#m: stuttgart 2019

[hmantegazzi]

In my case, because it was the first time in which a non-minuscule number of people in my country took it seriously enough to switch to somewhere else and stay there.

this is how you know Twitter is officially cooked

[milksockets]

'focus (padded purpose)' by anna uddenberg, 2019 in tense conditions: a presentation of the conetmporary art collection - staatsgalerie stuttgart

[eridonna]

【 The Lady in White / Ich's Manderley Ball Costume in different Rebecca Productions 】

Budapest, Hungary (2010)

ft. Dóra Szinetár, Zsuzsi Vágó

Tokyo, Japan (2019)

ft. Chihiro Ōtsuka (大塚 ちひろ), Aya Hirano (平野 綾)

Seoul, Korea (2023, 2021)

ft. Wendy (웬디), Lim Hye-Young (임혜영)

Vienna, Austria (2006)

ft. Wietske van Tongeren

Vienna Revival / China Concert Tour (2022, 2024)

ft. Nienke Latten, Antonia Kalinowski

Stuttgart, Germany (2011, 2012)

ft. Lucy Scherer, Valerie Link

Bonus:

Rebecca 1940 — Joan Fontaine

Rebecca 2020 — Lily James

﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌

[toasttt11]

julianna hughes

Julianna Rae Hughes

Year: Senior

Height: 5”6

Hometown: Orlando, Florida

Team: US National Team

School: University of Michigan

Olympics

Gold, 2016 Rio de Janeiro- Team

Gold, 2016 Rio de Janeiro- All Around

Gold, 2016 Rio de Janeiro- Uneven Bars

Gold, 2020 Tokyo- All Around

Gold, 2020 Tokyo- Uneven Bars

Gold, 2020 Tokyo- Floor

Gold, 2020 Tokyo- Vault

Silver, 2016 Rio de Janeiro- Vault

Silver, 2016 Rio de Janeiro- Floor

Silver, 2016 Rio de Janeiro- Balance Beam

Silver, 2020 Tokyo- Team

Silver, 2020 Tokyo- Balance Beam

World Championships

Gold, 2015 Glasgow- Team

Gold, 2015 Glasgow- Uneven Bars

Gold, 2017 Montreal- Team

Gold, 2017 Montreal- Uneven Bars

Gold, 2017 Montreal- Vault

Gold, 2017 Montreal- All Around

Gold, 2017 Montreal- Floor

Gold, 2017 Montreal- Balance Beam

Gold, 2018 Doha- Team

Gold, 2018 Doha- Uneven Bars

Gold, 2018 Doha- All Around

Gold, 2019 Stuttgart- Team

Gold, 2019 Stuttgart- Uneven Bars

Gold, 2019 Stuttgart- Team

Gold, 2019 Stuttgart- Floor

Gold, 2019 Stuttgart- All Around

Gold, 2021 Japan- Team

Gold, 2021 Japan- Uneven Bars

Gold, 2021 Japan- Team

Gold, 2021 Japan- Floor

Gold, 2021 Japan- All Around

Gold, 2021 Japan- Vault

Gold, 2022 Liverpool- Team

Gold, 2022 Liverpool- Uneven Bars

Gold, 2022 Liverpool- Team

Gold, 2022 Liverpool- Floor

Gold, 2022 Liverpool- All Around

Gold, 2022 Liverpool- Vault

Gold, 2022 Liverpool- Balance Beam

Gold, 2023 Antwerp- Team

Gold, 2023 Antwerp- Uneven Bars

Gold, 2023 Antwerp- Team

Gold, 2023 Antwerp- Floor

Gold, 2023 Antwerp- All Around

Silver, 2015 Glasgow- Floor

Silver, 2015 Glasgow- Team

Silver, 2015 Glasgow- Vault

Silver, 2015 Glasgow- Balance Beam

Silver, 2018 Doha- Vault

Silver, 2018 Doha- Floor

Silver, 2018 Doha- Balance Beam

Silver, 2019 Stuttgart- Balance Beam

Silver, 2019 Stuttgart- Vault

Gold, 2021 Japan- Balance Beam

Silver, 2023 Antwerp- Vault

Silver, 2023 Antwerp- Balance Beam

Pacific Rim Championships

Gold, 2016 Everett- Team

Gold, 2016 Everett- All Around

Gold, 2016 Everett- Uneven Bars

Silver, 2016 Everett- Floor

Silver, 2016 Everett- Vault

Silver, 2016 Everett- Balance Beam

NCAA

Senior (2023-2024)

University Of Michigan

Team Captain.

