#love birds 2011

[eddie-redcliffe]

[youmagnificentbeast]

Rhys Darby petting a shelduck, for reasons (✿◡‿◡)

[sleepystede]

I finally watched Love Birds and idk how I didn't know what a stan for Queen/Freddie Mercury that Rhys' character is???

Queen was the first band I ever superfanned for and Freddie was my first celebrity crush. I'm a huge bird guy and Rhys Darby is the light of my life so this movie ticked a lot of boxes. It’s not my fav by any means, but it was a fun and silly thing.

Anyway, this Letterboxd review is everything:

Celebrating Rhys Darby's special birthday today, here's few promotional still from Love Birds (2011)

[untitledgoosegay]

re last reblog I do see fanfic culture pushing/replicating a certain model of "what trauma looks like," "how trauma works"

this is a problem across all areas of society obviously, but transformative works are, well, transformative. they're about crafting and modifying narratives where the fan-creator sees a flaw or a lack -- often for the better! don't get me wrong, I've done my fair share of "I take a hammer and I fix the canon," it's the main thing that gets my creative gears spinning -- but what happens when that "flaw" is simply a narrative not conforming to popular expectations?

some people just don't get PTSD from events that sound obviously traumatic. they're not masking, and they're not coping; they just straight-up didn't get the permanently-locked stress-response that defines PTSD. they walk away from a horrible experience going "well, that sucked, but it's over now." some people do get PTSD from events most people wouldn't find traumatic. we don't really know why some people get PTSD and others don't. but fandom has an idea of events that must be traumatizing, of a "correct" way to portray trauma. you see the problems with this lack of understanding in e.g. fans pressuring the devs of Baldur's Gate 3 to add dialogue where the player character badgers Halsin about his own feelings on his abuse -- because he must be traumatized, and his trauma must fit a certain mold and presentation of sexual trauma, under the mistaken impression that anything outside that narrow window is somehow "wrong" and disrespectful or even harmful to survivors.

take, for another example, the very common trope of a traumatized character who hates touch or sex "learning" to like touch or sex as a part of their healing process. certainly that can be healing for some people; other people will never like, or want, touch or sex, because of trauma or because they just don't. the assumption that someone who doesn't want sex or doesn't like to be touched must be traumatized, must be suffering from this perceived lack, is seriously harmful -- to asexual people, to people with sensory issues around touch, and to people for whom healing from trauma means freedom to refuse sex or touch.

and there's a secondary trope, one that's slightly more thoughtful but ultimately repeats the problem -- that once someone has learned that their boundaries will be respected, they'll feel it's safe to soften those boundaries. once they feel safe refusing touch or sex, they'll feel comfortable allowing it on their own terms. but many people don't, and many people won't! many people will simply never want to be touched, and never want sex, and they are not suffering or broken or lacking because of it. the idea that proving you'll respect someone's boundaries entitles you to test those boundaries -- the paradox is obvious, and yet this is something i've seen hurt (re-traumatize) people i care for.

people are imperfect victims. people don't heal in the ways you expect. many people have positive memories of their abuse, of their abusers. many people hurt others in the course of their trauma, in ways that can't easily be unpacked in a 5k oneshot. very few narratives of trauma and recovery actually fit the ones put forward by popular children's media and romance novels -- which are the ones I most see replicated in fandom spaces, because they provide the clearest narrative and easiest catharsis, and so they're easy and soothing to reach for.

that's not necessarily a bad thing! i am not immune to goopy romance tropes. i am not immune to teary catharsis. not every fic has to grapple with ugly realities. but there's a problem when these narratives become predominant, when people think they're accurate and realistic depictions of trauma, when the truth of trauma is unpleasant and uncomfortable, and doesn't fit any single narrative, let alone one of comforting catharsis

[average-gay-walrus]

List of Beetlejuice things I own because I've just realized how insane(autistic) it is

-Beetlebear (Beetlejuice Build-A-Bear)

-Sandworm plush

-Beetlejuice cartoon T-shirt

-Beetlejuice movie T-shirt

-Beetlejuice musical hoodie

-Sandworm sweatshirt

-Beetlejuice loungefly backpack

-Beetlejuice Funko pop

-Beetlejuice Funko pop keychain

-Adam/Barbara/Handbook for the Recently Deceased spirt Halloween keychain (which is on the Beetlejuice loungefly backpack)

-Beetlejuice piggy bank (not a big but idk what else to call it)

-Beetlejuice musical bag

-Five Beetlejuice musical playbills

-Beetlejuice Christmas ornament

-Beetlejuice Halloween costume (which I still wear as normal clothes)

-Handmade Beetlejuice bracelet (that I'm matching with my mom with >:33)

-Beetlejuice gloves

-Beetlejuice beanie

-"Never Trust The Living" pin

-Beetlejuice patch

-Beetlejuice tin of candy (blue raspberry flavored >:3)

[kame56u]

more human nico/pedro doodles :3

[suns-diary]

cant stop thinking about #them actually

[eddie-redcliffe]

The Birds in Lovebirds (2011)

[niti-who]

Unfortunately I haven't seen him in that many roles yet but here is my choice (actually I like them all :) )

Rhys himself. Whether in stand ups or in Cryptic Factor or in interviews. He's such a silly lovable nerd and I love him so much for it.

