#love finding pop music parallels

[greater-than-the-sword]

Who is the betrayer / who's the killer in the crowd? / The one who creeps in corridors and doesn't make a sound My love has concrete feet / my love's an iron ball...

John 10:1 Verily, verily, I say unto you, He that entereth not by the door into the sheepfold, but climbeth up some other way, the same is a thief and a robber.

[vyva-melinkolya]

we all agree that the push towards short form, vertical video (tiktok/reels/shorts) is ruining fucking everything right? Tiktok has been useful for the dissemination of political information (e.g Gaza) i’ll give it that, but that feels moreso a result of meta and twitters algorithms being just a little *more*’evil and censor happy. And i want to make it very clear that my hatred for tiktok has nothing to do with the fact that it was a product of a Chinese company, because i see a lot of critiques relying on some sort of sinophobic conspiracy. On the contrary, it’s what tiktok has become in the vacuum of western popular culture and marketing that makes me fearful.

I know that every generation faces a new, polarizing technology and inevitably, there are those among said generation who will critique it. That is the nature of things. However, there is also something to be said about how, with the acceleration of technology (running parallel to the acceleration of capitalism, acceleration towards collapse etc), each coming generation faces an increasingly more malevolent “advancement”. TLDR, i’m going to talk my shit.

I’m going to speak on the aspect that is most relavent to me, as a musician. I am petrified by what short form video is doing to music and to musicians. I think that tiktok provides the illusion of making music and being a musician more “accessible” while actually pouring gasoline on the fire that the pop music machine had already started. Standards for what popular culture “expects” from music are being doubled and tripled. Let’s talk about song length. Success and marketability favoring shorter songs is not something new, it has been the trend for decades. But with short form video, it goes even further. You’re not just hearing the same song over and over on the radio, you’re hearing the same 15-30 seconds of the same song over and over again. This in-turn, starts to influence the way people write music, persuading people to make songs that *could* have that 15 second appeal. There is an art to pop music, there is an art to writing a catchy hook—this is something else. We weren’t meant to hear or understand music like that. There are so many songs from reels that i found annoying, until i heard them in their full context. It’s insidious. It makes everything feel like a fucking commercial, even if nothing is being advertised.

I’m going to pull directly from someone else’s experiences, someone who’s music seems to be everywhere on short form videos. The ambient musician My Head Is Empty has a hundred million streams on the song “i was only temporary”. Despite that exposure, they experience “never ending copywrite issues” and have “received death threats” by people who refuse to credit them when using their song. Pulling a quote here, from a comment on their own post

“vyva_melinkolya unfortunately it just gets worse. i saw a bot content page that steals pod cast footage and spams dozens of videos with my song stolen, comment on a "motivation" spam content , who actually made a post telling people the name of my song, and the previous page i mentioned, the pod cast spam commented on that video saying "Bro stop don't give out the sauce. this audio helps me pull numbers brooo" - so people are actively INTENTIONALLY stealing it and telling people to not credit me. like. u can't make this stuff up”

Beyond this, My Head Is Empty feels frustrated that despite all this exposure, the rest of their work (nine albums) as a musician remains under appreciated, and i think that frustration is 100% valid. People cannot fully appreciate music, or even understand it as a work of art created by another human, when it’s taken so far out of its context. Again, the soul being sucked out of art by “the machine” isn’t anything new but, this is a whole other level. Being a musician is more expensive than ever, streaming earns you fractions of a cent etc, it all feeds into itself.

When a song or a musician i love deeply finds its way on to tiktok (let’s use Duster’s “Stars Will Fall”, one of my favorite songs ever as an example)I am not upset that i cant “gatekeep” it anymore. I’m not upset by the idea of something I love and hold dearly finding a larger audience. I AM upset in the manner in which it is being disseminated. I’m upset with art I hold dear to me being chopped up and used as “trending audio”. When I saw Duster in concert recently, lStars Will Fall” was the song I was most looking forward to hearing. It was the last song they played, and it was the song seemly everyone chose to talk loudly over. The audience was mostly people my age and younger. This complaint might come off as petty or pretentious or cliche, i frankly do not give a shit.

Let’s talk about how musicians are expected to promote music on tiktok/reels. This is a matter of opinion, at the risk of sounding very pretentious: the “POV we are x band from x” “My label says i need x followers before x” “posting this video until c musician notices me”. I understand that some of it is in jest but, what the fuck? When did this become the norm? I do not blame anyone for promoting their music like this, but we should want more for ourselves. I’ve always said being a musician is deeply embarassing, inherently. If being a musician is inherently embarassing then what is this? I dont have a solution for this, and the music industry has always been ugly and bloodthirsty and seldom fruitful— but i feel like the very small amount of dignity we had as artists is now lost and I cant fucking stand it. Artists seem to promote the same single with dozens of reels over the course of months, hoping that something sticks. I dont want to sound like i’m shaming or, again, sound like i can provide a solution. I’m just very fucking sorry that it seems like this is “the way”. And personally, i’m scared that if i dont “get with the program”, im going to fail.

Again, all of this speaks to larger trends in entertainment industry and even larger trends in capitalism. But i’m just airing specifics right now because frankly? I cant take it anymore.

[butch-with-a-deep-voice]

Long-Distance date/bonding ideas I've learned while making it work with my femme

Streamed Movie Night: Discord has a function that let's you stream video and gaming alike! I'd recommend Nitro because otherwise stream quality is gonna SUCK (and you need to do some weird fiddling to get services like Netflix to work) but you can enjoy movie night with your boo

Tabletop Simulator: If you both have about $20, and a computer with even a low budget graphics processor, this program is invaluable. The base games are neat but the real trove is in the Steam Workshop. Mod makers upload hundreds of boardgames from Catan to Azul to outright heavy ones like D&D and Warhammer. My femme and I now have a weekly boardgame night (she actively challenges me at strategy games and it makes me so happy to have a partner that does 🥰)

Coffee shop dates: Go to a place where the shop has wifi (or you have a really good data plan with your phone), pop your headphones in, and just video call. I promise you, there will be more people there who find it sweet than those who find it weird.

Spotify Jam Sessions: I don't know about other music apps, but we both have spotify and it now has a function that let's you invite others to a shared listening session. Music is really important to both my femme and myself, and the ability for us to literally listen at the same time and talk about the music is truly quite lovely.

Parallel crafting time: Admittedly, I'm Neurodivergent as hell, and parallel play baseline is big for me. But pop on a videocall and make some crafts together. Bonus points if you get similar materials and share what you've made together

Call every night: no seriously, even if you both are busy the entire day and can't talk, call for at least a half hour or so to round your day off. That lack of certain forms of intimacy means you need to be really on top of other forms. On top of affirming love for one another. If you're trying to make long distance work long term, calling to just. Be with eachother is so important.

Schedule Time: As an extension of the above, just because you're calling every day, doesn't mean ensuring you have dedicated time for eachother isn't important. I'm talking like. An afternoon/evening once a week type thing. Be together for a long period of time while you can't be physically together.

Technology has honestly made what I always thought impossible for myself feel possible. The advent of videocalling my femme every day helps so much of the potential pitfalls that could have happened, and the best part is its more or less free (I pay for discord nitro but I digress). Don't get me wrong I'm having my hard days still. The inability to hold her when I want to take care of her is particularly bad. I show care and love through things like physical touch and food so much. But getting creative, and being consistent have really made this feel possible and sustainable until we get to the "next stages" bridge.

If you have ideas you found fun/helpful please toss em in the replies, tags, etc. Always open to more date ideas with my girl 💕

[lilpomelito]

“What's wrong with Pop music?”

Eddie stops mid rant and spins around. Steve is sitting upside down on the sofa, staring at the ceiling, his silky hair touching the floor.

“I mean,” Steve continues, his voice a little strained by his position, “if so many people like it, there has to be something good about it, right?”

Eddie shares a look with Jonathan, hoping to find an ally, but the man looks zonked out of his mind. Argyle really brought the good shit with him.

“That's not the point, Stevie,” Eddie explains as he sits down on the floor next to the guy's head. “It's popular because it's the only shit the big corpos are pushing on the radio. It's what everyone listens to, so everyone thinks they have to like it to be liked. To be accepted. And it's not even good music! Where's the artistic merit in cheap studio synthesizers mixed with braindead lyrics like wake me up before you go go?"”

Steve frowns. “Not all popular music is like that. Also what's wrong with wanting to be liked?”

“Do you not like Freddie Mercury?” Robin gasps, lifting her head from Steve's stomach, and she sounds heavily offended.

Eddie blinks for second, confused as to where the conversation has suddenly turned. But Steve nods, apparently following her line of reasoning.

“Yeah, man. Queen is like, the most popular band in history. Do they not have artistic merit?”

