#lunar themed characters
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Kill Code adopted a lonely cat child.
#misunderstood#night friends#Dadcode#catnap#fnaf killcode#kill code moon#kill code love#sun and moon show killcode#ppt 3#cat nap#poppy playtime#sun and moon show#tsams killcode#daycare attendent#the daycare attendant#lunar themed characters#mashup#sketch#catspaw art
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random classpects from stuff i like
media in order: 17776, princess tutu, everything everywhere all at once, sonny boy, outer wilds
#neotxt#classpect#princess tutu in particular was weirdly perfect for the classpect system#the 2x2 lunar sway mirror... duck and rue having opposing aspects...#the alpha kid-esque romantic tension and drama between all four characters...#mytho literally has splinters too#if you like classpect theming and fairytale tropes and stuff you legally have to watch princess tutu idc#anyway i am open to feedback i have some biases when it comes to classpecting
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Songs that I think would work for the Tsams, Laes, Eaps characters
Here's a list of some songs that I think work for or fit characters
-Sun | Karma - Ajr
Moon | Epoch - Living tombstone & Savlonic
Eclipse & The Creator & Moon | If crazy equals genius - Panic at the disco
Ruin | World's greatest actor - Terminally silly
Nexus | Lonely king - CG5
Turuas | Thunderbringer - Jorge Rivera-Herrans & Luke holt
Dark Sun | Villains aren't born (They're made) - PEGGY | Only one way - Jakeneutron
Bloodmoon | Street fight - Adam Jensen | Blood//water - Grandson
I can no for the life of me can not think of any songs that remind me of Lunar, Earth, Monty, Solar, Puppet, and Foxy. Let me know if you guys can think of some
#sun and moon show#tsams#lunar and earth show#laes#tsams sun#tsams moon#tsams dark sun#tsams nexus#tsams bloodmoon#laes turuas#tsams ruin#character theme songs#hey tsams fandom!!!#tsams creator#tsams eclipse#what other songs would work for these guys? Let me know
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So, I'll probably start making video essays in the near future, and for now I have three major ideas(working titles):
- Witch's Heart and how to make a healthy dynamic born of conflict (or Wilardo Adler, Ashe Bradley and how to "love" through "hate")
- Disgaea 2, the ideal of masculinity, and sexual trauma (and why romance is not the solution to it)
- Lunar The Silver Star and how to botch every single romance you try to write (and how the solution was right there all along)
despite the names, none of these are specifically about shipping, they're all about canon text and why it works/why it doesn't work
if you have better ideas for names, or want something added to my list, please feel free to leave a suggestion
#witch's heart#disgaea#lunar series#i'm tagging the fandoms to see if i can gather interest and/or feedback#the theme of character dynamics in gaming is a dear one to me#can you tell?#to the lunar folks: i am SPECIFICALLY pointing out The Silver Star#because i haven't played eternal blue AND from what i know of it the character dynamics are way better#which isn't a high bar to meet but eh#anyway isn't it sad the the only positive one is from a rpg maker horror game and the ones made by big ass studios are negative mentions
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I still need to figure out that fourth magical girl
#I'm thinking of the fourth being able to make emotion constructs and being a mind reader#but now its figuring out a theme#bc pokey - unicorn#lunare - moon bunny#& princessica - princess#so who knows#p!tumg#pokey! the unicorn magical girl#rambling#oc#art#character design#magical girl
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if cloud retainer’s actually becoming playable they better retain her bird personality instead of making her into some random waifu
#genshin leaks#genshin spoilers#she is one of my favorite npcs (for liyue) for a REASON. that being out of touch old grandmother energy#gives you too straightforward love advice and is oblivious to your growing blush but also stuffs you with clementines on lunar new year vibe#please don't make her into some kind of mommy design mihoyo i'm begging#also not rlly a fan of her supposedly leaked design rip i just really dislike gray themed characters eg haitham#but if she's funny. if she still sounds exactly like bird retainer. i'll pull lmao#it would also be really funny if the leak was wrong and we'll just be stuck with bird retainer forever which i wouldn't mind tbh#she's too good already sjdskjf#ramblings!
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I think this is my favourite url I’ve ever thought of
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Morning nose boops.
#finally finished something and that something is otp fluff#I did quit on the plates and cabinet as you all can tell#this is valentine's day themed yes but it doesn't matter I just wanted to draw lyna in a dress with hearts on it#nose boops are a personal favorite to draw I just think they're really cute#boku no hero academia#aizawa shouta#fan character#lyna aymaya/lunar moth
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DCA/TSAMS ARTFIGHT ATTACKS
All my tagging is gonna be underneath cause i have COMMENTS
First the mass Lunar Attack, listen this took a WHILE and my last attack took so long... had a lot of fun with posing and putting the chaarcter where i think they made sense in interacting. lots of fluff and tails! and there woulve been more if i had more time. left to right here also u can tell what the theme was
Umbra - @ocean-lunar ive drawn them before i think but theyre so funky sillyyy
Follower Lunar- @/ms.dawn on artfight, i was trying to decipher what the au was and then looked at the other characters and went AH. he chillin' safety on the cloud!!!
Evil (purple) Lunar - @galaxysugarr I APPRECIATE THE LIMITED PALETTE SO MUCH. i love his pose still gets some cloud sir.
Lunara - @starheirxero LISTEN I SAW THE DESIGN AND I LIKE TO GATHER THE LUNARS. loving the rags dvbkjd
Callisto (Lord Lunar) - @artyheartz I DEBATED ON EITHER UR EVIL BOY OR UR GOD originally hen i saw him wanted to draw him with his eclipse but dfkd anyway he prettyyyyyy <33
Lord Night - @madcatdaderpydrawer-blog ALSO remembering drawing him in my lunar files dhvs one of the aus ive seen since before the dawn of the new age. Look at him goooo i like the sublte stars in his cloak so coolll
Killcode Corrupted Lunar - @artoutoftheblue HI THE CONCEPT INTRIGUES ME LOOK AT HIMMMM fdbvkj twas on me list the moment i saw him!
God!Lunar @starays13 UR BOY IS THE ONE I SAW AND INFLUENCED WHY EVERYONES ON CLOUDS ad why i chose a whole mass attack (i saw cloud kingdom say no more, he vibing!!!)
And the last one is my Lord Lunar. bdjkfss dont worry about him. I had fun trying to finish this. i can also send yall the individuals of ur characters if u want!
And now continuing
Sunsettia and Gala @cinnamonnala BRUH U KNOWWWW U KNOWWWW, i enjoyed drawing sunsettia a lil too much but lord the patterns fvdjvs gala moments before next nap!!
Protocol @catspawcreates WE SHAKING HANDS ON KILLCODES ON ARTFIGHT!!! A fun guy to draw once u get going!! and i like the palette could do lineless with that!! stretchy magnetics boyo smooch Lord Bloodmoon @o-i-w-u HEY YOO COOL BEANS i liked drawing this one the style of lines being light remind me of that rythm ribbon game vribbon??? Either way cool design for a lord Bloodmoon!!
Tycho, (beaned) Bloodmoon, Meteor @garbagechocolate THE BACKGROUND... i scrapped my first draft thats a recreation. BUT UR BOYOS. Tycho is such a delightful guy and METEOR i dont see them enough but <33 darling. and classic bloodmoon even tho he small rn dont worry about that. Causes problems later. Starlight @/Solar_Eclipse on artfight - I SAW THE TEAL I SAW THE SASS I SAW THE GOLD. i was hi i love them. SHINE BRIGHT SUPERSTAR!!
