#magical fgo series

[beees-in-a-bowl]

Arcueid has a magical girl transformation!! (This is sorta canon; she's called Phantasmoon and was revealed in character materials)

Should I use this as a catalyst for Archetype:Earth 2024?

MADE IN CLIP STUDIO PAINT EX with default brushes and 27pt's prism brush

[kairi-nanami]

✨🎃HAPPY HALLOWEEN🎃✨

Here is the result of the Drawing from the Poll! Miss Cinder-Elly in both of her forms!

Can't you see how Fairy Tale-like it is?

Is it a story of self acceptance? or is it me referencing something?

i totally am not using some maybe not so subtlety using some Magical Girl Tropes from my favorite Magical Girl Media

[pennkin]

Artoria from Fate/stay night. Hope you like it...

[dontaskchaosandco]

drawing poll: "I've already drawn them but it's been a while" edition

[ageekywriter]

AN: This is a snippet from my newest chapter update for my fate grand order fic. If you are a slowburn enjoyed, please consider checking it out:

Jeanne Alter stifled a cry as she closed the short distance between them in an instant, burying her face into the crook of his shirt. Both arms wrapping around him to keep him in place, he could feel her hands digging into his back where he felt like the bruise had been.

His movement was reflexive as he kissed between the white folds of her hair, that single strand that tickled his cheek and nose as he did again. Ritsuka wrapped his arms around her and he smiled at her antics. He smiled because he understood.

Someone had saved me.

A breath of relief escaped him, and those aches and pains faded a little more.

The loop had reset.

He kissed beneath the folds of her white hair, thumbing his fingers through the holes in her jacket, his hands brushing her skin.

“Thanks for saving me,” He whispered to her.

“Idiot,” She mumbled against him, though he could feel the smile of her lips on him. There was a firmness in her fingers speaking to the fact that he wouldn’t be going anywhere any time soon. He was perfectly fine with that.

[sunmaylight]

Shazam/Captain Marvel (DCU) x FGO Idea

Something I’ve been on and off writing plot points of is a DC Comic x FGO crossover idea where Billy Batson (Captain Marvel/Shazam) is the Master of Chaldea.

Now my knowledge of Billy Batson isn’t that great but I’ve done some research on this character to think he would be a good idea. Plus his connection to the Rock of Eternity and Shazam/Captain Marvel transformation opens up a nice can of worms. Even if my knowledge of Fate Series is mostly FGO and watching some of the Fate shows.

Anyways, Chaldea Master Billy Batson but he doesn’t transform into Shazam during the Singularities except for the Final Singularity. Also Constantine is there cause I like the fanfic author’s dynamics between him and Billy.

Some info of this crossover idea below

Premise is that Billy has been a Justice League member of the Justice League since he was 10 and been Shazam since he was 9 years old. His age and identity has been revealed when he is 12 because of a mission going wrong.

Here is a very small blurb of the Prologue (Singularity F) Section I wrote when I was writing this idea. It explains a the reason Billy is at Chaldea

Billy was 12 years old when he was chosen as the last Master of Humanity. 12 when he started a long battle to save humanity, 13 when he was bestowed the ranking of Cause, 14 when the last Epic of Remnant was taken care of. The battles he faces as Captain Marvel and Billy are nothing compared to what he experienced during the time spent with Chaldea.

Three years of war, hardship, struggle, death, life, joy, experience, companionship, and love.

This is his story of his time with Chaldea.

——

It’s been about a month since Billy revealed his true identity to the Justice League, two years since he was recruited into the Justice League, and three years since he was given the powers of Shazam. Yet, ever since they found out about his true age, Billy has been treated as- as a kid! Instead of a respected Superhero and “co-worker”, as the others put it, before his reveal.

At first he didn’t mind, but the longer it went on, the more he became sick of it. He needed a break.

His answer came as a call from John Constantine about requesting assistance for a job outside Fawcett City. Not as Captain Marvel, but as Billy Batson. Billy was curious about the distinction between the two identities, but agreed to it in the end. Fawcett City and the Justice League would be fine without him for a couple of days. Right?

If Billy could jump back to this exact point in time, he would have told his past self that it is actually longer than a couple of days.

In this AU, Zatanna is the on originally tasked by the Justice League Dark to observe Chaldea’s First Rayshift and give back a report. However, something comes up for her as the days dwindle down to the First Rayshift. She contacts John Constantine to go to Chaldea in place of her and he accepts.

Constantine remembers how Billy isn’t doing so well after the identity reveal and decides to bring him along. He contacts the boy under the guise of needing assistance that Captain Marvel can only help with. Billy agrees and the respective parties of Justice League Dark and Chaldea are contacted about this change. Which is also verified by Zatanna to avoid any breaches of security.

As John Constantine and Billy Batson prepare for the trip to Chaldea. Constantine stresses to Billy that he is at Chaldea as his ward and not Captain Marvel. The adult also tells Billy that he shouldn’t transform into Captain Marvel unless strictly necessary.

“Think of this as a learning experience for when you need to go to some magic place as Billy instead of Cap. You need to build some rep, kid. Here is a great place to do so”

Which Billy begrudgingly accepts the reasoning.

Which then leads to Billy and Constantine in Chaldea. Where Billy is immediately separated from Constantine somehow and is whisked away by Chaldea Staff to the Simulation Room. John Constantine lowkey panics over his ward’s disappearance while Billy goes through the FGO demo fight after realizing that he can’t get out any other way without exposing his Superhero alias.

Billy exist the Simulation Room and has the canon prologue interaction with Mash, Fou and Lev. Except that Lev gives Billy a piggyback ride to the entrance Rayshift Room. Lev’a reasoning is that it is faster than waiting for Billy’s short legs to keep up. It has nothing to do with the faintly familiar feeling of Solomon that the demon inside of him feels towards the young boy

Upon entering the Rayshift Room, Billy and Constantine meets each others eyes and is basically this

Then the meeting starts and Billy feels the magical exhaustion on him. The young boy is kicked out and is told to rest. Constantine volunteers to help Billy “like a Hero would do”. Which is instead a stressful conversation between the two on the way to Billy’s room on how did Billy end up in this situation.

After dropping Billy off, Constantine heads back to the Rayshift Room. When Billy is about to enter, he feels a pulse of familiarity on whoever is waiting on the other side of the room and when it opens to reveal Dr. Romani, Billy is relieved, disappointed, and a foreign feeling of surprise not his own.

Then the whole Rayshift disaster happens but Constantine survived it with a bit more of Chaldea Staff than FGO canon because of Constantine’s quick reactions.

When Billy ends up at Singularity F, he realizes that he can’t transform into Captain Marvel and scrambles to learn how to play the support role as a Master Candidate.

Lots of events happen and in the end, Billy realizes that he has to help Chaldea with the Singularities as himself instead of Justice League member Captain Marvel. Anticipation, excitement, fear and worry flood his veins as he goes on a journey of self-discovery and what it means to him to be a hero and magic user Billy Batson.

——

That is basically what I have for the beginning of it all without divulging into the main story of FGO.

Few other things I want to mention about this AU/Crossover idea

Billy can’t transform into Captain Marvel during the Singularities.

This is to make sure that Humanity is judged by themselves and not through the “Blessed Human of the Gods”. Also if Captain Marvel is in a Singularity for a prolonged period of time, the Singularity may destabilize and that would be an entirely new threat that no one is equipped to deal with. Plus Billy hasn’t made a contract with Shazam at any point when the Singularities happen. So no transformation but the Gods can send messages into Billy’s head/influence him to an extent.

The Gods look at Billy during the Rayshifts as “Ah, yes. Master of Chaldea. How can we assist you and have fun on your journey to restoring Humanity’s growth past 201x?” and “Who is this child that feels like blessings we don’t remember gifting? He feels nostalgic and anticipated. We shall send impressions on him to know that he has our support”

During the present day, Billy can transform into Captain Marvel whenever he pleases.

Summoning Servants

((Edit: added the Roman Servants cause I forgot about them when making this post somehow 😖))

When Billy can perform his first summoning, Medea is the first Servant to answer his call. Then later in Chaldea, Heracles is able to answer and followed by Artemis-Orion after the dumpling event. Chaldea notices how Greek Servants flock to Billy and wonder why.

Their curiosity grows as Roman Servants follow soon after. Romulus and Nero dot on the boy like their own kin. While Caesar flaunts like a peacock to impress an oblivious Billy whenever he gets the chance to in battle. Which is something that the Chaldea Staff did not need to see.

When Billy reveals himself to be Captain Marvel with the blessings of Greek and Roman Gods, then Chaldea understands that this boys is a walking catalyst for any Greek and Roman Servant.

State of John Constantine

John Constantine is in a coma after the explosion. He doesn’t wake up until the middle of the Okeanos Singularity. Has an internal breakdown when learning about the state of the world. Swears a storm when he realizes that Billy is going through Singularities as himself and can’t transform into Captain Marvel for extra protection.

When he recovered enough, he sets himself up as the main Justice League representative and starts building a report to give to the League. Hopefully this will help Chaldea from being perceived as a threat under the eyes of the Justice League and give them some protection. Everyone at Chaldea deserves it when (if) they are able to clear the Singularities and restore Earth to how it was before.

In the meantime, Constantine helps out where he can around Chaldea. But mainly watches over Billy to make sure he is doing alright outside of Singularities. During Singularities, he observes with the rest of the Chaldea Staff. Takes over for Dr. Romani and Da Vinci when there are pockets of travel/downtime in the Singularities for the two to rest a bit.

In the Minute Singularities, Constantine is sometimes dragged into them if the Threat level isn’t too high. Why? Completely by accident via Chaldea Servant chaos. He would be also traumatized by the Halloween Singularities if it wasn’t for the good alcohol in them.

Situation with the Watchtower

Since the Watchtower is in space, and farther away from any satellites, it isn’t affected by the mass sleeping effect on Earth. But in turn, anyone on Earth is affected by the sleeping effect. Meaning Superman, Impulse, Martians, etc. are affected. Normally that wouldn’t be a problem, but when the phenomenon on Earth happened, most of the Superheroes and vigilantes are on Earth to deal with a major problem.

Who is left in the Watchtower while Chaldea clears the Singularities depends on the writer. For me, I think Black Canary, Dolphin, Martian Manhunter, Donna, the Outlaws (old and new), and most if not all of the Earth Lanterns. Plus some Heroes who have future vision/clairvoyance high enough to notice a disaster swiftly approaching and have enough time to get to a Zeta Tube.

—

Well this is it for now. Might make a part two depending on how I feel.

[tainbocuailnge]

while im reminiscing about old fate fandom anyway, i think it's hard for anyone who got into the series through fgo or even just after fgo got big to realize just how much impact fgo had. it outright changed how people talk about the characters, before fgo it was viable and common to refer to every single servant by their class and what installment besides fsn they were from (lancer, zero lancer, extra lancer, ccc lancer) and each instalment that had multiple of a single class always provided some other option to refer to them with that would differentiate them while keeping their true name secret (red and black factions in apocrypha, red saber casko and red tea for playable extra servants, launcher for karna so liz could be ccc lancer).

fgo was an actual gamechanger because it was the first time readers were just given every servant's true name upfront and were expected to use it instead of their class. on top of that there'd been several mentions of servants that fit multiple classes before fgo but fgo was the first time we actually saw any servant summoned in an alternate class, making class names even more useless because not only did "fgo lancer" not mean anything but lancer in fgo was also a caster.

for years after fgo's release the type moon wiki clung to its page title name scheme of "[class] - fate/[whatever they're from]" because until fgo (which released 11 years after fsn) that was the most sensible and spoiler-free way to refer to servants and it took a very long list of "[class] - fate/grand order (true name)" pages for them to give up and change every servant's page title to their true name.

fgo tried to get back some of the mystery of true names with epic of remnant but they didn't manage to make it stick or really recapture that magic, and by now effectively nobody really refers to servants outside fgo by class anymore either unless they're veterans like me, and even then most of us only stick to doing it for the fsn servants. fgo has made it much harder for any fate story to write its mystery around true names anymore because out of necessity it has caused fan spaces to no longer respect the mystery of true names.

[derekscorner]

Fated Rantings: Where to start Fate

A scary question, believe me I know.

I asked my own self this question over a year ago now after finding myself lured into the series through lore videos like a child being led by candy. I even started FGO just because it was a free way to begin the series.

Would I recommend that for everyone? No. Fate Grand Order (FGO) is a gacha game after all. Unless you have the patience to grind or cheese your battles like me you'll give in fast and I’d never recommend someone giving money to a gacha game.

Although, if you're already into Fate or just genuinely curious about FGO then I can confirm that it has some of the best written stories I've ever seen. I won't claim every singularity (arc) as a banger but there are some that are legitimately good.

I'd also recommend you be wary if you think that watching the FGO anime is enough. That's more of a companion piece to the gacha than a true adaption.

Where to actually begin

So with my warnings of FGO aside where is the best place to begin the Fate series? Where does the story begin and what is the latest entry?

Fair questions but don't let many fans fool you. There is no one starting point to the Fate series. The reason for this is a simple one;

Every Fate story is on it's own timeline

Nasu Kinoko the writer who created the original 'Fate/Stay Night' stated as much.

Now this doesn't mean that some of his works are "not canon". It's actually the opposite, "everything is canon".

Nasu's company, Type-Moon, got off the ground with his visual novels 'Tsukihime', 'Fate/Stay Night', 'Kara no Kyoukai', and 'Mahoyo' among others. With each of these novels have multiple endings to them.

What confuses so many is them lacking the knowledge that these novels and their various endings share a universe. Some event in one could be mentioned in another. For example, "the church" from Tsukihime is very much present in Fate. The magecraft you see used in Mahoyo is the same magic system and society that pops up in Fate and Tsukihime.

In essence, Nasu's stories are sharing the same world but taking place at various points in that world.

Fate Specific

If you're curious about Mahoyo or Tsukihime then I'd recommend the remakes on Steam or Switch. If you're just genuinely curious what a visual novel is I'll leave you to discover them. I brought these things up because they're related.

For the Fate series in particular it was important that I explain them because this universe of multiple endings are all canon to a degree.

The reason many of you will find Fate hard to get into is because several Fate anime are based on these specific story routes from the visual novels.

The "Fate Route" was adapted as the Fate 2006 anime.

Unlimited Blade Works was adapted from the route of the same name.

Heaven's Feel is another route from the novel.

All three of these big anime names are routes from the same visual novel 'Fate/Stay Night'. Each route, and thus each anime, focuses on a heroine that the lead Shirou Emiya falls in love with.

