. It doesn’t sound like his usual bravado.

Anya’s eyes flicker over Spike’s tense stance, and she huffs softly. She’s never understood him. A vampire with no bite, a demon mooning after a Slayer and now her sister. Pathetic, she’d say, but he fights for them anyway, chipped or not. Sometimes, she thinks he’s a fool. Other times, she wonders if he’s the only one who really gets it—that love comes with a cost.

You startle, brows knitting together as you frown. “Don’t—don’t say that.”

“Why not? Might be true.” Spike’s smirk is twisted, bitter. “Glory on the rampage, me all chipped ’n useless. But if—”

“Stop it,” you mutter, grabbing his sleeve. “Don’t give me your ‘if I die’ speech.”

He huffs a bitter laugh. “Feels like the end, luv. Night like this—you say your piece or regret it forever.”

He tosses the cigarette, the cherry glowing and then fading in the grass. He doesn’t look at you, jaw tightening. “Bloody hell. Can’t believe I’m doing this. Stupid. Pointless. But when you’re up against a soddin’ hellgod and odds that make death look cozy, what’s the use in leavin’ things unsaid?”

He huffs, scrubbing a hand through his hair, agitation radiating off him. You stay silent, but the concern shows in your face, your posture.

“Suppose I should’ve said something sooner,” he continues, half to himself. “Not like I’m any good at this. Maybe never was. Back when I was… well, different story. Used to be all flowery words and grand gestures. Always had to prove meself.”

He risks a glance at you, eyes flicking away when they meet yours.

“Not much of a man now, am I? But the way you look at me… bugger me if it doesn’t make me feel like I could be.” He forces a chuckle, brittle around the edges. “Maybe it’s my own foolishness talking. Wouldn’t be the first time.” Spike stops, swallowing hard. “But if this is the end, I need you to know that… that every stupid poem I scratched out, back when my heart was still beatin’—they were shadows of what I feel now. For you.”

You take a slow, shuddering breath, eyes wide and lips parted in a soft ‘O’ as you stare up at him. The porch light’s come on, the glow shading warmth into your expression. His fingers reach out and touch, delicate across your cheekbone, down to cup your chin. “You’ve gone and wrapped yourself ’round me. Tight as sin, sweeter than blood. I can’t stop wantin’ more… Reckon I never will.”

You’re voiceless, your mouth opening once, then again, before giving up. Anya smirks to herself. Powerless in the face of blunt truth. You mortals and your weird little problems.

Spike rubs the back of his neck, avoiding your gaze. “Said more than I meant to already. Should shut up before I make an even bigger mess. Send you runnin’. Hell, maybe I deserve it. Always cocked things up when it mattered.”

You inhale sharply, staring at him. “Oh…” You swallow. “Spike…”

His smile widens, but it’s not a happy thing.

“S’alright, pet,” he says, stepping back a foot. Ash is smeared across your cheek. “Not expectin’ anything. Just wanted to say it.” He hesitates, gaze dropping. “Never thought I’d be worth a damn to anyone, not really. But you—hell, you make me feel like I am. Like I’m enough. Like there’s somethin’ good left in me worth savin’.”

He turns to go, but you stop him. “Wait―I―”

The surprise on his face might seem deliberately put there to anyone who doesn't truly get demons. Anya knows it’s real. He really wasn’t expecting a response.

“You are enough. You are. And I―” You huff, biting your lip and averting your eyes. “You weren’t supposed to… be this—this important. To me.”

He looks at you then, eyebrows drawing together. You twist at your fingers, looking as though you’re desperate for something to hold on to.

“You drive me crazy,” you say suddenly, words tumbling. “With the attitude, and the way you think you can just―just―say stuff like that, like it doesn’t mean anything. Except it does. It does, and I—” You stop, breath trembling. “I can’t―I can’t lose you.”

His eyes widen, mouth opening, but you plow on, words spilling over themselves. “I didn’t mean for it to happen, but it did. You make me feel… like I can breathe, even when everything is falling apart. And I know it’s insane, and I shouldn’t, and everyone will hate it, but I—” You take a breath. “But I’m already lost. I don’t want to find my way back.”

Something startlingly human spreads across Spike’s face. He cocks his head as he stares down at you, shy wonder making his features less cutting. It’s as though he’s just a guy and you’re just a girl, and this is just a scene out of an ordinary life.

Suddenly, you laugh, a short, small sound, but it breaks the oppressive atmosphere. “Damn. This is so cliché,” you say, shaking your head ruefully. “It’s like we’re in a movie.”

The mood shifts, and with it Spike’s distinctive brashness returns. His posture adjusts, less bumbling fool and more leonine hunter, tongue curling behind his lip in invitation.

“Yeah?” he asks, sauntering into your space, up close and personal. “Pretty sure the sort you mean ends in a kiss. Rounds out all the talk.”

He’s goading you, trying to recoup and save face, but it’s also an offer veiled by provocative words. Anya sees your uncertainty, the red flush working its way across your skin, and her anticipation begins to fade. Darn. She should’ve expected you to quail under the full force of his charm. She’s realistic enough to recognize that even she wouldn’t be unaffected by him. He’s very pretty for a vampire, and he knows it.

But wait—

After a moment of vacillation, you surge forward, fists grasping the collar of his duster to pull his mouth to yours. Spike’s eyes widen briefly before sliding shut, hand tangling in your hair. She watches your lips mash together awkwardly for a second before Spike takes over, tilting your head just so until you slot together like puzzle pieces, your bodies converging to match. He kisses you like he’s memorizing the shape of your mouth, the taste of you, like it’s the last time he’ll ever kiss anyone—and it might be. It’s intense. Desperate. Romantic.

You let out a squeaking sort of sigh, muffled, a sound answered by the bass growl of the vampire attached to you as his arm spans across your waist, raising you up on tiptoes and into him even further. The flickering globe lighting the front of the house paints shadows across your entwined forms. The corners of Anya’s mouth lift.

You look very nice together. The sex will be great, she’s sure—when you’re ready, of course. And you could do worse than someone like Spike, who definitely has decades of experience in giving pleasure. She’s happy for you. Quality orgasms are necessary.

But there’s an obvious catch. Buffy, Giles, Xander—they’ll hate it. Spike is nothing but a monster to them, a rabid animal on a choke chain. No way they’ll tolerate his increased presence, never mind the very idea of him even touching you. You might get Tara and Dawn on side—and if you have Tara, you’ll most likely get Willow, too—but the possibility is far-fetched. Even if you do, it’s easy enough to sway them. Anya’s seen it in action time and time again. She knows how it’s going to go, when this gets out: they’ll call it disgusting, wrong, the scheming of a soulless demon. She can already hear it.

In her heart, she wishes they were more understanding. Humans make love messy when it doesn’t have to be. Demons love simpler. When they want something, they take it. No wringing hands, no guessing games. But there’s something intoxicating about all the fussing. She understands why some demons get obsessed.

Anya crosses her arms, thinking back to Xander’s proposal—so clear, so certain, like he’d already made the decision a hundred times before asking. It’s a rare, beautiful thing, certainty. Not like the mess playing out on the lawn now. She thinks about the ring, nestled in the little black box Xander offered. She didn’t take it then—no point in promises if they don’t survive the night—but the offer sparked something bright and unexpected in her. Delight, disbelief, a warmth and depth of emotion she didn’t know she was capable of. A reminder that demons, ex or otherwise, can know love as fiercely and deeply as any human.

Watching as the kiss breaks, Spike’s forehead resting against yours, she sighs. When it blows up, and it will, she’ll inevitably be dragged into it. Great, she thinks. More drama.

But, as she sees you embrace under the steadily darkening sky, she can’t help but feel a pang of… something. Envy, maybe, at your audacity. Nostalgia. Or the bitter understanding that love is a gamble, and fools are the only ones brave enough to take it. But it’s a gamble worth fighting, worth losing, maybe even dying for.

Giles stands in the corner of the back room, pretending to clean a counter already spotless. The pretence is for your benefit, perhaps Spike’s too, but not his own. He knows exactly why he’s here. Buffy is dead. And you, her younger sister, are throwing yourself into the very life she died living. He tells himself it’s just concern, that he’s watching to ensure you’re safe, but it’s more than that. With Buffy gone, everything he failed to protect now rests in you. And Spike—compulsive, volatile—is the one you’ve chosen to help carry that weight.

The Magic Box is still and dim, cloaked in that aching quiet that has lingered since her death. The only sounds are the thud of your fists on the heavy bag and Spike’s low, muttered instructions. You’re quick, focused, but Giles can see it in the way your shoulders tighten, the way your mouth presses into a hard line. You’re angry. You’re hurting, and Spike is right in the middle of it.

Once, he stood in this very spot and watched Buffy move.

Not like this.

She was light, fluid, grace sharpened into purpose, a dancer in motion even at her most frustrated. He remembers the flash of her blonde ponytail in the air as she twisted into a spin-kick that sent the padded dummy reeling. How she bounced on the balls of her feet with a smirk and said, “Again?” even when sweat was dripping into her eyes.

He remembers correcting her stance, only for her to adjust slightly wrong on purpose to get a rise out of him. The way she’d laugh when she nailed something new. How she complained, always, but never stopped trying. Now, the echoes of those moments sit in the corners of the room like ghosts. But watching you move—raw, stiff, driven by pain instead of instinct—feels like watching someone drown slowly under the weight of her shadow.

You decided to train properly just days after her death. It’s understandable: each of you have found your own methods of working through your sorrow, Dawn blaring her uncomfortably loud music from within the confines of her room while you find yourself here, or away from the house, out at all hours of the night. The others are wrapped up in their own hurt, the wound too fresh to consider the plight of the Summers girls beyond the most basic of necessities. While Giles cannot make himself comfortable with the notion of you in any sort of battle, at least here he can keep vigil. For her.

You aren’t built like your elder sister: your frame is too slight, too small, and your punches lack the power to truly hurt. You’re about as threatening as a fly, but Spike does not coddle you.

“Potential there, yeah?” he said enigmatically when last Giles asked, smirking. “Something raw ’n fierce. She’s no Slayer, but she can surprise a nasty or two.”

When Spike offered to train you, he framed it as a way to keep you from getting yourself killed on the patrols you’d abruptly become insistent on joining. It is your way of honouring your sister’s sacrifice, Giles thinks, though he wishes you might choose some other means. With the Slayer gone, there were none suited to the task save Spike, and thus the proposition was reluctantly agreed to. The chip in the vampire’s head makes his sparring with you impossible, much to everyone’s relief, but he has turned instruction into drills for evasion, for striking with speed and precision, for using your size to your advantage. You’ll not make for a spectacular fighter, no, but Spike ensures you might hold your own.

“Footwork,” the vampire barks as you stumble back from a missed hit. “You’re dancing like a drunk. Move your feet.”

You scowl, breathing hard. “I am moving.”

“Yeah, like a duck. Gotta be faster, light on your toes.” His gaze flicks over you, lazy but appraising, lips curling. “All that talk about training—wouldn’t want to bruise anything too delicate, would we? Keep your face pretty. Gotta keep the goods intact, yeah?” He leans closer, a teasing lilt in his voice. “Though you might wear a bruise well, pet. Bit of edge suits you.”

You bristle, cheeks flushing and indignation flaring in the pout you level him as you obey, focusing on the way Spike glides predatory, almost elegant. He demonstrates a simple but effective series of moves, unnaturally fast, hands ghosting close but never touching. Giles can see your mounting frustration at your inability to replicate the finesse of the supernatural, limbs shaking with exertion.

You lunge abruptly, no rhyme or reason to it, throwing a punch that flies wide. Spike dodges easily, grinning. “That it? Come on, you can hit harder than a wet noodle.”

“Not like you can punch back,” you mutter, blowing a strand of hair out of your face.

His eyes narrow, playful. “Then make me dodge.”

You strike again, quicker this time, a low jab aimed at his ribs. He twists away, swift as a snake, but instead of stepping back, he moves into your space and catches your wrist in a carefully firm grip. Before you can react, his other arm wraps around your waist, pinning you flush against his body. Giles jumps, box slipping from his hands to the counter with a dull thud. Neither of you appear to notice.

“Close,” Spike is murmuring to you, voice a rough rumble, “but no.” His hand slides down a bit, fingers splayed against the curve of your hip. His mouth brushes your ear. “Distracted, baby? Can’t blame you. Hard to focus when you’re all tangled up, yeah?”

His hand twitches lower―just enough to provoke, to threaten―before releasing you with an odd little twist to his lips. Giles stiffens, teeth clenching as he looks on, sees Spike’s regard intent and glimmering on you. For a moment, he thinks the vampire wishes to bite you, to drain you dry, but in an instant, the moment is past and you return to starting positions.

It is hard to watch. But watch he must, for it has long been his mandate to guard against the malevolent creatures who hunt and slaughter innocents. Not only that, but in Buffy’s absence―the pang each time the memory resurfaces of her lying there atop the rubble nearly bowls him over―someone ought to keep their eye on this strange development between the pair of you.

“Ready?” Spike’s tone is clipped, stance relaxed. “Again.”

Giles watches as you push harder, your muscles trembling, frustration mounting with every falter. Spike’s needling is mild but targeted, sustained, enough to build up the uncharacteristic anger in you. The vampire never raises a hand against you―he cannot, after all―but he pushes, demands, making you curse your own limits and curse him just the same. He’d perhaps be grateful for the efforts Spike is undertaking if not for the way his gaze lingers a fraction too long, or how carefully he listens when your voice cracks.

He’s tried to intervene. Truly, he has. It seems from the very second you returned to Sunnydale, armed with a superciliousness that can only come from having attended an institute like Thacher for near three years, you have met his every entreaty with a discourse on the intellectual failings of dichotomous thinking. Spike has no soul―one cannot unilaterally quantify a soul’s impact on the quality of personhood. Spike is evil―‘evil’ is subject to time, place, culture, any number of qualifiers that make it impossible to define concretely. Spike can only cause harm―then that is your cross to bear, and your lesson to learn. Interesting, certainly, but gullible. The accusation that Giles is in some way lacking rationality is galling, though he sees your point. However, he’s seen Spike in all his unholy glory, knows what he is capable of. You can question the basis of his suspicion all you like, but it does not change the simple fact that Spike has done things that even the most abominable human beings would shudder to behold, and he has rejoiced in the horror.

Ben, hand clawing at his arm, weakly trying to twist away—No. His thoughts turn back to you.

You protest Giles’s every exhortation, strong-willed, resilient and reckless in such an unassuming manner that it terrifies him. You aren’t a Slayer, but you are a Summers, and let no one tell you what you can and cannot do. You insist that Spike is helping. That you need the distraction, the outlet. That you need someone who sees you for more than the grief and the guilt that plague your waking hours. And perhaps that’s what terrifies him most: that Spike might actually be helping. That darkness, once cut loose from consequence, can learn the shape of meaning, wear it like a mask.

Over the following weeks, Giles observes from a distance, acutely aware of how your dynamic with Spike has changed. The vampire’s instruction has become softer, more invested. Confident, maybe, in the lack of challenge to his conduct. Spike encourages you, listens to you. Something protective lays in the way he steps closer when your voice wavers or when fatigue drags your movement. Giles sees it all.

The contradiction bothers him. Spike has no soul, his every innate impulse leashed by the metal sliver in his skull. And yet, here he is, teaching you, protecting you, caring. The chip keeps Spike in check, but it does nothing to curb emotions. Even a soulless vampire can develop fixations, obsessions that mask themselves as something softer, sweeter. Spike is a being of passion, his fascinations consuming. His almost violent preoccupation with Buffy has transmuted, found a new form in you as he reveals himself a man possessed, but it is the way you look back that worries Giles more. Longing, visceral and bursting. You cling to him like a tether, held together by someone just as lost and just as dangerous. He knows that Spike would chomp at the bit to take you in hand, to save you, possess you; though for what purpose, he knows not. It gnaws at him.