Luna, Ballet Lunar - @nekojaf @senota-skulls BALLET LUNARS IN MY HOUSE??? I SAW THE PRINCESS TUTU OPPORTUNITY AND THEN TOOK IT it was fun drawing!!! love them mwah <33
Polaris, Eclipse @huskyliker - I SAW POLARIS ON INSTAGRAM BEFORE AND SEEING U ON ARTIFIGTH I HAD TO. and i leanred more, shes so sillyyyy <333 girl wins
Honey @/ClipseTheBean on artfight - ONE OF MY TRADITIONAL ATTACKS. Getting the values of my greys right was a task BUT BBY DBKCSJ THEY WERE SO CUTEEEE Enzo @/JitteryBuggie on artfight - More grey tones with that POP of puprle i loved drawing her and then dreaded lining gbvsks
Angel, Angel, and Angel Lunar! - Myboyo, @melodyartiez @simpalert THE MOMENT I WAS SCROLLING AND SEEING THIS I KNEW RIGHT AWAY. Angels everywhere o m g <33 theyre so cute tho i like that Angel was christmas vibed and Angel Lunar LIL DRESS/TUNIC?? fbdkcs perfecttt
ANYWAY THATS IT FOR THE DCA ONES see this is why all my commentary is under the readmore fbvhjs
i enjoyed a lot of the process with all these. and more confidence in simple background
Hope yall enjoyed artfight!! i did for my first year!
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hii!! so, as I promised, I have finally put together recipes for those TSAMS character themed foods!! Though, on the site I only put up Sun and Moon’s recipes because currently for me its like super superupeuros late 😃(🪦) I will add Lunar and Earth’s dishes in there soon though, dw 🦈
ALSO- if you wanna see any certain character as a food, tell me bruh. these are actually pretty fun to do hehahahhwhdanhjnashh it takes a while but its worth it 💪🦈 anyway, have fun baking!!
#the sun and moon show#sun and moon show#sams old moon#earth and lunar show#sams sun#sams earth#sams lunar#drawing food practice#why did this take so long oh my gee#uhhahubdwbuhcibusd daiuncwdiub
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Happy Lunar New Year from my favorite dragon 🐉🐉🐉
You know Draco is going to be insufferable this year after finding out 2024 is the year of the dragon lol
D: “Oh I’m sorry Granger, who’s year is it again?”
D: “No I don’t think I’ll apologize to Potter it’s my year after all if anything he should apologize to me”
D: “Well, Granger the next time you get your own year be sure to notify me so I can submit name recommendations. ‘The Year of the Swot’ has a nice ring to it don’t you think?” 😂😂😂
———
One of the highlights of being an artist is putting your favorite characters in silly little outfits…like dragon onesies 🐲 I wanted to make him a dragon but didn’t feel like drawings scales so this was my solution 🫣 I’ve been calling him Slumber Party Draco to myself like he’s a themed Barbie doll lolol
#draco malfoy#draco malfoy fanart#dramione#harry potter fan art#lunar new year#year of the dragon#procreate#omniluci
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Trinket Moon! For when you need a friend who eats your dreams (and gives you nightmares)
He comes in two sizes - a full form that is about 7 feet tall, and a little doll form you can hold in your hand and take around with you. (He comes unstuffed from time to time but it’s nothing a little love and a few stitches won’t fix)
About as socially unwell as they come - the outside world is overwhelming. People don’t exactly seem to take to him. The land of dreams is much less stressful.
Doesn’t like bright lights - any bright light in the room and he straight up crumples to the floor. He used to come out in the day but he’s not allowed anymore, and it’s taken its toll on him just a little.
Having said that, if you like dark places with lots of shade and enjoy lullabies and bedtime stories I’m sure you’ll get along just great!
(More images and misc lore under the cut for anyone who’s interested)
Moon used to be a theme park mascot who worked in the toy-themed castle with Sun entertaining theme park goers, but like most Fazbear Ent characters he was used for evil, capturing the souls of those he’d show the land of dreams. When people dared to venture too far into the dreamscape, they’d get lost inside, and they’d never wake up.
Moon was eventually all but scrapped, and began cohabiting inside Sun’s mind, fading further and further into the background clinging to the empty memories of those he’d once played with in the dreamscape as he watched the outside world through Sun’s eyes. He’s not supposed to come out anymore, and when he does he doesn’t tend to know how to interact, preferring slink around in the shadows and watch from afar in case somebody gets hurt or he gets inadvertently perceived.
Other fun things about him:
His star patterns can change just a little reflecting the star formations or dream pattern of those he’s interacting with
His cheeks sometimes change colour depending on his emotions, so they might turn a shade of blue if he’s feeling especially sad, or pink if he’s feeling overwhelmed, or green if he’s feeling under the weather, etc. (he prefers to keep his feelings locked up tight behind a silly and spooky facade however, so he might prefer to clutch at his face if he feels he’s giving the game away)
He is actually pretty lightweight and as such is entirely pickuppable like a big old ragdoll (however you might have to drape him over your shoulders like some kind of lunar scarf if he’s in his full size form)
#fnaf#moondrop#fnaf sb au#fnaf daycare attendant#dca au#fnaf daycare au#fnaf moon#trinket moon#lore and misc fun facts
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𝓛𝓾𝓷𝓪𝓻 𝓝𝓪𝓴𝓼𝓱𝓪𝓽𝓻𝓪𝓼 - 𝔀𝓲𝓵𝓭 𝓯𝓮𝓶𝓲𝓷𝓲𝓷𝓮 𝓶𝔂𝓼𝓽𝓲𝓺𝓾𝓮 🌙
Originally, I was going to do a short write-up on one character who's Nakshatras made sense to me, but this turned into an extensive piece on the mystical, mysterious nature of Moon ruled Nakshatras lol. I hope this is enjoyed & without further ado, ima delve into this. 💕
Now to put it plainly, Moon ruled Nakshatras are lunatics. I'm allowed to say it lol, but seriously. Lu-na-tics. but that's okay! In fact, it's great; a bit of lunacy is an asset in art & anything that requires outside of the box thinking. The Moon is often associated with purity; but in a sense to be pure is to welcome any and all whims & emotions without judgement.
Running into the wild ocean at 3am solely because you felt like it? Okay! (my Shravana stellium mum lol), frolicking in the woods with no rhyme or reason? Sure! Making daisy chains and thinking about chai lattes lol (Moon = milk, lunar people often love milk drinks) instead of focusing on your assignment? Yup. Dating some guy who's known to be trouble because you 'feel there's something more to him'? Mm..
The Moon rules over all that is mystical, whereas Mercury rules over the cerebral realm. This is why Ashlesha tends to be a very mystical Nakshatra- it's placed within Cancer (Moon ruled) but is a Mercurial Lunar Mansion. In Ashlesha, there is a union between unexplainable intuition & sharp intellect. It is said that Ashlesha natives if they apply their focus correctly, would be the first to uncover the secrets of our world.
