#lucas died yves died

[sexysilverstrider]

without context this dialogue is crazy

[lykorises]

tags /

[just-wublrful]

Leonard Cohen, boygenius | Death of Antonious, Mark Doty | Helium, Glass Animals | The Two Times I Loved You Most in a Car, Dorothea Grossman | Crush, Larissa Phaim | Agape, Wikipedia | Beloved, Yves Olade | Cupid and psyche (1998), Luca di Castri | Eric, Mitski | John 20:13-14, The Bible (NIV) | The Lovers II (1928), Rene Magritte | Mary Doria Russell | Ecclesiastes 1:18, The Bible (NIV) | A Primer for the Small Weird Loves, Richard Siken | Nona the Ninth, Tamsyn Muir | Dirty Valentine, Richard Siken | I even dream about you (2023), Jess Allen | A Star is Born (2018), dir. Bradley Cooper | Minor Resurrections, Eliza Gonzalez

(ID's in alt!)

[princesssarisa]

Opera on YouTube 5

Nabucco

Teatro alla Scala, 1987 (Renato Bruson, Ghena Dimitrova; conducted by Riccardo Muti; no subtitles)

Teatro di San Carlo, 1997 (Renato Bruson, Lauren Flanigan; conducted by Paolo Carognani; no subtitles)

Ankara State Opera, 2006 (Eralp Kıyıcı, Nilgün Akkerman; conducted by Sunay Muratov; no subtitles)

St. Margarethen Opera Festival, 2007 (Igor Morosow, Gabriella Morigi; conducted by Ernst Märzendorfer; English subtitles)

Rome Opera, 2011 (Leo Nucci, Csilla Boross; conducted by Riccardo Muti; English and German subtitles)

Teatro Comunale di Bologna, 2013 (Vladimir Stoyanov, Anna Pirozzi; conducted by Michele Mariotti; Italian subtitles)

Rome Opera, 2013 (Luca Salsi, Tatiana Serjan; conducted by Riccardo Muti; no subtitles)

Gran Teatro Nacional, Perú, 2015 (Giuseppe Altomare, Rachele Stanisci; conducted by Fernando Valcárcel; Spanish subtitles)

Metropolitan Opera, 2017 (Plácido Domingo, Liudmyla Monastyrska; conducted by James Levine; Spanish subtitles)

Arena di Verona, 2017 (George Gagnidze, Susanna Branchini; conducted by Daniel Oren; English subtitles)

La Cenerentola (Cinderella)

Jean-Pierre Ponnelle studio film, 1981 (Frederica von Stade, Francisco Araiza, Paolo Montarsolo; conducted by Claudio Abbado; English subtitles)

Glyndebourne Festival Opera, 1983 (Kathleen Kuhlmann, Laurence Dale, Claudio Desderi; conducted by Donato Renzetti; no subtitles)

Salzburg Festival, 1988 (Ann Murray, Francisco Araiza, Walter Berry; conducted by Riccardo Chailly; English subtitles)

Tokyo Bunka Kaikan, 1991 (Lucia Valentini-Terrani, Toshiro Gorobe, Domenico Trimarchi; conducted by Antonello Allemandi; Japanese subtitles) – Act I, Act II

Houston Grand Opera, 1995 (Cecilia Bartoli, Raúl Giménez, Enzo Dara; conducted by Bruno Campanella; no subtitles)

Rossini Opera Festival, 2000 (Sonia Ganassi, Juan Diego Flórez, Bruno Praticó; conducted by Carlo Rizzi; Italian subtitles)

Gran Teatre del Liceu, 2008 (Joyce DiDonato, Juan Diego Flórez, Bruno de Simone; conducted by Patrick Summers; German subtitles)

Romeo Opera, 2015 (Serena Malfi, Juan Francisco Gatell, Alessandro Corbelli; conducted by Alejo Pérez; Italian and English subtitles)

Lille Opera, 2016 (Emily Fons, Taylor Stayton, Renato Girolami; conducted by Yves Parmentier; English subtitles)

Boboli Gardens, Florence, 2020 (Svetlina Stoyanova, Josh Lovell, Daniel Miroslaw; conducted by Sándor Károlyi; no subtitles)

Lucia di Lammermoor

Tokyo Bunka Kaikan, 1967 (Renata Scotto, Carlo Bergonzi; conducted by Bruno Bartoletti; English subtitles)

Mario Lanfranchi film, 1971 (Anna Moffo, Lajos Kosma; conducted by Carlo Felice Cillario; English subtitles)

Bregenz Festival, 1982 (Katia Ricciarelli, José Carreras; conducted by Lamberto Gardelli; no subtitles) – Part I, Part II

Opera Australia, 1986 (Joan Sutherland, Richard Greager; conducted by Richard Bonynge; English subtitles)

Teatro Carlo Felice, 2003 (Stefania Bonfadelli, Marcelo Álvarez; conducted by Patrick Fournillier; Japanese subtitles)

San Francisco Opera, 2009 (Natalie Dessay, Giuseppe Filianoti; conducted by Jean-Yves Ossonce; English subtitles)

Amarillo Opera, 2013 (Hanan Alattar, Eric Barry; conducted by Michael Ching; English subtitles)

Gran Teatre del Liceu, 2015 (Elena Mosuc, Juan Diego Flórez; conducted by Marco Armiliato; French subtitles)

Teatro Real de Madrid, 2018 (Lisette Oropesa, Javier Camerana; conducted by Daniel Oren; English subtitles)

Vienna State Opera, 2022 (Lisette Oropesa, Benjamin Bernheim; conducted by Evelino Pidó; English subtitles)

Il Trovatore

Claudio Fino studio film, 1957 (Mario del Monaco, Leyla Gencer, Fedora Barbieri, Ettore Bastianini; conducted by Fernando Previtali; English subtitles)

Wolfgang Nagel studio film, 1975 (Franco Bonisolli, Raina Kabaivanska, Viorica Cortez, Giorgio Zancanaro; conducted by Bruno Bartoletti; Japanese subtitles)

Vienna State Opera, 1978 (Plácido Domingo, Raina Kabaivanska, Fiorenza Cossotto, Piero Cappuccilli; conducted by Herbert von Karajan; no subtitles)

Opera Australia, 1983 (Kenneth Collins, Joan Sutherland, Lauris Elms, Jonathan Summers; conducted by Richard Bonynge, English subtitles)

Metropolitan Opera, 1988 (Luciano Pavarotti, Eva Marton, Dolora Zajick, Sherrill Milnes; conducted by James Levine; no subtitles)

Bavarian State Opera, 2013 (Jonas Kaufmann, Anja Harteros, Elena Manistinta, Alexey Markov; conducted by Paolo Carignani; English subtitles)

Temporada Lirica a Coruña, 2015 (Gregory Kunde, Angela Meade, Marianne Cornetti, Juan Jesús Rodriguez; conducted by Keri-Lynn Wilson; no subtitles)

Opéra Royal de Wallonie-Liége, 2018 (Fabio Sartori, Yolanda Auyanet, Violeta Urmana, Mario Cassi; conducted by Daniel Oren; French subtitles)

Arena di Verona, 2019 (Yusif Eyvazov, Anna Netrebko, Dolora Zajick, Luca Salsi; conducted by Pier Giorgio Morandi; German subtitles)

Teatro Verdi di Pisa, 2021 (Murat Karahan, Carolina López Moreno, Victória Pitts, Cesar Méndez; conducted by Marco Guidarini; no subtitles)

[giggly-squiggily]

Visual Novel Masterlist

Here's the full master list of all my visual novel fics!

