#love is the hope for a future together

[hotcinnamonsunset]

when art (below left, print by Anna Haifisch) inspires art (below right, follow up by @molabuddy) inspires art (above, hand knit cardigan by me)🐕

[poorly-drawn-mdzs]

Sunrise, Parabellum.

[First] Prev <–-> Next

[datcravat]

we are SO back

[mouse-fantoms]

If ya’ll think I’m not crying like a baby about this then let me inform you 😭😅

[screechingfromthevoid]

I think the same reason I love Dorym is why I love Loquatious and Laerryn. One, the devotion of it all. But secondly, and more importantly, "But there's one story of a fairy who stumbled into this world and fell in love"

Because Dorian is an air genasi prince who left home to find something real. His home floats on wind and he's never wanted for a thing. And he came down from his clouds only to find himself stumbling, tumbling, into love with just a man.

There is something so earnest about a man who is considered magical and wondrous in a world that already has magic, falling in love with someone who just is.

It's a thought that scratches the back of my mind a lot. It goes hand in hand with Liam saying "he has no idea if Dorian returns his feelings". Because from Orym's point of view why would Dorian have feelings for him? Dorian. The beautiful blue prince who is extremely talented in both music and magic. Dorian is everything Orym admires in other people. Everything he doesn't see in himself.

But Dorian does have feelings for Orym. Because Orym is everything he's not. He's firm and reliable. He knows who he is and is unapologetic about it. Orym was the only one in the (original) Crown Keepers that wasn't tempted by the spider queen. Because he was too principled. He was too good. Dorian's alignment changed. Dorian felt himself getting worse. Yet Orym stayed steadfast. In the face of everything he did not change.

Their pursuits were the same. They wanted to protect their friends. At any cost. But Orym somehow stayed unchanged. He always knew the right way of doing things.

So the handsome prince fell in love with a guard and planned to stay with him until he no longer wanted the company.

I literally said to a friend "I know he leaves. But he is so devoted to Orym I don't know how they're going to get him to."

And it was the one thing neither could argue against. Family. Orym knew about family. He knew about duty.

But even a continent away Dorian couldn't stop thinking about Orym. His little tactician before he was the savior blade. Even when his world came crashing down, Orym called and he went.

Idk. I think there's something beautiful in the way that Dorian loves Orym. I think it is very reminiscent of the fey who stumbled into this world and fell in love. I think it will be a love that will always be with them. That they will have to recover from. A love they might have to mourn before they ever have it.

Even if they never... If there is no love confession, if they have to mourn the loss of the people they thought they were, if there's no way for them to be together; Dorian will always love Orym. In the same way Orym loves Will. First love often lingers.

[cherry-treelane]

There's something so poetic about how El is the centre of all the chaos, wanted by the government and military and Mike is her strong calm that doesn't hesitate to get sucked into her storm and stand by her side in the face of any conflict. Like guys. This little boy did not hesitate to protect her and stand off in the face of the government to defend her, going against all the typical patriotic rule-following norms of an American Suburbanite Middle class nuclear family. He comes from pure safe normalcy but doesn't hesitate to run in the other direction heading towards chaos and danger if it means she's there... because he feels safest with her and is driven by the instinct to protect her. 😭🩷 There's something so beautiful and inspiring about someone as hurt and troubled and chaotic as El being loved in such a simple, unconditional way. Mike doesn't see her for the chaos she represents which surrounds her, he sees her for the innocent goodness that she actually is— her calm, gentle demeanour and the warmth it makes him feel. He understands that all the danger that comes with being with her is through no fault of her own, and actively works to help combat all the forces against her. He knows that despite being the centre of the chaos she's not the cause of it, she's the remedy for the effect of it and that is an undeserved, exhausting punishment yet a burden she bears regardless without complaint— a sign of her innate goodness which Mike recognises and loves her for all the more. Even moreso, he works to share that burden with her and criticise it because he sees how innocent and undeserving she is of the responsibility infringed upon her. His willingness to take all of this on is so wholesome and exactly the kind of sweet effort-full love that a character like El deserves, which is so gratifying for the audience to see.

[soo-won]

Suwon's character analysis: From being shown to showing

Suwon is really a character all about being watched and scrutinized, isn't he?

Of course he's not self aware he's a fictional character but his position as a King and in relation to Yona ironically put him in a position that gives him a similar awareness that if he did. Suwon is judged and analyzed by everyone, in and outside the story. He knows that when he shows himself (and appears in the story) he has to perform a certain way. He has a role to follow and perform until the end. The way he speaks, the way he stands, the way he moves...being King means controlling and being aware of all of it. The moments we see through this costume are moments where he's taken by surprise and becomes "out of character" for this role. Moments where he's literally called out by characters around him for it, making him fall in his expected role more and more. He has to behave a specific way, he has to wear specific attires, he is very aware he is the object of many gazes around him. When he performs his role perfectly he is judged but in ways he expects because it's others' roles as well. When he breaks out of this role, he is judged anyways for losing himself. No matter what Suwon does or says, others will judge him or love him and expect things from him. It is true in the narrative and outside of it.