Giles lingers late in the shop now, a Watcher in a ghost town, listening to your sessions with Spike. He tells himself it is concern that keeps him still, ears searching for snippets of conversation―but the more he hears, the more he realises with growing dread that there is something more to your connection. Mouths too close. Bodies too familiar. Words too tender, hidden behind closed doors and from averted eyes. Spike is no longer a distraction. He’s become vital, like breath, like blood. A companion, a confidant. The full scope of it hides below the surface and out of Giles’s sight, save for the ripples of recognition that make themselves evident in gradual increments.

The question eats at him: what happens when Spike’s obsession inevitably turns darker, when fleeting touch and veiled intent no longer serve his desires? Will you recognize the danger before it consumes you? Will you even care? Though it keeps him up at night, Giles cannot bring himself to confront you. Not yet. Grief drives people to foolishness, the need for comfort outweighing common sense. He’s considered confronting Spike directly—pulling him aside, demanding he explain himself, threatening consequences if he oversteps again—but what good would it do? Spike would only smirk, lean back with that insufferable slouch, and twist concern into something vulgar. A taunt, a dare. He would make it a game, because that’s what vampires do. They play at humanity. And Giles is so very tired of playing.

The time for subtlety is drawing to a close. He must make you understand the risk, even if it costs your trust. Watching isn’t enough. Not anymore.

Upon an evening after your training comes to a close and you rest, smarting and sore as Spike prowls away to his shift on patrol, Giles corners you.

“You’re playing a dangerous game,” he begins, the edge in his voice betraying his fear.

You look up at him. He sees it in your face when you grasp his meaning, your nostrils flaring just the once, frustration fleeting. “I know what he is,” you say after a pause, quiet and tired. “But that doesn’t mean he can’t choose to be more.”

Giles sighs. “He’s a vampire. Change isn’t in their nature.”

“Isn’t it?” you challenge softly. “He protects Dawn. He fights the good fight. He ca―He’s… trying. That has to mean something. Maybe he just needs a chance. Maybe everyone does.”

“Naive,” Giles mutters, pinching the bridge of his nose. “Evil doesn’t change. It adapts.”

“Maybe I’m wrong,” you admit, gaze unwavering. “But if people never get a chance to be better, what’s the point? Even you gave Angel a chance. Or was that different?”

Giles looks away, ashamed at how small the truth sounds when you say it like that. He absently pats the pocket of his jacket, fingers brushing the edges of a plane ticket he hasn’t yet decided to use. He doesn’t know if it’s cowardice, or mercy, that’s kept him from boarding it. “He had a soul.”

“And Spike has a choice.”

Silence hangs between you. Giles wonders if you’ll ever understand what he’s seen, what he’s lost. But the fire in your eyes is familiar. Unyielding. He thinks of Buffy, of her tenacity and persistence, and then of you: juvenile, grieving, determined to carry burdens too heavy for your shoulders. With her gone, he is supposed to protect you. But how can he protect you from yourself?

There is no future to be found here. Not with Spike. Not like this. And if Giles does not leave while he still can, he will remain stuck, resigned to watching the inevitable fall.

God help you both.

Dawn’s tears feel cold as they slide down her cheeks. She’s not sure if she’s crying because she’s angry or just tired—but either way, she’s so sick of them.

She doesn’t mean it. Deep down, she knows that. They’re trying. They get her up in the mornings, drive her to school. Pick her up, spend afternoons making stilted conversation. They help you with the bills, with dinner, with making sense of all of Buffy’s ID stuff so that Social Services still thinks she’s in the picture. Dawn sees the self-help books they hide whenever she enters the room, the step-by-step how-tos on helping their child cope with loss. There probably isn’t one on ways to fix a ball of mystical energy after her fake mom and fake sister die. She hates how they avoid it, how they won’t say Buffy’s name. The looks, the half-finished sentences, the careful choice of words. It feels like they’re all pretending. Months have passed, and nothing’s better. Mom’s dead. Buffy’s dead, and no one wants to say it out loud.

Tara’s soft voice echoes in her ears, gentle, soothing, so understanding it made Dawn want to scream. Willow’s hovering didn’t help either. It felt like drowning in marshmallow fluff. She had to get out. She needed air, space, somewhere she wasn’t the Key or a broken kid sister. Somewhere no one would baby her, hover, be in her face all the time.

It’s kinda depressing, but the cemetery has always felt peaceful to her. It’s familiar: the dirt beneath her sneakers, the rot of dying grass, the mildew dirtying the headstones that stick up like crooked teeth out of the ground. It’s bleak, but honest. The air feels cleaner here, cool and bite-y, a reminder that she’s still alive.

“The hardest thing in this world is to live. Be brave. Live… for me.”

Buffy’s last words hit her like a hammer, shocking her with a fresh wave of sadness prickling in the corners of her eyes. She looks up. The stars are out, cold and distant, glinting in the sky so far above her. It’s comforting, in a way. They’re all trapped in their own galaxies billions of light years away, never getting to meet each other. Alone in the dark, just like her.

Her vision blurs. She swallows hard, the lump in her throat thick and heavy. Everyone leaves her. Mom and Buffy, bodies in the ground, Dad and Giles an ocean away. She feels small. Insignificant. But at least here, the quiet feels less accusing, less full of expectations. She drags in a breath, shaky but grounding.

Shivering, she looks around as she nears Spike’s crypt. Everyone thinks she’s pretty weird for hanging out with him sometimes, but he’s the only one who doesn’t try to tell her everything’s going to be okay. He doesn’t try to make her talk. Sometimes, he doesn’t even say hello to her. He just nods at her, lets her sit there in silence until the anger and the hurt melts away. Spike is… Spike. He gets it. She remembers what he was like before: obsessed with Buffy, creepy and desperate, kinda vicious in his insistence that her sister felt something for him. The way Buffy looked at him—like he was disgusting, an ant under her shoe, like he was less than a bug to her—comes back to her. That was always painful to watch. But he learned from it, grew, turned his feelings into something else. He got less threatening and aggressive; pulled back, focused less on her and more on what was important to her, on you and Dawn. Showed Buffy that he could be someone to rely on, someone to help with the Slayer’s kid sisters.

Guilt eats at Dawn. She hasn’t come to see him a while. All the Scoobies have taken up so much of her time by dragging her through the motions, convinced that she’ll move on with her life if they remind her to do her homework and stick a chore chart on the fridge. She’s seen him plenty at home, but it’s always hard to tell how someone’s doing when they’re just visiting.

I guess I’ll find out, she thinks with a slight prickle of nerves.

As she draws closer, she instantly notices something off. She squints, taking in the sight of the stone outside. Is the door… painted? Yup. Still has that slightly funky chemical smell, so it’s gotta be pretty fresh. The stoop is clear for once, none of the crackly dead leaves announcing her presence under her feet, and there’s a broom tucked behind the pot plant. Weird. There’s even a flowerpot sitting next to the column, a splash of bright. The inside is cleaner than she remembers: swept floors, no cigarette butts, the beer bottles gone. A faded throw is tossed over the back of the armchair Spike took from their house, and the moldy damp smell seems a little less intense.

Huh. Spike isn’t exactly Mr. Domestic. What gives?

It takes her a moment to realize that the trapdoor is open. He doesn’t usually leave it like that, whether he’s out or staying in. She’s heading for the ladder before she’s fully aware of it, careful not to make a sound as she goes down. Her steps are light, cautious, not wanting to disturb Spike, or whoever’s in here.

Edging along the wall—not too close, because erghh and ick with the spiderwebs—she’s just before the bend when her ears pick up voices. More than one. Muffled, but clear enough to hear the difference. One is definitely Spike’s—gruff, low, offensively British—but the other one is… softer. Younger. Familiar. Her heart lurches before she can stop it.

What are you doing here?

Her curiosity outweighs her sense, and she peers just around the corner to see you. And Spike. You and Spike, together.

Her eyes widen. Spike lays in bed—a real one, not a ratty cot or a stone slab—bare-chested and propped up by kitschy pillows that match the new rugs on the floor. You’re spread out atop him, equally free of clothes, your chest pressed to his so that all she can really see is the span of your back and the way Spike’s fingers trace lazy circles across your skin. Your cheek rests in the crook of his neck, your hair messy. The rumpled sheets barely cover some seriously X-rated stuff, though Dawn can tell that your legs are tangled together, and that his other hand is on your thigh beneath the coverings. It’s obvious what you’ve been doing. The scent of it clings to the air: sweat, skin, warm and strong. Heat climbs her cheeks, but she can’t look away.

She knows this is a scene she was never meant to see. Something private. It makes a strange, painful knot form in her stomach, but at least she’s finally figured out where you’ve been going now that you’re not at home as much. You’re here. With Spike.

Privacy, boundaries, respect, blah blah blah, she thinks, intending to back away until you speak again, finally near enough that she can hear you.

“… and I—I can’t fall apart,” you say, voice thick with sadness. She finally takes in your expression: crumpled, eyes rimmed red. The kind of face you make when you’ve cried too much and can’t anymore. “Buffy’s… she’s gone. Mom’s gone. And I―”

Spike hushes you, gaze locked on you in a way that makes Dawn’s heart skip a beat.

Your breath hitches. “I’m supposed to hold it together. For Dawnie. I’m the oldest now. And everyone expects me to―” You stop, hesitant.

“You can say it, sweetheart. Go on,” Spike encourages softly. “Let it out.”

You choke on a sob. When you begin again, your voice is small. “I… I’m her sister. Buffy’s. Her real one. The one with real memories and real love, and I have to… I have to bury it all. Because if I don’t, who steps up? Buffy’s the Slayer, but I’m the strong one, and I can’t―”

Your words break, face turning into his throat as a noise unlike anything Dawn’s ever heard escapes you. She almost throws up. Wants to storm in, yelling, asking you if that’s what you really think of her, if you see her as just some thing instead of a person. It hurts something fragile and breakable in the very darkest parts of her to hear you say what no one else will: that she’s a fraud, a phony that doesn’t belong. Not real. Alone. If that’s how you feel, then why do you even bother?

But then, Spike’s arms tighten around you, holding you even closer, and she pauses.

“Not wrong for what you feel,” he murmurs. “Bloody awful mess. Not fair. And you’ve been carrying too much of it alone.”

Your fingers curl against his chest. “I hate feeling this way. I hate that I even thought it. Dawnie… I love her.”

Spike presses a kiss to your hair. “You’re allowed. Doesn’t make you a bad sister. Makes you human.”

“I… I miss her,” you say, unsteady and so, so young. “I miss Buffy. I miss… I want my mom. I want them back. How do―how can―how am I supposed to do this?”

“I know, baby.” His hand slides up to cup the back of your head. You grip him like a lifeline. “It’s rotten, the hand you’ve been dealt. But you’ll get along. You’re brave. And you’re not alone. Never alone.”

Dawn presses a hand over her mouth, backing away slowly. The quiet, broken sound of your crying follows her as she slips out, heart pounding. She makes it halfway home before her legs wobble, forcing her to sit on a crumbling stone wall.

The way he held you… Like you were something precious to him. She swallows back the lump in her throat. You and Spike. You and Spike, together. It’s weird, and part of her wants to be grossed out, but the look on his face sticks in her mind. He’s never looked at anyone like that before. Not Drusilla, not Harmony, not Buffy, not Dawn. No one. No one but you.

She gets it now. Why Spike’s around so much. Why she seems to always find him with you at the Magic Box, at the house, in the cemetery, the Bronze. She wonders when it all started. What she’s seen tonight isn’t random. It didn’t look like two people just trying to cope. It looked like… it reminds her of Buffy, how she was with Angel.

Dawn sighs. Sure, it stings, but she gets it. Her rage has left her, replaced by something stinging and bittersweet. She can’t unhear the pain in your voice, can’t unsee the way Spike held you like you matter, maybe more than anyone else in the world. She knows she should tell someone what she saw—maybe Willow or Tara—but the idea makes her stomach churn. It would hurt you, betray you. And Spike, he would never forgive her.

She rubs the salt from her eyes with the heel of her hand, then grips the edge of the wall like it might steady her. The choice settles into her chest, warm and a little heavy. She’ll keep your secret. For now.

The house feels thinner tonight, hollowed out. Smaller. Quieter than she’s used to.

Buffy’s away, dragged by Willow and Xander to the Bronze in the hopes that bass and bodies might shake loose the shadows she’s been carrying since her resurrection. Dawn’s at Janice’s, sleeping over, probably halfway through a horror movie and a bag of microwave popcorn, equipped with gossip and a parent who can pretend not to notice how late they stay up. And you—you’re usually the one who stays behind, always so gentle with Buffy lately, so patient with Dawn. Steady, in your own quiet, hurting way. Tara assumes you’ve gone to sleep already, or out again, whereabouts unknown.

For once, she can breathe. No awkward silences. No Buffy’s thousand-yard stare across the table. No tiptoeing around the tension that still clings to the walls like smoke. She’s been floating for weeks, a warm presence pressed into the background, not quite seen, not quite necessary. The only time anyone touches her anymore is when she initiates it. She can’t remember the last time someone held her like they needed to.

She moves softly through the hallway now, mug of tea in one hand, the intention simple: grab the spare quilt from the room you share with your little sister and curl up on the couch with a book. But then she hears it: a sound, soft and aching. A moan, breathy and real, the kind of sound that doesn’t come from pain.

Tara pauses outside your bedroom door, which hangs slightly ajar. She should walk away. She knows she should, but something makes her glance through the gap. She tells herself it’s concern, not curiosity, that the sound you made could’ve been from pain. Just checking. One breath. One heartbeat. Just long enough to see something that will never leave her.

She freezes.

You’re on the bed, bare from the waist down, hips tilted to the edge of the mattress and thighs parted in surrender. Spike is on his knees on the floor, shirtless, pants riding low and sagging, undone, skin pale as milk in the moonlight. His shoulders ripple with restrained tension, arms banded tight around your thighs as he buries his face between them like a man starved. The lamplight from the corner casts long shadows across his back, glinting along the ridges of his spine, the curve of his neck. One of your legs is slung high over his shoulder, trembling. The other braces against the mattress, and you're huffing, squirming.

Your head tosses back on the pillow, lips parting on a soft, drawn-out moan. He’s working you over with slow, luxuriating confidence, worshipping, hungering. His tongue traces slick, purposeful circles, every movement intentional. Tara hears him, hears the filthy little noises he makes when you twitch and jolt beneath him, the wet suck of his lips when he draws your clit between them, savoring you like sin.

“Spike,” you breathe, and he groans like it’s the only word that matters.

Her breath catches.

Spike pulls back only to spear into the furl of your entrance, pressing his nose in hard and inhaling. Your body judders helplessly, your fingers digging into the bedspread, into the air, into nothing at all. The muscles in your stomach flex, then tremble. You whimper, low and wrecked, and he makes a sound in return: primal, appreciative, entirely unashamed. It’s obscene… and yet, there’s a softness to it.

Tara’s seen Spike grin through blood and violence, heard him mock the pain of others, but this—this isn’t that. She remembers the tower: his hands slick with blood, the way he stood, shaking and hollering your name as a stray hit sent you reeling to the ground, afraid. Broken. She hadn’t known then what it meant. She might now.

His hands aren’t being cruel. His mouth isn’t taking. It’s giving. Something in him is folded open, gentle, wanting. He moves, draws his tongue over your clit with careful precision, then slips lower again, teasing your opening before easing back in, slow and sure. One hand trails up to splay wide across your belly, grounding you. He growls, eyes half-lidded like it’s better than blood.

“Such a sweet li’l cunt. Heaven,” he murmurs, voice gravel-soft and decadent, velvet dragged over grit. “Could die here, buried in you. Wouldn’t even mind.”

Tara flinches, face flaming. But you—you make a shuddering sound of agreement, helpless and high-pitched. Your hand fists in his hair, pulling without thought, and Spike laughs, low and delighted. Not mocking; giddy, like a man dizzy with luck.

“Greedy thing, aren’t you?” he chuckles, nosing along your thigh before dipping back in, tongue wicked and unrelenting. “Already twitchin’, beggin’ for more. Look at you. Bloody gorgeous when you come undone.”

Your hips cant forward, chasing his mouth.

“C’mon then,” he urges, licking slow and deep, practically cooing. “Lemme feel you break.”