“No, of course not, that's not what I–”

“And the government is not conspiring to push pop music, Eddie, we've seen they're too busy experimenting on children and opening portals to a parallel dimension,” Robin says.

“What about Bowie?” Steve says. “You loved Labyrinth. Didn't shut up about it for like a week. He's pop!”

“The point,” Eddie insists, flustered, avoiding to watch directly Steve's upside down smirk, “is forced conformity. Queen are all nerds! Bowie is a huge nerd. Where would they be now if they had played high school football?”

Jonathan nods slowly, but doesn't comment.

“What about astronauts?” Nancy asks, from where she's sitting at Johnathan's feet. “They're nerds, yes, but they also have to be in great physical shape. I bet most of them were athletes in school.”

“Yeah, totally!” Steve nods. “Remember Casey Johnson? He was captain of the basketball team when I was a freshman. He was valedictorian, and I think he went to Standford on a sports scholarship!”

“Yeah, I remember him,” Robin says, rolling her eyes. “One of my friends had a huuuuge crush on him.”

Steve's cheeks go red. He incorporates himself, despite Robin's protests, and sits on the couch like a normal person.

“Whatever. He was a nerd and an athlete. What's conformist about that?”

Eddie stares at him, narrowing his eyes. “Nothing, I guess. Or everything. He succeeded at academia, which was designed to shape kids into exploitable workers under capitalism—”

Jonathan groans behind him.

“—and made captain in a sport that's basically throwing balls into laundry baskets and calling it strategy. Praising people for that to the point where schools are giving scholarships is a little too much.”

“You try it, then, man,” Argyle calls from where he's laying on the rug, star shape style. “I bet you ten bucks you can't win at throwing laundry into baskets against Steve. Or my boy Lucas.”

Robin laughs maniacally. “Oh, I want to see that! Steve please destroy him, his ego needs a little humbling.”

The conversation moves on after that, since everybody looks like they're already over Eddie's rant. He doesn't mind, really. It's fun to ramp up the dramatic indignation against The Man, or whatever. It always causes a reaction, and even people who agree with him somewhat eventually hit a limit. Eddie likes to stick his finger and find that limit.

But not Steve. He's looking at Eddie like he's fascinating.

“You're a hypocrite.”

Eddie falters, biting down a smirk. “How come?”

Steve scoots a little closer. “You want to be a rockstar. You don't just want to live off making music. You want to be famous. You want people to like you.”

Eddie stares at him for a second, frozen in place.

“That's not—”

But Steve smiles, gentle. “That's alright. We all do. And you want to know a secret about being popular?”

Eddie can't resist. For all he protests about popularity and conformity and being so normal everybody likes you, he does wonder what it feels like to be on the other side. So he nods.

Steve smiles sadly. “It doesn't actually change anything. You think it means more people like you, but it just means more people are aware of you. What you do, what you say. Who are your friends, who you date. Where you go, when you go there. And at some point you feel like you can't escape it. And yeah, you do start to conform to the norm. Not because you think it's what's best but because you're so aware of people's opinions of you that you always choose the path of least resistance.”

Eddie... has never considered that. He moves a little closer to Steve as his voice goes quiet.

“You think it was fun to run into a random suburban mom in the grocery store and have her be furious at me because I was dating Susan Davis? Who apparently was her daughter's cousin, and she had a crush on me, and was planning on asking me to prom? How on earth was I supposed to know that? And she was double mad that I didn't even know who her daughter was. Like there's two hundred kids in Hawkins High. I can't know everyone!”

Eddie tries not to laugh, because Steve seems upset by this, but the situation is kind of ridiculous.

“And I think they got into their heads that because they knew of me I was supposed to also know them. But they didn't actually know me. I made prom King, people were mad. I was captain of the basketball team, people were mad. I then turned down being captain of the swim team and was just co-captain, people were still mad. I took a job, and people made fun of me. I lost that job because the mall caught on fire, people also made fun of me. I took another job, and people say I'm "wasting my potential", whatever that means. I don't know man. I think you can never win with people.”

Eddie grabs Steve's hand, touching softly his palm. It seems to work, and Steve relaxes a tiny bit under his touch.

What Steve said sounded exactly like what Eddie was talking about: the pressure to be what society wants, not what you want. He can tell it's a touchy subject for Steve, who has been under the crushing spotlight of being a relatively small town's golden boy.

So Eddie doesn't push any further.

“You got me there, though,” he says.

Steve smiles again. “Yeah?”

“Yeap,” Eddie nods. “I do want to be a famous rockstar. I do want to be known and liked and admired. I've never had that. But I guess you're right. We can't have it both ways.”

Robin, who up to that point had been discussing with Argyle the difference between an oboe and a clarinet, jumps in. “It's the horrifying ordeal of being known.”

Steve laughs. Eddie can't help it, his laugh is too contagious. He can't understand how people in this hellscape of a town ever looked at this boy and thought "he's not enough." With him? He gets it. Eddie's list of failures is a mile long. But Stevie? Sunshine incarnate, puppy-eyed, bitchy beautiful and smart Steve Harrington? There's nothing to complain about.

[ptolemaeacles]

♡ being hazel callahan’s cheerleader gf hcs

pairing: hazel callahan x cheerleader!reader

synopsis: what it’s like dating hazel (post huntington fight)

notes: unofficial part two to this !! if you guys have anything to add, feel free to hop into my inbox or comment, i love interacting with you guys !!

word count: 1k

after the huntington fight, she finally took you out on a date. she completely wracked her brain for days trying to find the best place to take you.

most likely, asked josie where she would take isabel since the four of you seemed to be parallels of each other (nerdy, loser lesbian and her super hot, preppy gf)

going back to the first date though, i would imagine she took you to an arcade or maybe a diner (like josie and isabel were at). and of course she shyly asked you if that’s what you wanted.

hazel and you were sat in your english, making usual conversation since the both of you had finished your work. hazel realized it was probably a good time to ask you about that date.

“so i wanted to ask you, um, about the date. i know it’s been a few days and i’ve been planning it but what do you think about the diner? you know, after school, you can pick the day if you’d like, or if you changed your mind, we can just not go at all, it depends on you-”

“haze,” you stopped her with a soft smile and putting your hand on top of hers, “i’d love to go to a diner. that’s perfect. and tomorrow is good with me if it’s good with you!”

hazel sheepishly smiled back at you.

“yeah, it’s good with me.” she murmured.

after the third or fourth date, she wanted to pop the “will you be my girlfriend” speech badly. she wanted it to be romantic but not cheesy, heartfelt but not corny, cute but not cliche. god she was over thinking this like a motherfucker.

and to her surprise, you popped the question before her.

hazel was lounging on the loveseat in the corner of your room while you were sitting cross legged on your bed. the both of you had decided to study at your house after school. (not much studying was done so far. often getting distracted by making out with each other. so much so, the two of you had realized that nearly an hour had passed which resulted in hazel moving to the loveseat so the two of you could get some actual studying done.)

“so did you divide both sides by 6 or by 4? i don’t get that part.” hazel lifted her gaze from her notebook to you, who was already looking at her.

you decided to just blurt it out.

“haze,” she hummed in response, “do you want to be my girlfriend?”

hazel felt her mouth go dry. she really did want to be the one to ask you but it was so much hotter that you asked her.

“yeah, uh, yes, fuck, i’d love to.” she exclaimed.

now onto the actual BEING hazel’s gf (i love to over explain things, sorry)

hazel’s love language is definitely physical touch or gifting-giving. not super into pda but will put her arm around your shoulders or a hand on your lower back when you’re walking. if she’s feeling risqué, then an arm around your waist.

no matter how long you guys have been dating, she still gets nervous around you. doesn’t matter if you woke up with horrid morning breath, messy bed head, and/or a puffy face, she’d still look at you starstruck, as if you held the entire world in your palms. she’s a hopeless woman in love.

she does have a lot of money (probably one of those kids who refuses to say she’s rich, she calls herself “comfortable” …..) but she loves to make gifts for you. i can see her being into welding or wood workshop. (not sure if all schools have these types of classes, i’m american soooo)

100% makes wooden sculptures or welding a ring with the both of your initials on the inside. she made a wooden sculpture of the two of you holding hands (you nearly cried when she gave it to you)

very big music lover. listens to divorced dad rock. pearl jam, metallica, nirvana, etc. probably a minor swiftie (really obsessed with folklore and evermore but not a big fan of her other albums) definitely listens to boygenius (she listens to ‘leonard cohen’ and thinks of you). likes r&b/rap from time to time. (frank ocean, mac miller, a bit of tyler the creator.) oh and some 80s r&b like sade. her playlist is very diverse to say the least.

not really a gf headcanon but she’s definitely got some irregular allergies. strawberries, i would say. walnuts too.