The South Kai arc with chapter 221 and 224 has him desperatly try to stick to his role that is slipping through his fingers, he has to position himself in contrast and opposition to Yona, he has to be the King his father wanted until the very end, etc. Yet, Yona and Hak kept breaking these roles as well. Hak, in full armor from Kai, the enemy, arrives and gives the senjusou to Suwon, in full King attire at this moment. Hak enters the stage like a blast when the curtains were about to fall and turns all formalities and rules of distance and what is allowed or not to dust. He breaks the role he carried until now as the character that should hate Suwon forever and try to kill him, and saves him instead. The fact that Suwon is King then doesn't really matter, Hak did this as his former friend.

In chapter 243, Suwon wants to speak to Hak privately but is well aware that if he comes out and does that, he will be seen and judged, confirmed by the shadows in chapter 251. He is not allowed to be himself without any costume freely, hence the cloak and hood on. He is not allowed this one private moment, eyes are on him and not only Hak's that he very much expects as well. That's why Suwon's tone the whole chapter is so...ambiguous. At the beginning, he speaks matter of factly, maybe not as "Hak's King" but at least in a unpersonal way, like an anonymous messager. He tells him information. That's why he calls Yona "Princess Yona" too I think. It is Suwon trusting Hak and relying on him personally, yet he is not totally open yet, Suwon still has a role to play. The more it goes, the more the tone shifts subtlely, now calling Yona by her name, his hood falling when Hak hits the wall, and talking more personally. What he shares then is what he is resigned to do and accept given his position and role that he can't just give up on now, what is the most reasonable within the range of his actions from then on. What he conveys to Hak is that he will not break character and stop performing his role as King, the one thing changing being only how he passes it down to Yona.

However, there is one final thing that the manga makes perceptible for absolutely no one but Hak, that even the shadows can't hear and understand. Suwon's last word(s) to Hak is not digitally typeset like every other text inside speech bubbles, but handwritten so small it looks like muttering that we can't for sure confirm the full forms of. Since chapter 243 came out, I did try for a long time to decipher it, and many concluded it could be a "sayonara" or "arigatou", and it was also translated and typesetted in the official English translation as "Farewell".

But honestly, now I think it is something we should not and are not supposed to decipher. In my eyes, it was Suwon's attempt to have just one thing, one word that would not be scrutinized and broken down to pieces by the people that watch him with no regard to his agency. The only thing we break down is the unintelligible form of it. I'm sure that we are not wrong to think it was something along the lines of a "Farewell", but I can't help but feel like it's not right to take even that from them now. This page is also the trigger that makes Hak understands that their entire convo was in itself a performance that Suwon directed from the start and aimed at people looking at them (the shadows and the audience), and the real message that he conveys only to Hak and not the shadows is that he is giving him and Yona a chance to escape and never return, despite the fact it goes directly against what he told him clearly in their conversation. I think this is what breaks Hak's heart too then, and why Hak realizes that he indeed can't dream of walking on the same path as Suwon anymore. Because Suwon will keep performing a role that will constrain him this way and make him hurt Yona and Hak. That this is maybe the path awaiting them too. The best way is to escape from it when it's not too late. It is too late at this point for Suwon though, or so he thinks. Suwon is self-aware that he can't discard them by this point, so to me this is him trying to negociate these feelings of his (by leaving them one chance to leave) with his role and constraints as a King in this complicated, indirect way.

It's very telling afterwards how the moment from chapter 243 Hak remembers is Suwon's final word that we can't read, whereas for the shadows it is the moment he tells Hak he will make Yona the next ruler. The unreadableness of the former and the enhanced size of the text in the latter...yeah. Suwon's words removed from their full context often are enhanced like that, aren't they?

Suwon is at the same time forced and not allowed to change. He is at the intersection of clashing expectations. It is bad whether Suwon follows his role perfectly or whether he breaks out of it a little and tries something different. Suwon is cruel to Yona and Hak and should die for his actions, or Suwon is too nice and submitting to Yona and Hak (and the larger narrative). No matter what Suwon says and does, it will cause discourses after discourses from both those supporting him and those against him. It is cruel, because people around him are changing and looking him differently than before, whether it's good or bad. In chapter 242, he acts out perfectly as the determined and pragmatic King he is as always, yet now even Geuntae doesn't seem satisfied. Suwon, because of Yona's influence on the people and world around them, has also no other choice but to adapt to these changes in some ways, yet characters like the shadows that refuse any change from 10 years ago stand against it. Again, then chapter 243 to me is Suwon's way to still perform his role as expected from others by negociating with all these sides in some ways. But it's really so complicated, isn't it? And in the end, a chapter like 243 was painful and upsetting for everyone.