Received a 40.00 Score, the first time since 1996 and the first time for a Wolverine.

Competed in all Events.

Big Ten Individual Champion (uneven bars)

Big Ten Individual Champion (All around)

Big Ten Individual Champion (Floor)

Big Ten Individual Champion (Balance)

Big Ten Individual Champion (Vault)

Scored Eight 10 on the uneven bars in her Senior year.

Scored Five 10 on the floor in her Senior year.

Scored Two 10 on the balance beam in her Senior year.

Scored Two 10 on the Vault in her Senior year.

Junior (2022-2023)

University of Michigan

Team Captain.

Competed in all Events.

Big Ten Champions.

Big Ten Regular Season Champions.

Big Ten Individual Champion (uneven bars)

Big Ten Individual Champion (All around)

Big Ten Individual Champion (Floor)

Big Ten Individual Champion (Balance)

First Team All-Big Ten.

Academic All-Big Ten.

WCGA Academic All-America.

Scored Seven 10 on the uneven bars in her Junior year.

Scored four 10 on the floor in her Junior year.

Scored one 10 on the balance beam in her Junior year.

Scored one 10 on the Vault in her Junior year.

Sophomore (2021-2022)

University of Michigan

Competed in all Events.

Big Ten Champions.

Big Ten regular season Champions.

Big Ten Individual Champion (uneven bars)

Big Ten Individual Champion (All around)

Big Ten Individual Champion (Floor)

Academic All-Big Ten.

First Team All-Big Ten.

Scored Six 10 on the uneven bars in her Sophomore year.

Scored three 10 on the floor in her Sophomore year.

Scored one 10 on the balance beam in her sophomore year.

Freshman (2020-2021)

University of Michigan

Competed in all Events.

National Championships.

Big Ten Individual Champion (uneven bars)

Big Ten Individual Champion (All around)

Scored four 10 on the uneven bars in her freshman year.

Scored two 10 on the floor in her freshman year.

First Team All-Big Ten.

Notched a 9.925 on the beam in the leadoff spot in back-to-back meets in which the Wolverines surpassed the 198.000 mark for the first time in school history.

Personal

• Born May 14, 2001

• Daughter of Jim and Ellen.

��� Has three brothers Quinn, Jack and Luke.

• Getting a degree in Sport Medicine.

[musikblog]

https://www.musikblog.de/2024/11/gaisma-motherland-neues-album/ Gaisma aus Stuttgart hat gestern ihr neues Album „Motherland“ veröffentlicht. Es ist ihr drittes nach „Not My Cup Of Tea“ (2021) und dem Debütalbum „Empathy“ (2019). View this post on Instagram A post shared by GAISMA (@__gaisma__) In Lettland geboren, entdeckte Gaisma schon früh ihre Leidenschaft für Musik und Tanz. Mit 15 Jahren zog sie […]

[shredsandpatches]

Was just reading about the 2019 Stuttgart Mefistofele (the one with the hazmat suits) while slacking off at work and it's cracking me up because some aspects of it seem to show the same directorial tendencies that I would bring to the piece, only cranked up exponentially. Like, I would only put an orgy into ONE (1) of the chorus scenes. A good reminder to use restraint in my imaginary opera productions.

[germanpostwarmodern]

The floor plan forms of Hans Scharoun’s buildings by virtue of their organic development are unusually diverse and sometimes hard to read without the real spatial experience. But their complexity isn’t exclusive to well-known projects like the Berlin Philharmonic but is equally present in seemingly straightforward buildings like the Romeo and Julia apartment buildings (1954-59) in Stuttgart: here Scharoun was challenged with a cost-sensitive client but brilliantly realized a broad variety of apartments through extensive play with the floor plans. In a long process Scharoun scrapped, revised and improved plan variants and ultimately arrived at innovative and efficient solutions that Markus Peter and Ulrike Tillmann comprehensively document in their book „Hans Scharoun und die Entwicklung der Kleinwohnungsgrundrisse. Die Wohnhochhäuser Romeo und Julia 1954–1959“, published in 2019 by Park Books. From the Scharoun archive at Akademie der Künste Berlin the authors unearthed a wealth of drawings and plans that make  understandable how the architect experimented with plan variants for the different apartments. Even on not exactly generous 65 square meters Scharoun was able to accommodate parents, children, a designated work niche and two balconies. Expressly the workplace was of great interest for Scharoun since he sought to accommodate both the private and the professional lives of the inhabitants in the contemporaneous information society.