PLAYS GUITAR. both acoustic and electric, she's interested in drums too and she tried learning how to play but it was too loud for her so she quit. writes songs for you but you would never get her to perform them or even show you in a million years.

LOVESSSSSS to nap and cuddle with you. a lot of the time, she invites you to her house under the guise of “studying”. you’ll be grabbing your backpack ready to pull out your english homework and she’s grabbing her blanket and asking you to just lay in her bed with her for “5 minutes”. you guys end up falling asleep (exactly like she planned) and wasted 2 hours. it was worth it.

“okay so i think we should start with our english homework because we need to brainstorm for the ess-“ you opened your bag, ready to study with your girlfriend.

“we can do that later, babe,” hazel grabbed your bag and set it on the ground, “aren’t you tired? i mean you walked all around campus, which is huge, might i add-“

“not really-“

“doesn’t matter. we should lay down and rest a bit so we can have clear minds, and we’ll be ready to study.” hazel had already kicked off her shoes and crawled into her bed, lifting her blanket and silently asking you to lay down with her.

“only a few minutes, okay, and then we have to get to work.” you breathily chuckeld, not impressed with your girlfriend’s antics.

hazel giggled and ushered you under her blanket, wrapping her arm tightly around your waist and tucking your head in the crook of her neck.

you knew what her plan was but she was too cute to say no to.

[hexedwinchester]

Early seasons of SPN are superior

so I'm re-watching Supernatural (I'm always re-watching SPN, don't mind me) and I realised why the early seasons are so freakin good whereas the laters ones are a complete mess...

Horror was the core theme of Supernatural (yes, I'm not discarding the brothers' drama, I'll get to it in a minute). These beautiful scare tactics that they employed were amazing: the crib mobile toy rotating, shadows moving out of the corner of the eyes, toys going off, subtle bloody Mary reflections in the mirror, creepy skulls dug from the ground, the ghosts flickering. Hell yea they nailed 'Scary just got sexy' with these.

Don't get me started on the background music. Whimsical music crescendo, building up the anticipation. The rock music blaring through the Impala. What happened to the cool ass music in the later seasons? They just played this weird, sad tune like someone's blowing raspberries to show grief and that's it!

Monster of the week theme and the lores/legends in early seasons were much, much better than S12's Foundry or the later season episode with bizarre tentacle porn thingy (you know which one I'm talking about). It just didn't feel the same. The stories were poorly written and even more poorly executed.

Early seasons used to be purely about Sam and Dean (as it should have been throughout) Them against the world, heaven and hell. No dumbass angel lurking in the background like a pathetic third wheel. No king of hell bitching about his sad childhood for two whole seasons. No Soccer mom half assing their way into hunting.

Foreshadowing was done so beautifully! Everytime I re-watch the early seasons I find a few bits that connects to something that happened initially in say S1-2. The parallels are done beautifully and writing is good, and I mean 'I wanna use this quote as a wallpaper' good.

The struggle for the boys was real. They had to do their own research, save their own asses, stitch their wounds, pop their dislocated shoulders back in the place. Later seasons? Bunker has answer to everything, angel healing wounds with a flash of light, Lucifer bringing Sam back from the dead without asking for anything (and no, taking him to Jack is not a good enough bargain), Jack healing wounds or whatever. Where is the damn struggle?! Where is the hero's journey?!

I miss the beautiful, colourful motel rooms that had its own personality. I HATE the bunker (yes I know a lot of people love it because Dean has a good shower, they have a home etc, etc) but no! Bunker is lame and boring and monotonous. There isn't a single thing I like about it. Gimme back my motel rooms with the sunburst mirror!

Story arc or lack thereof from S12 onwards. The main plot just got duller and duller from S12 onward and it felt like the writers got lazy and stopped putting efforts. There was no build up and the plot felt forced. The main arcs didn't feel exciting enough. BMoL and Kelly's pregnancy: the who and why? Jack: predictable. Other Micheal and Micheal Dean: meh, next! God as the big bad: interesting but I don't think they have it in them to execute this correctly.

Irrelevant/Unnecessary characters and their mini plots. S1-5 focuses purely on the brothers and that's what I'm here. I don't care how and why an idiot angel opened purgatory. It sounded more like a dull spin off plot than main story arc. I don't care about prophets and their lives (yeah Kevin is in Advance Placement, what am I to do with that?). I don't care about the different angel garrisons at war (again a plot for a lame spin off). I don't care about Crowley, his son or his relationship with Rowena. Tell me how this affects the boys. If it doesn't, please let's move on. Whatever was going on with Cole Trenton was pointless. I don't care about Mary and her hunting escapades with BMoL. I don't care about Kelly's pregnancy. The multi-universe and all characters they vomited back in the show with this. Not needed! Let Charlie, Gabriel and Bobby's memory rest in peace. Nick's killer storyline and wayward sisters. Enough said. Empty and the deal with Cas and Meg 2.0? Boring! Billy playing the bad cop, the whole death's library? Poorly executed and it turned into a bowl of cold spaghetti. In the end, the focus moved from the boys to useless characters and mini plots. Fuck that! Supernatural is about Sam and Dean and that's about it.

The direction. Later seasons lack the beauty of scenic shots of the landscape, close on up the boys' faces, the lights hitting their faces to show their beauty. Camera angles and slow panning shots. I miss the beauty that were the early seasons.

[somehow-a-human]

Moonlight Serenade & Good Omens &... the TV show Lost...?

DO NOT ASK NEIL ABOUT FAN THEORY.

The music of Good Omens is something I have been ACTIVELY avoiding turning my focus on. The risks of hyperfixating and spiraling into it are HIGH. There are so many elements to get lost in, repeating motifs like Dies Irae, tolling bells, character themes... but I digress.

Could I hold out forever? no. and something finally pushed me over the edge. Wait for it..... Lost. Yep. The TV show Lost. WAIT WAIT, don't leave! STAY WITH ME! I promise I don't *think* I'm crazy and I have a point here!

Why Lost? And what does it have to do with Moonlight Serenade and WHAT DOES IT HAVE TO DO WITH GOOD OMENS?! Well my lovelies continue under the cut with me and keep an open mind...

Okay so... Lost. Yes, the insane 2004 mystery plane crash island adventure drama. It's a wild ride, and a masterpiece and a little bit crazy, but overall pretty damn good. I've been on a rewatch spree and wouldn't you know it... parallels between lost and Good Omens popped up in my brain! I mean they are both intricate mysteries so it makes a tad bit of sense but there was one little detail that *might* be a *clue*, or just an easter egg if anything. I promise you don't need to know anything about Lost to follow this :)

First off, what are some of the recurring themes that Lost the TV show and Good Omens have in common you might ask?

Life & Death

Alternate timelines & Time Travel

Literary Allusions (Catch-22, The Bible, A Tale of Two Cities)

Prophecies & Premonitions

Symbolism of Black & White/ Light & Dark

Yeah okay that tracks, but look there are 121 episodes of Lost and 12 episodes (so far) of Good Omens so there's bound to be some overlap for these two.

You'll be thinking about now, "BUT WHAT DOES THIS HAVE TO DO WITH MOONLIGHT SERENADE?!" I'm getting there, shhh, lemme pet your hair gently and keep giving you background information to build it up shhhh...

If you've never seen Lost there is a very good chance you're mighty confused at this moment, so let me reassure you, you don't need to know anything about it to understand the connections I'm going to make. A brief synopsis is: Oceanic flight 815 crashes on an island. The plane crash survivors quickly discover the island is more than it seems to be and holds many secrets and mysteries. A lot of people die, most of them are murdered, it's giving Lord of the Flies if it was in the horror genre. That's honestly all you need to know.

Time Travel & Alternate Timelines

Time travel is cannon in Lost. It's super confusing and I'm not even going to try to explain any of it here. It's honestly just not worth it. If you'd like to try and read about it, the abridged version is here, but I don't think the details are important. Just know it's real and confirmed and exists.

Okay so, *SPOILERS FOR LOST WILL FOLLOW* In Lost season 2, episode 13 "The Long Con" two of the plane crash survivors are trying to find a signal on a radio they've found. While scrubbing they come across a signal playing Moonlight Serenade by Glenn Miller. One character mentions it must be from somewhere nearby, but the other counters that this type of radio can pick up signals from anywhere in the world. There is a beat and then another character jokingly adds "Or any time. Just kidding, dude."

It's later confirmed that the Lost characters in 2004 are indeed picking up a radio signal from 1940 that is playing Moonlight Serenade, a product of time travel.

Congratulations, you've made it to the point where I'm going to bring Good Omens into the mix. In season 2, episode 4 "The Hitchhiker" we open seeing Aziraphale driving back from Edinburgh late at night/early morning. Uncomfortable with the darkness and silence he asks the Bentley to "play something that's got a bit of swing? I'm in the mood for something modern."

