#lwt series
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treatcute · 5 months ago
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i have normal thoughts about this mouse
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appleelevengreen · 10 months ago
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out of context john oliver screenshots from last week tonight
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mariocki · 5 months ago
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New Scotland Yard: Point of Impact (1.1, LWT, 1972)
"I thought they'd lumber you with it."
"Did you, why?"
"It's a touchy one, isn't it?"
"There's a policeman involved."
"Yeah, unpleasant."
"Always."
"You were bound to get it."
"Thank you."
"Would've never happened at all if it hadn't been for that blasted Law and Order Brigade turning up on the scene, bloody reactionaries."
"Look, spare me the catchphrases, will you? I don't understand what half of them mean, I don't suppose the people who bandy them about do either."
"Well, I happen to know what a reactionary is."
"Good. You must explain it to me in great detail. Some other time."
#new scotland yard#point of interest#lwt#1972#classic tv#tony wharmby#don houghton#john woodvine#john carlisle#bryan marshall#barry warren#claire warren#shirley cain#brian rawlinson#norman jones#basil henson#mel martin#nicholas young#recently trawling a certain You based Tube‚ i stumbled across a user who has uploaded great swathes of old telly‚ to my delight. a lot of#it I've already seen or even own‚ but finding NSY was huge: I've wanted to watch this for a while but the discs are frustratingly hard to#come by at a reasonable price since Network (rip in our hearts forever) went under. so i guess this is my viewing for the near future‚#before a copyright strike inevitably gets them pulled (and i don't think it's every episode that's available either). the series starts#promisingly‚ eschewing a safe and steady introduction for an altogether more challenging issue based ep; a man has died during a scuffle#between socialist protesters and rightwing counter protesters‚ apparently killed by a police officer. our leads must investigate whilst#balancing the difficult tightrope of public opinion‚ avoiding either a whitewash or an unjust persecution. it's heavy‚ polemical stuff but#the script works hard to maintain balance and present nuance‚ with idealists and extremists on either side (and Woodvine's senior copper#stubbornly sticking his feet in the center). it's still copaganda of course‚ but intelligently done nonetheless#we don't learn a great deal about our two leads at this point‚ but their relationship certainly seems spiky (Carlisle is given to making#leaps of deduction and announcing moral absolutes where Woodvine is almost frustratingly impartial to the extreme). plus nice to see#familiar faces like Marshall‚ Jones and Warren among the supporting cast. a very promising opener
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spideyjimin · 1 year ago
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hi author, can i be added to the timing series taglist, please? 🤲
hi angel! yes i will add you, thanks for asking 💛
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catminecraft · 1 year ago
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by the way with the recent princ.ezam drama and the dream drama and everything going on there. here is a reminder to be very critical of content you consume if the person making that content is a teenager/young adult who has just gotten a sudden influx of insane popularity on the internet
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thetreaclepeople · 2 years ago
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Frame by frame, in the caverns beneath LWT, The Treacle People are brought to life...
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archiverstappen · 1 year ago
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the cat sitter (part 13) ✧ max verstappen
max verstappen x fem! reader
previous part | masterlist | next part
loosely inspired by the story on how max lost his cat
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maxverstappen1
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liked by landonorris and 4.920.557 others
maxverstappen1 My crazy cat lady is finally back
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yourusername GUYS DONT WORRY NO CATS WERE HARMED WHILE TAKING THIS PHOTO 🧎‍♀️
↳ username 🤨🤨🤨 suspicious
↳ yourusername BELIEVE ME PLEASE I WOULD NEVER PUT MY KIDS IN DANGER. I WOULD RISK MAX’S WELL BEING TO PROTECT THEM🫂
↳ maxverstappen1 WOW
yourusername starting to wonder, will there ever be a day where you finally post a decent picture of me 🙍‍♀️
↳ maxverstappen1 No
↳ yourusername there will be repercussions for your action
username I LOVE THEM SO MUCH
danielricciardo Okay now i get where the name ‘crazy cat lady’ came from
landonorris 👀👀👀 hehehe yourusername
↳ yourusername sHHHHHHHHH
sophiekumpen 😁🧡
username ANOTHER NON RACE RELATED POST FROM MAX?!?! WE WON
↳ username and it’s of y/n🥹 HE’S DEFINITELY IN LOVE
username SO WE’RE NOT GOING TO TALK ABOUT HOW MAX WROTE “MY crazy cat lady”
↳ username REAL, FRIENDS DONT DO WHAT THEY DO😩
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yourusername not fast just furious
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maxverstappen1 SIIIIIUUU
maxverstappen1 Told you I’m a good teacher
↳ yourusername couldn’t see the road properly because my vision was blurry from all the tears that i held
↳ landonorris YOU MADE HER CRY?! maxverstappen
bffusername i jusT KNOW that the driving lessons were chaotic, but props to max for doing something no human being can afford to do 🥹
↳ yourusername iM A GOOD STUDENT!!!!
↳ maxverstappen1 Half of the lessons were filled with her having a breakdown, and the other half were filled with Y/N saying “huh” because she couldn’t hear my instructions through “Tokyo Drift” that was playing in the background
↳ bffusername sounds like the y/n i know 👍
bffusername ANYWAY so excited to finally be yor passenger princess 😘
↳ yourusername i would love to drive you around, but i still don’t know how to park 😁
friendusername Remember that time when you hit my mother’s car in high school? 😂 Look how far you’ve come!!
