#love with that was also like that. anyways. what was i talking about. oh yeah contemporary poetry

[postracehair]

fracture

max verstappen x reader | 3.5k

max breaks his wrist during the first week of the off-season.

cw: max breaks his arm, r is a bit rattled, some blood, a naked shower, intimacy, mentions of sex

a/n: c'mon. you know he'd be so annoying. good thing we love him. [i wrote this before the season ended and then...never posted it. so, here, have it before we start all this shit over again in a few weeks.]

__

You are not there when it happens.

You're asleep, actually, curled up on Max's couch with the cats while he enjoys the first week of the off-season. The celebrations have ended and there is a great deal of work to be done in the next few months, but everyone gets a little bit of respite.

Vacation will come after the holidays. That's the plan, anyway. The last few days have seen you in Monaco, mostly inside Max's place. Just spending time together, relaxing, watching movies, rumpling his sheets. Today, though, he and Danny decided to go on a world-class-athlete-level bike ride.

Which is why you're on the couch. They've been gone all day and you don't expect Max to get home until later. You ran errands, cleaned a little, and then took an afternoon nap.

As you rouse from it, you fumble for your phone to check the time. The screen lights up and you're greeted with --

35 texts. 4 missed calls.

"What the hell?" you mutter, sitting up and opening everything.

DR: sorry for the three calls don't freak out but i think max broke his arm

DR: he says you're probably napping but i'm going to document this for when you wake up

DR: he's fine but yeah that shit is fucked

DR: he says not to tell you he fell off his bike but he fell off his bike

DR: he braked for some animal in the road and went over his handlebars

DR: oh he also scraped his face but he's still pretty, don't worry

DR: his palms are fucked though which is why he's not texting you

DR: we're on the way to the hospital, btw

DR: you're gonna be so pissed when you wake up

It goes on like that. Daniel, to his credit, has given you a play-by-play of the whole situation. You've only been asleep for about an hour and based on the time stamps this started right after you fell asleep.

You get up as you read, grabbing your things and trying to find your shoes as you read. You need to -- you need to go and be wherever they are. You need to help. Heart racing, chest tight, you need to be near Max as soon as possible, even though Danny said he's okay. If this was you, Max would already be there. God, why did you take a nap?

According to the texts, they got to the hospital and he was seen immedietly, x-rayed, and bandaged up. Broken right wrist, Danny had said. He's pissed more than anything.

You're about to call him back when your phone rings in your hands.

"Danny," you say as soon as you accept it.

"Oh, thank fuck," Daniel exclaims. "I thought I was going to have to surprise you in person with the whole thing."

"I'm about to leave, just give me 15 minutes to get there--"

"No, no, no," he interrupts you. "He just got discharged. I'm bringing him home."

You stop in your tracks, one foot shoved halfway into your sneaker. "Really?"

"Yeah, we'll be there in like, 20 minutes?" You can hear Max saying something in the background. "He wants to talk to you," Danny sighs. "Mate, you'll see her soon--"

He's cut off and there's some muffled noises and then Max is saying your name.

"I'm fine," he says. "I only made him tell you so it wasn't a surprise when I came home."

"Max," you sigh, shoulders creeping away from your ears at the sound of his voice. "I'm so sorry, I was asleep!"

He laughs. You feel a bit weepy, which is both an overreaction and cathartic. "Good," he says. "The whole experience has been a pain in the ass."

"You're coming home now? Are you in pain?"

"Eh," he says, dragging out the sound. "They gave me something while they set it so I don't feel it much. Daniel says we'll be home soon. Oh, hold on --" There is some muttering, Danny's voice in the background. "Okay, I'm going to give you back. See you soon, liefje."

"Okay," you say softly.

"Be there in a flash!" Danny says brightly. "Seriously, don't worry."

You hang up and just stand in the hallway, at a loss. Something bad happened to Max and you weren't there. It feels wrong. Not that he's in poor hands with Danny -- quite the opposite. He's probably the only person aside from yourself that you'd want there for Max in a crisis. But, god. You wish you had been there.

The cats weave around your ankles as you pace, waiting for Danny to call or for the door to open or, anything at all to happen. Your mind is running a million miles a minute. Objectively, it's the best time for Max to break something. There isn't even a car for him to test right now and he had at least another week of time off before needing to go back to Milton Keynes. This might throw a wrench in your holiday plans but you couldn't care less about that. How long will he be in a cast? You assume he's in a cast. What kind of help will he need? Will you be enough to provide it? What if he --

Noises in the hall make you freeze and then you hear Danny's voice. You bolt to the door, unlatching the locks and pulling it open. You're greeted with the sight of the two of them -- Danny looking down at Max's keys in his hands, both of their backpacks on his back. They've both changed out of whatever ridiculous bike outfit they must have been wearing for the ride, but you devote your attention to your boyfriend.

You can see the bandages on Max's knees and forearms where he must have scraped himself up on the road. His wrist -- it's in a black cast that runs the length of his forearm. He cradles it to his chest in a sling they must have given him and then you make your way to his face. A few scratches along one cheek, hair a mess, mouth drawn into a frown. A frown that relaxes slightly when you meet his gaze. Your eyes well with tears.

"Max," you breathe. He steps in front of Danny and meets you in the doorway, his cast-free hand cupping your face through the bandages on his palm.

"I'm fine," he says. "You're looking at me like I'm in a coma."

"Sorry," you whisper. "I just --"

He tugs you to him gently, pressing your face into his neck and rubbing your back. You try to be careful of his arm as you breathe deep and will yourself not to actually lose it.

"Guys, can we at least go inside?" Danny asks.

Max huffs and you pull away. He drags his thumb under both of your eyes but doesn't comment on the dampness he finds there. "Inside, liefje."

Danny drops Max's stuff and passes along the documents from the hospital. He's quite the personality but he's all business when he needs to be. "Pain killers in his bag. Call me if you need anything, guys."

You step away from Max long enough to throw your arms around Danny. "Thank you," you whisper. "For looking after him." For calling. For bringing him back to me. For doing what I should have been there for.

He chuckles. "Alright," he says. "Max should break something more often."

Once Danny leaves, it's just the two of you. Max has settled on the couch, head leaning back into the cushions.

"Come sit with me," Max calls. "God, I forgot how much I hate hospitals."

His eyes are closed and he holds his arm gingerly. It's not the first time you've seen him injured -- you've been at his side in the medical tent before after watching him careen into a wall at 190mph. And yet, right now, you're still so upset.

You settle into the cushions on his left side and just watch him.

"I'm sorry," you say again. Max's eyes open. "I can't believe I was asleep when Danny called."

Max shakes his head. "What would you have done?"

"I could have come to get you and take you to the hospital, or just met you there, or--"

He puts his hand on your knee. "Come on," he says. "Don't be silly."

How do you explain it to him? How do you tell him that something happening to him feels like it happened to you? That not being there feels like a personal failing?

"Will you tell me what happened?"

He sighs and you pull his palm from your leg to hold it in your hands.

"It's stupid," he grimaces. "You don't need the details."

"Max."

He folds. Other people in his life have called this your superpower -- Max's will is iron clad. It is very difficult to get him to do something he does not want to do. But one word from you, one soft look, one gentle touch, and he often relents. It's like you can peel back that layer of him that has hardened out of necessity. To protect himself and his heart, to make sure he's taken seriously, to stop things from hurting.

It's like you remind him that it's okay to feel, even when it's hard.

"Daniel summed it up," he grumbles. "We were biking down a hill outside the city and something ran out into the road in front of me. I stopped. Or tried to, at least." He mimes squeezing the breaks, fingers curling in towards his bandaged palms. You stroke his unbroken wrist with your thumb.

"And you went over," you finish.

"And I went over. Got my knees, my forearms, my hands. My wrist, obviously. Just landed badly."

You reach for his face ever so gently, dragging the pad of your thumb over the shallow scrapes on his chin, his cheek. He allows it, knowing that you need to touch him to be sure he's okay. Whenever he has a crash on track you have trouble letting him out of your sight for hours. You just need to look at him, feel him warm and alive under your hands.

"I'm going to write a letter to your helmet manufacturer," you say, not entirely kidding. You slide your hand over his temple and into his hair. It's dirty, you can feel it, but you cradle his skull all the same. "Thank them."

He laughs once, amused with your sincerity. "I need to shower," he says. "But I can't get this wet." You finally direct your attention to his broken wrist, the entirety of his forearm and hand encased in the cast under the sling.

"Does it hurt?" you ask again. Max would tell anyone else off for badgering him so, but he keeps his face soft and reassures you.

"It's strange," he says. "I'm sure I'll feel it later."

"Did it hurt?" you whisper. "When you broke it?"

You know that Max has felt a great deal of pain in his life. His day job requires it -- physical, mental, emotional. He knows how to handle it and get over it. But he's also honest with you, always.

He wrinkles his nose. "It wasn't nice," he confesses. "I knew right away."

You grimace. In the silence, you match your breaths to his and just sit together for a little while.

And then Max's stomach growls.

"Whoops," he says, grinning crookedly. Still an athlete, still a boy with a fast metabolism. You can't help but laugh.

"How about this," you begin, unfolding yourself from the couch and standing in front of him, hands on your hips. Max looks up at you like you're the best thing he's ever seen. "I order some food and then we get you showered while we wait for it. Let the scrapes breathe and keep your cast dry, then we eat and watch a movie and go to bed. Okay?"

"We get me showered?" He sounds skeptical.

"You think you can wash your hair on your own?"

He smirks. "I can do a lot with one hand."

You roll your eyes. "So you're turning down an opportunity to shower with me, is what I'm hearing."

Max gets himself off the couch and rests his palm on your hip. "No," he says softly. "I'm not that stupid."

He kisses you lightly and heads for the bathroom.

"I guess we can wrap it in a plastic bag, or something?" you call after him. It takes a few minutes of opening and closing cabinets for you to find one. You put in a delivery order and make your way to the bathroom. Max has already turned on the shower and you find him shirtless and peeling off his bandages in in front of the mirror.

"Let me do that." He doesn't put up much of a fight, not even wincing when the tape pull at his skin. You see the gashes on his forearm, the raw skin of his palms. "Arm, please." The plastic bag goes around his cast and you tie it at his elbow.

"You planning to wash my hair while wearing your clothes?" Max asks with a straight face.

You stare at him, trying to seem unimpressed. He breaks first, mouth pulling up at one corner before he shucks off his soft shorts and briefs in one go. He pecks you on the cheek and gets in the shower, still smirking at you through the glass door.

"Alright, alright," you mutter. "So dramatic."

