#m: gyeongseong creature

[haveyouseenthisseries-poll]

Original title: Gyeongseong Keuricheo | 경성크리처.

[natahjikio]

GYEONGSEONG CREATURE (2023-2024)

[duahauuoplanh]

[soheesource]

HAN SO HEE Gyeongseong Creature Season 2 Coming September 27

[kateknowsdramas]

Wi Ha Joon ~ Gyeongseong Creature

[lurkingshan]

Shan's Favorite Dramas of 2024

The year is wrapping up and I have forced myself to narrow down to a list of 15 (I tried 10 but the choices were too hard!) of my favorite 2024 dramas across genres and countries of origin. This is not every drama I liked this year (that list would be incredibly long), but these are the ones that inspired the most brain rot and really stuck with me.

At 25:00 in Akasaka (Japan, Gaga)

The mood and tone of this drama was just perfect, and I loved the way it explored the blurred lines and confusion that can result when the real and fake aspects of a professional relationship get all mixed up. Hayama was a great character and I loved his arc, in particular.

Cherry Magic (Thailand, Viu)

I still can't believe how much I loved this adaptation. A fantastic example of taking a work from another culture and translating it to a new context while not only retaining the core narrative, but even enhancing it. This show gave us what the Japanese version didn't--the resolution to the physical intimacy arc at the core of the premise--and retained all the charm of the original while adding new humor. And delivered one of the best romances of the year while it was at it!

Don't Care for an Old Man's Underwear (Japan, fansub)

Oppan, my beloved. Easily the best family drama of the year, loaded with excellent messages while (mostly) avoiding feeling like an after-school special. Makoto's journey to update his thinking with Daichi's help, and the mutual friendship that developed between them, is one of my favorite relationships of the year. I loved every character's story; there is something for everyone to connect with in this show.

Fangs of Fortune (China, iQIYI)

This drama was just so much FUN. A gorgeous feast for the eyes, a wealth of fascinating characters and relationship dynamics, and a fast-moving plot that you don't need to try too hard to understand. It was a great binge and Li Lun was easily my favorite villain of the year.

Gyeongseong Creature (South Korea, Netflix)

A gorgeous period piece set during one of the darkest chapters of Korean history, this one took me by surprise (I am usually not a horror girlie). The writing for this show had surprising depth and I loved its themes around family and loyalty and survival under fascism.

Knock Knock Boys (Thailand, Gaga)

My boys! I loved this show about a group of four queer men living together in a shared house, getting into mischief and supporting each other through school and work and relationship struggles. The show is funny and breezy but also manages to tackle some serious issues with grace while delivering two strong romances and my favorite coming out narrative of the year.

Let Free the Curse of Taekwondo (South Korea, iQIYI)

Winner for best QL of the year, and a romance that will be sticking with me for a long time. Dohoe is one of the most honest and unflinching depictions of a an adult psyche shaped by childhood abuse that I have ever seen on my screen. It was healing to see him treated with such compassion and to see him and Juyoung find their way to a happy life together. An absolute must watch for all you angst with a happy ending fans.

Love for Love’s Sake (South Korea, iQIYI)

It's so hard to get a high concept premise like this right, but this drama did an amazing job with it. It's one of those shows where you can go back over everything that happened in retrospect and it all adds up, and I loved that the ending lent itself to so many different interpretations. One of the best watch experiences of the year.

Love in the Big City (South Korea, Viki)

Go Young, my beloved. This drama adaptation of the internationally successful novel exceeded my wildest expectations, and I am still a little stunned that we got the privilege of seeing it. It is, bar none, the most authentically queer show on this list, and a beautiful depiction of all the significant relationships in one young man's life. I will be rewatching it many times and keeping it close to my heart.

Love is Like a Poison (Japan, fansub)

A masterful blend of comedy, action, and romance, this drama about a lawyer with delusions of grandeur and the scam artist who decides to become his partner was a constant delight and gave us my favorite battle couple of the year.

Marahuyo Project (Philippines, YouTube)

I can't tell you the joy and relief I felt to get another high quality queer drama from the Philippines this year. And this one had such a great cast of characters, anchored by one of my favorite protagonists of the year in King. It's funny, it's romantic, it's touching, and as always for a JP Haboc production, it has an amazing soundtrack.

She Loves to Cook and She Loves to Eat (Japan, fansub)

My girls! I'm still amazed by how much this drama gave us in its second season by expanding the world of the show beyond our two main characters to include so many other women whose stories were just as fascinating. This is the season where Nomoto and Kasuga really came into themselves and started building the life they want to have together, and it was a real joy to watch.

Tender Light (China, YouKu)

The way this show had me in a chokehold while it was airing! Visually stunning, incredibly well-constructed, and featuring one of the best performances of the year from Zhang Xin Cheng, it's an exhilarating mystery and a very touching story of the unusual bond between a student and the older woman who fascinates and terrifies him.