I read many people say that Suwon was not here enough in the castle arc and it was annoying that Keishuk was so much present instead, and I remember very well how desperate I was to see him more by then, but it makes sense too, no? After all, Suwon didn't want to be seen. By showing himself as little as possible only in the moments he knows he can perform well, he was still somewhat in control of what people saw of him. The illness made it that Suwon could just not perform more than he did. He didn't want anyone and especially not Yona and Hak to try to see him beyond the performance, yet they kept getting closer and closer, pushing Suwon to hide himself away more and more too.

Suwon knew very well that the second he came out in the open he was closely looked at, by Shin-ah of course, but Shin-ah is only the best example of this general feeling of being watched and judged I think. This is Suwon's interpretation of Shinah's gaze, and I'm sure there is part of truth in it but I think it is also heavily influenced by Suwon's own feelings. Suwon was judged and followed for isolating Yona when she learned of the illness and for imprisoning Hak, but those were things he was only /indirectly/ the cause of. Of course, Suwon didn't do anything to go against them and it was his responsibility this way, he knew and had the authority to decide different, but what I mean is it portrays very well how Suwon is aware, /feels/ the way others scrutinize him ever since he killed Il for every single negative (direct and indirect) consequences of all he does and is. He will never be free from it. People will never let go, even when Yona and Hak do. I think the wound on his shoulder or the pain of his illness he doesn't act on enough are also symbols of that. His present shoulder wound is the literal trace and scar of Shinah's gaze on him in chapter 249, and Suwon is okay with carrying it.

It's not like the story has never let us enter Suwon's mind before recently, after all the narrative doesn't strictly follow only Yona's POV, but Suwon from the beginning was still generally a character seen from the outside by others rather than followed from inside. All these iconic scenes of characters looking at him, whether it's only his back or in the eyes are very much about that. These scenes serve to show how Yona (and Hak) is the subject of the story and will always watch him and what he does, the way Suwon watched Il for 10 years. It also serves to confirm to him that they hate him and wants him to die, etc...

It is very interesting too that the majority of flashbacks we have of him (outside of the one in chapter 11 and some bits of ch1/185) are never from Suwon's POV, but from others and how they perceived Suwon and felt about him then. Hak in particular. Even the diary arc is not from his POV. It is always about the conflict between the characters' first impressions of him and other sides of him revealed to them later on. Suwon to characters and to readers alike is like a puzzle we try to resolve, picking him up piece by piece. Each POV about Suwon is important because he is seen differently by each character, they all see different parts of him and reveal new things about him in reaction.

But this is precisely where we differ from the characters individually and what makes the larger narrative not solely about Yona's subjectivity. As readers we can assemble each piece in a way characters, even Yona, cannot. Moreover, we are also shown some bits from his own POV that no one else inside the story get to see. That's why honestly...I don't see Suwon as a puzzle to piece together since a long time. Of course we don't know and maybe don't understand everything about him, but the characters' struggle to understand him is quite different from readers' position when they judge him one way or the other, in my eyes. The only way I can make sense of why the story would go out of its way to narrate things about Suwon only to us when he is a character all about being shown and seen, is that at the end of the day the larger narrative is and was never against Suwon, its scope includes him too, we are made to feel for him as well. It is only so hard with Suwon because he himself doesn't let us and has circumstances that doesn't allow him that. Akatsuki no Yona is very much about Yona's subjectivity above all, but not fully and totally either and it cares about other characters as well (whether it does it well or not is another topic), and the existence of a character like Suwon we are shown glimpses of the interiority of from the very first volumes highlights this well, I think.

Despite this, the characters' struggle didn't end. And that's where the nuance between what the larger narrative of Akatsuki no Yona tells us about him and what Suwon as a character-narrator shows and tells us is meaningful. Suwon is a fictional character that depends on a bigger narrator and author of course, but there are several layers of narration in comics art, some which embrace the mind and subjectivity of one chosen character and making them "independant", agent of what they show and tell.

When we are shown what Suwon thinks in chapter 217 or in chapter 221 for example, I don't think it was that Suwon as a character wanted to be seen, but only that he was breaking and vulnerable in a way that made these bits showable to us. The fact we see Suwon's thoughts is a representation of Suwon's emotional state. It's not something Suwon has agency over at his own level. He is not a narrator in those moments, but a character being shown.

More precisely, Suwon did try to resist the narrative in chapter 217. Inner monologues in comics and especially in shoujo manga can be represented in different ways and have different functions. In chapter 217, there is a visual contrast between the thoughts that "float" on the pages, his personal lingering feelings for hurting Yona, and the thoughts in the black boxes, that have him rationalize the situation. Generally, monologues in text boxes are said to be a more objective level of narration (I get this from the "How to draw shoujo manga" book by Shigeki Suzuki, a former editor for Dessert's magazine).