Tara swallows, heart thudding. The room smells like skin and salt and something sweet, air balmy and thick enough to taste. She presses the mug to her mouth like an anchor. Doesn’t drink. Just holds it, fingers damp with warmth. Everything else goes quiet.

She should look away, but the way you move—hips lifting, breath catching—draws her in. You whisper his name like a plea, and he doubles down, suckling hard enough to make you arch off the mattress. Crying out, you twist the sheet in one hand and reach for him with the other. He catches your wrist and kisses your palm, never pausing.

Then—

“Oh god,” you sob. “Please, please, I—”

“Shh,” Spike soothes, voice ragged against you. “Give it to me. Let go, baby, I’ve got you.”

And you do.

You crest with a gasping, hitched cry, back arched and mouth open. Spike moans against you like he’s the one unraveling as you tremble, thighs clamped around his ears. Your chest heaves. Your lips part. For a moment, you look unmade: tears streak your cheeks, sweat glistens on your skin, and your breath comes in gulps, shallow.

He doesn’t pull away, his caresses softening, slow and adoring. It reminds Tara of how Willow once touched her wrist in a crowded room. She envies it, the ache turned to tenderness. To be truly seen, desired. She mourns how rare that feeling has become. There’s awe in it, and something worse. Need, maybe, or love. Ever since Buffy came back, the world’s been tilted slightly sideways—sunlight too yellow, silence too thick. But this? This feels real, loud, alive.

Spike presses his mouth to your thigh as you come down, uttering affection too low to catch. He licks up the mess he’s made of you, gentle now, like you’re sacred.

“Too much,” you whisper, blinking. “Can’t…”

He eases back, wiping his chin, then nestles into the cradle of your hips. His fingers trace the wet between your legs—not to arouse, but to relish in, the tip of his nose gliding along your belly, devoted. He lingers, lips brushing the slope of your mound like prayer.

Tara starts to move. She should leave. Any longer, and it won’t be an accident. If you see her, it becomes something else. A breeze shivers through the hallway and she stills, heart pounding, suddenly certain that if Spike turns his head, he’ll know; that if you catch her, it will live between you like a ghost. She tells herself it’s only curiosity, that it’ll vanish from her memory come morning, but she knows it won’t.

She stays. Listens.

“I didn’t mean to cry,” you mumble, throwing an arm over your eyes.

“I like it when you do.” He kisses your hip and climbs up over you, licking his lips. It doesn’t sound cruel. “Means you feel me. Means ’m not just makin’ this up in the dark, yeah?” He pulls you into the crook of his arm, palm cradling your cheek, thumb gentle beneath your eye. You sniffle. His mouth skims along your temple. “There she is. My brave girl.”

The way you melt into him, it’s not only comfort. It’s trust. Tara knows love doesn’t always look gentle. He coils around you like you might vanish, nose grazing your temple, hand stroking your back. You toss your leg over his, and he slides his fingers to touch where you’re still slick, to which you wriggle but say nothing.

“Still with me, kitten?” he asks.

You nod. “You didn’t have to be so—”

“Didn’t have to. Wanted to.” He nuzzles your hair. “Wanted to make you feel good. You always make me feel like I’m still… real.”

You bury your face in his chest. He exhales.

Tara never thought vampires spoke in anything but hunger—but Spike does. He calls you gorgeous. Brave. And the way you twine around each other… it’s not lust. It’s sanctuary.

“Love you,” he whispers. It sounds like confession, like surrender. “So much it hurts. So much I’d burn for it.”

Your fingers curl against his skin. “I know. I love you, too.”

That’s when Tara steps back. She closes the door gently, careful not to make a sound, her hand lingering too long on the knob before letting go.

She should feel horrified. She doesn’t. What she saw wasn’t twisted, wasn’t wrong. It was private, fierce, soft in a way Spike isn’t with anyone else. If Buffy knew, it would break something. If Xander knew, he’d burn it down. But Tara understands the truth of it—the strange, aching, imperfect truth. She saw you: the girl clinging to something fragile and fierce, and the monster who looked like he was terrified to let you go.

That truth belongs to you and Spike, not the rest of the world. She walks away, silent and thoughtful, and decides she didn’t see anything at all.

Buffy will come home tonight with mascara smudged and shoulders slumped. She’ll shuffle through the door like a ghost who got lost on the way back to her grave, and Tara will hand her tea and ask about the music. Neither of them will mention how long it’s been since anyone laughed.

The house still feels hollow, but not lifeless. Something still beats beneath its ribs, reckless and messy and lit with want. Tara doesn’t know if it’s hope, but it’s something. She doesn’t know what it is she envies more: the hunger, or the way it’s fed.

He wants to tear his eyes out, rip his eardrums from his skull and swallow them all. Anything to escape the full-on assault in front of him.

Well. Not an assault. It’s pretty quiet, all things considered. But still. There’s a special kind of hell in watching whatever the crap this is. Your face is pretty much all Xander can really see of what’s going on―brows furrowed, mouth open, eyes hooded―but the uh. Bouncing. Yeah. That’s painting a pretty graphic picture. And the sounds. Wet, gross, thrusting sounds.

Your hands are clasped against the back of Evil Dead’s neck, fingers twisting and twisting away in the ungelled hairs at his nape as you make those haunting little wounded noises with each―oh god, yuck―drive of his hips against you, pushing you further into the wall of the dusty old crypt you’re hoisted up against. Xander’s eyes flicker down before he can stop himself―bare calves jolting with the rhythm, skirt hiked high—and snaps them back up just in time to see Spike’s mouth dragging along your throat. Hands flex on your hips, steering you squirming into each harsh roll of his body. Thank the Powers That Be that he’s still fully clothed.

Well―

Nope. Not thinking about what’s unclothed right now.

"Spike…” you gasp, high and pitchy, but whatever you were going to say is swallowed by a vicious kiss, Spike’s bleach-blond head blocking your face from view as he devours you. The sight jolts Xander’s heart sideways, but he can’t—can’t—look away.

You used to call him Xan the Man. Used to ask for rides home from school and come to him for help with the printer. Now you’re wrapped around a monster like he’s the only thing keeping you upright.

“The thing he’s doing with his tongue,” Anya whispers, wide-eyed. “She’s probably having multiple orga―”

He waves a harried hand at her, the universal motion for shut the hell up, Ahn, partly because he so does not want to hear the end of that line of thought and partly because he doesn’t want Spike to know they’re here. Also, to be honest, because he’s still kinda trying to process what he’s seeing. It’s like watching a train wreck: he can’t look away. Are you under a spell?

“Shh, shh,” he can hear Spike murmur then, voice low and coaxing, his nose dipping to glide along the arch of your throat as he hitches your legs higher. “Gotta stay quiet, yeah? Don’t want any beasties coming ’round.”

You yelp, and Xander flinches. The bleached wonder makes his own series of sounds, then, deep and growly, and his lips curve in a wicked smile against your ear. Fingers curl tighter against your hips in a way that should be making that chip of his fire off, make him scream in agony, stumble off and away. But nope, of course Xander’s not that lucky. You writhe closer, gasping.

His pulse pounds. A hundred bad scenarios run wild through his head—Buffy’s face twisting in rage, Dawn crying, you lying cold and broken after Spike gets bored. He feels sick.

“You want that, then, baby?” Spike croons, lips skimming your jaw, your cheek, the corner of your mouth. “Want ’em to see you hanging off the Big Bad’s cock, slack-jawed ’n titties bouncing? Mm, give ’em the treat of their lives. Show off my girl and her tight li’l quim.”

“Oh my god,” Anya mutters. Her expression is fascinated and maybe a little aroused, but she doesn’t seem surprised, which is one to file away for later.

Xander’s stomach revolts. He’s heard Spike talk like this before—sick, lecherous, all swagger and filth—but hearing it directed at you is… it’s wrong. You’re too young, too trusting, too damn human. You’re Buffy’s sister. Dawn’s sister. Hell, you’re practically his kid sister, still fourteen in his mind, still asking him to reach the cereal from the top shelf. And Spike? He’s leering at you like a prize to ruin. But you don’t look ruined. You look… hungry. Yearning, with the bright flush spreading across your face and your arms winding tighter around his neck, ankles locking round his back like a limpet.

You’re shaking your head, but your lower body is curving off the stone to grind back down on him, keening out, “No, no―”

Spike grins, tongue flicking against your earlobe as his hips roll deeper. Xander wants to snap something—an insult, a threat—but he can’t risk it. “Course not. You’re a good girl, aren’t you? Selfish, I am. Plucked you for my own and I’m keepin’ you, all mine. My good girl.”

‘A good girl.’ The phrase slithers down Xander’s spine like ice water. The edge in Spike’s voice freaks him out. Maybe… maybe we should’ve been more wigged out when he started spending time with her instead of sniffing around Buffy.

His gut clenches hard as you cry out, clearly in pain as the vamp staccatos his thrusts like he’s stabbing you through to your core. The chip still doesn’t go off and you’re writhing closer, not away, completely unbothered by the slamming of the hand by your shoulder and the rock that crumbles under superstrong fingers digging into the wall.

Xander keeps hoping the chip’s gone dead.

Because that’s easier than admitting you’re not fighting back.

God, do you even want Spike to stop?

Xander’s stuck, warring with his desire to burst through the thicket concealing him and Ahn and stake Spike for what he’s doing to you, but he can’t figure out if the chip’s malfunctioning or not.

“You gonna cum, kitten?” Spike’s asking, teeth fixated on the skin where your neck and shoulder meet, nipping and sucking like he’s getting ready for a feast. You’re clinging to his hair, crunching the gel all out of it, knees scrabbling but unable to find purchase against the leather coat until he hooks his arms under them. He folds you near in half so you let out a squeal, feet kicking. “Yeah? Feel you gettin’ hot for it, squeezin’ down all desperate … Come on, gimme it, get me all drippin’ with it, yeah―”

You seize up like you’ve been tazed, electrocuted, a sobbing whimper bursting out as he works you up and through it, pace frantic―

“Yeah, baby,” he’s moaning, “came like a dream―know it’s hurtin’, jus’ gotta let me finish, lemme―”

―and you wilt, limbs loosening to jelly so much so that Spike’s all but shoving you through the crypt wall. Your voice is fervent and cracking as you say, “Please, Spike, please—want it inside, want you in me—please, please—”

You whine high and clear while Spike pounds at you, animalistic, though you clutch yourself to him tight as he grunts and blusters his way to his end. Making little encouraging cries, you arch back obligingly as his chin dips and―hoo boy, that’s definitely more of you than Xander ever planned to see, thanks, never mind the tongue and teeth all over you. The movements slow and slow until there’s nothing more than a lazy shuddering roll of Spike’s lower body against yours. You tilt your head back, eyes closed and sighing.

“Wow,” Anya breathes. Yeah, wow’s right.

Xander feels like he’s been gutted. He’s seen plenty of things on patrol, but this… this is something else. Something private and raw and so, so wrong. No, not just wrong. It’s unwatchable. Buffy’s sister, tangled in Spike’s claws, and he can’t do a damn thing about it. The helplessness burns.

Spike kisses you again, touches you like he’s starved for it, his body cradling yours with sickening tenderness.

“Come back with me, sweetheart?” he asks you softly.

Huh, still with the nickname-y thing. Xander’s mind twists back to Drusilla, how she used to cling, how Spike would all but melt into her, feral and indulgent. The comparison knots something ugly inside him.

“Got you all messy,” Spike’s still saying. One of his hands disappears, and you make a noise Xander can’t really place until he sees the vamp stick his fingers in his mouth, lewdly suck them with a pop. “Can’t go off leakin’ all the way home.”

“If I had my panties back,” you say, laughing, “maybe that wouldn’t be a problem.”

Zipper sounds, and Spike lowers you with more care than Xander’s ever seen him use, fiddling with the skirt of your dress. Your knees are pressed tight together.

“Were you wearin’ any?” he asks with false innocence, tucking strands of hair behind your ear and following the plane of your shoulder, your arm, winding his fingers with yours. “Can’t remember.”

You laugh again. You keep doing that. “Spike.”

He tugs you from the wall, arms holding you like a vice against him. The expression on Spike’s face as he looks at you… Awareness feels like nausea.

This isn’t just screwing around, is it?

Of course. The way Dawn hovers. Tara’s looks. Giles leaving—not after Buffy died, but after something else. They all knew. They just didn’t say it. How long has this been happening while everyone’s looked away?

“Feel better when you’re with me,” he says, voice low. His forehead presses down against yours and you sway together, idle, caught in a spell. “Watchin’ you sleep, heart beatin’… Get to hold you, too. S’nice. How ‘bout it, hm?”

Too soft, too soft.

Your eyes are wide, adoring. “I’ll call home. Tell them I’m out for the night.”

Suddenly, Xander’s thinking back to all those times Buffy or Dawnie or Willow or Tara have mentioned you staying over with a friend, going out late and coming back the next afternoon, or the afternoon after that. How many of those times have you actually just been with Spike?

You shriek, nearly cackling as the vamp hoists you up into a carry, spinning in an arc so your hair flies gleaming behind you. “Oh my god, Spike!”

“Yeah, baby, say my name.” He stalks off into the night with you, no doubt to make good on taking you back to his crypt.

Xander stands there.

He wishes he never agreed to go patrolling tonight; wishes he decided to turn right instead of left; wishes he didn’t hear those noises and decide to stop, to creep up and scope out the source beyond the cover of bushes. Wishes he didn’t have to know that you and Spike are together, and that―worst of all―this isn’t just some fling. You’re in deep. Maybe he is, too.

He lets out a slow, deep breath, searching for his inner calm. “That was… disturbing as hell.”

“Why?” Anya tilts her head, frowning. “Because they’re in love?”

“Wha―No! No, that’s not the issue!” He rubs his face, trying to ignore the heart palpitations at Ahn’s use of the word love.

Her eyes narrow slightly, brow set in an even deeper furrow. “I don’t know why you’re so upset.”

“I don’t—” He stops. Don’t lash out. Inner calm. He sighs. Starts again. “This is bad. This is very, very bad.”

Anya nods, clearly not understanding. The great thing about her is that she doesn’t push when she doesn’t get it. “Okay. Should we―should we just go home for now? Maybe you’ll feel better about it there.”

If Buffy finds out and doesn’t stop it—if she looks at this and says it’s fine—then maybe the world’s already broken beyond repair.

Xander shakes his head, already pulling out his phone, scrolling to ‘B’. “Not yet. I gotta make a call.”

He doesn’t even know what he’s gonna say. Just that someone has to know. Someone stronger. Someone who can stop it before it’s too late.

Willow steps through the front door like she’s bracing for a spell to blow back in her face.

The house feels wrong the second she enters. Too still, like the quiet after a slammed door. The air’s brittle with tension, the kind of tension that’s made her call in sick to work and grab the first bus back across town. It’s been a while since this atmosphere settled, long enough for her to head back out, get her copy of Witchcraft from where she’d left it behind the counter at the Magic Box. It was Buffy’s request. She thinks Spike’s put some kind of love spell on you. No one has the heart to tell her that you’re not acting like you’ve been under a spell.

Tara’s waiting in the entryway, pale and subdued.

“She knows they know,” she murmurs, voice soft but heavy. “I called her.”

Willow nods, avoiding her gaze. It’s painful, seeing her so soon after she moved out. “Thanks.”

Dawn’s been sent up to her room. The conversation that’s coming isn’t one for her ears, though Willow assumes she’ll probably just hide herself in the hall upstairs so she can listen in. For once, though, she didn’t put up a fight against her oldest sister’s demand. There was something sad in the set of her mouth, like she knew what was about to happen.

In the living room, it’s a standoff. Buffy’s pacing like a caged animal, arms crossed so tightly they could splinter bone. Xander’s by the fireplace, jaw set and eyes sharp, practically vibrating with righteous fury, while Anya is perched on the arm of the couch, watching everything like she’s about to start taking bets. That leaves her and Tara, awkwardly dancing around each other. Willow doesn’t know what to think. She doesn’t have long to figure it out.

The front door opens again. You come in first, proud and tense, daring anyone to speak. You’re holding Spike’s hand, clutching it with knuckles white. He remains a half-step behind you, his usual leather and arrogance somewhat marred by the tired, guarded expression on his face, like he’s expecting a stake through the ribs at any second but will gladly take it if it means standing with you. You pause in the entry to the living room, hovering, indecisive.