The Midnight Romance in Hagwon (South Korea, Viki)

You know a drama is good when it has you deeply invested in a random topic you never thought you were interested in. In this case, that's the intense debate on pedagogical methods between the public schools and hagwons in Korea. Alongside delivering a great romance, this drama was passionate about teaching and it sucked me right in to the Korean literature lessons at the heart of the story.

Unknown (Taiwan)

No other drama inspired more brain rot in me this year than this story of a family rocked by changing feelings as the chosen siblings grow up. The loyalty and love and complex desire between Wei Qian and Wei Yuan is the heart of this story, and the drama did an incredible job of taking us along for the journey as things shifted and changed between them. I still think about them all the time.

Bonus: Favorite Classic Dramas Watched for the First Time in 2024

I am always catching up on an endless backlog of dramas alongside my live watches. Here are the best gems I finally watched this year.

Lost (South Korea, Viki)

I loved this deeply melancholy drama about two lost souls who connect unexpectedly. I finally pulled it up from my to be watched list because it shares director Hur Jin Ho with Love in the Big City (he did part 2 with Go Young's mom) and it sure feels like it! The characters are deep and complicated, the relationships are complex and carefully built, and it is hands down the best encapsulation of a failed marriage between two good people who truly loved each other that I have ever seen. It's heavy and not for everyone--mining the depths of human despair is kind of its thing--but if you like this sort of story it's world class.

Mouse (South Korea, Viki)

I was recently in the market for a good mystery thriller, so I finally watched this apparently very divisive 2021 drama--and if there's a divide I am firmly on the HELL YEAH side of the line. This drama had an interesting concept (that I will not describe bc holy shit spoilers, you should go in knowing nothing) that it unwound with remarkable patience and precision over 20 episodes. Its themes were strong and consistent, the lead characters were super compelling, the plotting and pacing and editing were unbelievably tight, the performances were incredible, and it made a lot of provocative points and ended well, feeling coherent and complete. It sustained my full interest and attention without any stumbles for ~25 incredible hours.

Mr. Sunshine (South Korea, Netflix)

Another one that's been on my watch list forever and finally got its moment when I was in the mood for a historical where ladies got to wield weapons alongside the men. And unsurprisingly, I loved it. Writer Kim Eun Sook is known for her big, glossy, epic dramas, and her style made a good pairing with a story about a rebel faction during the Japanese occupation of Korea. I really loved all the main characters in this show, and was moved by the complicated exploration of their loyalty (or lack thereof) to their homeland. This drama also has a very strong class analysis baked into its themes, which I very much appreciated. It was a traumatic watch, but in a way that felt right given the setting and the choices characters made.

The Miracle of Teddy Bear (Thailand, YouTube)

I watched this one on a mission and it was worth every moment. Nut is one of my favorite protagonists in any queer drama, and I thought the show made great use of its fantasy concept to explore some very real human experiences with depth and compassion. This show feels like an especially important counterpoint to the Thal BL bubble, and I recommend it highly for anyone who enjoys those dramas.

When I Fly Towards You (China, Netflix)

And we end on a light and sweet note, with my favorite coming of age romance that I watched all year. This drama was just lovely, and it will be a go-to rewatch for me for years to come. There’s something so comforting about a story where you start with the happy ending before jumping to the beginning, and just get to sit back and see how they get there. I loved all the characters in this and marveled at how it was never boring despite being decidedly low angst.

[wolsim]

"I thought I made myself clear. I take care of my own business." Gyeongseong Creature (2023 - 2024), dir. Jung Dong Yoon

[candiedstarss]

me when gyeongseong creature as an allegory for war. for what Japan did to Korea. how season 2 is all about how the war never really ends, how it rooted itself in the country's bones and never left. how even those who survived weren't safe. how the perpetrators got away with it, how they never felt remorse.

the literary symbolism in this show makes me

[v-v-v-venus]

the "creature" in gyeongseong creature was a clever way to represent violences committed against women during japanese colonial occupation in korea.

land and women are always linked when it comes to colonialism because the land is stolen and destroyed, and so are the bodies of women, appropriated in a similar way by masculine occupation forces. it's a large topic, well-researched if you're really interested.

anyway. the fact that the parasite was tested on women was a clever euphemism for sexual violence. it avoided traumatic (and exploitative) depictions of physical brutality towards female bodies, although it conveyed this strong metaphor.

it also extends the representation of brutality to a people, a land, a culture.

choosing a woman to be the person who incarnates the results of suffering caused by colonialism was definitely the best choice made by the creators of this show. it links all the stories of colonized peoples together through this one feature that you can be sure to always find in accounts of occupation: the exploitation of women and their bodies.

