#love you hero btw

[neliiitoo]

translation of the phrase at the end: "who are you waving to?" "nobody :)" (it's Ukrainian language btw!! <3)

[noodles-and-tea]

The watercolour/sketch style bakudeku you did sparks so much joy you have no idea

Oh thank you so much!!

[beanghostprincess]

To be a sapphic you have to do the upside down pose or else it doesn't count

[impommyyawl]

YOU CANT HIDE I KNOW WHAT YOU ARE KATSUKI

[rachiebeee]

they are best friends and siblings and i love them both so dearly. featuring piercings bc i stand strong in my belief that they would

[fudanshidoublevision]

“Give me your love, your trust, commitment and devotion

Forget your family and all your friends

Give me your life, your faith and your soul,

until the end.”

Do not use this without permission. O>o

Double Vision from “Binary Star Hero” belongs to @concreteparasite .

Check this game out. ( ͡^ ͜ʖ ͡^)

[goosologist]

i have unfortunately come to the conclusion that he’s kinda cool

[linksfunroadtrip]

if you leave your dog in a hot car he might drive away with it. BE CAREFUL!

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[lily-claw]

[mediumgayitalian]

“Happy birthday!”

“Still not my birthday, Solace.”

“Eh. One day I’ll say it and it’ll be right.”

The flowers he’s holding — pretty, ruffled deep red, although Nico doesn’t recognise them — remains extended between them, clutched fist unwavering. Nico rolls his eyes, biting the inside of his cheek, and takes them.

“Of course, you could also just tell me when your birthday is.”

“No.” A pause. He brings the flowers up to his face, pointedly ignoring Will’s wink, and inhales. They smell almost identical to the shampoo Will wears. “You’re such a loser.”

“And yet you spend all your time with me.”

“Not — all,” Nico protests, cheeks burning. “I spend —”

Time with others, he was about to say, and while it is indeed true that he does, in fact, socialize with more than one person, he realises with startling clarity that Will is almost always there.

Will grins, wide and cheeky and knowing. “Having some thoughts, there, Neeks.”

“Shut the fuck up.”

Will gasps dramatically, and when that is not enough he holds up a hand, digs a string of plastic pearls out from his many pockets, clasps them around his neck, clears his throat, and gasps even more dramatically, clutching said pearls.

Nico laughs.

Unfortunately.

But he chokes it back last minute and turns it into a weird horse noise instead, so he’s victorious, basically.

“How dare,” says Will, indeed dramatically, “how dare, di Angelo, deride me, your closest friend, in such a way —”

Nico deliberates his options. Should Will have the space unimpeded to continue on than he shall do so, with increasing gusto. At the six minute mark he will graduate to elevating himself on whatever surface makes itself available, from an infirmary stool to An Actual Roof, and project his voice to make sure that everyone suffers his Elizabethan histrionics, not just Nico (or Kayla or Austin or Lou especially Cecil or Mitchell or Piper or or or or). At the nine minute mark he will be accompanied, magically, by intense background music, because Apollo deserves all of his trauma. Nico doesn’t know what the ten minute mark will bring, but frankly he’d rather walk on hot coals with open sores on his feet than find out, so.

“— good friends, sweet friends, from this group I hail, and to such a sudden flood of mutiny! To bend to the leadborn suffering —”

When Nico gestures he is graceful, obviously. And poised. When Will gestures he narrowly avoids smacking himself square in the face nine times out of ten, and sometimes, like now, he actually does smack himself in the face, but for some reason this does not deter or embarrass him. Perhaps because he, like most Apollo children, does not actually have the part of his brain that produces shame, and such gleeful shamelessness shows in his devastatingly wide eyes. Which are, Nico notices, beginning searching for the nearest climbable surface.

Ah. Level one has been exceeded.

“Hide not thy poison with such sugar’s words —”

Drastic times, drastic measures; in time of theatre kid, regress to caveman instincts. Et cetera. Nico knows the drill. He’s a twice-adorned war hero. He understands sacrifice. He understands betrayal. He knows timing, knows difficulty. He knows the burden of doing the right thing to prevent further tragedy.

He sets his flowers delicately on the ground beside him, ties his hair back out of his face, does a couple stretches, exhales peacefully, and tackles Will to the floor.