Last Updated: 12/31/24

Full Masterlist

🚪Cafe Enchante ☕

A Demon's Only Weakness (Switches!Misyr, Kotone)

A Fae’s Sensitivity (Lee!Canus, Ler!Kotone)

Howling With Mirth (Lee!Ignis, Ler!Kotone)

🩵 Code Realize ⚙

A Saintly Mistake (Lee!Saint-Germain, Ler!Cardia)

Love Me SiSi! (Lee!Impey, Ler!Cardia)

Of Puffy Sleeves and Romance Novels (Switch!Impey, Switch!Lupin)

Rather Interesting (Lee!Lupin, Ler!Sholmes)

Reflexive Training (Lee!Cardia, Ler!Van Helsing)

Smile For Me! (Lee!Victor, Ler!Cardia)

The Human Weapon Can Laugh? (Switch!Van, Switch!Impey, Switch!Lupin)

Wake Up, Mademoiselle (Lee!Cardia, Ler!Lupin)

☠Collar x Malice 🐈‍⬛

The (Dis)Advantages of Being Short (Switches!Takeru, Ichika)

Get Along Children (Lee!Takeru, Mineo, Ler!Aiji)

Getting Used To It (Lee!Mineo, Ler!Ichika)

It's A Secret! (Lee!Ichika, Ler!Okazaki)

Movie Night (Switches!Okazaki, Ichika)

Time For Bed! (Lee!Mineo, Ler!Ichika)

Take That, Gremlin! (Lee!Takeru, Ler!Mineo)

Trust Nap (Lee!Ichika, Ler!Takeru)

💞Cupid Parasite 🏹

#Fc89ac (Cupid Parasite)

Fight back! (Lee!Allen, Lers!Raul, Gill)

Just Tell Her, You Fool! (Lee!Gill, Lers!Allen, Raul)