[freesiablooming]

Do you know that as a korean actor, if you star in a movie or a drama that portrays the harsh reality of japanese colonialism or how it hurt korean society from the core, Japan might declare you as a anti Japan and forbid you from entering Japan. Or at least you will be canceled by Japanese fans.

Apprantly, Han So-Hee and Park Seojoon had that in mind and talked with each other about it. They were mentally prepared for it. They were determined to film this show. Because they were not afraid.

Source: music director of GyeongSeong creature

Translation: Park Seojun and Han Sohee knew they might not be able to visit Japan after this show. They talked about it at the dinner. I remember feeling respect for them because I felt their sincerity. Jang Tae sang(Park seojoon's character) has a trauma about his mother who died while fighting for independence. But he eventually follows her footsteps.

[dangermousie]

2023 Kdramas I am excited for

We have only a bit over two months in the year left, but it looks like kdramas saved the best for last. Here is the list of kdramas I am excited for...

Boyhood/Once Upon a Boyhood (November 24) - Siwan hasn't done a bad drama and I am in the mood for a nostalgic 80s piece. I am a little amused that a 35 year old is gonna be playing a high schooler, but in a fond way.

Castaway Diva (October 28) - I am very fond of Park Eun Bin and if anyone can sell the whimsy of a tale about a woman who was a castaway and then becomes a pop star, she will. Not fond of the new trend for 12 eps but it is what it is.

Goryeo-Khitan War (November 11) - my most anticipated for the rest of the year. Every casting and crew choice, every promo makes it look like an old school politics and war heavy sageuk that does not cater in the least to youth or even fusion sageuk subgenres and I am here for it so so so MUCH!

Gyeongseong Creature (December) - not a big fan of netflix originals but I am there for the cast and the setting.

The Matchmakers (October 30) - looks like a wacky period romp with Rowoon and Cho Yi Hyun. I don't have high hopes for it because I like my period stuff angsty, but whatever else, it's gonna be pretty pretty pretty!

Moon In the Day (November 1) - except for GK War, my most anticipated for the rest of the year. Reincarnation/time travel story that flashes back between modern day and Silla - GOD YES!

My Demon (November 24) - sounds like shoujo crack about a demon who loses his powers and enters into a contract marriage (of course) with a human. Done many many times before but I am always a sucker for the trope.

Perfect Marriage Revenge (October 28) - first of all, I have a huge weak spot for Sung Hoon. He's a limited actor but between New Tales of the Gisaeng and his role in Faith, he won my heart forever. But also, this plot is so old school melo the way they don't make it nowadays. Our FL is betrayed by her sister and her husband and dies. But she wakes up before her marriage and decides to do things differently and get revenge. She gets married in a contract marriage to our ML, a chaebol (of course) played by sexy Sung Hoon and...doesn't it all sound like those delicious transmigration novels made flesh?

The Story of Park's Marriage Contract (November 24) - I love time travel/time slip stories and the fact that this is a woman who ends up in the modern day where she comes across the dead ringer of her deceased husband makes it high class Durian, plus Lee Se Young is a wonderful actress who rarely picks wrong.

Tell Me That You Love Me (November) - a remake of my favorite jdrama of all time, Aishteiru to Ittekure, this story about the relationship between a deaf painter and an aspiring younger actress is going to give me the adult love story I crave. The fact that the legend that is Jung Woo Sung is back in dramas, and is playing the ML, is just the perfect thing. (His last proper drama was Padam Padam in 2011!!! He is mainly a movie star.)

Vigilante (November 8) - I am just here to see Nam Joo Hyuk kick people in the face.

Welcome to Samdalri (December 2) - Shin Hye Sun and Ji Chang Wook in a romcom mmmmm. I don't have any pics so have:

[spontaneousellipsis]

It was an attraction that seemed vague at first, but became crystal clear. Though it defied logic, it became an immeasurable force. One that sweeps you off your feet. A force that pulls you closer and closer, until finally, you are together. That immeasurable force is the power of fate.

YOON CHAE OK and JANG TAE SANG GYEONGSEONG CREATURE | season one

[i-got-the-feels]

not coherent enough to write a sensible write-up so please let me use key words: colonization, oppression, revolution, history

- Gyeongseong Creature 2023-2024

Also I'd like to dedicate the set to 4 gyeongseong create analysis via art and write up that have imprinted in my mind - thanks guys for writing and making art that can express what I felt better than what I could do, which at the point of watching the show was !!!!????!?!

@cottagehorror-lesbians-stuff post

@neuer-fruehling post

@candiedstarss post

@lurkingshan post

@duahauuoplanh post

[duahauuoplanh]

10 years. I've been looking for my mom for 10 years..

[soheesource]

Gyeongseong Creature 1.01 Najin (2023 —)

[kateknowsdramas]

They did it because they had no choice. This is our reality because of your people. You persecute all of us.