#love the textures and colors and composition

[rayven-ray]

^^^^THIS

THANKS FOR PUTTING IT INTO WORDS 💙

Dead crow

[glorfys-glorioushair]

Illustration of Julius Mode from Castlevania: Aria of Sorrow and Castlevania: Dawn of Sorrow soundtrack.

[star-whores69]

My bff @rexscanonwife commissioned @reallyhardydraws to draw my version of Gar and Malta from Smuggler's Run!

They look so good ; w ; I've been staring at this for like two days, no cap

What an age we live in where we can just pay people online to draw us some excellent art of characters we want to look at 😌😌

[christophephotos]

[bluebelledmoon]

I FUCKING LOVE ARTISTS RAARAHREAHFEHDSAHDFSDFSDF

[volivolition]

I say this in the most loving way possible, how the fuck can you write the most expressive and magical tags ever?? How do you have the mental energy to form words? 50% I can only say "nice post op". You inspire me to spread positivity to everyone but I literally can't be this positive and kind all the time. Just want to send you love and know that I appreciate you <3

HKJGH AW RED!! :'] <3 it does take a lot of energy, i understand :'0 i keep a lot of cool art in my tumblr drafts. the art stays in there until i have energy to type all my thoughts out. a lot of things stay stuck in there… i try to make sure art from my friends get out soon though :0 don't feel bad if you can't type a lot!! anything you can manage is okay! no one can be positive and kind all the time, and that's normal! just do what you can. i promise it's enough. (<- these are things i need to remind myself too <3)

a lot of it is literally just me needing to scream hkjfh, i have a lot of thoughts and i love sharing them always. i love rambling, can you tell? (<- joke) also i have a lot of love to give and i love artists and their creations. like WOW someone made a thing!! and they wanted to share it with the world!! AND I GET TO SEE IT!!! i GOTTA tell them i enjoy it!!!!!

it's also my empathy acting up because im also an artist!! and he's like "hey!! you love people writing nice tags on *your* art!! imagine if you were this artist, wouldn't you be happy to see someone tagging it with nice things? :)!" and im like yeah!! if this makes me happy, i should make other people happy too :3

ANYWAY I APPRECIATE YOU TOO RED YOU'RE DEAR TO ME!! SENDING LOVE BACK!!!! <33

[xcziel]

^^^ credit to this 💙gorgeous💙 pic from @moonlovingvampire for driving me back to the palettes because i love everything about it (including the moon lamp *eyes it enviously*)

under the cut, the original suggested colors -

i know it looks for "accent" shades but COME ON

all those soft subtle organic hues and it grabs ... black, and the yellow of the one light in the background? for sure they are contrasts i guess

when i see a glowing moon at twilight it definitely evokes images of ... bees??? warning signs? crime scene tape? lol

[the-village-dunce]

back to school shopping sucks when you're autistic

[vraska-theunseen]

I like your new pfp! When I saw you changed it I assumed it’d be Jughead

HELP no i just changed it to be some harrowhark nonagesimus art that i like bc i've not been as into jason todd 😭 maybe one day i'll make it jughead lol. u should check out @pygmypouter, my icon is from this piece and they've made a lot of other really cool and beautiful locked tomb art

[haubaut]

[mtkmsp]

THE RETURN OF COVID Horror/thriller movie style!! I don't think I could find enough words to express how much I love doing those posters............ For this one, I felt like the cast of "antagonists" of the movie would make for a pretty awesome composition and mood, and paired with the church setting I think I got something pretty interesting, haha. More below!

As it happens, a fandom friend asked if I could maybe some day record my process, and therefore I did! (and went the extra mile adding goofy horror songs to it...) Check it out if you're interested :)

I've detailed it in the YT vid description as well, but my process is rather straightforward. I tend to be a "lazy person" in that I like to, ideally, spend the least time possible on anything, and so far this process is how I've best achieved that while still managing some rather complex pieces. I like to be extremely rough with my sketches and prioritize dynamism and composition, and I usually take my time repositioning the characters until I'm satisfied before I go any further. I don't have the best mental visualization so I usually try to have a very rough idea of what I want before I directly jump to sketching and mostly ideate there. The lineart is very straightforward as well. I come back later to adjust line thickness here and there but otherwise I just "trust my brush". The fake fisheye perspective is entirely wrong and made up so I needed some custom perspective lines to know roughly how to position the background elements.