So each show isn't some reboot or relaunch of a series, they're adaptions of a different timeline of events.

It does not stop at 'Fate/Stay Night' either

As I said earlier, some events are shared between them because these stories share a world and some things happened in each. The characters are citing world events from their perspective. For example;

In many version of Fate the 1st to 4th Holy Grail War happened.

In every version of Fate the "Age of Gods" came and went.

In most Fate stories there is a Rin Tohsaka or a Shirou Emiya somewhere in the world even if they do not appear in the narrative.

In every Type-Moon story the "Clocktower" exists.

Dead Apostles and vampires exist in most Type-Moon stories.

This may seem silly to some of you but I have pointed it out because there will be someone see something said in a Fate story and be confused because it doesn't quite line up with a Fate work they've previously seen.

Or they'll see things stated that makes them think two Fate stories are intrinsically linked when they aren't. If you still find that confusing then allow me to show you the famous Fate/Zero.

Fate/Zero

Many are told to "start here" because Fate/Zero is a prequel to 'Fate/Stay Night' which isn't entirely true.

Yes, Saber will reference the 4th Grail War and her hazy memories of it. She even remembers Shirou's adoptive father Kiritsugu Emiya.

But don't be fooled, that's where Nasu's statement comes in. He did not consider Fate/Zero canon to his novel.

However, that does not mean Saber is lying either. What this means is that the 4th war that Saber remembers in Fate Stay Night is a different conflict than what you see in Fate/Zero.

This is the best example of shared events not being the same per work. The anime of Fate/Zero is it's own timeline while the 4th war Saber mentions in the novel or anime adaptions was different.

We do not know what the exact differences are between Fate/Zero and the 4th Grail War Saber mentions in Fate/Stay Night but we know they existed.

Then you have stories in which the timeline diverted far earlier

These stories are much easier to dive into since their timelines diverged more drastically. In Fate 2006 or Heaven's Feel the point of divergence is the choice in love interest but for these stories the timeline diverges much earlier. For example;

Fate Grand Order actually takes place in a timeline in which there was only one Holy Grail War.

Fate Extra takes place in a world where there's a super computer lodged in the Moon that's been recording Earth's history for nearly 4 billion years.

In Fate Apocrypha there was only three Holy Grail Wars before someone managed to steal the Greater Grail during World War II.

Despite these three in particular being entirely removed from 'Fate/Stay Night's various routes they still fall back on the same world history. They just happen to diverge much earlier for various reasons.

This is relevant because they too will reference similar things but they're much easier to start with because their settings are more unique.

Though, you'll still will see Rin Tohsaka in Fate Extra. Waver Velvet from Fate/Zero also appears in many stories as his older self.

Actual Sequels or Prequels

Now before you have a heart attack with that sub title let me explain. Yes, I do still fully mean that each Fate story is essentially it's own thing.

However, I would be doing you a disservice if I did not warn you that a few have true sequels. I do not know every sequel across Type-Moons gallery of novels but I can warn you about Fate/Hollow Ataraxia.

Ataraxia is a true sequel to the original Fate/Stay Night visual novel. You don't need to play it to enjoy the FSN novel or it's anime adaptions but do not mistake Ataraxia as a solo story. This is the one time I will give you that warning after my long post arguing otherwise.

Granted, I am not sure where'd you come across Hollow Ataraxia but just be warned. This visual novel is a true sequel to Fate/Stay Night.

As for the various anime that's been adapted over the years, as I've said, many are just adaptions of a particular story route from the novel.

That said, if you came to view the anime as it's own pocket universe I could see why. Heaven's Feel, the movies, will even flashback to Fate/Zero scenes.

The character Velvet Waver from Fate/Zero has his own novel series and animes based on those novels. What does this knowledge mean for you my dear reader?

Nothing. I can see why someone would think this way but that doesn't mean you need to heed it. If someone gives you an anime list to watch in a particular order then I'd argue it's fine to either take that advice or ignore it.

At best, watching Fate/Zero will help you appreciate the El Melloi series more but it's also not necessary.

What I am telling you is that it can confuse many but you can start with any anime you're able to get ahold of.

Conclusions

I'm afraid I may have confused many of you more than I helped but I bothered to explain all of that just to say one thing;

"you can start wherever"

And I truly mean that. No matter what some insistent person tells you any Fate work can be your first Fate story. Where you go from there will be up to you.

The only two warnings I will over is that Hollow/Ataraxia is a true sequel so definitely don't start there assuming you can even find it. Secondly, do not start the FGO anime because Babylonia does not adapt the full FGO story.

The FGO anime is worth watching but it won't supplement it's source.

Now then, hopefully I've convinced you to try something. I'd personally recommend you watch Fate/Zero or Apocrypha to feel out the series but you can't quite literally start near anywhere.

So enjoy and bye~

P.S. yes that last image is an official timeline. It's not actually needed but it's neat. :D

========================

For my other experiences with Fate go here: https://derekscorner.tumblr.com/tagged/fated-rantings

[agnerd-bot]

Fate Fanservant: Cinderella, Queen of All Fairy Tales(Ruler)

Ascension Stages:

First Stage: Cinderella is clad in an older, ragged cloak that covers most of her body. Faint hints of a scar can be seen on the left side of her face, but she has drawn her hood up to hide it from the world. Her clothes are older, ill-fitting and tearing in several places, but a faint aura of gold and white seems to surround her even in this state.

Second Stage: The cloak has been removed, and Cinderella is now dressed in a torn jacket and pants, parts of her body covered in bandages. On her body are several burn marks of black and red, covering a fair amount of her body. Her hair is pulled back, revealing a burn scar on the left side of her face. Most notably, her arms and legs have been burned almost completely black, akin to molten rock. Fire dances at her fingertips, and her face has taken a more downcast expression.

Final Stage: Cinderella’s ragged and torn clothes have been replaced with an ornate white and blue dress, and silver gloves and stockings with golden trim adorn her arms and legs. A pair of glass slippers gleam upon her feet, and a silver anklet shines on her leg. In her hands are a sword and shield made of the very same magical glass. Adorning her figure are various panes of glass, hovering around her to defend. Her scars are in full display now beneath the glass, but she bears her wounds with pride rather than shame.

Theme:

First Ascension: I Dreamed A Dream (From "Les Misérables")

Queen of Fairy Tales Theme: Florence + the Machine - Dog Days Are Over

Battle Theme: Love the Subhuman Self [With Lyrics] (Millia Theme) - Guilty Gear Strive OST

Grand Battle Theme(VS Fenrir Riding Hood): Death Battle: Fireborn (From the Rooster Teeth Series) 

Traits:

Class: Ruler

Alternate Class: Saber, Rider, Caster, Shielder

True Name: Cinderella/Rhodopis

Source: Fairy Tales

Region: Worldwide

Alignment: Lawful Good Attribute: Star

Known as: ATU 510A, Aschenputtel, Doricha, Le Fresne, Cenerentola, Cendrillon, Finette Cendron, Vasilisa, Ċiklemfusa, Katie Woodencloak, Ashey Pelt, Trembling, Nyasha, Settareh, Maha, Yè Xiàn, Tám, Chūjō-hime, Nagami, Damura, Bawang Putih, Jouanah, Pear Blossom, Maria, Oochigeaskw, The Cinder Maid, The Queen of All Fairy Tales, The Persecuted Heroine, Dream and Dreamer, Guardian of Happily Ever After

Voice Actress: Yuu Asakawa

Deck: QQABB

Parameters:

Strength: B- Endurance: A++ Agility: B+ Mana: A+ Luck: EX NP: EX

Passive Skills:

Blessing of True Magic EX:

As a Servant intrinsically tied to magical powers protecting and guiding her, Cinderella boasts a Magic Resistance surpassed only by deities and saints. Her Magic Resistance grants her the ability to nullify nearly any spell used against her, barring any extreme circumstances. As a Servant who embodies the concept of 'happily ever after', any attempts at trying to destroy said happy ending will be outright nullified completely.

Interestingly, Cinderella's Blessing of True Magic seems to be a hybrid of an innate resistance to magical powers afforded to her by her status as a Ruler-class, and an unknown outside source of magical energy protecting her at all times. It is through this combination of her abilities that her Magic Resistance is so unusually high in comparison to most Servants.

(FGO Effect:) -Increases own debuff resistance by 25%. -Increases own buff removal resistance by 25%. -Grants self Buff Block immunity. -Charges own NP gauge by 7.5% when attacking with Buster Cards.

Item Construction(Fairy Tale) B:

As much of Cinderella's tale involves the use of magic to produce fanciful dresses, slippers of gold and glass, wondrous carriages, and so much more, she has the Item Construction skill applied to her by default. Using her magic, she can create numerous items out of seemingly nothing but junk or vegetation lying around the area, and can even transmute living creatures into other entities, such as changing mice and dogs into humans, or woodland creatures into mighty stallions.

However, many of these items can only last for a limited time, vanishing in a matter of hours, or even less, depending on how much power she puts into creating these items. When these items are present, though, they are often of the highest quality materials and efficiency, even when they are made from actual garbage.

(FGO Effect:) -Increases own buff success rate by 8%. -Increases own critical star generation rate by 8%.

Riding A+:

Due to her nature as a woman who can capture the heart of any beast or animal she chooses, Cinderella has an incredibly high Riding skill, even when manifesting as a Ruler Class Servant. Even the most rowdy of Phantasmal Beasts or Dragon Kind are willing to lend her their aid for short periods of time, with only almighty Divine Beasts being able to stand outside of her influence. If no animals are available for her to ride, she can also temporarily create steeds in the form of pumpkins, vines, and other inanimate objects.

Despite her unmatched talents at taming animals and plants, she often struggles with managing more modern vehicles compared to other Servants, hence why she lacks an EX Rank. This has done nothing to discourage her from trying, however, and she often dreams of being able to use more modern vehicles by herself someday.

“A motorcycle... So cool...! Yes, I will definitely learn how to use one someday! ...I hope.”

(FGO Effect:) -Increases own Quick performance by 12%.

On the Border of Reality and Fantasy EX:

In contrast to her husband, Prince Charming, who is a Servant that is wholly fictional, or to a Servant such as Marie Curie, who is undoubtedly a real person, Cinderella stands in a unique position. While the character of Cinderella is undoubtedly one borne from fantasy and fairy tales, records do show that there was once a person who existed that inspired one of the first versions of Cinderella: Rhodopis, a hetaera from the Sixth Century BC who served as a slave to the storyteller Aesop, and eventually married the King of Egypt.

Reality and Fantasy, Truth and Lies, Fact and Fiction. Cinderella is both and neither, an anomaly that walks along their borders without faltering. As a consequence of this dual existence, Cinderella stands outside of the usual constraints of the Summoning System. Even in a Singularity where heroes and fantasies have all but died, and even in a reality where no traces of Mana can hope to exist, Cinderella will still be able to manifest in some form.

She is both dream and dreamer, a fantasy who holds fantasies of her own, and a persecuted maiden that will forever wish for better things to come. The greatest heroine of all Fairy Tales, the almighty queen of stories new and old, to which all others must inevitably bow their heads to.

(FGO Effect:)  -Increases NP by 5% each turn. -Gain 5 Critical Stars each turn.

Queen of All Fairy Tales EX:

Among all other Fairy Tales, Cinderella is the one that can be most argued to be the most well-known throughout the world, with there being five hundred different variations known in Europe alone, and roughly eight hundred versions told around the world. Nearly any culture can look upon Cinderella and recognize her in some type of form. As a result, she has an ability akin to that of a Divine Core, a power granted to her by her status as Queen of All Fairy Tales.

As a Servant, Cinderella exists as an embodiment of the hopes and dreams of those who have suffered, those who have been lost, or those who feel trapped in a cruel and merciless life with which there seems to be no escape from.  She is the very concept of 'a miracle', someone who was able to escape her own horrible life and lay claim to her own happily ever after in the end. While her combat ability in her own stories was essentially nonexistent, as a Servant, she stands among the strongest to ever live due to how her story resonates with nearly all people across the world.

However, it is not power that grants her the legendary title, but rather her heart. Even in the face of the cruelty she was subject to for ages, her will was never truly broken. Even after years of abuse and hardship, she never truly lost her kindness.

A story so beloved and so enduring that multiple cultures can come up with it simultaneously and tell it in different ways, a story where the good are rewarded and escape their suffering, and where the wicked are stopped and made powerless, and a story where an abused, innocent girl is allowed her happily ever after.

(FGO Effect:)  -Increases own damage by 300. -Decreases damage taken by 300.

Active Skills:

The Persecuted Heroine EX:

After the death of her mother, Cinderella's father remarried to a wicked and cruel stepmother, who brought in her evil but beautiful stepdaughters. They stripped her of her clothes, forced her to eat and live in the kitchen, and made a slave of her, forcing her to work day and night at impossible tasks and making her sleep by the hearth in order to stay warm. When she woke up covered in cinders, her family gave her the mocking name of 'Cinderella'.

However, despite the suffering she had to go through, she still had a safe refuge in both the hazel tree she had planted by her mother's grave and the animals that she had befriended with her good heart. Through them, she was able to accomplish the impossible tasks her stepmother gave her each and every day, and with their gifts, she was able to attain the happiness she was denied in the end.

This manifests as a skill akin to Animal Communication, where Cinderella can communicate with wildlife as easily as one can communicate with people. Unlike Animal Communication, where the animals gain no real increase in intellect, this skill enchants the animals with magic, granting them greater thinking comparable to that of humanity and empowering them with magical abilities on par with an Anti-Army Noble Phantasm, allowing Cinderella to properly direct them in combat or combine them with her own magic. Or simply ask them to help her with chores.

Among the closest connections Cinderella has with her animal companions is that of a lone eagle, the very same bird from the tale of Rhodopis that stole her sandal and dropped it into the lap of the king. Even if no one else would answer her call, this noble bird will always come to aid her, even at the end of days.

(FGO Effect:) -Increase critical damage for all allies. -Gains critical stars based on the number of Animal-Characteristic allies. -Reduces own critical star absorption for 1 turn[Demerit].

The Stroke of Midnight B:

As the fairy tale goes, the magical dress and coach that was granted to Cinderella were astonishingly miraculous. They outshone every other person at the ball, gaining the attention and catching the heart of the kingdom's prince. She shone as if she was a beautiful angel from Heaven, and at the ball, her grace and beauty that was constantly trod upon by her abusive family was allowed to truly shine for the world to see. That night, her heart was filled with a happiness she hadn't known in the years since her mother had passed away. However, the magic was not meant to last, with it all fading away at the stroke of midnight. And so, Cinderella had to run far away to her home before the magic faded completely, hiding in a tree until the prince had lost her trail.