Out Of Touch (Lee!Allan, Ler!Lynette)

~~~~🐻‍❄ Danganronpa 🐻~~~~

🐻 Trigger Happy Havoc🔒

Big Softie (Lee!Leon, Ler!Mondo)

Sailor Mouth (Lee!Mondo, Ler!Taka)

🐰 Goodbye Despair 🏖

Band Aid (Lee!Mikan, Ler!Ibuki)

Cheering Up The Yakuza (Lee!Fuyuhiko, Ler!Hajime, Ler!Komada, Ler!Kazuichi, Ler!Gundham)

Have You Been Eating? (Lee!Hajime, Ler!Akane)

Love Yourself Like How I love You (Nagito x Reader)

Not A Loser (Lee!Souda, Lers!Sonia, Gundham)

Shared Weakness (Lee!Sonia, Ler!Gundam)

🐻‍❄ Killing Harmony 🤖

Gentleman’s Guide To Etiquette (Lee!Gonta, Ler!Kirumi)

Giving It A Try (Lee!Korekiyo, Ler!Gonta)

Gonta Wake Up (Lee!Gonta, Ler!Korekiyo)

Morning Bird (AmaGujiMatsu)

Pen Pals (Kiiboumasai)

🔫 Piofiore 🇮🇹

Peaceful Days To Come (Lee!Orlok, Ler!Lilianna)

The Tickle Mobster (Lee!Liliana, Ler!Nicola)

The Tickle Mobster Returns (Lee!Dante, Ler!Nicola)

The Tickle Mobster's Final Stand (Lee!Nicola, Lers!Dante, Liliana)

Weakness Located (Lee!Dante, Ler!Liliana)

🎪 Radiant Tale 🪄

*Coming..Eventually!**

👹 Tengoku Struggle: Strayside ⛓

Attention (Lee! Rin, Ler!Sharaku)

🥀 Virche Evermore: Error Salvation 💀

Adolphe’s Weakness (Lee!Adolphe, Switch!Lucas, Ler!Yves)

[eightfifteen]

Madcleradin Paranormal Investigators AU because i simply had to sit down and think about it after remembering this post by @dis-a-ppointment again for the millionth time.

Will went missing in 1983.

He was kidnapped for a week, but he managed to get away and Mike found him in the woods near the quarry after going out every night to look for him.

Will swears there was another girl there, even though they never actually found the perpetrator or any sign of a girl having gone missing.

Will and Mike start looking into it in High School - Will swore by it, and kept having nightmares about the girl, feeling guilty he'd left her behind.

So, Mike, to help Will, looks into it further - using the same detective skills he'd used while Will had been gone. He finds out about Jane Yves, and how she should be around the same age Will had said the girl should be.

It's a project they kept hidden from Lucas and Dustin, Will not wanting to burden anyone else with it. He talked to Hopper a million times though, and he insists he's looked into it but that there's nothing to lead him in any direction. Especially as Jane supposedly died in a miscarriage, and the lab had shut down ages ago.

In senior year, they start breaking into empty houses because Will wonders if he might recognize one of them, if he might remember the location of where he'd been kept it could be their first clue.

One day, they're breaking into an abandoned house near the trailer park when Max catches them. She joins them for their 'ghost hunt' - the best excuse they could come up with - and though she thinks it's bullshit, she's having a blast making fun of them whenever they flinch at a "scary noise".

AKA Will starts hearing things and insists they're ghosts, while Max just makes fun. Mike is a fence straddler - he doesn't actually believe ghosts are real but he's a 100 percent on Will's side. If Will says he heard a ghost than it's a ghost. period.

Eventually it becomes a bit of a hobby - going to "haunted houses".

Max is doing it for the ghost hunting, unaware of the Jane thing, but Mike and Will are still also investigating behind Max' back.

The summer after High School, when Dustin and Lucas are both going to an early summer program at their respective colleges, the three of them are left to spend their summer break road tripping around the state and "investigating". Both for fun and because they found a way to make money off of it - they end up selling their stories to a popular alternative magazine - Max takes pictures, Mike and Will write, and sometimes Will makes art of the ghosts they saw.

Along the way though, Will starts wondering if he might actually be going crazy with the voices he's hearing and the things he's seeing, but his best friend buddy pal Mike insists that if that's the case they'd go crazy together.

Eventually, they figure out that their "ghost proof" has a particular pattern, and they realize the "ghost" might be communicating with them - that it's strangely enough - not a different ghost for each house, but one ghost following them.

Long story short it was El communicating with them using her powers, and she leads them to where she's being kept.

Also, Mike and Will kiss.

[blupengu]

Okay, I thought Le Salut emotionally devastated me? Wrong. Weak sauce. I think I inadvertently went in order from happiest to most depressing salvation ending oops…💀

Big fat spoilers for everyone’s salvation ends under the cut!! I’ll add the order I did them in first in case somehow someone finds this and is curious but hasn’t done them all yet

Just wanna say though, thank you Virche Evermore for gifting us with not one, not two, but FIVE(!) long-haired boys, god damn! I would like to shake Yomi’s hand because the art and character designs are so *chef’s kiss,* long-haired anime boys are superior 😂

Also random aside, the first few notes of the salvation theme before the piano comes in gives me such……… indescribable feelings? That underlying dissonance fills me with like such a desperate but forlorn desire to go back to simpler, happier times before the melody becomes more hopeful 😂 (this might be a weird pull, but it gives me Giygas theme prayer for safety vibes from Earthbound 👀)

Adolphe -> Mathis -> Scien -> Yves -> Lucas (yes I saved him for last because I am a Lucas simp I admit it. I saw some comments say it was uhhh not the happiest ending LOL but the heart wants what the heart wants 💀) Boy this is gonna be a LONG post

Adolphe

Love things being solved with guns lmfaooo, guess we’ll go by each scene that the game goes through. Also since I forgot to mention this in my Le Salut rant, I LOVE all of Ankou’s CGs, he is so pretty! The very first one you get stopping Ceres from killing herself? Impeccable. When Adolphe’s pointing a sword at him while his hair’s blowing in the wind? Show-stopping. Him eating the lycoris? Peak *I saw a man so beautiful I started crying* 😩

LUCAS AND NADIA ARE ALIVE! NADIA IS RECOVERING!! LUCAS IS GOING TO THERAPY!!! As mad as I am that ankou died, this is the best timeline oh my gosh the way I (˶‾᷄ ⁻̫ ‾᷅˵) when I heard Nadia, the relief I felt for these two blonde bitches y’all…

LMAO JEAN. Oh my evil hot butler being forced to take care of a baby as his punishment is so *chef’s kiss,* scien has wonderful ideas, I desperately want fan art of this 😂 ah… they did say Rosalie was pregnant though when she was killed, didn’t they… oh now it hurts a little more… I hope he, Mathis, and the kid become a loving family 😔

What the FUCK Yves eating the lycoris bulbs coming in clutch though??? And Hugo still being an A+ Yvesexual I approve 😌

Scien is the BIGGEST mvp though in practically every route my god

This was such like a nice, tight little bow to put at the end of what I guess is the true route? But I love it because all our boys are happy (Ripperoni ankou 🫡)

Mathis

Sweet baby boy, too good for this world… Dahut why tf are you blowing shit up in his route this don’t involve you go away 😂 (still love him though…)

Oh… OH. Mathis was ACTUALLY baby…?? o_o (kinda 😬 how Jean got the cells but uh, let’s ignore that shall we?) Rosalie, Camille, Mathis happy family AU when??? Aaaw Jean did care about Mathis deep down TT_TT (like waaaay deep down), and thank you Scien again as always.

Lmao Ankou’s just casually showing up like, “here take these sweets, it’s made of my blood! Haha no of course I’m joking it’s just normal candy” 👀 Not much else to say about this end, it was cute! I’m glad at least one character got a real happy ending 😌

Scien