↳ yourusername THIS STILL KEEPS ME UP AT NIGHT!! IM SO SORRY MRS MARTIN 😭
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author’s note: IT’S FINALLY HERE!!! i really hope you guys like this one 🧎🏻‍♀️
taglist: : @flwr-stella @reidsworld @myloverjk-blog @debss-319 @hiraethrhapsody @electrobutterfly @love4lando @lunnnix @allenajade-ite @jjsprobablywrong @whoreks @soleilgrec @oscarwildingsworld @christianpulisic10 @thievin-stealing @glitterf1 @elliegrey2803 @trouble-sistar @escapism-writer @cornerofacry @hollie9111 @weasleyswizarding-wheezes @ad-astra-again @canyon-lwt @thecubanator2 @lifesuckslife @leclercloml @sunny44 @nmw-am @sachaa-ff @multilovebot @glow-ish @moneygramhaas @whitefireproofs @icarus-nex @iloveyou3000morgan @ccallistata @copper-boom @fictionalcharacterslut @celesteblack08 @maxiel-jpg @slytherheign @lunyyx @series-books-food @coffeehurricanes @shrimpyshrimp @somanyfandomsbruh @justcallmeelli @laneyspaulding19 @ironmaiden1313
pictures (c) to pinterest and instagram
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imjustreadinglmao · 7 months ago
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BLUE PART II
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Paring: Azriel x reader, Lucien x platonic!reader
Series summary: After Azriel and Elain‘s courtship is revealed, their mates, Lucien and Y/N, are left to deal with the consequences. While fighting against Koschei and for Prythian‘s freedom, Y/N has to navigate her emotions and learn how to live with the heartbreak of a one sided mating bond. But what happens when secrets are revealed and everything turns out differently than they thought?
Warnings: unrequited love, death, detailed descriptions of fights and blood, angst, characters being idiots
A/N: my last azrielxreader post won’t appear in the tags so reblogs are very much appreciated.
Word count: 3.3k
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It’s a beautiful, crisp spring morning. The sun is shining, birds are singing, and the wind carries the lovely scent of freshly baked pies. I sigh at the prospect of leaving this peaceful place and trading it for the Autumn Court.
As I push the heavy oak doors of the River House open, I can feel anxiety coursing through my veins. After fleeing Autumn seventy-three years ago, I didn’t expect to return there so soon, even if only temporarily. It was difficult for me to leave. I couldn’t risk telling anyone about my plans, so I never had the chance to say goodbye.
Knowing my father, he had probably been more concerned about how me leaving would affect his standing with the High Lord and the other noble families. But my mother and sister… I would give a lot to see them again.
All those years, I have missed the familiarity of my home court, the traditions, and the celebrations I cherished so much as a child.
I take a deep breath, trying to steady myself as I step into the foyer. Rhysand, Amren, Azriel, and Lucien are already there, waiting for me.
Except for Lucien and me, who are wearing traditional Autumn Court attire, everyone else is dressed in midnight black.
Lucien looks up as I enter, a small smile playing at the corner of his lips. “You look… convincing,” he says.
I let out a breathy laugh at that. The last time he saw me in Autumn colors was at a ball my family hosted, which ended with me puking my guts out, most of it landing on Lucien’s shoes.
Judging by the face he is making, he hasn’t forgotten either.
Azriel, standing beside him, nods in agreement. “It suits you,” he says quietly, his gaze lingering on me for a moment longer than necessary.
His shadows peek over his shoulder as if they want to take a look too.
I try to ignore the flutter of emotions his words stir within me. Instead, I focus on the mission ahead, on the role I must play. The safety of Prythian depends on our success, and I can’t afford to let myself get distracted.
Rhysand steps forward, a mischievous smile on his face. “I have to say, you both pull off Autumn Court fashion far better than I expected. Maybe we should visit the Autumn Court more often.”
Amren, her eyes assessing our disguises, retorts, “If you spent as much time on strategy as you do on fashion critiques, we’d have won the war by now.”
I have to cover my mouth to not laugh out loud and accidentally anger the century-old creature that’s lurking beneath that Fae body.
Rhys just rolls his eyes, clearly undeterred by her sharp tone. “I’ll have you know that looking good is part of the strategy.”
With one last look at me, he stretches out his hand and asks, “Ready?”
I nod, take his hand, and let him winnow me away.
———————————————————
Arriving at the southern border of the Autumn Court, I am immediately struck by the beauty of the landscape. The trees here are taller than I remember, their leaves a riot of red, orange, and gold, perpetually caught in the peak of autumn. The air carries the earthy scent of fallen leaves and the smoke of distant fires burning in hearths.
As we step onto the moss-covered ground, bittersweet memories flood my mind. I find myself thinking of the simpler days of my youth, the carefree ones.
I feel dark talons gently scraping at the shields in my mind and lwt Rhys in. So lost in the beautiful nature, I barely realize him wishing us good luck and winnowing back to Velaris.
Right after Rhys leaves, Azriel begins to scout the area for any magical traps or shields set by Koschei, leaving us to wait for his return. As the minutes stretch into an hour, my anxiety starts to build.
I pace restlessly, my mind conjuring all sorts of terrible scenarios.
Lucien tries to reassure me, placing a hand on my shoulder.
“He’ll be fine,” Lucien says softly. “Azriel knows what he’s doing.”
But his words do little to calm me.