Stede Bonnet in Our Flag means Death. It was thanks to this series that I first got to know and love him. ^^

Doug in Love Birds. I like romantic comedies and he was just brilliant and adorable in it. (And he looked damn hot. xD) <3 <3 <3

Casper from Relax in from the Future. He's such a bad time traveler that he's just getting good again. ^^

Anton in What we do in the Shadows. No specific comment I just like him as the alpha werewolf. ^^

Steve Rutherford in Wrecked. I've seen the first season so far but I liked it straight away. ^^

Guy Mann in X-Files. I have to admit I saw the episode, but I didn't really know Rhys back then. But I thought he was brilliant even back then and this episode is one of my favorite X Files episodes.

Update:

Nigel Billingsley from Jumanji: Welcome to the Jungle and Jumanji: Next Level. Even though he only had a short screen scene time, I liked the NPC immediately. <3

@ whoever sees this, who are your top 10 favourite Rhys Darby characters and why?

[ladespeinada]

it’s really rude to me personally that carlinhos brown’s “ararinha” isn’t on spotify because it should come right after jamie foxx’s “fly love” as the perfect song pairing. they’re the same composition but not the same song in this essay i will

[hyacinth--girl]

WAIT did Ryan Reynolds and Blake Lively meet on the green lantern??? Did that trainwreck of a movie create one of the best celebrity couples in the game?????

[hrrtshape]

　　 THE ROLES IN MY FAME DR. . .

quiet, quiet !!! centre stage, lights dimmed, audience hushed. my fame dr is essentially me winning the metaphorical acting olympics while everyone else is still lacing up their shoes. it’s, like, a line-up of roles so iconic, so overpowered, it’s like i’m thanos snapping my way through hollywood history. i wanted the cookie, and i baked the whole bakery.

here’s the rundown.....each role is a slice of cinematic perfection, OKAY, served with a side of "how does she do it? why does she do it?? how many oscars do you need??" energy.

　꒰ 2002. . . ' PONETTE ' as ponette. — picture a four-year-old (shut up) absolutely devastating audiences, grappling with grief and holding onto the wisp of hope that her mom might waltz back from the afterlife. tiny me..... heartbreaking. oscar-worthy. a pint-sized tour de force !!!

　꒰ 2006. . . ' LITTLE MISS SUNSHINE ' as olive. — quirky underdog vibes. a beauty pageant dreamer dragged through chaos on a family road trip. big glasses, bigger heart. adorable chaos incarnate.

　꒰ 2007. . . ' LÉON: THE PROFESSIONAL ' as mathilda. — street-smart, sharp-tongued, and navigating grief and revenge. turned “child assassin vibes” into a genre.... unlikely bond with a hitman? groundbreaking.

　꒰ 2008. . . ' ATONEMENT ' as briony tallis. — precocious young writer turned accidental chaos agent. one little misunderstanding, and boom !! tragedy for everyone. the literary girls wept.

　꒰ 2009. . . ' TRUE GRIT ' as mattie ross. — fearless teen avenger with a rifle and a vengeance. sharp-tongued, sharp-shooting. unstoppable.

　꒰ 2011. . . ' LOLITA ' as lolita /// dolores haze. — a beguiling and precocious girl cloaked in innocence but steeped in rebellion, a mix of youthful charm and intoxicating danger. made everyone very uncomfortable because it wasn't directed by a pervert but instead an actual person who understood the book !!

　꒰ 2012. . . ' MOONRISE KINGDOM ' as suzy. — whimsical runaway girl with a suitcase full of records and big dreams, embarking on an adventurous and heartfelt runaway journey with her first love.

　꒰ 2013. . . ' BLACK SWAN ' as nina sayers. — the drama. the descent into madness on the basis of perfection. a ballerina teetering on the edge of perfection and chaos.

　꒰ 2014. . . ' THE GRAND BUDAPEST HOTEL ' as agatha. — the sweet baker who saves the day in a pastel-hued, heist-filled fever dream. you could say i was the cinnamon roll that held the plot together.