Obviously, Suwon is not objective here, but it represents his attempt to affirm his authority on what is told and narrated, his control on feelings he doesn't want to acknowledge and to get out in the open. He tries to be a narrator. The metaphor of a box that opens against his will is then perfectly fitting. There are the words typed in text boxes, and the words out of these boxes. In the very next page, the boundary between panels and text boxes is blurred thanks the magic of shoujo manga composition. The first two vertical panels could very much be text boxes on their own, and what he says in them is still him being pragmatic and rationalizing what he has to do. Yet, as we see, Hak is now in these boxes as well. It breaks the illusion of Suwon as a character-narrator here (which was already hinted at by the choice to make the bg of the text boxes so dark). He can't control his thoughts from going towards Yona and Hak, he is not showing that willingly.

What we see inside Suwon is him still performing the best he can. It's him trying to convince himself and push himself to fulfill his duties with no hesitation. It's still not all of him, there are still things that he tries desperately to hide and keep deep deep inside of discarded boxes. Inside and outside, he has to be the perfect pragmatic King his role ask, so all that is shown has to be that. He can't allow himself to be anything else, he has to shut off and erase any trace of different voices in his heart. Yona, by being a person that expresses and voices out her feelings more, brings these feelings Suwon doesn't want to show on the page, she shows them to us. Seen like that, Yona can maybe thematically be a representation of Suwon's repressed feelings.

(A bit differently but similarly, it is a similar process in chapter 221 where this time Suwon can't barely try in any effective way to narrate what he's thinking, what we see as panels and text boxes make no difference anymore, until it blows up for good when he has this flashback of Hak and Yona from chapter 11 and realizes he can't discard them. )

So, Suwon is a character that is shown to us in several ways. One, there is how he is seen from the outside, the way characters perceive what he shows to them or what is shown about him to them. This is the layer Suwon has the most control on in a way (even if not totally), as his position in the story makes him very conscious of his obligation to perform because people are watching him. He shows his full control and flexibility of his image in the ways he willingly pretends to be more naive and weaker than he really is to Geuntae, Soojin and Li Hazara for example. He plays with others' expectations and perception of him. Outside, Suwon is already full aware of how he is supposed to present himself, he already knows what is going to be shown or not for the most part. He allows himself to break out of character when he knows no one else watches him, which are the rare moments the narrative can show him when he's not performing. As the story advances however, these moments become much rarer as he is watched closely by more and more characters in his privacy.

On the other hand, there is how the higher narrative tries to show us his emotional state, his point of view and feelings. It is inherently something he as a character is very against of ever since he became King. Even then, what is shown to us at several occasions is Suwon's failure in showing us what he wants to show, instead having taken from/out of him what he doesn't want to reveal. The Crimson Illness is an interesting metaphor for it I think. It can easily be interpreted as a visible manifestation of Suwon's already existing struggles, after all. The Crimson illness makes all that is hidden visible to others. It gives it physical symptoms. Again and again, his illness and bloodline are revealed to others against his will. The illness is the crack to the performance Suwon tries to maintain as a strong King. It makes him vulnerable, forcing him to depend more on others. It breaks his role and how he wants others to see him. He wants to be seen as strong and independant and in control, but he can't control his episodes and when he is shown in a frail condition. It brings out what is inside, it makes his repressed thoughts visible to us readers as well, it's the reason why the narrative shows us his inner struggles more closely.

Suwon can only somewhat control and influence what is shown outside, which why I think he showed himself so little in the castle arc as an attempt to show himself only when he's in an "acceptable" state for it. In the end, he still pushes himself more than necessary when he has no other choice (and because he doesn't want to rely more on the people around him). However, after the South Kai arc Suwon knows important development. From then, Suwon has no choice but to face things for real : His is sick, heavily weakened and disabled by it, and is going to die soon. In parallel, he also acknowledges he can't discard Yona-Hak, and that he can and has to rely on them for Kouka's sake.

Chapter 243 is the very first time (Minsu aside I imagine, but we are not shown that) that Suwon himself tells someone directly about his bloodline and his illness. As said before, chapter 243 is an entire performance, but it's one where he got to choose the person he wanted to say these things to. However there is still a gap between what Suwon wants to show to Hak and what he doesn't want to show to others. The chapter is still framed not from Suwon's POV at all. Suwon has no privacy, even in a scene initially presented to be only between the two of them. The idea that at this point Suwon is allowed any privacy is unreliable framing influenced by Hak's flawed POV. Hak by then is not yet really aware of the existence and purpose of Suwon's personal bodyguards in detail. Suwon can convey messages undirectly, but because he still has to show himself a certain way to characters like the shadows he's not allowed to show things explicitely. He can only be seen through others' eyes, forced to rely neither on the images nor the text typed and shared by the narrator(s), but instead on the subtext and unintelligible scribblings. Suwon is still bound by the vow the Shadows made to themselves 10 years ago, but freed at the end by the vow bounding Hak to him. To Hak alone he can share his truth : that he can't and won't respond to his expectations, nor that he is only what he shows as King to others. No one else might understand, but he trusts Hak can get the message.