The Bentley obliges the angel, as she always will, and we are shown a shot of the radio specifically lighting up, so we know she's tapped into the radio to play this for Azi, but there is no channel selected.

Compared to Season 2, Episode 3 "I Know Where I'm Going" when we see the radio is playing and does display the channel.

But hold on. Okay maybe it just isn't showing the channel, that's fine, but Aziraphale asked for "modern"? Moonlight Serenade is most certainly not modern. It was recorded in 1939! I'd say in 2023 it's anything but modern, maybe not in Aziraphale's long lived opinion, but certainly in the Bentley's opinion, given she's only a 97 year old car.

I think you can see now what I'm saying here. I think the Bentley picked up a radio signal from 1940, maybe 1941? Episode 4 is of course our 1941 blitz magic show bullet catch flashback extravaganza, so... it makes sense. I know we like to headcanon Crowley and Aziraphale listened to A Nightingale Sang in Berkeley Square in the bookshop in 1941 after the bullet catch, but what if they listened to Moonlight Serenade on the radio instead?

What does it mean?

A reference to this small moment from Lost could be a nod to the first hint of the canonization of time travel in that series. We know Crowley can control time to some extent and we can see some evidence of time discontinuities and possibly time weirdness in season 2 so is it a hint that timeline funkiness IS happening? Do I want to get into the fact that the main character in The Hitchhiker, the Twilight Zone episode this episode is named after, is actually dead? No I don't, not now anyway.

Or it's just an absolutely lovely little Lost easter egg.

SO! There it is... weird little connection that I couldn't get out of my brain. It just seemed a bit too... ineffable.

As always this is all for fun and all for fans! Don't ask Neil about these things, they're for us to have fun with. And something else that I don't think some people on here understand about meta-analysis; the goal of it is not necessarily to be correct. It can be, if that's your thing. Refuting peoples posts, theories, analysis, and headcanons because you personally don't agree with them and telling them they're wrong and stupid doesn't achieve anything. Meta-analysis is an exercise in critical thinking and creative writing. You could write meta about how Spongebob is a critique of the loss of christian values in modern society and you wouldn't be right or wrong, you'd just certainly be a person who wrote that for sure though. Just, be kind to each other, share ideas, you're allowed to disagree with someone's ideas or have different ones of your own but don't be cruel in saying so, don't call someone stupid, that's just silly.

Love you all, do something kind for yourself today <3

ps. The moment I see Michael Sheen with blonde hair come January I'm gonna bark like a dog, that's all. Thanks.

[stjohnstarling]

Hello! Love 'What Manner of Man'! It inspired me to make my own vintage gay story myself!

But I'm having an issue with outlining, since outlining a novel feels more close-ended than a longer-form serial novel is.

Do you have any advice? Or resources, etc?

So you have no way of knowing this, but I am actually obsessed with story structure. It’s maybe the part of storytelling I’ve spent the most time consciously working with, so sorry in advance because I’m about to go on a dubiously helpful monologue. It’s a bit tricky for me to answer about resources, since the things I used when I was learning have been lost to the sands of time. That being said I have a couple pieces of advice:

If you don’t know what you’re doing, don’t be afraid to find a template. I wish I could link you a good one but I don’t have any on hand. When I was first learning to write novels, I actually found a few different standard novel structure templates and used them to outline a bunch of novels I never intended to write, as practice. Bad and silly ones that were just fun to play with, where there was no pressure to write anything I’d ever want anyone to see. My background is in music, so my instinct when I don’t know how to do something is to isolate that element and practice it on its own, and it’s never steered me wrong.*

But more than that - what you’re feeling as closed-ended is that you’re trying to write a story with structure, as opposed to one that is mostly improvised. I remember feeling this too, when I first started exploring writing novels, but this is one of those cases where limitations are actually what gives you freedom.

Structure is part of the artistry of storytelling - just like poetry has forms like sonnets and sestinas, and songs have verses, bridges, and choruses. You know intuitively the structure of a pop song, and that heightens the pleasure of listening to one as you anticipate the build up to the chorus. Stories are like this too. The structure is an important part of the audience’s enjoyment of the final piece, whether they know it or not.

I’ll give an example. Season one of AMC’s The Terror is a piece of fiction that is structured with some serious artistry, above and beyond just good craftsmanship, its structure is a crucial part of how it creates meaning. As a result a lot of what its fans do is analyze it for parallels in its storytelling. I don’t think many of them would articulate what they enjoy about it as “this is a well structured story,” but the structure is actually one of the main things the fandom engages with.

More than any writing resource, the best way to learn is to study and analyze stories you admire - why things are put in a certain order and why events fall at the points in the story that they do. When are you anticipating, when are you experiencing catharsis, where in the story do those things happen? Explore widely! You don’t have to limit yourself to novels! Movies are great for getting a basic understanding of how you can structure a story because the time and space requirements they’re subject to mean movies tend to be very rigidly structured. There’s no time to mess around like there is in long forms of fiction like novels.

I encourage you to embrace structure as a part of the art and a potential tool for expression and beauty! I can’t tell you how rewarding it is.

*I am aware that this advice does not work for a lot of people, so if it doesn’t work for you that is also perfectly fine! Everyone is different.

[retropopcult]

"Thirteen" is a song by American rock band Big Star.  Rolling Stone describes it "one of rock's most beautiful celebrations of adolescence", and rated it #396 on their list of the 500 greatest songs of all time. It was written by Alex Chilton and Chris Bell.

The name of the album was #1 Record, which was bitterly ironic, as it ended up selling under 10,000 copies upon its initial release in 1972 (the name of the band also proved to be an unfortunate misnomer, because outside of critics and other musicians, they remained virtually anonymous during their brief time together).

Bell and Chilton wanted to emulate the Lennon/McCartney formula as much as they could, so they shared credit on many of their songs even though there was in fact little writing collaboration between the two. “Thirteen" was in fact entirely Chilton’s creation, and he also delivers the aching vocal that vacillates between hope and heartache and that many cover versions have tried to emulate but never quite matched.

The yearning acoustic ballad focuses on an age that is somewhat underrepresented in pop and rock music. Chilton found that bittersweet spot when innocence still lingers but more complicated emotions start to work their way into the picture.

Over tender guitars, he begins with a question that thirteen-year-old boys have been asking thirteen-year-old girls for generations: “Won’t you let me walk you home from school?” “Won’t you let me meet you at the pool?” he follows, again treading lightly so as not to scare her away. He eventually suggests a date at the dance on Friday; “And I’ll take you,” Chilton delicately sings, as if anything more forceful than a gentle plea will destroy his chances.

In the second verse, the narrator for the first time reveals an obstacle blocking the path to this girl for whom he is clearly falling hard: “Won’t you tell your Dad get off my back?” he asks her. His response to the doubting father is brilliant: “Tell him what we said about ‘Paint It Black.’” By drawing a parallel between his own musical tastes and that of the father, he’s hoping to show that he’ s not just some punk kid with bad intentions.

The final verse finds him struggling as she remains seemingly unknowable (“Won’t you tell me what you’re thinking of?”) resulting in his sweet but awkward follow up (“Would you be an outlaw for my love?”) His final lines redeem him in terms of his integrity and honor, even as they suggest that he’ s losing his opportunity with her in the process: “If it’ s no then I can go/ I won’ t make you.” The final “Ooo-hoo” that Chilton utters is a real killer, tinged as it is with the sting of implied refusal.

Over the decades there have been some fine cover versions of this classic, with brilliant and diverse artists like Garbage, Wilco, and Elliott Smith taking their turns, among many others. But they’d likely all agree they were playing for second behind Chilton’s one-of-a-kind, haunting performance. “Thirteen” is as good as it gets for those looking to relive that moment when life is still rife with possibilities but love seems stubbornly impossible.

Music critic Simon Robinson rates it as Big Star's best song and one of the most important of 1972, praising the "catchy melody and jangly guitars that perfectly capture the carefree and optimistic spirit of youth" and the "simple yet poignant" lyrics that evoke the "experience of teenage romance and heartbreak."

[beepfuckingbeeprichie]

Jinx and Caitlyn are officially my favorite parallels this season and I love what the show is doing.

Jinx and Cait simultaneously lost a parent and were then immediately thrusted into a some measure of responsibility— Caitlyn as sheriff, Jinx as a parental figure and almost a partner to Sevika. And despite their upbringings and past history, they pivot to unexpected directions.

Jinx grieves Silco in the River and let’s him go. We’ve only seen Jinx hallucinate once in these three episodes, and it was Silco asking her if she was ready to go. As she exits the river, it intercuts with scenes from last season of her baptism with Silco in the same river. Jinx has finally decided who she is, and without Silco to make her worse (love him, but he did), she almost immediately begins on a path of healing. She rebuilds past relationships by connecting with Sevika, they mutually commiserate Silco’s memory, and then she makes a gift for Sevika as a bid for connection. She even begrudgingly builds a new relationship with Isha, who has basically imprinted on her like a duck.