　꒰ 2015. . . ' CINDERELLA ' as cinderella. — glass slippers, big dreams, unapologetic faith in the universe. cottagecore princess moment.

　꒰ 2017. . . ' LADY BIRD ' as christine "lady bird" mcpherson. — high school angst meets big-city dreams. small-town girl, big personality, fiercely independent. greta gerwig girlies cheered.

　꒰ 2019. . . ' ROMEO AND JULIET ' (dir. sofia coppola) as juliet. — tragic romance, youthful rebellion, a modernised shakespearean masterpiece. the english teachers are obsessed.

　꒰ 2019. . . ' ONCE UPON A TIME IN HOLLYWOOD ' as sharon tate. — an enchanting actress and rising star, embodying the golden glow of hollywood’s bygone era with grace and optimism.

　꒰ 2019. . . ' LITTLE WOMEN ' as amy march. — ambitious, artistic, unapologetically confident. justice for amy achieved!!!

　꒰ 2019. . . ' STRANGE COLOURS ' (dir. david lynch) as naste. — struggling sculptor in post-war 1950s paris, whose pursuit of success leads her to morally complex decisions in a crime and punishment-inspired tale.

　꒰ 2020. . . ' THE QUEEN'S GAMBIT ' as beth harmon. — a brilliant yet troubled chess prodigy navigating personal demons, ambition, and addiction while conquering a male-dominated world.

　꒰ 2021. . . ' THE FRENCH DISPATCH ' as juliette. — a cynical and enigmatic character in a whimsical anthology capturing the spirit of journalism and artistic eccentricity.

　꒰  2021 . . . ' PROFIL PERDU ' as josée. — a woman caught in a crumbling marriage, drawn into a web of intrigue and liberation when a wealthy magnate offers her a new life filled with possibilities.

　꒰ 2021 & 2023. . . ' SUCCESSION ' as lukas matsson's complicated girlfriend. — it’s giving chaos. it’s giving scandal. the girl who walked into the roy / mattson power vortex and made it just a tad messier.

　꒰ 2022 & 2025. . . ' SEVERANCE ' as helly r. — kafkaesque corporate dystopia, dual personalities, fighting against the machine. the drama of it all.

　꒰ 2022. . . ' X ' as maxine. — it’s sexy, it’s terrifying, it’s iconic. a daring and ambitious young woman pursuing fame in the adult film industry while navigating fear and survival in a horror setting.

　꒰ 2022. . . ' PEARL ' as pearl. — a dreamer turned unhinged by isolation and frustration, whose violent tendencies emerge as her craving for stardom spirals into tragedy.

　꒰ 2023. . . ' POOR THINGS ' as bella baxter. — a curious and eccentric woman reborn into a surreal world, exploring life with uninhibited wonder and self-discovery. an eccentric frankenstein moment.

　꒰ 2023. . . ' THE HUNGER GAMES: THE BALLAD OF SONGBIRDS & SNAKES ' as livia cardew. — capitol decadence personified. the symbol of privilege and mean-spirituality. as well as coriolanus snow's future wife.

　꒰ 2024. . . ' MAXXXINE ' as maxine. — a raw and determined character fighting to make her mark in a world that feeds on fame, continuing her saga in the x-pearl trilogy.

　꒰ 2025. . . ' FRANKENSTEIN ' as the bride. — a haunting and tragic figure, torn due to her her husband's newest project.

that oscar is practically monogrammed with my soul. engraved, embossed, bedazzled in my honour. if possession is nine-tenths of the law, that golden man is legally, spiritually, and cosmically mine. you ever look at something and just know?? that’s me with oscar excellence. signed, sealed, delivered. twice for emphasis.

also....dividers not mine !!!!!

[cinsnaiiil]

Let's be honest..

He would be a mixture of these 2.. He would be both of them at the same time.

DON'T LIE DON'T LIE TO ME- DON'T ACT LIKE YOU CAN'T SEE IT STOP LOOKING AT ME-

GET OUT OF MY HEADD- GET OUT OFMY HEAD!!!!!!!! AAAAAAAAAAAA

thinking about bird boombox..

[nataliedecorsair]

In contrast to the gloomy and mysterious world of Heather, Pticenoga and Vaughn’s AU is pretty cheerful and full of nonsense. This is the world of Borderlands, and therefore it is reckless, sometimes dark, but nevertheless very alive. The tone of the art with them, respectively, differs from the tone of the art with Heather. And, since this is an AU (means alternative universe), some moments from the canonical Borderlands were changed. For example, the third Borderlands game and everything related to it doesn’t exist here. Also I should remind you that Pticenoga is my OC way from 2011 and she had nothing to do with the game originally, and I created the Borderlands AU for her several years later.