This part of her legend manifests as the ability to boost her magical energy reserves to great heights, greatly ramping up both her offensive and defensive prowess and overclocking her parameters and skills so that they all jump up by several ranks. However, this skill is limited in that it only works during the night, and is destined to disappear once the clock strikes twelve at midnight. Furthermore, this skill can only be used once every day, meaning that after those three uses have passed, she can no longer activate this ability.

(FGO Effect:) -Charges own NP Gauge. -Grants party Invincibility for one turn. -If there is a 'Fae' Servant on the field, apply Debuff Immune to self(one time). -After three turns, apply Stun to self(one turn)[Demerit].

What Has Been Lost, Now Returned EX:

The embodiment of 'Happily Ever After', the most famous aspect of Cinderella was when the Prince reunited with her, returning the glass slipper that she had left behind. After the Prince and Cinderella wed, she was able to leave the life of pain and misery behind, and embrace her own happy ending, no longer bound by the cruelty and wickedness of her family, who were left exposed as the evil people they were.

As the Queen of All Fairy Tales, Cinderella's power is to ensure that the suffering and downtrodden are granted their happy endings, and that the evil and cruel get their just rewards. As a result, Cinderella has the ability to resist 'alterations' to her own story, akin to an Avenger’s Oblivion Correction. She can resist any attempts at temporal disruption such as Red Riding Hood's own plot to distort her own fairy tale, as well as see when alterations to the story have been made. However, this ability is limited in that she cannot immediately discern the source of these alterations, but merely see that something has been altered.

(FGO Effect:) -Increase attack of all Fairy Tale and Phantom Servants for three turns. -Increase defense of all Fairy Tale and Phantom Servants for three turns. -Apply Guts to all Fairy Tale Servants(two times, five turns).

Noble Phantasms:

Noble Phantasm: Truyện Bất Tử - The Story That Forever Calls You

Rank: B Maximum Targets: 1 Range: —

Classification: Anti-Unit(Self)

A passive Noble Phantasm borne from the Vietnamese fairy tale, "The Story of Tấm and Cám". It is said that after Tám's stepmother and stepsister murdered her out of jealousy for marrying the sovereign, the fair maiden reincarnated multiple times in many different forms to reunite with her betrothed, ranging from a lovely oriole, two gentle peach trees, a wooden loom, burning ashes, a golden apple, before finally being reborn as Tấm herself as she took vengeance upon her wicked stepmother and stepsister for their treachery.

This legend manifests itself as a unique ability. Much like how her husband, Prince Charming, embodies 'the hero that will always triumph over evil', Cinderella embodies 'the maiden who will always escape from her torment'. Cinderella's very existence is innately tied to that of mankind's own hopes and dreams for a better ending. So long as there are people that desire their wishes to come true, there will be a Cinderella to answer their call as their champion. As a Servant that embodies dreamers and fantasies, Cinderella will always be reborn, just as her stories are told again and again. Even when her enemies kill her again and again, Cinderella will find a way to return and reclaim what was stolen from her, outright forcing the World to allow her back in through sheer will.

This Noble Phantasm does have its limitations, however. It is not a 'true' immortality like that of the Monkey King Sun Wukong or the Lunar Rabbit Yù Tù. Rather, with this reincarnation ability, she lacks a 'concept of death', akin to the Primordial Mother, albeit on a lesser scale, so in theory, an attack akin to the First Hassan's Azrael could stop her reincarnation and render her mortal.

Nevertheless, even in the face of death and darkness, the Persecuted Heroine will continue to stand, the last line of defense for all who have looked up at the night sky and dreamed.

Noble Phantasm: La Colère de Cendrillon - The Hate That Forever Binds You

Rank: A Maximum Targets: 1 Range: —

Classification: Anti-Unit(Self)

In her tales told in Europe, Cinderella gained her name from the fact that her body was often covered by dust and ash from working so hard for her family without rest without any thanks or respite. She wasn’t even allowed to sleep in a bed like the rest of the family, instead being forced to sleep by the fireplace for warmth. The cruelty of her family weighed heavily on her soul, but not once could she ever let loose her sorrows or her frustrations, or else she would be turned out onto the streets. For years, Cinderella was forced to endure years of physical, emotional, and financial abuse, holding her tongue for fear of reprisal, only escaping thanks to the work of her mother's hazel tree.

But even the miraculous fortune granted to her could not rid her of her own bitterness and self-loathing. Even marrying a prince who loved her with all his heart could not erase her past or let her forget her suffering. The pain she had to live through followed her like a scourge all her life, even in her ‘Happily Ever After’. As a Servant, this anger manifests as the very cinders that gave her her name, with her arms and legs being burned pitch-black and crackling like flame. The fires she wields are the embodiment of the grief and rage she was never able to truly express under her family’s thumb. If Cinderella needs to take a stand and fight, she can unleash torrents of fire from her limbs that grow even stronger the more violent her emotions grow, and burn far longer and hotter than any normal fires ever would, and are intense enough to burn an enemy’s very existence to ash.

However, despite the sheer power of this Noble Phantasm, it comes at a great cost to her as well. If Cinderella were to let her own self-loathing and rage consume her utterly, she would risk losing herself completely to her own darkest parts, becoming a raging flame that would burn the World itself to ash and cinders, before ultimately burning herself away along with it.

Cinderella herself dislikes using this Noble Phantasm, as she believes it is emblematic of everything wrong about her, everything she hates about herself, and the ultimate proof that her family was right about her.

Noble Phantasm: Pantofola di Vetro - The Gift That Finally Frees You

Rank: A+ Maximum Targets: 1 Range: —

Classification: Anti-World(Self)

Cinderella’s second Noble Phantasm, the evolved version of La Colère de Cendrillon, manifesting as her main armaments as the Queen of All Fairy Tales. The resentful flames and ashes of her abusive past having been tempered and cooled. The toxic ashes and burning fires that surrounded her at all times when she was younger have been transformed into a beautiful armor spun from magical glass, the fabled gift that set her free from her abusive home life. No longer is she harmed by her own self-loathing or resentment, but rather shields herself with the dignity and grace of a queen.

As the story goes, among the items that Cinderella was gifted when she was dressed up to go to the ball, the most eye-catching and famous was the pair of glass slippers she wore, perfectly molded to fit her and her alone. When Cinderella fled the ball at the stroke of midnight, she ended up leaving one of her glass slippers behind in her flight home. It was through this same glass slipper that the prince was able to find her again, searching throughout the land to find the one girl in all the kingdom who would match the slipper. When the prince reunited with Cinderella, she was granted the one thing she was never gifted throughout her life: an escape from the hell that was her family’s abuse, mockery, and neglect, and she was given a chance to pursue her own happiness after years of torment and sadness, finally being able to smile again.

As a Servant, this part of her story manifests as enchanted glass armor, far more sturdy than its fragile appearance would suggest. This mystical glass repels evil, and automatically protects Cinderella from any attack ranked A+ or lower, much like Heracles's God Hand, ensuring that Cinderella is effectively immune to any attack not outright ranked at EX, and any attack that does manage to bypass these defenses are severely reduced in power. While Heracles's God Hand grants him 'a body that knows no death', Cinderella's Glass Slipper gifts her 'a shield that will push through the darkness', triumphing over every trial and tribulation the world seeks to throw at her in order to reach her own 'happily ever after'. Combined with her Blessing of True Magic skill, Cinderella’s incredible defenses allow her to outright nullify almost any attack thrown at her, allowing her to advance forward even in the face of the most terrifying monsters. So mighty is this armor that it can even withstand blows from Prince Charming’s almighty Marmyadose, though the chances of Cinderella and Prince Charming ever fighting one another in battle are well and truly impossible.

In conjunction with her powerful armor, Cinderella can also create constructs made out of this same enchanted glass, from a nigh-invulnerable shield that can halt even Divine Weapons, a powerful horse and carriage comparable to Dragonkind, pillars of spun glass that can rise past even the tallest mountains, to even an entire enchanted forest and castle to serve as a fortress against enemies as powerful as Fenrir Riding Hood. If Cinderella needs to enter combat directly, she can even focus the magic-negating properties of her glass armor into a gleaming blade that can carve through even enemies from the Age of Gods.

This Noble Phantasm is a near-perfect defense, a bulwark against all who would seek to give the story a wicked and unjust end. Just as La Colère de Cendrillon has the ability to reduce the World to ash and cinders, Pantofola di Vetro has the ability to shield the World from all villainy and dangers. The last and greatest line of defense for humanity’s dreamers.

Noble Phantasm: Once Upon a Time - The Stories That Are Carried With YouRank: E-A++Maximum Targets: —Range: —

Classification: Anti-Narrative

An almighty Noble Phantasm that serves as a record of human history itself, and the twin to Prince Charming’s own Ever After. This technique functions similar to that of Gilgamesh's Gate of Babylon and Menes' Imperial Privilege, being a manifestation of all of mankind’s accomplishments. While the King of Heroes has an armory of all the weapons mankind has made and will ever make, and Menes has the capability to replicate any and all physical attributes she has witnessed, Cinderella's Noble Phantasm allows her to reach directly into the Throne of Heroes, bypassing the typical Summoning Rituals or defenses placed upon it by the World to call upon a champion to fight in her name. Even heroes who have been long forgotten or anti-heroes abandoned and scorned by the world feel compelled to come to Cinderella's aid by this Noble Phantasm, and upon their arrival, their abilities are further enhanced even beyond a Servant's normal capabilities.

While Gilgamesh's Gate of Babylon is the embodiment of subjugation, and Menes' Imperial Privilege is the embodiment of domination, Cinderella's Once Upon a Time is the embodiment of human connection. It is not a forced summoning of a hero, like the Summoning System used by mages in the Grail Wars. Nor is it an emergency call to arms by the Counter Force in order to surmount an impossible foe. Rather, her charisma and honesty is enough to sway even the most steadfast and cruel of hearts, allowing her to call forth a champion who will fight to save the world without hesitation. Even in the face of impossible barriers to a Servant’s arrival such as Goetia’s Nega-Summon or Red Riding Hood’s Nega-Champion, a hero will be able to make their way through the darkness to hold the banner of humanity high. In summation, this Noble Phantasm is the very embodiment of the concept of 'Happily Ever After', a summoning of a great hero to save the day and vanquish evil.

"The world is cruel… The world is wicked… The world has produced much evil and sorrow… I should know. I have lived through it myself firsthand. But even then, I have faith in humanity. Faith that there is kindness even in the face of cruelty. Where there is good despite the wickedness. Where there can be happiness and joy even when hatred and sadness seems so insurmountable. Most of all… I believe you truly can save the world and give it a happy ending."

Noble Phantasm: Ewig Sanfter Haselnussbaum - The Love That Never Leaves YouRank: EXMaximum Targets: 1Range: —Classification: Anti-Narrative(Self)

In almost every version of the Cinderella story that has been told, there is one unifying factor between them all: a benefactor, sometimes magical, sometimes mundane, that nonetheless arrives in the heroine’s darkest hour in order to bless her with a miracle. In some stories, it is the heroine’s fairy godmother or an angel come to reward her for her piety and kindness. In other stories, it is an animal such as a divine eagle or golden fish. In other stories, it is a powerful witch or almighty god who seeks to test the heroine’s goodness and charity. Whatever the form or shape the mystical helper takes, they serve as the ultimate reward for the heroine’s pure soul and righteous heart.

In particular, this Noble Phantasm takes the form of the hazel tree that Cinderella planted by her mother's grave, where all her fortunes sprang from, and the only place she ever felt safe as a child upon her mother’s passing. In reality, this hazel tree is the very soul of her deceased mother possessing the hazel tree planted at her grave, continuing to provide for her long after her passing. While she passed away at a young age, her determination to bring her child happiness was strong enough to possess the tree that Cinderella had planted at her mother’s grave. This tree gave her the ability to commune with animals to serve as her protectors and helpers. It gave her her lovely dress with which she arrived at the ball, outshining any other beauty in the room. It gave her magical powers of her own when the time was needed to protect the world she loved, pushing her to be a shining light even in the darkest hours. Even now, she still watches over her daughter as her Noble Phantasm, serving as the source of all the incredible magic Cinderella has at her disposal, and a guardian who will answer her call when she is needed.

When called upon by Cinderella, her Noble Phantasm manifests as a massive tree in the shape of a woman towering over even the almighty wolf of Ragnarok, Fenrir. This treant will not hesitate to attack anything and everything that wishes to do Cinderella harm, fighting with the relentlessness and love of a true mother’s love and will, whether it be summoning animals to maul her enemies, or merely crushing her opponents with her mighty branches. The hazel tree is fully capable of acting without Cinderella's commands, and indeed has a mind of its very own, able to take action even when Cinderella herself has been incapacitated. Anything and everything that is even remotely a threat to Cinderella is an enemy, and all enemies of Cinderella must be destroyed without mercy.

However, despite the fearsome power of the hazel tree, it is not her physical abilities that make this Noble Phantasm such a terrifying one to face. Rather, it is the wishes that Cinderella holds. Much like how the hazel tree was able to create the impossible throughout the story, providing Cinderella a dress and shoes so she could find her true love, and helped her complete the impossible tasks set by her stepmother, so too will the hazel tree grant Cinderella's hopes when wished upon. So long as the wish made is selfless in nature, Cinderella's dreams will become reality. These wishes grow even more powerful the greater the impossibility of the act is, akin to Apollo 11’s own Noble Phantasm.

In essence, this Noble Phantasm is the very manifestation of the strongest magic to ever exist within a fairy tale: an act of true love

(FGO Effect:) -Increases own damage for every Fairy Tale Servant in the Party for three turns(includes back row). -Deal Heavy Anti-Evil damage to a single enemy(effect increases with Overcharge). -Increases own NP Gauge for every Fairy Tale Servant(includes back row). -Apply Anti-Purge Defense to self for three attacks, three turns.

Voice Lines(First and Second Ascension):

Summoned: Guten Tag, I am Aschenputtel, Ruler Class. Ah, sorry, you might be more used to my English name, Cinderella. I'm not that important of a Servant, and I don't really have anything that makes me special compared to other Servants, but I'll do my best to not let you down. Whatever you ask of me, I will accomplish to the best of my ability.

Level Up 1: Are you sure? I don't know if I'm the best one to be given this kind of power.

Level Up 2: Th... Thank you! I won't waste this opportunity!

1st Ascension: I'm sorry you have to look at me like this... My hands and feet, burned black due to tending the fires so much. It's hideous, I know... But thank you for keeping me around, all the same.