Cait’s first appearance is being one of the only clear things in the stylized backdrop of her mothers funeral. The scratchy style of some parts are even reminiscent of Jinx’s visual hallucinations. People reach out to Caitlyn, and while she doesn’t necessarily push them away at first, she isn’t communicating effectively. Her and her dad have a brief conversation and she springs the enforcer badge on Vi with no context. By episode three, she’s almost entirely isolated herself from her former support system, told her girlfriend that she’s not “one of the good ones”, and uses the responsibility she’s been given as a weapon.

Caitlyn learns about the air ducts through her mother’s key, which are specifically for directing clean air into Zaun, and immediately weaponizes it. Not sure how long Jinx has known ab them, but she’s actually the one who uses the ducts to direct clean air into Zaun. And she’s the terrorist!!

Caitlyn’s weapons get upgraded to be more brutal, efficient killing machines. We’ve seen Jinx use her gun, obviously, but one of her bombs is simply filled with glitter. Sevika’s arm is decked out to play music, shoot fireworks, even has a punch option, which isn’t very effective if you’re going for the kill. They’re still weapons, but they’re fun, and arguably less dangerous than the hex core and more authentic to Jinx’s personality. Even the paint in clearing out the air ducts is just that- paint. She could have weaponized it, and chose not to.

Even the small things characterize them! Jinx channels her grief into a creative outlet, while Caitlyn searches for catharsis through violence! A good example is when she seeks catharsis by shooting the cardboard figure of jinx at the pop up gun range.

They’re both trying to find final closure through killing someone, they’re being thrust into roles of leadership, they’ve lost a parent, they now both have a complicated relationship with Vi. I’m really excited to see how things develop, as Jinx about to become the symbol of Zaun and Caitlyn has just become a puppet dictator.

[fand0mswithbunny]

this is so different from the other posts i do but fuck it. descendants 4: rise of red review, spoilers ofc, we still boycott disney's ass, pirate this movie like uma and her crew ate the intro of this movie instead of watching this from disney+

keep reading if youve seen it or dont care about spoilers but tldr: if you havent seen it and see this as a spin off movie instead of a 4th installment, i say go watch it. its basically how i feel about the 2024 mean girls movie, im just here for certain characters, dynamics and songs, and a bit of the actual plot, its fun but definitely not for everyone, i liked parts of the movie/plots tho

okay honestly overall, despite the fucking terrible rushed ass ending, i still honestly enjoyed a lot of aspects of this movie.

songs, generally i liked. yeah its all pop-y but yk, none of them were unbearable, i loop red, whats my name (red vers.) and love aint it what about it

the editing was. a choice at times. like it will cut at the most random moments and when red was being transported and fell from that. pipe. thing in the castle it was so. disney channel editing core LIKE OKAY I KNOWW OFC IT IS but grahhhhhHH

the cg was good, direction was. also a choice at times. idk how to explain it but it felt like every scene was being directed like a music video and not like a MOVIE esp the lighting oh my god idk what it is but its so GLOWY AND WEIRDD

the characters themselves, i love the main cast, red, chloe, ella, bridget, etc. were all cool. IM A FIRM RED/CHLOE SHIPPER THEY ARE GIRLFRIENDS IDC and i also liked the dynamic they have with their past moms it was nice

oh yeah i dont mind how they wrote mal, evie, jay, and ben outta the story, i mean they gotta explain their absence yk. and i loved the carlos tribute, you can tell china was genuinely not acting in that tribute scene.

the vks were. okay. i dont mind that literally every villain/princess/disney protag goes to high school. this whole series basically feature length fanfiction anyway, idc personally about that. its weird URSULAS SISTER was the main antagonist. like i get having a completely new villain aside from the vks parents or something but. ursulas. sister??? besides you could tell me shes ursula and ill believe you.

its nice seeing filipino prince charming thats it thats all i gotta say RAHHH PHILIPPINES BABYYY 🔥🔥🔥🔥🔥 MY MANS GOT THAT 'PINO RIZZ OKAYYY

the plot was actually fun, but yeah I WISH WE COULDVE SEEN CASTLECOMING WE WERE ROBBED OF THAT i knew when red and chloe got the book there was like 10 minutes left in the film but cmonn we couldve had Morgie, I DONT KNOW somehow freeing the rest of the vks and them STEALING THE POCKETWATCH AND RED AND CHLOE HAVING TO GET IT BACK, GET ANOTHER 30 MINUTES IN THE FILM MAYBE, ANOTHER ACTION SEQUENCE, CASTLECOMING. but its finee im sure theres a fanfiction in the works somewhere that has that exact premise because thats what fanfic is for babyyyy

imagine. during the dance chloe and red are scrambling to find the watch, they see the vks, they find bridget crying because her best friend isnt there, she thinks ella bailed on her, they have to find the watch but, they gotta make her feel better right? red comforts her while chloe chases after them to find the watch, ella comes to the dance late after deciding, fuck my stepmom, get your hands dirty parallels, something something, the four of them all stopping the vks together, THEN they travel back.

i should just write a fix it fic for this movie at this point damnn i impressed myself

but yeah the ending does leave a lot of plot holes, if bridget didnt change from the past WHO DID, if Red even CONSIDERED a VK in this timeline? if not then WHO IS IT?? IS IT CHLOE?? its hella rushed, its ass, but i guess we'll find out in the 5th movie ig

also i thought they were totally setting it up for Ella to be the one that humiliated Bridget in the past, like the "I saw through her" in Love Ain't It we NEVER GOT ANY CLOSURE FROM THAT WHAT HAPPENED?? sighhh its okay its fine

i see this movie as a spin off movie rather than a 4th installment of the universe because it pretty much is, like its basically its OWN universe with the lack of the og cast and new characters. i unofficially coin it as the "Descendants: Redverse" because it just makes more sense

so many questions, mainly WHY, but yeah, still liked it, would rewatch. certain. parts of it. but honestly? a 7/10. leaning towards a 7.5

is this a recommendation? not sure, depending on who you are you could totally love this film or hate it, i say give it a chance and completely ignore the busted ass ending <3

anyways KENDRICKKK FANFIC WRITERSSSSSS- DROP SOME MORE CHARMINGHEARTS FANFICS/D4 FIX IT FICSSS. AND MY LIFE, IS YOURRSSSS

[mahuhumaling]

JATP Season 2 Wishlist

that i wrote in my notes app back in:

and realized i never posted it here? tbf i'm rarely on tumblr. but because i really miss them rn i want to share my ✨ brainrot ✨ that i had back when i thought they were getting a renewal.

Carrie Wilson

she was my biggest flaw in Season 1. I wish her "redemption arc" is fleshed out more in Season 2; give her either more context & backstory to validate her reason for unnecessarily antagonizing Julie, or screentime to properly address how she's just projecting an emotion completely different into bitterness and anger into Julie's recovery

show particularly her earlier dynamic w/ Flynn and Julie? Maybe as Flynn calls her out, we'd get flashback glimpses prior to Rose's death (maybe even Double Trouble temporarily being Triple Threat 👉🏽👈🏽)

for some reason i'm picturing a scene where she's in her dance studio (she has one in their mansion, of course) practicing some of her Dirty Candy routine when she keeps messing up and not in the right mindset to keep dancing. i feel like the best (maybe easiest but whatever) way to guide the audience into her artist mind is to make her be a perfectionist. in frustration, she blows up for a minute before slumping onto the ground and reminisces her fun times with Julie & Flynn

also when you have her develop, please don't make her lose her femininity and the bubblegum pop music, it's great

Old Songs Resurfacing

it'll prove how detailed & thorough you are as a screenwriter if you pay off the songs mentioned in Season 1 in passing to be actual songs in Season 2

Unreleased: Get Lost, Long Weekend, Crooked Teeth, My Name is Luke, and if that riff from the scene in EP. 5 that spurred on the Bobby reveal isn't from one of these songs, add that too

Demo Album: Late Last Night, Lakeside Reflection, In Your Starlight

Willex

imagine your queer couple gets to have their first kiss first than your het main couple, not only will that settle Madi & Charlie's statements about being uncomfortable in doing a kissing scene and maintaining the priority of Juke's emotional over physical relationship, it would also make an powerful statement

Reggie's Character Arc

i know that he initially had an arc that involved a romance with Flynn but because of the ages of who they casted, they scrapped it and didn't have time to rewrite the scripts for him as filming neared, so they have time to adapt to how jeremy portrayed him for season 2: a lovable dork who craves familial love

since there's a possibility that lifers can now see the boys, maybe some found family trope for Reggie and Ray Molina?