You feel Max's eyes on you as you undress, leaving your clothes on a pile on the floor.

The shower is unnecessarily big but Max does not give you much space. The hot spray is at his back and he keeps his plastic bag-clad arm mostly out of the way.

"Feel good?" you ask. Max sighs but nods. You'll bet he's aching but hasn't admitted it. He turns to the side so you can catch some of the spray, too, fighting off the chill outside the warm water.

"I might fall asleep in here," he mutters.

"That'll be the painkillers, darling," you tell him. "C'mon, get your hair wet."

Max tips his head back. You readjust so that you can card your hands through it. You shampoo him gently, taking your time and massaging his scalp. It's a miracle he stays on his feet, but he does. You hum as you work and Max's breaths get deeper, slower.

"Head back," you say softly. He obeys. You do the same with some of your conditioner because you know he likes how it smells.

This shower feels more intimate than the countless hours you've spend in his bed, tangled up in one another. He's been inside you and yet this feels more vulnerable. He's totally ceding control, trusting you to take care of him. You're naked, slick bodies brushing, always touching whether it's your hands in his hair or Max's own fingers reaching for your skin just to feel.

One time, when you were sick, you couldn't muster the energy to take a shower. Max ran you a bath and washed your hair for you, talking all the while because you asked to hear his voice. It's obvious that you'd do the same for him, as you're doing now. It's just how you love each other -- all the way, all the time. When it's easy and when it's hard.

"Danny was right," Max says, words slurring half from bliss and half the fatigue of the day catching up to him. "I should break bones more often."

You finish rinsing him and just stand there in the spray for a few moments.

"Please, no," you groan, brushing wet strands back from his forehead. "If you want me to wash your hair I will, Max. You don't need to break anything."

His eyes flutter open and find yours. He smiles lazily and you turn off the shower.

"If you say so," he says. "Can we take this off, now?"

Bag removed, skin patted dry, comifes on. The food comes when you're settling Max on the couch with a pillow for his arm. In all likelihood he'll manage a few bites of take out and fall asleep 15 minutes into the movie. But he needs the rest, you think. And besides, he'll have you to watch over him.

__

It becomes clear remarkably quickly that Max is an awful patient. You sort of knew this -- he's been sick a few times when you're around, but you figured that was just man-disease. Whining, refusing to sit still. This is 10x worse. He won't let you do anything for him until he's proven that he can't do it himself. You consider locking him in your bedroom to keep him from trying to do things he shouldn't do.

Max just wasn't made to sit still.

But you can empathize -- it's frustrating to not be able to do any of the things he really likes to do. Drive, use his sim, even play regular video games. It's a lot of movies and long walks and leg days with his trainer.

And then there's the way he just won't ask for help. That's a Max Verstappen original and you know it gets worse when he's frustrated. You do it too -- everyone does. But Max wants to do everything himself, wants to prove that he can.

You try to sit back and let him work it out. About a week after he comes home with his arm in a cast, he calls your name. You're in the kitchen, staring into the open fridge and wondering if you should order more groceries or just go to the shops yourself.

"You okay?" you call back. "Where are you?"

"Bathroom,"he shouts.

Ah, you think. Here we go.

He hasn't shaved yet. You've always loved when he keeps his facial hair a little longer. You love the feel of it on your skin and how it lightens along with his hair when you're on holiday somewhere nice. It's more likely that he keep it long in the off-season. Hot races are a nightmare with a beard, he's said. It itches like mad.

"Coming," you call.

Sure enough, you find him in front of the sink, razor in hand and frown firmly in place. He makes eye contact with you in the mirror and even though you can feel his annoyance from here, the set of his jaw softens.

"Do you think you could help me shave?" he asks. No lead up, no hem and haw.

"Of course, Max."

You quickly work out that sitting on the counter next to the sink while he stands between your knees works best. His broken wrist hangs at his side, the other hand resting on the counter next to your leg.

You lather him up, carefully applying the white foam of his shaving cream on his cheeks, his chin, his neck. He's got a fancy razor, one that will probably make it hard to cut him. Still, you feel the way he's basically handed you a blade and asked you to use it on him. In so many ways it's one of the most intimate things you've ever done. Even more than the showers you've had this week, just chatting and washing his hair.

"I'll be careful," you say softly.

"I know." He tilts his chin up, showing you his neck. "Go on, then."

It's quiet work. You're focusing hard and Max seems content to allow you. Stroke after stroke, rinsing the razor in the sink. You keep one hand at the base of this throat as the other works, gliding it over his skin. Cheeks, jaw, upper lip. Chin, neck.

"I like your beard, you know," you say when you're almost done. He waits until you're rinsing the razor again to reply.

"I do," he says, smirking. "You aren't quiet about it."

The last patch comes off as easily as the rest and you grab a damp towel to clean the rest of the shaving cream. Max appears to have relaxed enough to become pliant, leaning into your touch as you finish. He lets you rub moisturizer into his cheeks, eyes fluttering closed. His hand ends up on your leg, fingers pressing into the flesh of your thigh.

"Cheeky," you mutter. He smiles, boyish and easy. You take your time, pleased that he's letting you, but also because you could touch him forever. "Schatje," you whisper, trying to make it sound like it does from his lips. "All done."

Max doesn't move. You frame his face with your hands and lean in until your lips touch. You feel his smile against yours, but he dutifully tilts his head to deepen the kiss. His freshly shaved skin is so soft. You've kissed thousands of times by now, but you can never get enough of him. The way he responds to your every move, meeting your pressure with some of his own. Your tongue with his, swallowing your moans and giving you his own like a gift.

It's Max who pulls away, dragging his lips over your cheek.

"Dankje," he whispers. It means more than that, you know. From Max, it means thank you for dealing with me, for taking care of me, for loving me.

He doesn't think any of that is easy for you. But he's wrong. It's the easiest thing in the world.

[graciedollie]

Sevika or Grayson x fem reader who dolls up on the daily basis and feels insecure about their bare face

Bare Beauty

𝐒𝐞𝐯𝐢𝐤𝐚

You and Sevika been talking for a good while now—maybe a couple weeks or so—and she’s never seen you without your makeup off. Whenever she saw you, always dolled up with beautifully done makeup. Each and every time. It was a late night for you, chilling at home while watching some series that you’ve been binge watching for the last week and snacking on some of your favorite snacks.

While being in the comfort of your own place, you didn’t wear any makeup and just let yourself be. Mind you, you wanted to show Sevika the real you, but you weren’t just quite ready for that, so you just simply always dolled your face up when you two would go on dates and when you’re at home, that would come off—unless you would randomly do your makeup to take some photos to her whenever you both missed each other. Other than that, it was always makeup around her.

You say there in your couch with a blanket draped over you snuggly, face free from foundation, lipstick/lipgloss, mascara/false lashes, and highlighter. Your face had some blemishes since you’re human—you’re gonna have them regardless—and had little pimple patches across your cheek, forehead, and chin since your skin did NOT wanna cooperate. There were times you felt insecure about your bare face since you were used to the makeup, but even still, you couldn’t help it. Ignoring that gnawing gut in your stomach, you went back to watching your show until there was a knock on the door—thinking it was your doordash deliverer.

Happily getting up, you dashed over to the door, excited to be greeted with savory smell of your food—only to be met with Sevika looking at you, holding your doordash order in her hand. You nearly felt like crawling into a corner and dying. Your eyes widened as you took in her silver eyes peering into yours while also taking in your face, seeing that it was a rare sight to see you out of makeup. “Sevika…I didn’t know you were coming over today…”

“I know, but I decided to come anyway—by the way, your food was left on your doorstep.” She murmured lowly, nonchalantly at that as if you were just bare face right in front of her. She raised a brow at your bewildered expression, “what???” You shook your head out of your daze, crossing your arms as you just shrugged. “Nothing, I—don’t you see me without any makeup? I look hideous, Sev.”

She stared at you as if you were dumb before scoffing, sliding past you through the door and setting the bag of food on the coffee table before turning to you as you shut the door. “You don’t look ridiculous, love. I was wondering when I was gonna see ‘you’ out of all that stuff you were nearly wear 99% of the time we go somewhere.” You rolled your eyes at her snarky comment, earning a cocky smirk from her as she settled on the couch while pulling you close to her.

“Oh fuck off…i’m serious though, Sev. I literally have pimples big as tits on my face—i can barely cover them with my patches!”

“So? You don’t even look like shit without your makeup, love—I can assure you that you look absolutely perfect in my eyes…” Her arm wrapped around you waist as she flashed you a warm smile, seeing a peek of her tooth gap. She placed a warm kiss to your forehead before chuckling lowly, “yeah, maybe the patches aren’t doin you any justice, baby…”

“Sevika!”

𝐆𝐫𝐚𝐲𝐬𝐨𝐧

It was a peaceful night as you were winding down from the little outing you had earlier during the day. It was nice, of course, but you missed your wife dearly and would send her photos of you—all of which you had your face dolled with your usual makeup. Now, Grayson seen you a little of times with your makeup off, but not fully since you would try to do light makeup still. That was cut short when you started to notice pimple decorate your face—yeah, no more of that.

The house felt empty without Grayson since she was working late doing her respective duties as usual and you understood that, but that didn’t mean you couldn’t miss her. She’s your wife, so why would you not? You sat at your vanity while wiping off the leftover makeup, leaving you in a bare-pale-pimple covered face. You didn’t really like being bare faced, especially whenever you would be around Grayson.

Yeah, of course she always made sure to assure you that you were beautiful as the moon is in the sky countless of times, but you couldn’t grasp that. You slumped back in the chair as you sighed, leaning on your forehead before your ears picked up the sound of the door creaking open and heavy footsteps following to where you were. There she was, standing in all her glory, Grayson looked at you with a warm gaze, taking in the small frown etched on your lips.

“There’s my gorgeous wife…”

You couldn’t help but dry laugh at her, knowing she was just tryna boost your mood and also meant it as well. “Mhm, i’m everything but that right now, baby..” She rolled her eyes briefly as she stalked over to you, rubbing your shoulders as she placed a kiss to your cheek before finding her way to your lips—earning a hum of approval.

“Don’t be so down, love. You’re still precious in my eyes—makeup or not. Yes, you look gorgeous with your lovely makeup, but I also adore you without it. Wanna know why?”

“Why?”

“Because that’s who I really fell in love with on that faithful day when you were rushing out and bumped into me, panicking that you were running late and didn’t even have any makeup on..”

god this woman was your everything.

You turned to her with a small pout of adoration and thoughtfulness at her words, taking you back to the memory you first met. “Baby, you remembered..”