2nd Ascension: Will these ashes ever leave me be…? …no, I suppose I already know the answer to that, don’t I? Still… I’m glad that I can help you and your endeavors despite these terrible burns of mine.

Fight Start 1: *sigh* I suppose that I have no choice in the matter, do I?

Fight Start 2: I-I’m sorry to bother you, but can you help me out right now?

Fight Start 3: I admit that I’m not much of a partner… But can we dance all the same?

Skill 1: *whistles*

Skill 2: Just a moment, I’ll be right there!

Skill 3: If that is what is needed of me.

Command Card Select 1: I-I’m not really a fighter.

Command Card Select 2: My little friends, could you please help me?

Command Card Select 3: I’ll finish this task the best I can!

Noble Phantasm Select 1: Are you ready… To be consumed by the cinders…?!

Noble Phantasm Select 2: Ghhh… Haaaaaah… “That’s it… Feed the fires…”

Attack 1: U-um… Please don’t blind them this time.

Attack 2: Oh, thank you for your help!

Attack 3: Let’s go!

Attack 4: Eep!

Attack 5: I’m warning you… Please run!

Attack 6: BURN!

Attack 7: Haah… HAAAAAAH!

Attack 8: Let the cinders fall where they may.

Attack 9: Incinerate them…

Extra Attack 1: Sorry to disturb you, Sir Knight, but… (Lancelot: Think nothing of it, fair lady! Arondight OVERLOAD!!!)

Extra Attack 2: Pardon me, you two, but could you give me a lift? (Hessian Lobo: *howls*)

Extra Attack 3: I, um, hope you two don’t mind the sudden summons. (Miss Crane: A chance to work with the Cinderella?! EEEEEE! Habetrot: Nyahahaha! A tailor’s work is never done!)

Extra Attack 4: Time for a bit of cleaning, Lady Beni-Enma? (Beni-Enma: It can’t be helped, dechi.)

Extra Attack 5: Red Riding Hood… You’re helping me too? (Red Riding Hood: For now at the very least. *bang*)

Noble Phantasm 1:

P… Please…

Run away.

I… I can’t control it.

I don’t want to burn you… but I can’t hold back anymore.

La Colère de Cendrillon…!

Noble Phantasm 2:

Ngh… Ghh…

Get… AWAY…!

LA COLÉRE DE CENDRILLION!!!

Noble Phantasm 3:

“Don’t hold back anymore…”

“Hurt them. Hurt them just like they hurt you.”

“The pain… the misery… the sorrow… Let it all burn within you…”

“Let it consume every essence of your being… And let it consume them down to their very soul.”

“Let. It. Out.”

Damage from Noble Phantasm: I’m sorry…! I’m sorry!

Regular Damage: Kyah!

Defeated 1: I let… All of you down.

Defeated 2: I should’ve known better than to have come here…

Victory 1: I won?! I-I mean, I won!

Victory 2: I’m sorry… I hope your story has a better ending in the next life..

Bond Level 1: *fidget* *fidget* I'm sorry, am I bothering you? O-or perhaps you need me to help clean up around here? I couldn't help but notice that there was some cleaning that needed to be done. ...yes, I think I'll get right on that.

Bond Level 2: 'Why do I work so hard...?' Well, I thought something like that would be clear. After all... It's what I was raised to do. My... family, all they asked of me is to help satisfy their own needs. So... after a while, I learned to be quiet and serve. I don't particularly mind doing this work. After all, it means I get to accomplish something. It's certainly easier to stomach than being considered a queen of all things.

Bond Level 3: ...Master. Can I confess something to you? ...I'm scared. Scared of all this power I have at my fingertips. I'm truly nothing special, at the end of the day. I'm weak... I'm ugly... I've never really accomplished anything on my own. And yet... everyone looks at me, expecting me to be a grand hero or champion. But... I'm just me. Useless... weak... me.

Bond Level 4: I still don't understand... Why me? Why did my dear prince choose me of all people there? I didn't even come to the ball to meet him. I just wanted a night where I could be happy and not care about the weight of the world. And yet... he danced with me, made my heart feel like the weariness and heartache was all worth it for that fleeting moment. I wonder... What went through his head that night?

Bond Level 5: Master... Thank you for listening to me. I confess, I still don't know if I can bear the image of the 'Queen of All Fairy Tales', but I've been thrust into the role regardless. I may not live up to the expectations the world has of me… Perhaps I never will. Be that as it may, I still want to try. I don't believe in the 'Cinderella' that my mother and my prince saw in me... But I believe in them. And if they were able to find something in me worth loving... Then perhaps they're right.

Dialogue 1: You don’t have to act so amazed around me, you know. I’m nothing more than a simple servant girl who got lucky.

Dialogue 2: I’m your Servant… That means you tell me what to do, and I fulfill it to the best of my abilities.

Dialogue 3: It feels nice to be able to take a break every once in a while, don’t you think? Back home, I never really had a chance to sit down and rest.

Dialogue 4: *whistles* Hahahaha! It seems that even in Chaldea, there are little creatures that are willing to hear me sing to them. I rather like it. It’s so much nicer to be able to sing with an audience listening, don’t you think?

Dialogue 5 (If you have Prince Charming): Have I ever told you about the night my dear Prince Charming and I met? It feels like an impossible dream, yet an ever-enduring memory… He was the first to treat me with such genuine kindness after… Well, either way, I knew from the start that he was the man that I would marry. And you know what? I stand by that belief even to this day.

Dialogue 6 (If you have Red Riding Hood(Pre True-Name Narration)): Ah, Blanchette! It’s good to see you doing well! Hm? A hike in the woods? *sigh* I suppose that look you’re giving me means that I should go along with you, shouldn’t I? Heaven knows you tend to get yourself lost far too often…

Dialogue 7 (If you have Pinocchio): Oh, buongiorno, Maestro Pinnochio! I see you’re as active as usual today! Eh? N-no you can’t ask my mother for firewood! … O-oh. It was a joke, I see. Still, one shouldn’t make jokes like that so carelessly. Especially if you’re swinging around such a large axe…

Dialogue 8 (If you have Frau Trude Gothel): D-Dame Gothel?! She’s here as well?! I… To think the monster from my childhood would be here in the flesh… M-Master, are you sure it’s wise to have someone like this around Chaldea?!

Dialogue 9 (If you have The Fairy Godmother): The Fairy Godmother… I’ve heard that many believe our stories to be intertwined with one another. I must admit, though… I don’t think I’ve ever met her myself. At least, not in person. She seems to be very familiar with me though.

Dialogue 10 (If you have “Goldilocks”): Oh, hello Goldilocks! I’m glad we’re able to meet each other again… O-oh, you’re busy eating? I see… I’m sorry for interrupting you then…

Dialogue 11 (If you have Baba Yaga): Frau Yaga? I must say I didn’t expect you to be here. Um, not that I’m not happy to see you here! That is… Um… I’ll just leave now.

Dialogue 12 (If you have Elizabeth Bàthory (Cinderella)): Another me…? And she's an actual noble? She probably is much better than me… Maybe she deserves to be the heroine more than I do… 

Dialogue 13 (If you have Miss Crane): Miss Crane… Her weaving is the stuff of legends. To think that such a veteran artisan would be here in Chaldea… I… Do you think she would mind if I asked her for some advice for my own tailoring?

Dialogue 14 (If you have Beni-Enma): The Tongue-Cut Sparrow is here as well… Her story is familiar to me, as is her fearsome reputation. That being said, I can’t help but see her as a kindred spirit. Do you think she’d appreciate my help, or would I just get in the way? 

Dialogue 15 (If you have Merlin or Lady Avalon): You… You seem familiar to me. And yet, somehow, you feel completely different at the same time. Erm, that being said… Those pranks of yours are a bit much, don’t you think?

Dialogue 16 (If you have Hessian Lobo): You two… You’ve gone through so much, both separately and alone. I can’t even begin to understand what kind of hurt you carry… All the same, thank you for letting me sit with you. I know it means a lot.

Dialogue 17 (If you have Saint Barbara): Oh, Barbara! As active as ever, I see. … Wh-what?! Wait, what are you doing with that dynamite?! H-hey! Barbara! Wait up!

Dialogue 18 (If you have any other ‘Fairy Tale’ Servant): Everyone… Everyone looks at me, as if they expect some grand wisdom or great power of me… Those are expectations I fear I can never live up to.

Dialogue 19 (If you have Medusa): Ah, it’s that pink-haired woman! I really should thank her. She was so kind and welcoming to me when I first arrived in this place. She even helped me find some of the stories that were told of me in Chaldea’s library. For some reason, she seems to look at me as if I was familiar… Perhaps I met her in one of my tales? …could it be? Is she the incarnation of Godfather Snake? …no?

Dialogue 20 (If you have Barghest): Oh my! I’m sorry, miss, I didn’t mean to bump into you- H-huh?! …Master? Why did that woman look at me with tears in her eyes? …Habetrot said that, did she? I see.

Dialogue 21 (If you have Mata Hari): Margaretha… Yes, I know her. I know so many like her. Why wouldn’t I? After all, I know all too well what it’s like to be so alone…

Dialogue 22 (If you have Tiamat): The Mother of All Life… I heard that she was once a Beast of Humanity, driven to madness over the love she had for her children… And yet, I can’t help but feel happy around her. She reminds me of my own mother at times. Oh? A boxed lunch? Is this for me?

Likes: Something I like? Well… I suppose the only real answer I can give to that is my dear Prince Charming. He saved me after all… He took pity on someone like me and chose to marry me. …oh? ‘Pity had nothing to do with it’? Hmm… I suppose you’re right. He’d say the exact same thing to me if he heard my mumblings.

Dislikes: I’m not fond of bullies. Far too many people believe that just because they have money, or power, or… anything really, that they can hurt people. Hurt me. Ghhh…! E-excuse me, I’d rather not talk about this any longer.

About the Holy Grail: They say that the Holy Grail can grant any wish that your heart desires… If I wished on it, could I…? …no. No, someone like me doesn’t deserve to wish on the Grail. Give it to someone who’s more deserving of it.

During an Event: A celebration is going on…? I’d love to go, but… Oh, right, I suppose this situation is different, isn’t it? In that case, would you mind if I accompanied you to this? I-if it’s not too much trouble, I mean.

Birthday: Happy Birthday, Master. Have you made your wish? O-oh, you wish to spend the day with someone like me? … Yes, I’d quite like that. Thank you. Shall we be off, then?

Voice Lines(Final Ascension):

Level Up 1: This feeling… It reminds me of that midnight so long ago. I truly am blessed to have you as my Master.

Level Up 2: The night’s still young, let’s enjoy it while we can! Come, dance with me!

3rd Ascension: This dress... It's the same one I wore when I first met my prince... It's the same one given to me by my mother. I... I'm so glad that I get to dance in it again. Thank you, Master. I don't know if I can ever truly explain how much this means to me... But thank you all the same.

4th Ascension: Master... Thank you so much. Few people have ever treated me with this kindness... I always thought I didn't deserve the chance to be happy, but... Maybe I do. Maybe I deserve to have a happy ending all my own. And... I hope that someday, you too will get your happily ever after…

Fight Start 1: I do not wish to fight you… But I will not back down from this fight, either.

Fight Start 2: And so the story begins once more… With a Once Upon a Time.

Fight Start 3: Shall we dance? I must warn you though, I’m not the most graceful of partners to be had.

Skill 1: I know you’re watching over me, mother…

Skill 2: The midnight hour hasn’t arrived yet.

Skill 3: Allow me to help you with this!

Command Card Select 1: If I must.

Command Card Select 2: Get behind me!

Command Card Select 3: En garde!

Noble Phantasm Select 1: Mother… Allow me to make this simple wish.

Noble Phantasm Select 2: The time has come for the story’s climax…

Attack 1: Wing down, o eagle!

Attack 2: Arise, golden goby!

Attack 3: Help me, great crocodile!

Attack 4: Haaaah!

Attack 5: Come forth, di Vetro!

Attack 6: Glass spun of mystic arts… Protect me now!

Attack 7: My apologies… But you must stand down!

Attack 8: Get behind me!

Attack 9: Our time isn’t up yet!

Extra Attack 1: Please, help me now! (Frau Gothel: Don’t make this a habit, little girl…)

Extra Attack 2: I call upon you, great hero! (THJALFI: Very well then.)

Extra Attack 3: Thank you for your assistance! (William Tell: It’s my pleasure, your majesty.)

Extra Attack 4: Peter! Tinker Bell! (Peter Pan: Woohoo! Let’s do this! Tinker: Peter, wait up!)

Extra Attack 5: I pass this along to you, my love! (Prince Charming: Gladly, my darling! Unicorn: Let’s trample ‘em!)

Noble Phantasm 1:

Tree of Life…

Tree of Glory…

Tree of Salvation…

I come to pray at your roots once more…

Grant my wish, to save this world.

Ewig Sanfter Haselnussbaum.

Noble Phantasm 2:

Mother…

You may have passed long ago, but I still feel your presence with me.

Please, answer my prayers and help us win this day.

Ewig Sanfter Haselnussbaum.

Noble Phantasm 3:

“My dearest child… My beloved daughter…”

“The world has been unforgivably cruel to you.”

“It has hurt you more times than I can bear to count.”

“So I shall become your shield from the world’s evil.”

“And watch as you attain your own happily ever after.”

“Ewig Sanfter Haselnussbaum.”

Damage from Noble Phantasm: Mother… protect me…!

Regular Damage: Not yet!

Defeated 1: So this is how it ends…

Defeated 2: I suppose I wasn’t meant to be the hero of this story…

Victory 1: And so the story reaches its conclusion… Happily Ever After.

Victory 2: I’m sorry… I hope that someday, you will be able to find your own happy ending.

Bond Level 1: Oh? You seem surprised to see me. I guess this costume of mine is quite different from what you’ve seen before. I quite like it though. I may not be a true warrior like the other Servants you have here, but the feeling of my mother’s glass around me… it’s comforting.

Bond Level 2: It really is miraculous, isn’t it? To be in a place like this where so many different stories with so many different heroes are able to meet as one. I don’t think I ever would have expected to end up in a place like this.

Bond Level 3: The World has chosen me as the Queen of Fairy Tales, the Guardian of Happy Endings… And yet, I can’t help but feel useless at times. I’ve been blessed with these abilities, this power, but there’s still so much suffering and pain in the world. I know that my story has brought hope and light to people in despair, but all the same… I wish I could do more to help. Maybe then, Red Riding Hood… Blanchette… She wouldn’t have become a Beast.