I do come back with composition guides after I'm done with the lineart, just to check how the illustration is doing. I prefer not to use them at first because it tends to "constrain" me a bit too much, and I like to remain very free as to maintain a feeling of spontaneity, which is why I will only fix the composition afterwards (when I do). Coloring is then fairly streamlined, with background colors/atmosphere guiding the overall color scheme followed by character coloring and additional details. The most fun part comes with the post-processing, where I go wild with additional fog and light shaft layers to add depth to the entire thing. I use a bunch of additional tone curve layers to adjust the colors and make it more uniform, as well as one blurred, flattened copy of the illustration with strengthened contrasts, in overlay mode, to add some vibrance, and a noise layer for texture. That's it! Thanks for watching, for those interested :))

[mangoslixes]

“Shadow and light are the most stable and perfect tools of creation: they unite colors, shapes, and dimensions,” says Moldovan artist Sergiu Ciochină, adding that “shadows move us through diversity, enhancing our perception, while light fills us with the joy of discovery.” In saturated hues, he captures dappled sunlight as it filters through the trees and the rich tones of the golden hour as it casts deep bluish-purple shade onto the sides of houses.

Taking cues from the Impressionists, Ciochină focuses on the nuances of light and its ability to reveal outlines and forms. He works in thick, impasto oil paint on board, emphasizing the shapes of windows, doors, and stoops and transforming otherwise ordinary buildings into compositions glowing with the patterns of foliage, architectural angles, and the texture of brushstrokes. “The symbiosis I create between nature and architecture is intended to evoke a love for space,” he says.

on Sergiu Ciochină

[elo-h]

So apparently I'm not allowed to use the good printer for personal projects, but that didn't stop me. Both Hami and I are enjoying the result 😊💕

Again thank you so much, can't wait to get distracted by this wonderful work of art every time I sit down at my computer 💕

Here’s my part for the mp100 secret spirit! For @elo-h

I combined the prompts “spirits and such having a day at the office” and “the kids hanging out.” It was so much fun to draw

Thank you for hosting this, @mp100secretspirit

[luneariann]

DTIYS RESULTS!

Honestly this was super hard to decide 😭😭 I ended up adding more honorable mentions slots and I’m still tempted to add more cuz you all did rly rly amazing! I wanna thank all of you for participating this was a super fun experience, now, with that said...

In first place we have @carrotkicks with their absolutely stunning piece! :)

I fell head over heels for the composition its really really unique and it works wonderfully! Their colors were gorgeous and very well balanced, they rly took the prompt and made it their own and it worked wonders :)!

In second place we have @j11nko with this absolute banger of an art piece!

OOO where do i even start, the lighting i think takes the cake here, completely made it look like they were bathed in gold, made the ambiance of it rly rly stand out, Cins coloring style has a way to make things rly look more vibrant and it showed especially clearly here :)!

In third place we have @afraid-of-the-deep-sea with this piece that had me staring for a solid ten minutes straight

His use of texture and the symbolism was SPECTACULAR are you SEEING THIS IM SICKKK, once again a VERY unique piece that rly took ownership of the prompt, absolutely stunning, the colors were wonderfully vibrant and the whole thing has a way of sticking to you, amazing job

In fourth place we have @maractius with this beautiful piece right here

ARE YOU SEEING THAT USE OF COLORS OUGHH, the coloring and rendering is insanely good, and their expressions are soso strong, literally obsessed w this, the way theres not a single stretch of canvas that isn't occupied in some way without making it look cluttered is rly rly interesting and well done, and the subtle shift in perspective is just the final detail that makes this an insanely good piece

And finally in fifth place we have @candiedfright ! With this absolutely lovely piece

Ouuu this is so pretty 😭😭 the way they arranged the piece gave it a rly strong sense of depth, which in turn makes this piece feel like something ripped straight out of a movie, the way they handled shading only adding to it, SUCH a gorgeous job they did amazing

Now! Onto Honorable Mentions! :)

In honorable mentions we have @tedlebred s stunning piece

Are you seeing that RENDERING OMIFHE obsessed, i love the way they implemented the flower details in their hair and their decision on the change of the setting, turning the prompt into a photograph and making the text into part of that new setting was a super clever choice that rly made their piece stand out :)

We also have @spiderbends with this rly wonderfully soft piece!

The change in pose was so fun and so well done, that coupled with the change in expressions to ones much softer completely changes the vibe of the prompt and turns into something you could almost call playful! Taking the text from something confrontational to something teasing, rly rly lovely job!

Up next we have @seukorei with this lovely piece!

Once again we have a change in pose that works beautifully to change the tone of the prompt, the shading and the colors chosen give this piece an almost melancholic atmosphere that manages to also be incredibly soft, truly wonderful job once again :)

And for our final honorable mention we have @lotus-pear ! With this pretty number

THE POSEE, ouuu you guys r killing me w these pose changes! The new closeness of the two characters gives it a much more intimate vibe, coupled w their expressions it does a lovely job at emitting a sense of trust and comfortability between them thats just rly beautiful to see! Rly love job

Aaaand that abt wraps things up! I wanted to add more honorable mentions but i already added more than i was intending to 💔💔 choosing at all was rly rly hard

I wanna thank everyone once again for participating this was truly a rly nice experience and you guys did an amazing job! :)!!