“How can you be so sure? He could be injured… or worse. We don’t know what Koschei is capable of!” I snap.
I begin to ramble, listing every possible way Azriel could have gotten hurt. “What if he’s caught in a trap? What if there’s a magical barrier he can’t break?”
Just thinking about him being in trouble makes me want to vomit. “That’s it. He’s taken long enough. I’m going to find him and—”
Amren steps in, her voice cutting through my panic. “Enough. Get your shit together. We don’t have time for this.”
Her bluntness shocks me into silence, and I sulk, feeling chastised.
But Amren isn’t finished. “Oh, quit acting like a child. Maybe if you told him about your feelings and the mating bond, you wouldn’t be so anxious, girl.”
My mouth drops open and I look to Lucien, his face also morphed into shock. When I look back to Amren, she just lifts an eyebrow.
“How do you know about the bond?”
Amren lets out a long sigh. “Only someone stupid wouldn’t have picked up on that. And Azriel being the stupidest of all.”
She rolls her eyes and starts picking at her nails. “We all suspected it. For a while we thought it snapped for Azriel too. The way he followed you around like a love sick fool, we were sure of it. But I guess it didn’t.”
I don’t say anything else after that, my mind not coming up with a response.
——————————————————
Another hour passes, and my worry only deepens. I can’t stop imagining Azriel injured or trapped, his shadows unable to find a way back to us. Every rustle of the leaves makes me jump, hoping it’s him returning.
Lucien tries to keep me distracted, but my thoughts are a whirl of dread. He tells me stories of his own missions, but I can’t focus on his words. My mind is entirely on Azriel.
Finally, just as the sun reaches its peak, Azriel returns. He looks slightly worse for wear, his clothes torn in some places and his face smeared with dirt, but otherwise unharmed. He notices the tension immediately, his eyes narrowing in concern.
“What happened?” Azriel asks, looking between us.
I step toward him, my relief overwhelming. “Are you okay? What took you so long?”
Azriel nods, his expression serious. “There were more traps than I anticipated. It took a while to disable them all, but the path should be clear now.”
Amren crosses her arms. “Good. We don’t have time for any more delays.”
Lucien places a hand on my shoulder again, this time with a reassuring squeeze. “See? I told you he’d be fine.”
I manage a weak smile, still shaken by the fear that gripped me. Azriel’s eyes soften as he looks at me.
“We should move quickly,” Azriel says, breaking the moment. “It won’t be long till they notice that their shields and traps were destroyed. Amren and I will accompany you to the Forrest House, then we’ll separate and follow the original plan. It’s too dangerous otherwise. We can’t risk you.”
Lucien nods and gestures for me to go first. “Let’s get moving then. The sooner we’re done here, the better.”
We begin to move deeper into the forest, leading to Beron’s residence. The beauty of the surroundings contrasts sharply with the danger I know lurks nearby.
As we walk, I steal glances at Azriel, wondering how he can be so calm and collected all the time.
Gods, I nearly lost my mind over him doing his job. I am a hypocrite for snapping at him the other day. Yes, I am mad at him for courting Elain, but I also can’t expect him to be loyal to me when he doesn’t even know that we’re mates.
How different things would be if it had just snapped for him the second it did for me...
It happened three years ago. Unbeknownst to us, we were just celebrating the last winter solstice without Rhys when it snapped into place.
One moment I was admiring him from afar, the next I was connected to him for the rest of my immortal life.
He had still been in love with Mor back then, so I chose not to say anything. A huge mistake, because soon after, Elain came into the picture.
Truthfully, I never thought they were anything more than friends until I overheard Rhysand ordering Azriel to stay away from her. It wasn’t until then that I realized I had lost him forever. He wasn’t going to stay away from her, so I accepted my fate and kept silent.
———————————————————
After five hours of hiking through bushes, stepping in rabbit holes, and nearly getting killed by a boar, I can feel the exhaustion creeping into my bones.
“Can we please take a break? My legs are going to fall off,” I ask.
Amren smirks, not breaking her stride. “And here I thought you were tougher than this.”
Only Rhysand’s plea to behave and work together holds me back from strangling her. Gods, she really is a cranky hag.
Lucien chuckles softly and turns to me. “We’re only a few minutes away. Hang in there.”
I groan but press on. As we finally crest a hill, the sight of Beron’s castle comes into view, exactly as I remembered it. The imposing structure looms against the deep orange sky, its dark stone walls lined with creeping ivy. Tall, narrow windows glint in the dawning light.
“It’s just like I remember,” I whisper, a mixture of awe and dread washing over me.
Lucien glances at me, his expression unreadable. “Let’s get ready. We need to find a way to get in there.” He points to the entrance of the castle, where nobles are lined up to enter the masquerade ball hosted by the High Lord himself.
We slip through the dense forest that surrounds the castle, our movements silent and precise. Azriel scouts ahead, his shadows cloaking him in near invisibility. After what feels like an eternity, we find a secluded spot to prepare for our infiltration.
“Here,” Amren hands both Lucien and me a stack of clothes. “These are your disguises. You will pose as Lord and Lady Hawthorn. The late Lord Hawthorn died three months ago. You are recently married with no offspring or heir yet. This is your first outing as Lord and Lady. Some might recognize your name, though they should not look twice your way. Be discreet and don’t draw attention.”
“What about the real Lord and Lady Hawthorn? What if they decide to turn up and out us as imposters?” I ask.
Azriel shifts on his feet and answers a bit sheepishly, “Don’t worry, they have already been dealt with.”