Bond Level 4: …we’re alike, you and I. I can see it in your eyes. You want to help as many people as you can. You want to protect everyone from hurting like you have hurt. But it’s hard, isn’t it? Even when we want to save everyone, it seems impossible. But still… It’s our job to make the impossible possible, isn’t it?

Bond Level 5: Master… You’ve already gone through so much pain, and at such a young age, too. And yet, you still find it in you to smile and keep going on. You’re able to inspire so many people who have lost their hope for a better future, and you’re able to push on past your own sadness. But still… there will be times when your hope falters. I know this too. Master, when the day comes when all hope seems lost, and you can’t find it in you to smile… Allow me to be your knight in shining armor. I will defend your hopes and dreams when you can’t carry them anymore, and I promise you, you’ll find your own happy ending at the end of all this.

Dialogue 1: It really is amazing, becoming a queen like this. Some days, it doesn’t even feel real. But if this is merely a dream, a fleeting fantasy… Then even that is enough to bring my life happiness.

Dialogue 2: When I look at you… I can’t help but feel like we are one and the same. Perhaps our circumstances are a bit different, but still… You’ve been cast into a strange and frightening new reality. Alone, afraid, and… No, that’s not quite right. You’re not alone. You are never alone. This, I promise to you… Master.

Dialogue 3: The modern era has so many wonderful things to show me… Things have changed a lot since my time. Though, if you would ask me? The most exciting thing of all would be all the interesting forms of transportation? Hm? Oh, don’t you worry, my friends, I promise, I won’t replace you. …though I would like a chance to drive a motorcycle-

Dialogue 4(Clear Interlude “The Neverending Dance”): I don’t know if I’ll ever truly be able to let go of these thoughts of mine… My doubts, my anger, my anxiety… They’re something that I suppose I’ll have to live with, even as a Servant. Still… I feel like they’re bearable, so long as I can have friends like you by my side.

Dialogue 5 (If you have Prince Charming): My dear husband… My fair Prince… I’m glad you’re finally here with me. I never had the chance to say it earlier, but I truly have been blessed to have married a man such as you. A kind heart… a loving smile… an honesty that no other man could compare to. Yes, if I ever had the chance to marry any man of my dreams, I would always, always choose you. … Aha! Your face is as red as an apple, my dear husband. It’s little wonder why you enjoy speaking such sweet nothings into my ear if you get to see such cute expressions all day.

Dialogue 6 (If you have Red Riding Hood(Post True-Name Narration)): Blanchette… She’s suffered for so long, she’s been bitter and angry at the world all her life. …I suppose for her, the anger and hatred is all she has left now, isn’t it? For her, being a monster is far more preferable than being a victim. I suppose I can understand that line of thinking… Still, even Beasts of Humanity deserve to find their own happiness some day, and she’s no different. Maybe you can be the one to give her the happy ending I couldn’t, Master.

Dialogue 7 (If you have Pinocchio): Ah, Maestro Pinocchio! And Maestro Cricket, as well! It’s good to see you gentlemen out and about. That is to say… You aren’t up to any mischief today, are you? Hahaha! I’m only joking, no need to look so afraid. …unless you are planning another of your pranks, young Maestro.

Dialogue 8 (If you have Frau Trude Gothel): Dame Gothel… The Witch of the Story’s End. … *sigh* It’s hard to say how I feel about someone like her. On the one hand, she is a monster, and one who gladly admits to it, no less. She’s killed and hurt too many children than I can bear to count. …and yet, Pinocchio has shown he truly believes that even she can be redeemed. Perhaps even a monster can find her happily ever after one day. Until then, however, I will be keeping an eye on her.

Dialogue 9 (If you have The Fairy Godmother): The Fairy Godmother… I never had a chance to meet her myself in life. Or… perhaps I did…? It’s strange. She has a very familiar aura to me, but at the same time, she seems so distant and alien. Still, she at least seems to be nicer than her sister at the very least, so I suppose it’s fine…

Dialogue 10 (If you have Sòl): Ah, Sòl, I’m glad to see you’re doing well for yourself! It’s rather nice, isn’t it, being in Chaldea. I’m glad that you’re able to finally rest your head without worry. Erm, that being said… The kitchen staff have asked me to tell you to stop raiding the fridge so often. I believe EMIYA’s words were ‘rivaling Artoria’s bottomless stomach’.

Dialogue 11 (If you have Saint Barbara): Ah, Barbara! You look well today. You have something to show me? …it’s not something explosive again is it? Alright, I suppose I can come with you to the hangar to look if that’s the case. Perhaps it’ll be a motorcycle or an aeroplane…

Dialogue 12 (If you have any other ‘Fairy Tale’ Servant): *sigh* Sometimes… I still fear that I won’t be enough. That even with the weight of everyone’s expectations of what I should be, I’ll end up failing. That being said… It’s for those very same reasons that we should keep fighting, no? To at least try to live up to those same expectations?

Dialogue 13 (If you have Medusa): Medusa… So even the greatest monsters in stories can hide kindness and a desire to be loved. You’ve been so gracious to me, so I do believe that it’s time I return the favor. Come with me, if you don’t mind. I’ll put on some tea for us.

Dialogue 14 (If you have Barghest): Ah… Cheer up, o great knight. The others may not have the same faith in you that I do, but I promise, one day, you’ll walk down the aisle, within your finest dress, and have the chance to have your own fairy tale wedding.

Dialogue 15 (If you have Mata Hari): I must say… It feels nice to watch someone dance so freely and happily, especially after a life of sadness and pain. Chaldea really is a place of miracles, isn’t it? To have the ability to grant people happy endings long after their own deaths.

Dialogue 16 (If you have Edmond Dantes): The Count of Monte Cristo… I know you believe yourself a monster, a demon who does not deserve a chance at his own happiness… But I also know that you are wrong. Your happiness will come, and your sins will be forgiven, if not in your life as a human, than as your life as a Servant. It is just as you say… Wait and hope.

Dialogue 17 (If you have Kiara Sessyoin): So even Beasts can find happiness in stories such as mine… That’s quite the comforting thought to me, I’ll have to admit. I’d love to go and talk with her, but I don’t know if she’d care to listen to what I’d have to say to her. It’s a shame, though… Whenever I look at her, all I see is a girl like me… Neglected, abandoned, and hurting, just hoping for something better to come one day. …maybe one day she’ll have a happy ending of her own.

Dialogue 18 (If you have Hans Christian Andersen): You know, Master, Herr Andersen is quite the strange one, wouldn’t you say? He’s so earnest and blunt, speaking truthfully but harshly about everyone… And yet, he’s a man who hides himself from the world. He’s so open about his faults and his own issues… And yet never once speaks about his own burning pain or bitter sadness. As an author of fairy tales, Herr Andersen provided so much joy and wonder to the world… Maybe it’s time he should go and reach out for his own.

Dialogue 19 (If you have Sigurd and Brynhildr): Those two… They remind me a lot of my dear Prince and I. …hee! Perhaps we should have a double date together. I’d love to hear of the romance between these two great heroes.

Dialogue 20 (If you have Arjuna): Arjuna… Please, hold your head up high. I know all too well what it’s like to have your own self-doubt and fear control you. But I also know just as well that you are far more than what those doubts think you to be. You are a hero, noble and kind, and let none tell you otherwise, especially yourself.

Dialogue 21 (If you have Gilgamesh): Oh? Even the Great King of All Heroes wishes to speak to me? You are too kind, your majesty. Though I must warn you, my heart belongs to my Prince Charming alone.

Likes: I don’t think anything has ever made me happier than that night with my Prince. Being able to escape the torment and suffering to simply dance and eat and laugh in such a beautiful castle… It truly was a dream come true…

Dislikes: If there is one thing that I will not forget… It is those who seek to hurt their own children. Whether it be through neglect, assault, blackmail, or any other means, people who hurt the children they have raised should not be easily forgiven. If one seeks to genuinely and seriously atone for what they have done, then I am all for them bettering themselves… But if they persist in their wickedness, then I will cut them down myself. After all… I know what it means to be a child such as that.

About the Holy Grail: The Holy Grail? …hahaha, why would I ever need to use something like that? I have all I need to make me happy. My dear husband, a loving home, and friends like you to be with. Yes, I don’t think there’s anything I could wish for right now, and I have you to thank for it.

During an Event: It appears that another ball has come to town. I think I would like to attend it, what say you, Master?Birthday: Happy Birthday, Master! Please, enjoy this gift I put together for you. I stitched this suit together with the help of some of my friends. It should fit you perfectly. …oh, you don’t have to be so bashful. I made this because I wanted to, not because of any obligation. After all… We’re friends now, aren’t we?

Birthday: Happy Birthday, Master! Please, enjoy this gift I put together for you. I stitched this suit together with the help of some of my friends. It should fit you perfectly. …oh, you don’t have to be so bashful. I made this because I wanted to, not because of any obligation. After all… We’re friends now, aren’t we?

Profile:

Default:

A girl made a slave.

A wish granted.

Something is lost.

And something is found.

Happily Ever After.

She has gone by many names throughout history, be they Rhodopis, Ye Xian, Tấm, Cenerentola, Cendrillion, or Aschenputtel. Her tale has been told countless times over, from nation to nation, her legend being carved into humanity's very soul alongside great heroes such as Heracles and King Arthur.

She is the Persecuted Heroine.

She is an embodiment of the hopes and dreams of all mankind.

She is Cinderella, the Queen of All Fairy Tales.

Bond Level 1:

Height/Weight: 172cm • 54kg 

Source: Global Fairy Tales

Region: The World

Alignment: Lawful • Good Gender: Female

"I don't understand... Why...? Why does she hate me?! I've done everything... Everything she's asked me to do. I do all the chores. I cook each and every meal, I clean every inch of this estate, I work until my fingers bleed and break without even taking a break to rest. But it's still not enough. I still don't even get to sit at the table. I still have to sleep on the floor. I still get called ugly, and stupid, and useless... I don't think anyone has ever called me by my real name since...

Am I really so awful? Am I really... Am I really as bad as they all say?

...

Maybe... Maybe if I do it right this time, they won't hate me anymore. Yes. It's my fault for messing it all up in the first place. I'll do better this time, and then they'll stop hurting me.

I can fix this.

I can fix this.

I can fix this.

Please... Let me fix this."

Bond Level 2:

She didn't even intend to meet her prince. All she wanted that night was a simple escape. A chance to leave her life of abuse and torment for a single night, and to grasp a chance at being happy, even for a moment. The means of escape was different with each telling. Some say it was an eagle that had snatched her sandal and dropped it into the lap of a great king. Others say it was a magic fish with golden eyes and scales who granted her wishes from its bones. Others still say it was a Fairy Godmother, who sought to grant her heart's true desire for her piety and grace.

Whatever the story, whatever the tale, the girl's wishes remain humble and simple: a wish for reprieve.

He had approached her gently, gingerly asking her for her hand to show her around the castle. His words were calming and loving. His steps were careful and true. As the night went on, the two grew more enamored with each other, finding solace in the other's company after a lifetime of loneliness.

And in the span of a single night, Cinderella and the Prince had fallen in love before the clock struck midnight.

Bond Level 3:

The wedding was wonderful, a joyous celebration even grander than the ball where she had met her Prince Charming. It was supposed to be the happiest day of Cinderella's life. A day where no pain, no anger, no misery would exist. A day where she would finally get the Happily Ever After she's craved all her life.

Of course... That would be the day that her family arrived to ruin everything.

They arrived like vultures, acting as if they hadn't been the ones to cause her suffering for years on end. As if they weren't the ones who treated her like a slave all her life. As if they hadn't disrespected her mother's grave time and again. And yet, here they were, acting as if they had loved and cherished Cinderella all her life.

What was meant to be a day of joyous celebration instead became a day of bitterness and anger. Before, Cinderella had kept her fury inside her. She had always tempered her frustration and hid it away. What else could she have done when she was weak and helpless? But this... this was different. Whether consciously or unconsciously, the wild animals Cinderella had befriended responded in kind in her outrage, with two ravens swooping down and plucking her stepsisters' eyes.

At the vicious sight, many of the guests recoiled in fear and shock, horrified at the macabre display before them.

But Cinderella?

She put a hand to her face at the sight... and let out a laugh. A brief, quiet laugh that went unheard by everyone at the wedding... but a laugh nonetheless.

Bond Level 4:

Cinderella married her Prince Charming, and became a queen hailed as a benevolent and kind ruler. She was hailed as fair and beautiful, and within her castle, she wanted for nothing nor feared for any harm.

And yet...

The doubts and fears from her childhood still lingered, festering like a diseased wound. Where many saw beauty, Cinderella could only see ugliness. Where they beheld kindness, Cinderella beheld cruelty. Where people saw diligence, Cinderella saw nothing but uselessness. While her dear husband was always at her side to reassure her doubts, these thoughts would never leave Cinderella alone.

Would a deserving princess have their happiness handed to her?

Would a just ruler allow themselves to stew in rage over the past?

Would a good person laugh at her sisters' suffering and pain?

The anger, the anxiety, the doubt. All of it haunted her throughout her life. It was as if she had never stopped being that young girl that slept by the cinders.

Bond Level 5:

The story of Cinderella is ultimately one about pain. The pain of losing a loved one and crying beneath a tree The pain of barbed insults and cruel abuse. The pain of a cold stone floor and burning black ashes.

The years of abuse, financial, physical, and mental, will never truly go away, and neither will the pain that came with it.

But even still…

With pain eventually comes healing. Where there was a grave, a tree blossomed and bloomed. Where there was venomous insults and violent assault there is now the whispering of sweet nothings and a gentle embrace. The chill of sleeping on stone and the burned agony from the ash and cinders are now replaced with the comforting feel of glass slippers and a golden dress.

Cinderella's life was filled with nothing but pain and sorrow, both external and internal, but it was also filled with great joy and triumph. It is the triumph of an abused young girl against a world that constantly treated her with cruelty, and in turn chose to respond by being kind and being more than just her circumstance. It is the tale of finally reaching a happily ever after.

For all those in the world who have yet to find their happy endings, and for all those who have long since passed that have been denied those very endings… Cinderella will forever stand as a symbol of hope, a figure who will light up even the darkest hours with gleaming fire and shining glass.

For the lovers, the dreamers, the hopeful who have not lost their hearts to despair… Cinderella, the Greatest of All Fairy Tales, will always fight as your champion.

Extra (Clear Interlude “The Neverending Dance”):

Cinderella was never her true name. Cenerentola, Cendrillon, Aschenputtel, the identities that the world knew her as were nothing but cruel nicknames meant to mock her for her low position and to torment her for her constant work. While for many, the name Cinderella was one that inspired hope and prosperity, for the young princess, all the name did was remind her of her suffering and torment, as well as an impossible standard that she could never live up to.