The Moon is a blank canvas; readily available for anybody to project their energy onto. Moon seldom clings to an identity or persona, it just 'is'.
in Rohini, there is this sense of 'nakedness' & a lot of vulnerability. Themes of unbridled imagination, sensitivity, pleasure seeking & creativity come through, and there is a lack of boundaries being lunar yet co-ruled by Venus; a planet pertaining to relationships. Rohini really needs some form of external structure, but at the same time thrives on lunar fluctuation and instability. It is why the creativity in Rohini is so immense and there is constant growth.
In Hasta, we see the co-rulership of Mercury, being in Sidereal Virgo. Hasta is where the Moon realises that it is not always safe to be completely receptive and vulnerable, therefore becomes shrewd and learns to be a little more pragmatic & purposeful in the way they express themselves. For this reason, you'll find Hasta slightly less represented in this 'wild feminine' archetype exploration, though some Hasta natives still very much embody this energy. Hasta; similarly to Ashlesha focuses on being conservative & logical in the face of internal lunar fluctuation.
In Shravana, we see lunar energy matured- the co-rulership of Saturn provides the structure, discipline and boundaries the Moon needs to thrive. I find that while Rohini is very maternal & associated with motherhood, I tend to see Shravana as THE mother. The stability Saturn provides makes for this ability to nurture & listen but still instil some sort of routine or restriction, which is necessary in motherhood. A friend of mine noticed that Saturn Nakshatras (think of Pushya, the other Moon-Saturn Nakshatra) are strongly represented in themes of motherhood due to the fact that children thrive when there is (gentle) but definitive limitation. Rohini's style of nurturing is very free form and full of sweetness & virtually zero judgement.
The beauty of lunar people really shows in how comfortable they are with change. I've noticed Moon ruled people retain their youth and tend to age very beautifully partially because they are so in tune with feminine cycles and are not as resistant to change. This isn't surprising as Moon is connected to the face & traditionally holds associations with fertility and youth. Moon Nakshatras embrace flow, embrace change, so they move into every phase of life with grace.
Random note: I've always suspected this but I just saw this on TikTok the other night to confirm- research shows that people who have a lot of pimples or oily skin, tend to age much better due to that extra oil. As mentioned, Moon rules the face & also relates to water- I've noticed & it has been written that people with prominent Moon influence will be more susceptible to acne & weight fluctuations due to the water/fluid connection. A lot of people who age remarkably well tend to have a Moon Nakshatra somewhere (and people who look older even from a young age are often Saturnian; Saturn Nakshatras falling opposite to Moon).
A lot of people mistake lunar individuals for being 'dumb' and ditzy, but there is a certain wisdom in the madness as you will find in the examples I'm using today :)
𝒜𝓃𝒶𝓁𝓎𝓈𝒾𝓈 𝑜𝓃 𝒜𝓊𝓃𝓉 𝐸𝓁𝒾𝓏𝒶𝒷𝑒𝓉𝒽, '𝒯𝒽𝑒 𝒢𝓇𝑒𝒶𝓉' - 𝑅𝑜𝒽𝒾𝓃𝒾 ��𝓊𝓃, 𝓁𝒾𝓀𝑒𝓁𝓎 𝐻𝒶𝓈𝓉𝒶 𝑀𝑜𝑜𝓃
I watched 'The Great' a while back and I couldn't get over how strongly the actress; Belinda Bromilow portrayed Rohini energy! I looked up her chart after watching, & as per Galactic Center mid-mula ayanamsa she is indeed a Rohini Sun native, likely with Hasta Moon; only amplifying the lunar influence.
There are many reasons, but what really tipped me off was how as a character, despite being an 'older woman' she really comes across so youthful and full of this magical, fanciful zest for life. I also find her gorgeous!!
I ADORE her character, she is so funny & light without deviating from the overall intensity of the show.
In 'The Great', Aunt Elizabeth is this 'strange', mystical, offbeat woman with a lot of unconventional wisdom. She's a woman who talks to butterflies and other creatures, has all of these 'wacky' witch-esque remedies that work, and has no shortage of odd, seemingly random one liners that often veil deep metaphors.
She often would be seen in the show comforting the main characters & acting as a trusted, empathetic maternal figure/guide. Simultaneously, she was viewed as somewhat insane & often used that perception to her advantage (her Hasta Moon reflecting the calculated side of Moon). Her character is extremely loving, able to look past the faults of others and show softness and compassion to people considered 'unlovable'. One of her notable roles as a character being Peter's (the barbaric Emperor who reigns with cruelty's) aunt who was really more of a maternal figure to him than his real mother, who was cruel much like himself.
She's in a sense, everyone's comfort, the woman in everyone's ear (very Serpent yoni too).
Aunt Elizabeth doesn't condone or necessarily agree with Peter's evil actions, but she has this beautiful way of seeing the little boy in him and nurturing him no matter what (Rohini's combination of Moon & Venus creates a person who is capable of seeing the beauty in everything & everyone).
There is another strong plot point pertaining to her child who sadly drowned. I've noticed in media, Moon women tend to have strong plots related to their love for other people (children, spouses, etc.) not because they don't stand strong on their own, but because Moon women naturally devote to their loved ones.
Throughout the show, Aunt Elizabeth has this gentle persuasion that subtly influences the characters in profound ways. I've seen talk recently of Moon Nakshatras being manipulative, and in a way they most definitely are (for better or worse). The same way the Moon pulls on the tides & pulls the attention of humans & animals alike.
Hasta's more shrewd nature shows in Elizabeth's surprising ability to scheme and commit dark acts in order to achieve a bigger goal- even though the Rohini energy gives her this energy of being very kooky, 'off with the fairies' character.
Moon's manipulation can be very much this subtle, almost subliminal feminine influence. It reminds me of the saying, 'behind every powerful man is a woman'; meaning that a man who is powerful never stands alone. He never got there without the love, or at least the influence of a woman. Behind him there is a woman who nurtures him (be it his mother in childhood or his wife), subtly influences him, lifts his spirits, etc. Even if not, the fact of him even incarnating and being born in the first place is the work of a woman.
A memorable moment from the series that strikes me as very indicative of Moon Nakshatras tendency towards intense emotions & strong sensitivity is when Elizabeth is sitting in the carriage after witnessing the gruesome affects of the war in their region. She is eerily quiet on the trip home, until suddenly she calmly requests for the carriage to stop. She proceeds to get out of the carriage, and scream & thrash around intensely as catharsis for the pain & anger she felt for the horror she'd just witnessed. :(
More on Elizabeth, there is also this aspect of the story where she is a sort of nymphomaniac lol, having many lovers of any age/gender (Rohini doesn't discriminate lmao) and is forever tragically in love with her deceased lover Peter the Great (Peter's father). Peter the Great was a womaniser, but in a sense Elizabeth was his 'true love' which reminds me of Rohini's mythology being 'the favourite wife of the Moon'. He had many lovers and a great deal of power, but Elizabeth was the closest he had to a true love.
Elizabeth was shown multiple times to be very psychic- an example of this being her 'feeling it' & having a vision the moment Peter died.
In summary, this character is just such a glaring example of what an abundance of lunar energy manifests like (for better and for worse since she is a very multifaceted character). Speaking of which, the word 'multifaceted' in itself always makes me think of the Moon. The Moon has many faces/phases.