Peter and Tillmann connect these findings with Scharoun’s lectures about the historical development of dwelling typologies as well as the different organizing principles he developed over time: the „Sawtooth Type“, the „Polygonal Apparatus“ and „Multiplication“ are elaborated in individual chapters and the authors successfully lift the veils off of Scharoun’s language.

In summary the book not only sheds light on Hans Scharoun’s ingenious development of small apartment floor plans but also removes them from a strictly historical perspective and demonstrates their relevance for today’s architecture. A real treasure trove!

[endlich-allein]

Ohhh can you do one about the Ramm kiddos?

I know even less about children than about parents and since that doesn't interest me, I won't necessarily go any further (unlike other people in the fandom I'm not the type to go digging through archives or ring the doorbell of guys' families or friends to take a picture with). Likewise, all this information can be found on the internet (the rest I keep for myself).

Till has four children. Nele, the eldest born in 1985, studied theater and literature at FU Berlin. She was the assistant of playwright Sibylle Berg. With her, Nele worked on projects at the Schauspiel in Stuttgart, the Neumarkt Theater in Zurich and the Haus der Berliner Festspiele. In 2017 she completed a course in theater and music management in Munich. She was also the production assistant for the theater play "Hänsel und Gretel" at the Thalia Theater in Hamburg (she also worked with her father). In 2018/2019 she worked in Karlsruhe with playwright Anna Bergmann. Nele is the mother of little Fritz born in 2008. Fritz appeared in the Haifish video. Marie-Louise was born in 1993.

Flake has five children. Including Anna born in 2000 and Mimi who shares the poster with her father of the short film : "Bunker".

Schneider has three boys, the last of whom was born in 2020. He and Ulrike share some photos of their little family on social media.

Paul has two children. Emil born in 1990 and Lilli born in 2001. Emil begins to be quite well recognized with his band Two Colors and his friend Pierrot. You can also follow them on social media.

Ollie has a daughter, Emma born in 2002.

Richard has three children. Khira Li born in 1991, Merlin born in 1992 and Maxime born in 2011. Khira appeared during the song Tier in 1998 during the Live aus Berlin, she also sings the hearts in the song Spieluhr and started a DJ career last year, you can listen to her on different platforms and follow her on her networks. Merlin has made a few appearances in movies and in the modeling world. Maxime appears in some Emigrate video.

That's all.

[balletomaneblog]

Mackenzie Brown, Prix de Lausanne 2019 First Prize Winner, has just been promoted to principal dancer at Stuttgart Ballet after her debut as Juliet!!! So surprised and happy for her!!

[vonstauffenberg]

Submission by soyoulovemehuh

I’m pretty sure it was in 2019 when I saw the documentary “Officers against Hitler” on German television, so it must have been the 75th anniversary of Hitler’s assassination attempt. And there was a short scene in which you can see Stauffenberg, because it was on TV I couldn’t grasp what I saw so quickly, I later forgot about it. The documentary is from 2004 (three parts) and it’s very well made and various contemporary witnesses and people who were there at the time in the Bendlerblock have their say. Some time ago I remembered the whole thing and looked for the documentary online, as I had only seen the first part at the time on TV, and it is indeed uploaded on youtube.

Of course I immediately looked for that scene and found it, but it’s not a close-up, he’s standing in the background and the film material is from the 1930s and therefore not of such good quality, so don’t be disappointed, but we’ll never get anything better from him. The narrator says “Stauffenberg here on a previously unknown film shot with his regiment”. You don’t find out exactly when, but it must have been before the war. I’ve watched it a few times now and at first I was sceptical, I briefly thought “that could be anyone!” BUT THEN he smiles/grins and that got me, because it looks just like that smile/grin we know from the photos! And this is, as I said, a reputable, well made documentary, not some trash. I had cut out the scene, but you can’t upload video from your own hard drive here.