Then Suwon is attacked by Shinah, and at first we were not shown at all what Suwon was thinking and feeling. The second he wakes up in chapter 256, he leaves that behind him and thinks as a King again. However something important changed, obviously he still has people around him he has to act a certain way for, but the shadows are no more. The people left around him are more flexible and actually rejoice that Suwon decides to retreat. They don't know it was partly motivated by lingering feelings for Yona and Hak, but they're still more flexible and allows Suwon more privacy and agency.

So it brings us again to chapter chapter 261/262, which are to me the very first occurence of Suwon being allowed to be a character-narrator where he gets to truly show and tells his own story. Showing instead of being shown. Showing the experience and feelings of being seen. Chapter 262 doesn't only highlight the importance of gaze in Suwon's character, but is meaningful by making Suwon himself show it to Hak, and to us readers by proxy. This is what makes Suwon and Hak's interactions in this chapter so so important. Suwon, as already established, is still resolved to perform his duties as King until the very end. That's why he still doesn't show himself bare in front of the people of Kuuto, Mundok or Lili. He still has to be a strong King that inspires confidence and reassurance to them. He can't show that he is actually chronically ill and severely wounded. What citizens expect from the King is to be strong enough to withstand, resist, and win against all the disasters they face.

But when it's only Hak and Suwon alone next, Hak is of course annoyed. There is no one on the rooftop of the collapsing palace to watch and judge them. Suwon doesn't have to keep his armor, his King costume, and keep performing in front of him, acting like his wound doesn't hurt him this much and that he's perfectly collected. The shadows are no more, they're isolated from the city. Hak as we can see with chapter 200 or 224 is annoyed by all these roles and formalities and always go against them. This is what makes Hak free. Hak goes wherever he wants to be, will play any role needed to get there and let go of them when they get on his way. Hak says he sucks at letting go, but in a way he is much better at letting go of these things than Suwon is, even when he doesn't have to keep them.

Something interesting in this scene, as already pointed out by others, is the intent behind making Hak order Suwon to undress. Despite his tone, he still doesn't undress Suwon forcibly to then show him to all of us against his will, but encourages Suwon to act upon it himself. He is frustrated by Suwon's own passivity in regard to himself. Suwon has to ask for Hak's help, but it is still triggered by Suwon's own will. Hak forces Suwon to ask for the support he needs in order to have agency. Showing himself is difficult for Suwon, both literally because of his wound and emotionally because he is not used to it, so Hak helps him for it. Of course, the act of removing his armor and letting go of his father's sword is also when Suwon at long last can stop just performing as the King character he is supposed to be. Finally, through his trust in Hak, he can truly and openly show something different to us readers too.

Then Suwon talks about himself. Not just facts and objective information like he did in chapter 243, but how he feels and what /he/ sees. Finally, Suwon tells and shows.

This spread is one of my favorite of all times I think, because it just encapsulates everything I'm trying to explain with this post. Suwon is undeniably a character-narrator in this scene because of how he shows willingly and literally to someone else what he saw and felt, making this moment surreal. After all, it should be impossible for Hak to see that. The text in this spread is typeset like is any inner monologue and is not in speech bubbles. Hak, by the rules of narratology in comics is not supposed to hear any of it. They are thoughts inside of Suwon. However the last panel showing the bottom part of Hak's face seems to imply that Hak very much sees and hears it all. Hak here is in our exact position as reader, able to see, read, feel what Suwon is sharing inside of him. It's not something brought to the outside taken from him for it to be broken down, scrutinized and judged by others. Instead, Suwon makes us come to him inside. It is something incredibly private and intimate Suwon shows in full spread to Hak and us alone. It is precious. Suwon's narration transcends narrative layers to reach Hak's senses and ours at the same time. It represents how Shinah in dragon form is watching him, but by doing so he is very much the one to show himself and Shin-ah. It is not a first person narration where we would see things through his eyes, but a third person one, above. As a character-narrator, Suwon is obviously not at the top of the narrative hierarchy and Kusanagi is the one making all these narrative and laying out choices, but here, she lets Suwon carry the role of teller and shower. In chapter 249, she decided against showing that to us directly like she showed how he felt in chapter 221. She willingly gave Suwon the time and space to do it himself when he was ready to, to the person of his choice alone.

As Hak says at the end of chapter 262, Suwon can choose another path instead of repeating the same complicated one. As we've seen, his role as King indeed puts him in an overcomplicated and messy position where he has to jungle between clashing expectations and duties and his own feelings, making everyone and him first hurt in the end. From then on, Suwon can try another path for real.

In that same chapter before he removes his armor, Suwon also tells Mundok that he can't possibly influence the Heavens. So here, I have a final interpretation about this:

Aren't the Heavens the representation for a higher narrative layer? They're the ones making the "final" judgment and punishing characters or not, they're the ones making (one layer of) the narrative of the story through the prophecy. They can't be touched and reached for, they're in another world above the characters. Suwon is well aware that he is only a character with a defined role in the narrative, so to him, there is only so much he can do and it's pointless to fight against it. In chapter 268, Suwon says again that there's nothing he can do since they're not people. The Gods are the ones seeing and showing everything.