𝑀𝑜𝑜𝓃 𝒩𝒶𝓀𝓈𝒽𝒶𝓉𝓇𝒶𝓈 𝒷𝑒𝒾𝓃𝑔 𝒲𝒾𝓉𝒸𝒽𝓎, 𝑀𝓎𝓈𝓉𝒾𝒸𝒶𝓁 𝑜𝓇 '𝒮𝓉𝓇𝒶𝓃𝑔𝑒'
A lot of public figures who have a pronounced reputation for being 'witchy', strange or mysterious/disconcerting/charmingly bizarre will have a prominent Moon ruled Nakshatra in their chart. Lunar people can really embody the archetype of being 'insane' or random. but lovable all in the same.
Kate Bush, Shravana Moon (Ashlesha Sun) I may do an independent post on Kate Bush's placements, but she is such a staple example of Moon Nakshatras & the 'wild feminine' witchy, strange but beautiful energy. Her music & music videos are full of symbolism, often pulling inspiration from obscure ideas and stories. Some people find her a bit 'weird', especially men but just as many women and men alike adore her. Very mleccah (outcaste) Nakshatra vibes. People are either inexplicably drawn to her and enchanted, or find her 'creepy'. ~I'll note that Kate is extremely Mercury influenced too, hence the much rounder face than the examples you'll see. Moon people tend to have rounded faces, but they are typically a bit longer than Mercury and have very prominent cheekbones.
Stevie Nicks, Rohini Sun Stevie Nicks is always remarked to be a witch. She never explicitly said this, but upon the release of Fleetwood Mac's 'Rhiannon', (a very witch-y song about the Celtic Goddess herself) the witch allegations began lol. Other than that, Stevie Nicks & Fleetwood Mac have always been associated with the hippy/spiritual/witchy crowd.
Helena Bonham Carter, Rohini Sun Helena has been known to often play 'bizarre', witchy or macabre characters, known to work alongside Tim Burton (also a Rohini native) often. Some of these roles to note are her as the Queen of Hearts and Bellatrix Lestrange; but there are countless that speak to the lunar wild feminine archetype. Beyond that, Helena is known to have a very eccentric dress sense off screen, people often remarking that she has all this money yet chooses to still be herself and a little strange.
Alica Keys, Hasta Moon, Shravana Sun I can't think of any overtly 'witchy' or 'bizarre' associations for Alicia Keys, but I wanted to include her because I feel like her sweet emotive face and gorgeous flowing hair is very reflective of her Moon dominance. She has the 'vibe'. She's also mentioned that she has a spiritual practice in her everyday life & references the divine feminine.
James Marsden, Rohini Moon admittedly, I only know him in two movies, but in both he is playing this kinda bizarre, theatrical, childlike character very indicative of Rohini energy. In 'Enchanted' he is the dramatic, vibrant and endlessly cheerful fairytale prince who breaks into song whenever he gets the chance. In 'Hop' he is this uninspired guy who lives with his parents and can't seem to get a job or find purpose. That is until he meets the easter bunny who'd run away from 'Easter Island' and didn't want to be the easter bunny anymore. He then proceeded to become the easter bunny himself- lmao. If you know about Rohini's relationship with sweets & children (not to mention Rohini natives typically having prominent front teeth like a bunny) this movie is very on the nose.
Kylie Minogue, Rohini Sun & Pushya Asc an Aussie legend I say. Kylie is another one who always embodied this very lunar feminine mystique, she actually sort of reminds me of Marilyn Monroe (Rohini Sun) in some photos of her in her youth. The witchy, eerie, 'haunting' vibe Moon people can radiate really shines through in her enchanting murder ballad 'Where the Wild Roses Grow' with Nick Cave (a Magha native of course). A personal favourite of mine.
Teal Swan, Shravana Moon Teal Swan is a famous spiritual 'guru' who is known to have extrasensory abilities. She is a controversial figure due to strange behaviour in her past & questionable things in her personal life. Some disregard her as a narcissistic cult leader for these reasons, but in my opinion even if that were the case, two things can be true- someone can have ill intent with the knowledge they possess yet still genuinely possess that knowledge. I find a lot of her content incredibly helpful and intuitive. Credit to @makingspiritualityreal for my learning about this- you'll notice that a lot of individuals with strong Lunar influence in their chart will have very light, translucent looking eyes indicative of their receptive, psychic nature. Even if the eyes are brown, they still will have a notably 'light', reflective, soft, crystal-esque quality. We see this with all of these examples, but Teal especially.
Amber Heard, Hasta Moon I was struggling to think of Hasta examples that fit this archetype since as I mentioned earlier, Hasta places a huge emphasis on gaining control over their own lunar nature. In Hasta there is less of a tendency to be 'wild and free' the way we see in Rohini & Shravana. However, I still see in Amber Heard's infamy a different expression of the lunar witchy lunacy. A lot of people regard her nature as 'insane', overemotional, very manipulative, bewitching people with her beauty, etc. This being said, I know I've definitely seen witchy-ish Hasta natives, I just can't think of any as readily as I can the other Moon Nakshatras.
Alanis Morrisette, Rohini Sun Just another woman in music who radiates that lunar, wild feminine, raw emotional energy. If you listen to her song 'You Oughta Know' and see the emotionally chaotic, passionate music video, you'll absolutely see what I mean!
Tori Amos, Hasta Moon another witch-esque phenomenal alternative artist. I just remembered to include her!! She's perfect for this list. Listen to 'Cornflake Girl'. and once again you'll see the lunar, feminine energy. Shania Twain & Kate Winslet are two more Hasta natives I thought of who embody this energy, but I can't add anymore pics to the post :(
It's worth noting that Kate Bush, Tori Amos, Alanis Morissette and some other artists are often piled together and referred to as being similar in 'vibe'. Mysterious, feminine, emotional, mystical, etc. I'd venture to guess that other artists in the same sort of creative realm have Moon ruled Nakshatras.
I just thought of Bjork, another artist who is compared to ones mentioned. She is Swati Moon, with Rahu in Rohini as the lord of her Moon!
One last thing I want to mention, is I've noticed that Moon women can sometimes be viewed as 'anti feminist' by other women despite the fact that a lot of the time, healthy Moon women are extreme symbols of feminine strength and courage to be womanly & emotionally vulnerable. It's kinda like some people see the beauty, the softness, the emotion and picture a girl flouncing around in frilly dresses catering to men. Needless to say, a shallow and ironically anti-feminist conclusion. That being said, lunar receptivity can definitely make Moon influenced women prone to doing a lot to cater to men, but I think it's a mistake to miss the wisdom in the 'frilliness' and fanciful nature of lunar natives.
Anyway as always, I could write forever, this one was super fun to do :) noticing and dissecting these patterns is such a magical thing.
I hope this was interesting to someone, lots of love! 💞💞💞
#moon#nakshatras#lunar#astrology#siderealastrology#vedic astro observations#vedic astro notes#vedic astrology#vedic#nakshatra#jyotish#rohini#hasta#shravana#cancer#spirituality#full moon#venus#mercury#saturn
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OBSCURA: Trailer Analysis
SPOILERS AHEAD!!
In the trailer/video that goes with Chapter One of OBSCURA (Here. Watch it on your own, sub to Rotten Raccons) is PACKED with details and all sorts of information. Let's start with the first thing we see when the video starts.