Willow’s stomach flips. She doesn’t mean to stare, but she can’t help it. The way your fingers are laced with his, as though it’s the most natural thing in the world—as though you’re not standing in a room full of people who once would’ve bled to keep you safe from evil like him. It’s shocking.

Buffy’s the first to speak. Of course she is.

“Really?” she spits, voice like a lash. “You thought this was a good idea? Bringing him he―”

“We didn’t come for your permission, or your blessing,” you say flatly, raising your chin. A blaze burns in your eyes, threatening. “We came because I’m tired of hiding.”

Spike raises his eyebrows slightly, clearly amused despite everything. Willow wants to scream.

“Oh, don’t worry,” Xander cuts in, face red. “No one thought you did. But maybe you should have. Or, I don’t know, used the part of your brain that goes ‘hey, maybe I shouldn’t be having freaky sex with the guy who’s tried to kill everyone in this room?’”

Buffy whirls around to glare at him, but you beat her to it.

“Shut up, Xander,” you snap, the hostility so unlike you. Perhaps you’ve finally been pushed to the edge. Or maybe―just maybe―you’ve found something, someone worth the fight. “You don’t know a damn thing about us.”

“Please,” Xander scoffs. “What, you think that because he’s not killing people anymore, it makes this okay? He’s a monster! He’s—”

“He’s not!” you snap, stepping forward unconsciously. “He’s more human than half the people in this room.”

Willow finally speaks. “He’s a vampire with no soul. Do you even hear yourself?”

You look at her like she’s failed a test you thought she’d pass. “Yeah. I do. Better than you do, apparently.”

She flinches. That stings.

“You think this is some epic romance?” Xander scoffs. “This is Spike. He doesn’t love; he obsesses. You’re just the next thing he’s latched onto.”

Shaking your head, you say, “You’re wrong. He cares about me.”

Buffy’s in Spike’s face before Willow can blink. “Stay away from her. Stay away from my family. You touch her again and I swear to god—”

“Buffy.” Willow tries, she really does. But her voice is small, hesitant. She doesn’t know how to fix this. She doesn’t even know what this is.

Anya chimes in, voice low but unflinching. “This isn’t helping. Yelling at her like this. It’s not going to make her stop loving him.”

Everyone freezes for a moment, surprised. Anya shrugs, then folds her hands primly in her lap. “If yelling could fix love, none of us would’ve ever made a single relationship mistake. But here we are.”

The bite in the room is momentarily thrown off.

You’re shaking now, but not from fear. “I’m not some toy you can shove in a box when it makes you uncomfortable! I’m not yours to protect, or judge, or decide for. I’m the only one who gets to decide who I love.”

“Oh, god,” Buffy mutters, eyes wide with something between horror and heartbreak. “You really think this is love?”

“I know it is.”

Buffy’s breathing is sharp now, unsteady. She’s staring at you like she’s seeing someone else, someone she can’t recognize. Her voice, when it comes, is cracked at the edges. “Giles knew, didn’t he?”

The words land with more weight than Willow expects. There’s no venom in them, only something raw and wounded, almost betrayed.

You flinch, barely. “What?”

“That’s why he left,” Buffy says, eyes narrowing. “He couldn’t watch it. Couldn’t watch you… this.” She gestures to you and Spike like the very sight of you burns.

Willow stiffens, heart sinking. She knows Giles’s departure had nothing to do with you—at least, not directly, but Buffy’s not really asking for answers. She’s lashing out because it’s easier than facing the loneliness that’s been creeping closer every day since he left. Willow can see it in the clench of her jaw, in the brittle shine of her eyes. Buffy’s not stupid. Deep down, she knows the distance between her and Giles is her own doing. But tonight, she needs someone to blame, and it’s fallen on you.

“Don’t put that on her,” Spike says, low and warning.

“Don’t speak,” Buffy snaps, flicking her gaze to him. “You don’t get to talk. You’re the reason she’s like this.”

“I’m not some project he corrupted,” you fire back, shaking now. “I chose him. I wanted him. And he—”

“Stop,” Buffy barks, stepping forward. “Stop talking like… like it means something! Like this is anything but sick.”

The heat radiating off you is palpable. “You don’t get to judge me just because I love someone you couldn’t handle! You want someone to hate? Fine. Hate me. But don’t pretend this is about Spike!”

“Like hell it’s not,” Buffy growls. “You’re dragging him into this house again like he belongs here. Like you do, while you’re—you’re letting him crawl inside you like some… some thing.”

Willow doesn’t even have time to intervene before you go cold, your voice like ice. “Don’t you dare.”

“Oh, I dare,” Buffy spits. “Because someone has to! Someone has to tell you how disgusting this is—”

“No,” you snap, sharp and clear. “You don’t care about what’s right. You want someone to blame. Someone to scream at, to shove out, so you don’t have to feel the way you feel. Because you’re still mad the world kept turning without you in it.” You gulp, unsteady, readying for the killing blow. “Because my vampire gives me what yours never could. Guess a soul doesn’t count for much after all, does it?”

Buffy raises her hand. Time slows.

The slap cracks across your cheek, the sound sharp and awful. For half a second, everything stills—and then Spike moves, shoving past Willow, fist meeting Buffy’s jaw with a brutal crunch. It sends her stumbling back against the wall.

“Don’t you touch her!” he growls, yellow eyes scorching as his human mask slips, revealing the demon below.

She’s already pulling a stake from her waistband. Tara moves at last.

“Buffy, no!” she gasps, her voice trembling as she reaches out instinctively, but she doesn’t make it far. She halts behind Willow, one hand outstretched like she’s forgotten what she meant to do with it. Her voice cracks. “Don’t do this. This won’t help. None of this will.”

It’s not loud. It’s not enough. But Willow hears it like a bell: clear, desperate, and already too late.

“Buffy, stop—” Willow adds, stepping forward, but you’re already in between them.

“If you kill him,” you warn, “you lose me too.”

Buffy’s hand is frozen mid-air, stake shaking. Like a puppet with its strings cut, her arm falls, stake clattering to the ground. “I can’t even look at you.”

“Then don’t.” You inhale, but it doesn’t steady anything. A strange look passes over your face, your shoulders squaring in some unknown resolution. “Isn’t that what Mom said to you? When you wouldn’t stop being the Slayer long enough to be her daughter?”

Buffy’s face crumples, just for a second. A tear falls. Then she whispers, devastating in its quiet: “Get out.”

No one breathes.

She walks away, slips through the back to the kitchen, and Willow hears the kitchen door slamming shut, the silence that follows unnatural.

You turn to the door.

“Come on,” Xander says, stepping a foot toward you. His hands are raised, his voice placating, like he’s speaking to a little kid. “Don’t… she didn’t mean it. She’s just angry. It doesn’t have to be a―a thing. Cut him loose. That’s all it takes. Let him go, and things can go back to the way they were.”

“That’s all it takes?” you repeat, quiet but deadly. “Toss him aside so Buffy feels better? Like he’s garbage I dragged in and forgot to take out?”

Xander shrugs, defensive. “I’m saying it’ll fix things. Make it right again. So we can… we can all move past this.”

Your eyes lock on him. “So you can all breathe easier. Buffy stops feeling grossed out, you stop feeling threatened. As long as I pay for it—right?”

Willow tries to interject, voice uncertain. “That’s not what he meant—”

You cut her off, sharp.

“It’s exactly what he meant.” You look back to Xander. “You, of all people, Xander. You’ve loved people you weren’t supposed to. What makes me different?”

Xander’s face tightens. Willow has no words.

“I love him,” you say. “He loves me. And there’s nothing any of you can say or do to make me give him up.” It rings with finality, lines drawn once and for all.

A hush descends for a beat. Spike’s voice sounds out, hesitant, uttering your name.

“No,” you tell him firmly, shaking your head. “Don’t even think it.” Your tone gentles, wavers, lower lip trembling. “Let’s… let’s just go, okay? Please?”

He wavers for a moment, searching for something in your expression. Willow sees the subtle slackening of his rigid frame, certainty propelling the nod he directs at you. “Yeah, kitten.”

A wan smile crosses your face. Without so much as glancing back, you let him open the door, hand on the small of your back as you both leave.

Willow casts around the room beseechingly. Xander’s all but shut down, staring at the space you just occupied with an inscrutable look. Anya’s folded in on herself, chin pressed to bent knees and avoiding meeting anyone else’s gaze. Tara clutches the banister, face deathly pale and eyes bright, distraught. A sliver of brown hair at the top of the stairs. Dawn. No one’s moving.

It’s up to her, then.

“Spike,” she calls out, rushing out onto the porch. One final attempt at ending this insanity. “Don’t―don’t let this happen. Don’t… there’s no going back. From this. If she goes now…”

You won’t even look at her. It’s like she’s ceased to exist. Staring up at Spike, you let him lay a hand on your cheek, let him nudge at your temple with the jut of his nose. Your arm’s tucked under his duster, held fast to his waist.

“Wait for me, sweetheart,” he says to you. “I’ll deal with Red for a mo’.”

He pushes you gently in the direction of the tree and you go, sinking to the ground with your back against the trunk. You stare out at the street, something horribly lost and afraid in the shape of your body curled up in a ball. Spike makes his way back up the steps, murder in his eyes. He does nothing―just halts. Stares expectantly.

Willow wavers. “Why are you doing this? Haven’t you hurt us enough?”

Spike barks out a sharp, disbelieving laugh.

“You know, I held back in there. Let my girl handle it.” He snorts, though there’s nothing funny about this. “Bunch of self-absorbed wankers, you are. S’not about you lot.”

“Then what?” She frowns. She wants to understand. “What is it about? Why?”

Just like that, the fight goes out of him. He sighs, sounding every inch a creature that’s spent the last hundred years scrapping for everything he had, everything he needed. It’s strange, coming from him. Resigned. Weary. Sad.

“Got used to takers, didn’t I?” he says at long last, soft and reminiscent. He’s gazing at you. “Dru. Buffy. Needed me, never wanted me. Never saw me.” His voice is low, guttural. “She… she sees me. She gives. It’s simple, with her. No proving myself. No trying to be something I’m not.”

His eyes flicker to Willow, not accusing. Honest.

“Thought I knew love, before her. I didn’t. Not really.” He taps his chest, softly. “She’s in here. Part of me. I’m not giving her up. Can’t.”

She’s speechless. Her throat is tight, her pulse thrumming with guilt and something else she can’t name. She’s seen people walk away before, but this feels different. Final.

He doesn’t add anything else. Just sighs again, presses his lips together like he’s steeling himself, and slinks back down the walkway that leads away from the house. You reach up to him, childlike, his grasp solid and gentle as he helps you up from where you’re sat. Together, your head against his arm, you leave.

This time, she doesn’t stop you.

Willow stands alone on the porch, heart hammering like she’s finally feeling the spell’s backlash, too late to undo and too late to stop. Her hands tremble at her sides. Some part of her, deep and insistent, whispers that there’s a way to fix this. A ritual, or incantation. A simple one: memory, clarity, obedience. A few words, and she could make this right again. She could make you see sense, make Spike let go, make Buffy forgive. Make Tara come back.

Just a few words, the magicks whisper. So simple. So clean.

But she doesn’t move. She watches you disappear into the night and tells herself it’s not the magicks calling her. It’s grief. It’s fear.

She doesn’t believe it.

You didn’t mean to cry.

You wanted to keep your head held high, secure in the knowledge that it wasn’t you who broke in that messy, vicious confrontation that you’d known for a while was coming. But the second the crypt door shut behind you, Spike looked at you. Just a look: expectant, forlorn, waiting. You didn’t mean to, but one glimpse of that expression and you crumbled—violent, choking sobs, wilting like a flower left too long without water. He didn’t say anything. Didn’t need to. He just gathered you into his arms and let you bury your face in the curve of his neck, let you shake apart against him as you mourned for what could no longer be. And, afterward, when you’d turned into yourself, hollow and spent, he carried you like a baby to bed, nestled you up tight and wound around you like you’d float away if he didn’t.

Days later, he still treats you like glass.

The Spike who once barked sarcasm and wore his smirks like armor has been replaced by someone quieter, gentler, his fingers featherlight and his gaze fixed on you like he’s afraid you’ll disappear. When he kisses you, it’s a confessional. He pours out all his sins into the open maw of your mouth like your touch can absolve him of everything he is. When he’s inside you, he moves slow and aching and careful, his words sweet and gasping.

“You’re the most incredible thing I’ve ever had," he murmurs on one occasion, voice thick with awe as he stirs against you, body covering yours. He feels hard and real in you, deep, grounding. His thumb strokes your cheek. "Dunno what I did to deserve this. To deserve you.”

Each thrust is a question, each brush of his lips a promise, his hands holding you like you’re made of silk, like he’s never been capable of destruction. When you call his name, he exhales like it’s a prayer. You both shake by the end, your fingers curled against his spine, his mouth against your temple crooning things neither of you will remember clearly later on.

It’s like he thinks one wrong move will make you bolt. You wish you had the words to convince him of your certainty, but he’s the poet. Words can be manipulated, used to lie and misdirect. He doesn’t believe you when you tell him that you’re staying, that this is for good—but you know he wants to. You know it has less to do with you and more to do with his past, with all the many people who’ve screwed him over and hurt him so badly, so you try not to take it to heart. You let him hover, let him treat you as though you’re a porcelain doll, easily breakable. You should resent it, probably, and part of you does. But mostly, you’re grateful. He doesn’t push. Doesn’t ask you to prove anything. He just stays.

That morning, he’s pressed against your side, bare skin against bare skin, fingers lazily tracing patterns over your lower back. Save for school, you haven’t left the crypt in days. The bed below ground is new—plush blankets piled over a surprisingly good-quality mattress that he’s dragged in from who-knows-where. He probably stole it, but that habit of his has never bothered you. Besides, you sleep better here than you ever did at home.

“You gonna go back today?” Spike asks. It’s spoken softly, vibrating low against your shoulder. “Get your stuff?”

“Nah.” You shake your head against the pillow, mussing your hair even further. “Last night, while Willow and—while the others were busy, Tara brought Dawn over. She packed my suitcase. Couple important things. Birth certificate, stuff like that. The rest… some other time, maybe.”

Spike was patrolling then, safe in the assumption that you were asleep. It’s not really that surprising that he hasn’t noticed the bags over in the corner.

Now, he hums, lips trailing across your neck. It’s aimless, casual in its intimacy. So like him, like all the love he has to give. Effortless.

“Dawn hugged me,” you add quietly, trying hard to hold back the tears. “Said she saw us. Before. Said Tara and Anya knew, too. That they’re on our side.”

Spike doesn’t reply—just tightens his hold a little. You don’t have to say what you’re both thinking: that support from a few doesn’t make the silence from the rest hurt any less.

You sit up eventually. The crypt can be cold and damp at times, but Spike’s done a pretty great job at softening it up, making it almost livable. There are little touches of normality now: rugs plastering the dirt floor, a mismatched set of mugs, a bookshelf that wobbles only slightly whenever you walk by.

“Come on,” he says, slipping out of the bed like a panther, naked as the day he was born so long ago. It’s a fantastic sight, one that not even low spirits can stop you from admiring: cut muscles, lean form, perfectly proportionate everywhere. He’s a god among men. “Let’s get you cleaned up.”

You grin. The makeshift shower he’s rigged up is more affection than function. A pilfered showerhead duct-taped to the end of the pipe, a clunky water heater that hums loudly and makes the whole wall clank. It’s not pretty and it doesn’t hide the fact that this really isn’t a place to be living in, but the water is warm. Mostly. He helps you wash your hair, fingers gentle, nails never scratching. You can tell he’s muttering his usual sweet nothings against your skin—jokes, compliments, promises—but as always, it’s impossible to hear over the heater’s groaning.

When the machine abruptly turns off—another short, probably—you can actually hear him curse under his breath.

“Time’s up, baby,” he says, quickly rinsing the last of the conditioner from his bleached hair. You’d helped him touch up the roots yesterday. “Gotta get dry before the pipes go cold again.”