Above the video with the time stamp. If that doesn’t work: https://www.youtube.com/watch?v=1lWplcz-pDw&t=398s&ab_channel=Dokus (around min. 6:38 to 6:52)

A dream would be an audio of his voice and walk/movement. His granddaughter, who published a book about him in 2019, said in an interview that according to her grandmother Nina, the actor Sebastian Koch (who played him in the German film “Stauffenberg” from 2004) embodied him best, she (Nina) was thrilled by his performance and has said “that’s how my husband moved, that’s how my husband talked Swabian (the dialect you speak in the region around Stuttgart, among others) when he got together with other Swabians”.

[fitzrove]

🔥 Elisabeth unpopular opinions!

I think like 90% of my posts are this... xD But then again, it can be hard to know what opinions are really "unpopular", because there's such an incredible diversity of opinion in the fandom :D

I'm limiting myself to five rapid-fire ones...

1. The Essen/Stuttgart staging/directing and therefore those productions aren't that great or enjoyable to watch jfkgkf. Like, it's more trouble than it's worth, so to speak... It's where Tod's not-that-great costumes come from (Yan Tax made the Essen ones), and in general it's where things started going kitsch with the direction. Plus it has Conspiracy which makes me so mad 🤣

2. KKOG is a better song that Schwarzer Prinz... 😭😂 Listen, the original 1992 "wie du reprise" (mama, wenn ich älter werde...) is the only valid option. Schwarzer Prinz is soo simple and dull in terms of lyrics, and while it's better than KKOG in that at least it's Elisabeth POV, I never listen to it. Don't get me wrong, I'm still happy Vienna 2003-5 doesn't have KKOG.

3. Ajkgkd this is such a random thing that has no bearing on the actual show but every time I bring up my wish to see a woman play Tod in Europe someday, there are at least 10 people who suggest Dutch musical actress Pia Douwes for the part. While I admire Pia and her talent as a performer, these people are ignoring that by saying I want to see a woman as Tod I really mean I want to cast myself. JSKGKDKDKD okay joking but in general I'd love for someone unknown and up-and-coming to do it if it happened, and preferably not a soprano!!!

4. Idk if this is unpopular but Fritz Schmid is a super awesome Rudolf 🥺 It's really him who made a big difference in me getting into Elisabeth so intensely (and staying around for several years). I don't actually find Lukas' or Jesper's performances as "chewable" (ajfkdkdl) and multifaceted, even though I like them very much.

5. Again, don't know if unpopular, but I find the 2005 Prolog without the overlapping lines from different characters better than the 1992/2019/2022 version. Needs a good Lucheni to work, obviously, but I think the overlapping melodies version is a bit on the nose... Unfortunately, considering it happened in Brussels, I think that this version of the opening is becoming a permanent fixture of the show again.

[milksockets]

'elephant memory #4' by diamond stingily, 2019 in tense conditions: a presentation of the contemporary art collection - staatsgalerie stuttgart

[dance-world]

Daniel Camargo - American Ballet Theatre

Daniel Camargo was born in Sorocaba, Brazil. He started ballet at the age of nine with Ourinhos Ballet School, at the encouragement of his two sisters' dance teacher. A year later, he moved to the ballet school at Teatro Guaíra, Curitiba.

​He competed at the Youth America Grand Prix (YAGP) twice, winning both times the second prize. He won a scholarship to the American Ballet Theater’s School, to the Harid Conservatory and was also approached by Tadeusz Matacz, the director of the John Cranko School in Stuttgart, to attend the school on scholarship. In 2005 he began his training in Stuttgart, at age 14. He trained in various ballet styles, including the Russian Vaganova and French method. For his graduation, he danced Uwe Scholz's Notations I-IV.

​​He joined the Stuttgart Ballet in 2009, and was promoted to principal dancer in 2013. In 2016, he left to join the Dutch National Ballet, before leaving in 2019 to pursue a freelance career. In 2022, he joined the American Ballet Theatre.

https://www.danielcamargo.art/

[glassprism]

what are some of your favorite closing night performances? as in the actors know it's their last night and are just doing whatever they want/crying because they're sad/breaking the fourth wall/etc?

Honestly, I'm tempted to put every closing performance that I have on bootleg. And I'm going to give into that temptation! I'm going to stick with closing night of an actual production, not last performance of an actor or group of actors or last performance at a certain stop in a tour, otherwise I'll be here a while.

Vienna, 1993 - It's got two members of the original cast back and several funny ad-libs, plus it's one of the earliest videos I have of a production's closing performance.