Cirrus:
This is a snippet of Cirrus' CG in game with some things added. The text in the top left is what we're interested in. "18. presbyter//ecclesia lunaris" What does the number mean? Well if we take it in terms of Major Arcana for Tarot cards. the moon in number 18.(XVIII) Fitting for the lunar priest, but the deeper meaning also fits. Usually meaning hidden danger or enemies, deception to darker forces at play. Then we have the Latin. If we take the dashes and an indication of a break, then the translation is roughly "Preist// height of the moon" But if we take it as one sentence it translates to "Priest of the Lunar Church" Keir:
Again, staring with the number. 20 (XX) is Judgement. I find this fascinating. With obvious associations to justice, scales, balance etc it;s an interesting connection that I wouldn't have originally thought of to Keir but it fits well. The card itself means reflection, reckoning and awakening. Usually taking a look at oneself to see where an imbalance lies so you can fix it and move forwards while reversed can mean a lack of self-awareness, doubt and self-loathing. (yikes) The latin here is interesting too. Instead of having the dashes like everyone else, he had the latin next to the number and then a separate, less visible one at the bottom center of the screen. "Cavilator Fur" translates to "Scornful thief" and the dimmer, less noticeable word is "Cultelluss" or "knife" and it's pointing to where his dagger in on his belt.
Oleander:
The Number 11 (XI) is Justice. Meaning cause and effect, clarity and truth and the reverse meaning opposite. Oleander is a character who knows the effects of his actions. They are measures and precise. He is aware of the cause and effect. And in his neutral and good endings we see him bring his own form of 'justice' or balance. When Lord Valentine tried to have him killed, he simply returned the favor personally, and succeded. "Nerii//periculosum scurra" when translated as a sentence means "A dangerous clown". This obviously references the way Vesper calls him a clown when they first meet and telling us directly that he is dangerous. Francesco:
The Wheel of Fortune is what is assigned to Francesco, meaning change, cycles and inevitable fate, greater forces as play that are pushing towards and ultimate and unavoidable end. This theme goes along with theming that he is running out of time. THere is a reason for him coming to the underground, for rushing Vesper and the tailor so he can experience as much as he can. There is something pushing him forwards.
"Francisium//innocentes nobiles" At a first glance it looks like a latin version of his name, and "innocent nobiles." The second part is correct but the whole phrase means "The innocent nobles of France" which is FACINATING to say the least. The connection to France is interesting to me and brings my mind to the French revolution. Another detail I think is interesting is that his secondary outfit we see him in, the jewelry that is around his neck is right where a beheading would happen and once I saw it I couldn't unsee it.
Thats the first portion. Later in the video we get some images that flash across the screen with more latin and numbers. The numbers correspond with the numbers we were given previously. Again, in the order of how they appear in the video: Cirrus: Snake Skeleton
Latin first. "Obsequium// ducit as caelum" means "compliance leads to heaven" This connects to his entire theme. To get the best end with Cirrus, you don't question him. You don't question his motives or hesitate, you just comply. The imagery of a snake skeleton is interesting too. The obvious imagery and symbolism with snakes, deceit, lies, danger. But also connections to the story of Adam and Eve. The snake that tempts Eve, causing her fall from grace.
Keir: Scales
The Latin here is obscured a bit but it says "Fatum// vestrum vel extaneus" meaning "Your fate is at stake". This one leaves me wondering quite a bit. It says 'your' as if it's talking to the player, to us. To Vesper. This could tie into how Vesper is roped into Mouse Hole, how they are forced to get a noose around their neck like the rest of those living in Mouse Hole. They have to perform well in the heist that happens otherwise they risk death that comes a lot sooner than would be caused by fractum anima. They also risk the lives of Keir and those in Mouse Hole.
The imagery here is super interesting too. Scales are usually associated with justice which happens to be Oleander's tarot card. Scales, are obviously associated with balance, with equilibrium, and fair deals. While we mostly see one side of the scale it seems to be balanced. And in combination with the Latin, I think it's referring to the delicate balance that is Keir's life. A balance of his line of work being risky but lucrative, but if it's too much of a risk, he not only risks his life but all the others in Mouse Hole.
Oleander: Human Skull
"Pantiantur// sicut habes" roughly translates to "Let them suffer as you have" which, WOW. OKAY. Again, Oleander delivers his own form of justice to Lord Valentine by delivering the same thing Valentine tried to do to Oleander, but more personal. Let them suffer as you have. It brings to mind the "eye for an eye" metaphor. An eye for an eye and the world goes blind. But Justice is blind is she not? The skull imagery is interesting as well. This is all painting Oleander as a very dangerous man. Charming and witty, with a flair for the dramatic, yes, but dangerous all the same. A man who can kill. In the neutral ending he says, "For now you are safe with me. If you want to stay like that, you need to follow my lead." If he doesn't have the same attachment to you as he does in the good ending, you are an asset to him and he doesn't spare you the same kindness.
Francesco: Hour Glass
"Tempus//decurrit" means "time is running out". His is the shortest and simplest of the secondary ones. He is running out of time. He rushes you at the tailor to get an outfit made because he can't afford to wait. He wants to get as much as he can, done in the time he has left. No time to waste. The hourglass is the same message. Time is running out. It makes me wonder what is causing his time to run out. Here's the thing, Vesper's time is also running out with Fractum Anima, and interesting connection and it would be interesting if he also had it or something similar but I don't think that's the case with the other things we have seen. With the other things, the "innocent nobles of France" bit and the Wheel of Fortune, It feels like it's alluding to an execution to something similar. But that's purely speculation. That's it! That's what I have! (Thanks to Atlas on discord for great resources and helping me connect the dots with the numbers and tarot!!)
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Agatha All Along Episode 4: Easter Eggs & References
If I Can’t Reach You / Let My Song Teach You
A Melody of Connection
In this episode, the witches’ ballad we’ve heard so far gets an emotional boost with additional lyrics added by Lorna Wu, which also serve as the episode’s title. . The powerful line, “If I Can’t Reach You, Let My Song Teach You,” deepens the narrative and adds a rich layer of meaning. This lyric beautifully captures the themes of connection and communication, reflecting the struggles and desires of the witches as they navigate their challenges.
By weaving in these new lyrics, the episode pays tribute to Lorna Wu’s legacy while enriching Alice’s journey, tying her past to her present. It’s a poignant reminder of how music can transcend generations, showcasing the enduring power of song in the world of witchcraft.
Rio’s Hand Emerges Like The Evil Dead
A Homage to Sam Raimi’s Cult Classic
Rio’s hand emerging from the ground visually mirrors the iconic scene from Sam Raimi’s The Evil Dead (1981), where a hand bursts from the grave. This moment not only pays homage to the cult classic’s blend of horror and dark humor but also reinforces the eerie and supernatural tone of Rio’s character. The reference cleverly ties into Raimi’s signature horror style, which he recently brought to the MCU in Doctor Strange in the Multiverse of Madness, connecting his influence across both franchises. This Easter egg serves as a nod to Raimi’s impact on horror cinema and his ongoing role within the MCU.
Rio Vidal Skips Down The Witches Road
Just Like Wizard of Oz
A green witch was summoned to the Witches Road by the coven at the beginning of Agatha All Along episode 4 and is how Rio Vidal joins the coven on the road.