He wraps you in a towel, glaring at the run-down thing like he can make it work through sheer will alone. If anyone could, it would be him, and the sight makes you laugh. It’s the first real one in a while.

Later on, you’re perched on the bed, your homework splayed around you. Spike’s horribly insistent on you getting a good hour a day on it, at least. It reminds you of how Hank should’ve been: razor-focused on your success. Unbearably proud. Insistent that you’re “gonna go places, just you wait.” Instead, all he did was ship you off to boarding school at the first opportunity. Even though you’re probably going to get valedictorian, that reminder always hurts. Like in all things, Spike eases the pain.

You’re about to double-check your references when your phone buzzes. Unknown number. Huh.

You answer. “Hello?”

“You’re living with him?” Angel’s voice is unmistakable, if crackly. The reception’s not so great down here. “Buffy told me.”

Hearing her name pinches something in your chest. You ignore it, rolling your eyes. “Hello to you too, Angel. Sorry, but I’m not interested in hearing your self-righteous opinion today, thanks.”

“You don’t know what he’s like—”

“Don’t care.”

Spike appears in the doorway. He takes the phone gently from your hand.

“Go on, kitten,” he coaxes. You catch the flicker of anger in his eyes, but his voice stays calm. “Finish your essay. I’ll deal with the poof.”

You watch him go, surprised by how civil his tone is as he says, “Oi, Peaches. Got nothin’ better to do with your time than bother my lady?”

When you stick your head upstairs after wrapping everything up, he’s still on the phone. Pacing back and forward, his words are too hushed to pick up. Damn vampire senses. It’s weirdly civil for an exchange with his so-called undead enemy, though you wouldn’t call it friendly—he looks as though he’s about ten seconds away from beating the wall in. Still. You wonder what’s making him so… controlled.

Days bleed together. School, home, school, home, the occasional patrol in places you know Buffy isn’t. You see Dawn in the halls at Sunnydale High, or sometimes when she stops by in the late afternoon with Tara or Anya. You watch Passions with Spike, though most of your focus is occupied by his reactions to whatever mess is going on on-screen. You get your schoolwork done, and you try to get used to this new normal, patching up the giant hole in your heart with these small little glimpses into your old life.

Spike keeps bringing things home like a magpie nesting: a tiny gas stove that sputters and clicks but usually works well enough to make dinner. A battered washing machine that walks a few inches every time it’s used. A foldable hanging line with half its wires snapped. He insists they’re all only temporary, but he never says what he’s waiting for. Neither do you.

Graduation looms nearer. Your final scores are out, though the victory is hollow. No one will be there to celebrate, will they? Or only some will. You wonder which option is worse. When school gets out, you begin the trek home in despondent silence. Usually, you’d hum a tune to yourself or maybe even read as you walk, but you just feel drained. Going through the motions, you stop by the bathroom next to the cemetery’s reception building. After, you meander through the grass, letting your feet take you along your customary route while your mind spins in circles, lethargic.

That’s when you see her.

Buffy.

She’s waiting outside the crypt, sitting on the stoop. Smaller than you remember. Her expression is weary, aged. She looks how you feel. When your feet crunch on dead leaves, her head snaps up and she makes eye contact with you. The corner of her mouth twitches in an almost-smile. That’s how you know she’s not here to duke it out again. Not intentionally.

Steeling yourself, you move toward her, step around her form as you dig through your pocket for the key to the lock Spike’s jerry-rigged to make things safer. The door swings open, too loud in the stillness of this moment. You enter, but don’t shut the door behind you—an unspoken invitation. She takes it.

You turn and watch Buffy look around with something like disbelief. She takes in the kettle, the electronics, the random décor. The laundry line, full as it can be with yours and his clothing. The half-dead pot plant Spike brought home because you mentioned you liked sunflowers. The photographs you’ve tacked to the musty walls of friends, family, of you and him.

“I thought… I thought this was just a phase,” she says finally. No hello, then. Her gaze travels back to you, wide and vulnerable. “I thought you’d leave him.”

You fold your arms, chin high—not combative, just done entertaining this. “I’m not stupid, and I don’t do things for the hell of it. You should know that.”

Something unreadable flickers in her face. A fight, maybe. But no—she sighs, a sound of complete and utter defeat. “I do now.”

Neither of you talk for a moment. Spike chooses this time to appear from the trapdoor, deliberately slow, telegraphing his movements like your sister’s a wounded animal backed into a corner. She stares at him as he approaches. He lowers himself carefully into the beaten-up armchair. You settle on his knee, in part to shield him from any attempt by her to follow through on her actions from the other week, but mostly because you can. You want to. Her eyes narrow, but she doesn’t comment on it. It’s awkward. Painful.

Finally, Buffy clears her throat.

“Come home,” she urges you. You blink. You weren’t expecting that. She pushes on, ignoring the snort from Spike beneath you. “I’m not saying I’m okay with—with this. I’m not. But I’ll… I’ll deal. Maybe he’ll grow on me.”

“Thanks ever so,” he mutters. His hand tenses on your thigh when she levels him with a withering sneer.

“No,” you tell her. “I’m not going to let you or anyone else try to trick me into giving him up. We’re a package deal. Where he goes, so do I.”

She frowns. “That’s—I’m not gonna try and break you up. I’m not that petty.”

“Well, then,” you say, “I guess I just don’t trust you anymore. How am I supposed to believe you?”

Buffy flinches, looking away. Her arms fold on themselves as her eyes begin to glisten.

“Ouch.” She takes a breath. “But… I deserve that.”

A pause.

“I meant it, Buff.” The words come out quiet, but firm. “When I said I love him. I know that it—I know you’re upset, but I’m not sorry for what I feel. And I won’t be made to believe it’s wrong. It isn’t.”

She raises her hands, a white flag. “Okay, okay. It’s just…”

Again, she glances around, but this time it’s like she’s looking at something particularly disgusting. You bristle despite yourself.

“What—what kind of life can he give you?” she asks, pleading as she turns once more to you. You notice that she’s not once stepped foot down the steps into the main area. “I mean… are you really going to stay here? What about a future—marriage, kids? How are you gonna support yourself?” At your scoff, she adds, “I’m just being realistic here. Somebody’s gotta be.”

“God, Buffy,” you snap, standing up. “Not everyone wants the same things you do. And who’s to say I’ll even live long enough to seriously consider stuff like that? It’s the Hellmouth.”

“Oi.” Spike taps the outside of your knee—the nearest part of you in reach—in reprimand. “Don’t say things like that. S’not good for my constitution.”

Buffy huffs. “You don’t have a constitution, Spike. You’re a vampire.”

“Do too,” he retorts immaturely. Then, all of a sudden, he coughs awkwardly, scratching his neck. “Dunno about the rest of it. But I—uh—I got a place. Decent, but not much. Has a proper bathroom, bedroom. All the fixings. Near the cemetery, so I can still keep my hunt. Near your bus stop, too, baby.”

This is news to you. “Huh?”

Spike raises an eyebrow at you, gesturing around. “What—think this here was my choice? Dru took all me cards ’n stuff when she ran off with that chaos demon. Order of Aurelius’s got a fair bit of dosh squirrelled away.”

Here, his chin tips up arrogantly, smug as any vampire with a lineage like his would get. Your nostrils flare, a smile tugging at your lips even in the tense atmosphere. Buffy’s not interested in discussing pedigree, though.

“Then why didn’t you just get it back?” she asks skeptically. “Not hard to call a bank.”

“Is when it’s a demon bank, Slayer.” He rolls his eyes, shifting uncomfortably. “‘Sides, gotta get permission for that. Most senior member, all that rot.” He looks down. “Didn’t want to give Peaches the satisfaction. Y’know, of asking for help,” he mutters. “Sodding wanker.”

Oh. Oh. That’s what he was talking about on the phone with Angel. Something warm and impossibly affectionate wells in your chest.

Buffy studies him. “What changed?”

The weight of his stare falls on you, full of significance. It’s an answer all in itself.

I love him, I love him, I love him, you think, heart full to bursting. You’re overcome with the urge to reach down, kiss him, thank him with everything you have for tearing up his pride and throwing it away just to give you a home. A real one—with him.

You see Buffy’s face change as she begins to understand. To see what you see. It’s dawning on her, that maybe she’s got the wrong idea about him. You’re sure the shattering of her worldview is as painful to her as her slap was to you. A strange sort of peace follows this realization.

No one says anything for a while. It’s strained, but not hostile. Not anymore.

“I’m—I’m gonna go now,” she says at long last. There’s no dejection in her voice now, but a quiet sort of acceptance instead. To Spike, she adds, “Take care of her. I’m… I’m trusting you.”

You know what it means to him to hear that—not just for your sake, but for everything he once felt for her. When he nods, it’s full of unspoken confidence. “Of course.”

She turns to you, and you’re heading toward her before you even realize it. Coming face-to-face, eye-to-eye—for the first time in a long time, it feels—a stone in the pit of your stomach starts to finally work its way free.

“I’m sorry,” she says, voice breaking.

You step into her arms, hug her, feel the iron band of her arms squeezing you too tight, too much for your bird-bones. You feel them grind below your skin. It hurts, not only physically, but you do it anyway. You breathe her in—shampoo, sweat, and that familiar weight of the world she always seems to carry. She’s trying. You can feel it, the way you’re trying too. When she pulls away, there are tears in her eyes. You don’t wipe them away.

What’s broken isn’t fixed. Not nearly. But maybe, one day, it could be.

Spike waits until she’s gone to speak. “You alright?”

You glance toward the door, then back at him—this strange, stubborn vampire who’s built you a home out of scraps and love.

“Yeah,” you say, reaching for his hand. And this time, you mean it.

Spike loves his unlife.

He hasn’t always. There’d been a decade or two of repletion—rage and rot and revelry, blood from the veins of whores in Paris and cowards in Prague, nothing lasting, nothing real. The rest? Just endless nights and meaningless hunger, and the thrill of fear cracking open in a scream. Thought he had something, with Dru, ’til she pissed off and left him. Then Buffy came along, all fire and fury, and he thought, Yes. This. This is meaning. Purpose.

He doesn’t know. Not until you. Not until now.

Not until this: you on your knees, bent forward across the mattress, spine a taut bow beneath his palms, back arched as he thrusts into you with filthy, measured force. You’re folded down over the bed, your cheek pressed to the pillow and drooling, hands fisted in the sheets, body trembling beneath the relentless pace he sets. Your thighs are already drenched with both of you, his cock disappearing into your perfect, aching cunt over and over, the sound of it obscene, wet and sharp and constant.

The room is dim and hot, the air choked with sex and the smell of skin and sweat. Tangy, piquant. Gorgeous. The sheets are kicked down to your calves, twisted up under your knees. Your moans are high and bitten off, teeth buried in the pillow as you try to quiet yourself. Habit, that—leftover fear. For so long, you’ve both lived in the silence, in the shadows, sneaking and muffling and hushing every cry.

But not anymore.

“Go on, baby,” he rasps, bent over your back, his mouth dragging slow kisses over your spine. “Let ’em hear you. Nobody left to catch us now.”

You whimper, hips pushing back instinctively, greedy for more. He grins, sharp and delighted, bringing his palm down on your arse in a light slap, the sound echoing. Your whole body jolts. You keen around the pillow, voice breaking into something raw and helpless.

“Uh—Spike!”

“That’s it,” he says, all gritting teeth as you squeeze down hard, dizzying enough to choke the veins in his prick. The demon peeks out for a moment, control slipping. “That’s my girl.”

It still astonishes him sometimes—how much you like this. How much you crave being split open, filled full, stretched past your limit until you’re crying and shaking and still begging for more. Turns out the chip doesn’t fire when the victim likes the pain, and bloody hell, do you ever. You like it when he’s reverent, whispering soft, desperate poetry into your cunt, but you love it when he’s like this: filthy, possessive, shagging you like he owns every inch of your body.

And he does.

He watches the way your shoulders shake, the flushed skin of your back shivering each time he slams into you. Watches your fingers clutch the pillow like a lifeline. Watches your body bloom under him, red and marked, so alive.

“Bloody goddess, you are,” he growls into the crook of your neck, panting against the salt of your sweat. “Tightest little snatch I’ve ever had. Made for me, weren’t you?”

You nod frantically, breath catching on a sob as you try to speak. Can’t. The words never make it past the pillow, and you give up trying. Instead, you just feel, bucking back against him, desperate and loud now, your cries slipping free without shame.

“Say it,” he hisses, slamming into you harder, deeper. He feels the twinge of your answering wail in the back of his head, threatening, splitting his lips apart in a vicious smile. “Tell me you’re mine.”

“Yours,” you gasp, nearly sobbing. “Yours, Spike, ’m yours—”

Your orgasm crashes into you like a tidal wave. You yowl into the pillow, cunt knotting around him so fiercely it makes him snarl, hips stuttering for only a moment before he keeps going. You’re whimpering now, all breathy and high and wrecked from the overstimulation, your voice cracking every time his cock punches deep into your oversensitive walls.

“S’too much,” you whine, but your body never stops moving, still pressing back against him, still so greedy for it.

“Oh, you can take it,” he pants, mouth at your ear, voice low and hungry. “You’re so good like this—fallin’ apart for me, still lettin’ me fuck you through it.”

He’s obsessed. Obsessed with how you quake under him, how your cunt keeps fluttering and squeezing like it doesn’t want to let him go. He groans, driving into you harder, chasing his release with a fervour that borders on worship. You sob again, and he can’t stop himself. He wraps an arm around your waist and hauls you back, chest flush to your spine, shoving up into you at a brutal, punishing pace.

When he comes, it’s with a guttural shout, hips grinding deep, prick pulsing as he fills you. He doesn’t move. Doesn’t even try to pull out. Knows you like it messy and trickling afterward, how it makes him mad with wanting.

You collapse to the mattress, winded and utterly stunning. He stays braced over you, breathing hard even though he doesn’t need to, pressing kisses to your spine and shoulder and hair. You’re trembling, still twitching beneath him. You don’t let him go. Instead, you reach back, grab his hand, pull him down to lie with you, still buried deep in the slick patch you’ve both made.

He rolls the both of you onto your sides, panting, trembling, your sweet little quim keeping him locked inside like it means something. Like it always has.

“Don’t go,” you murmur, voice hoarse and wrecked, fingers clutching his arm like a tether. Your face is rosy, flushed with exertion, and so bloody beautiful it twists something violent inside him.

“Not planning on it,” he says, kissing the top of your head.

The bed is new. Big. Expensive. Mattress so plush it makes him want to roll around like a pampered tabby. The apartment is still shite in a lot of ways—rickety fridge, a coffee table with one short leg—but it’s his. Yours. And Glinda’s out for the night, enjoying her life instead of staying on the pull-out sofa in the living room as she has since realisin’ she’d got too used to the peace of rooming off-campus. There’s all the time in the world to lay here, linger, or at least it feels that way.

You’re still wet around him. Still clenching, pulsing every few minutes with aftershocks, like your body hasn’t quite gotten the message that he’s finished. Greedy. Filthy, greedy girl. His baby. His sunshine princess, all aglow with love and lust.

Spike’s cock twitches in response, and you both feel it. You tilt your head, meet his eyes. He kisses your collarbone before raising a brow, smirking.

“Fancy round two?” he asks, sick with the feeling racing in his veins. The need. A constant, thrumming thing, near breaking him into pieces.

You laugh, breathless and delighted and gorgeous.

Things have settled into something approaching normal; or, well, a new normal. Spike’s never had a normal quite like this before. Little Bit’s over all the buggering time, mostly to steal your clothes and pilfer through his things and fill the place with her junk food and loud music, but she likes the apartment. Likes the big window in the living room when the blackout curtain’s pushed to the side. Likes the sitting area, big telly showing MTV in crystal clear graphics, and the way his stuff looks less ramshackle and stolen and more deliberately incongruous. She really likes the bathroom, with its big tub and generous vanity. It’s why he got the place, to be fair: something nice for his girl, forced to walk into the chill of night to use the loo for all those months. None of that here.

