#love letter form

[pinktwingirl]

Thor found Loki's private letter to Squirrel Girl that he never had the courage to send and thought it would be funny to post it (apparently he didn't heed the warning at the bottom)

Send me a 💕 and my muse will fill out a love letter form to yours.

Example of love letter form-

Fill it out here!

[positivelyadhd]

here is your reminder that all trauma is valid.

trauma is to do with how our brains process (or don't process) memories and experiences and that if something is traumatic for you then that is trauma.

it doesn't matter if you or someone else thinks it should be significant or not or if someone else went through the same thing and wasn't impacted by it. what matters is if it's significant to you and how it impacted you.

a huge part of recovering from trauma is allowing yourself to accept that you had it in the first place.

[equill]

Reuniting with a distorted past.

Extra:(New personality tested gone wrong)

wanted to play with rin living in the aftermath aus aswell and had these drawings laying around to share so yay

Panel 1: Was buried alive.

Comic 1: Who are you supposed to be?

new friends

Comic 2: Misguided protection.

obito still sensing the warning signs of rin losing her temper. anyways they proceeded to be dragged into the ocean by rin like some sea monster

Comic 3: Finding out (Now what will you do?)

obito is harshly brought back from his delusions because now its not just kushina but rin too who he needs to ripped out the tail beast from

[ruhlare]

true love is when you give, but when it doesn't empty you. when your lover makes even your silence meaningful. when you are being held and holding your loved one in a liberating way.

[thereisbeautyinflight]

Simulacrums of Luck Day 6: Relevation

@sillysiluriforme

Creation’s chosen

Ascends beyond her own fate

That poor mortal girl

[robdogdraws]

Flipnote comm for JustBamie on twitter!! 💌

[ventique18]

Anyway here's the initial sketch of Farmer MalleYuu that inspired me to start developing a farming game. 🥔🥕🐮🐥 They just make me so happy tbh

It's my last semester in uni I'm trying to hold onto my remaining sanity

[rrat-king]

fabian seacaster who with his fine hands for calligraphy gets into tattooing later in life.

it starts with stick and pokes, trying his hand at it after his experience with his horrific neck tattoo, wary of machines but comfortable under his own steady hands. small, dotted art of waves, of ships and eddies start to appear on his upper thighs, his ankles, fading as he gets a grasp on depth and technique slowly but surely.

and he dances, beautiful art created in the shapes he forms and that’s what he’s known for, but his friends are littered with small tattoos as he began practicing on other people. a growing garden forming around gorgug’s singular rose, bits and pieces of his sketchbook that fig requested as she filled out her sleeve, calligraphy filling in the spaces left between riz’s myriad of tattoos, nearly all of the bad kids have something of fabian’s on them.

he takes a season off, a slip on stage making him need to take a rest as his ankle heals, and apprentices at a shop in leviathan near the gold gardens, wanting to learn, to be closer to fig, to try something totally his own for once, not his fathers or mothers or inherently tied to his culture, just his. just fabian’s.

he learns propper technique, unlearning some of his quirks he had picked up in being self taught, and learning how to use them for his advantage where he can. he learns the difference between tiefling and devil skin and why they have to use different sized needles for each, learns that swelling and irritation looks different on different skin tones and what inks will react well with certain magic users and which won’t. he learns to trust in the process and to bask in the look people get when they watch him create.

just. fabian as a tattoo artist

[anghraine]

I love that Elizabeth and Darcy are so ready to effectively tell each other they're full of shit. This happens a bunch of times, but I was re-reading their conversation at the Netherfield Ball and they're both kind of refreshingly Done.

[Darcy:] “Do you talk by rule, then, while you are dancing?” [Elizabeth:] “Sometimes. One must speak a little, you know. It would look odd to be entirely silent for half an hour together; and yet, for the advantage of some, conversation ought to be so arranged as that they may have the trouble of saying as little as possible.” [Darcy:] “Are you consulting your own feelings in the present case, or do you imagine that you are gratifying mine?” “Both,” replied Elizabeth archly; “for I have always seen a great similarity in the turn of our minds. We are each of an unsocial, taciturn disposition, unwilling to speak, unless we expect to say something that will amaze the whole room, and be handed down to posterity with all the éclat of a proverb.” “This is no very striking resemblance of your own character, I am sure,” said he.

It's also pretty funny, because I suspect Darcy is thinking of this sort of thing in a later conversation at Rosings:

“You mean to frighten me, Mr Darcy, by coming in all this state to hear me. But I will not be alarmed, though your sister does play so well. There is a stubbornness about me that never can bear to be frightened at the will of others. My courage always rises with every attempt to intimidate me.” “I shall not say that you are mistaken,” he replied, “because you could not really believe me to entertain any design of alarming you; and I have had the pleasure of your acquaintance long enough to know, that you find great enjoyment in occasionally professing opinions which, in fact, are not your own.”