Hamburg, 2001 - The show itself has some really fun moments, but the real highlight is the performance after, where the cast perform a beautiful, bittersweet combination of 'Think of Me' and 'Music of the Night'.

Stuttgart, 2004 - Three words: the third kiss. (But also Raoul saying "Mamma Mia" as a reference to the next show that was taking over the theater and as a response to Christine, is rather hilarious.)

Sao Paulo, 2007 - The performance itself isn't especially notable in any blocking changes; what is noticeable is the amount of sobbing audience members, especially after the kiss.

Warsaw, 2010 - I haven't even listened to the full audio of this, but it has someone singing along with Christine in 'Think of Me', an extended cadenza, someone going ham with the electric guitar during the title song - definitely one I need to listen in full.

Las Vegas, 2012 - Had a terrific moment where the audience kept clapping at the end of 'All I Ask of You', so Raoul and Christine kept kissing, so the audience kept clapping, so Raoul and Christine kept on kissing, resulting in perhaps the longest R/C kiss on record.

Sao Paulo, 2019 - Nothing too notable about this performance that I've seen, but the audience enthusiasm is so high! There's clapping everywhere!

That's off the top of my head. And if I have a bootleg of a production's last performance and it's not on this list, that's because they, uh, sucked. No, not really; I probably just didn't watch it or couldn't see or hear much that was memorable, maybe due to video or audio quality or lack of interest. Anyway, hope that provided some fun examples of closing night ad-libs!

[anastasiamusicalupdates]

A Guide to the Anastasia Productions

Hartford - The show’s month long pre-Broadway trial in Hartford, Connecticut from May 13 2016 to June 2016.

Broadway - The show ran on Broadway from March 23 2017 to March 31 2019. Previews ended and shows open to the public on April 24 2017. The show performed at the Broadhurst Theatre. The book, libretto, blocking, and design were all slightly adjusted after the show moved from Hartford to Broadway and all subsequent productions have used the Broadway changes.

Madrid, Spain - The Madrid production ran from October 10 2018 to March 7 2020, when performances were suspended due to covid. The announcement that the show would not reopen was made in September. The show was performed at the Coliseum Theatre in Spanish.

First National Tour - The first North American tour ran from October 12 2018 to March 12 2020, when performances were suspended due to covid. The first version of the tour never reopened.

Stuttgart, Germany - The Stuttgart production ran from November 15 2018 to October 13 2019. It performed at the Stage Palladium Theatre in German.

The Hague, Netherlands - The Dutch production ran from September 22 2019 to March 23 2020, when performances were suspended due to covid. The announcement that the show would not reopen was made in April. It performed at the AFAS Circustheatre and was managed by Stage Entertainment. Because it was located in the Scheveningen district of The Hague, it is sometimes referred to as the Scheveningen production. It was performed in Dutch.

Tokyo, Japan - The Japan production was meant to be a tour, with performances in both Tokyo and Osaka, however the Osaka performances were cancelled due to covid. The production ran in Tokyo from March 9 2020 to March 27 2020, with only 14 performances. The theatre was the Theatre Orb and it was performed in Japanese.

Takarazuka Japanese Tour - The Takarazuke production was a non-replica produced by Takarazuka Revue with an all female cast in Japanese. It performed shows in both Takarazuka and Tokyo. It ran at the Takarazuka Grand Theatre from November 7 2020 to December 14 2020, and at the Tokyo Takarazuka Theatre from January 8 2021 to February 21 2021.

Second National Tour - The second North American tour began when the first tour reopened on October 15 2021, however because this tour was non-equity with an entirely new cast it is considered an entirely different tour.

Malmö, Sweden - The Swedish production ran from September 2 2022 to November 12 2022 in Swedish. It was a non-replica performed at the Malmö Opera, and so is usually referred to as the Malmö Opera production.

Tampere, Finland: The Finnish production began on September 2 2022. It is a non-replica production that is performing at Tampere Theatre in Finnish.

Linz, Austria: The Austrian production began on September 10 2022. It is a non-replica production that is performing at the Landestheatre in German.

São Paulo, Brazil: The Brazil production began on November 9 2022. It is performed in Portuguese, at the Renault Theatre, and is produced by T4F and Caradiboi.

Mexico City, Mexico: A Mexican production is set to open in 2023 at the Teatro Telcel, produced by OCESA Teatro.

There have also been announced an Australian production and a Russian production, though those were both announced before the pandemic so plans may have changed.