It is perfectly illustrated in chapter 268 with Yona. Yona didn't want to make it about Hak at all, she doesn't want to involve him in any of this, and doesn't openly mention and express her feelings for him inside the chalice because it is not her focus and priority then. Yet the Gods show everything against Yona's will and to her despair. They bring out and show her and us a majority of moments Yona shared with Hak, many that were supposed to be only with the two of them. But like the Shadows with Suwon, the Gods were always watching. Yona was able to make her own decision and was resolved to leave the chalice with the dragons before they brought this up in chapter 267. It is something shown about her and against her, they take from her any agency she had, she is trapped. Similarly to Suwon in chapter 221, she is forced to face feelings she underestimated the paralyzing power of.

However, I'd argue that Yona still managed to bring the Gods closer to us, at least from the invisible higher layer they were on the narrator hierarchy of the story to a layer inside the narrative. Again, she brought them on the page, she made them real, she made them characters and more "human". They're still entities with the power to show, but also visible characters that can be changed and talked with: they literally can be moved and influenced. Yona and Zeno showed them to us, in the sense of making them visible and revealing them to us readers. Maybe the way they treat Yona is their reaction against it, unconsciously. After all, bringing them on the pages of the story forced them to face their contradictions, it is threatening them. Unfortunately, by chapter 268 it still didn't strip them of their powers and ability to control the other characters' narrative.

But I think Suwon perfectly understood all of this. Suwon now has the power to show his perspective. Even if the Gods aren't people, he is free to choose the way he frames how he is seen and watched with his own subjectivity. He is now a subjective character, not only an objective (in the sense of being object) one. That's why his plan depends on getting the Gods' full attention on him. This page is so similar from Shinah looking at him in chapter 262 for a reason. Suwon now gets more control and freedom in what he can show and tell. Suwon literally brought the Gods down to us and showed them. It's not like Yona climbing up to them. Suwon has the power to influence the Heavens and the narrative, because Suwon is not only his static character role, but a character that can change and who we can openly feel for. He won't submit to the Dragon Gods' narrative like he was resigned to before. He is the narrative too. Like Yona or Hak or any other character we ever followed is. Akatsuki no Yona is a story about characters and their feelings, and Suwon can now fully embrace his power in it.

So I find the resonance between Suwon's developing agency in the narrative and the way readers engage with him really interesting. I guess Kusanagi didn't expect Suwon to be controversial the way he is to this day when she started the story and created him, but I like how she discusses it in the story and tied it so beautifully with his character arc. I said about chapter 243 that we shouldn't try to decipher Suwon's message, but actually I don't think that's true. I don't think Kusanagi is that pessimist about her readers. Sure, we see as much as the Shadows or as the Dragon Gods do but we're not them either. The characters share so much with us too, like seen in chapter 262. I think the story simply wants to encourage us to question how we engage with the characters and what we expect from them by representing caricatures of extreme fandom opinions (that can be pretty prevalent and very vocal unfortunately). Suwon himself was always a character we were encouraged to decipher, I think. Otherwise it would mean not trying to understand him at all because he played the role of an antagonist (or whatever he can be called) anyways, which is incredibly sad. I think we were always encouraged to resist against that and try to understand him despite his own resistance. Suwon needed to learn that it's okay to be vulnerable and show us, and that it won't make him less loved and cared for.

Suwon will probably always be a character that is scrutinized and judged in and outside the story, it keeps being so despite all recent developments. But today I am convinced that nor Suwon on his level as a character, nor the narrative will keep making him a character that is forever only seen by others anymore. Now we will see what Suwon sees and feels what he feels, he will show us. He will influence the Heavens and shake the narrative itself I'm sure, he will bring them all down to us.

I love you Suwon <3

[feroluce]

Had the cutest realization last night- so there's a saying we have in English meaning to get something done by any means necessary. It specifically includes dishonest methods, such as violence or lying. So when you're willing to resort to that kind of thing to achieve your goals, you say you're going to do something

"by hook or by crook"

[supes9]

It's a foreign language to me, baby

But I love hearing you talk...

[noelles-legacy]

An evening stroll with Millie, Sebastian, Noelle and Ominis💚🤍

Noelle’s a bit oblivious when it comes to taking hints, but in a way it still works out. I imagine her love language is more gift giving while Ominis is more based on physical touch and quality time. They both still appreciate each other though❤️

Oh! And of course Millie @the-ozzie and her Sebastian are there too! I could definitely see Millie and Noelle getting together really well and I feel like her and Sebastian set a good example (couple wise) on how Noelle and Ominis get together, since neither of them don’t really know how to show affection, even though they both know they love each other… there a work in progress.

[oneluckydragon]

I know it's a story, oh I know it's just a story. But why does it feel like my worst nightmare?