he has pretty much formed a parasocial relationship with him at this point

so why not instead of a love interest, Reggie can have his character arc develop & we see his family before thru flashbacks and paralleling those in the current times because he sees Ray as a father figure

picture this: it's raining, Bobby opens the garage door to the sound of knocking, the boys find Reggie soaking wet and out of breath when he tries to say he doesn't know where else to go then the boys immediately figure out another fight in the Peters household happened. Reggie tries to talk again when Alex (because even though they're the airhead-sarcastic duo, they know they love each other) runs up to hug him and tells the other he doesn't have to say anything

cut to a freshly showered Reggie, quietly watching tv with Bobby, Luke, and Alex in the garage, eating whatever

also a solo acoustic country song, pls. just to make him happy

The Aftermath of the Deaths

for both the boys and Rose

we get parallels about how Bobby dealt with trauma and grief to Julie

like, the reason why the clothes are still in there (are to have costume changes for the boys) is because Bobby immediately moved out of the house (therefore also the garage) and left the clothes there because he couldn't bear to burn it, or visit the boys' houses to break the news to their families and return the clothes, or donate it somewhere so he just...left it. it would make for a more solid reason (for costume changes) and an emotional context as to how Bobby really tried to forget them because it was "easier."

it would also make sense why Carrie and Julie ended up friends. Rose probably was there for Bobby when they discovered what happened at the alleyway, so they stayed friends over the years and had their respective families but still kept in touch, (bonus points if absolutely nothing romantic happened between them! yay to normalizing platonic male-female relationships) and why Rose would immediately think of Bobby's three late bandmates to send for Julie when she was on her deathbed

Bobby never really "moved on" (because grief is a really complex thing). it's showed that he has a therapist and everything, and this could definitely have some aftereffects on his daughter. Carrie growing up seeing her father be this amazing rockstar but a negligent father and only showing love in ways she doesn't need (like riches and fame and connections to the music industry) because he's actually a really lonely man on the inside and no one can see that except for Bobby's spouse and Carrie. it'd explain why Carrie is spoiled, and other negative character traits that Carrie has on the surface

it's even why Bobby changed his name to Trevor: 1) Bobby is so closely associated to Sunset Curve and it's an absolute pain to be reminded of that every day, 2) it's a stage name and artists really do get that

More Worldbuilding

they already had some pretty creative concepts/ideas in the first season, so why not expand/expound on them a bit more

the instruments are attached to their souls that's why the boys at first can only touch them, like how Willie's skateboard and helmet are attached to him

which is why when they attach themselves to the world of the present, they gather up energy and focus on touching tangible things like the picture frame

this may follow the logic toward the end where they are finally able to touch Julie because she has become attached to their souls. emotionally.

More Creative Collaboration

i believe in the principle that when a story is finally released/published/told to the world, the world shares it. this is also visible in film/tv where when the scripts are finished and actors receive them, the story becomes part of theirs to work on. which means that they have some sort of autonomy over their characters' motivations, a chance to be heard of their ideas and pitches, and why some certain scenes wouldn't work, etc etc. it doesn't just become the director's story nor the screenwriters'.

the actors' ideas such as Perfect Harmony and their solos from Nothing to Lose are great because they let them in. they took risks, and it paid off incredibly well. more of that please. have them be a part of the writing process, (also the story), but never forget what made the music production great in the first place. be coherent and don't be like others that let too many hands work on one piece—it will lose its sound, its identity.

Julie Knowing

that Nick is possessed by Caleb. ohmygOD. hear me out.

the same S1 ending will play somewhere in 2x01, but it will be revealed that Julie was watching through the window the entire time and when she opens the door to receive the flowers, that last look she gives him is actually her scheming.

determined to get Nick back, imagine The Promised Neverland's level of mindgames Julie could play with Caleb because we already know our girl's smart

Free Willie Willie's Freedom

since the boys feel indebted to Willie's help, they insist on helping him too with getting rid of Caleb's stamp

maybe through his connection with Alex? or maybe Willie's family or friends who are still lifers (which is unlikely but either way). he needs to be saved !!

Song Sequences Ideas

juke counter melody duet like Rini's "Even When/The Best Part," Shane & Mitchie's "Wouldn't Change a Thing," or dodie & Jon Cozart's "a love song/a non love song"

emotional carrie ballad paired with lyrical hiphop choreo

willex song - i absolutely have no idea where this could go directionally but maybe alex on an acoustic guitar with a really soft sweet tune

reprises of S1 songs but in the complete opposite of their original style (the fandom's lonelier All Eyes on Me version, i see u)

nick guitar solo - just because Sacha actually plays, idk how it'd fit in to the plot yet but hey

Nothing to Lose (Reprise) - back in the '90s, a producer manipulates Bobby to sign a record deal to become a star but on one condition: disassociate himself with Sunset Curve, to which he first declines until he slowly gets persuaded. (sort of like Todrick Hall's So Lucky to Be You meets Lyn Lapid's Producer Man)

"So how about it, Bobby Shaw? Do we have a deal?"

"Trevor."

"I'm sorry?"

"Call me Trevor Wilson."

i'm pretty sure someone made an animatic with this idea too but i cannot for the life of me find it !!

7. Season 2 starts the same way as Season 1 does before the opening song plays

Black screen that reads a text "Hollywood 1995"

a pan down to the Orpheum's overhead sign that reads "SUNSET CURVE SOLD OUT"

cut to the interior with Rose finishing up her cleaning when a stage manager calls out: "Sunset Curve!" to which Bobby abruptly stops his pacing back and forth to look up. he and Rose look at each other. music swells until...

cut to him running onto the alleyway, "are they still not finished eating? those gluttons are dead to me i swear—" he cuts off his own words when he sees the boys getting dragged onto stretchers. but we, the audience, don't see it. just a close up of bobby as the ambulance lights reflects his face. rose comes up behind him, still clutching their t-shirt.

[i honestly have no idea if Bobby should get on stage because it just proves Luke's theory of The Orpheum's opening bands eventually becoming big & successful so it'll explain the Trevor Wilson fame even though at first he only did it for the boys, or if he shouldn't because according to the article Julie googled he ran away immediately after they were pronounced in the scene] but either way, this is how the opening starts.

then it progresses to Rose and Bobby respectively having children so they could parallel each other blah blah

8. Julie plays a simple song on the piano while the guys watch her in awe

Storytelling through Props

let's dive deep into Rose's luggage/suitcase and use the props to head for Julie's emotional attachment with them

they already did it with the wardrobe: Rose wears the black leather vest in the pilot while Julie wears the same thing in EP 6

add depth to the characters' relationships like us finding out Julie's multilayered necklace is actually a gift from Carrie or something

SOYON ANN YOU'RE A GIFT FROM GOD. Bobby's necklace is present in both young and old!him

**Rose in flashback scenes should be wearing clothes we've already seen Julie in Season 1 just for greater effect.

The Bobby Conflict

definitely needs to be brought up again by Season 2; they only discarded somewhere in the middle because more pressing matters like the boys' existence blipping away was pushed to the forefront of the story

however, The Bobby Conflict changes. it'll be cleared up that he was offered a record deal as a solo artist by a manipulative producer. and given that the poor boy is only 17 (too, maybe), he agrees. what he doesn't know is the contract's fine print: giving up Sunset Curve's royalties

that information clears it up to the audience and the band, so the conflict becomes this: Bobby's Survivor's Guilt. god wouldn't that be so good tackling that in a kids'/family show.

[dropthedemiurge]

Love for Love's Sake | Things You Didn't Notice #9

(okay it's not an episode number this time i just still have many details to point out oops pls let me go)

I swear. I thought I'd stop mentioning small details because I already wrote like 10 posts on Tumblr translating and explaining all the cultural stuff regarding this show and the obsession is already becoming embarrassing, but I rewatched the last episodes again and I've got tiny. Little. Details. That I can't help but point people to once again. Because damn, the amount of thought put into this show!

(trigger warning: first part talks about suicide and depression, next ones are linguistic and cultural)

The Black Suit & The Sea

I would've asked Koreans I know about the significance of such symbolism but they are celebrating Seollal (New Year) today and I don't wanna ruin the festive mood asking about "how would people dress for suicide" x)

But after watching this scene, I recognized some strong parallels in Korean media depicting depression, suicide and one's decision to end their life. One of it is bridges and jumping (if you don't know what Bridge of Life is, ask me and I'll share, so this post wouldn't become too long) but another one is sea.

My interpretation - Koreans wear black suits to funerals, so if someone is headed to the sea in a black suit, it might mean this is the character's attempt to "have" their own funeral before finally ending their life. Why do I think this combination is somehow significant?