In this universe, Pticenoga (or Hedwig, or Yadwiga - that's her name; Pticenoga is more like a nickname) is a "messed up" siren who, even before her birth, was influenced by natural Eridium, and as a result her "siren power" went out of control. Normal sirens sometimes have "magical wings" - Hedwig was born straight up looking like a bird, with all the accompanying pros and cons. Shade, her adoptive father, found it pretty amusing and liked it a lot, but most of the other people weren’t that impressed. And, given the fact that the closest bird to her would be a vulture, her behavior did not contribute to her popularity in society. But time passed, she grew up - and Hedwig learned to more or less control her siren powers and she could transform into an ordinary woman. But in this form she loses all the advantages of Pticenoga: she cannot fly, loses her strength and endurance, loses resistance to fire damage, and so on. But she can merge with the crowd now, if it’s necessary. All in all, Hedwig is a woman with a bit of bells and whistles... After all, this is the world of Borderlands. For example,  she can smear herself with rotten corpses to use the stench as a weapon. Or  in the heat of a battle, she can bite off an enemy's finger, devour it, and ask for more. But in a sense, this craziness is partially the reason why her relationship with Vaughn was developed.

A portion of passion, a portion of humor and a pinch of trash with raw meat - it’s pretty much the recipe for the pairing between Pticenoga and Vaughn. He is a former corporate accountant learning to survive on the wild planet of Pandora; she is a bit of a deranged, "wild" siren, ready to protect her loved ones and punch enemies in the face (not always successful, but nonetheless). After arriving on Pandora, Vaughn discovered his love for crazy stuff  and was happy to occasionally let loose his suppressed aggressive side - and Pticenoga is happy to help him with this. But sometimes she is also happy to "calm down" and feel normal, and Vaughn doesn't mind showing her that side of life. Of course, their shenanigans do not always end well, and the "loser" side of Vaughn didn't go anywhere, just like Hedwig's instability. But they are ready to support each other, no matter what. Even if this support sometimes takes strange forms (for example, Vaughn can gather corpses for her if necessary...). Or, as a bonus, Pticenoga can sometimes troll Vaughn a little. But he does not mind; he answers her the same way… when he can. --- Also, I was messing around with GBA sims thing and you can see the result in the end xD --- Almost all interactions are based on me & my husband’s shenanigans The engagement ring was also Borderlands themed

[hell0-gh0st]

Movies for the girls who wants to fell something ♡₊⁺

(check the TW )

- The Virgin suicides (1999)

- White oleander (2002)

- Black Swan (2010)

- Girl interrupted (1999)

- Drop dead gorgeous (1999)

- Dirty girls (2000)

- Bones and all (2022)

- Gone girl (2014)

- Thirteen (2003)

- Jennyfer's body (2009)

- American beauty (1999)

- Carrie (1976)

- The loved ones (2009)

- Tragedy girls (2017)

- American Mary (2012)

- Welcolme to the dollhouse (1995)

- The substance (2024)

- Ghostland (2018)

- Valley of dolls (1967)

- Lady bird (2017)

- I,Tonya (2017)

- Hereditary (2018)

- Candy (2006)

- Requiem for a dream (2000)

- Priscilla (2023)

- Pearl (2022)

- Mysterious skin (2004)

- Buffalo 66 (1998)

- Donnie darko (2001)

- Midsommar (2019)

- Possession (1981)

- Palo alto (2013)

- Kids (1995)

- Christiane f (1981)

- Raw (2016)

- May (2002)

- Heather (1988)

- Ginger Snaps (2000)

- Tamara (the horror one, 2005)

- All Cheerleader die (2013)

- Saint Maud (2019)

- Stoker (2013)

- Orphan (2009)

- Heavenly creature (1994)

- Suspiria (1977 & 2018)

- The red shoes (1948)

- Repulsion (1965)

- Prozac nation (2001)

- Clockwork orange (1972)

- Fight club (1999)

- Leon (1994)

- Lolita (1962 & 1997)

- Noce blanche (1989)

- Lost in translation (2003)

- My Beautiful boy (2018)

- I believe in unicorns (2014)

- The Florida project (2017)

- The lovely bones (2009)

- Ripe (1996)

- Marie Antoinette (2006)

- Mustang (2015)

- Miss violence (2013)

- Daisies (1966)

- Ghost world (2001)

- Fantastic mr fox (2009)

- Juno (2007)

- Lilya 4 ever (2002)

- Gia (1998)

- The perfume (2006)

- To the bone (2017)

- Joker (2019)