My brows furrow in confusion. “What do you—” realization dawns over me. “Oh… oh, okay. I guess that makes this a lot easier.”
I grab the clothes Amren gave me and head for the nearest bush to change. When I look back, Azriel has his head tilted sideways and smiles at me.
The dress I change into is a deep burgundy, adorned with delicate golden embroidery.
The fabric is soft and luxurious and fits me like a second skin. The mask is made of similar fabric, with intricate golden lace around the edge of it.
As I step out from behind the bush, my eyes find Azriel’s immediately.
His eyes, usually so guarded, widen slightly as they take in my appearance, his gaze lingering on the details of my dress and the way it clings to my form.
“You look… stunning,” he murmurs, his voice low and sincere.
I feel a blush rise to my cheeks and look away, focusing on Lucien. Lucien is similarly attired, his outfit complementing mine with its dark tones and subtle elegance.
He grins at me. “Shall we, Lady Hawthorn?”
I bark out a laugh. “We shall, Lord Hawthorn.”
———————————————————
Getting inside the Forrest House was easier than expected. We just walked right up to the entrance, stated our names, handed them our fake invites, and were ushered in.
As we step into the grand ballroom, the sheer opulence of the scene takes my breath away.
Crystal chandeliers hang from the high ceilings, casting a warm glow over the sea of elegantly dressed nobles. Musicians play softly in one corner, their melodies mingling with the murmur of conversation and the clinking of glasses.
At the far end of the room, atop a raised dais, sits Beron, his cold gaze sweeping over the crowd. To his right stands Eris. Our eyes meet briefly, and I give a subtle nod, which he returns.
Lucien and I mingle with the guests, keeping our eyes and ears open, waiting for Eris to give us our signal.
As Beron rises from his throne, a hush falls over the grand ballroom. The guests turn their attention to him. He begins to address the crowd, his voice echoing through the vast space.
“Welcome, esteemed guests, to this celebration of our enduring legacy and power,” Beron proclaims, his tone laced with self-satisfaction.
Just as he is about to continue, the heavy doors of the ballroom burst open. A squadron of Eris’s soldiers rushes in, their armor clanking loudly. The crowd parts like a tide, murmurs of confusion and fear rippling through the room.
Beron’s confident façade falters, replaced by one of anger and panic. “What is the meaning of this?” he demands, his voice rising in pitch as he glares at the soldiers.
Eris steps forward, his demeanor calm and resolute. “Father,” he begins, his voice carrying a chilling edge, “it is time. Your reign has been marked by tyranny and cruelty, and I will no longer stand by and watch my people suffer under your rule.”
Beron’s eyes narrow, a sneer curling his lips. “You think you can overthrow me, Eris? It takes more than a few soldiers to claim this throne.”
Eris begins to smile. “Oh, I know. A noble to swear me in and an heir to secure the lineage, right? Well, here they are.” He gestures to Lucien and me.
My eyes widen as I whisper-shout in Lucien’s ear, “He cannot be serious? THIS is his plan?!”
Lucien replies, equally as quiet. “I have learned a long time ago not to question my brother’s way of handling things.”
“You are truly deluded, Eris.” Beron laughs, a harsh, mocking sound. “They won’t accept a random noble as your heir.”
Eris stands his ground, his gaze unwavering. “But they will. Take off your masks,” he says to Lucien and me.
And so we do. Nobles everywhere are gawking at us. Some eyes fixed on me, most on Lucien.
Beron steps down from the dais. “What a surprise. The lost son finally returns home.” He turns his gaze to me. “And you, you’re Lord Yarrow’s daughter, no?”
I don’t answer. Even if I wanted to, I don’t think I could. I’m rooted in place, not taking my eyes off Beron.
Beron turns to Eris again. “Well, it seems you really are full of surprises. But you’re forgetting one important thing. You would have to kilI me to claim the throne. And you’ve always been weak, Eris. You’re not strong enough, but you shall try.”
In that moment, I realize what Eris was doing. He was provoking his father into accepting his challenge, and Beron just did exactly that.
“I’ve had a long time to prepare.”
And with that, all hell breaks loose.
———————————————————
Chaos erupts as Beron and Eris clash, their swords flashing in the bright light of the ballroom. Beron's strikes are powerful, but Eris is swift and precise, his fire magic flaring up with every swing.
Lucien and I are quickly surrounded by Beron's soldiers. The nobles' screams fill the air as they flee the room in terror. I manage to grab a blade as the first soldier aims right for my neck.
My heart races as I parry another soldier's blow, my muscles straining with each clash of steel. Lucien fights beside me, his own fire magic scorching the air around us, incinerating our enemies with fiery blasts.
The ballroom is a whirlwind of chaos.
As we cut through the soldiers, our eyes are locked on the fight between Eris and Beron. We try to reach them, but more and more of Beron’s soldiers are streaming in.
Eris and his father fight with brutal intensity, their swords ringing out as they meet. Eris dodges and strikes with a precision that keeps Beron on his toes, but his experience gives him the upper hand, forcing Eris back step by step.
Just as Lucien and I are within seconds of reaching Eris and Beron, the ballroom doors burst open again. Five of Koschei's soldiers, dark magic radiating from them, storm in. They immediately begin slaughtering nobles, women, and children alike. Their dark magic tears through Eris's soldiers as if they were paper.