My Explorers of Sky Hero, Echo!

Lately I've been writing a study on her and this paragraph is taken from my rough rough draft. It's a more in-depth exploration of her character/origin/experiences and since I am a huge fan of the darkrai reincarnation theory, this is my personal take on the concept.

I think it's a bit poetic that Echo, in the aftermath of everything, winds up as a dark-type again (and one connected to the moon no less, the irony) as well. I mean, her timeline of lives has literally been this:

Darkrai (New Moon/Pitch Black) -> Human -> Eevee (Evolution) -> Umbreon (Moonlight)

A lot of her evolution into umbreon has to do with her personal trauma/amnesia and also significant influence from dusknoir (who she trusted and cared about), but deep down I feel like her evolution was also partially determined by the fragmented remnants of her original self. She even tried to evolve into leafeon, which obviously, did not work out as planned. Perhaps this is her past lives way of manifesting in her current self, though she is no longer the same pokemon anymore. Maybe it has something to do with self-forgiveness or acceptance? She still has a lot of healing to do, though.

Once evolving into a dark type, Echo slowly starts to regain some of her memories from her time as Darkrai. And Team Wish's new friendship with Cresselia, who is more perceptive than she has any right to be, gives Echo a lot of insight into exactly who she is. This spirals into Echo battling the reality of her past actions alone for a long time because how is she supposed to admit the truth to Sora? That she was the direct cause of their shared suffering? That she and darkrai are one and the same? That all of the pokemon of the future lived in an eternity of hell because she desired it? Of course, she keeps quiet for a long time out of pure fear-- because if Sora rejected her, she'd fall apart. It's a lot to keep secret but what else can she do?

And bonus!! Does Echo's shadow change during each night of the new moon? Hmm. Sure does seem like it.

[jeremyconfus-blog]

I've been seeing so much talk about jayvik and people being like "why can't they just be platonic?!"

They are though! Canonically they are platonic! Nothing will change that fact that they are not romantic lovers in the show. But they are so not just friends either.

Well, what are they?

I don't fucking know! That is the beauty of thoes freaks! They are everything and nothing all at once. Their relationship spans through time and space. Winding together a wonderful braid of friendship, hope, and love!

They can be romantic to some. They can be platonic to others.

At the end of the day, we got a wonderful look at what soulmates are. A beautiful look at what unconditional love for your friend is! What it is to hold out hope for someone you love.

[austinslounge]

Source

"The Bikeriders" Director, Jeff Nichols, talks to Gold Derby about meeting Austin, and how he realized that Austin was the perfect actor for the role. 🥰

"He's a movie star, like stone cold. And it doesn't take a rocket scientist to walk up and shake his hand and understand that..."

- Jeff Nichols

Link to Full Interview on Gold Derby

[lady-lostmind]

Dreams

Love is: Having hope for the future together.

a @steddielovemonth prompt Thank you @oh-stars for betaing this!

WC: 560 | Rating: G

ao3 link

Eddie has always been a dreamer. Even when all the odds were stacked against him, he had high hopes for his life. Always thought he was bound for more than being a high school drop out that lives in a shitty trailer. It’s why he suffered through two extra years of high school in the first place. It’s what had him practicing his guitar for hours a day. Convinced if he worked hard enough, if he was the best, he could do it. He could get out of here. Play music and make money. Maybe buy Uncle Wayne a real house. Finally repay him for everything he’d done for him. Make up for being such a little shit growing up. 

What Eddie didn’t ever see in his dreams was Steve Harrington. He seemed too unattainable even for his wildest scenarios. Eddie would have laughed in your face if you told him that, one day, he would be laying next to Steve, sprawled out in his bed. That he’d let out a content sigh when he feels Eddie’s fingers trail across his skin. That he’d look at him like he hung the fucking moon. That Steve Harrington would one day tell Eddie ‘The Freak’ Munson that he loves him. That Eddie would believe him. But now, as he lays here, staring into Steve’s eyes, he can’t stop the dreams from growing inside him. 

Dreams bigger than he’s ever imagined before. Dreams completely wrapped up in Steve. 

He wants to give his boy the fucking world. Wants to get him away from this place that ripped them to shreds. Wants to show him he already has the family he’s been searching for.  Buy him that fucking RV and load it up with their giant mismatched, makeshift crew. Eddie wants to buy him a house big enough to be the home base of the group. Let him be the one the group flocks to for holidays and big events. And Eddie knows they will. Because it’s Steve. And he may not realize it, but he’s the glue. The kids all adore him. Hero worship that Steve doesn’t see. But Eddie does. As much as they tease him and give him a hard time. He sees it in their eyes. Steve put his life on the line for them. Over and over. He was the babysitter. That’s a bond that stays put.