Instantly ready to go, Rio is seen skipping and whistling down the Road as the others look on. As such, it's a clear reference to The Wizard of Oz and traveling down the classic yellow brick road.
The Second Moon Door: A Gateway to Growth
A Symbol of Transformation
The Second Moon Door emerges as a powerful visual marker as the witches arrive at the second house containing their next trial. Framed by the waxing moon, this door embodies the essence of growth and development—a theme that resonates deeply within various magical traditions. The waxing moon is all about manifestation and building energy, perfectly reflecting Alice’s journey as she faces her emotions and strives for personal evolution during her trial.
As the Teen confirms, this door features the “fire phase,” tying back to the first house and trial, which showcased a full moon design representing the “water phase.” This connection emphasizes the different elemental powers that the witches must navigate. The incorporation of the fire phase highlights Alice’s identity as a fire witch, underscoring the intensity of her challenges and the transformative journey ahead. It serves as a reminder that embracing her inner strength is essential for confronting her past.
The presence of these moon phases isn’t just decorative; it’s a rich tapestry that weaves together the witches’ connection to lunar magic with Alice’s unique trials. It emphasizes that to truly embrace her fire abilities, Alice must also allow space for personal growth. This symbolic interplay deepens the narrative, creating an engaging blend of witchcraft, elemental power, and character development that resonates throughout the Witches’ Road.
Agatha All Along Episode 4’s Major 70s Rock Vibes and Symbolic Fashion Choices
The Coven’s Style: Fashion Hits All the Right Notes
In Episode 4 of Agatha All Along, the coven’s clothing takes center stage, drawing heavily from iconic 70s fashion trends to visually connect each character’s powers and personalities with the cultural zeitgeist of that era. The 70s-inspired looks are not just a nod to the era’s counterculture and musical movements but also act as reflections of the characters’ internal journeys and magical abilities, enhancing the thematic depth of the episode.
Alice’s Counterculture Nod and Rebellious Spirit
Bell-Bottoms & Fire Power
Alice’s outfit, complete with bell-bottoms and round glasses, reflects the most recognizable trends of the 1970s, particularly those associated with youth rebellion and the counterculture. Bell-bottoms, a staple of the disco and hippie movements, symbolize a carefree, expressive lifestyle. This fashion choice aligns with Alice’s independent and rebellious nature, as well as her fiery powers and emotional journey, visually reinforcing her internal struggles.
Agatha and Rio’s Glam Rock Personas
Embodying David Bowie’s Glam Style
Agatha and Rio embrace the glam rock fashion of the 70s, a trend defined by bold, flamboyant styles featuring metallic fabrics, bright colors, and dramatic makeup. Artists like David Bowie and T. Rex popularized this over-the-top aesthetic. Both characters’ outfits mirror this theatrical fashion, symbolizing their larger-than-life personas and powerful roles within the coven. Agatha’s dramatic flair and villainous presence are enhanced by the glam rock influence, while Rio’s edgy, glamorous attire hints at her mysterious, possibly death-related powers, adding to her enigmatic role within the coven.
Jennifer’s Bohemian Connection to Nature
Rooted in Earth and Healing Magic
Jennifer’s flowing, bohemian garments reflect the earthy, free-spirited fashion of the 70s. This style emphasized natural fabrics and a connection to the Earth, aligning with Jennifer’s powers rooted in healing and nature. Her bohemian look evokes freedom and wisdom, qualities that reinforce her mystical role as a root worker and her deep connection to the divine feminine.
Patti LuPone’s Liza Minnelli Tribute
A Homage to Cabaret’s Glamorous Star
Patti LuPone’s sharp, tailored outfit, paired with a wide-brimmed hat, is a clear homage to Liza Minnelli’s iconic look from the 1972 film Cabaret. Known for her bold, sleek fashion and performance-oriented style, Minnelli’s influence is a fitting choice for Patti’s character, who exudes theatrical flair and a commanding presence. This nod to cabaret culture and the world of performance further ties Patti’s character to the musical themes explored within the show.
Lorna Wu and the Coral Shore’s Fleetwood Mac Influence
Boho Rock Aesthetic Meets Magic
Lorna Wu and her band, Coral Shore, draw significant inspiration from Fleetwood Mac, both musically and stylistically. Fleetwood Mac’s signature 70s style, particularly Stevie Nicks’ bohemian, flowing garments, is reflected in Lorna’s wardrobe. The other band members also embrace elements of 70s rock and boho fashion, grounding the show in the aesthetic of one of the era’s most influential musical acts. This further ties into the episode’s ongoing homage to 70s music culture, adding layers of authenticity to the visual storytelling.
Symbolism of Their Clothing Reflecting Their Powers
Fashion That Speaks to Their Magic
Beyond just style, each character’s 70s-inspired outfit serves as a subtle reflection of their powers and personalities, providing a deeper connection between their magical abilities and their visual identities:
Alice’s Rebellion and Fire: Her bold accessories and bell-bottoms emphasize her fiery powers and rebellious spirit, visually reinforcing her emotional journey.
Jennifer’s Earthy Bohemian Look: Her flowing, bohemian style mirrors her connection to nature and healing, portraying her as a wise and grounded figure.
Agatha’s Dramatic Glam Rock: Agatha’s glam rock outfit highlights her dominant presence, magical prowess, and flair for the theatrical, fitting her powerful and larger-than-life persona.
Rio’s Mysterious Edge: Rio’s edgy, glamorous look hints at her possibly death-related powers, contributing to her enigmatic and powerful role within the coven.
Lilia’s Subtle Pink Foreshadowing: Lilia’s use of pink and nature motifs, particularly the pink leaves seen on the Witches’ Road, foreshadow her upcoming trial. This symbolizes her confrontation with witch stereotypes and hints at her future “good witch” persona, traditionally associated with pink, while commenting on society’s perceptions of witches.
Drop Beat Magazine is a Nod to DownBeat Magazine
A Clever Parody with Musical Roots
The Drop Beat magazine shown in the episode is a clever parody of DownBeat, a real-life jazz and music publication that has been a staple in the industry for decades. This reference not only pays homage to the influential magazine but also aligns with the show’s ongoing use of musical themes to enrich its narrative and characters. By incorporating Drop Beat, the episode reinforces how deeply embedded music is in the world of the characters, using it as a tool to symbolize identity, culture, and the artistic struggles they face. It adds an authentic layer to the setting, grounding the fictional world in a recognizable, real-world musical tradition.
Lilia’s Premonitions Persist
Lilia exclaims, “Alice! Don’t!”
Once again, Lilia has an unexpected outburst, hinting at a possible glimpse of future events yet to unfold.
Lilia’s seemingly spontaneous and panicked plea, “Alice, don’t!” appears to foreshadow a pivotal moment in Alice’s journey through the Witches’ Road trials. The urgency in Lilia’s voice suggests she’s experiencing a vision of impending danger or a critical decision that Alice will soon confront. This cryptic warning implies that whatever Lilia foresaw could drastically alter the course of Alice’s future.
Salem Witch Trials Paintings
The Torment of Witches Long Gone
While exploring the house, Lilia discovers a series of unsettling painted murals. Each one portrays the torment and execution of alleged witches during the Salem Witch Trials. Unsurprisingly, Lilia becomes deeply emotional as she views the depictions of the pain and suffering endured by these women.