Cinderella the beloved heroine.

Cinderella the worthless mistake.

Cinderella the vengeful monster.

All these and more were not who the maiden was. They were merely projections of what mankind believed her to be. In truth, she has a name that was given to her by her beloved mother, and a name that was never once spoken in any of her stories.

Rhodopis.

[beees-in-a-bowl]

Ereshkigal from FGO but as a ~*magical girl*~!

I went with a sort of snowy-owl theme because of Rin's magical girl design in Prisma Illya, but I kept the color scheme from her original outfit.

Made in CLIP STUDIO PAINT EX

Brushes used: Standard Gpen and Watercolors, Oracle pen by yamanai and a pen from the Frosty Multitextured pack by Lillie7321

[eeriecode-fgo]

FGO FanServant - Bayonetta, the Last of the Umbran Witches

(artwork by 細@更地, originally found here)

Will contain spoilers from the Bayonetta series after the break

Ascension Stages

First Stage: Bayonetta's original dress from her trainee days, wielding normal handguns.

Second Stage: Bayonetta's default outfit, wielding Scarborough Fair.

Third Stage: Bayonetta's "Serious Mode" from the original game, her hair grow long and flowing, and she's surrounded by a dark aura.

The Witch with Discerning Eyes: A Simple Spiritron Dress, replaces Bayonetta's appearance with her look from the second game.

Parameters

Class: Caster

Alternate Classes: Archer, Rider

Source: Bayonetta

Region: Vigrid

Voice Actress: Atsuko Tanaka

Rarity: SSR

Alignment: Chaotic Neutral

Attribute: Earth

HP: 1.891 / 12.899

ATK: 1.841 / 11.913

NP Gain: 0,48%

Deck: Quick/Arts (Buster: 1 hit; Quick: 6 hits; Arts: 3 hits; Extra: 5 hits)

Traits: Humanoid, Female, Darkness User, Loved One, Weak to Enuma Elish, Costume-Owning, Seven Class Servant, Demonic, Riding

Passive Skills

Item Construction - Rank B

FGO Effect

Increase own debuff success rate by 8%.

Riding - Rank B

FGO Effect

Increase own Quick performance by 8%.

Independent Action - Rank B-

FGO Effect

Increase own critical damage by 7.8%.

Overseer of Darkness - Rank EX

A passive skill unique to Bayonetta, representing her previous ownership of the Left Eye of Darkness. A particular form of Clairvoyance, the wielder of the Left Eye had the power to perceive the truth of history and see through deception: at the same time, since the Eyes are given by the World to those with the highest potential to change the course of history, this skill's nature can also be compared to Pioneer of the Stars. It's important to note that, due to the Eyes of the World having been erased from reality, no variant of Bayonetta can ever be summoned with the true Left Eye in her possession: nonetheless, as a testament of her former role, Bayonetta can be summoned as a Caster with this skill as a substitute. 

FGO Effect

Increase own damage by 300.

Increase own critical attack chance resistance by 20%.

Apply Mental Debuff Immune to self.

Custom Append Skills

Destroyer of Divinity

Replaces Append Skill 3

Deal extra Special ATK damage to [Divine] enemies. (20~30%)

Increase damage resistance against [Divine] enemies. (20~30%)

Bond Skill

Increase NP Overcharge Level by 1 for all allies (including sub-members) at the start of battle (1 time)

Active Skills

Bullet Arts - Rank A-

The traditional fighting style of the Umbran Witches, the user combines hand-to-hand combat and gunfire weaponry to unleash barrages of attacks capable of overwhelming even the thoughest of enemies. Mastery of this style also allows the user to pick up and proficiently use any type of weapon, including demonic and divine arms.

FGO Effects

Cooldown: 8~6 turns

Increase own ATK for 3 turns (20~30%)

Increase own NP Gain for 3 turns (20~30%)

Apply [Bullet Climax] buff to self (1 time, 3 turns)

-- Extra Attack deals AOE damage

Witch Time - Rank B

An ancient art only the most powerful Umbran Witches can use, the user uses magic to enhance their senses and body to their limit. The user's agility is significantly increased for a short period of time, allowing them to avoid incoming attacks and counterattack bypassing the enemy's defense. 

FGO Effects

Cooldown: 10~8 turns

Apply Evade to self (5 times)

Apply Delayed Buff to self (5 times):

- When Evade is triggered, decrease the attacker's DEF for 3 turns (10~20%)

Umbran Climax - Rank EX

An ultimate attack only usable by the most capable Umbran Witches, the user focuses all available magical power in order to summon the limbs of contracted demons with every attack. While this Skill is active, no Noble Phantasms can be activated, due to the magic power being redirected to the skill: at the same time, proper use of this technique can cause damage easily comparable with an A-rank Noble Phantasm.

FGO Effects

Cooldown: 10~8 turns

Usable only at 100% or above NP

Increase own Quick, Buster, Arts and Extra Performance for 1 turn (30~50%, plus 10% for each additional Overcharge Level)

Increase own Critical Strength for 1 turn (50~100%, plus 20% for each additional Overcharge Level)

Reduces NP Gauge to 0 (demerit, treated as cost)

Removes all Overcharge Up buffs from self (demerit, bypasses Buff Removal Resist)

Apply NP Block to self for 1 turn (demerit, treated as buff. User cannot gain NP via skills or effects, but NP Gain from standard attacks is unaffected)

Noble Phantasm

Madama Butterfly - Rank A+

[Come Forth, o Terror Steward] Rank: A+ Type: Anti-Divine Range: 1~4 Max Targets: 1

The Mistress of Atrocity, Madama Butterfly is summoned by Bayonetta to lay waste on an opponent. Her powerful strikes are enough to decimate most enemies, but, as expected from an Infernal Demon, they prove most efficient against Divine targets. Incidentally, while Bayonetta in life held contracts with various Infernal Demons, most of these contracts have been rendered null and void due to her being technically "no longer alive", with only a few of them being restored as a Servant depending on her class. The one exception seems to be Madama Butterfly, with whom Bayonetta apparently had a particular bond in life, and who allows herself to be summoned by Bayonetta regardless of her current class. 

FGO Effects

Buster Noble Phantasm, 8 hits

Deal Special Damage against one [Divine] enemy (damage scales with NP Level).

Gain C.Stars (20~40, scales with Overcharge)

Writer Notes

I've had notes for a fan-Servant version of Bayonetta for a while. Originally I was planning to save them for later, but given the events of last week, I figured now would be more appropriate.

The first issue when designing her, oddly enough, was to figure out which Bayonetta to use, since it's very heavily implied all games feature a Bayonetta from a different universe. In the end, I chose to treat this version of Bayonetta as sort of a combination, which is why her third skill is a technique from Bayonetta 2 in spite of her default appearance being from 1.

While putting her as Caster would normally be a no-brainer, her Bullet Arts make a solid argument for her being an Archer. In the end I decided to go with Caster, giving more focus to her esoteric abilities such as the Umbran Climax and the Eyes of the World: an hypothetical Archer version would have had a kit more focused on her weapon skills, probably access to her arsenal of angelic and demonic weapons. As for her Rider version, my original idea was for her to be based on the third game, with more focus on the Demon Slave and summonings: for now, though, let's just say I'll have some different plans for her...

Unlike my previous fan-Servants, this time I actually have some hard numbers! Stats-wise, I made her sort of a glass cannon, with the highest ATK among SSR Casters (surpassing Aesc's previous record) and one of the lowest HPs (barely above Murasaki). I think this is appropriate given her canon feats: while she's shown incredible destructive powers, the times someone managed to actually hit her (Aesir in 2, Singularity in 3) she definitely felt it.

In Bayonetta's original game, the main way to increase her magic meter is to attack relentlessly, with her bullets being one of the best ways to build the gauge quickly: as such, I decided to have her Bullet Arts focus on increasing her NP Gain, rather than just giving her a battery. For the AOE finisher, she'd use her bullet hell breakdance move from the original game, allowing her to hit multiple enemies at once.

For the Witch Time skills, I tried to replicate its original workings as much as possible within FGO's limits: the five instances of Evasion reference how you can only dodge five times in a row before Bayonetta stops to pose and becomes vulnerable, while the DEF debuff keeps the original ability's effect of "leaving the opponent defenseless". Of course, since 5 Evasions without a time limit would make for a pretty strong skill in FGO, the cooldowns had to suffer.

As for her third skill, I tried to replicate the way it worked in Bayonetta 2 as much as possible, allowing for incredibly powerful damage from the normal attacks in exchange for being unable to use her Noble Phantasm. All the demerits at the end are basically to prevent allied Servants from recharging her NP Gauge and allowing her to bypass them, while the increased damage from Overcharge Levels offers more incentive to use it as a last resort.

As a result of her focus on face cards, the Noble Phantasm ended up a little lackluster. In the end, I decided to keep it simple and lore-accurate, with massive damage against a single Divine enemy (since her summons are mostly used against single bosses) and a Star bomb to replace the bonus halos you'd normally get after the button-mashing sequence.

[nasuversekinkmeme]

Weekly Roundups: Prompts

Kara no Kyoukai

Tsukihime

Everyone is a Saberface? Wrong. Saber is a Kohakuface. Chaos ensues.

Fate/Stay Night

In some early versions of Arthurian Myth, Mordred just straight up wins…and marries Guinevere to legitimize their rule. That’s obviously multiple flavors of absurd in PHH, but hey, so’s most of the actual plot of FGO. Give me Guin and Mo romance and/or fucking, in any situation. Maybe a sweet if kinda messed-up second love at Chaldea, or a dark NTR plot in a flashback, or the first mistaken for the second by the Knights. (“Guin is a Rinface” preferred but not required.)

Yariyumi has gone on a few pool dates before, I would like them to go on another, please.

It turns out that Guinevere is physically identical to Aoi Tohsaka, what does Rin have to say about it?

Archer and Sitonai spend a lot of time together, archer carries her to her room when she falls asleep, they hold hands when walking just cause. Then, it surges a rumor that Archer is dating Sitonai, cue to archer getting bad looks and then having to explain to all of Chaldea that they're brother and sister

Finding that this new Knight Mordred, is in actuality her own Son with Morgan. Saber reflects on the similarities between their origins as the results of an affair (If Artoria even is the result of an affair in the Fate universe anyway) and on how right now in Camelot an affair is going on between her wife and her best Knight even as she speaks. I don't have any idea where this would lead her, I just always thought it was interesting just how commonly affairs come up in Arthurian myth.

Smut, y'know maybe a good majority of the carnage in heaven's feel cold've been prevented if someone got sakura a hitachi magic wand & a subscription to playgirl.

Fate/Extra

one of the other servants (doesn't matter who) sees BB post-slutification and trains her into a proper young lady.

Based on recent events let's get some toxic Yuri up in this bitch and let Kiara fuck Taiga

After the latest reveal in the Seraph manga I want to see Kiara being ripped apart by Unlimited Lost Works.

BB recovers from all the sluttification and realizes she's into it

Emiya Alter sees Jaguar Warrior for the first time and goes through a trauma-induced panic. Only his teacher can bring him back to his senses

BB in complete disgust of the amount of bimbofication and brain drain erotica her master has been reading about her, she just fucking kills Ritsuka because she decides humanity isn't worth salvation anymore

Prillya:

Begging for some Prillya fluff since my partner and I just caught up with the series

Fate/Apocrypha

Smut, I feel we need more bi rep so Sieg gets double teamed my Astolfo and Jeanne. Bonus for strap

Happily asexual Astolfo. Oh sure, they still love making their partners feel good during sex and all that! But that's what they get out of it - making their partners feel good.

FGO

rejoice gudako , for after 5 years of waiting ,you finally have gyaru lancelot!

Yknow how Huang Feihus kids only pop out when he's fighting? What if during one such fight his kids, instead of helping, tell Guda and/or other servants how strong, dependable, and also very very single their dad is

Gender is a game. Astolfo chose not to play, Sexshifting!Ritsuka is winning handily, and Mordred is losing. Badly. Mordred having a complex and adversarial relationship with gender as a concept, experiencing deep envy for, say, both Extremely Female Mata Hari and Extremely Male Fergus and not being at all able to process why. Maybe finally bonding with Artoria over similar experiences.

A male servant walks in on Artemis bathing. Artemis responds with the customary feminisation spell to whoever saw her naked. Problem is, said Servant was doing a stream on Servant-tube when he accidentally walks in, and the spell effects the viewers of that stream, leading to something like half of Chaldea's male heroes getting sex swapped.

Smut, guro, Xiang Yu and Yu Meiren going at it but Xiang Yu being a horse means its really tearing Meiren apart. Good thing her regen ability means she enjoys it!

the super crown in chaldea , what chaos will ensue?

Unfortunately as part of the single wives club, Galatea is constantly hit on by those who he think she'll be easy. Fortunately, Galatea is ace and instead starts infodumping on shoes, clothing, and how lovely her also ace husband is instead

Asclepius getting fucked in the butt so hard call that Assclapius

Everyone talks about overworking the farming supports. Nobody ever talks about overworking the farming payload. I'd like a thing about the big meta farming servants, like Space Ishtar or Edmond Dantes or Zerkerlot, just being put through the wringer.

Smut, ntr, Netorare where castoria peek as Master has a threesome with Morgan and Tonelico, and can't herself but masturbate while crying desiring to be in their place, even better if Morgan notices it and makes sure to show her how better Master feels when having sex with her.

lets give ritsuka fujimaru a reality marble and see what their inner world looks like

A master summons Mata Hari for the Holy Grail War and decides to ditch the whole thing and run away with her instead. Fluffy or angsty and either oc master or canon one up to the writer

it's the day after the biggest rager Chaldea has thrown so far . gudako wakes up in Izou's bed with a hangover that makes BB look pleasant. after a shower & change of clothes , she & izou stagger to the cafeteria for breakfast. turns out not only did goredolf get past 2nd base with MHXX , their party took place during a grail war in fuyuki city. and in the hectic scramble to flee the cops because they trashed this big-ass mansion , they stole that war's saber class servant and their master.

someone gets Columbus's valentines gift, looks him dead in the eye, and drops it in the trash without breaking eye contact.

oberon: his face when he succ all of Britain

Kadoc starts to get feelings for Ritsuka. The problem is that Kadoc knows that Ritsuka won’t feel the same. He wrong.

Smut, Ibuki getting her tits fucked, a lot. If that's cool.