Bruh I forgot how disrespectful Scien is to everybody lmaooo, guess we back to sandwich dispenser… I’m glad Dahut’s our friend in this route though!

SALOME WHAT THE FUCK! Oh bruh hell nah, she did not just do that I stg… oh bitch she really killed Dahut huh. YOU JUST KILLED YOUR SON!! GIRL, THIS MAKES ME MAD AF 💀 (this also made me realize they share the same bang style 😭)

Not much else to say about this one either, I’m glad it’s happy (other than Dahut… and they’re never gonna find out about that, huh… ಠ_ಠ), and looks like the kiss CG’s improved! 😂

Yves

Bruh Yves needs therapy so bad, he’s such a good boy though 😂 Ngl his full name is kinda sick, Yves Noirge, guardian of the Lycoris, named after the flowers of misfortune? That goes hard af

Please… please give her the Magic science juice first so you don’t die before you get to her… no? Aight then I guess the power of love stopped you from dropping dead LOL (this kiss CG was also pretty nice! Hooray the artist has improved 😂)

Cannot believe they put in the effort to change Scien’s sprite so he’s missing an arm though lmao, and Ankou just kinda showing up to solve problems is always great

Y’all Yves and Ceres are so mentally I’ll for each other… and two kiss CGs!! They really saved the nice ones for the end huh 😂 Good for Yves! It’s not a super happy ending, but at the very least things are hopeful, and that’s all I can really ask for in this game…

Lucas

I am. Upset. I miss when all we had to worry about was the cage 😂

*internal screaming* Boy oh boy this one absolutely wrecked my shit. When I looked at the flow chart and realized it would split off AFTER Nadia and the killing spree… 😬 like bitch I don’t wanna go through this again 💀 okay okay though, this one’s definitely gonna be long (sorry in advance), I guess I’ll just tackle the scenes chronologically:

Seeing Dahut hiding from Lucas really just made me shout “LOOK WHAT YOU DID!!” at my TV now knowing what we know lmao, but also… why was he unsure about Capucine’s involvement…? Like he knew Capucine was Ortie and he must’ve known that Capucine was running the hospital Nadia was in… also knew he was abusing Lucas and doing fucked up human experimentation, Dahut so why are you surprised??? I would’ve pulled Nadia out if there the second I became friends with her, a huge chunk of this is your fault 😭

But bruh… this is not a salvation end… it’s a despair end with more CGs and trying-to-talk-with-a-slit-throat-while-coughing-up-blood ASMR wtf 💀

(Poor Lucas saying “I can’t do this anymore” was so relatable lmao sweetie the game is doing you so dirty I am so sorry, like oh my god make the pain stop… what do you mean it’s only gonna get worse?!)

I am glad though that even though we stabbed our boy in the throat we are still going after Capucine’s ass together! Seeing him scared was so satisfying aah, GET FUCKED CAPUCINE HELL YEAH YOU BETTER BE AFRAID BITCH!! Even with 0 pints of blood, Lucas is still kicking down doors and kicking ass, what a king 👑 the man must be leaking everywhere (like sir we cut an artery, there must be a fountain coming out of you), love the “man too angry to die” vibes 😌

Bruh the siblings face to face is so fucked. Was not expecting Dahut to have already been there and playing dead though! Even though you’re kinda the reason Lucas and Nadia’s lives got so fucked, I’m glad you helped in the end 😌 get fucked (again) Capucine!! I’m very glad Nadia was the one to claw the shit out of that garbage man 🔥💯

Aha, the touching sibling reunion is SO super duper fucked 😭 they did not have to describe how Nadia can feel the other body parts and how much it hurts… like Jesus fucking Christ honey I am so sorry you’re in this game, this is too much suffering for such a sweet character 😩

God I am so absolutely devastated, his dying CG was pretty at least… ಥ_ಥ this ain’t fair though y’all… what is this injustice for Lucas?? Like this is some Shakespearean tragedy bullshit… Whoever decided his gravestone CG needed THREE variations is sadistic lmao 😭

My crops are dying, my skin is dry, everything is pain… I guess all we can really do is take some solace in the fact that he gets a happy ending with Nadia in Le Salut…

I don’t think the salvation theme music ever even played???? I also realized this motherfucker’s been wearing high heels the whole time while on his murderous rampage??? WORK BITCH damn 💅

Phew this rant for just Lucas probably could’ve been its own post honestly lmao but oh well, the man changed my brain chemistry… guess it’s time to pray for the FD to be localized. Please our lord and savior Scien, let it be soon, Lucas deserves so much better than what he got 😭

Well guess that’s it for my rambling posts about virche evermore!! This game was a wild ride from start to finish and I loved it, time to make shitty memes to cure my brain rot (sorry if this post was incomprehensible LOL)

[reposted-yura15cbx]

William Shakespeare - Amleto.pdf William Shakespeare - Cimbelino.pdf William Shakespeare - Enrico VIII.pdf William Shakespeare - Il mercante di Venezia.pdf William Shakespeare - Il racconto d’inverno.pdf William Shakespeare - La Tempesta.pdf William Shakespeare - Le commedie_ La tempesta-I due gentiluomini di Verona.epub William Shakespeare - Macbeth.pdf William Shakespeare - Macbeth-Einaudi (2016).epub William Shakespeare - Molto rumore per nulla.pdf William Shakespeare - Opere complete. Con testo a fronte-Garzanti (2016).epub William Shakespeare - Otello.pdf William Shakespeare - Romeo e Giulietta.pdf William Shakespeare - Sogno di una notte di mezza estate.pdf William Shakespeare - Troilo e Cressida.pdf William Shakespeare - Tutto e bene quel che finisce bene.pdf William Shakespeare - Tutto il teatro. Ediz. integrale-Newton Compton (2009).epub William Shakespeare - Tutto il teatro.pdf William Shakespeare - William Shakespeare. Macbeth-Newton Compton Editori (2011).epub William Shakespeare - William Shakespeare. Otello-Newton Compton Editori (2012).epub William Shakespeare a cura di Davico Bonino - Breviario d'amore.pdf William Shakespeare, - Tragedie-BUR Biblioteca Univ. Rizzoli (2006).epub William Shakespeare, - Tutte le opere. Le tragedie. Testo inglese a fr.pdf William Shakespeare, - Tutte le opere. Le.pdf William Shakespeare, - Tutte le opere. Tr.pdf William Shakespeare, - Tutte le opere. I drammi storici. Testo inglese a f.pdf William Shakespeare, F. Giacomantonio (editor) - Giulio Cesare. Testo inglese a fronte. Ediz. integrale-Newton Compton Editori (2011).epub William Shakespeare, Luca Fontana (editor) - La tragica storia di Amleto, principe di Danimarca-Il Saggiatore (2011).epub William Shakespeare, Nadia Fusini (editor) - La commedia degli errori. Testo inglese a fronte.pdf William Shakespeare, Northrop Frye, Fernando Cioni (editor) - Commedie romantiche-BUR Biblioteca Univ. Rizzoli (2007).epub Wystan Hugh Auden, Arthur Kirsch (editor) - Lezioni su Shakespeare-Adelphi (2006).epub Yves Bonnefoy - L'esitazione di Amleto. Scritti su William Shakespeare-Il Saggiatore (2023).epub

[ulkaralakbarova]