The rest of the lot trickle in too, one by one. Always awkward, always uncertain. Like they’re not sure if this is a visit or reconnaissance. Red’s come by twice, once with baked goods she barely managed to make eye contact while offering. No one else wants to put up with her right now, so he entertains it best he can. Demon girl stops in randomly with opinions about the wallpaper and detailed suggestions about spicing up your sex life. You laugh, Spike doesn’t. Bint’s awful presumptuous, thinking he needs help getting you off. The Slayer shows up, digging into every nook and cranny like she’s trying to find a reason this won’t work. She offers a strained smile at the end of her visit, unsatisfied. Bitch. Even the boy shows up once, a six-pack in hand and his mouth pressed in a tight line, nearly disappearing off his ugly mug. He doesn’t say much. Doesn’t have to. He looks at you—glowing, happy, curled up against Spike’s side in that ratty old blanket—and nods. Doesn’t ask questions, doesn’t start fights. For now, that’s enough.

And then there’s Peaches.

He arrives like a thundercloud, tall and grim, taking up too much space and too much air. He walks the apartment like he’s cataloguing faults, eyes landing on the ghosts of water rings on the coffee table, the mismatched pillows, the scuff on the wall from when you’d tripped and knocked over the lamp. He doesn’t say anything outright, but the judgement radiates off him like heat.

Spike doesn’t bother pretending. Your legs are slung over his lap, and he strokes lazy circles into your calf with his thumb, teases his fingers under the hem of your skirt. Loves your dresses. How wicked it makes him, copping a feel of all that innocence. You shift closer to him, head resting against his shoulder, fingers tracing patterns over his collarbone, casual and affectionate and utterly his. Spike feels like a king. Tall, dark and forehead scowls the entire time you make harmless small talk. It’s glorious.

Later, after you disappear down the hall to dig through the pantry or put away some other sundry item—Spike’s not even sure—Angel finally makes his move. He waits until your footsteps fade, until the apartment quiets. Spike doesn’t look at him at first. Just listens to the silence. Then, slowly, his gaze returns to his grandsire.

Angel’s arms are crossed, his brow a storm cloud. He looks like he’s swallowed a lemon. Wanker. “You really think this is going to last?”

Spike leans back into the couch, cool as sin, folding one ankle over his knee. “Dunno. Been plenty long already. She’s still here, yeah? Still laughs at my jokes. Still screams my name. That’s gotta count for somethin’.”

Angel winces like someone’s sprayed holy water up his arse. Spike savours it.

“You’re reckless,” the big, strapping hero mutters. “You always have been. This—her—she’s not just a fling you can—”

“Watch your bloody mouth,” Spike snaps. The amusement’s gone in a blink, replaced with something cold and lethal. “You don’t get to talk about her like that. Not after the way you dangled the Slayer on a chain like she was the only thing between you and damnation.”

Peaches opens his mouth, then shuts it again. There’s no defense.

Spike leans forward, elbows on his knees, his voice low. “She’s not some passing fancy, mate. She’s the best thing that’s ever happened to me. And if you can’t see that, maybe it’s not her you should be worried about.”

Angel looks away. “She’s not like us,” he says finally. Quietly.

Spike’s smile softens. “No,” he agrees. “She’s better.”

The silence hangs for a long beat. Angel doesn’t have anything left. Nothing worth saying. He looks like he wants to argue, wants to do something, but there’s nothing left to fight. Spike’s not giving him anything to push against. Then you come back in, grocery list in hand, all nonchalant in your ease.

“Honey,” you say, “I’m heading out. You want more Weetabix?”

Spike beams. “Yeah. And maybe those little marshmallows?”

Your grin is blinding, waving the list about like he’s guessed correctly. He knows you’ve already written it down. “I know what you like.”

It hits him like a sledgehammer, then. How you see him―not the vampire, not the body, not the snarl, but all of it. And you love it anyway.

He reaches into his wallet, pulls out his brand-new credit card—the one Captain Forehead set him up with, the only thing he’s ever been good for—and hands it to you. “Take this, yeah?”

“I’ve got money,” you say, stubborn as ever, but smiling.

“I’ll spank you if you don’t let me pay,” he teases, voice low and fond. “And don’t pout. Gonna get that lip if you ain’t careful.”

You giggle, step in close, lean down to press a kiss to the corner of his mouth.

“Pervert,” you whisper, your lips lingering a second longer on his skin.

“Only for you.”

And then he watches, all dumbstruck and dopey, as you take the card, tuck it into your purse, and head out the door.

The silence that follows is thick. He doesn’t look at Angel. Doesn’t need to, because—for the first time in a long time—he doesn’t care what the poof thinks. He’s got everything he wants, and the poor sod knows it. The satisfaction in shutting the door on his slack, stupid face makes Spike want to laugh and laugh until his dead lungs crumble to dust.

His days pass in a blur of disgusting bliss. Truly, it makes him think sometimes that he should hang up his post as Big Bad. He’s got to be testing some cosmic force, being so unbelievably happy with his lot, but he doesn’t get struck down by a flying spell, or staked, or zapped into some other dimension. Nah, he keeps kicking. He gets to be with you.

Attending your graduation day is hell: sunlight everywhere, too many people, a mish-mash of scents that, if he were living, would make him gag. But he does it anyway. Sneaks in through the sewers, creeps up through the sub-basement of Sunnydale High, taking his awkward place by Little Bit and the others in the bleachers.

It’s all worth it when he sees you. Radiant, cap tilted, gown a little too big.

You cross the stage with that bright smile he loves, all cheeks and squinted eyes, shaking hands and collecting your little rolled-up paper. And, when you step up to the podium to give your big first-place speech, it’s like you were born to it—clever, kind, full of biting humour and practiced to perfection. The whole damn place hangs on your every word, and he feels pride well up like it’s his own achievement, seeing you up there.

His clever girl. His light.

Afterward, he lingers with your sisters, with the odd assortment of people you’ve chosen as family. He sticks out like a sore thumb, so clearly not part of the group, but that’s never bothered him before. You rush to them, beaming, diploma in hand and cute little cap askew as they take their turns congratulating you, voices overlapping in their relief and pride.

Spike doesn’t bother with platitudes. When you turn to him, he does what he does best and shows you how proud he is by tugging you into his body, mouth pressing down against yours. Long. Hungry. A little too much tongue. He overhears someone nearby make a fuss about it, but he doesn’t give a fig, and neither do you. The world is your oyster now, and he’s too excited to see what you make of it now that you’re free.

That night, he takes you dancing.

The Bronze is a hole, always has been—one day soon, he’ll take you to the real spots he’s seen on his jaunts through unlife—but it’s what passes for a good time in this sorry town. He lets you spend a few paltry minutes with your friends, decent bloke that he is. Besides, it means he gets to relish in the look on their faces when they realise for the thousandth time that your presence is only temporary, that soon enough, you’ll head back to where you truly belong. To him. So he nurses his beer as you laugh with them, dance with Dawn and the Slayer, bounce around like a stoned rabbit with Lackbrain and demon girl and Glinda, and he waits.

Eventually, you come to him as you always do.

He doesn’t need to be asked. Taking you in his arms, he presses close and sways you about to some pathetically sappy slow song that you probably don’t even like. But you’re warm, and happy, and he can feel the eyes on you both.

Spike’s always felt them.

They’ve all seen you together at some point. By accident, by circumstance, through open doorways and down dark hallways. They’ve seen the truth of it: the way you cling, the way you gasp, the way you let him worship you with teeth and tongue and desperate hands. He doesn’t give a single rat’s arse. He’s evil.

And god, Christ and all the saints he’s ever remembered the names of, he loves you.

He never expected this. Never expected you. You were cute. Smart. Sharp. He thought you’d be a momentary distraction, a speck of intrigue while he waited for Buffy to make her mind up about him. Buffy: a splash of colour in his grey, dismal world. But then—you. Accepted him, listened like the stuff he said was important, like he mattered. Defended him, never shied away, never called him a thing or a demon or a monster, even though that’s what he is, what he’ll always be. You crept up on him, quiet and subtle-like until he caught sight of you across the room, laughing at something Xapper was saying to you, and it hit him over the head like your mum with that axe all those years ago. You happened, and he realised the truth. You have his dead, unbeating, black heart in your hand, and it fits there like it was always meant to.

He knows now. You’re the Gem of Amara in bitty, beautiful human form. Not just colour, but a supernova, blazing and teeming with vitality. Being with you is like feeling the sun on his face every goddamned day. Spike’s whole world is brighter with you in it.

Still, even now, there’s a flicker of doubt in his chest. A shadow. The part of him that’s been broken too many times. This can’t last, it whispers. This is too good, too soft. Things like this—things like her—don’t stay.

Then you look up at him, eyes sparkling under the Bronze’s lights. Your arms loop around his neck, your forehead presses against his. You breathe him in like you mean to keep him, and you say, “I love you, Spike.”

He closes his eyes, and just like that, the shadow’s gone. Everything’s still.

“I love you, Spike.”

He closes his eyes, and for once, the world is quiet. There’s only you.

It’s always been only you.

Read on AO3:

https://archiveofourown.org/works/64333024/chapters/165146395

[directdogman]

HELLLOOO DOGHOUNDFATHER!! I've been wondering if there's any chance there are more people in the Dialtown Mob (Stabby and Shooty's buddies)

Since the knife-headed one was initially known excluding the gun-headed one... is there a chance of there being a third one?

Like somebody like him?? Is there any chance it's canon? The same goes for OCs unrelated to the main characters because they don't "get screen time." Is there a chance they're canon?

Also, are Stabby and Shooty capable of smoking?

pl ease and thank you doghoundfather....

Lighter-heads are something I've considered! Makeship commissioned me to do a DT version of one of their mascots a few years back, which I bought a costume + posed for :)

I had other heads in mind for the other unmentioned mobsters (one was a lockpick for instance!) But lighter's a solid idea!

(Also yes, Stabby and Shooty can smoke. And they do. I will not explain how though. Thanks.)

[rockspider556]

Listen up, horror enthusiasts of the tumblrsphere. as a slasher girlie—champion of final girls, cheesy one-liners, and knives glinting in moonlight—i am BEGGING y’all to understand the difference between fun horror and “I’m now emotionally scarred and can’t sleep for three weeks” horror.

So, naturally, i spent my entire politics class making this guide to horror genres—to save my fellow stabby baddies from stumbling into lifelong trauma by accident. DISCLAIMER: i am not a horror expert, merely a horror enthusiast- pls don’t crucify me if i get something wrong 😭🙏

psychological:

focuses on the mental and emotional fears of characters, exploring stuff like their paranoia, guilt, repressed trauma, or mental instability, making the audience question what’s real

eg. the babadook, black swan, midsommar

slasher:

has a killer (usually masked or anonymous) who stalks and brutally murders victims. known for high body counts, intense gore, and iconic villains. often has a "final girl" trope where one survivor faces the killer.

eg. scream, halloween, friday the 13th

gothic:

blends horror with romanticism and melodrama, often featuring decayed mansions, tragic characters, and themes of madness and death. atmosphere is key.

eg. woman in black, dracula, the haunting

supernatural:

centres on being beyond human comprehension, like ghosts, demons, or cursed objects. usually relies on an eerie atmosphere to instill dread.

eg. the conjuring, the exorcist, (arguably) child’s play

body horror:

shows physical transformation, mutation, or grotesque damage to the human body. often used to reflect deeper fears, like losing control over yourself.

eg. the thing, human centipede, the fly

found footage:

done as "discovered" or "real" footage, usually from a handheld camera perspective. creates immersion through its raw, unpolished style.

eg. the blair witch project, rec, cloverfield

survival:

focuses on characters fighting to survive against overwhelming odds, like monsters, natural disasters, or hostile environments. usually focuses on desperation.

eg. a quiet place, bird box, the descent

folk:

uses elements of folklore and pagan rituals. often features isolated communities and the outsiders that wonder into them

eg. the wicker man, the witch, häxan

monster:

focuses on a central creature, whether it’s a giant beast, werewolf, vampire, or something entirely original. often reflects fears of powerlessness and the unknown.

eg. cloverfield, jaws, jurassic park (???)

sci-fi:

merges science fiction with horror, focusing on advanced technology, alien life, or experiments gone wrong

eg. alien, event horizon, under the skin

exploitation:

known for pushing boundaries with graphic violence, sexual content, or disturbing themes. often meant to shock and provoke strong reactions.

eg. saw, vacancy, hostel

zombie:

what it says on the tin. has zombies as the main antagonist, usually set in an apocalyptic setting.

eg. dawn of the dead, 28 days later, train to busan

haunted house:

focuses on a specific location (often a house or institution) that is cursed, possessed, or haunted

eg. the amityville horror, poltergeist, the haunting of hill house

horror-comedy:

balances scare factor with humor, usually witty and has a lot of “meta” moments (eg. john in ‘the babysitter’ panicking because “they always kill the black one first!”- a common practice in old slashers”). *not to be confused with spoofs*

eg. the babysitter, jennifers body, bride of chucky

cosmic:

focuses on the insignificance of humanity in the face of vast, unknowable cosmic forces. often evokes existential dread rather than traditional scares.

eg. the mist, the endless, colour out of lace

spoof/satire:

makes fun of cheesy horror tropes for comedic value.

eg. scary movie, shaun of the dead, zombieland

[thependancer]

can you psychoanalyze cold a bit (in general) because i dont understand his character very well 🙏 /nf

I would love to. Cold is one of my favourites to analyse.

Anyways, so sorry for the late answer. I had Uni stuff and then finals and this just kept getting dragged.

Warning: Very Long Post

Okay so first thing to note about Cold, you get him by being the embodiment of "I could care less". He comes around when you have done everything there was to do but then decided at the last moment, "Eh.. This is a bit boring ain't it? Stabby time I guess." And kill either yourself or the princess. With one notable exception to this being Adversary! Fury, where you've already done the stabby bit with the main princess and now decided that you can not be bothered to fight her now.

The voice of the Cold is one of the most complex and misunderstood voice in the game, only really behind Contrarion. He is often described as apathetic and on the surface that is true. But a better way to describe him is that he is distant. From what? From everything. He does not care. You could be in the worst pain imaginable, physically or emotionally, and he wouldn't even feel it. This is because he doesn't care that he has a body or a heart. He is distant from them. The only way to get under his skin is to do the same thing over and over again. This is because again he is distant and likes being an observer. When there's nothing to observe that becomes pointless. Also worth mentioning, he does not get along with other voices exactly because of this reason. This is because they all are always urging the player to make such and such decisions while the Cold just wants to quietly see what happens.

This brings us to Cold's complementary princess, The Spectre. Spectre is a parallel to Cold in the regard that she is distant from the material. She has no body. But she is a such a good juxtaposition to Cold because while Cold lacks ambition, Spectre oozes it. She really wants to escape the cabin. Cold doesn't want to do anything. Also Cold barely influences the player while the Spectre takes full control over us. Again, complete disinterest vs pure ambition.

Cold, although pretends to have no feelings whatsoever, does sometimes express longing. And this is very obvious in TPAD. He feels safe with the LQ. He wants to stay as that. Just nothing. He belongs there. And he likes belonging. Since he is the furthest from our physical body, but still connected to us, he is able to realise the true nature of the LQ. He knows what he is supposed to be. He doesn't care. Unless it becomes relevant like in Tower! Fury. Where when you become nothing, Cold is like "Yeah. That's what we are? Like C'mon guys, did you really not know this?" This is completely familiar for Cold because he is completely out of tune from the body, hence he knows that the body isn't the Quiet. He's figured out he's not the body but he is still part of the Quiet. Hence he must either be something else or nothing, as those are the only possible answers for him to exist. And being something else isn't exactly an answer. But being nothing makes perfect sense. After all, we are unwound and yet we return. We are killed and then we are back. We are atoms, then we are whole, then we are nothing. Literally, the only thing that can do that is nothing. Nothing at all.

Cold also has a very resolute belief. He believes something, then that's that unless he sees it's false with his own eyes. He believes the princess is dead? The princess is dead. He keeps Spectre a ghost, and the Greys bones. He can survive being pummeled to oblivion, choking on fear itself, and constantly losing body parts all because "It's useless to feel pain." And he does this consistently across all iterations. He is the most consistent voice. He does not care what the scenario is, he will just sit back and observe. And when things start to get boring he will bitch about it. Like he does in MoC. He just wants you to get it over with. He's done this a million times already. Just get it over with now.