Smut, incest, Since morgan has appeared servants have been keeping an eye on artoria due to some comments artoria makes from time to time, yet she insists that she will not fuck her sister(again) She ends up fucking her sister, merlin involvement is up to the author

blackbeard of all people has been deemed trustworthy enough to be the guard of gudako's porn stash when there's an inspection.

Smut, Morgan gets Railed by Mash and Habenyan. Thats it that's the prompt.

Smut, i need morgan and oberon to have fucked up insane hatesex. hopefully with copious amount of violence and pain. it's fine if one of them dies btw.

I am in desperate need of Artoria and Mordred sitting down and talking things out, reaching an understanding and just… finally coming to terms with each other. Lord knows the actual game writers wont do it at this point…

On the slight chance it's true: Newly summoned Yoshinaka doesn't understand his wife's new hobby but tries his best to support it

Smut, Tonelico desperately tries to hold the moans back when they fuck but when Mash is on top she edges her to DEATH just to be able to hear her screaming her name

Smut, prompt for og Moriarty throwing out his back and Sherlock having to fix him up but instead of using baritsu Sherlock blows his already blown back back into shape. bonus if it somehow works.

Smut, since it is nerofest, the ultra hard gilgamesh exhibition, but instead of fighting him…. enkidu rails gilgamesh SENSELESS.

Smut, There are still 20 days before the fillathon. You know how Euryale is a great counter to Gawain’s boss fight in Camelot? You know how Bhargest is kinda a useless bisexual? Let’s have Euryale domming the absolute hell out of both “Gawains,” much to the relief of both.

Smut, incest, Arjuna and Karna making love. Holding hands, going nice and gentle, kissing battle scars, gazing longingly into each other's eyes... You get the idea. Let them be happy together.

Hello, this is my first time doing this, but how about Kintoki getting hypnotized by a male master? Especially if a little bit of muscle worship is added? Thanks!

Morgan can't simply show her lily form like a normal person. So she makes all saber faces wear tonelico's clothes and it's her husband's/wife's job to choose the correct one

Feet appreciation but it's Guda tearing up over the fact Sumner Cas got 10 toes

Baobhan's partner thinking that she has a foot fetish and so gets a pedicure/puts effort into their feet care. Which is great but - Baobhan doesn't have a foot fetish, but it's too awkward for her to explain the truth. Bonus if they aren't actually together and the other person is trying to seduce Bao with it

Chaldea enters civil war as the lilys and their adult versions begin fighting(Ex: Jeanne, Gil, Saber, Cu, Medea, Medusa, Archer, Draco, Morgan, Maou Nobu)

Unsanitary, Politely asking for male omorashi content please, I have been starved recently

In the Water Margin club (that totally exists cuz they all wanted it and not because Pretender Lizzy cried until they all relented) the other two members are suprised to hear from Lizzy that Li Kui has been summoned. Suprise turns to confusion, however, as Darius walks in, just as confused and wearing what seems to be a glued on beard

FGO 2

Guda summons Tonelico only to not know who she is as they never actually met, considering her some kind of Castoria clone and treating her as such. Both Castoria and Morgan are highly amused

In addition to her impressive strength Baobhan Sith also has Magic Resistance rank EX, meaning that ordinary magecraft can’t even touch her!

Morgan succeeded in capturing and convincing Castoria to join her, naming her the new Tam Lin Mordred. Unfortunately, they are unable to escape their ultimate fates as Mordred brings down Camelot once again

Smut, Guda is horny and gropes castoria, this would be totally fine, if the one he groped was actually castoria. Cue to an extremely angry Tonelico quickly changing into her Morgan form and punishing her Husband (Explicit, Femdom, Sadistic Morgan)

castoria and oberon and morgan get a good view of how guda is when not in lostbelts or singularites with their fairy eyes after being summoned: horny. so fucking horny. all the time about the weirdest things?? about like every of age servant in chaldea and even some of the staff, particularly goredolf. is this some kind of defense mechanism? dont think about everyone youve either watched die or personally killed think about everyone you love and how much you want to fuck them?

Smut, In the lead up to the last fight with Flauros, Jing Ke and Boudicca say words to the effect of “let’s get drinks after this.” Drunken, glad-to-be-“alive” sex surely ensued.

Smut, Selfcest. Medea Lily angrily tops her older self, who is infuriatingly calm about it.

i feel like mephistopheles and leonardo da vinci would make a sexy mechanical waifu doll out of bombs to prank blackbeard at least once. just some absolutely looney tunes shit.

Erice and Tamamo have some sister talk that ends with Erice trying to kill tama for talking shit about her mom

Any

All of the Saberfaces having a BATTLE TO THE DEATH. Only one Saberface wins, everyone else dies

Reason why there is so much saberfaces: Igraine is a time traveler and is the absent mother or father of all them, she also had sex with the moon once, the result was Arcueid.

something not safe for work, in the sense that it's about characters breaking every OSHA regulation known to god and man.

The Mod of the kinkmeme gets a hug from their favorite Nasuverse servant, whoever that is! (mod note: just use any servant you've got my blessign)

"Whelp, here it is. Dunno why you came all this way for it, though. Totally useless, what with all the holes. 'Course, suppose it wouldn't be the Holey Grail if it didn't have them!... what's with the face?"

Anybody at all, from anything Nasuverse: "YOU'RE TOO LATE, HOMOPHOBES, I'M FORKLIFT CERTIFIED!"

[strawsoldier]

Summer 2023 Anime-Round Up

A pretty mediocre season of anime tbh. But still some hidden gems to be found and appreciated. RIP to Zom 100 btw lmao. Anyway, here's the round up!

Anime of the Season: Bungou Stray Dogs 5th Season

Best Opening: Ao no Sumika (Jujutsu Kaisen S2)

Best Ending: Akari: (Jujutsu Kaisen S2)

Drops: Tenpuru, Liar Liar

Plans to Watch at a later date: Bang Dream! It's MyGO!!!!! , Dark Gathering, Spy Classroom Season 2

Completed:

Jobless Reincarnation: Season 2 - (6/10)

They told me that this season was just Rudeus trying to cure his ED. Too bad I didn't believe them. Not a fan of the "Solve my heartbreak over one of harem girls dumping me by finding another one of my harem girls" narrative that went on for 5 episodes more than it needed too. Unsure if I'll come back for more of this. After 3 cours of this show, I think I can confidently say I just don't like Rudeus.

Horimiya: Piece - (8/10)

Not every side-story worked for me, but most of them were pretty good. I just love how stupid and honest these kids are. Sometimes, the way anime glorifies high school life can be overbearing, but I can't help but wishing I enjoyed those days more whenever I watch this show. Gonna miss it.

Remi best girl.

Bleach: Thousand-Year Blood War Arc Part 2 - (7/10)

Definitely felt the exhaustion I remembered when reading the manga. I'm not sure what's Kubo fascination with long strings of fights while the plot stands completely still. Didn't enjoy it during the Arrancar arc, not enjoying now. At least Squad 0 redeemed themselves (somewhat)

My Happy Marriage - (8/10)

Still believe this show would be better if it didn't have all that supernatural stuff. Nevertheless, still enjoyable romance. Mio is a great lead and her development alongside Kiyoka was really good. We will be there for Season 2.

Reign of the Seven Spellblades - (6/10)

Remember when "Magic High School" was the genre that was oversaturated? Me neither. This show was enjoyable but had some weird moments. Also for once, I'd like a magic show that doesn't obsesses over the reproductive system. Probably won't watch any foreseeable sequel. Still rooting for Nanao to get that kiss.

Bungou Stray Dogs 5th Season - (9/10)

Actual Peak Fiction. Igarashi and his team at Bones just know how to make this show as stylish and cool as possible. Also this arc is by far the best one we've gotten so far. Could feel the tension at every episode where crazy shit happened. Shame I can't read the manga to find out what happens next lol.

Undead Girl Murder Farce - (8/10)

Now this is a show that had style in every corner of its being. Undead Murder Farce with just so fun to watch. The trio of Aya/Tsugaru/Shizuku is one of my favorites in recent times and the side characters we very memorable. I think the last arc when one for 1 or 2 episodes more than it needed too, but still enjoyable nonetheless

EDENS ZERO 2nd Season - (7/10)

This season was a lot more darker than what I usually expect from Mashima. Wish the presentation wasn't so exact to Fairy Tail, but it has some high points that exceeds it's sister series. Probably will check out the manga if a third season isn't announced sometime in the future.

Fate/strange Fake: Whispers of Dawn - (8/10)

An anime series by the team that did all those FGO commercials is any fate fans dream. Cannot wait for the full show of this. I hope Aniplex gives them enough time to animated this (they probably won't)

[writer-and-artist27]

Nine People Tag Game

I was tagged by @windwardstar. Thankie Osie :>

Rules: Answer the questions below & tag nine people to do the same.

Tagging (no obligation to answer, of course, this is just for fun): @partialdignity, @lovingempress, @abalisk, @the8thsphynx, @teddog, @exmeowstic, @caprisodas, @chiefladylightyay, and @withanina, maybe?

3 Ships: (stares off into the distance in brief confusion) Um. Not counting fanfic stuff for a minute to wake myself up from social fatigue...

Akira Tounome and Yakou Shizuka from The Invisible Man and his Soon-To-Be Wife (I found the first volume of this manga as a happy accident at Barnes and Noble, haven't looked back since)

Shoko Komi and Hitohito Tadano from Komi Can't Communicate

Anis and Euphie from The Magical Revolution of a Reincarnated Princess and a Genius Young Lady

Currently listening to: YOASOBI's The Blessing and Assassination Classroom's Bye Bye Yesterday. Since I've been trying to write for Da Vinci Rider/Lily and those were the songs I chose for her chapter in Passing Days.

Last movie: ...The second compilation movie of the original Mobile Suit Gundam, or Gundam 0079 on Netflix. Because it's easier to watch them over the TV series in terms of time investment. And with both my rl Robin and Achi loving the lore of the original Universal Century of Gundam, I wanted to get into it. Somehow.

Currently reading: Le Morte d'Arthur by Sir Thomas Malory and The Book of Five Rings by Miyamoto Musashi in terms of things that aren't manga/light novels. Because Fate had me get curious about the history too.

Currently watching: Um... (stares at my open browser tabs) Why do I have Fate/Extra Last Encore up again when I hate Deadface Hakuno... oh. It's the only speaking, animated role of Robin. Of course. And I needed comfy white noise for FGO grinding and rest.

Currently consuming: My last meal earlier today was vegetarian ham prepared with Singapore-style noodles, courtesy of mom. Every time I eat her cooking, I feel very blessed knowing she's willing to cook and pack my work lunches to this day.

Currently craving: ...The energy to draw seriously again. Because the last sketch I tried is half-finished and it looks like crap to me. Not to mention how I wanna write Oberon since I finished LB6, but the words for Da Vinci's chapter aren't coming by. Not to mention Naruto for CP/Civilian Pianist and S&S/The Sea and Stars. AND reviewing for Lang! And CLS applications. I need to start those. Like seriously.

[kob131]

All this talk about the fate series you’ve engaged in has piqued my interest. If I were to dive into the series with no knowledge about it whatsoever, where would you recommend I start? I’m a huge mythology fan, so I’m sure I’d just eat it up. Speaking of which, I learned a bit about the legend of Cu Chulainn that makes me especially interested in him. In the original Celtic folktale, he goes to Mag Mell (the Celtic afterlife), and meets a priestess named Scathach, who gives him an indestructible spear named Gae Bolg (it’s Gaelic for “belly dart”). The spear is so heavily barbed that when it’s shoved into a creature, he only way to remove it is to use a bladed weapon of some sort to literally carve it out of them. As if that wasn’t bad enough, it’s also poisoned. Celtic folklore is wild.

Oh boy...

Gonna tag @avalonblue12 since he helped me out with Fate a bit in the beginning.

So...I'm going to offer two quick suggestions and expand on why this question has haunted this fanbase for so long.

If you want to get into Fate the purest (and best in my opinion) way possible, try this guy's Let's Play of the first route of the visual novel (THE HOLY GRAIL WAR - Fate/stay night - 1 [Prologue] - YouTube) Or this one if you don't like commentary (Fate/Stay Night Visual Novel Fate Route Day 1 Part 1 (No Commentary)(English) - YouTube) Be warned, the visual novel does not have voiced narratin and is in Japanese.

If you don't care about spoilers or such, try Fate/Stay Night: Unlimited Blade Works by ufotable.

But in truth, you can start just about anywhere that isn't Hollow Atraxia, Fate/Extra: Last Encore or Fate/Extella because many entries assume you don't know the basics and these are direct sequels.

I suggested those above because they pertain to the original Fate/Stay Night, whose influence is felt throughout the whole franchise.

(More below)

So...why is this question such a hard one to answer for Fate fans?

Well, Fate is an infamously dense series that has a lot of interconnecting elements and ideas along with a deep magic system. Meaning that you can get the general idea easily...but things are so much better when you have knowledge of the series. For example, a certain character in Fate Apocrypha (a spin off) is rather compelling and engaging but with knowledge of one of the heroines in FSN, it adds another layer to her character.

So, I would recommend getting in through the Visual Novel somehow...but the visual novel is a huge time commitment and it might not be to your tastes. So you'd think there would be an anime or something to watch right?

Well, there is...with two problems.

1- Ufotable has only adapted Heaven's Feel and Unlimited Blade Works, the third and second routes. Fate, the first route which acts as the primer as well, only has an adaptation by Studio DEEN and it's kind of divisive.

and 2- The animes all have one issue- They don't have the inner monologue of Shirou, the protagonist. This is important because a lot of what is needed to understand Shirou is IN his monologues. Without them, it becomes very easy to misunderstand Shirou. To the point that the divide around him is basically between those who have and haven't read the original VN.

So while you can get in however you want and it is VERY MUCH worth the investment- getting the best introduction is hard.

"Well, how did you get into Fate?"

The doujins.

... No, really. I found some FGO doujins (ironically enough, based on Fate's Scathach) and I got interested in the series so I kind of just...flailed around until I ended up on the other end of the series. I still don't know how it happened.

If you're still reading this, even if I turned you off- I'd like to say what I think is Fate's greatest strength. And I believe that it's Nasu's writing. Or rather, the bittersweet way he writes. It really pulls on the heartstrings while making you feel satisfied by the journey.

I really do hope you try it out, as I can't recommend it enough.

[derekscorner]

Fated Rantings: The Grandest of Orders Part 2

The Babylonia Front

For the first part I incoherently rambled about FGO and some Chaldean cast. There was no rhyme nor reason to it, I was trying to get my brain churning but more importantly they were things that I've wanted to say for a while.

