#made it its own post :)

[i-hope-this-is-a-phase]

ONE SLOT DOWN!!!

[wifiwuxians]

actually yknow what. i know this won't reach anyone because most of the people who do this don't follow me and will never see this, and i really really really didn't wanna tack on "Don't tag as ship" to all of my posts because it feels rude, but i will say it again. it actually makes me really uncomfortable when people tag my yi city art as shippy when they're just hanging out. it's made me stop drawing xue yang and xiao xingchen stuff unless the other two are also there because i guess A-Qing acts as a barrier from getting those tags. and that makes me really sad, and i feel like now i'm going to have to stop drawing yi city entirely, which makes me extra sad because i just finished a fic i really love of it and wanted to post it

i know i can't control how people feel about my art or what they see in it. i'm just being transparent and sharing my feelings. i don't care what you ship and i'm happy my art can inspire, but it makes me supremely uncomfortable and a little sad when something I've been vocal about disliking/having an aversion to gets talked about in depth in the tags or in the comments. it makes me want to avoid my own art and people's responses to it. i'm not attacking anyone who ships it with this, but it really makes me miserable to see.

if or when i ever draw (song)xuexiao or something adjacent, i will be clear about it. in the meantime i wish people would stop projecting it onto my art. please. i don't want to read about how badly xy wants to fuck xxc on my art even if it isn't explicitly songxiao, because i don't agree and it squicks me out and i shared this art with people hoping it would bring laughter and instead it brought me discomfort.

[starridge]

puppet hour was brutal

[bookshelfpassageway]

yknow i dont go here but sometimes i gotta go: seriously respect clowns. they have the worst pop culture representation in the world and also the best most thorough honor code. they're just here to be silly little guys who bring joy and are very conscientious about doing so responsibly. let them to their merriment in peace you dont hafta take potshots. i dont go here but like maybe i should, you all seem super chill

[futuristichedge]

It's Thursday somewhere

[monstermonger]

Quiet corners 🐈‍⬛

[hotcupoteckla]

Privilege students

I appreciate the ask floating around for those in the know to be good teachers on occasion, but education is a two way street.

For those that might be students on an -ism level topic: If you ask a question to better understand a position and that person shuts you down, even harshly, all you really have to do is stick around mutely and listen/read their posts a while longer.

Read the books or articles they suggest in other posts. Listen to their friends. There's a lot of energy exchanged in education, and if you were curious because something resonated with you as being true & never heard before, never seen before, never realized before - then stick around. See what they offer.

It's okay to have never been exposed to perspective on a topic, and they might have said something that challenges a lot of what you value, but imagine how exhausting it would be if you were an expert and were asked the most basic question ALL OF THE TIME.

Astronaut being asked if he can breathe in space.

Plumber being asked if the water travels in pipes.

Farmer being asked if plants are edible.

IT tech being asked if passwords were needed or have to be this complicated.

Environmentalists being asked if global warming is real or will have a negative impact on humans.

Artists being asked if they wasted their degree.

Like we're talking the most basic elements of someone's Existence, being challenged on it, several times a day. Kind of getting insulted in the process of processing the question, whether or not the question was genuinely asked. How could you filter those out?

By answering those people who ask better questions. And you'll only get to better questions by understanding what the basics are, through listening and adopting new ideas into your worldview.

By listening, you make progress for everyone possible.

Maybe then people would be more willing to expose themselves to the heartbreak of teaching & leading their communities.

[ryssbelle]

Drew a bunch of Marinettes in a bunch of different artists styles it was a lot of fun!!

Artists who's styles I mimicked: @buggachat @hamsternamedmarinette @ladybeug @sabertoothwalrus and @anna-scribbles all epic artists 🤟😎

[lotus-pear]

mourning black and the death of ideals

[yiddishfisting]

🙏 prayer circle that number keeps going up 🙏

[sadisthetic]

the madness frustration loneliness of the dissonance of a mismatch of the rotten heart to the rest

allosexual aromantic swag happy pride *peaces out*

[courfee]

little poster for the fic Operation Walburga's Arbitrary No Kissing Ever Rule :) 10 things i hate about you, but make it jegulus

[paintedcrows]

There you are, hiding from your friend Bill, are we?

Or, why you should never let your demon near your brother pet cat. Fan art for the wonderful fic 'How to Cat Burglar a Family' by @dark-lord-of-awesomeness! It's now complete! And (despite how this looks) very sweet!!

[reasonsforhope]

Climate change in 2025: So, what now?

Some real talk for the new year, about where we now stand, and what the next years are going to look like.

(Still ends on a “be hopeful!! or else” kind of note, but definitely gets into some heavy truths about the meaning of recent events.)