Lucien and I have no choice but to turn away from Eris and Beron and face Koschei’s magic wielders.
I take several hits to the gut, and a sword slices across my cheek, but I fight on, managing to take down one of the dark soldiers. Lucien, with his fire magic, kills two more, but before the third soldier is turned into ash, he drives a sword straight through Lucien’s chest.
Lucien collapses to his knees, blood pouring from the wound. I rush to his side, my heart pounding in my chest. Lucien's eyes flutter, and he tries to speak, but I stop him. "Save your energy," I beg.
He begins to close his eyes, the loss of blood making him weaker and weaker. "Lucien, stay with me!" I cry, trying to stem the flow of blood with my hands.
I have to get him to a healer fast; otherwise, he will bleed out. So I do the only thing I can think of.
Desperate, I tug on the bond with Azriel, praying that he will sense my distress.
A moment later, Azriel bursts into the room, Amren in tow. Azriel’s eyes widen with panic as he spots me and Lucien. He rushes to us, dropping to his knees beside Lucien.
"Azriel, you have to winnow him back to Velaris," I plead. "Find Madja , now!"
Azriel looks torn. "I can't leave you," he says, his voice tight with fear. “I— not like this. Not with you being my—”
"Amren is here, I’ll be fine," I insist, glancing at Amren, who is finishing off the last two of Koschei’s soldiers. "Please, Azriel! I can’t watch him die. I am begging you, just go, please!"
Azriel nods reluctantly, wrapping his arms around Lucien. With a final, desperate look at me, he winnows away, leaving me behind in the chaos.
With Azriel and Lucien gone, I feel a pang of anxiety, but I have no time to dwell on it. I turn back to the fight, watching as Eris and the High Lord continue their deadly duel.
Around me, the battle rages on. I join Amren, who is ruthlessly dispatching the remaining dark soldiers with a ferocity that belies her small stature.
Together, we fight our way through the chaos, our movements synchronized from years of fighting side by side.
We are fighting for what feels like hours. My arms ache from dealing blow after blow, and my eyes are getting blurry from the lack of sleep.
I steal a glance at Eris and Beron, watching as they exchange hits. Eris manages to land a few blows, but Beron shrugs them off.
The two of them are evenly matched, but the High Lord’s power coursing through Beron's veins gives him a slight edge.
Suddenly, Beron lunges forward, his sword aimed at Eris's heart. Eris barely manages to block the strike, their blades locking together. Fire erupts between them, and for a moment, it looks like Eris might be overpowered.
But Eris digs deep, summoning a burst of strength. He pushes Beron back, their swords disengaging with a loud clang. Eris's flames burn brighter, and he steps forward, pressing the attack.
The next moment, everything is quiet. No swords clashing, no screaming, just utter quiet.
As the flames subside, there, in the middle of the ballroom, not moving, is Beron.
The High Lord of the Autumn Court is dead.
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httpknjoon · 2 years ago
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the princess and the rockstar | jjk; masterlist
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plot | No one expects the nation's favorite crown princess to be involved with an international rockstar.
genres | humor, fluff, angst, modern royalty!au, celebrity!au, established relationship!au
pairing | rockstar!jungkook x princess!reader
note | drabble series! everything listed didn’t happen in order. below are the titles/prompts. changes may happen in the future. asks are always open.
main masterlist | spotify playlist
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spotted! - the first time you and jungkook met.
taking chances - after taking your chances with Jungkook three months ago, you two cross paths again. this time, the rockstar takes risks to ask Zafiro's royal princess out.
can't take my eyes off you - Sweet September surprises their fans with their own rendition of the classic song.
her majesty - This is how the rumors began between a princess and a rockstar.
rebel princess - media loves to give anyone random labels, you don't mind.
backstage pass - your first date with this rockstar is nothing like your other.
bad for business - jungkook tries to get you off your busy life.
all the voicemails you sent before - with him touring with his band and you working for your country, jungkook always made sure to send you updates.
iykyk- what happened after calvin klein reveals their global brand ambassador.
tattooed heart -
(more drabbles to come)
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taglist rules
THE PRINCESS AND THE ROCKSTAR TAGLIST
@heartjiminie @rbrm094 @rjsmochii @jjkreblog @sugaslittlekookies @saintsugar @thvlover7 @alpha-mommy69 @natalia-rmnva @coralmusicblaze @stupendouscookiehumanmug @namgoogieee @yoonjinhusbands @borahaeb1ch @lilliankoo @gxtwllsn @taechvita @snkyuv @canyon-lwt @hiii-priestess @jksgirlhere @razzletaffy @bbtsficrecs @jnk-pop @jjeonjjk7 @tokkiggukie @cuntessaiii @annoyingcolorfox @kooliv @jksgirlhere @razzletaffy @oopscoop @hani0407 @taebae19 @yunki-yunki-yunki
PERMANENT TAGLIST
@dunixxd​ @cixrosie @jksjx @embrace-themagic @buttvi @starbtslove @missseoulite @vanntaesworld @kenqki @imajinthis @stopeatread @seolaquotes @greyrain23 @chimchimmarie @petalsofink @jayhope88 @moonchild1 @laylasbunbunny @nikkiordonez12 @misshale21
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lastweeksshirttonight · 1 year ago
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LEE'S FAQ!
Over the past nearly-two years, I've noticed that I get some questions about John's work asked repeatedly. That doesn't bother me - half of his prominent work is somewhat lost media, Tumblr's search is super fucked, and I always want to help anyone falling down the JO rabbit hole - but I realized that one central pinned post would be helpful! I'll keep this up to date as much as possible.