“How could I not remember the time I fell in love with my world?”

hope you enjoyed bbys!! (sorry if this lowkey cringey or corny and short!!☹️)

taglist 🏷️ @thesevi0lentdelights @snugglybunny11 @maneskinwh0re @ivorydevil @jolenes-doppelganger @pavelyasz @supalcina

[glittering-darmallon]

For Valrys Ingellvar

My favorite, "I am so done with all this" screenshots of them from their playthrough.

What type of plant would Harding gift your Rook? Jasmine- She notices Valrys likes to wear a jasmine perfume oil, and this way they can distill the fragrance easier and not run out

Do they like Harding's cooking? They try, but Harding insists on substituting yam for all meat, and they don't have the heart to tell her they hate yams. They have tried subtle suggestions about maybe more mushrooms and less yam. It hasn't worked so far.

What animal/monster would Davrin carve for your Rook? A nuggalope. Valrys has always wanted to ride one, preferrably into battle, but they're not picky. "GIANT NUGS, LACE! AND LOOK AT THAT WIDDLE FACE!"

Does your Rook like the walks in Arlathan with Davrin? Yes with a caveat. They are so over those poison spitting fade plants. "If I get hit by that green goo one more time, I'm going to destroy EVERYTHING!"

What is something Neve could call on your Rook for if she needs certain expertise for a case? Cosmetics outside Tevinter. "No, Neve, I'm pretty sure those are false eyelashes not tiny feathers. You can use a bit of sap to attach them to your lash line."

Does your Rook share Neve's love of fried fish? Absolutely not. They hate fish with a burning passion. It's a texture thing. "Ew, why is it falling apart in my mouth?"

Does your Rook join Bellara in her technical talks about the Fade and various artifacts or are they more content to listen? Yes, but more because they find the topic interesting, not that they are knowledgeable about it. They are a good student though, love to learn.

Do your Rook and Bellara read serials together? Yes, though Valrys enjoys the mystery serials a lot more than the romance ones. They have a pretty decent track record of figuring out whodunnit before the serial reveals it. Valrys: "No, I'm telling, Bellara, the monkey did it." Bellara: "What? No! No way!" Valrys: "Oh yeah. Hid in the chimney." (Did I just make Murders in the Rue Morgue appear in Thedas? Why yes I did."

What is your Rook's favorite dish that Lucanis cooks? Deep mushrooms stuffed with goat cheese, chives and spices- Made vegetarian for Valrys and Emmrich- sausage is added for the rest of the team

What would Lucanis buy for your Rook at the Grande Market? Bath oils, lip stain or other cosmetics. "I am not sure if the color is one you like, but I have it on good authority this merchant makes a really good product."

What dragon would Taash think your Rook would like the best? Fangscorcher- small but formidable but also reckless "Smart enough to set traps and hold grudges, not smart enough to control herself" Yup. That fits impulsive Valrys to a T

Do they bring your Rook 'round the Hall of Valor to drink often? Oh yeah. Valrys is a favorite of those at the Hilt. "They're so small. How are they packing away all that food? All that Ale?" Good ol' Dwarven constitution.

Would your Rook like Emmrich's mother's hazelnut torte? Not really. They don't care for apricots- But they would try it anyway

What kind of tea would Emmrich make for your Rook? Lavender black tea served with a candied lemon peel garnish. Vorgoth (The Chatterbox!) told Emmrich it had been Valrys' favorite since they were about eight. "DO NOT FORGET THE LEMON PEEL! YOU WILL MAKE THEM SAD. THEN YOU WILL HEAR FROM ME." Bonus: What is one thing a companion does to cheer up your Rook if they're feeling down? Taash or Davrin: Come on. Will smashing things with a giant hammer make you feel better? Valrys: Uh Huh Neve: I know of a storage room in Minrathous the Venatori like to frequent. Filled with pottery. Valrys begins running for the eluvian: "IT'S TIME TO SMASH!"

Small Rook & Companion Questions:

What type of plant would Harding gift your Rook?

Do they like Harding's cooking?

What animal/monster would Davrin carve for your Rook?

Does your Rook like the walks in Arlathan with Davrin?

What is something Neve could call on your Rook for if she needs certain expertise for a case?

Does your Rook share Neve's love of fried fish?

Does your Rook join Bellara in her technical talks about the Fade and various artifacts or are they more content to listen?

Do your Rook and Bellara read serials together?

What is your Rook's favorite dish that Lucanis cooks?

What would Lucanis buy for your Rook at the Grande Market?

What dragon would Taash think your Rook would like the best?

Do they bring your Rook 'round the Hall of Valor to drink often?

Would your Rook like Emmrich's mother's hazelnut torte?

What kind of tea would Emmrich make for your Rook?

Bonus: What is one thing a companion does to cheer up your Rook if they're feeling down?

[systlin]

ooooo summarize the one where tarl gets called bosk by a mean lady and it rewrites his brain chemistry

Oh, Telima! The Mean Domme! LMAO it's so funny.

So Tarl is boating down the Big Fuckass River to Port Kar where a dude he wants to meet up with lives. Port Kar is a notorious hive of scum and villainy but has far fewer Han Solos to shoot douchebags in the face unfortunately.

We get like, ten pages of Tarl talking about how longbows are good at killing people, because duh of course they are. However, for some fuckass reason Goreans usually consider it a low class and disgraceful weapon, and Tarl is considered weird for liking it. I will give Norm credit for Tarl, raised an Englishman, having a favorable view of the longbow even in a society that views them as dishonorable. Reluctantly. Anyway.

He's in the Vosk delta, which is a vast labyrinth of swamp mostly covered in a reed called Rence, which is used to make paper and also parts are edible. It's inhabited by Rence Growers, who are actually kinda cool?

They make like, floating boat towns, and hunt and fish the marshes, and they take in fled slaves sometimes and let them live as free women. Like. They kinda rock actually?

Instead of any actual plot for a bit, we get like twenty pages here of Norm outlining Rence, how it grows, how it's harvested, how things are made from it, ect ect. This completely derails the story for a jarring length of time, and it will not be the last time such a thing happens. Norm loves his annoying and dumb infodumps.

Anyway, Tarl is in their territory, and happens upon a free woman fishing in the marshes. He is, predictably, what he thinks is polite but from her POV is intrusive and annoying, and her village takes him captive.

THEN we get to the wild shit.

 

A Sorp is a turtle, btw. And legit this is like, one of the 3 reasonable dudes we get on Gor. Ho Hak you're a king love you bro.

Champion shit.

ANYWAY.

This, in the hands of a better writer, could have been the moment when Tarl realized that, oh, shit, yeah okay in this situation he will act just like the women he's enslaved before who complied rather than be beaten or killed. It could have been a watershed moment.

It will not be.

ANYWAY, Tarl is taken slave, and Telima absolutely rearranges his whole brain with ONE SINGLE NIGHT OF BEING A MEAN DOMME.

He will go by this name FOR THE ENTIRE NEXT THIRTY BOOKS LIKE GIRL JESUS CHRIST.

He's chasing this high for the entire rest of the series. He never gets over this. Like holy shit. Fuck.

Anyway so some Port Kar slavers raid the place and take some people captive, whatever, there's not actually any plot in this book it's just here to get Tarl topped and get him to Port Kar. He fights the knowledge that he can be enslaved like he's enslaved women this whole time, and again somehow manages to do no actual growth or introspection. It's really incredible.

The only thing of note here is that there is a dude named Clitus, which is inexpressibly funny to me. I bet no one can find him.

Tarl becomes a Captain of Port Kar by killing one of the other Captains. There's like, a war with Cos and Tyros, which are also naval powers, and we are supposed to root for Port Kar but honestly I do not give a single shit. It's mostly so that Norm can jerk himself off to pictures of Greek war galleys and Charlton Heston as Ben Hur, tbh.

How TF Tarl knows without trying how to captain a war galley, you ask? And is somehow so good at it that all the other captains are in awe? Well because he's a Speshul Boy, of course.

Of course Tarl wins the war and shit, it's pointless, I don't give a single shit about Port Kar vs Cos Vs Tyros and I want Tarl dead.

Anyway, Tarl hooks up with Samos, but not the way Tarl would really like. Stupid PK vs Kurii plot shit is droned on about for like fifty pages. It's all stupid, the end.

[theocddiaries]

Rouge: Are you sure you're not overthinking? Blue's not the resentful type. Shadow: He got pretty mad. I don’t know if he’ll forgive me. Sonic [finds them and goes to hug Shadow]: I’m sorry, Shads. Rouge: …Yeah, he looks furious… Sonic: Oh, thanks a lot for the flowers and the letter. I loved them. I didn’t know you had that romantic side. Shadow: …What are you talking about? Sonic: Come on, it’s just Rouge here, and she'll tease you anyway because she’s your older sister. Who else would send those to me? Shadow: …Ah, right. Sure, the flowers and the letter, yeah… Sonic: Well, I’ll see you tonight when you come by the house. Shadow: See you there. Sonic: Alright. Bye, Rouge. Rouge: Bye, handsome… [waits for Sonic to dash off]: One, two, three-- Shadow: And who the hell would send him those??? Rouge: There he is. --- Jet: Thanks for helping me choose the flowers and write the note. Tails: No problem. I’m they loved the gesture. Good luck with the date! Jet: Yeah, thanks. [Tails walks towards his house, with Jet in tow. Tails turns around when he’s a few steps from the door.] Tails: …Need anything else? Jet: No, I’m meeting him here. Tails: …How are you meeting him here if the letter said you’d meet at his house? Jet: Yes. Here. Tails: Wait… [Sonic comes out of the house without Tails noticing. Shadow approaches and sees the scene.] Tails: Sonic was the one you liked?? Sonic and Shadow: What??? Shadow: You’re the one who sent the flowers and the letter? Sonic: But didn’t you say it was you? Jet: Okay, okay… to be fair, Tails picked the flowers, and he wrote the letter too. Shadow: Kid, don’t you ever get tired of being a pest?! Tails: Hey, hey, this wasn’t on purpose, okay? Also, don’t take it personally, I ruin your life more out of habit than anything else nowadays! Sonic: Tails, buddy, but how can I get it through you that I love you both? Shadow: Sending him to the damn orphanage sounds like a good starting point.