--

Obviously, between Trump's reelection at the Los Angeles fires, things are feeling a lot more precarious than they did just a few months ago. I know a lot of people are incredibly stressed. I know I'm certainly stressed.

But this isn't the end. This isn't the beginning of the end, either. We're not doomed.

Don't despair.

Yes, things are about to get harder. Yes, the effects of climate change are now becoming truly apparent.

But here's what you need to hold on to:

We have already cut expected warming in half.

More about that including sources here: (x) I'm not going to go into it again in detail, read the source for that. But it's true. In 2000, when I was a kid, they were predicting 4, 5, 6 degrees of warming, plus a runaway greenhouse effect that would boil the planet.

Now, scientists expect that global temperatures will likely land between 2 and 3 degrees.

Which is incredibly shitty, yes. But it's survivable.

And I have for a lot of reasons (check these masterposts on this) to believe with the confidence of knowing that we're going to get expected warming down even further.

And that's something to celebrate.

I’m not saying that the effects of warming aren’t already bad, or won’t get worse. I’m from California, I currently live in LA. My state’s been on fire for half my life. Natural disasters starting amping up early here (and we’re certainly in the middle of another historic number now). And yeah, it's fucking stressful right now.

But like I said, my state’s been breaking horrible disaster records constantly for the past ten years. I've done this before. And you know what? Natural disasters have been getting more and more survivable for years, largely thanks to faster warnings and better mass communication (x).

Does it suck how many natural disasters there are now? Yeah.

Does it suck how many more still there will be? Yeah.

Do we need to keep working our asses off to beat climate change? Yeah.

Are we going to need to organize and mobilize (both politically and especially community-wise) like never before to see as many people through these times as best as possible? Yeah.

But that doesn't mean we should despair. It absolutely does not mean that we've already lost.

An unknown number of the most optimistic futures were foreclosed when Trump won the US election. That’s painful but a reality.

But for twenty-ish of the past twenty-five years, the science said we weren’t going to survive climate change at all.

For most of my life, we were worried that we had set Earth on a course to become like fucking Venus (which is, on average, well over 800 degrees Farenheit). Even if it didn’t get that bad, we were so worried that global warming might wipe out all life on earth - except maybe the cockroaches.

(Literally, when I was a younger the kids at my church put on a play about that. It was like an adaptation of A Christmas Carol where the future only had talking cockroaches. I grew up so worried about this. (Not the cockroaches thing specifically. Mostly the general concept. Only a little about the cockroaches. Also yes my church was very granola why do you ask.))

But starting a few years ago, studies have shown that there wasn’t going to be a runaway greenhouse effect that could turn us into Venus; that earth is warming, yes, but we don’t seem to be in danger of that.

Between that and the fact that the adoption of renewables globally is too fast to be stopped, and we do have the technology and environmental science knowledge to eventually re-lower global temperatures by getting to net negative carbon emissions (x), and most countries and at least 73% of people in all countries for which there is data (x) actually care very much about the climate, yeah, we have closed the door on the lava planet future.

And yeah, I do think that’s worth celebrating.

That’s a massive fucking victory.

There's still more work to do, and I have every confidence that we're going to do it. I also think that, given the loss of the US election, there’s a really, really strong chance the developing world will be what saves us, and we’ll just be lucky to be along for the ride.

Most people have no idea of the kinds of amazing stories and statistics coming out of the developing world and Indigenous communities. The world is changing for the better on the environment, even as disasters (and the US) are getting worse. Solar power is going to revolutionize the fucking world, because it’s going to grant humanity universal access to electricity, and that’s going to revolutionize the world, especially the developing world (aka the global majority). And most people have no idea at all, much less how much it’s going to change.

So, yeah, natural disasters are going to keep getting worse.

But there’s a long, long long fucking way between “natural disasters are going to keep getting worse” and “the extinction of all of humanity and/or the vast majority of life on earth”

So, in the face of Trump, in the face of everything, I still choose to hope. I still choose to celebrate this as a true and profound accomplishment.

Because for over twenty years, I was afraid I’d never get to.

That difference is absolutely worth celebrating.

[hamletthedane]

Love that Oppenheimer is a deeply disturbing horror movie about a man forced to accept that he is, in a person, the representative manifestation of mankind’s evil in committing one of the greatest horrors of human history - LITERALLY acting as the modern Prometheus, tormented by his sins for the remainder of time. Knowing that he will never be pitied and his actions will forever be utterly unforgivable because the blood of genocide and the potential of total human annihilation will eternally drip from his hands.

But also the simultaneous indictment by the film that to blame a single person for the Manhattan Project is to refuse to accept your own capacity for great evil if the ends ever seem to justify the means, and the culpability of every member of a species that lets itself create something so unspeakably terrible.

Hate that twitter’s take on such a nuanced and brilliantly handled examination of those issues is “movie bad because protagonist not evil enough.”