Unable to find her runaway son, a woman deceives two of her ex-lovers from her youth, a mild-mannered teacher and a tough journalist, that each is the real father in order to obtain their help. Credits: TheMovieDb. Film Cast: François Pignon: Pierre Richard Jean Lucas: Gérard Depardieu Christine Martin: Anny Duperey Paul Martin: Michel Aumont Tristan Martin: Stéphane Bierry Milan: Philippe Khorsand Ralph: Jean-Jacques Scheffer Jeannot: Roland Blanche Verdier: Jacques Frantz Raffart: Maurice Barrier Mrs. Raffart: Charlotte Maury-Sentier Louise: Gisèle Pascal Stéphane: Patrick Blondel Michèle Raffart: Florence Moreau Patron of “Star Trek”: Patrice Melennec Hotel Receptionist: Robert Dalban Internal: François Bernheim …: Bruno Allain Man in garage blocked by car: Philippe Brigaud …: Pulcher Castan …: Luc-Antoine Diquéro Journalist who flirts with Lucas: Natacha Guinaudeau …: Sonia Laroze Thug: Patrick Laurent …: Jean-Claude Martin …: Guy Matchoro Julien: Jacques Maury Toilet attendant: Jacqueline Noëlle …: Christian Bianchi …: Gérard Camp …: Patrick Le Barz …: Philippe Ribes …: Claude Rossignol Michelle (uncredited): Florence Mancini Film Crew: Original Music Composer: Vladimir Cosma Producer: Francis Veber Director of Photography: Claude Agostini Editor: Marie-Sophie Dubus Producer: Pierre Richard Costume Design: Corinne Jorry Production Design: Gérard Daoudal Assistant Director: Francis de Gueltzl Casting: Françoise Menidrey Sound: Bernard Aubouy Producer: Gérard Depardieu Production Manager: Jean-Claude Bourlat Script Supervisor: Colette Crochot Boom Operator: Sophie Chiabaut Electrician: Richard Vidal Makeup Artist: Thi-Loan Nguyen Stunt Coordinator: Guy Di Rigo Location Manager: Jean-Yves Asselin Stunt Coordinator: Antoine Baud First Assistant Camera: François Amado Movie Reviews:

[sexysilverstrider]

bitch at this point id rather have the og route where ceres is tortured before mathis reverts back to his original and died but revived a reliver OHHHHH MY GOOOOD

[patti-campani]

Patti Campani Testo di presentazione a Luca Dimartino Vintage age "Il moltiplicarsi all'infinito delle fotografie che colgono solo il fuori della vita può contribuire alla fine del mondo. Ma alcuni fotografi, grandi in questo, cercano di salvarlo".  Poesia e fotografia – Yves Bonnefoy

La bellezza dell’arte e del paesaggio è patrimonio comune, ma in questo contemporaneo che la ignora e la priva di senso, la distrugge come un vandalo terribile e ce la rende in un fluire di immagini irrimediabilmente superficiale e continuo di allettanti mete per le vacanze, è ancora possibile percepire  il senso della sua presenza, del suo essere splendida, della sua singolarità? Per preservarla è necessario uno sguardo che sappia non solo coglierla, ma anche e soprattutto divenire dispiegamento del visibile. Bonnefoy suggerisce  che “il fotografo come i veri poeti, percepisce nelle cose ciò che oltrepassa il loro senso mondano” e ancora “Come il poeta, solo il fotografo è colui che accoglie e custodisce la presenza, dialogando con il tempo e lo spazio, presentificando anche il nulla, allontanando l'orrore attraverso lo sguardo meravigliato del primo giorno, strappando al non senso un frammento di senso.” La fotografia può mostrare il lampo della presenza nella distruzione che la modernità ha perseguito e lo sguardo poetico sulle cose dell’arte, del paesaggio, di noi stessi, è una forma di custodia attiva, una custodia che permette di sentirsi parte di un mondo che anziché distruggerle, le moltiplica. Luca Dimartino, artista e poeta, ricerca da sempre questa prossimità alle cose, in un rapporto poetico che lo conduce al loro mostrarsi essenziale e quindi denso di esistenza. Ne accoglie la presenza, ne percepisce l’istante,  le pensa e le rende a noi con gesto artistico. In alcuni precedenti progetti che abbiamo realizzato insieme (Luca Dimartino, personale a Walk about, Post Cards, collettiva a Fiorile+De Diseno)  le immagini fotografiche erano strettamente fuse alla parola, brevi versi che ne definivano la durata  termine inteso qui - sui magnifici versi  di P. Handke in Canto alla durata -  come il momento in cui ci si pone  in ascolto, mutando il momento in meditazione e restituendo l’immagine in una nuova apparenza: libera da ogni simbolizzazione e allo stesso tempo non ridotta alla lettera. Così pure per il ciclo dedicato al Teatro (presentato per Accrochage, collettiva) nel quale il gesto degli attori era di fatto il fluire stesso della durata. In  Vintage age   Luca Dimartino accompagna una preziosità altra e realizza una serie di scatti dedicati all’arte e al paesaggio della sua terra: emulsioni dipinte su carta da incisione Rosaspina.  Una tecnica antica quella dell’ emulsione, lenta, che si appropria di visibilità ad ogni singolo passaggio per arrivare ad essere un unico irripetibile pezzo.  Riporto le parole, che lo stesso Dimartino mi ha inviato: - Le emulsioni sono una tecnica che, se usata come faccio io stesa su carta da incisione Rosaspina, cerca di ritrovare la texture delle Albumine di fine ottocento (…) io le utilizzo perche come le albumine mi riportano ad una sorta di prima Impronta (...) cioè ripercorrendo tutti i procedimenti per emulsionare la carta, per stendere col pennello l'emulsione alla luce rossa, lasciarla asciugare e poi stampare (...) ripercorro, dicevo, le fasi iniziali della stampa; perciò produco immagini uniche, irripetibili. Poi una cosa importante del testo (cioè l'emulsione è come la pagina di un romanzo) è che, sotto la cadenza del  japonisme, viene dipinto a mano,  acquerellato. Queste sono da sempre le sue funzioni nel mio lavoro; le  immagini agresti, le architetture (che simulano i viaggiatori del Grand Tour, le vedute e i particolari) e le marine (…) riportare la fotografia da dove i  fotografi dell800 l'avevano lasciata (...). -

In Vintage age  la parola è sostituita dalla lentezza preziosa della tecnica di stampa, per ricondurre il qui ad essere un luogo dotato di valore, nella consapevolezza che questo  luogo fissato nell’immagine ha rifrazioni infinite, resta dentro di noi ed ha il ritmo della durata. Vintage age ci rende la presenza di una parte di ciò che ci circonda, la sottolinea e ne esalta la presenza e singolarità e lo sguardo poetico di Luca Dimartino ci riporta questa presenza, fino ad un istante prima immersa ancora nel buio della disattenzione, situandola in un nuovo significato, in una nuova sorprendente luce.

Patti Campani

[lamilanomagazine]

In occasione del Salone del Mobile Vanity Fair presenta "we can be heroes" gli eroi della generazione green

In occasione del Salone del Mobile Vanity Fair presenta "we can be heroes" gli eroi della generazione green. Tema dell’edizione 2023 è il cambiamento attivo: We Can Be Heroes. Tutti possiamo essere gli eroi di questa generazione green, dando il nostro contributo concreto per correggere il corso degli eventi. Solo impegnandoci tutti insieme, ognuno per le proprie competenze, possiamo pensare di costruire un futuro migliore. È arrivato il tempo di fare sul serio: servono azioni decise, idee innovative, serve tutta l'esperienza dei grandi imprenditori e tutta l'audacia dei ragazzi più idealisti. Nel Vanity Fair Social Garden, ci si incontrerà per questo, per mettere a terra i semi e far crescere intenti concreti e azioni pratiche, per vedere come le cose potrebbero già funzionare in modo diverso: senza sprecare energia, riciclando gli scarti, rispettando il lavoro di ciascuno. E così, durante la settimana, è stato organizzato un ricco palinsesto di tavole rotonde, workshop e laboratori per bambini, momenti di intrattenimento per mettere tutti davanti alla consapevolezza che siamo noi i responsabili di quello che sarà. Bambini compresi, che qui, insieme a Kikolle Lab, potranno imparare a realizzare un micro-giardino in bottiglia e, con Gipsy Cip, saranno chiamati a recuperare scarti tessili per creare al telaio nuovi artefatti. Tante poi le attività anche per gli adulti: dai consigli per la cura dei capelli della beauty expert Martina Luchena all’incontro con l’Associazione Gomitolorosa che, insieme a Yves Rocher, coordinerà una speciale sessione di lanaterapia; dalla cartomante sostenibile di Trama Plaza alla cucina veg dello chef Edoardo Valsecchi, dal talk «tecnologico» dello speaker Jody Cecchetto con Atena Manca di Haier Europe, fino ai workshop con piante e fiori organizzati prima da Clinica Botanica e poi da St-Germain in collaborazione con Potafiori. E ancora: le degustazioni multisensoriali di Sergio Momo, ceo e Direttore Creativo