[muzzable]

I actually found Sandpaw pretty interesting in Fire and Ice because thinking about it, I feel like her bullying Firepaw is what led her to be in a place where she could develop feelings for him. Which sounds weird, but hear me out:

In the book, Fireheart is pretty dismayed when he brings Cloudkit to ThunderClan and hears people talking bad about kittypets again. He thought that he had proved being born a kittypet didn't make a cat any less capable than being Clanborn, and I don't think he really understands why they like him but don't intend on welcoming Cloudkit. My thinking is that it's because ThunderClan hadn't actually dealt with their opinions on kittypets yet.

When Firepaw comes to the Clan, it's as a whole prejudiced against kittypets. And there's no denying that he does over time gain their respect as a warrior, and other than a few outliers they accept him as a member of ThunderClan. But I think that in order to do this, most of them just ignored his background. Probably subconsciously, but I imagine if asked about it they'd have said "Sure he was a kittypet once, but he's one of the good ones." They look at Fireheart and see a fine warrior, but surely any other kittypet couldn't do what he does; he's different. Out of sight, out of mind; just don't think about it; nobody likes the thought of a kittypet in camp.

So when he brings in Cloudkit, they object, because they haven't actually dealt with their views on kittypets. They've made a mental separation between 'Fireheart' and 'kittypet', so anything good he does improves their opinion of him personally, but not their opinion of kittypet potential.

But Sandpaw, on the other hand, refused to let him stop being a kittypet from the moment they met. She'd constantly mock him for it, and by basing all of her interactions with him on it, I feel like she was actually keeping it in the front of her mind. She never broke the association between 'Fireheart' and 'kittypet'. So I think it meant more to her when Fireheart saved her from falling in the gorge. For any other warrior it would probably be "Of course Fireheart saved a fellow cat; he's a nice guy and a dedicated ThunderClan warrior." But for Sandpaw it's "Oh wow, this guy who used to have everything handed to him in a cozy house sacrificed that for a life of constantly fighting to survive, and trained so much that he's now capable in a fight and strong enough to lift another cat from the edge, and risked himself to save me even though I've been making fun of him for that past. That's impressive both from a physical standpoint but on an emotional level." So now not only would she be seeing him personally in a new light, realizing how genuinely kind he is, but also seeing that yeah, a kittypet really is just as capable of being a warrior.

And she carries that with her so she's not just willing to accept Cloudkit in the Clan, but is actually insisting that of course he'll make a good warrior. In fact, she says he'll be able to stay out longer in the cold due to his long, thick fur–which is something that (we're told anyway) is a kittypet trait, so it's being put down by everyone else. Not only does she go from hating Fireheart for being a kittypet to loving him, but she's also one of the few characters at that point to start looking at kittypets as having equal potential as well as their own advantages.

And it makes her very interesting to read scenes with, since that character development is seen through someone else's point of view. It would be one thing for her to realize she shouldn't bully him and simply stop hurling insults his way (which is how things start after he saves her), but she starts going out of her way to spend time with him, talk him through his troubles, be there for him to lean on. And that gives him room to seek her out and support her in return.

[discodummy]

I'm gonna rant about my body image issues and dysmorphia for a second so watch out. I'll put it under a read more if i can figure out how

slay i think i did it. anyway, going to the gym as much as i have and getting into shape and stuff has been lovely, dont get me wrong, but it also makes some things very strange for me. Like, I was raised by a an who had a manual job and was a bodybuilder in his 20's. My perspective of what a "dad bod" was was SO skewed by my dad that i though it meant a buff guy who puffs his chest out when he stands stil to look bigger. My older brother (by three years) was chubby in middle school and then did swimming and lacrosse and had an insane dorito shaped body by 17 and still has it now. I was 6'3 when i started high school and i looked like a lollipop: just a big head on a tiny body. And i stayed that way all through high school. I assumed that getting beefy and filling out like my dad and brother did just want going to happen for me. I spent all of my early and mid 20's weighing like 145 (150 on a good day) and having to buy 28x34's for pants and medium shirts. The pandemic happened and i started working from home and after a few years i was about 210 or so. I stayed around that weight for bit and assumed it was my adult weight and what my body liked and spent over a year coming to terms with it. wel NOW after going to the gym and eating better for the last 10 months, im down to a toned 180 and im all sorts of jumbled up. I hit my shoulders on doorframes bc even though i measured and know my shoulders got at least 4 inches broader, i still dont believe it or feel it. My mediums got too tight, and my XL's from being 210 fit my shoulders and chest but hang off of me. Like im surrounded by evidence of the shape my body is in now, and i can see in the mirror how i look, i just dont think its clicking for me. I'm right about 6'4 and until the last year or so i wouold just say i was "medium tall" bc i didnt think i was TALL tall, just tallER. Like thats how deep this weird disconnect from the objective truths of my body goes. And now im at the point where people compliment my arms or chest or butt or something and i cant shake the nagging feeling that its just flattery and they dont mean it and isnt true. Someone said my arms were big and i was like "i mean theyre long, but i wouldnt say big" and it took me seeing several people with smaller arms over the course of a while for me to be like "oh yeah i guess so". Like, i always felt like the most average and unremarkable of my family and thats SUPER bleeding into things now. Maybe i dont think i can be extraordinary or above average or something?? All i know is im CLEARLY not seeing what everyone else is, and poeple are getting frustrated with me about it and taking it as me being fake-humble or just plain oblivious. And i feel insane talking about it bc one of my friends says it makes him feel awful to see someone who "looks like me" doubt myself so much, because that means that HE must be so much worse then. I also know that a 6'4 in shape white guy having body image issues isnt exactly the easiest thing to sympathize or empathize with, but it sucks that I feel like i cant really talk about it with anyone bc it just gets too personally hard for anyone to go in depth about. Its like my issues are too triggering for others and i just need to get a grip or something. IDK, i just needed to vent about this bc i dont know what else to do. if you read all of this, let me know what you think or something lol

[justuraverageweirdo]

Lol here have a little Noctyra redesign I did

Design rambles under the cut

Ok so as much as I love Noctyra’s old design I wanted to give my own personal spin and head canons to it! So here we gooooo!

I decided to take that “snake lady” aspect of her and absolutely RUN with it. Specifically in her hair, which I styled after a cobra!

You know, these silly looking guys. I like to imagine her face can open up kind of like a mouth and reveal like rows and rows of teeth but because of her face shadow you can’t see it. More on the face shadow in a moment. I really wanted to lean into a more purplish pink color scheme with her bc I feel like it’s extremely lacking in the og design for her being a NSP entity (which makes sense considering it’s a public model)

Ok so here’s where my headcanons come in. Personally, I like to assume that Noctyra was actually with the astrals before she joined Cetus. Specifically because of some of the stuff she says in the prison episode, like when she brought up the fact that the astrals shoved her in there hoping she’d “change her ways”. The way she talks about it kind of gives off the impression that she just got bored and decided to go apeshit, but I don’t think that’s the case. Especially with how she talks about the astrals. I think she was with the astrals with as a subservient star before she decided to go apeshit with dark star power. And what subservient class specifically?

The messengers.

Yeah I think she was a messenger alongside Nebula. Nebula did mention that there were multiple messengers. I don’t think she’s the one that Nebula talked about loving though because Nebula said that was a causality in war. We’ve already seen how the messengers are treated by the astrals. Specifically Nebula. (Well, only Nebula but we can highly assume it’s the same for the others.) Honestly? If I was being treated like that I’d go apeshit with the power too. But it is also a headcanon lmao. Anyways, because of it I decided to actually search up photos of the Nebula armor (bc I know Nebula’s model is from a game) and design her clothing based off that!

These are the two photos I used in particular. I also kept the little cloak Noctyra had on before in her original design because I think it looked really cute on her. Oh and her tail still curls around her body when she’s not moving I just didn’t wanna draw that lol

Anyways I just did this for fun and practice, back to working on the gladiator au <3

Feedback is appreciated as usualllll

[huginsmemory]

Ideology of Exceptionalism and Gravity Falls; meta and character analysis

I had a whole ago read a post by @icanlife that had a quote by Alex Hirsch on Ford's greatest flaw, and wanted to explore what the flaw is, which is the ideology of exceptionalism; in the exploration, I’ll touch on what it is and how it is used in abusive relationships and cults, as well as how it drives multiple Gravity Falls characters and consequently how it impacts relationships between these characters, and how the show ultimately refutes exceptionalism.

Quick note here; I am not in any way, shape or form a psychologist nor have any formal training in psychology; this is written from my own experiences with this ideology and my own forays into psychology and trauma-informed learning. It is also written with a loose understanding that is likely not broad enough to cover all references to cults, extremist groups and abusive relationships. 

The Ideology of Exceptionalism 

First of all, we have to get through a drier bit, which is… what is the ideology of exceptionalism and how does it arise? Might be fairly obvious, but it is the belief that you are, or belong to, a group of exceptional people, thus more important and worth more than anyone else; ie, those who don't qualify as 'exceptional'. It is often a subconsciously learned ideology. Now, what qualifies one as exceptional can be extremely varied; generally it revolves around something that provides some form of privilege. Thus, it might be, as the main exceptionalist idea in Gravity Falls, 'intelligence', or power, or it can be such things as attractiveness, quantity of money one has, species, nationality, or skin colour and ancestral heritage. The ideology of exceptionalism, being by nature hierarchical, devalues, and at its worst, openly and violently dehumanizes those who do not qualify as exceptional. 

For why exceptionalism occurs is an extremely broad topic, but I've personally found that, for exceptionalism revolving around intelligence, it's a result of a poor sense of self-worth, and having one's self-worth tied to what makes one exceptional. Poor self-worth itself (again, broadly) is a result of childhood trauma from a lack of positive affirmation and unfulfillment of the emotional needs of the child. Meanwhile, self-worth becoming tied to the quality of exceptionalism generally is a result of when positive affirmation was pretty much solely provided around their 'exceptionalism', especially when provided derogatory commentary, or a blatant example of how they would be treated if they aren't 'exceptional'. As a result of the general lack of affirmation, self-worth then becomes often solely reliant on the qualities of exceptionalism, as that is the only way for the child (and later, adult) to get affirmation of their worth, as well as out of fear of being ‘not worth anything’ like the examples of ‘non-exceptional’ people they have been given. 

This is especially likely to occur when the child is a social outcast; the adoption of the hierarchical ideology of exceptionalism, and the devaluation/dehumanization of others often occurs subconsciously as an avoidance/minimization tactic from pain. This is to say, the child, and later the adult (if healthy self-worth is not established) goes 'it doesn't matter what the non-exceptional people say or if they accept me since I matter more than them because of my exceptionality'. It can even be taken further, that being shunned is part of one's exceptionalism, and becomes part of the qualifier of being exceptional. For instance, 'they just can't understand because they aren't exceptional and that's just a part of being exceptional'. This idea also neatly tailors into the part of the concept of being better then others means you are separate from others; this can be taken that someone who is special, needs to be alone to be truly special.