Because I remembered a music video one of K-pop artists I like (Kim Hanbin) made, after he experienced the downfall of career, extreme hate and rejection from the public, and severe depression. His whole album Waterfall tells Hanbin's personal story, dark thoughts and his battle to survive during the time when he was gone for 2 years, but in the music video for this album (illa illa) he is seen emerging from the sea in a black suit – metaphorically regaining his music and, most importantly, desire to live. Watch with lyrics!

If we think, this is how you depict suicidal thoughts/attempt in Korean media (of course, Love for Love's Sake was even more blunt in telling us the meaning), then Myungha wearing black suit wasn't just for the pretty or dramatic picture. More than that, we see him wearing the black suit for the whole last evening – especially when he goes to finally meet his mother.

Which tells us Myungha has already decided to disappear from this world, and was determined to do it on that day, and his mother rejecting him and pretending she doesn't know her son might not have been just the last straw... but it definitely could've been Myungha's last attempt to find anything in his life worth staying for, worth not going through with his plan.

Anyway, what a scary but beautiful symbolism.

Let's talk about something happier! More heartwarming!

Do you remember when we talked about the carefully placed movie posters in previous episodes? I payed more attention to the background this time when in Episode 8 Yeowoon ran to the cinema searching for Myungha in his world. And what an amazing discovery! When Myungha starts existing again and calls Yeowoon, the movie poster behind Yeowoon says "Guardian" (보호자).

And I already said in another post that Myungha in previous episodes admitted himself being Yeowoon's "guardian, protector" in the exact same word. But now this word is shown next to Yeowoon! As Yeowoon is the one who changed the main mission and has now declared himself Myungha's guardian and protector and will do his best to make him (his favourite pereson/bias/blorbo) happy. They have now both become guardians for each other. This. Goddamn. Show.

And I also want to shout out the VFX & Production team for this show – all the visual effects are very down to earth, gentle and not over the top but enhancing the series to the max. Like, maybe you wondered where on the screen does it say "Monday, August 14" and "Saturday, August 12"? Well, as expected, you see it on four monitor screens above the box office – the date, the ongoing movies (yep, still our favourite two fake movies) and available dates etc.

But when Yeowoon and Myungha agree to meet each other in the exact system time, they are facing each other without a barrier, and the screens are now counting down the time until the Game End. Instead of normally showing movies, like in the previous shot, it says "Time remaining: 3 hours, 23 minutes, 15 seconds". It was either done with VFX or practically, but still, the thought of incorporating system messages into the actual background is insane and I'm always happy to discover such details.

I don't know how many of you have motivational stairs at your schools, we definitely didn't have this but it's quite a popular thing in Korea. They put popular and uplifting sayings for students on each stair, sometimes they even quote motivational phrases from idols, like this:

And it's interesting that when system gets broken and Myungha is about to disappear, we see the deep cracks coming through the stairs, we see ruined school BUT at the same time the quotes in the show are so obviously in our focus. And they are already written (see screenshots above) in Korean and English, but I'll still write down: one is saying "Stay hungry, stay foolish" and "If you dream it, you can do it, you will succeed". So, perhaps... motivational quotes from sunbae?

And the last moment isn't heavy on translation but I still want to talk about it because cool Korean culture!xD You see the gang grilling meat on the roof (it's called samgyeopsal and it's very popular to have for gatherings), and then Myungha makes a "ssam" and feeds it to Yeowoon – but Sangwon steals it.

Ssam is a wrap, you grill meat then put it on the salad leaf, add other ingredients (like mushrooms, sauces, garlic, green onions etc, there are many side dishes) and then you wrap it in this sort of salad sack and eat it. It's very tasty and unusual combination. But the thing is! There is no way to make it for someone else and leave it on their plate so if you make a ssam wrap for someone and want to give it to a person, you literally have to feed them (like Myungha does with a very fond smile). This is why it's often seen as a romantic gesture (aka feeding someone from your fork etc) and why it's hilarious that Sangwon steals this ssam from Yeowoon (because he wants and he gets Myungha's affection and he's not above being a brat about it!)

I'm sure you can already sense it anyway without me telling you about romantic/close-friend implications, but I thought you guys might wonder why are the guys fighting over the salad leaf.

Another funny thing – Sangwon mentions "There's a saying, 'Don't scold dogs while they eat'". This is a Korean proverb "밥 먹을 때는 개도 안 때린다" ("You don't hit even a dog when it eats") which means that, no matter how annoying you find someone, no matter how angry you are, you can't scold this person while they are eating. Eating is a very important cultural thing in Asia, of course, so do not have arguments at the dinner :D But it's funny how Sangwon uses old proverbs to be mischievous and steal Myungha's love without consequences xD I adore him

I swear, this gotta be my last post about all the details in Love for Love's Sake. There is one more scene with the mirror and a caption, and I'm very curious if it means something because it was seen twice, during system breaking down scene as well, but it's either in Chinese or Japanese and I can't read it.

Anyway! Hope you enjoyed your everyday magazine, I love reading all your tags and thoughts and comments, and if you want to read all my previous translations and pointed out cultural details in Love for Love's Sake, go read this tag!=)

[nikonladyz4]

Is it JK’s eye in the Screen? / Is WHO LGBTQ Coded?

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A post shared by 지국🖤🤍국민 (@jikookitaly)

So Fake Love by BTS was about love that was destined but ended up being fake. I think WHO is a similar concept.

Jimin is singing about Who is the Love has his heart, but has yet to find her. However, with all the hints, clues and symbolism of the LGTBQ community, I believe he is saying society, fans etc,. expect him to find a woman, but he has already found the love of his life in JK. He gives a subtle nod with the billboard screen that fell that showed his eyes. Also the phrase Keep Going on the screen coupled with the led screen for JK’s Coming Soon for Cinema has similarities. Is there a correlation?

OT7 and vmin say the eyes are Tae. But there is no mole. I think they are JK and Jimin has subtly done what he and JK wanted to do; show they are in love, they are partners, they are each other’s ride and die!

They enlisted together and they vacation together. They mentioned GCFT and they talk about we will see the real JM and JK. Will it be bro-code? Yes, but their chemistry and togetherness will come through!

Love these two and Jimin has a brilliant album that talks about being in love.

**************

After watching the video multiple times and reading analysis with others, I have come up with more clues. I left this comment on a post on some site.

If you go back and watch the video, it appears most of it is in a dream state or parallel world. At the very beginning you actually hear all the sounds the ambient sounds such as the car driving by, car horns, people walking. Then he starts singing and all the ambient sounds go away. There are mechanics working in the background and you don’t hear any of that. They are ignoring all the dancers. Then the next sound you hear is the billboard dropping with JK’s eye (Tae has a mole under his eye). Then back to this alternate/parallel world with no ambient noise. There are glitches in the video, you have fake tornado’s and fireworks that you don’t hear. Cars turning over. No sound. Then after his last verse, who is my heart waiting for, he is walking and you hear all the ambient noise again. His footsteps, the cars, sirens. Back to reality. He is walking that red line that JK walked in Standing Next to You. I believe he is singing about what society expects of him regarding a relationship. Being with a girl. However, the whole promo and album is lgbtq coded. All the other songs are love songs as if he is already in love with someone. Jimin through his music, paintings, photo books has been telling us he supports and/or is part of the community. Many believe JM and JK have been in a relationship for years. There are plenty of clues from the promo as well. Muse is about what inspired Jimin to find love. He clearly sings about it. He co-wrote all the songs except WHO. He told the writer what he wanted to convey. Jimin and JK are doing as much as they can get away with confirming who they are and what they mean to each other. In the song Who, he never identifies a women who has his heart. He walks away. This song is so coded, but for those who don’t want to see or can’t see, the song fits his pop persona where people of all genders love his songs and can relate. No different than Ricky Martin, George Micheal singing to and about women. But we all know they eventually came out. Yet, they would still sing love songs between men and women. Sam Smith and Troy Sivoan went the route of singing about gay love  As we know, both JK and JM love them both, especially Troy.

[liauditore]

the brainrot has been hitting extra hard of late. so lyric-posting hours it is 👍

cw + lyrics under the cut!

// You praised me by saying “You’re crazy.” Thank you, I’ll do my best // From today you'll be the air I breathe, your breath is everything in me // If with one click, and I can reset everything, I want to be your favorite next // I’m yours now and forever but do you even like me deep inside? Guess I, guess I’ve been lied to this whole_ damn_ time //

// So (..) burn me at the stake and make me out to be an evil villain. Painting my sins, it's totally fine. // After all, it has never been my fault! My innocence is proven by the verdict that you chose. // Come gather ‘round, we’re slicing her open. A burning sort of passion suddenly woken. “How stupid” I sigh, your stubbornness claims my mind. The answers I’ve yet to find. // I’m so sick of love love, love. I have had enough.