Xerjoff, e le masterclass realizzate da Uriage per approfondire il tema dello skincare. Il programma si conclude, domenica, con le consulenze di Rossella Migliaccio per uno stile davvero green e con l’upcycling di vecchie magliette da fare con Humana People to People Italia e Belt Bag. Il via all’evento lo dà una tavola rotonda, intorno a cui si siederanno alcuni tra i più grandi protagonisti della sostenibilità: gli imprenditori Federico Marchetti e Oscar Farinetti, la direttrice del programma Inclusive Climate Action di C40 Caterina Sarfatti, la conduttrice e scrittrice Giulia Innocenzi, l’attivista di Fridays For Future Italia Martina Comparelli, Maria Letizia Ruello come rappresentante di Ultima Generazione, il responsabile della strategia per la decarbonizzazione di ECCO Luca Iacoboni e Maria Chiara Pastore, direttrice scientifica di Forestami. Le idee che ne usciranno verranno esposte su un grande albero, come a farlo fiorire: durante l’incontro sui rami compariranno, man mano, i messaggi e le parole chiave su cui riflettere. Anzi, verrà chiesto a tutti di lasciare, su quei rami, frasi, ispirazioni, intenti e i progetti che saranno poi pubblicati in una gallery sul sito di Vanity Fair e che si comporrà giorno dopo giorno, convinti che da lì possano arrivare proposte concrete che Vanity Fair si impegnerà a portare avanti. Tramite la collaborazione con Up2You, startup greentech e B Corp certificata, sono state calcolate le emissioni di CO₂ non riducibili prodotte dall'evento. Per compensare l'impronta di carbonio, Vanity Fair Social Garden ha investito in un portfolio di progetti sostenibili certificati Gold Standard, legati alla riforestazione e alla transizione a energie rinnovabili. Per ogni chilogrammo di CO₂ prodotto dall'evento, altrettanta CO₂ verrà catturata, andando così a bilanciarne l’impatto sull'ambiente. L’impegno di Vanity Fair sarà visibile su Registry, il registro pubblico di Up2You, dove la quantità di CO₂ compensata e i progetti sostenuti sono consultabili pubblicamente. Vanity Fair Social Garden sarà anche un giardino virtuale, grazie agli elementi geolocalizzati in realtà aumentata creati dagli studenti di Visual Design della School of Design di Istituto Marangoni Milano, in collaborazione con Snapchat. Basterà scansionare gli Snapcode e tutti i visitatori si troveranno immersi in un’oasi fantastica e paradisiaca. L'evento, inserito all’interno del circuito della Milano Design Week, è reso possibile grazie al contributo di diversi partner: Alcantara, eccellenza del Made in Italy, è il materiale che grazie alla sua versatilità e unicità ha conquistato ogni settore creativo con il suo soft touch: dal Fashion al Design, dall’automotive all'hi-tech. Grazie ai risultati raggiunti in materia di emissioni di CO₂, nel 2009 Alcantara ha ottenuto lo status di "Carbon Neutrality" da parte di TÜV SÜD; all’evento il brand confermerà il suo impegno verso il tema della sostenibilità e fornirà il materiale con il quale verranno lasciati i messaggi che faranno fiorire il grande albero del Social Garden. Per Coca-Cola, Vanity Fair Social Garden è un'occasione per raccontare il proprio impegno nel rendere le confezioni sempre più sostenibili e sensibilizzare sul tema riciclo ed economia circolare. Grazie all’installazione di una Recycling Machine, si potrà scoprire il processo di riciclo e l'importanza di dare una seconda vita alle bottiglie in PET. Inoltre verranno distribuite bottiglie in 100% plastica riciclata e 100% riciclabili; Coripet, il consorzio volontario senza scopo di lucro riconosciuto dal MITE, chiuderà il cerchio raccogliendo ed avviando a diretto riciclo le bottiglie raccolte all'evento. Haier, brand di elettrodomestici, da sempre attento all’ambiente con una gamma completa di lavatrici in classe A, organizzerà una masterclass e presenterà all’evento “Washpass”, il primo servizio di lavaggio in abbonamento - una lavatrice connessa con autodosaggio di 4 detergenti Nuncas integrati. Un corner floreale firmato St-Germain accoglierà gli ospiti nel cuore di Vanity Fair Social Garden, offrendo l’occasione di celebrare il rituale dell’aperitivo con St-Germain Hugo, l’hero drink realizzato con il liquore ai fiori di sambuco francese. Un’occasione per vivere un momento di socialità all’insegna della Joyfulness tipica del brand, con quel tocco unico di freschezza e convivialità per far fiorire il momento, o in questo caso proprio l’aperitivo. Uriage, con i suoi prodotti dedicati alla cura della pelle a base di Acqua Termale, organizzerà 3 masterclass in cui affronterà tematiche come la fotoprotezione, la skincare e l’idratazione naturale della pelle, oltre a mettere a disposizione del pubblico le sue skin expert per delle consulenze personalizzate in un corner dedicato. Un’occasione unica per scoprire la beauty routine ideale sulla base di quelli che sono i propri bisogni e la tipologia di pelle. Xerjoff presenta la linea di fragranze etiche “Spray to Help” nata per supportare fondazioni ed associazioni italiane ed internazionali impegnate a combattere ogni giorno a favore dei meno fortunati, toccando diversi campi di azione. Al Vanity Fair Social Garden sarà presente con un corner dedicato e una masterclass. Yves Rocher, fondatore della Cosmétique Végétale® dal 1959, approda al Vanity Fair Social Garden comunicando il mondo dell’Expertise Botanica Haircare con un corner dedicato, dove sarà possibile conoscere il brand attraverso l’experience “Hair Diag”, l’analisi del capello, e con due appuntamenti speciali: un incontro con l’Associazione Gomitolorosa che presenterà il progetto ambientale e sociale «Il Filo che unisce» e una masterclass con la beauty expert Martina Luchena. Media Partner: Urban Vision, Digital Media Company leader nel fundraising finalizzato alla tutela del patrimonio culturale e nei progetti di comunicazione integrata. Grazie a Urban Vision la campagna del Vanity Fair Social Garden avrà visibilità in outdoor nel cuore di Milano sull’esclusivo Line Network che comprende i maxi schermi presenti in via San Calimero, via De Amicis e piazza Vetra, permettendo così, di raccontare l’evento a un pubblico sempre più dinamico e che vive la città. Progetto e produzione allestimenti “Upcycling” a cura di Milestone Production: gran parte delle scenografie nascono da un riuso creativo e da materiali di riciclo, con l'obiettivo di ridurre l'utilizzo di materie prime e, di conseguenza, minimizzare l'impatto ambientale complessivo dell'evento.    ... #notizie #news #breakingnews #cronaca #politica #eventi #sport #moda Read the full article

[wqbytop100]

WQBY

Top 100 for the week ending April 2, 2023

Reborn----SIDEPIECE, *KYLE WALKER remix -2

Sparks----MEDUZA, DEL-30, Mali-Koa -6

Unholy----Sam Smith, Kim Petras, *DISCLOUSER remix -13

When I Talk----Kx5 w/ Elderbrook -20

You Know What I Mean---PNAU, Troye Sivan -10

Heaven----Niall Horan -1

Here We Go Again----Oliver Tree, David Guetta -7

Gone (Da da Da)-----Imanbek, Jay Sean -30

Dancing's Done----Ava Max -11

Afterparty----Loud Luxury, Hook N Sling -25

High Heels - Party Down Under----Flo Rida, Walker Hayes, *SAM FELDT remix -8

Money On The Dash----Elley Duhe, Whethan -21

Pearls----Jessie Ware -12

Take Me Home----VAVO, Clara Mae -77

10:35----Tiesto, Tate McRae -14

Just The Kinda Feeling----Yotto, LOST BOY -3

Submarine----Seeb, BANNERS, SUPER-Hi -65

Pwdr-Blu-----Kx5 w/ Brother -61

Hungry Heart----Steve Aoki, Galantis, Hayley Kiyoko -29

Lovesick----Alan Walker, Sophie Simmons -5

Back To You----Lost Frequencies, Elley Duhe, X Ambassadors -4

If We Ever Broke Up----Mae Stephens -16

Borderline-----Tove Lo -17

Chasing Shadows----Alex Warren -36

Where You Are----John Summit, Hayla -9

***Dancing All Alone----Morgan Page, TELYKAST -(new)

I Can't Wait-----Tiesto, Solardo, Poppy Baskcomb -18