Obviously, exceptionalism is not a healthy coping mechanism for poor self-worth, as often such people constantly feel the need to prove and show off their exceptionalism to gain that affirmation and avoid rejection, which is stressful. As well, it often negatively impacts their relationships with other people as a result of the arrogance of believing that they are better than most others, or even deliberate sabotage due to their arrogance. This occurs as they flatten the complexity of human experience to black-and-white hierarchical categories of exceptional/not-exceptional through constant judgement of those they meet, and often refuse to engage with people who don't belong to their 'exceptionality', or even people they simply don't like, even if they technically qualify. Generally, those that they do like or have close relationships with, often due to being similar, are automatically labelled as 'exceptional'. Those judged as ‘exceptional’ also become privy to the open judgements of ‘non-exceptional’ others, out of a subconscious belief by the exceptionalist that the other believes similarly; something that may strain their relationship if the other doesn’t ascribe to exceptionalism. This all culminates in the exceptionalist being blind or even adverse to the diversity of experiences, which makes it difficult to create relationships and community outside of echo chambers of their own beliefs (if they can even find this), and subsequently, these people are often isolated and have very few to no close relationships with people. 

However, all humans require connections with other people, relationships where one can rely on others emotionally and physically if needed and feel accepted; they also require to feel like they are worth something, that their life has meaning. Lacking meaningful connections and having a crippled sense of self-worth, a deep yearning hole is left in these people. Exceptionalism, especially as it is a narrative constantly pushed by Western society as it validates hierarchies, is then employed as a (often subconscious) trauma response to assuage this yearning hole, with arrogance and denial. And depending on the circumstances, it can be a very strong and definitive trauma response for people.

This isolation and lack of self-worth is catnip to abusive relationships, including cults and extremist groups. These types of relationships often heavily rely on isolating their victims or pulling them into echo chambers of solely the abuser’s rhetoric, to redefine what is healthy through gaslighting; as the exceptionalists are already isolated, this makes them extremely susceptible. They also often provide these people affirmation, and in these cases especially about their exceptionalism, thus confirming their self-worth, their 'specialness', while also providing them the connection they have been lacking, either through the cult community or through the abuser’s own presence. These emotional needs, which haven’t been met in a long time, if ever, begin to be fulfilled; something that abusive relationships and cults hinge on, rather than any form of logic.

Ideology of Exceptionalism and Gravity Falls

The main characters within Gravity Falls which are heavily ascribed to exceptionalism would be both Ford and Bill; this characterization deeply impacts the story and their relationships with others (technically the Northwest are another case regarding wealth, but less directly impact the storyline and thus tangential; Gideon also is an example, but as a mirror of Bill). With each of these characters I’ll go into detail within their sections on the way they began to ascribe to exceptionalism, and how it plays out later in their relationships; I will first begin with Ford, then move to Bill. Then, to cap it off, I’ll go into the characterization of Stan and the way Gravity Falls refutes exceptionalism. 

Ford and Exceptionalism

Firstly, the quote from Alex Hirsch that kicked this whole baby off, as mentioned previously; 

“Ford sees Dipper as someone who’s special like himself. That’s Ford’s great flaw, his arrogance is he believes that there’s special people, and everyone else. That human attachments are actually weaknesses. And the song and dance that he’s giving Dipper right now, is the song and dance that he gave McGucket, back when they were younger… ‘You and me are different, we’re better than everyone else. We have a path that no one else can understand, and only us can do this.’ It’s a very seductive idea for Dipper… Dipper is a smart kid, but Ford’s projecting. Ford loves Dipper because he sees someone who’ll tell him ‘yes’ to everything. Who’ll never challenge him, who’ll do a really insane dangerous mission.”

Very blatantly Alex Hirsch calls Ford out on his arrogance in the belief that he is special, in his belief in the 'lone hero' complex, in his belief in exceptionalism. And really, it should be no surprise that Ford does so, considering the way he's depicted as a social outcast as a child (other than Stan), and the way his parents have been clearly shown to be not particularly emotionally supportive (“I’m not impressed”); they don't provide positive affirmation except for his intelligence (mostly due to the possibility of money making through it…), while also actively comparing him to Stan who is derogatorily ‘not-exceptional’, and ‘worth less’. This all sets Ford’s self-worth up to be fragile, and other than Stan who wholeheartedly accepts him, he is isolated and invalidated; plus, the only other validation he receives is around his intelligence. All very classically fitting the profile for exceptionalism.

Image id: Stand and Ford when they were children, both clearly enjoying each other's company.

Ford’s belief in his exceptionalism catalyzes after the shattering of his and Stan’s relationship. Previously the twins are shown to do everything together, having a very close caring relationship; something unlikely if Ford thought he was better than Stan. Also, when Ford is talked to about his opportunities, Ford looks uncomfortable at the way they talk about Stan as inferior, compared to how he himself is being praised; but in the offer he’s simultaneously finally being validated, he’s being told he’s someone worth something, and he’s going to be someone worth something after this. And then the science fair incident occurs, and Ford loses that validation from his parents, from the judges and a future of more validation; after being promised validation and acceptance, it slips through his fingers. And in his anger of being denied that, it becomes easy to begin to slip subconsciously into the rhetoric the others have been feeding him; that he’s exceptional, that Stan isn’t, and he deserved to be recognized for his worth. So he breaks the relationship with the only person who accepted and validated him for who he is. With that loss of previous support, Ford becomes then deeply obsessed with proving his exceptionalism to the world to assuage that fragile self-worth, to become accepted, or even better, revered, confirming that he is someone of worth, someone special, like he was promised. 

Ford’s obsession also doubly functions as a way to alleviate his guilt over shattering their relationship; if he’s exceptional as he believes, then he’s within the right to respond the way he did, as he’s worth more than Stan, he's better off alone, and he has a right to be angry over being denied that validation. As well, in much the same way as it is used as a way to alleviate his guilt over the end of their relationship, it is also likely used in a way to minimize the pain of being ostracized (although not directly depicted); afterall, Ford’s keenly aware and insecure about his social ineptitude and his six fingers as things that make him different from other people, case in point with his experience visiting Lazy Susans Diner. Thus it wouldn’t be unsurprising if he uses the idea of being worth more than those who ostracize him to imply it ‘doesn’t matter’ what they think. His ostracization by nature keeps him from generally forming close relationships, with the exception of Fiddleford (who much like him, is socially outcast, and intelligent) during his university days. As a result, he's isolated and acutely lonely, having lost Stan.

Image id: One of the missing Journal 3 pages in TBOB, detailing Ford's botched social interaction in Lazy Susans Diner. In the background is the print of his six-fingered hand.

In his obsession over being acknowledged, Ford, like many others who believe in exceptionalism, identifies strongly with the causes of his ostracization (his intelligence, his six-fingeredness) as part of, or wholly, makes him exceptional. It is obvious through his choice of study; with the grant he has been gifted, he chooses to revolve his work around the weird, the outcast, something that you see Ford gravitate towards being an outcast and deemed 'weird' himself (which in Journal 3 he openly talks about). Something that can be, much like him, framed as 'exceptional'. His work is even recorded in a journal that Ford deliberately chooses to put his six-fingered hand on the cover of. Intertwined with the way it becomes adopted into the idea of exceptionalism, is the keen loneliness from his ostracization and a deep desire to be accepted and a wish to find a community of other weird people.

Image id: Two pages from journal 3, labelled 'Myself', in which Ford is open about being weird, and a social outcast, while also noting his ambitions and that 'Gravity Falls, [is] the place that I fit in.'

Ford and Bill

All of this culminates in Ford becoming an incredibly easy target to manipulate by Bill. He’s desperate to be acknowledged (and thus accepted) by an authority figure so that his belief in exceptionalism is justified and his self-worth confirmed. And he knows he’s intelligent, that he's exceptional because people have told him so, but he just needs to prove it with something that shakes the world. And the grant is finally his second chance after the fair, but he's stuck, and the research is going nowhere, and he's in a town where he doesn't really know anyone and he’s so terribly lonely. And sure, he clings to his exceptionalism but if he can't even prove it then is he really exceptional? Is he even worth anything like he thought he was? And what about what he's left behind, rejected, because of his exceptionalism?

And THEN he finds an incantation and he ignores the warnings because maybe, just maybe, this will be his break to get that acceptance/validation he has been chasing his whole life? 

And then it's better than that. 

A god, essentially, shows himself to him, an ultimate figure of authority. And he tells him that yes, he is special, he’s worth more than other people, and Bill’s only showing himself to Ford because he is so much more intelligent than anyone else. Ford is suddenly getting his exceptionalism confirmed by a god of ancient knowledge, an immensely intelligent interdimensional being, and he’s also showering him with affirmations, specifically affirmations around what Ford's fragile self-worth is based on. And even better, he's delighted by Ford's six-fingeredness; he's not put off at all, it even becomes his main nickname for Ford, just like it used to be for Stan all those years ago. On top of it all, Ford's own social ineptitude doesn't phase Bill, another thing Ford is self-conscious about; Bill's own social ineptitude as he's not human probably makes Ford feel comfortable, knowing that's not expected from him.

Through Bill, not only does Ford find someone who validates his self-worth through intelligence and even confirms to him that his weirdness is part and parcel of making him special, he also finds someone who he regularly (generally) is in contact with, who enjoys talking to him and even banters with him familiarly. Hell, Bill even deliberately goes out of his way (literally possessing a whole wack ton of rats, then dream karaoke) to celebrate his birthday with him; how long do you think Ford has simply skipped his birthday since he had no one to really celebrate it with? The loneliness, beneath his arrogance and belief in exceptionalism, is being fulfilled; for the first time since Ford was a teenager, he's fully accepted by someone, social awkwardness, six fingers, exceptionalism and all. 

Image id: One of the lost pages from Journal 3 in TBOB, the 'one thing led to another' page, with Bill and Ford singing karaoke and drinking together, both clearly enjoying themselves; Bill has an arm slung around Ford's shoulders.

So it's really no surprise at all that Ford fell for this, hook line and sinker. Hell, if I was in Ford's shoes I would fall for it just as hard. And I've seen a few posts floating around talking about how Bill is bad at manipulating, and no, he's not. He was able to pinpoint exactly what Ford wanted and needed, and provided that, was charismatic enough to provide that. Again, manipulation isn't about logic. It really isn't; it's about the emotional core in people, what people lack and what you can give them to slowly reel them in to sing your dance and song. And people will ignore vast swaths of red flags when you're finally being accepted, when you're finally getting your emotional needs met at least in some way or form. It's better than not having them met at all, such as previously. So Ford worshipping Bill is really not a surprise, especially as Bill deliberately stoked it.