[videogamelover99]

Nora doodles because I love her.

If ppl are fans of Jheselbraum and want her to have a backstory please read Flat Dreams.

Human design belongs to @doodledrawsthings

[highways-are-liminal-spaces]

September 2023

[natjennie]

this has to be the d20 season with the greatest number of diagetic, physical forms and files the intrepid heroes had to fill out for sure right.

[smile-files]

one of my favorite kinds of doodle: take the letters that spell out the name of a thing and use them to create the shape of that thing!!! (if you can't read any of these, they will be written out below <3)

going top down, left to right:

bone; butterfly; bee; joy; moth

kitty cat; snail; love; spongebob squarepants

eye; puppy dog; candy; wally darling; dolphin

hand; the element of kindness; lollypop; pencil

[solargeist]

hes so cute im going to explode

[northwest-by-a-train]

One of my most deeply-held beliefs on culture is that somewhere out there there is a 27yo with a crinkled non-binary flag in the corner of their room, more mugs and dirty plates in their sink than bricks in the tower of Babel, less than 70 of god's own dollars in their bank account to finish the month and five dying plants on the windowsill, crusty stuff in the corner of their eyes, who has crafted a world of aching beauty Tolkien and Homer could only ever dream of, a vision that honours all that is noble and raw in the heart of Man, a vindication of existence and a balm to suffering, all for the benefit of a half-dozen harem pants wearers on a server named "Bingus' Grotto"

[greenerteacups]

Hi! I am an ardent fan of your writing, and I hope to be as sorted and planned as you some day in my own writing journey.

My question is: you have a keen eye when it comes to planning character personality, dynamics, and such. I've also been wading through your ask replies, and your insights into how you write people and how you make them play off of each other is so wonderful to read. If it's not too personal a q, how did you learn how to write like this? Did you go to school for writing, does it come from years of observing people, do you have reading list recs for "how to write real people and real interactions"?

Thanks! This is a really flattering question. I'll try to answer it honestly, because I wish someone had been brutally honest about this with me when I was a young writer.

I didn't go to school for writing. I started doing it when I was about nine years old. It sucked very badly. I kept writing throughout high school, and it still mostly sucked, but some of it was occasionally interesting. ("Interesting" here does not mean "good," by the way.) I took a break in college, and then came back. I've been writing ever since. Sometimes, I feel good about it. A lot of the time, I don't!

I hate giving this advice, because I remember how it feels to get it, and it's the most uninspiring, boring-ass, dog shit advice you can get, but it's also the only advice that is 100% unequivocally true: you have to write, and specifically, you have to write things that suck.

I do not mean that you should make things that suck on purpose. I mean that you have to sit down and try your absolute hardest to make something good. You have to put in the hours, the elbow grease, the blood, sweat, and tears, and then you have to read it over and accept that it just totally sucks. There is no way around this, and you should be wary of people who tell you there is. There is no trick, no rule, no book you can buy or article you can read, that will make your writing not suck. The best someone else can do is tell you what good writing looks like, and chances are, you knew that anyway — after all, you love to read. You wouldn't be trying to do this if you didn't. And anyone who says they can teach you to write so good it doesn't suck at first is either lying to you, or they have forgotten how they learned to write in the first place.

So the trick is to sit there in the miserable doldrums of Suck, write a ton, and learn to like it. Because this is the phase of your path as an artist when you find what it is you love about writing, and it cannot be the chance to make "good writing." This will be the thing that bears you through and compels you to keep going when your writing is shit, i.e., the very thing that makes you a writer in the first place. So find that, and you've got a good start.

Some people know this, but assume that perseverance as a writer is about trying to get to the point where you don't suck anymore. This is not true, and it is an actively dangerous lie to tell young writers. You are not aiming to feel like your writing doesn't suck. You are aiming to write. You are aiming to have written. Everything else is dust and rust. And of course, you'll find things you like about your pieces, you'll find things you're proud of, you'll learn to love the things you've made. But that little itch of self-criticism, in the back of your brain — the one that cringes when you read a clunky line, or thinks of a better character beat right after it's far too late to change — that's never going away. That's the Writer part of you. Read Kafka, read Dickens, read Tolstoy, you will find diary entries where they lament how absolutely fucking atrocious their writing was, and how angry they are that they can't do better. A good writer hates their sentences because they can always imagine better ones. And the ability to imagine a better sentence is what's going to make you pick up the pen again tomorrow. And the day after that. And the day after that.

Which is what I mean, and probably what all those other annoying, preachy advice-givers mean, when we say: a good writer is just someone who writes every day. It's that easy, and that hard.