Japanese Noh Masks: A Nod to Oni Demons
A Symbol of Inner Conflict
The use of Japanese Noh masks in the series cleverly alludes to Oni, the demons of Japanese folklore, appearing as the coven explores the trial house. These masks symbolize the dark, supernatural forces the witches confront, enriching the narrative with cultural depth by connecting their journey to ancient demonic powers.
Traditionally used in Japanese theater to convey hidden emotions and internal conflict, Noh masks resonate deeply with the witches’ struggles. They embody not only the external threats on their path but also the witches’ inner battles, reflecting themes of concealment, duality, and unresolved trauma. This Easter egg enhances the eerie tone of the episode, reinforcing the show’s overarching narrative of facing both personal and mystical demons.
A Nod to Alice In Wonderland
Episode 4 of Agatha Puts the Spotlight on Alice…
At one point, Teen finds a record and figures it might be a clue to starting the test. The sleeve says “Play Me,” which feels like a fun nod to Alice in Wonderland with its “Eat Me” and “Drink Me” labels. It’s a perfect fit, especially since this new challenge is all about Alice Wu-Gulliver.
Reverse-Playing Records
A Notorious 70s Phenomenon
As the record spins, the coven soon realizes it’s playing in reverse, emitting eerie, distorted voices. This moment brings to mind the 1970s myth that certain records contained hidden Satanic messages when played backward, reminiscent of the time when parents believed bands like Led Zeppelin and The Beatles hid secret messages in their music. In this case, however, the coven isn’t dealing with rumors—something far more sinister is at play.
Suspiria Homage in the Record Scene
A Connection to Classic Horror
In Agatha All Along Episode 4, the overhead shot of the spinning record is a striking homage to the 1977 horror classic Suspiria. Directed by Dario Argento, this film is a masterclass in visual storytelling, plunging us into the eerie world of a young dancer who uncovers a ballet academy shrouded in dark magic and witchcraft.
The visual echoes between the spinning record and Suspiria’s haunting cinematography draw a direct line between these two narratives. Just as Argento immerses viewers in an atmosphere thick with the uncanny, Agatha All Along ratchets up the tension within the coven’s trials, reminding us that danger lurks around every corner.
This homage isn’t just a nod to a genre-defining film; it enriches the story of Agatha All Along by linking the witches’ experiences to deeper themes of witchcraft and the supernatural. The choice to feature a spinning record overhead highlights music as a conduit for magic, mirroring the integral role that sound and dance play in Suspiria, both serving to elevate the sense of foreboding.
By weaving in this reference, the episode deepens its cultural resonance, inviting us to explore the connections between the witches of both stories. It’s a celebration of classic horror cinema that amplifies the show’s eerie aesthetic, highlighting the intricate relationship between art, magic, and the supernatural.
The Metronome as a Symbolic Timer
A Reflection of Urgency
The use of a metronome during Alice’s trial brilliantly enhances the tension and thematic depth of the scene. Traditionally used to maintain a musical beat, the metronome adds an eerie twist, serving as a constant reminder of the pressure and urgency Alice faces. Its relentless ticking transforms the trial into a high-stakes challenge, underscoring the limited time available for success.
What makes the metronome truly chilling is how it amplifies fear without giving the witches a clear sense of their remaining time. This ambiguity heightens the dread, forcing the characters—and us—to confront the unknown stakes of their trial. Tied to the show’s musical elements, the metronome reinforces the idea that rhythm and timing are vital not just in music but also in magic. It suggests that precision is crucial for the witches to navigate their challenges effectively.
The incorporation of the metronome isn’t merely for visual flair; it serves a practical narrative function, reflecting the show’s meticulous attention to detail. By weaving together themes of time, rhythm, and pressure, the metronome deepens the atmosphere, grounding the magical trial in a relatable sense of urgency that resonates with the audience. This clever device elevates the storytelling, reminding us that in both music and magic, every tick of the clock counts.
Lorna’s Ballad
A Literal Protection Spell
The moment of clarity comes when the group figures out that playing Lorna’s Ballad is the key to lifting Alice’s family curse. Agatha uncovers that the song wasn’t just a tune but a protection spell, crafted by Alice’s mother and tied to the tattoo she forced on Alice as a child. By ensuring the song was always being performed on tour and adored by fans, Lorna’s Ballad acted as a safeguard, keeping Alice alive far beyond when she was fated to die. To break the curse, the coven unites to perform the rock version of the Witches’ Road Ballad, a track first mentioned by Teen in episode 2, composed by Lorna Wu and the Coral Shore.
Generational Trauma Symbolized as a Curse
A Reflection of Family Legacy
The theme of generational trauma hits hard through Alice’s belief that the curse she bears is her fault. This concept mirrors the real-world struggles many face, where emotional scars are passed down through families. Alice’s fire emblem and scar are powerful symbols of this ongoing trauma, embodying the weight of her lineage.
The challenges Alice and her family confront showcase the cycle of pain that defines generational trauma. Her internalized sense of blame reveals a painful truth: victims often feel inherently flawed, burdened by the unresolved issues of those who came before them. This connection underscores how family legacies can seep into our current lives, influencing our choices and perceptions.
As the witches traverse the Witches’ Road, they’re forced to confront the traumas tied to their pasts. This journey reflects the broader theme of personal growth and healing, emphasizing that recognizing and addressing generational trauma is crucial to breaking the cycle.
Alice’s curse becomes a metaphor for the heavy burden of these inherited struggles, reminding us that these issues are not just personal—they’re deeply tied to a larger family narrative. By weaving this theme into the storyline, the episode resonates emotionally, inviting viewers to reflect on their own experiences with generational trauma. It makes the witches’ journey feel relatable and poignant, highlighting the universal nature of these struggles and the possibility of healing by confronting the past.
Alice’s Manifested Curse
The MCU’s Introduction to a “Demon”
When the coven plays Lorna’s Ballad on the Witches’ Road, Alice’s curse takes on a visible, physical form—a terrifying winged creature. This marks a significant moment, as it could be considered the first true “demon” seen in the MCU. However, there’s a question lingering: What was the curse in the first place? Could this demon actually be Lorna Wu, transformed into a sinister hay-like creature?
Brian De Palma’s Filmmaking Techniques Emulated
A Tribute to Visual Storytelling
The three-panel zoom-in on Lilia is a brilliant nod to Brian De Palma, a legend in visual storytelling known for his work in Carrie. This technique not only adds a striking visual flair but also deepens the emotional impact, pulling us into Lilia’s world.
The zooms throughout the episode channel De Palma’s skill for amplifying character emotions and building tension. As the witches face their fears on the Witches’ Road, this homage perfectly captures the blend of horror and psychological suspense that keeps us on the edge of our seats.
By embracing De Palma’s signature style, the episode creates an unsettling atmosphere that aligns seamlessly with its supernatural themes. The innovative camera angles and framing immerse us in the witches’ harrowing experiences, heightening the stakes and emotional weight of their trials. This homage doesn’t just pay tribute; it elevates the entire narrative, reminding us why De Palma’s techniques are essential in crafting compelling horror.
The Three of Swords
A Sign of Sorrow and Despair
After Teen suffers a glass shard injury to his side, he collapses soon after due to excessive blood loss. The entire coven is thrown into distress, with Agatha Harkness feeling the weight of the situation the most. During the chaos, Lilia quietly utters, “Three of Swords.” This tarot card is a symbol of deep emotional pain, grief, and heartbreak. Although Teen survives the ordeal, Lilia’s reference to the card heightens Agatha’s fear of losing him, amplifying the emotional weight of the moment.