All of this is part of why you see Alex Hirsch call Ford's belief in his exceptionalism his greatest flaw; because it allowed him to be very easily manipulated by Bill, and by its nature kept Ford isolated from others, evident by his arrogance in assuming he knows best and refusing to see other people who aren't as 'intelligent/weird' as him as worth getting to know, listen too and even reach out to ask help from, it's him believing he has to be the lone hero as someone whose 'special'. It's something that blinds him to the danger of his work around the weirdness of gravity falls because he’s desperate to seek a place where he and his weirdness belong, and it's something that plays out in each and every relationship he has because it's something he clings to so deeply. It's what cost him his relationship with Stan, who previously accepted him completely, and, as he's disinclined to form new relationships and as Bill actively strokes his paranoia (Trust No One…), ultimately further increases the hold Bill has over him. It's only Fiddleford’s presence as he works with Ford that allows him some form of outside reference and reprieve from solely Bill’s influence, something that Bill resents deeply and is clearly jealous and angry about, even if Fiddleford is helping create the portal. And it's ultimately Fiddleford, once he was aware enough of what was happening, calls Ford out on it, seriously jeopardizing Bill's influence over Ford; but Ford is too invested in the portal, in chasing his own ambition and caught up in Bill’s manipulation to take him seriously, until the incident with the trial, and Ford beginning to hear other voices then Bill.

Ford’s Exceptionalism and Wider Relationships

Now back to how it plays out in all Ford's relationships; we've already gone over it with Bill's influence, because it made him extremely easy to manipulate, and with his disregard of Stan in favor of validation of his exceptionalism. But Ford, as pointed out by Alex Hirsch, also exerts the ideology's seductive rhetoric to both Fiddleford and Dipper (who look up to Ford) in a similar way that Bill does with him (although there is a difference of it being used intentionally and maliciously, compared to subconsciously and earnestly, even if it is problematic). Ford, with his black-and-white view of exceptionalism, sees both Fiddleford and Dipper as people who are like him; 'exceptional', and so he treats them as such, and uses this rhetoric to coerce them into helping him.

For Fiddleford, the lure is how he can change the world, how he can be finally acknowledged if he helps Ford with the portal. And it works well; he willingly chooses to leave his own work and his wife and young son, to work with Ford. Much like Ford, Fiddleford himself is also a social outcast and regularly presumed less smart than he is, and he’s got a chip on his shoulder to prove himself, to gain acknowledgement and recognition from the world at large. Although Fiddleford has a family which presumes he’s not entirely lonely like Ford is, he also clearly has deep feelings for Ford, some which are hinted to be more than just ‘friendly’ feelings; it is likely the combination of the lure of validation and spending time with Ford, a kindred spirit that accepts him and an old friend/crush, that causes him to agree (afterall, it was Ford who made Fiddleford feel accepted and choose to stay at Backupsmore). And Fiddleford’s not even considered a partner, but rather an assistant to Ford due to Ford's arrogance, and he still drops everything to go! It’s more about their relationship and connection rather than validation, but that doesn’t stop Ford from espousing exceptionalism. And this is a distinguishing difference, because although Fiddleford would like recognition, he’s not there solely because of it; he’s not a believer in exceptionalism nor arrogant about his skills, and so, unlike Ford who is blinded by his obsession, he’s much more aware of the dangers of the weirdness of Gravity Falls. Thus, he's actively calculating the risks involved, and when he realizes there could be potentially devastating consequences of the portal, he attempts to talk Ford out of it; this fails due to Ford’s own denial and obsession over the portal. In the end, it all goes terribly sideways, and Fiddleford ends up losing everything he had; his wife, his son, his friend, his memories and himself to the trauma he had experienced at the invitation of his friend with the lure of validation and company, due to the memory gun he had created himself. 

As for Dipper, much like Ford, he also has issues with self-worth (many of the episodes deal with Dipper finding self-worth; ie, the manotaur episode), has a physical oddity (his birthmark) and by far the trait he relies on most for worth is his intelligence (for example, in one episode he rubs it into Mabel's face over and over again in beating her in games). He's also extremely desperate to be recognized by authority figures as someone intelligent, case in point when he summons the dead after being made fun of by the government agents to try and show them that the information he's gathered is important after Stan dismisses his knowledge. This desperation to be seen as someone of worth from Dipper, much like Ford, extends to the need to be a hero, something he even says at the end of the zombie episode; yet, due to Mabel, unlike Ford he's not a lone hero, and Mabel also half the time acts as the hero.

Image id: Zombies crawling out of a crack after Dipper summons them; Dipper and the two agents look on in horror.

It all culminates in Dipper hero-worshipping Ford when he returns; really, no different than Ford worshipping Bill. And Ford clearly finds it extremely flattering; Dipper's attention and amazement of him feeds his exceptionalism. Exactly how Ford responded to Bill, Dipper is willing to do anything for Ford, excited too, in an attempt to impress Ford and be validated and accepted. And for Ford, that's an extremely heady feeling, especially as someone who has been constantly alone the last 30 years, especially when he had one previously confirm his exceptionalism all those years ago and stopped, and now someone is once again affirming that idea. And Ford doesn't have to be alone again, because he's found a kindred spirit in Dipper as his assistant, someone ‘just’ like him, someone who is exceptional. Because he sees himself in Dipper, he begins to espouse exceptionalism unconsciously, by praising Dipper's own intellect and adventurous spirit, assuaging his feeling of self-worth, while also telling him he's more important or better than others because of it. 

And it's seductive to Dipper, because he wants to hear those affirmations of his self-worth, especially as he hero-worships him, but Dipper isn't sold on it, because it means leaving Mabel behind, it means believing that he's worth more than Mabel (and also, Stan, and all his friends he’s made in Gravity Falls). It's ultimately because of his relationship with Mabel that he rejects the ideology; he's not isolated the way Ford was with Bill, and he's not willing to break that relationship for that acknowledgement, because his relationships matter more to him.

Bill and Exceptionalism

Now of course, that's only on the Pines; what about Bill? 

While it's obvious that Bill uses exceptionalism as a main manipulative tactic, it's not just an ideology he sprouts emptily; it's also an ideology he believes in, just like Ford, although it's less based on intellectual exceptionalism, and more on power and 'weirdness'. 

This most distinctly can be seen in Bill's denial about what happened to his home dimension; Bill's belief in his exceptionalism occurs as a pain avoidance tactic from killing his whole dimension. Bill was clearly a social outcast within his dimension due to being able to see 3d; he's not accepted, and not trusted, to the point that there is medical intervention to make him blind. That's a deeply traumatic experience that completely erases one sense of self-worth, where one’s sanity is called into question by your parents on something that is not harmful, that's beautiful and you just want to share with them. It's a deep and clear rejection of who Bill is, and his ability. As a result, out of a desperate bid to be understood and accepted, he ends up trying to show them the stars. And it ends up killing everyone. 

Image id: Page of TBOB, on 'The Early Years' which notes that Bill was an oddity for seeing 3d, something that was illegal to speak about. Bill frames it as something that made him 'special' and better than all the others.

Traumatized, and originally rejected by the dimension, he instead weaves an excuse of exceptionalism; that it doesn't matter what he did to them because he's exceptional and he's worth more than all of them because he can see 3d, because he's powerful, so he shouldn't/'doesn't' feel any remorse about it. With such a traumatic result of trying to be accepted by people, he rejects the idea of trying to be accepted for who he really is; instead adopting a facade of a monster that he believes he is (and eventually, becomes).

Even if he clings to the delusion of exceptionalism, and shuns attempts to find true acceptance, he still wants it; and that's where his henchmaniacs fit in, as they're all, as Bill's noted when trying desperately to get Ford to join him, weird; each has something 'wrong' with them, which is why Bill accepted them as his lackeys (although it's not like we know the context around these). It's a surface-level acceptance however, one more predicated on fear than emotional acceptance. He's taken his 'weirdness', much like many do who believe in exceptionalism,as ‘part of what makes him exceptional'.

In the same way that Ford wants to show the world that he's smart and intelligent by building the portal, Bill does so by wreaking havoc and taking over existences as a way to show the world that he's powerful, that he's someone to be reckoned with, that he's not someone to be ignored because he's someone who's worth more than others. If you can't be loved and accepted, then being hated and feared is better than being ignored; acknowledgement at least approaches acceptance, it's validation of some sort of worth. It also functions as deliberate self-sabotage of his morals, by proving that he is the monster that killed his entire dimension; if that's what he is, then that's who he's going to be, because if he wasn’t, then he has to come face to face with his remorse over what he did to his dimension and his whole house of cards around his exceptionalism and not caring collapses. So instead he keeps feeding the delusions the denial, and lies and lies and lies and keeps lying to ignore all of it, to wrap himself in this shroud of exceptionalism and brutality as a way to function. And it somewhat works, because he's mostly deluded himself about it all, even if subconsciously he knows. 

And of course, this display of Bill's exceptionalism is what brings Bill to earth, to Gravity Falls, and to manipulating humans. In meddling with earth and humanity, beyond Bill's goal of taking over earth and fleeing his own unravelling dimension, he also enjoys reaping the benefits of being worshiped by humans, who find him awe-inspiring. Their amazement of who he is, and Bill's own posturing and manipulation of people leads to Bill literally forming cults (ie ciphertology) or having apprentices that worship/find him (to varying degree) inspiring; all reinforcing his feelings of exceptionalism. 

Of course, Ford numbers among these people; he praises Bill and worships him, as he's played like a fiddle by Bill, because his self-worth and belief in exceptionalism is fucked up in a way that perfectly resonates with Bill’s. Because it's the exact same types of issues around self-worth, around being an outcast, being weird and wrong physically, and yet at the same time gifted. And Ford clearly is incredibly lonely and yearning for acceptance, but so is Bill; since the beginning he's been trying to find someone who would accept him, even if he's given up on it. And for his song and dance to entice Ford in, he pretends he's not crushed dimensions for fun, that he's not a 'monster'; a version of him he buried after he had tried to show his parents the stars, one that he occasionally resurrects and puppets around for manipulation (all lies are better when they have a grain of truth). And this version of him is worshipped, but above all is accepted, is loved by Ford. The softer parts of Bill, even if they are still weird as fuck, the parts that were never far beneath the surface for all his deluding, become loved by Ford. Much as Ford becomes hooked on Bill’s praise, Bill also becomes hooked on Ford's genuine love and care. It becomes personal, unlike any previous ‘inspirations’ and Bill over time gets to the point that he feels accepted, safe enough with Ford to share about his dimension much more close to the truth then he did with any of his henchmaniacs. He becomes vulnerable with Ford, in response to Ford’s own vulnerability with him. He’s finding acceptance for the first time in his life around the softer parts of himself, not just the feared acknowledgement that comes from his dimensions conquering; much like Ford is finally finding companionship and acceptance with Bill, not just only intellectual validation. Bill's also for once, not just self-serving; he cares, and goes out of his way to take time with Ford, even celebrating Ford's birthday (in the unique way he does things), both with the rats and the karaoke.