Also, he HATES the Narrator. This is because while yes the other voices do sometimes force you to make decisions, the Narrator is just that. Do this do that. Again and again and again. That's so boring. He hates the Narrator because the Narrator always just wants the same exact thing, and never strays too far from the path. Cold wants to know what would happen in every scenario. The opposite of the Narrator. The Narrator is again passion. He has a single goal. Cold doesn't like goals. But he especially HATES this one, cause he's already done it. Like just shut up already. "Slay the Princess, slay the Princess, well why don't I slay You? Huh?" He hates the Narrator to the point where he would kill him. Cold isn't violent. He just doesn't care for life. His or anyone else's. So him threatening the Narrator is a pretty ballsy move. Let me reiterate, Cold doesn't care for life like at all so him not only giving shit but also actively wanting to interfere with it takes a very huge levels of pissing him off. So props to the Narrator.

In conclusion, Cold is distant and trying to find belonging which he does in the Long Quiet. He doesn't care about anything and only wants to observe. He is the closest to the LQ's true nature.

[bittyfromquotev]

Basic rundown of the CFAU just because :)

So in the CFAU, the characters are all creature called “yasii”(minus a few of them). I have a whole thing in them I just need to type it out lol.

They’re all a biological family. The “main” family (KC, Eclipse, Sun, Moon, BM twins) commit a LOT of crimes. Extended Family #1 (Solar, Lunar, Jack) does not. Unless you count their father, Gibbous(Solar’s Moon) because he is FUCKED UP. Extended Family #2 (Dark Sun and Nexus) are also criminals, but on a higher, more obscure scale.

Sunburst(Dark Sun) has committed every crime known to man(minus hate crimes and rape and things like that, but he HAS bombed a lot of places), and Nexus is way to interested in anatomy to be normal. Very stabby, he is.

The Creator is their grandfather. He’s the “deity” of the “Cult of The Nao” where Sol Raymond(Ruin) and Fitz(Forkface) are from. They do escape because they’re tired of shit but now they’re fucking insane and ALSO commit crimes. Fitz has something going on with him, but that a seeeecrettt :).

The main character in all this is Topaz. She is a detective in charge of putting Sun and Ruin behind bars. It never works out, but they don’t fire her because Moon runs the Crescent Mafia, which controls the entire city including police. Why is Moon preventing her from getting fired? Because most, if not all, of these characters are absolutely OBSESSED with her.

This is because her parents didn’t want her growing up alone, so the Creator put some sort of magic on her ig and so now his family won’t leave her alone.

[just-sauntered-vaguely-downwards]

Hey Good Omens fandom. While I’m not in a full ptsd triggered state, my nervous system is still sometimes misfiring. So I’m going to make a different kind of post.

This has been my safe space the past year to really get into exploring my identity and sexuality. Because while Good Omens has changed my life, all the fanart, fanfic, people on here, you’ve all done so as well. And big special thank you to anyone who wrote or shared a fanfic with asexual romantic characters because those are really what helped me understand myself. (I’ll link some of those under a cut!)

I encourage everyone feeling in anyway impacted to practice self care. Try to take a break from everything whenever you need it. Here’s some positive self care things I did today:

-redid my nails and did a hair mask

-did yoga, and for the first time since my endo surgery my abdominal scar tissue spot only felt kinda like a pull, not stabby pain!

-did some online shopping because I’ve been gradually trying to make my wardrobe more “me.” (Kinda with the identity, for a long time I kinda just assimilated myself to either my relationship or my location due to fear of not fitting in and I stopped caring about that this year)

-sat by the pool and started to read a new book and the main character is nonbinary aroace. There is so much diversity and representation in it which is beautiful to see.

-I studied. (Yes that is self care! There’s actually a low chance I’ll pass, but if I do, it will let me move. I even have job offers pending my passing)

-I’m about to go to my town’s only gay bar with a friend for happy hour

Reaching out with compassion and love to anyone feeling hurt, anyone who was triggered, anyone who is angry, anyone who is confused. Please take care of yourself 🖤

In case anyone else needs some ace fic recs!

Live In Thy Heart, (Maybe?) Die In Thy Lap by larkthorne (E) note the smut is kinda not skippable in this, it plays a big role in Crowley’s realization that he’s asexual

Ships in the Night by tishae (G)

Big Name Feelings by ghostrat (E) the smut in this is skippable

An update regarding that post of mine that was reblogged

[caligvlasaqvarivm]

Question if you can answer regarding sburb: Can carpacians play the game? Given how they were brought out of the medium at the end of the story can they now be viable candidates for the game or would they still be regarded as game constructs by the game. Would their method of interacting with things like the aspects or the denizens be different?

They cannot play the game! Sorry, that's probably not the answer you want to hear haha.

They are explicitly described as the "cogs of paradox space" and serve important functions both in and out of the medium - not only are they the primary NPCs of the game while it's being played, but they're instinctively drawn towards completing time loops for the players (see: WV instinctively knowing what to appearify and when), and also serve the important function of terraforming planets after the SBURB meteor apocalypse, prepping them for another go around.

Some of them, like the kings/queens and archagents, are designed to have the same base personalities and functions in every session, to be used by the players or to oppose them (you can see this in how the trolls actually teamed up with their Jack Noir to exile the BQ). Others, like AR, WV, and PM, are insignificant nobody carapacians that rose to prominence based on player actions. Shared across them are fairly singleminded, fixated personalities and an innate understanding of "the rules"... because they're NPCs and not meant to be more than that.

In Homestuck's grand metaphor of life, what the carapacians represent is explicitly described: they're the forces of creation and the forces of destruction, who must eventually be tamed by the players and brought into peace and harmony. This often means killing the most malignant forces of destruction, the BQ/BK, but I imagine that leading a contingent of carapacians and consorts into the new universe is fairly standard practice - after all, they're going to be the ones to build the first new settlements on the paradise planet (as seen by how they colonize post-Condy earth), and have important work to do setting up and maintaining new sessions of SBURB.

Plus, another thing that gets overlooked is that Homestuck is very Themes First, and the main overarching theme is that of coming-of-age - what it means to grow up and mature. As part of this theme, it tackles a gazillion things, like death, substance abuse, romantic/sexual awakenings, feminism and fascism, etc... but SBURB is ultimately a game not just about creating new universes, but about raising children into adults.

The carapacians are never shown to be children, or even to have a juvenile stage. In fact, shared across carapacians are simple personalities, singleminded obsessions, and fairly static character traits. WV survives nearly getting killed and immediately goes back to making Can Town, DD remains "cool" and "suave" and w/e even when on a fairly time sensitive mission to Red Miles the alpha kids, Jack is always a cantankerous and stabby asshole, etc. PM is the sole exception, driven into a corner by circumstance, but I bet that she happily went back to being a mailman after the game was won and her duties to serve as interim WQ were over.

They're disqualified from playing the game because they don't have coming-of-ages - and indeed, might not even be able to. They're all initially born fully-fledged (it's stated that the game world is created in the moment the game is played, and then retroactively has always existed, meaning the archagents et. al. are all genuinely just created Like That), whatever their reproductive system is seems to skip a juvenile stage entirely (there aren't any "child" carapacians in Roxy's colony), and their personalities are fairly fixed and immutable, and in universe, most of them genuinely don't even speak.

Like, they're not really characters the same way as any of the kids or trolls. They're literally designed from the ground up to be NPCs - not necessarily unimportant, but never the thematic focus. Even the exile intermissions revolve around not the carapacians changing and growing, but them performing important bridging actions to support the actual players of the game.

In fact, one of the most interesting uses of a carapacian in the story is WV during the meteor, where he's used as a narrative tool to show how BAD the kids are doing, emotionally. "Being really attached to the Mayor" becomes shorthand for "doing a terrible job at self-actualizing." Because WV doesn't talk (and therefore, doesn't judge), characters on the meteor use him as a surrogate adult or friend in order to avoid actually dealing with their loneliness or sadness.

As Kanaya says, he's charming and delightful... but that's all there is to say about that, and the fact that Rose has drank herself so stupid that she's spending all day helping him organize Can Town is a sign of how far she's fallen.

Meanwhile, the line that gets drawn under Dave's utterly disastrous belly of the whale moment - where he goes from cry-laughing mourning his lost childhood whimsy, to having a verbal slugfest with Grimbark!Jade where he explicitly gives up fighting LE, is that of saving the Mayor and showering him with kisses and promises that everything will be alright. And in the "canon" ending - one that was deliberately written to be as unsatisfying as possible, as a dare to the audience to question and refute the narrator - Karkat, who in that ending explicitly says he never figured out his arc and never got over his insecurities about being weak - gets in on the Mayor action, too. DaveKat is only canon in that setting in that it's a weird throuple with the Mayor, because his presence there is shorthand for "this is bad, actually".

These kids are grieving their lost friends/family, and grappling with their emotional problems (and failing); as a result, they're latching onto a character who literally doesn't talk, because it's easier to distract themselves with his silly simplemindedness than deal with their actual feelings. If they were doing well, then they wouldn't feel the need to hang out and bond so much with a character who, again, literally doesn't even talk and is just singlemindedly obsessed with building a town made out of cans.

Like, please don't take any of this to mean that I'm saying the carapacians are unimportant, or that I dislike them, or that they don't need to be in the story - per the WV example, they're actually very important, and per their role both in and out of the game, the things they're instinctively driven to do, they're also insanely important. It's just that their function, both in- and out-of-universe, can never fulfil what SBURB needs out of its players. If SBURB could self-pollinate - which is what having a carapacian/consort session would functionally be - why doesn't it? So you have to assume having dynamic, external influences is some vital part of the universe's reproductive system, diegetically. And non-diegetically, SBURB is a metaphor for adolescence, something that carapacians don't even seem to experience.

So... yeah.

[rimbaud-fan-page]

Rimbaud's death, anime vs light novel: Why the change matters.

Rimbaud's death from the anime compared to the Light Novel is frankly, pathetic. I hate to say it, but it makes him seem pretty weak, especially when you consider just how powerful he is supposed to be.

Rimbaud's anime death was pretty clean

Boom

Bam

Pow

And then so on and so forth

Blah blah, I killed my partner, blah blah, im so cold, blah blah blah, oh lol nvm *dies*

Aside from the entire erasure of Verlaine, this scene differs wildly just in the way that Rimbaud died.

The Light Novel was far more bloody;

Stabby stabby. And all.

The main issue I have with the way Rimbaud dies in the Anime is it's very boring, hardly fitted to his unique character and role in the story. Just...getting punched real hard? BOOOOOO, OVERUSED. Whilst is a testament to how much this fight pushed Chuuya that he had to bring his fists into it, Chuuya punching someone to death isn't anything special.

The reason Rimbaud's Death via Scythe is so important is that he gave the scythe to the Previous Boss. He ordered for the Previous Boss to stab Chuuya through the arm, relinquishing control over that weapon. He caused his own death.

This is a perfect thematic parallel to how Rimbaud's plan also inadvertently caused his own death, his desperation to find Verlaine and solitary way of working is what meant he ended up 6 feet under. Rimbaud was a very lonely person, his ability reflects that solitude, as he says, his ability is his kingdom, only those he allows in may enter, and only those he allows out may leave. He allowed Verlaine in, and Verlaine is still in there, in a way, but his unwillingness to, for example, approach Mori about this issue, is what meant he made the brash decision to simply kill Chuuya, which didn't end well for him.

Rimbaud's violent approach, spurred by the fear of his friend's death and the aching need to get him back, is what caused his death. His own hand is the one that brought the scythe to that situation, that meant it was there for it to be stabbed through his chest, and so on and so forth, blood and blood and death.

I'm also sad we lost the pathetic visual of Rimbaud lying in a pool of his own blood, desperately trying to say to Chuuya what he had never gotten to say to Verlaine (and then his hand falling in the blood, crying and sobbing and throwing up).

Overall; the anime fucked up (again) and I am grumpy and also autistic

[victoriadallonfan]

Hi, since I haven't seen anyone mention this on reddit or tumblr, I'd just like to say, as someone whose first language isn't english, Worm's cape names are fucking weird. Are all of them words? Who knows, i read Worm and Ward without knowing Eidolon and Brandish are real words and not made up words. Or they are words i know but idk wich meaning is? Is March like the month or like the organized walking verb? So do all cape names mean something, and say something about the one who chose them? I refuse to google them at this point, but Anelace? Cinereal? Myrrdin? Couldn't they pick more known 2 word combinations? Do parahumans get a discount on thesaurus? Thats all I wanted to say, thanks. PS. Wildbow, the fuck you doing using Califa de Perro as a name, couldn't you ask any Spanish speaker?, i'll kill you.

BIG ANALYSIS INCOMING

Eidolon = spectre, phantom, and idolized object/person

Brandish = to flourish and wave about an item, usually a weapon. Also an epitaph for Athena

March = to move in a uniform manner and derivative of the roman god of war, Mars

Anelace = double-sided dagger used by civilians

Cinereal = grey matter of the brain and nervous system

Myrrdin = Too many to count but generally tied to Myrddin Wylt, prophetic folklore bard and a facet of Merlin (genuinely more work than I can ever give on the topic of how insanely intertwined those myths are)

The thing about Wildbow's cape names are two-fold:

In the 80+ years of superhero genre, a LOT of cape names have been chosen and used already. Taylor mentions this to Armsmaster as a meta-joke in the first arc (ironically, DC also has a Skitter, who debuted in 2011.... the same year as Worm), so he has to be creative and sometimes creativity is simplicity.

He loves giving character names multiple meanings.

To go down the list:

Eidolon's name is ironic, because he notably not idolized (and pushed out of the spotlight compared to Legend), and he ends up becoming one of GU's spectres.

Brandish creates weapons, yes, but there's connection to Pallas (brandishing) and Athena accidentally killing him while distracted to Victoria accidentally caving her head in while distracted. (There are several story iterations, including one where they had a parental relationship).

March is about how she organizes her megacluster like an army or marching band, but also reference to her civilian name (May), the Mad March Hare from Alice in Wonderland (which her entire fight with Vista is a huge reference to), and the Ides of March (notorious for the stabby stab stab of Julius Caesar)

Anelace is a master of weapons, but he's notably reluctant about that fact, and is noted to have a healthy civilian life by other characters

Cinereal is the grey matter of the brain. She is the Atlanta Protectorate leader that turns things into grey matter (ash)

Myrddin = See the King Arthur and various clusterfuck of mythos

Even his main characters have this: Taylor tailor makes her outfits and is a silk Weaver, Khepri is an Egyptian god that bring a sunny morning... and she debuted on Gold Morning. Victoria is a Roman Goddess of Victory (Contessa uses her to find "the Path to Victory"), Antares means "Anti-Ares/Rival of Ares/Anti-War" and is the constellation "heart of the scorpion" which is Victoria inside of the wretched forcefield. We can even stretch this to Khepri and Antares: Khepri is a beetle that carries the sun on to a new day. Antares is a binary sun system (with one sun being invisible to the naked eye). In the slaughterhouse 9 fight, Taylor and her beetle (khepri) carry Victoria and the fragile one (antares) to safety (to live another day).

WE CAN EVEN GO FURTHER: Atlas is the man holding up the sky in Greek Mythology, which Taylor names her beetle. Victoria's PHO name is Point_Me_@_The_Sky (which is also a Pink Floyd reference). In Worm, Atlas holds Victoria up in the sky.

Its really fun to analyze.

Califa seems to be a simple goof. Or maybe Taylor just butchered his name.

They can't all be winners.

[yall-hate-kids-tourney]

Loser Round 4: Damian Wayne (DC) vs. Jason Todd (DC)

A rematch? It's so funny how the bracket turned out this way.

Propaganda under the cut.