[sabertoothwalrus]

so I’ve been gaining a lot of insight into the animation industry recently, especially in regards to pitching & the creation of new shows. There’s a few ways to go about it.

First, there’s pitching to a studio. When you pitch, it has to be SHORT and CONCISE. You may write a lovingly detailed pitch bible that perfectly breaks down episodes and characterizations, and it might barely even get read. First impressions, first impressions, first impressions!

Most peoples’ first projects don’t get picked up. I’ve heard a few stories from directors that said they tried pitching a story they’d had for years, which got rejected, to then spend a week or even several hours in their car coming up with a new idea, only for that to get greenlit.

But that’s not the end of it. Just because a show gets greenlit, doesn’t mean it will ever get finished. There’s lots of things that can happen. Sometimes, unexpected major world events (like… a global pandemic) can cause projects to get chopped. Sometimes, a CEO change or studio merge means a single person can decide a project “no longer fits with the company’s brand.” Sometimes, the one producer that was rooting for your project gets laid off, and no one else cares enough, so it gets shelved. Sometimes, a streaming service decides to create an animation department, and then they decide they don’t want it anymore. Sometimes, the studio will be simultaneously be developing another project that was too similar to yours and they just didn’t think to tell you until they decide yours is the one with less potential.

On top of that, almost everyone in the industry is saying that “studios just don’t pick up original content anymore.” Studios want something they can franchise, something that will bring in money. New content is risky. Established fanbases are safer.

However! Studios can still be a very good thing. They can be unionized. They can provide better benefits and resources. They can have connections and infrastructure and a larger volume of workers. At a studio, you can divide the labor and produce more in less time. Longer episodes, longer seasons, more consistency in quality.

But this comes with all of the disadvantages of having more in the kitchen.

The alternative is indie animation.

With indie animation, you have total freedom. Full artistic control. It doesn’t even matter if your idea sucks ass, because there’s no one to tell you you can’t make it. You could make it anyway, and you can make it whatever you wanted.

The thing is, making animation is hard. In my production class last semester, the average maximum animation one person could make in that timeframe was 30-60 seconds, and that’s not even counting background design, sound design, or cleanup/color. To make a 5 minute animated short, you should probably have at least 5 people.

And it is CRUCIAL you have a production manager. Ideally someone who’s not already doing art for the project. Most projects without a production manager will fall apart pretty quickly. Once the adrenaline and impulse-fueled motivation wears off, you need someone to hold you accountable and enforce deadlines and proper time management.

Speaking of time, that’s also hard to get. The more people you have, the more likely schedules won’t line up. Most people will have school, or other jobs.

And it costs MONEY!!!!!! You either have everyone work for free and volunteer their time & energy, or you establish a business as a proper indie studio, with people who may or may not have experience on how to handle paying someone else’s salary. And the money has to come from somewhere, so you have to rely on crowdfunding like patreon or kickstarter. (This, by the way, is why I could never fault an indie animation for releasing merch with their pilot.)

And like, maybe you wanna do a series, and all your friends agree to volunteer their labor and time to make the first episode, but it was unanimously not sustainable. Deciding not to produce a second episode until you can raise enough money is not being suddenly greedy, it’s attempting to compensate people rather than expecting them to be continuously taken advantage of.

You have to consider your output as well. There are some outliers like Worthikids, who afaik does all his animation himself, and afaik can work on it full-time thanks to his patreon subscribers. And he still has only produced a total of 30 minutes of animation (for Big Top Burger specifically) in the past 4 years. This is an IMPRESSIVE feat and this is with using a lot of 3D as part of his pipeline!!

Indie animation also has the complication of being more accessible for fandoms. When you’re posting your Official Canon Content on youtube, it doesn’t look a lot different than the fandom-created video essay in the sidebar next to it. What’s canon vs what’s fanon becomes less distinguishable. The boundaries are blurrier. When the creator is just some guy you follow on twitter, it’s easier to prod them for info regarding ships and theories and word-of-god confirmation. They don’t have a PR team or entire international tv networks to appeal to. And this is when creators get frustrated that their fans snowball and turn their creation into something they don’t recognize (and no longer enjoy) anymore.

So it’s tricky.

Thankfully, the threshold to learn animation is fairly low nowadays!! There are TONS of resources online to learn it on your own without forking over a couple hundred thousand to a private art college. There are conventions and discord servers and events where you can network, if you know where to look.

I know it can seem discouraging in the face of capitalism, but I think that’s all the more reason why it’s so important to BE DETERMINED about animation!! We’re already starting to see the beginning of an indie animation boom, and I think it’s a testament to humanity’s desire to tell stories and create art. Even if there’s no financial gain, we do whatever it takes to tell our stories anyway.