The After Pain lyrics are taken from this amazing cover while the It's Not My Fault lyrics are from this other amazing cover. Everything else is linked :D

Milgram is about murder so the music videos depict that pretty frequently, sometimes more explicitly and sometimes symbolically depending on how many theorists they want to make angry. Also it's co-created by DECO*27 so themes of suicide/self harm and toxic relationships also tend to pop up 👍

so basically haruka's a very messed up person so desperate for any kind of love he can get no matter how the other party treats him But is also incredibly unhinged, possibly dangerous and muu is a manipulative brat whose instinct is to berate and use those around her because she's scared of being hurt. they are best friends and awful for eachother.

are you seeing the parallels im seeing.

I rambled a bit more abt the lyrics here and here if anyone's curious.

poses/expressions are ref'd from haruka and muu's trial 2 teasers! I LOVE these smug ass looks so much.

[telomeke]

Get to Know Me Tag :)

I was tagged by @lamonnaie at this post here. Thanks for tagging me! 😍 It was such fun to read your responses; now here are mine. 🥰

do you make your bed?

Never ever. I'm pretty messy, and if I don't watch my hoarding tendencies I will morph into the worst pack rat. But I like a bit of clutter around me; I think it helps my creative side since my output (whether at work, or writing on Tumblr) is always tidy and tidied up to a fault, which can stifle creativity (at least that's what I tell myself! 🤣).

what's your favourite number?

Don't have one. However (even though I like to think I'm not superstitious) if I can I'll try to avoid the number 13 and anything with 4 in it...

what is your job?

Not gonna get too specific, but my work involves design, project management and construction.

if you could go back to school, would you?

I was too stressed out at school to want to repeat the experience. But I wouldn't mind a bit of time travel back to advise my younger self not to take things so seriously! 🤣

can you parallel park?

Yes. Not well, but the car will be fully in the lot eventually. 👍

a job you had that would surprise people?

Some minor modeling jobs when I was younger. Hush! I don't like to talk about it. 🤫 You wouldn't think it to look at me now (me 🤝 Ricky Gervais 😂).

do you think aliens are real?

There are too many planets out there for our little blue marble to be the only habitable one, so yes I do think there are aliens out there. I just don't think we've been visited by them yet though! (Aylin doesn't count. 🤩)

can you drive a manual car?

Yes. Mom taught me how to drive in one... until the day I jammed on the accelerator when she said "Step on it" and I almost up-ended us into a ditch. Then I was sent to driving school instead. 🤣

what's your guilty pleasure?

Ooh. It's this bad boy here:

Sadly I've been over-indulging, so chocolate is now banned from the house for the foreseeable future. I'm still lusting after it though. Other guilty pleasures: I do like a good nightcap, so any (gluten grain-free) alcohol makes me light up – cognac, cabernet, sherry, sake, port... (But I don't always know my limits, so this is now banned too.) And a steamin', stonkin', trashy BL every now and then (bonus if there's a nice muscley actor for me to get all googly-eyed over – shoutout Gap Jakarin!). 😁🥰

tattoos?

I like art and have fanboyed over beautiful tattoos before – but I'm put off by the permanence of them, so I have none myself. Don't like the idea of not being able to change them much once they're inked in, because I will always be wanting to change things up if I were to get one. And no, even for looking at I prefer an uninked bod over an inked one. It takes a lot of work to get a body in shape, and I can't understand someone wanting to cover up the results of their hard work at the gym. 🤷‍♂️

favorite color?

A deep, rich blue most of the time. But when the mood hits, I like a bright, bold red too.

favorite type of music?

My tastes are a bit eclectic, leaning lighter and not challenging. Anything with a strong melodic line will get me hooked. Bonus points if the lyrics can come together with the melody to tell a story, and elevate it even more. So – pop mostly, but I also like R&B, soul, light jazz and the odd heartfelt country ballad or foot-stomper (go Queen Bey! 😍). Also like things with a nostalgic bent (I melt at Karen Carpenter, Seals & Croft, and England Dan & John Ford Coley). And then throw in a couple of show tunes in there for good measure! My YouTube playlist is all over the place – Sheila Majid, New Country, Renaissance, Nunew, Miley Cyrus, Streisand, Li'l Nas X, Ayumu Imazu, The Carpenters, Clean Bandit, so many others, all side-by-side.

do you like puzzles?

I love them, especially word and logic puzzles. I'm always shouting over Pat and Vanna. 🤣

any phobias?

Oddly, not the usual suspects, but I'm a bit phobic about birds. They're just creepy up close, even though I find them fascinating and beautiful with a bit of distance. While the bog-standard creepy-crawlies don't bother me one bit – I'm the one always getting called in to whack the roaches and chase away rodents. I dream of getting a cobalt blue tarantula as a pet (but that's not going to happen for various reasons, alas).

favorite childhood sport?

I wasn't that sporty growing up (classic bookworm) but I did enjoy a bit of soccer when I got to play. But I guess my favorite was probably swimming, though I didn't compete.

do you talk to yourself?

All the time. There's a nonstop monologue going on in my head and I've been known to startle people by accidentally voicing that conversation out loud. So I've learnt not to do it around others. 🤣 And no I'm not hearing disembodied voices; it's just me keeping myself company (plus I find it helps me focus my thoughts).

what movies do you adore?

My all-time favorite: Cinema Paradiso; it really pulls unabashedly at the heartstrings, but then again I'm a sentimental fool and love it all the more for that. That's also why I like Love Actually, especially the scene where the repressed Jamie (Colin Firth) travels to Portugal in order to confess his feelings to Aurélia (Lúcia Moniz), having realized he loves her despite the language barrier, and doggedly learnt Portuguese just to make his declaration – and then he finds out that she, lovelorn and bereft, learnt English just in case ("just in cases") he came back. 💖 And my second favorite is from the other end of the spectrum, actually quite a bit before my time as well: Hello Dolly! 😆 Don't judge... A couple of songs in there are really amazing – Love is Only Love and Just Leave Everything to Me especially (which are not in the stage version) are mindblowingly good. The former is almost pithy in its bare-boned purity, all about looking at love without sentimentality while reprising themes heard earlier on in the musical; the latter has the among the cleverest lyrics set to music I've ever heard:

Streisand is in fine fettle portraying a campier, more youthful incarnation of Dolly. Such a shame it was not better received. The costumes are spectacular too.

coffee or tea?

Coffee (or rather the caffeine it contains) is my drug of choice, and I drink buckets of it. But I like a good cuppa when I'm feeling nostalgic and/or sentimental, because tea is what I drank a lot of growing up – at my gran's there would be a perpetually-replenished, giant kettle of dark, bitterish Oolong on the sideboard for whenever you felt like some (which was often), while at home there was always a big pot of tea on the table in the morning, that would then be set to chill in the refrigerator after breakfast. I would always have an ice-cold milk tea with the papers when I got home from school, and it was my favorite daily ritual.

first thing you wanted to be growing up?

A paleontologist – like a lot of kids I loved dinosaurs, and I can still rattle off the names of the more well-known ones (including every one in Jurassic Park 👀). But that got pushed aside for more practical considerations later. Still wish I'd explored my second childhood ambition more though, which was to be a writer/journalist. Maybe that's why I like posting so much on Tumblr! 😍

Onward tagging (too many people as usual, but no pressure to play if you don't want to or can't 🥰): @hughungrybear, @relativelydimensional, @neuroticbookworm, @wen-kexing-apologist, @waitmyturtles, @airenyah, @twig-tea, @solitaryandwandering, @recentadultburnout, @lurkingshan, @grapejuicegay,@bengiyo, @urikawa-miyuki, @pickletrip, @suni-san, @kattahj, @dimplesandfierceeyes, @7nessasaryevils, @imminentinertia, @befuddledcinnamonroll, @pandasmagorica, @nihilisticcondensedmilk,@shortpplfedup, @rokklagio, @thegalwhorants, @brazilian-whalien52, @callipigio, @respectthepetty, @corettaroosa, @colourme-feral, @virtualtadpole, @aroceu, @belladonna-and-the-sweetpeas, @delesaria-blog, @dribs-and-drabbles, @inventedfangirling, @jiirotu, @visualtaehyun @happypotato48,@akawrites000, @kleopatras-cat, @dc-alves, @toschistation, @lovelyghostv

I've been tagged by others in various tag games over the past few weeks but have been too busy with work to be able to play. 😭 Not gonna post half-assed replies if I can help it, but then I'm always beset by dread thinking people might assume I'm ignoring them for whatever silly reason. But I just haven't had the time until now.

If you've tagged me and I've not responded, please know that I really wanted to but I just kept getting sidetracked by urgent deadlines. (In fact, my drafts folder is full of half-written tag game responses that are too far beyond their use-by date to ever see the light of day. 😮) So to any and all who see this, please accept my apology for not replying to your tags and invites, and if you'd like to play along with this one even if I haven't tagged you directly (and you have the time for it) – please do so! I'd love to read your responses! 😍