Image id: One of the lost Journal 3 pages in TBOB. Ford recounts Bill talking about the destruction of his dimension, and calls himself by implication a monster.

They're both fulfilling each other's emotional needs, needs which both of them have struggled with most, if not all of their lives (although their relationship is certainly not healthy, considering it's codependent as fuck, riddled with exceptionalism and oodles of power imbalance issues). And suddenly, against Bill's plans, Ford's no longer just a disposable pawn, but someone Bill wants as part of his team, someone by his side, closer than his henchmaniacs are. He's unwittingly fallen for Ford, and so when everything goes sideways in his plan, and Ford swears it off, suddenly cutting off their relationship and that acceptance Bill had finally felt, he spirals into grief and anger from the rejection. As a result, he becomes extremely abusive to Ford in desperate attempts to continue their relationship, and ultimately he becomes obsessive over Ford joining him again as Ford continues to refuse, as evidenced by both Weirdmageddon and the Book of Bill.

Stanley Pines, and the Refuting of Exceptionalism 

Exceptionalism, being a negative driving factor behind many core character dynamics, is ultimately refuted by the show. This occurs multiple times over the show, such as with Mabel in the Pioneer Day episode, especially compared to Pacifica, but mostly through Stan's characterization. Stan is someone who has been since the beginning characterized (if lovingly so) as someone who is a failure by societal standards; he’s an older man running a run-down tacky tourist shop to swindle gullible tourists out of their money, has multiple divorces, has an ongoing feud with a literal 12 year old, clearly has had multiple mishaps with the law (some ongoing), is generally pretty self-serving and is extremely lonely and really had no close relationships until Mabel and Dipper showed up. He's not exceptional; he's not even what we would consider 'decent' enough to have a 'typical, hard working job’. In short, he’s a failure, a stark difference to the idea of 'exceptionalism' that characterizes Ford. If he's gifted in any area, it would be charisma (debatedly), not anything else.

But it's still Stan who rebuilds the portal from literally only one journal (not all three!) and gets it to work. It even seems like he only needs some codes from the other two journals when he does get them, suggesting that he was able to extrapolate from what was left and the first journal’s blueprints to fix it entirely, something that is extremely difficult and technically complicated (Ford, Bill and Fiddleford all worked on it together!). Stan's able to do it, even if it's been shown he's not 'naturally' gifted in that area. And it's something he does as a result of his deep care for Ford; because even after their fights, he cares about Ford and wants to right his wrongs, believes he should, because of his whole life of being defined as a failure and even worse than that, screwing up his ‘exceptional’ brother’s life. And he’ll do it even if that means learning how to build an interdimensional portal, even if it takes up thirty years of his life doing so, and he doesn't waver. Much of this is connected to his own complexes around being deemed a failure compared to Ford, having failed to succeed in his life, and how he feels that he needs to atone for screwing up Ford’s life, now for the second time; but beneath it all, he also cares. Much like Ford, he's extremely lonely, but he's not blinded by Ford's arrogance, and as a result he wants to make sure Ford's safe, because that's what he used to do, they’re twins, they grew up together, they once they had fully accepted and cared for each other, and dammit that still means something, and Stan hasn't found that depth of emotional connection since. So if possible, he wants to rekindle that closeness they had, but first, he needs to bring Ford back. 

And in the end, it's not Ford's own special gun he built using his intelligence that 'kills' Bill. It's Stan, someone who Ford had long ago broke it off with in search of validation of his exceptionalism, someone who both Ford and Bill labelled as 'not-exceptional', who defeats Bill. It's exceptionalism's devaluation of people who are 'not-exceptional' that causes Bill to underestimate the Pines beyond Ford, and it's only when Ford put aside his exceptionalism and his refusal to accept and trust 'non-exceptional' people, that is, trust Stan once more, that causes Bill to end up defeated by Stan.

In the end, it's not about who's 'smarter'; it's a reminder that everyone has different skills and are better at different things, but that doesn't diminish one's worth or value, and that just because someone isn't naturally 'gifted' in an area doesn't mean they can't learn or use different ways to get around obstacles. Ultimately, it comes down to that no one is worth more or less than other people; exceptionalism is a lie. It’s a lie and an excuse, and it's certainly not a healthy way to assuage one's poor self-worth. What does matter is creating positive healthy connections with other people, and caring about them. This creates a community where you can be yourself and be emotionally fulfilled through these connections; and when opposition does arise, you become able to fight it together, and fight so much stronger than if you are alone.

And by the end of the show, you see that. Ford begins to let go of the ideal of exceptionalism and its black-and-white categorization; finally recognizes his own faults around prioritizing validation of his intelligence and exceptionalism over his relationships, and finally, after all the years, chooses to create and rekindle positive relationships with people, trust people, and make amends. And in the end, he goes sailing with Stan, prioritizing their relationship, finally fulfilling their childhood promise.

Image id: One of the pages written by Ford into TBOB. Ford refutes Bill's idea of happiness, and says he has finally found his own happiness, and it looks like the photo taped in, of Stan, Ford, Dipper, Mabel, Soos and Wendy, all smiling together.

TLDR: Exceptionalism, an ideology of categorizing people into being special and worth more vs plebian and worth less, is a trauma response and subconscious ideology that characterizes Ford and Bill’s lives, deeply impacting all their relationships as it is used to coerce people into doing what they want, makes Ford easily manipulated, and breaks relationships through their arrogance. It is ultimately denounced through the way Dipper chooses to reject Ford’s offer and his rhetoric of being exceptional, and through the way it's not Ford’s intelligence, but rather Stan, who has been labeled as 'not-exceptional' and a failure at life, that defeats Bill through trickery. It's a reminder that everyone has worth, and no one is worth more than other people, even if one may be gifted in certain areas; the ideology of exceptionalism is fragile and a lie. In the end, creating a caring, loving community around oneself is where strength truly lies, as is seen with the deep care and love the characters have for each other, and the repairing of Ford and Stans relationship.

Thanks to the lovely @eshtaresht who deigned to beta read this monster of a post for me

If you enjoyed this meta, (first of all if you read all this you're a champ!) I've also done another gf meta post! (It's shorter I swear)

[theoldkyokodied]

Uploading all my Tomgreg art at once from the past few week before season 4 hits, who knows in what kind of mental state i'm gonna be once it does :')

[keferon]

May I ask what were the best transformers media you ever saw/read?

Well Transformers Prime, Transformers 1986 and IDW comics are having the first place that’s for sure

And then the second place is kind of shared by Fall of Cybertron, Exodus, Prime wars trilogy, Robots in disguise(2001) and Transformers One.

The third place goes to G1, Animated, Earthspark, Armada, War for Cybertron Netflix series, Aligned Robots in disguise, Bumblebee, Rise of the Beasts and Cyberverse because I only liked some little parts of them.

And then I also saw some of the Bay movies, Victory and Headmasters and didn’t like them at all.

Separate first place for J-Decker. It is not exactly Transformers but it is a show about giant robots and I loved it

[royalarchivist]

Bagi: I think Badboyhalo is turning green. Without the rainbow stuff, I saw green stuff in his hand- in his back.

Fit: You might be right, yeah. I mean, it's hard to tell with- Hold on. Wait- wait. Bad, take your shirt off. Take your shirt off.

Bad: Well, I mean, I don't know if this is the right setting for-

Fit: Take your shirt off. [Leans into the mic and uses a deeper voice] Take your shirt off, take your shirt off, take your shirt off.

Empanada: whoa there are kids here and its me D:

Fit: Don't worry, Empanada- Bad's my good friend, and I just want to make sure that he's doing okay, you know? That's all I'm doing.

Bad: [Disappointed] Oh, ok... I guess Pac would be upset if it was anything else. Anyway!

Fit: Wait, what? What? Huh?

[ Full Transcript ↓ ]

—

Bagi: I think Badboyhalo is turning green.

Empanada: [In response to Bad saying everything is fine] mhm sure uncle bad i believe you especially

Fit: You might be right, yeah. Wait, hold on- I mean, it's hard to tell with-

Bagi: Without the rainbow stuff, I saw green stuff in his hand- in his back.

Fit: Wait, really?

Bagi: In his back, yeah.

Bad: Yeah, I don't know what Bagi is talking about. [In a loud whisper] Bagi's been seeing things, Fit!

Fit: Hold on, wait- wait. Bad, take your shirt off. Take your shirt off.

Bad: Well, I mean, I don't know if this is the right setting for-

Fit: Take your shirt off. [Leans into the mic and uses a deeper voice] Take your shirt off, take your shirt off, take your shirt off, take your shirt off.

Bagi: [Cracking up]

Bad: OK, ok, ok! It's off! There you go!

Fit: [Sees the infection / marking on Bad's back] Um... That doesn't, uh... Yeah, you might want to get that checked out.

Bagi: It's kinda different, you know?

Fit: Yeah, I think you might want to see a doctor.

Bad: Nah, it looks fine! No, it looks fine.

Empanada: whoa there are kids here and its me D:

Fit: Don't worry, Empanada- I'm just checking- Bad's my good friend, and I just want to make sure that he's doing okay, you know? Like, that's all I'm doing.

Bad: [Disappointed] Oh, ok... I guess Pac would be upset if it was anything else. Anyway!

Fit: Wait, what? What? Huh? Huh? What?

Bad: Oh, you didn't want to check out my muscles? Anyways, it's fine... I just- you know. Anyways...

Empanada: you got pac after all

Fit: Yeah Empanada, he's my roommate! Yeah, he's my roommate, it's- it's- it's cool, it's cool.

Bad: You got Pac, after all. Your roommate.

Fit: My roommate, My roommate.

Empanada: sure tell yourself that

Bad: [Cracks up]

Bagi: [Also cracking up] Oh Empanada, I love you so much! You're definitely my daughter! You're so my daughter! Here- Empanada, here's another cookie for you!