[ryanseslow]

How to Create Paper Cut-Out Reliefs: Tips and Techniques for Beginners

Back again with another lil' series of 2D wall relief paper cut-out forms. Both of the pieces below follow the same process and technique. Im really happy with the process and outcomes. Im working on animating them as we speak. I'll add them to this post later. My paintings inspire my drawings, and my drawings are inspired by those same forms found in my paintings. It makes sense that every so often I want to make those forms "pop out" and off the surface of a flat plane. Alas, it all starts with a quick sketch. See below, just a series of light loose free flowing lines take the lead, forward ->

Here we have a dude posing for a profile style portrait. Most likely, this is inspired by the NYC B-Boys from the years 1983 - 87ish. Either way, it's nostalgia for me. Once the sketch feels good, I'll break out the paper and x-acto knife. I keep telling myself that one day Ill work with another material other than paper for these works, perhaps wood or metal.. It will happen, I can foresee it for sure, hang in there. Im using a white bristol paper for the cut outs, I believe it is the vellum type and not the glossy, but either or will work just fine. I love to cut paper and the whole medium of paper art in general.

Paper cut-outs, also known as paper cutting or Kirigami, is a traditional art form that involves cutting shapes and designs out of paper. The history of paper cutting can be traced back to ancient China and Japan, where it was practiced as a folk art. The Chinese and Japanese would create intricate designs, often featuring animals, plants, and mythical creatures, and use them as decorations for festivals and special occasions. I always loved it and have felt inspired by these pieces.

Using the sketch above, I apply the "map" of the shapes and forms that I see. Sometimes I redraw those forms on the paper that I will cut out, and sometimes I just "draw" with the x-acto knife to recreate the forms. Sometimes, it's a combination of both of those techniques. There is also a series of "out-take / byproduct" cut outs that do not make the final piece, those can be saved and used for the next piece, obviously!

I layer the forms on top of each other to compose the arrangement as a whole, its fun to watch it all come together, in the next phase, you will need some kind of durable tape or you can make little paper forms that can be pasted to both sides of the forms as they stack, this will create the gauge and depth of the piece once it is placed onto the wall.

This is the final composition above, I love it! I used a roll of duct tape to make small cylinder forms that connect the pieces together, the piece as a whole comes "off of the surface of the wall" by about 1.5 - 2" inches - you can play with this a bit but keep in mind, the tape makes the piece heavier and it will want to comply with gravity :)

I hung the piece (also temporarily adhered via the same duct tape) for the photoshoot and to also get a good look at how it will function on the wall. I have an old painted fire place in my studio that is a great surface for hanging things, I love the contrast of textures between the bricks and the paper, as you know, the shadows will be super cool to see too.

Once I had the whole piece constructed I took a few pictures of it. I immediately wanted a clean vector line drawing of the whole character. I brought the photo into adobe Fresco and used a vector brush to draw this lovely variation. This is how my brain works, I switch paths because I know they are really pipelines to the "next thing" that I will push this to, so forward we go.

Then, it was light source and photo shoot time. Im not really happy with these picture as traditional "photographs" as I know I can do a much better job, but, as a series of "sketches" for a planned photo shoot, these will really help to make those plans a reality. I love neon colored lights. I have a bunch of them from various places and spaces that I found on the internet. Amazon has a great selection of flashlights with various colored light options. Get a few and play around with how the light can effect your work and the shadows that it creates. This is where the depth and gauge of your pieces play a role. The photos below are also a part of the same session, which all took place over a few days.

Here is another variation with a different character.. What do you think? Shall I make more?

[gvalesdraws]

Hey!!! I was wondering, how do you work? I mean your art looks very scratchy and I love how do you show depth! Your art really inspires me.

I'm really curious what brushes do you use and how do you achieve this effect on your art?

thank you for the answer and your stunning work! love you and your art

Hello, im so sorry that it took me so long to answer - i was extremely busy with two of my universities this autumn :(

Firstly, thank you very much for your words; they really help me to get through a difficult period of life and knowing that i inspire someone really motivates me 🤍

I generally use the first brush for everything - scetching, lining and rendering; if i understand you correctly, this is the scratchy feeling on my art, and i make it by using thin strokes on the form - imitating a pencil work with forms in traditional art in the points of attention + on the light, and do more generalized situation in the shadow. i also use second brush in certain points sometimes

in my recent works i also began using some textured brushes 3 and 4 more intensely; here they are:

(upd: i noticed that i used the wrong pictures for brushes 3 and 4. in your mind just just swap them)

And a bit of how my kitchen looks like on the exemple of grandpa: i start from depicting the idea in general forms to capture colors and composition, then i do lineart (unfortunately, i do not have a picture of just lineart), then i begin rendering.

I hope i answered your question! If not, then do not hesitate to ask, i will try to answer it sooner.