- The perks of being a wallflower (2012)

- The crush (1993)

- Fishbowl (2020)

- Down in the valley (2005)

- Brokeback mountain (2005)

- Mother! (2017)

- Dancer in the dark (2000)

- Speak (2004)

- Sharing the Secret (2000)

- Amélie (2001)

- Tart (2001)

- Eternal sunshine of the spotless mind (2004)

- All the bright places (2020)

- Little miss sunshine (2006)

- As you are (2016)

- Dead poets society (1989)

- My girl (1991)

- Aftersun (2022)

- 5 feet apart (2019)

- Little women (2019)

- The pianist (2002)

- Where the crawdads sing (2022)

- La la land (2016)

- The glass castle (2017)

- 500 days of summer (2009)

- Uptown girls (2003)

- Call me by your name (2017)

- V for Vendetta (2005)

- The pictures of Dorian Gray (2009, The book is so much better)

- Waves (2019)

- Manchester by the sea (2016)

- A silent voice (2016)

- Death in Venice (1971)

- Valerie and her week of wonders (1970)

- Pretty baby (1977)

- Fat girl (2001)

- Twin peaks (1992)

- No is yes (1997)

- My best friend's exorcism (2022)

- Eyes without face (1960)

- Hanna (2011)

- Sick of myself (2022)

- Look away (2018)

- Young adult matters (2021)

- Angel egg (1985)

- Persepolis (2007)

- Brick (2005)

- Come and see (1985)

- Disco pigs (2001)

- Only Lovers Left Alive (2013)

- Heavenly creatures (1994)

- Humanist vampire seeking consenting suicidal person (2023)

[lacrimosathedark]

I need the comic book fanfic writers to be made very aware of something:

Roy Harper is the only one to EVER call Jason Todd "Jaybird".

This isn't a family name that he picked up on, or that Roy made and the family has adopted. Roy is literally the only person to call him that. Dick doesn't, Babs doesn't, Bruce doesn't, nobody but Roy does.

The others call him Jay sometimes, in old comics Jace was said a few times (which I actually like and wish people would use literally at all). Bruce has said "Jay, lad" like once and fandom adopted him calling Jason "Jaylad" but that's not horribly egregious so I tolerate it. Dick occasionally calls Jason "little wing". That's about it.

Jaybird is very specifically a Roy Harper thing.

(Honestly yall better appreciate me actually looking back in RHATO 2011 because BOY do I hate this comic. It's not only poorly written, but in my opinion, ugly as fucking sin and I need to burn my retinas now)

That is the first instance of Jason ever being called "Jaybird", and it becomes a lowkey running gag that Roy calls him that and Jason "hates" it.

And then we get this post Heroes In Crisis

This whole thing may have been poorly written because, again, Scott Lobdell sucks, but the intent is to evoke intimacy to make Roy's death hurt. Jason is supposed to have just lost his best friend and was told by Bruce Wayne whose last appearance in his life was beating the shit out of him and, oh yeah, who saved Jason? Roy Fucking Harper.

In addition to the fact that Roy only left Jason to get help for himself. He was supposed to be in rehab/therapy, somewhere safe, and he fucking died because of handwavy Speedforce shenanigans or whatever it's been retconned to now because nobody liked Heroes in Crisis. Roy was supposed to be getting better and he died ostensibly in an accident. Like if that's not the worst fucking bullshit--

This scene of Jason calling himself by what he deems a stupid nickname would mean jack shit if everyone and their goddamn cat called him "Jaybird". But it being a Roy-specific thing makes this scene distinctly about Jason being vulnerable and actively grieving. It's such a cliche trope, and a real coping mechanism, to call a deceased loved one's phone just to hear their voice in their inbox message again. He probably has no thoughts that Roy will ever hear it so this is just for him, but he's letting himself accept this dumb nickname Roy gave him now because it was Roy that gave it to him and Roy is fucking dead.

Like, in fairness it probably frustrates me more because I ship the two and parallel it with Oliver calling Dinah "pretty bird", but like...even as just a cheeky friend nickname, nothing romantic behind it, having everyone else call Jason that feels wrong. Especially his family who he still has so many issues with and, like it or not, he's closer to Roy than literally any of the Bats at this point.

This isn't the only time I've seen the fandom do this (this being giving nicknames between characters that just don't exist); Jason calling Tim "replacement" is absolutely rampant in the fandom and I hate that too because he never calls Tim that, and refers to him as such like once. I have a whole list of actual nicknames and insults these motherfuckers call each other somewhere, but maybe another time.

In short

STOP HAVING EVERYONE CALL HIM JAYBIRD.

Thank you and have a nice day. <3