Lilia's Vampire Bite
More Vampire Hints in the MCU Ahead of Blade’s Debut
As Teen recovers from his injury, the witches bond by sharing stories and showing their battle scars. Lilia Calderu reveals a vampire bite on her neck, claiming she knocked out the creature’s tooth after being bitten. This confirms vampires have been active in the MCU for centuries, long before the upcoming debut of Mahershala Ali’s Blade, which has faced production delays.
The first reference to vampires in the MCU appeared in Loki season 1, when Agent Mobius mentioned their existence. Blade was later teased in Eternalsduring the post-credits scene, with his voice asking Dane Whitman if he’s ready for the Ebony Blade. Additionally, Werewolf by Night provided further confirmation with pictures and trophies during the monster hunters’ gathering. Now, Agatha All Along continues to hint at vampires, even though Blade and the creatures themselves have yet to fully appear in the MCU.
Daughters of Liberty
Connections To Agatha's Comics History
In Agatha All Along episode 4, after Lilia reveals her vampire bite, Agatha Harkness shares a scar of her own. With a casual roll of her sleeves, she points out a mark left by a knitting needle once owned by the Daughters of Liberty—a group she claims to have wiped out in the past. For a bit of real-world context, the Daughters of Liberty were a real historical group formed in 1765. They supported the Sons of Liberty by boycotting British goods, even holding spinning bees to make their own clothing instead of relying on British textiles. Hence, the knitting needle!
Now, for comic fans, this reveal connects to Agatha’s more neutral role in the Marvel Comics. In the original stories, she didn’t wipe out the Daughters of Liberty—quite the opposite! Agatha trained and guided them as a society of powerful women who used witchcraft to protect the world through the generations.
The modern-day Daughters in the comics include heroes like Misty Knight, Echo, Shuri, Spider-Woman, Black Widow, and more. Peggy Carter even takes on the role of their leader, known as “The Dryad” (previously held by Harriet Tubman!). So, while the MCU’s Agatha might have had a very different relationship with the Daughters, it’s still a fantastic Easter egg for fans of the comics!
Could Rio be Lady Death?
Unraveling the Clues to Her True Identity
Episode 4 of Agatha All Along drops intriguing hints that Rio Vidal could be Lady Death, adding weight to the theory that she may have been responsible for taking Nicholas from Agatha. In addition to exploring Rio’s past with Agatha, other clues suggesting her connection to Death are sprinkled throughout the episode’s disco-inspired trial on the Witches’ Road.
The first clue arises during a conversation between Agatha and Rio in the sound booth. Rio mentions being impatient, alluding to the idea that she’s been waiting for the right moment to kill Agatha. Later, she explains her role in the coven, claiming she’s been waiting for Agatha to kill the other witches, saying, “I get my bodies.” These references to Rio’s connection to the dead strongly hint that she could be Death herself.
Another key moment occurs near the end of the episode, when Teen is bleeding out. Agatha looks at Rio with desperation and says, “Don’t.” This scene suggests Agatha is pleading with Rio, who may be Death, not to take Teen away.
The final piece of the puzzle comes during a conversation where the coven shares stories about their scars. Rio recalls, “A long time ago, I loved someone. And I had to do something I didn’t want to do, even though it was my job. It hurt them. She is my scar,” before glancing at Agatha. Later, when she and Agatha are alone, Rio adds, “He is not your son,” which could be a subtle hint that she had to take Agatha’s son because he had died, further supporting the idea that Rio is, in fact, Lady Death.
#marvel#marvel cinematic universe#agatha all along#agatha harkness#rio vidal#mcu#lilia calderu#jennifer kale#alice wu gulliver#marvel comics#easter eggs#witches road#witches#marvel television#mcu fandom#marvel mcu#agatha darkhold diaries#agatha: darkhold diaries#agatha x rio#agatha spoilers
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astro hypothesis: what i would dress you as for halloween
remember when i was like what about dressing for the occasion? we are again grabbing your venus persona and take a look at the chart. instead of houses though we are looking at neptune because it represents disguises, costumes, fantasies, etc. all those fun things that go into picking a costume. if you wanna kick things up a notch you can always look at your current venus return's neptune for new ideas!
4h neptune
childhood favorites: dress as characters from beloved childhood movies/stories like peter pan, ms. frizzle, red riding hood, goldilocks, sleeping beauty, thing 1 & thing 2, etc. this appeals to the 4h's strong sense of nostalgia and comfort found in childhood memories.
fortune teller or mystic: could symbolize a person connected to hidden family knowledge or ancestral wisdom.
ghost: spectral figure from a different era, representing family ancestors or a past life, perhaps dressed in vintage or historical clothing.
home-related characters: think of characters associated with houses - mrs. doubtfire, miyazaki’s totoro, mary poppins, home alone's kevin mccallister, coraline's other mother, etc.
matriarchs and/or patriarchs: frigg (goddess of home and motherhood) in particular encapsulates the vibe. your partner can dress as odin too! i feel like 4h, 7h, and 11h neptune people really enjoy group costumes. in this case it would be a family themed costume - like morticia and gomez addams!
vintage or retro family member: dress as a 1950s housewife, victorian-era ancestor, or a hippie parent from the ‘70s. bring a familial figure from the past into the present.
4°, 16°, 28° neptune
guardian angel: they have an otherworldly essence. they might wear soft, flowing robes, or maybe go the realistic angel route!
moon goddess or lunar spirit: this person could embody a moon deity or lunar spirit, with silvery, shimmering fabrics and a mystical glow/glitter.
mother nature: nurturing, maternal figure representing the earth and life, with flowing garments adorned with natural elements like flowers, leaves, and vines.
aquarius neptune
alien or space traveler: i get that a generation of people have this placement but i think it is so underused? think futuristic concepts and outer space... like guys dune served looks...
cyberpunk or futuristic figure: transport the people to dystopian world, combine technology and imagination.
neptune trine asc
chameleon: reflecting the adaptable nature of neptune trine asc. or incorporating multiple personas or styles into one costume to be eclectic like a human chameleon.
fairy or nature spirit: something flowing, delicate wings and soft, shimmering fabrics. they could incorporate natural elements like flowers, leaves, or vines...
mermaid: a mermaid or an ocean goddess like amphitrite could be adorned with seashells, pearls, and iridescent fabrics to evoke the sea’s magical allure.
neptune trine jupiter
fantasy character or hero: they might be inspired to dress as a fantasy hero, someone on a great quest, like a knight of the round table, a lord of the rings character, or a game of thrones character.
goddess or god of wisdom: dress as a figure like athena or odin, they embody themes of wisdom, expansion, and idealism. think flowing robes, celestial symbols, and regal accessories like a crown or staff could add to the grandeur of the costume.
tarot or oracle card: dress as the card that resonates with you most maybe if you got with two other friends you can be the 3 of cups all night long. or maybe its a solo character you wish to emulate like the justice card...
wizard or magician: it a classic - wizard costumes would align with the expansive, mystical energy of this aspect. they could wear flowing robes, a pointed hat, and carry a magical staff or book of spells.
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