I know I have a lot of international followers, and if you have any knowledge of where to stream or find some of these items, please let me know and I'll update this post.
WHERE CAN I FIND...?
Anything really, I've just started going down this rabbit hole:
The John Oliver Masterlist is an incredible resource - while it hasn't been updated since about 2017 and has some broken links (especially in the LWT sections), it has functional links to every JO clip from The Daily Show, all the main segments of LWT through 2017, radio shows, and lots of other material. This was made by @johnoliverphotos and @ilovejohnoliver, and I'm eternally grateful for it.
The Department:
YouTuber Ben Jennings has the entire series on his channel.
Player FM has the series uploaded here as well.
The Bugle:
The Bugle Archive has all Times Online era episodes available to download. PLEASE DOWNLOAD THE EPISODES DIRECTLY; DO NOT STREAM FROM THIS SITE.
The Bugle is starting to upload Times Online era episodes to their official channels, which can be found here. They're up to ep 75 as of June 2024.
All post-Times Online episodes (starting with episode 179) are available on The Bugle's official channels.
The Daily Show with Jon Stewart:
Paramount has axed the Daily Show archives online as of 6/26/24. It's absolutely gutting how little they give a shit about this program. Fuck them.
You're gonna have to sail the high seas to watch this. I'm sorry that this is the state of the US' most important comedy show of the 2000s. Since Paramount hasn't done shit with the old episodes for decades, I wouldn't hold your breath on it entering streaming.
Community:
In the US, this can be streamed on Peacock. Individual episodes can be purchased on YouTube, Apple TV, and Amazon Prime.
Worldwide, Community is now on Hulu.
Every season of Community is available on DVD and Blu-Ray.
John Oliver's New York Stand-Up Show:
In the US, the whole show is on Paramount Plus and can be purchased through Amazon and Apple.
This show also got purged in the big Comedy Central erasure, but at least you can buy it still?? Shit silver lining, I know.
Back catalog episodes of Last Week Tonight:
You can buy back catalog episodes on YouTube and Amazon in the US.
The first through eighth seasons of LWT have been uploaded fully on their YouTube in the US, with plans to upload future seasons during breaks in the show's current episodes!
In certain areas outside of the US, LWT is now being uploaded in full on their YouTube channel as well.
HBO Max no longer has back catalog episodes because capitalism is fucking ridiculous, I pay monthly for this service entirely for this show and I can't even watch old news from 5 years ago
The Horne Section:
The whole series is on Taskmaster Supermax+, which should work everywhere except the UK.
In the UK, you can stream this through Channel 4.
Taskmaster:
I've been trying to will this into existence for multiple seasons, no one can stop me
BLOG-SPECIFIC QUESTIONS
How did you get into John Oliver?
I answered this in too much detail in two posts, here and here.
Where is your icon from?
UPDATED: It was made by the lovely @stalebagels for me. She is wonderful <3
Is this blog a bit?/Do you really find this man attractive?
No, this is not an ironic bit, I really like John Oliver and find him genuinely hot. (Tbf, I get this question way more in person than online.)
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justforbooks · 14 days ago
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Laurie Holloway
Composer, pianist and musical director on popular TV shows such as Parkinson and Strictly Come Dancing
In 1971, when the BBC chat show Parkinson began, its host, Michael Parkinson, asked his friend Laurie Holloway to be the musical director. “I unfortunately had to refuse because I was engaged to be the musical director for Engelbert Humperdinck,” said Holloway, who has died aged 86. “We stayed good friends although I had to turn the offer down.”
Holloway, a renowned jazz pianist who had accompanied Cleo Laine on stage and was at one time a member of her husband John Dankworth’s band, worked with Humperdinck between 1970 and 1975 on tours of the US and TV shows on both sides of the Atlantic – as well as studio recordings – while Harry Stoneham became the Parkinson show’s musical director and composer of its theme tune, one of the most recognisable on TV.
The show originally ran until 1982. On its relaunch in 1998, Holloway, along with his big band, finally had the chance to play the “dat-diddly-da-da-da, dat-diddly-da-da-da” jazzy tune and continued with Parkinson when the programme switched to ITV (2004-07). As well as performing the opening and closing theme, Holloway – distinctive for his silver hair and goatee beard – came up with appropriate arrangements to herald guests. “The play-on that I wasn’t allowed to do was Two Little Boys for Ant and Dec,” he said. “The show producers thought the idea was too cheeky.”
Another star who valued Holloway’s talents, on stage and screen over three decades from the 1980s, was Barry Humphries, usually in the guise of Dame Edna Everage. Humphries described Holloway and his other accompanists as his “closest companions”, adding: “Very often the show is just me on stage with a pianist accompanying the songs and filling in during quick changes before the rousing gladioli chorus at the end … A good pianist will often know the show better than the artiste himself.”
To Holloway’s surprise, he was also approached to become musical director on the TV show Strictly Come Dancing. “I told the BBC I didn’t do dance numbers,” he explained. “But they liked the Parkinson band and asked if I could do the same thing for the show.”
Holloway, leading the live band and composing the arrangements, left after the first three series (2004-05). “It was an awful lot of work and an awful lot of writing, involving 14 musical arrangements a week,” he said. “My daughters said they never saw me. Politicians often say they are leaving to spend more time with their families and that’s what I actually did.”