I began this Fate journey with lore videos and FGO and for the near two years since I've slowly crawled through it as I watched other Fate series. I finished the initial Solomon arc about a month before I did the anime.

In other words I had lot to get out of my system and I didn't even touch on everything. FGO, the mobile game, is novel length in each singularity. There is too much to remember or squeeze into a blog post.

So I just got out of my system what still stands out to me...which was mostly Mash praise but enough of that! Let's talk about the actual anime~

The Age of Gods babyyyyy

I was actually very curious to watch this even though FGO's anime only covers singularities six, seven, and the finale against Goetia. Even then singularity six and Goetia are made into movies.

FGO's only real anime is the adaption of singularity seven the Babylonia Front. My curiosity for this story was only made stronger thanks to the mobile game itself.

It had unexpected highs and spectacle to it. Everything from seeing how Rin's personality can distort Ishtar into a jewel obsessed girl failure to seeing Gilgamesh while he was a live.

A demigod in the flesh, a Gilgamesh that was focused on being a king. Hell, we even got to see Merlin!

Merlin is usually locked in his tower but thanks to time paradox tom foolery he makes an appearance.

This era of Fate's world fascinates me because the gods still exist. Sadly, it's toward the end of their reign but the physical and metaphysical still interconnect.

This the era that the mages of the modern Fate world desperately cling to with their ways of secrecy and lineage. They can only hope to reach the root and obtain true magic, they can only hope to have magecraft as potent as Medea.

It is a truly fantastical setting and the kind I adore. It is probably the closest we'll ever get to seeing a truly magical place within Type-Moon.

The actual expanse that the age of gods covers is also quite long. The only thing I know of older than this age would be dragons. The pinnacle of evolution and mystery and beings that radiate magic just by breathing.

Type-Moons history is actually full of some crazy stuff. Dragons older than the gods who themselves had been shaping life since dinosaurs walked.

Machines from a dead universe whom the Atlanteans worshipped as gods and who eventually became the Olympian gods of Greece.

A white titan that slew gods left and right, the very being that set the age of gods towards its downfall. The same titan that killed Ares, took his sword, and uses it to this very day if summoned as a servant.

Things get wild and inconsistent with history. Either due to mage society hiding events or due to events seemingly having no evidence due to the age of gods ending which separates mankind from the reverse side of the world.

The metaphysical space where things like the Underworld, Heaven, or other such mythical places actually exist.

What about the Age of Man?

I gush over this because it not only shows the rich history in this world but it also really highlights how important Uruk is to the Age of Man and the planet's future.

Gilgamesh is a smug bastard but that confidence is not without merit. Even Romani, a man of the current day, is amazed by Gilgamesh's city planning and the sheer smooth machine that day to day life is in Uruk.

The anime, more so than the game imo, really highlights how important Uruk is to the future. Humans have existed for a long time, probably longer than science claims in the Fate world. However, mankind's age didn't begin till here.

Modern society traces it's origin to Uruk as Gilgamesh ran it in his final chapter of the Epic of Gilgamesh. When he became a wise king he founded a society so fundamental to human life that the entire human race ran with it.

They made alterations, societies fell, they improved upon it, they keep changing based on the environment. Nothing made by man is perfect, even Uruk, but it's fundamental.

It's the last singularity but it's the only one that Solomon himself tampered with because he knows the age of man starts here.

The anime will make you feel that through Mash, Ana, and Fujimaru. The mobile game had you do missions with the same purpose in mind but that doesn't do as well as seeing it in motion I think.

Watching Ana say she hates humans only to become attached to an old woman running a flower shop, seeing Leonidas train soldiers, Ushiwakamaru and Benki coming home after a long day battling beats, everyone gathering at Chaldea's own embassy like it's a home, Gilgamesh stopping to learn a new game being played children, etc.

It is a lot of small things that add up. You gain a true grasp of how people lived in this city. You could make a whole spin off of Uruk and it's day to day events and I would watch it.

I want to drive home how much I enjoyed those little scenes. It not only fulfilled my world building itch but these moments of humanity at it's purest made the various dialogues between inhuman characters more interesting.

Ana & Merlin

The most standout to me is the scene of Ana and Merlin discussing what it means to be an inhuman surrounded by humans. Merlin actually has a few good scenes of this topic but this one is the best for giving you insight into the minds of them.

Sure, you also have servants but many of them were human once. Ana, Merlin, and even Gilgamesh were not and so their views on humanity is by far more intriguing.

For Merlin, emotions are a lie. He feeds on human dreams to have and comprehend emotions. He openly admits he likes humanity as a whole but not individuals.

Ana, beings the goddess who becomes Medusa, has hatred for man and god but she also can't help but love them. She's even fearful of that love in a sense.

You have to keep in mind that Medusa is a very old myth. The one you know of about Poseidon raping her and Athena cursing her is actually the most recent one despite being a couple thousand years old. Both in Fate and our world her myth goes back further than this with no clear point of origin.

Ancient Greece did not have a solidified religion. The city states had a shared origin and a shared pantheon but the stories about said pantheon could vary based on the city and the age of that myth. Assuming it was even put to written record in the first place.

Ana in Fate is a nod to this. She was originally some long lost earth goddess before becoming what she was. Her hatred of the gods is solely the fault of Olympus but her hatred for man is from perceived abandonment.

Between Heaven's Feel and FGO I've come to have a soft spot for Medus as a whole. Conflicting feelings aside, she didn't deserve it and knowing that her curse caused her to eat her sisters and become a monster is just tragic.

I'd love for them to do a game or show with Medusa as your main servant one day.

Abandoned Gods

The contradictory nature mentioned above in regards to Ana is shared with all the gods we meet in the anime as well. Even the beasts of humanity have this conflicted feeling albeit the things they're conflicted on differ.

Tiamat in particular having the worst case of it by far. She's become a beast of humanity but she's original a primordial goddess. A dragon from which the primordial sea sprang.

She's trying to destroy humanity to keep it, she doesn't want her "children" (aka all life) to abandon her again. Knowing that and her true fate within this universe makes it arguably more tragic than the mythology of her murder via Marduk.

And to give you context of that I need to elaborate a bit on the planet.

The planet itself is a sentient being and in a rough sense humanity is it's progeny. The end goal of human evolution, as seen by Gilgamesh via his clairvoyance, is leaving the planet for the stars.

This growing separation from nature and man is the reason that the Counterforce even exists. As humans grow they become more at odds with the planet thus the Earth has two predominant forces.

"Gaia" who is the planet's will and "Alaya" the collective will of man. However, there was only originally "Gaia" and as the planet took shape so too did beings to shape it.

The oldest I know of is Ea. Yes THE Ea from Mesopotamian mythology. Ea shaped the world only for Tiamat and her husband to come after and seed life into the world he shaped.

So yes, when Gilgamesh boasts that his sword split the heaven's and earth he's being literal. Gil's sword of rupture is quite literally Ea's "sword" he used in those early days of creation.

What makes this a tragedy is that Tiamat, Ea, and Abzu predate death. They cannot kill Tiamat in the anime because she does not know the concept of death. She is truly immortal.

When Tiamat and Abzu's job was done they were chucked back into the void. Tiamat has been in Imaginary Number Space this entire time. No, I'm not explaining Imaginary Number Space. It's a concept bordering on zero. (complicated)

In this sense, once Tiamat was dethroned by Marduk she was just left to her own devices in the void all alone and I find that incredibly fucked up.

That gives her no right to just wipe out all life but that level of used and abused is wrong.

I legitimately felt bad for Tiamat here because I knew this expanded backstory. She wants to cling to humans in an unhealthy way since she's now a beast but at her core that is because her love as a mother is boundless. A facet of her that is true in IRL myths as well, in our myths she killed her husband for her children's sake.

I also found the anime did the final exchange with Tiamat much better because it boils down to a normal man and the mother of life. She asks him what she did wrong but he can't answer that.

Fujimaru can't answer that for her, all he can do is thank her for bringing life to the planet and say goodbye. It's so sad....

The planet wasn't even kind to her here. I mentioned Gaia and Alaya earlier, well the Throne of Heroes is originally something they use. Alaya is also known as "the Counterforce".

Summoning heroes as servants is a human ritual but the basis for it is what Alaya does when the mankind or the planet is in danger. One of those core dangers are the beasts of humanity.

The whole reason Hassan appeared is because the conditions for that were right. Hassan was sent to that era as a Grand Assassin to instill the concept of death into Tiamat. The planet itself was making sure that she truly died here.

Other Goddesses

Now I gush about Tiamat due to some bias but truthfully this abandonment issue is felt by several other gods as well. Quetzalcoatl does not seem to peeved yet she also pushes for people to do their best. "If you want to survive show it to me" in a sense.

Ishtar and Ereshkigal are heavily influenced by Rin Tohsaka's personality so it's hard for me to say how much of what they say is their true feelings. Given how Ishtar is said to behave in Fate/Strange Fake I'd wager her true feelings aren't represented.

Ereshkigal however I think is. She states that she thinks it's okay for people to blame what they don't know on the gods but she only says this because she knows that the age of gods is ending.

Soon man will seek answers for their issues and not gods for comfort or scapegoats. She'll be abandoned and she's yet to even truly enjoy their presence.

I'll admit, I felt a bit of pity and attachment for Ereshkigal as well. She just wants out of the cosmic basement and it's so sad that she can't. She did not choose to be there and as a goddess of death humans have nothing but fear of her.

She cages souls for centuries for a semblance of companionship.

Out of all the silly things the game did to make servants faun over Fujimaru it was only Ereshkigal's scenes that I believed due to this. She, very badly, pretends to be Ishtar to have talks with Fujimaru.

They're cute in the anime but I liked the games version of these moments more since the conversations were more frequent and longer. I could easily believe that she's grown attached to him.

Hell, I even found it funny when Ishtar was asking Mash things about the MC due to how obvious Ereshkigal is about her feelings.

And while many a Fate fan will gush over that due to some...questionable self insert delusions I found it cute for her but endearing. She's never had a human not cower in fear of her let alone one talk to her normally.

She so desperately wants a friend that I hope she escaped her cosmic basement once Kur disappeared to the reverse side of the world.

She so desperately wanted love that I fully feel that her feelings as a goddess against humans made sense. If the gods era truly ends she may be forever alone.

Let's rapid fire shall we?

This too has gotten quite long but I don't have it in me to make a part three so I'll gush about smaller things I enjoyed.

Such as Ishtar. I thought I'd have a bigger segment on her but she's basically just Rin that flies. My biggest impression was;

"The fact that Ishtar can be bought off with jewelry is by far the funniest thing Rin did to her personality."

And that still stands. I loved her character to be blunt, she was entertaining and she had some amazing scenes. The animation of her shooting Venus as a noble phantasm is gorgeous.

I also love how both Ishtar and Ereshkigal suffer from Rin's "girl failure" moments. But, again, that's due to Rin. Rin's mentality is...well it is what it is but what it is is such a perfect match for Ishtar they meld in a good way.

You could say the same about Ereshkigal, I know, but Ishtar isn't trapped in a cosmic dungeon for eternity. That backstory gave Ereshkigal ever the slightest bit more uniqueness to her character.

Also, fun fact, this Ishtar couldn't find her bull of heaven because the real Ishtar summoned it. So in a weird way Fate/Strange Fake had an affect on the FGO timeline.

Quetzalcoatl my throttle

She was an amusing character. I found nothing too stand out but nothing offensive. She did however have some of the best fight chorography in the anime and her noble phantasm was hands down the best one.

She drops kicks with the force of the meteor that wiped out the dinosaurs. Just put that into perspective, she is kicking with the force of a meteor. A meteor that wiped out most of the life on earth.

And before anyone asks, Quetzalcoatl is a woman because the Mesoamerican gods in Fate's lore were parasites that took on hosts. They were deified over time and this female form is simply Quetzalcoatl's latest host.

No, I will not comment on the voice. The poor accent is a part of the charm and I will die on that hill!

Hassan the Goat!

Between the sixth and seventh singularities in both game and anime form I have come to respect the beast that is Hassan I. This man is to be feared.

He made a primordial goddess aware of death. He even beheaded Ozymandias before he was even aware Hassan was in the room.

I also like that we got to see a grand servant being summoned in the intended way.

Gilgamesh, Enkidu, and Kingu

I won't make too long a segment on Gilgamesh since I'd really like to do a post on him one day. I haven't yet simply because I haven't seen his depiction in the Extra timeline and I'd love to see Strange Fake.

He's a complex character and the later entries seem to lessen the bastard you'll see in Fate/Stay Night to a degree.

But I will say that I enjoyed seeing him alive and as the wise king of Uruk. I was also impressed by the sheer magical power he had to summon several servants in a means closer to how they're meant to be summoned.

None of the man-made ritual used by a grail war or Chaldea.

The dynamic between Gil and Kingu was interesting though. Fuel for that eventual Gilgamesh post in the future.

Technically, Enkidu doesn't appear in this story however that bond he has with Gilgamesh is so profound that it affects Kingu and it's interesting to see how Gilgamesh treats Kingu due to it.

It is also through Kingu that we see how the citizens of Uruk felt about Enkidu. It really paints this beautiful relationship that's hidden just off screen. Still, Kingu was never truly his own being at the end.

That also goes to show just how powerful Enkidu's own persona was. Enkidu may have seen themselves as just a weapon and disputed it when told otherwise by others but that fact alone proves it to be true.

Enkidu was far more than a tool otherwise their influence wouldn't have been so great. Sadly, Kingu could only be more than a tool when fighting against Tiamat.

Siduri deserved better

That dynamic also made me curious about Siduri. When I was playing Samurai Remnant Gil says her name once and between the game and this anime I got a real glimpse of a person truly close to Gilgamesh.

He may deny that and Merlin isn't wrong when he says Gilgamesh only sees value in what humans make but there are exceptions to every rule.

He didn't necessarily value her as highly as Enkidu but I do believe that on some level Gilgamesh valued her as a person.

Her fate as a lahamu was just heartbreaking. I didn't even realize it when playing the game....

Conclusions and other things

All in all I really enjoyed the anime and the games story. Probably far more than I could squeeze into either of the two posts I made. I'm sure I'll be kicking myself for forgetting to add something later.

(like the passive aggressive banter between merlin and romani)

Get mad that I didn't elaborate on something as much as I had intended.

(such as Ushi and Benki)

Still, I'll stop here. I can't write anything else, my brains fried.

I loved this story and I'm sad so much of the anime will lose impact when the mobile game eventually shuts down. Bye for now~

========================

For my other experiences with Fate go here: https://derekscorner.tumblr.com/tagged/fated-rantings