Left & Right ----Ownboss, FAST BOY -19

***Waterfall-----Michael Schulte, R3HAB -(new)

Out Of My Mind-----Little Image -15

Red Lights------Lane 8, Emmit Fenn, *EMBRZ remix

Lennon-----ESSEL -27

Lay Low-----Tiesto -22

Never Gonna Not Dance Again----Pink, *SAM FELDT remix -23

Flowers----Mylie Cyrus -33

Different Kind Of Lonely----Camp Kubrick, Dom Diablo -32

Stay Above----Lukas Graham -42

Gimme That Bounce ----Mau P -38

Something's Coming----Cheat Codes, Lady A -26

Bel Mercy----Jingi -29

Making Time----Sultan + Shepard, Julia Church -41

The One---INJI -50

What's It Gonna Take----Cheat Codes, Michael Tenpenny -40

I'll Be Around----Elderbrook, Amtrac -45

<>Whistle----Jax Jones, Calum Scott -(re-entry)

Tra Tra----HUGEL, BLOND:ISH, Nfasis -35

<>Tornado-----Hi Lo, Oliver Heldens -(re-entry)

Anyway-----CASH CASH, RuthAnne -47

Pouring Rain-----Guz, Camden Cox -48

How Many Tears-----Kygo, Sam Feldt, Emily Warren -37

Shut Up-----Alan Walker, UPSAHL -53

<>*A Milli ----Lil Wayne, *SIDEPIECE remix -(re-entry)*

Rely On Me----Sigala, Gabry Pointe, Alex Gaudino -59

Don't Make Me Have To Come Down There-----Dolly Parton -51

Lipstick----BLR, Robbie Rise -43

Show Me----John Summit, Hannah Boleyn -55

Make Me Feel----The Chainsmokers, Cheyenne Gilles -57

Ghost Again----Depeche Moke -52

Sleepwalking-----Matt Sassari, Goodboys -54

Pegasus-----MEDUZA, Eli & Fur -56

The Way----Manchester Orchestra -67

***So Many Ways To Get Downtown ----Proxima Parada -(new entry)

***Run A Redlight---Everything But The Girl -(new entry)

***Sweet Goodbye---Robin Schultz, *SVIDDEN remix -(new entry)

***House All The Time-----Biscits -(new entry)

***Trustfall----Pink -(new entry)

***Everything You Have Done-----Genesi, *MEDUZA remix -(new entry)

I Wrote A Song ----Mae Muller -66

No One Dies From Love-----Tove Lo -83

***Tina-----Vintage Culture, Bhaskar, Meca, The Vic -(new entry)

Choose You-----Elmiene -62

Headstrong Gunnar ----Aldn -68

Stereo---SUM SUN, Sly Chance -92

***Good Time----The Dare -(new entry)

Movin' All Around (Junpin')----Schak, Kim English, *JOHN SUMMIT remix -63

Feels This Good-----Sigala, Mae Muller, Caity Baser, Stefflon Don -81

***Fantasy (Tricky Disco)----W&W, Harris & Ford, TRiiiPL3 INC. -(new entry)

***Bright Lights---Kx5 f/ AR/CO -(new entry)

Clouds----BUNT., Nate Traveller -62

Everybody Hates Me---Gayle -93

***Explore Your Future----Anyma -(new entry)

***Ride It----Armin Van Helden, Roc'Well, Coco, Slayrizz -(new entry)

***Crying On The Dancefloor ----Sam Feldt, Jonas Blue, Endless Summer, Violet Days -(new entry)

Find Your People-----Drew Holcomb & The Neighbors -77

After Midnight----Lucas & Steve, Yves V, Xoro, *TELEKAST remix -90

River----Mylie Cyrus -27

***Growing Pains----Jastin Martin -(new entry)

***Welcome To Dinna----Francis Mercier, Black Uhuru -(new entry)

***Jaded----Mylie Cyrus -(new entry)

***Himbo----Curtis Waters -(new entry)

***No Sleep----Regard, Ella Henderson -(new entry)

Adore----Bob Sinclar -70

Deciever -VIP-----Chris Lake, Green Velvet -94

New Gold-----Gorillaz, Tame Impala, Bootie Brown, *DOM DOLLA remix -34

I'm Good (Blue)----David Guetta, Bebe Rexha -44

Wings (I Won't Let You Down)----Armin Van Helden, Karen Harding -46

Revolution----John Summit -49

Anything But Wet-----I.O. Lights -58

What House----Block & Crown -60

Bedroom Exile----Giant Rooks -71

Gone this week are; 19off ***18 new <>* 1 re-entry * F U Goodbye----Peach PRC Lose My Mind----Stephen Dawes My City's On Fire----Jimi Jules Crazy----RNR, Ryan Lewis Next To You----Loud Luxury, DVBBS, Kane Brown Oi Oi Oi ----Dubdogs, Maxximal, MC Hollywood Good Life---Hayden James, Emie All Or Nothing----Topic, HRVY React----Switch Disco, Ella Henderson, Robert Miles Caught Up----Gryffin, Olivia O'Brien Take Me Away----ACRAZE Rewind-----Whipped Cream Thousand Miles----Mylie Cyrus, Brandi Carile Firewalk----Morgan Page, Lissie Creepin'----Metro Bloomin, The Weeknd, 21 Savage New Bottega-----Torren Foot, Azelalla Banks Sete-----BLOND:ISH, Francis Mercier, Amadou & Mariam Drifting Away----Audien, Joe Jury Need Me Right-----Anabel Englund

[sounds-right]

Ratamacue, Storia di arte per voce e batteria al No'hma - Milano

Prosegue la Rassegna Armonie e Suoni di No'hma - Milano, con un nuovo appuntamento in doppia data: mercoledì 22 e giovedì 23 marzo va in scena Ratamacue, Storia di arte per voce e batteria, con Phil Mer e Carlo Vanoni. 

Ratamacue è uno spettacolo che si regge sul tempo e sul ritmo: il tempo è quello attraversato dalla storia dell'arte; il ritmo è quello della batteria, co-protagonista della narrazione dello storico dell'arte Carlo Vanoni - da cui il titolo, Ratamacue, che è un rudimento per lo studio del tamburo. Due linguaggi a confronto, l'arte e la musica, diversi ma non troppo, a condurre insieme lo spettatore in un viaggio nell'arte, da Giotto a Yves Klein. La batteria dialoga con la parola, creando di volta in volta atmosfere in perfetta sintonia con le immagini proiettate sullo schermo.

La collaborazione tra Vanoni e Mer in Ratamacue parte da un presupposto: l'arte può essere spiegata, ma va soprattutto "ascoltata". Questa "sinestesia teatrale" è la stessa che caratterizza molta della programmazione di No'hma, in cui linguaggi e codici artistici differenti si mescolano per dare forma a un palinsesto in grado di raggiungere i pubblici più differenti grazie all'eterogeneità dell'offerta.

Phil Mer è protagonista indiscusso della batteria nella musica italiana, capace di passare dalle raffinate riletture in chiave jazz ai più frequentati palcoscenici pop (ha collaborato, fra gli altri con Pooh, Pino Daniele, Malika Ajane). Carlo Vanoni, storico dell'arte, collabora con varie gallerie d'arte e curatore di mostre. Ha portato in teatro spettacoli di successo, ed è spesso ospite di trasmissioni radiofoniche e televisive. 

L'ingresso sarà come sempre gratuito previa prenotazione obbligatoria, effettuabile sul sito Eventbrite oppure mandando una mail a nohma@nohma.it o ancora contattando il numero 0245485085. Lo spettacolo sarà trasmesso in streaming sui canali del Teatro.

RATAMACUE 

Storia di arte per voce e batteria

di Carlo Vanoni

liberamente ispirato a Io sono il cambiamento - storia di arte

musiche di Phil Mer

regia di Marco Rampoldi

video di Vertov - realizzati da Luca Condorelli

riprese aeree Marco Russo - elementi scenici Mattia Bordoni

assistente alla regia Luca Corbani 

assistenza tecnica Ivan Azzetti

[blupengu]

Oh boy oh boy I finished Yves’s route…! Spoilers under the cut as usual!

👁️👄👁️ bruh

Okay one thing at a time! First off - Hugo is SO Yvesexual oh my god?? Bro just confess already please I’m sorry Ceres is getting in the way! “Partner” pffft yeah okay mister “I literally died from feeling too much love” sure, I hope we all find our own Hugo one day 😂

Also while all the CGs were beautiful in this route (oh his mask coming off, oh him crying in the corner, aaah the one with him sobbing into Ceres 😭 probably the best kiss CG even though it’s just like.. on the cheek LOL), can we talk about Yves’s hair-down sprite? Like… what is that. What happened? Yves honey who did your hair? Did you shred it with your sword yourself?? I would normally brush it off if it just looked a little odd, but Mathis, Lucas, and Ankou all have perfectly normal looking long hair (even Scien’s looks more normal) so clearly this was a choice. But it was a bad choice sorry my boy 💀

Now back to the route itself, I really liked it overall! Yves and Ceres I think have had the best romantic relationship build up (even if they both desperately need therapy). I just gotta yell out some feelings as if this is a liveblog lmao