Showing his talent for composing original music, Holloway wrote the theme tunes for popular ITV series such as Punchlines (1981-84), Game for a Laugh (1981-85) and Beadle’s About (1986-96).
When commissioned to do the same for Blind Date (1985-2019), he decided on a song, in the vein of the American series on which it was based, The Dating Game, and took it to Alan Boyd, the head of entertainment at the ITV company LWT. “He hated the thought of a full song,” Holloway said. “So I said, ‘What about, “Blind date, blind date – da da da da da da!’ And he said, ‘That’s it!’ It was just two [different] notes, but they were so strong.”
Holloway was born in Oldham, Lancashire, to Annie (nee Gillespie), and Marcus Holloway, a French polisher and self-taught pianist. Laurie started playing by ear aged four, began lessons three years later and became a church organist and choirmaster at 12. He then played Saturday-night gigs at a local ballroom and, aged 14, had a phone call from the bandleader Eddie Mendoza, who needed a pianist for a week-long booking at the Theatre Royal, Oldham.
On leaving Greenhill grammar school in the town, Holloway spent six months as an apprentice draughtsman before turning professional as a musician aged 16, spending two years with Syd Willmott and his Band. Stints followed with bands run by Arthur Plant in Dundee and others on transatlantic liners booked by the bandleader Geraldo’s agency.
Back in Britain, Holloway spent two years playing piano in Ronnie Rand’s dance orchestra at the Astoria, Charing Cross Road, in London, often rushing off at the end of the evening to play at the Gargoyle strip club, before performing with bands led by Johnny Gray and Cyril Stapleton.
He began to get session work on records such as the 1964 Petula Clark hit Downtown and was pianist and musical director for two sellout London Palladium shows the same year by Judy Garland and her daughter, Liza Minnelli. He said Garland “wasn’t the greatest singer, but she was so emotional – a bit like Shirley Bassey or Dorothy Squires”, adding: “They lived their songs.”
Holloway was soon able to pick and choose his assignments and once turned down the chance to work with Barbra Streisand. “I found the voice a bit thin,” he said.
Among many radio programmes with his quartet during the 60s, Holloway played on Rolf Harris’s shows (1964-67). On radio and television, they also backed Marion Montgomery (Marian Maud Runnells), the American jazz singer who moved to Britain and became Holloway’s second wife in 1965 after they met at a gig when he was accompanying Mel Tormé.
In the West End, he was in the pit band for Lionel Bart’s Blitz (Adelphi, 1962-63), composed the score for the farce Instant Marriage (Piccadilly, 1964-65), with the book and lyrics by Bob Grant, and was musical director of Piaf (Piccadilly, 1993-94).
His admirers included royalty. Princess Margaret, a regular visitor to Holloway and Montgomery’s home, asked him in 1990 to record a cassette of Scottish childhood songs that she and her sister, Queen Elizabeth II, would sing at Buckingham Palace – with Holloway accompanying them – as a 90th-birthday present for Queen Elizabeth the Queen Mother.
He was appointed MBE in 2013.
Montgomery died in 2002. Holloway is survived by his third wife, Maryann Lallyette, whom he married in 2014, and by two daughters, Abigail, from his marriage to Montgomery, and Karon, from his first marriage, to Julia (nee Macdonald), which ended in divorce.
🔔 Laurie (Laurence) Holloway, pianist, musical director and composer, born 31 March 1938; died 9 January 2025
Daily inspiration. Discover more photos at Just for Books…?
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treatcute · 9 months ago
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TRICK MONTH DAY 3: campfire . . .
this worked nicely as a wallpaper for me :] yayyy
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ladyjaneasherr · 5 months ago
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August 18, 1968 - Stunning Jane Asher as a guest in the 'Frost On Sunday' TV Show, Series 1, Episode 1 UK. ❤️🌻
Frost On Sunday (1968-1970), was a British ITV chat show produced by London Weekend Television (LWT), who had just won the ITV franchise from Associated-Rediffusion in 1968. It was presented by David Frost who was a television presenter and executive at LWT.
This set of stills are from the first episode broadcast, which was apparently marred by a union dispute with technical staff, which brought technical chaos as management hastily put together a studio and operated the cameras themselves.
📸: Getty Images & Shutterstock
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mariocki · 3 months ago
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Shadows of Fear: Did You Lock Up? (1.1, Thames, 1970)
"And they didn't make much mess?"
"No, not really. They forced that door. Smashed the cabinet, slashed a sofa. And kicked a hole in the bedroom door."
"Ah. Big mistake."
"What is?"
"Never lock inside doors. Anything you can to keep them out - but when they're in, let 'em get on with it."
"I'll remember."