“Shut up,” he grunts, over Will’s screeching. Will, predictably, does not shut up, moaning instead about his spleen, his spine, pausing to yell, loudly, et tu, Brutus?!, moaning about his kidneys, and then once again wallowing about Brutus and betrayal.

���Someone should take away your Riverside,” Nico says solemnly, pinching Will on the arm one last time for good measure before crawling off him.

Will remains on the floor, arm thrown over his eyes. “I would sooner live without the lungs in my chest.”

“It’s gonna be me. I’m taking away your Riverside.”

Will lifts his arm, searching to meet Nico’s eyes before pouting. It is a remarkably well-planned strategy, because he has very pretty eyes, and Nico is a flaming homosexual who is openly weak to Will’s wiles. Will, who is a shit and judging by the smirk he is barely fighting back in favour of a quivering lip, knows this.

“Don’t you love me?”

“No,” Nico lies. He forces himself away from Will’s gaze, ears burning. “Go away, you walking annoyance. I never want to see you or anything about you ever again.” He scoops up his flowers and stomps off, smiling as Will cackles.

He carries around the flowers for the rest of the day.

[jonsnowunemploymentera]

And remember kids, the next time someone tells you, "George R. R. Martin wouldn't make Jon Snow the typical fantasy hero because that's cliche".....

Oh yes he would!

One viewer wants to know what character would you play (on the show)? GRRM: If I could magically clap my hands and become a different person, it would be cool to play Jon Snow who's much more of the classic hero. Everybody wants to be the classic hero! ABC Interview, 2014

GRRM: And the character I’d want to be? Well who wouldn’t want to be Jon Snow — the brooding, Byronic, romantic hero whom all the girls love. Meduza Interview, 2017

In fact he already has ☺️

[valewritessss]

This fandom is so nit-picky that I’ve seen more criticism on every little thing about wottg (a book that came out 2 days ago) than people saying things they liked about it

Edit: someone has already gotten mad so I repeat this is a joke and not that deep❤️

[nivea-ah]

kiss kiss fall in love 😍

[sadevergreen]

a very productive meeting i’m sure

[fablexdreams]

Rip Ben Finn, you would have loved eating cereal at 3am.

Rip Page, you would have loved debate club.

Rip Walter Beck, you would have loved the found family trope.

Rip Jasper, you would have loved the Scrub Daddy.

Rip Reaver, you would have loved red carpets and glambots.

Rip Sparrow, you would have loved a fucking break.

Rip Theresa, you would have loved The Sims.

Rip Logan, you would have loved Lexapro.

Rip HoBW, you would have loved pop music.

[just-sp-in-inginthevoid]

As much as the 'haha Takemichi went to save his husband after saving his wife, bisexual much?' joke is funny, people who seriously thinks Tokyo Revengers should've stopped when Hinata was finally safe and sound missed an important component to the plot.

Yes, it all started with Hinata - but since when was it all about Hinata?

Takemichi, kind-hearted Takemichi, should've just stopped everything after saving her? He got into Toman for this reason, yes, to get closer to Mikey and stop him - and Kisaki - from killing her, but he also sincerely got closer to Mikey. And everyone else. And he's supposed to simply leave them be when 'mission: save Hinata' is complete? As if the number of people he wanted to save didn't get longer with each timeline? Those are his friends why would he throw them all away.

To protect Hinata he decided to stick close to Mikey since he failed to prevent Mikey and Kisaki meeting each other - and he got attached to Mikey during that, as well as all of Toman. Each steps to save Hinata was also a step to save Mikey from corruption and self-destruction. It was all linked from the start.

There was a shift after Bonten, okay, whatever, the only thing that truly changed was Hinata's importance in it. New enemy? That happens in each arc (right, sure, there wasn't Kisaki anymore). Mikey being more and more violent? Again, each arc featured a moment of Mikey showing signs of being mentally unwell - and now it was aggravated because it was two years earlier than what Takemichi got used to go back to. Etc, etc. Toman may be disbanded, but its (at least main) members still meet and interact and they all kept in touch - Mikey aside. That just a change of mood, a mix of the present/future timelines with a more serious setting and of the past timelines with how young they are, despite not being as young as before. And future timelines have never been a problem - there's a lot of love for Manila and Bonten. If Wakui had had time and energy, Kanto Manji, all 70 and so last chapters of TR could've worked with its fanbase. For some reasons it didn't, and I don't get why by myself