Fit: [Groans] I'm catching strays, I'm catching strays from an Egg today, oh no...

Bad: This is great! Oh, my goodness...

Empanada: you wore each others clothes tio

Fit: Yeah, but that- but I mean, that was- I- I know it- it- um...

Bad: I love this, this is great.

Fit: I got nothing, I got nothing... I got no defense to that.

[dissentersbedamned]

an entire doodle page worth of content of just these two waow

art commissions

full page for you nerds

[itspileofgoodthings]

ALSO I am learning how to teach very introverted students, something my natural skillset as a teacher does not help me with.

[icewindandboringhorror]

Just curious what the average level of personal investment in these sorts of things is. Like, how much do people usually get into silly stuff like this their friends ask of them? etc. etc. Which I know, only surveying a small sample on a very specific website means I'm not getting an exact average idea lol, but.. curious nonetheless .. Maybe reblog for bigger sample size but also this is not very serious at all/not worth a call to action gbhjbhjb

[unproduciblesmackdown]

revisited some parts of deh i hadn't in a while via obc boots, mostly kicked off by audio of an aus tour show, & it's like now hang on lol reevaluating the whole of heidi's material / that arc like i have been too generous what in the....kind of worked backwards from good for you b/c for that song i've Been like sympathetic re: alana & jared's sections while like Shrug at heidi like i'm on evan's side there really. but the whole thing is like, sympathy for heidi's feelings aside, i'm on evan's side b/c like yeah heidi has feelings & insecurities too but it's not the same peer to peer like fellow unpopular couple of students as parent to child & i'm looking at it all like The Whole Thread is heidi's insecurities as A Mother & the demand is on evan all the time to not just Not cause her insecurity but also assuage ones that have nothing to do with him, e.g. what's he supposed to say about digs at his dad's wife

& like really going over that First Scene i.e. opening scene post evan's soliloquy i.e. anybody have a map it's like. sure only increasingly like Oh Boy when evan not being able to order pizza despite the online option is met with the "you Need to be able to order dinner for yourself" ft. that he should be "too old for this" (disability....grow up) (not a direct quote but rather yknow the "you're a senior in high school, evan" intro) & nothing about like, support or alternatives, certainly nothing about it being Okay that he couldn't. just that he Has to do this thing this way (why. or else what.) & also just the simple fact that evan has been honest about "something wrong with him" / something he did that he figures she wouldn't like & gotten this wholly negative response about that just being Unacceptable to hear, regardless of the "positive" pivot like you can do it re: school, just must not be Trying enough, just must be evan's own attitude or something else about him, the letters had better help....& all this revisiting inspired by beau woodbridge evan's delivery after heidi says the line about Her Not Wanting To Hear (framed about Her Feelings if evan were to Tell her about this) about evan having no friends, & like the delivery of "neither do i??" like a sort of nonplussed indignation that is a kind of "how do you think *i* feel about it??" like no yeah what about evan's feelings about him dealing with his problems here, the one not having dinner, not having friends, not Not having anxiety, etc. like obviously heidi like every person ever has feelings & problems too but it's that the parent's problems are supposed to be Made Up For by the child somehow, while evan's problems are framed as Being A Problem for his mom, how she feels about Knowing about it, try harder please okay evan....but cue, yknow, how she resents evan feeling any responsibility for Her Problems in gfy yknow not insofar as she's been embarrassed to tell him like "yeah money is a problem" when it's been about pushing him to get scholarships but rather when the murphys know (maybe just via evan implying they're Not Rich to zoe after zoe is like ah, to be poor....) that heidi will need Financial Support for college for evan & then heidi like i'm not That poor & to take money would be wrong (always the reminder heidi does not know everything re: evan & connor isn't true either)

which, that last part of her dinner at the murphys pre gfy was really this time hitting like ://// whew okay. all of it always grating lmao but like, "i don't want evan to get the idea etc" like ma'am he's sitting right here? he's seventeen? can't just Declare the ideas evan will or won't absorb even though like yeah also clearly it's about her pride as A Good Mom being wounded & just putting it on evan by expressing it that way like no i have to be A Good Mom via my example, is why i must decline....& like i'm sure it can all be softened depending on how heidi is played but still like, this is about her Full Story / Material, & just what is written lol like even if she was more [pensive emoji single tear] in delivery or something, vs watching the obc like full anger & contempt by this point & i'm like yeah this Shouldn't be familiar if the excuse of like "well heidi is messing up in this Special Occasion, an outlier" really went that far. or was actually out of line w/how she acts other times. or how this all resolves. but heidi storming out While lashing out at evan / blaming him like my god lmfaooo & like. speaking of "do you think the murphy parents did read between the lines & think evan & connor are secret gay high school lovers" like gee evan having no problem moving in to the murphy household, keeping secrets from his mom like his ostensible epic friendship w/connor, not talking aobut her or really trying on his own to involve her, being fairly alarmed when Surprise Dinner With Your Mom, heidi acting like That??? like "do you think the murphy parents read between the lines to think evan is abused by his parent" i mean like lol lmfaooo on both points like heternormativity? the normativity of abuse & parents Owning their child as well? in the murphy household? but you know. of course no deh is not supposed to be about that but i'm like, uh oh, whole time i was like "well my own perspective based on what i learned from personal experience & then learned About such experiences isn't that relevant at least to heidi b/c it's supposed to be that she's Not Like That at the end of the day" but i'm like is it in effect though lol, is it really that different In Essence if not also like "yep the way heidi acts is just directly familiar sometimes. maybe often. or always" difference in degree like. plus just that how often is whatever particular lens/perspective like Useless to apply

anyway & that fight in the leadup to gfy is wild & just like further illuminating re: how the whole time, from the first scene, it's like okay to heidi what's most important in her motivations is Her Insecurity about how anything about evan supposedly reflects on her being a mom, like. again that heidi has no idea everything about evan & connor isn't true & she's just going sicko mode at evan b/c the murphys Aren't His Family, yknow, She is, & that entitlement that's supposed to come with it, evan can't have these other adults acting Parently towards him re: money & housing & dinners & feeling fond of him or anything, all circumventing her status as His Mother....the whole "sorry i can't give you more than that, shit" "well it's not my fault other people can" like yeah sorry about your feelings heidi, yeah it's not "nice" of evan to say that but i'm not like yes evan must never even think things that aren't nice(tm) much less say them, that again like even if we sympathize w/heidi there b/c obviously yeah she'd be hurt & feel insecure. even if we suppose that was mean of evan. i'm like well yeah he's right. just setting aside the apparent universal desire for a life as closely approximating the brady bunch as possible, it's like hey yeah look evan's been getting dinners this way, re: him not ordering a pizza at the start of a show. turning out to be less important like "well at least you've been eating, good" than evan not doing so through the Proper efforts to Become Normal(tm) & of course that like. coming from another mom staying home making him food is unacceptable b/c she imagines this is supplanting her / making her the Bad Mom vs this Good Mom & then taking it out on evan to make her feel Good Enough(tm) like truly just the usual fallback refrain of "ohh sorry i'm not perfect / have feelings / have problems" which is true for everyone ever but yknow evan is the one having to Defend his feelings & problems & imperfections against the fallout of "failing" to be "responsible" for mitigating or fulfilling heidi's & she's the one who can break out "i'm your mother" whereas evan's less overtly declared "i'm your son" about her potentially failing Him is what gets met with more contempt & "ohh sorry i'm not perfect & have feelings & problems" & her starting off Good For You. great

& like the way All That illustrates, like the way evan getting dinner now through a different now available avenue is, to heidi, more about her own feelings than about [evan gets dinner now], like just that expanded to how it's not Okay that evan's problems seem to be getting better / he's getting more support / he's doing better or anything as soon as heidi becomes insecure about her not having the role she wants in it. the entire thread about her being bothered about evan not telling her things, lying about things, hiding things, like yeah evident that she Is worried about him but same as she's evidently worried about him in the first scene, when, again, we Did see him share something honestly with her & she was like "UGH evan jeez i Hate that you told me this" & then her input is to tell him to Get Good, yknow, must be his own failures, get on that. gosh why would he keep anything from her. & then yknow we have that line later on, evan like you don't know me & heidi like "i thought i did" (contempt again) & like the main issue of this not being like "oh no if i Don't know him or about his problems then i'm not supporting him like i thought i was / he's not getting the support Overall i thought he was" but rather like i can't believe evan is doing this to me / her insecurities & evan's "responsibility" for them, again, rather than yknow. evan's wellbeing regardless of her personal feelings? & we're ready for resolution after heidi inadvertently reads his diary to realize he was that sad & it's like. even if he wasn't That Sad like none of that response was okay. at any point lol like it's still the issue of her dynamic with him where evan is In Charge Of how heidi feels & that obviously she can act on this in the ways she can & what can evan do about anything but avoid her / not share things / idk indeed move in with this other family lol, sorry about the pretenses (also obviously like. murphy parents not doing that much better. certainly larry like, are you kidding? never changes his mind that all connor's problems were connor's fault & Failings & now his reaction to it is about facing any insecurity & Rejecting It as no i'm always right & just have to hold out forever. vs that zoe is also bearing the brunt of being Trapped In The Family(tm) but cynthia dares to be like "no, i feel like i failed my dead son" & "no, i don't feel someone 'has to be the bad guy' who tramples boundaries")

like speaking of boundaries. ppl having always pointed out "uh oh, heidi's not good with those" or the point like "in gfy heidi's also mad about the rejection by her ex-husband & just putting that over her fight w/evan" like not beating the [parent making their child the one in charge of them & their feelings & actions] allegations.......

& you know, the resolution like "ohh you were sadder than i knew" like okay Now that matters instead of heidi Just being insecure that he wasn't sharing this with her already, thus the important part being how that makes her feel like a bad mom vs like, how evan is actually doing & her actual role in this beyond what makes her feel best, personally? or that like oh i'm Not going to not be here, physically, in this house....like okay. but what about the actual dynamic you have while around him & you will always be around him, b/c like, has that changed from the start. how is heidi going to offer support re: evan Feeling Like This that's different from "you Need to order pizza and Need to get your cast signed, Just Do It" or that b/c she doesn't want to hear otherwise like well then of course evan won't tell her, or maybe a therapist if that's not confidential, or other people if it'll get back to his mom, or the internet if that'll get back to his mom which i guess it will. is evan gonna be not in charge of her feelings anymore. i'm just like yeah evan find yourself in college sure get outta there idk if you're even rude along the way. & obv shoot larry into the sun