#shadows of fear#single play#roger marshall#1970#classic tv#thames#kim mills#michael craig#gwen watford#ray smith#mark mcmanus#malcolm kaye#charles leno#having come to something of a premature pause in my New Scotland Yard watch (the first ep of series 3 isn't on the YT playlist I've been#using and is proving quite tricky to get ahold of) i thought I'd revisit this brief lived anthology series for the creepy season. i first#watched this about 10 years ago and my memories of it are scant to say the least‚ so it seemed like good viewing for the season#the production history of SoF is lost in the mists of time (unless someone out there wishes to enlighten me?); this first episode was shown#in June of 1970‚ but the rest didn't follow until January of the following year; probably this acted as a sort of pilot to gauge viewer#reactions to another vaguely horrorish anthology series (the previous decade had been ripe with them‚ tho we rarely see their like today)#and then there's the odd case of the final ep‚ shown almost 2 years after the series ended and running to half the length (and generally#feeling like an entirely different format) but I'll come to that when (and if) i get to the episode itself. this debut ep is... well it's#fine. i was excited to see Marshall's name in the opening credits‚ one of the most dependable of old tv writers and I'd quite forgotten he#contributed to this show. but the issue here is simply one of length. the plot is solid‚ a suitably grotty little tale of a family man's#mounting obsession with the burglars who broke into his home. it would make a good ep of Tales of Unease (shortly to begin on Thames'#sister broadcaster LWT) or a few years later as an episode of Tales of the Unexpected; both being 25 minute shows. but this clocks in at#close to 50 mins and there isn't really enough to it to sustain that longer running time‚ leaving it feeling a little stretched thin and#flimsy. a shame‚ because Craig and Watford are putting in excellent performances as the middle class couple whose reactions to the burglary#slowly shift as time passes (he goes from prosaic acceptance to fixated malice‚ she from shocked indignation to making peace with it all)#no big surprises in where the play is headed or how it plays out‚ but that's often the case with these things; it's often just as much#about the horrible foreknowledge of what must come than some shocking twist‚ and this plays it about right. it's just too long is all.
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georgefairbrother · 1 year ago
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Actor and musician Brinsley Forde MBE was born 16th October 1953 in Islington, North London.
He achieved early success in the children’s TV series Here Come the Double Deckers (1970-71), which was co-produced by 20th Century Fox and screened on BBC1 and ABC America.
Having appeared in two episodes of the hit London Weekend Television sitcom, Please Sir, he had a significant and memorable role in the 1971 movie adaptation as Wesley, with his character a critical part of the storyline. Having been accidentally left behind by the coach on the way to the school camp, he hitches a ride with Penny (Jill Kerman), convincing her that the benign and totally sincere teacher, Mr Hedges (John Alderton), is in fact a racist slumlord, leading to a number of comic encounters and confrontations.
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(Given the standards of the time in UK television comedy, the writers, John Esmonde and Bob Larbey, and LWT, seemed to have a generally enlightened attitude in terms of race. LWT had been previously stung by the debacle of Curry and Chips (written by Johnny Speight) which had attracted the attention of the Independent Broadcasting Authority and Race Relations Board in 1969. As a result, both Brinsley Forde and fellow student Aziz Resham (Feisal) were able to shine in their own right and even poke fun at some overcompensating liberal attitudes, to their own advantage.)
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Brinsley Forde went on to numerous other acting roles. He is a Grammy nominated musician, and founding member of the legendary reggae band, Aswad, which in amongst numerous international hits, had a UK number one in 1988 with Don’t Turn Around.
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(Top Image: Seventies Time Machine/ Classic British TV. Bottom Image - Brinsley Forde Facebook.)
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springjjjj · 2 years ago
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In case of out of the box theories, please spread the word THAT:
1. This is NOT a ghost/horror story
2. This is a REINCARNATION & TIME TRAVEL plot
3. This is a HAPPY ENDING 100% unless— (explanation below but it is going to be a huge spoiler. Read at your own risk)
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Gif by @earthpirapat
I warned you! ⚠️
If we remember the 1st trailer, that was a huge spoiler from the whole Part 1 of the whole novel. As we can see, Jom is from the present time. He is an architect sent to Chiang Mai to modify an old house where he also had his accident. He next woke up to 1927 which was Khun Yai's era (I won't discuss which era they live, we will watch the series together) in Chiang Mai BUT after the wormhole is done with his time in 1928, instead of going home, he will be traveling to another time, Ayutthaya period (beginning of Part 2), where Khun Yai also exists but as a commander and a different person than Khun Yai in Part 1. Part 2 will also explain Khun Yai's behavior that could not be explained in Part 1.
To clarify, we have 3 eras. Present, 1927-1928 & Ayutthaya period where we (and Jom) will be witnessing the different Khun Yai's in each lifetime.
Now, this is a happy ending because after Part 2, Jom will be sent home to the present time, there will still be a little bit more things that will happen to resolve everything in the present time but once he goes back, he will be meeting another version of Khun Yai who has the heart of Part 1 & Part 2 towards Jom. So don't worry, it will not be like your Scarlet Heart, Mr. Queen or Rooftop Prince and whatever is in your mind.
What's the possibility why it won't be a happy ending?
Obviously, it will have a happy ending 100% based on the novel but the only reason why it probably won't is because there's a huge possibility that Deehup is preparing a S2 for this series.
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Analyzing P'Boss explanation, it looks like they will be ending the series only with Part 1 and will return with Part 2. Since he mentioned the older era will be an easter egg, there's a chance that they won't be covering it for this season. Besides, 12 episodes doesn't look like it's enough to cover the whole 2 parts of the story. So we might expect that the ending of the series will be a cliffhanger but that's only my analysis based off P'Boss interview, you may interpret it based on your own belief.
In my opinion, I do hope we'll get 2 seasons. Part 2's quite complicated, it will need a lot of preparation.
Among Deehup's works, I read Lovely Writer & I Feel You Linger In The Air (still reading 🥲). I would really enjoy discussing the novels (LWTS & KaoUp too). I'm also watching Step by Step, sadly there's no novel translation yet. In the future I might keep talking about IFYLITA here.
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