The way I gasped when Dahut and Nadia showed up? Seriously I did not expect these two to steal my heart so much?? They’re truly a balm for my soul… Any time Dahut shows up now I’m like OH THANK GOD someone who doesn’t need therapy 😩

So… the science in his game has always been *hand wavey* and I think I’m generally good at just going with the flow in fictional stories, but like……… HUH??? Bruh I had to put down my controller and just stare at the screen for a hot second. We’re part flower - aight cool cool anime shit sure whatever. Their genes are different colors - uhhhh… okay, sure I guess? A pair of chromosomes are killed each year and that’s why everyone dies when they turn 23 - HOLD UP WHAT NOW??? Yoooo that’s actually hilarious it made me bust out laughing 😂 (I also still don’t understand why Yves’s family didn’t just tell Scien or someone about the fact that it was the toxins in the soil killing people?? Like bruh)

The whole “relivers can’t learn or change so people can’t even switch careers because their bodies don’t change” thing is also so dumb. Like… what does that even mean? If you worked out would you not gain muscle?? Practicing something wouldn’t help?? What about Hugo going from someone who didn’t have to work a day in his life to one of the best fighters just behind Yves and Adolphe in the Corps after he had become a reliver??? Ah nono don’t think about the science, don’t think about the science… 😩

I did very much love our boys banding together at the end though! If only it was against the mcfucking Royal family and Capucine (and whoever this mysterious “sponsor” is) instead of against Scien… dude I support your experiments, they really should’ve just let us die this time LOL (very glad Capucine got his ass handed to him though, god I hate Capucine… even though he’s kinda pretty, he’s not Jean levels of pretty enough to make me not hate him, especially after Nadia 😂 thank you Scien)

Also I’m sorry I went very feral with Lucas breaking free and showing up to help, especially in the Bourreau outfit in front of Yves and Adolphe!! Yaaas baby go use your superhuman strength to kill everyone, you’re doing great sweetie, SLAY!!! (literally) 😩😂 I really uwu-ed when Dahut was like, yeah I look up to Lucas so I’m kinda pissed at you Scien (best adult boy)… why do I feel like he’s gonna have a better chance at a happier end in Yves’s route than his own fucking salvation end lmao

And final thoughts, where was Ankou at the end?? I loved that he showed up to help Yves and he was the one to give him his mask, but buddy where did you go at the end??? Is there some multiverse or time travel shit going on???? Ceres really decided to follow in the footsteps of Lucas’s despair end with Yves though huh… 👁️👄👁️ sweetie I’m so sorry we really turned you in BBQ, a burnt chicken nugget, fire emblem Sigurd 💀 LMAO

Can’t wait to get into Le Salut!!

(But really why did Yves get 5 chapters when everyone else got 4… is it because he’s poster boy…? It’s because he’s poster boy isn’t it…)

[reposted-yura15cbx]

William Shakespeare, - Tutte le opere. Le.pdf William Shakespeare, - Tutte le opere. Tr.pdf William Shakespeare, - Tutte le opere. I drammi storici. Testo inglese a f.pdf William Shakespeare, F. Giacomantonio (editor) - Giulio Cesare. Testo inglese a fronte. Ediz. integrale-Newton Compton Editori (2011).epub William Shakespeare, Luca Fontana (editor) - La tragica storia di Amleto, principe di Danimarca-Il Saggiatore (2011).epub William Shakespeare, Nadia Fusini (editor) - La commedia degli errori. Testo inglese a fronte.pdf William Shakespeare, Northrop Frye, Fernando Cioni (editor) - Commedie romantiche-BUR Biblioteca Univ. Rizzoli (2007).epub Wystan Hugh Auden, Arthur Kirsch (editor) - Lezioni su Shakespeare-Adelphi (2006).epub Yves Bonnefoy - L'esitazione di Amleto. Scritti su William Shakespeare-Il Saggiatore (2023).epub

A. J. P. Smith_ Graham Handley (editor) - Shakespeare_ Henry IV, Part I-Bloomsbury Academic (1991).pdf A. Schmidt (editor) - Shakespeare’s dramatische Werke_ Band 12 Othello. Macbeth. Cymbelin-De Gruyter (1897).pdf Andre Muller - Shakespeare ohne Geheimnis-Eulenspiegel-Verlag (2006).rar Bill Bryson_ Sigrid Ruschmeier - Shakespeare - Wie ich ihn sehe-Goldmann (Bertelsmann) (2016).epub Charles William Wallace - The evolution of English drama up to Shakespeare with a history of the first Blackfriars theatre.pdf Dr. Maria Salditt (auth.) - Hegels Shakespeare- Interpretation-Springer-Verlag Berlin Heidelberg (1927).pdf DS Mayfield - Rhetoric and Contingency_ Aristotle, Machiavelli, Shakespeare, Blumenberg-De Gruyter (2020).epub Ernst Stadler - Wielands Shakespeare-De Gruyter (1910).pdf Gerhard Muller-Schwefe - William Shakespeare_ Welt - Werk - Wirkung-De Gruyter (1978).pdf Grundzuge und Haupttypen der englischen Literaturgeschichte_ Teil II Von Shakespeare bis zur Gegenwart-De Gruyter (1914).pdf Gunter Reichert - Die Entwicklung und die Funktion der Nebenhandlung in der Tragodie vor Shakespeare-Max Niemeyer Verlag (1966).pdf Henry R. D. Anders - Shakespeare's books_ A dissertation on Shakespeare's reading and the immediate sources of his works-(1904).pdf Holmes, Barbara Ware - Charlotte Shakespeare-anrich verlag GmbH (1993_1990).epub Horst Oppel (auth.) - Stand und Aufgaben der Deutschen Shakespeare-Forschung 1952–1957-J.B. Metzler, Stuttgart (1960).pdf James Boyd (auth.) - Goethe und Shakespeare-VS Verlag fur Sozialwissenschaften (1962).pdf John D. Jump (editor) - Shakespeare_ Hamlet-Bloomsbury Academic (1968).pdf John Russell Brown - Shakespeare-Bloomsbury Academic (1991).pdf John Wain (editor) - Shakespeare_ Macbeth-Bloomsbury Academic (1994).pdf John Wain (editor) - Shakespeare_ Othello-Bloomsbury Academic (1994).pdf K. Elze - Shakespeare’s dramatische Werke_ Band 6 Hamlet, Prinz von Danmark-De Gruyter (1869).pdf Otto Ludwig, Moritz Heydrich - Shakespeare-Studien-Hermann Gesenius (1901).djvu Rudolph Genee (editor)_ Adolf Menzel (editor) - William Shakespeare in seinem Werden und Wesen-De Gruyter (1905).pdf Sabin, Stefana_Shakespeare, William - Shakespeare auf 100 Seiten Reclams Universal-Bibliothek-Reclam Verlag (2014).epub Shakespeare William. - Romeo und Julia.pdf Shakespeare’s dramatische Werke_ Band 1 Konig Johann. Konig Richard der Zweite. Konig Heinrich der Vierte, erster Theil-De Gruyter (1871).pdf Shakespeare’s dramatische Werke_ Band 1 Konig Johann. Konig Richard der Zweite. Konig Heinrich der Vierte, erster Theil-De Gruyter (1891).pdf Shakespeare’s dramatische Werke_ Band 1 Konig Johann. Konig Richard II. Konig Heinrich IV. (1. Teil)-De Gruyter (1897).pdf Shakespeare’s dramatische Werke_ Band 10 Antonius und Cleopatra. Ma? fur Ma?. Timon von Athen-De Gruyter (1891).pdf Shakespeare’s dramatische Werke_ Band 11 Konig Lear. Troilus und Cressida. Ende gut, alles gut-De Gruyter (1897).pdf Shakespeare’s dramatische Werke_ Band 2 Konig Heinrich der Vierte, zweiter Theil. Konig Heinrich der Funfte. Konig Heinrich der Sechste, erster Theil-De Gruyter (1897).pdf Shakespeare’s dramatische Werke_ Band 3 Konig Heinrich der Sechste (2. Theil). Konig Heinrich der Sechste (3. Theil). Konig Heinrich der Dritte-De Gruyter (1891).pdf Shakespeare’s dramatische Werke_ Band 4 Konig Heinrich der Achte. Romeo und Julia. Ein Sommernachtstraum-De Gruyter (1891).pdf Shakespeare’s dramatische Werke_ Band 5 Julius Caesar. Was ihr wollt. Der Sturm-De Gruyter (1897).pdf Shakespeare’s dramatische Werke_ Band 5 Julius Casar. Was ihr wollt. Der Sturm-De Gruyter (1891).pdf Shakespeare’s dramatische Werke_ Band 7 Der Widerspenstigen Zahmung. Viel Larm um Nichts. Die Comodie der Irrungen-De Gruyter (1891).pdf Shakespeare’s dramatische Werke_ Band 8 Coriolanus. Die Komodie der Irrungen. Die beiden Veroneser-De Gruyter (1870).pdf Shakespeare’s dramatische Werke_ Band 9 Die lustigen Weiber von Windsor. Titus Andronicus. Das Wintermarchen-De Gruyter (1891).pdf