Damian Wayne (9-14):

Damian is a kid who was raised as an assassin and because of that when he first appears he has some really messed up ideas of how to prove himself to his father by being aggressive with the criminals they capture and attacking his brother. Because of this people act like he is the most evil character ever and refuse to give him any grace. They make him out to be this awful irredeemable monster who just wants to kill his brother and hurt people. If the fandom isn’t making his out to be The Worst(tm) then they are ignoring his existence all-together. He is a really interesting character who has done some not so great things but he’s grown and learned a lot through various character arcs (as much of an arc as a comic book character can have) and he deserves to be acknowledged for himself and not just as a villain so that people can woobify his brother.

——

HES JUST A LITTLE BABY GUY!!!!! Little baby man raised as an assassin and learning how to be a real person <3. But because he was kind of a dick and also a little stabby early-on, especially to the fandom's main "so sad uwu depressed baby" blorbo (and also he's not white), people treat him like he's satan incarnate

Jason Todd (~12):

Most of the Tumblr fandom likes this guy but if you step outside this website then wham so many people say he got what he deserved as a kid and Batman can't be cool if he's a dad so it's important for Batman to trash-talk his dead child constantly so we can all agree what a bad idea it was. Also wanna highlight that a lot of the records we have from fans at the time were clear they disliked Robin for BEING a child. Like a lot of the little dude characters in this tournament are treated too harshly for making an ugly choice and the fans aren't being understanding or sympathetic that the choice is made by a child character who is immature and not developed and strong enough to make a good choice and stuff. But THIS little dude was specifically hated FOR being a child. People wanted tough loner guy Batman not Batdad and his little buddy. The first Robin would drive back from college and guest star sometimes and be advertised as the Teen Wonder and people were like yeah okay but then Batman actually starts being a single parent for a child with needs and people were like UGH not the BOY Wonder. Today pretty much everywhere you see Batman fans saying Batman is better solo, no kid, it's not realistic to have a kid, a kid shouldn't be in the movies blah. Even if the comics they always find a way to send away the new kid so that Batman never has to parent. So all the Robins are being excluded from the narrative but I think this one is THE symbol of Batman fans hating a child character just for being a child.

-

Robin, Jason Todd, THE hated child character. In the 1980s, Batman comics had become increasingly dark and gritty. According to editor O'Neil himself, the courted audience wasn't kids but 19-40 year old men with disposable income. Batman's child sidekick, Robin, was offensively campy and childish. Fans called him wimpy, annoying, dumb, bratty, etc. Also people complained that Batman acting like an affectionate dad was unmanly and gay. Robin acts violent and emotional and people are like "ew he's so childish and emotional"—and then Batman literally acts just as murderously and emotionally within literally the same exact story and people are like "wow he's so dark and tortured". So in 1988 (after brutalizing Batgirl to get rid of her for being too bright and nice and kid-friendly), DC held a paid poll for fans to vote for Robin to live or die. O'Neil claims he heard a fan (a grown man with a dayjob as a lawyer) programmed a phone to spam kill votes. One fanguy claimed that he sold his Mercedes to buy kill votes (probably an exaggeration but still). By less than 1% margin, the vote decided to kill Robin in a spectacularly violent way. Anyway the 1989 Batman movie brought in a huge wave of new child comicbook fans who liked the new Robin (a very cool teenage high school Robin with a driver's license and a girlfriend), and DC started a separate Robin-less Batman series called Legends of the Dark Knight to make the anti-Robin writers and fans happy. But to this day, many fans agree it was a good idea to kill off the other Robin so that his foolish death reminds other characters to never be childish and stupid again. Bonus: the current Robin (usually a traumatized 10-year-old) has also been facing some pretty loud hatred for over 15 years.

[suzannahnatters]

TIME FOR MORE OF MY FAVOURITE WEIRDLY SPECIFIC TROPES

Love Is Not Enough For This Nonsense I see your "I can fix him" and your "I can make him worse" and raise you "I tried to fix him but he persisted in seeking his own doom so now I'm going to peace out and naff off to a beautiful little cottagecore life with the baby". (The Daisy Ridley Ophelia movie did this. The Revenge of the Sith probably should have done this.)

Moral Psychopath give me someone who was born to be a monster but isn't, give me a man without a conscience who does the right thing ANYWAY, give me a stone cold nightmare who chooses to be good even when it doesn't give him warm feels!!!! (there was a character like this in Zero Sum Game, there was a character like this in Forest of Secrets, our bb from Flower of Evil thought he was this - but nobody's done it properly yet)

Competitive Self-Immolation Two idiots, alike in nobility, do their darnedest to one-up each other in committing self-sacrifice. (I admit we do see this somewhat often - most recently in The Rings of Power with Miriel and Elendil - but I go feral for it every time).

Families That Are Actually Happy There's no skeletons in their closet, no twist in their plot. They really are that happy, healthy and supportive. (My bestie C does this in the Secrets of Ormdale series and we do not see it anywhere near enough)

Ruthlessly Gentle Scholar X Angry Guilty Knife Wife She's a stabby hot mess with so much baggage she's starting to shake apart at the seams, and he's cool-headed, warm-hearted, and absolutely inflexible when it comes to what he believes to be right. Somehow they are simultaneously each other's greatest need and worst nightmare. (See: the main couple in Rosamund Hodge's Crimson Bound. See also: the platonic version from The Rings of Power between Elrond and Galadriel that about once a season makes me scream/cry/throwup).

The Unprodigal Son He's never broken a rule in his life. He's the soul of duty. He's above reproach. He's also the worst person you know and needs a redemption arc so badly. (I am not sure I've ever seen this? like the eldest son in the parable, yes. Angelo in Measure for Measure, and 100% St John Rivers in Jane Eyre - except that they don't get a redemption arc. Somewhere there's got to be a Regency romance novel with this plot, surely?)

Head in Lap (Derogatory) Let me lay my head gently in your lap and roast you to kingdom come. (Hamlet, obviously. Also, and I squealed so happily, Luca with Viv in Splintered Life).

Born-Again Monsters Vampires, Tieflings, or just demon-themed mutants who respond to their fiendish nature by going super hard with religion. (Nightcrawler is the perfect example, but we're getting a vampire with religious scrupulosity in Claire Trella Hill's next vampire book and I am HAPPILY SQUEALING)

[directdogman]

If any of the Dialtown main characters was a theater kid and/or is currently interested in theater but doesn't do it per se, who do you think would be/have been?

Oliver for sure. Next would be Karen, if she could get over her stage-fright. Another good contender is Shooty/Stabby I could picture them trying it and getting expelled from the troupe in more or less the same way Christopher Moltisanti from the Sopranos was from his acting classes (accidentally channeling the wrong type of emotion and one of them randomly beating the shit out of someone.)

[davidthephoneguy]

A little (mostly Dialtown) rant of my own

Ok first of all you all need to calm down, I'm goin on this rant despite not currently being in the dialtown fandom but I was back around when the game first came out. I just feel like I gotta ask you to be calm because I know how agressive people can be online with that shield on anonymity. I also do not hate dialtown or Dogman nor do I blame them for said issues that will be stated.

Dialtown as a whole does pretty obviously have a problem about representation of fem/fem presenting characters especially in the fandom side. As a previous rant stated before most fem characters are either glossed over in favour of male/masc presenting ones, such as with the main dateables. It even extends to side characters which feels rather disheartening. Now I get why its mainly the male/masc presenting ones who get attention, I must highlight the fact that I am a Bi-Ace Transman and I tended to focus on Oliver and Randal over Karen so I was part of the problem on that part. So i get the gender serotonin of drawing them but I hope you can also see how it means that for example, Karen is almost completely overlooked. I would see myself in them because of the shared gender, I really do understand why this has been happening. You are not evil for doing this, that is not what this rant is about in the slightest. Like the previous rant before stated the game doesn't pass the Bechdal test (Which if you are unaware is a media test which requires two fem characters to talk to eachother about anything other then a man, already an extremely low bar to pass) which Dialtown does not pass. It's completely valid to have reservations about that as it is an overall problem with media at large. Media at large is still a white straight cis male dominated space and needs more diversity in all ways. Dialtown as a whole is a good game and has a diverse cast which is wonderful and amazing to see. The only issue is how some are highlighted more then others or demonized in a way that lines up with misogyny (Such as with Mingus' behavior being villainized by the fandom while Stabby and Shooty doing the same thing being ok and lighthearted in the eyes of the fandom which from an outside view just looks like misogyny I am sorry folks. If the only factor in if you like or dislike a characters actions is because they are a woman is misogyny even if they're cis or trans, misogyny is just the word for discrimination in this way) Pointing this out doesn't mean an attack on anyone, pointing out an issue is meant to bring attention to said issue so it can be improved or fixed. The previous person who I have been referencing and paraphrasing here (who I am not going to @ as they don't need more direct harassment) was slightly attacked for having a rant, yes everyone is entitled to their opinion but that does not give either side the right to actively attack the other. Please remain diplomatic.

People are allowed to highlight issues, if we don't then they won't ever get fixed. We're meant to stick together and fix things together, not attack eachother. Thats what people like terfs want us to do, they want us to tear eachother apart so that they get what they want, our destruction. We have to stand together with the things we love. My apologies for how long this ended up being but I just had to get it out of my head. Just my thoughts as a transman/voidrabbit on the topic

[chaggie4ever]

What future conflicts do you see happening with Chaggie? Personally, I think it would continue with their whole "Charlie doesn't listen and Vaggie doesn't express herself" issues they had in S1. Plus, the whole trusting Alastor thing might come up. Your predictions?

Absolutely great thoughts! Predictions and talking about HH is the only reason I made a Tumblr account XD

I personally really want Lute to have a role. Charlie seems to hate her even more than Vaggie after the angel reveal. And I think Vaggie will totally be here for this rivalry XD she may have to keep Charlie from killing Lute! A role for Emily in Lute’s possible redemption would be a great addition as they model Chaggie perfectly. Or maybe even Adam’s redemption (I’m convinced he’s coming back as a sinner - his vocals and lines are too great he has to come back). I remain convinced that Vaggie and Lute were frenemies and/or lovers for centuries.

The Alastor stuff is definitely important and will cause conflict for sure. I’m thinking Lilith is involved too (both her and Alastor have been gone for seven years…). I could see Vox getting involved and publicizing Vaggie’s genocidal past and Charlie comforting her.

alas i got sidetracked. Back to Chaggie! I really hope they address their codependency, and Charlie's tendency to steamroll Vaggie… she needs to actually listen to her girlfriend and notice when she is uncomfortable and will need to learn to push a bit more when Vaggie is uncomfortable to make her express herself. Vaggie is one of a few main characters who we have NOT seen cry. She REALLY needs to XD maybe Rosie can be a couple's therapist?

also now that season 3 and 4 are confirmed, im betting on a Chaggie engagement season 2. And if they dont have some down time to have an on screen date or fooling around time imma blow up the studio (no not really). I love that they are established and not the centerpoint of the season - this helps normalize gay relationships. But I also have needs XD maybe Charlie had to wait for Lucifer to come back in her life before she could officially get engaged as queen of hell. Future queens of hell 🥰 this will also likely not go over well in heaven or hell after Vaggie’s exorcist past…

Also… thank goodness Vivi isn’t in charge of writing anymore as she has Satan kill Vaggie after they are engaged and I will kill everyone if this happens

Bonus headcanons (some are stolen):

- Vaggie’s wings come out when she’s aroused - stiffly XD I think they will transition from gray to silver over time as she redeems herself further

- Vaggie and Lute stand trial for crimes by the seraphim. Vaggie is absolved of her disobedience and halo and eye restored (or maybe a weird glowy version so she still keeps her eye patch most of the time). She never wears the halo but it lets her open portals to heaven and hell. Lute is cast out of heaven for killing a member of Lucifer’s family (Dazzle) and attacking them and her vigilante justice on Vaggie. She may lose her wings and an eye too. She will still have one arm as she does not love anyone to restore it (Vaggie’s wings grow back out of love for Charlie and because they weren’t cut off by angelic steel. Lute ripped her arm off and it can also grow back.. if she learns to love).

- Vaggie hides her wings 90% of the time because she’s ashamed of her past (I’d LOVE a B plot episode where Angel Dust helps her with this)

- Charlie is super embarrassed when she demons out when Vaggie teases her publicly (always subtle until Charlie ruins it)

- Vaggie and Nifty bond over shared violence

- They go on flying dates where Vaggie carries Charlie and she loves it. Sometimes Lucifer joins.

- Charlie has picked up stabby Vaggie on several occasions and walked away with her to avoid conflict

- Vaggie’s spear is an emotional support spear and she talks to it and Charlie is jealous and has tried to hide it

- Vaggie spends Sunday dinners with Carmella and her daughters and is basically adopted and Charlie is jealous but also really happy that Vaggie is making her own friends

- Charlie loves when Vaggie speaks Spanish in bed - I also love the theories that they keep ruining beds with Charlie’s horns XD

- EVERYONE has heard them having sex - Charlie is LOUD and sometimes sings + Vaggie avoids Angel Dust the week after particularly loud sessions

- Charlie will propose after a very awkward convo with Lucifer

- Vaggie eventually bonds with sinner Adam and maybe Lute too

- I have an aversion to pregnancy and children but some of the kid theories are cute and Vaggie seems to be the more feminine but I could actually see Charlie carrying 😉😇

Ok imma stop now before this turns into a whole fan fiction XD

[ask-unpleasant]

hey chat sorry for the month of inactivity. i was unmotivated to do anything with this blog

but then i looked at some of the art on here and realized that i just lost my love for the character designs. so you know how we're gonna fix that? we're redesigning some characters bayybeeee 😈

starting with the man the myth the legend, here is UNPLEZZIE 2.0

he's probably the only one i had genuine problems with other than not being very aesthetically pleasing. he seemed too boring, his proportions were always a bit wonky, and the way he became more and more simple the more i drew him dumbed him down to just...awkward.

for this redesign, i kept all the features that made him my unpleasant. the only really signature thing i changed was his hair, sorry not sorry he had to fire his barber. i changed his scars to be far less opaque as to not clutter him up (which was the main reason i left them out most of the time), the only drawback is that i'm no longer just scribbling them in with a brush, they're actual geometry, so i cut back on the arms just for my own sake. also his tail now looks (and acts) like an actual docked tail.

next is the QSWX GVCTXMG AMXLSYX VIEPPC FIMRK GVCTXMG GLEVEGXIV SJ XLI CIEV, here is CREEPY 2.0

creepy was probably my least favorite character to draw. its head shape with the hair that always ends off screen, the 4 arms, the lack of any real way to move visible, it has always been a mess of a character. don't get me wrong, creepy is my second favorite character to write for (beaten only by neuro), i love its personality and its inflection, i just never got the chance to show that because i hated drawing it so much.

so for the redesign, i've basically reimagined it. its face hair now has an actual definitive ending, it has a more unique shape, and is just much more expunged-friendly in my opinion. it looks even more like its mom now...

next is this one, i thought she was american. here's PARANORMAL 2.0

i'm gonna be totally honest i have no idea what i was doing when designing para for the first time. that outfit was 100% subconsciously stolen from some other character i can't think of right now. it also really just didn't fit her character at all. also i dont know why i gave her boobs???? what????

anyways for the redesign she's basically a whole new design now. i wanted to play with some shape language. also, para always had a sort of inhuman quality to me, despite her personality, so i've given her inverted eyes and some animalistic features. i guess it adds irony or something, i dunno.

and finally, the moment GERIATRIC CAT you've all been waiting for, UNNERVING 2.0

in truth nervy's design is my favorite. the only gripe i had is the lack of legs, like with creepy. also i had to give her one of the same pride flag ass gradient as the rest so she'd fit in with the rest. other than all that i love her she is perfect just the way she is with minor adjustments

that's all the redesigns done!! i only did these 4 because stabby is not mine to redesign and NEURO is perfect just the way it is. feel free to give me any constructive criticism for these redesigns, i can always tweak em a bit. also the more stripy gradients wont a pattern that follows the contours of the body but rather just unmoving plaid always. i hope this lengthy yap sesh contributed something to something, maybe gave some insight into my characters.

and if you got this far i put a public discord server link in the intro post. you dont gotta ask anymore. dont tell anyone....shhh....*lovingly puts my finger on your lips* *smirks* *bolts away* *gets hit by truck* *instantly fatal*