Eddie never thought he’d end up being one of those people who revolves their life around their significant other. Never thought he’d find someone that stuck around long enough, honestly. But all his plans are now their plans. He can’t imagine doing any of the things he’s dreamed of for so long without Steve, now. It wouldn’t be worth it. He knows, as much as he wants more, wants a life bigger than Hawkins, he’d be content if none of it happens, as long as he has Steve. 

Most of all, Eddie wants to make sure he’s happy. Because fuck if anyone deserves to be happy, it’s Steve Harrington. Even if it means listening to shitty pop music in the car, or having Robin Buckley interrupt them constantly, or playing chauffeur to the gremlins everyday. Barely getting a moment to themselves. It’s worth it to see the way Steve’s eyes sparkle when he smiles. 

Eddie would do anything to see that smile.

[eugenedebs1920]

I don’t have kids. I don’t plan on having kids. I don’t want kids. Honestly, I prefer to not be around kids. Yet for some reason the future is important to me.

There has always been a sense of urgency to right the wrongs of the past, and to clear the way for future generations to travel. A drive to leave this rock in better shape than I found it when I left it.

That was a camping rule instilled in me as a kid. Leave the camp site in better shape than when you got there. I can remember as a kid, going around and looking for trash someone, at sometime had left behind. That way when the next person came to enjoy this little slice of nature, hopefully they would enjoy and appreciate it as I did.

There has never been an urge in me to reproduce. The thought of raising a child never appealed to me. Dogs! I love dogs, and have had a few since I was a kid. A little human though, just no interest.

People will ask, “do you want to hold my baby?” Not once have I responded a yes to that question.

Children, especially when they’re real young, they’re like weird alien things that just excrete fluids. Otherwise they’re loud, obnoxious, stinky (hey! I think people have used this same description for me! 😉) want to crawl all over you with their inevitably sticky hands. No thanks.

Yet their ability to live in this country with as much if not more of the same opportunities and liberties I had is invaluable to me. Even in my lowest of lows, in my worst of times, it was important to ensure my actions would not negatively impact those after me.

I smoke, I drink, I indulge, I’m not as young as I use to be. I’d say, at best I got another 40 years left in me, that’s what I’ve lived so far. If I’m being real, a little less would probably be better.

I’m not a deeply religious man. I’m not without my own thoughts and interpretations. I think religion can be a guide on how to live life morally and with compassion. Far too often it is not.

What do I think happens when you die? Nothing. You just cease to be. The chemical energy in you goes dormant and you are recycled back into the earth from whence you came.

The driving force to be the best person I could be was to see others happy, to see them prosper and to be content in their lives. That makes me happy, seeing others happy. Like a laugh, it’s contagious, you’re laughing because someone else is laughing and you have no idea what’s so funny to them, but their hilarious moment becomes your own.

Same with prosperity. When you see someone who worked hard and is proud to show you their new home, or their new car, whatever it is, you can pick up on that sense of satisfaction. Regardless if it’s your own.

Since the new deal we have inadvertently, or unwittingly, helped each other out. I pay into social security so that the widow down the street has an income to live on. Although I don’t have children I happily pay taxes for them to get an education, and so on. This is what has made our country strong for so many years. This selfless sense that we are in this together. That we are on the same team, going towards the same goal. When someone falls, you pick them back up, because that’s what you do.

Something has shifted in our culture of late. An overwhelming move towards I got mine, and you got yours. Not breaking from our comfort zones. Trapped within our own small circle. Eye contact is awkward, and common courtesy isn’t so common.

What changed?!

There is now the potential to reach out to strangers around the globe with the touch of a button, but half of us don’t know our neighbors names. We can see devastation clear across the world and feel sympathy for them, but we won’t let someone in during our commute.

When did this shift in attitudes switch in us as citizens in this country, and around the world? This notion that you are more important than, more entitled, more deserving than anyone else.

We are all just people going towards the same goal. We may not know each other but we should know that everyone has their struggles, everyone has pressures, we all are trying. Trying to make it another day, another week, to another paycheck.

Cant we relish in the thought that we are all fighting the same battles, we just fight our own demons?

This goes beyond letting someone in during traffic. It goes beyond opening the door for a stranger. This is about the ten billion of us yet to be born, who are barely born, and what their futures will be.

Every action, every decision, every choice and move we make will have impact in one way or another moving forward.

Will these be acts of greed and resentment?Acts of intolerance and animosity. Will they tear someone down, hurt them? Every action matters.

Or with the decisions you make, will they be that of kindness and care? Will they be accepting and understanding? Will the lift people up, help them out?

The choice is yours.

I know, just as I was taught when I was a child, camping in the mountains of Colorado, that I want to leave this site a better place than when I got there. So people who visit in the future can enjoy it just as I did. So that they have the same opportunity as myself. I hope you’ll do the same.

[herefortheships]

It happened. I have listened to the entirety of MacArthur Park. All seven and a half minutes of it, and even repeated certain parts. A song I would have never looked up on my own, all because of this hopeless romantic, moldy old poltergeist and his gorgeous middle-aged goth babe. 💚💜💚💜