#lots of modern authors don't

[chaos-of-the-abyss]

someone saying idril is "cold" because she "never tried to understand maeglin despite him being in love with her"... free the silmarillion women from the fandom's misogyny

[fictionadventurer]

I have a germ of a theory that good Christian fiction has stories that are less about shaving down your personality to meet some specific mold of what a good Christian looks like, and more about "how gloriously different are all the saints."

Not that the Christian life doesn't involve fighting against our own sinful nature and conforming ourselves to Christ-like behavior, but I think it makes for better, more realistic, and more universal stories when you also recognize that people have different gifts and flaws and they're going to be called to use their unique personalities to serve the kingdom of God in their own unique way, instead of assuming everyone has to conform themselves to a very specific (often secular-culturally based) image of good behavior. It makes for a much more vibrant story.

[bayetea]

seeing non-black people critique rick's portrayal of black characters is interesting sometimes. only like 30% of the critiques I see make any sense to me to be honest

[prolibytherium]

In general agreement that we need less media about Greek mythology, but its disproportionate popularity does have side benefits of keeping the absolute dogshit feminist/queer mythology retellings in a containment zone

[synchodai]

My post about "girlboss eugenics" has reached 10k+ notes, and while i understand i can't control how people take a post once it's escaped containment and will ultimately interpret it to fit their personal blog and tastes, i can't help but resent that a good chunk of reblogs have completely ignored that i was complaining about the trope promoting eugenics. Instead, it's been read to be about chosen one narratives in general which oftentimes aren't about eugenics at all.

Just to be clear, chosen one narratives are not inherently eugenicist! ATLA is a chosen one narrative and explicitly anti-eugenics. The main character being special because she's secretly related to a special person is not eugenics! The Last Skywalker is not eugenicist and its core message that Rey can reject her Palpatine side and choose to be a Skywalker actively goes against bioessentialism. Eugenics isn't when a character is born special because of blood ties, genetic inheritance, or just being magically chosen.

Eugenics is actively breeding people to promote "desireable" traits and neutering, disenfranchising, or even just outright killing those with "undesireable" traits so they won't "pollute" the gene pool. Eugenics is the numerous amount of times I've heard someone casually saying "dumb people shouldn't breed." Eugenics is using genetic disability and illness as a narrative shorthand to convey that a character is twisted and evil, and that the kindest fate for such a "wretched creature" is death. Eugenics is a character saying she never wants to have children so she won't pass on her curse, dwarfism, or whatever else it is to her offspring and being lauded by the story for making the right, selfless choice. Eugenics is calculating how much percent race X character is compared to Y character and using them being more Valyrian/Illyrian/whatever race to justify why X is the better ruler instead of Y.

I get that some people are tired of biological and divine determinism and just want to see characters reject that and carve out their own path, but chosen one and secret princess tropes by themselves are hardly as deleterious as what I noticed in the recently published books I read that have this obsession with breeding. It's English royal family fanatic level of obsession over maintaining the continuation of a bloodline and calculating who's even distantly related to who to justify who gets to receive fame and wealth for basically just existing. It's glorifying a woman's womb and her pregnancy as something absolutely necessary for the continuation of a good and civil society. THAT is what I find absolutely horrific in what's supposed to be my escapist, meant to empower women readers, fantasy fiction.

[leadendeath]

a friendly edit: 1. make sure you have read the whole post before coming to conclusions or spreading this, 2. have read my tag where i say and i quote "im not any kind of authority i'm just some guy and an unintelligent one at that. do NOT listen to me in a serious way". i'm not going to turn off reblogs over my own fear of being misunderstood, but i did not want this post- which is just my pretty meaningless commentary for personal amusement- to gain any traction nor attention. i am a very unimportant bystander in this situation. thanks! ok on to the original post

i had to go to bed during the live event happening but i'm not surprised to see the twitter remains compromised currently. i did see that some chad from our side wrangled the FA url out of the grasp of opps tho

im not sure if this is true/how much involvement they had but it looks like nullbulgegroup did the taking-back (which is not completed yet, site and twitter are still compromised </3) or at least a lot of it

i am seeing a LOT of these from the hacked FA >:3

heheheh schadenfreude

had the tabs open from when i was watching it last night, i love to see a pretty quick fighting back and i gotta admit it's entertaining to watch a hack happen in real time, that's never happened to me before in my long time on the internet

and this is where we're at... hoping for the best now!

don't go to FA, though your information is secure, apparently.

VERY GOOD SUMMARY HERE

[jingerpi]

Hi, I'm sorry to bother you and I'm not sure if this is the kind of question that you normally get, but I am very new to socialism and was introduced to it by my older sister who's a Marxist Leninist Maoist. My understanding of it mostly comes from her explanations but I've also read some works (not really theory, 'The Great Towns' by Engles for example). To me, from what I know, it seems a much better system than capitalism and I generally agree with what my sister's told me about it and what I've seen online from accounts like yours. I would like to read more but I'm not sure where to begin. I am also disabled and one of the ways it affects me is that I get quite severe mental fatigue and so can't concentrate on texts for a large period of time. Do you recommend any 'entry' texts for beginners that teach how to use the tools of analysis? How did you first get into Marxism and what reading would you recommend? I'm hesitant to buy any modern interpretations of it because I'm not sure which sources are genuine or which are imperialist interpretations of it. I'm sorry if this sounds strange; I'm not sure how to phrase it.

Thank you anyway and I hope you have a wonderful day!

hi hi! Firstly, this isn't a bother and this type of question is lovely

Secondly, I got into marxism when I left my family's religion and began digging into scientific worldviews. I made some friends who had similar experiences and many of them were varying flavors of leftist, I eventually started digging into theory proper and it really resonated with me in a way liberal political science never has.

third, as for recommendations, here are a few! Principles of Communism - Engels This work is very beginner friendly. Its a Q&A about communism from Marx and Engels time. Its useful because of the information it contains, but its also a helpful introduction to the language that a lot of theorists use. its not long and you can read a given question and corresponding answer at whatever pace you want. Theres around 20 questions with only a handful of sentences each, so its not bad at all in my experience.

Where Do Correct Ideas Come from? - Mao This one is extremely short, only really one paragraph. You can skip it if you'd like, but if you find theory hard to get into this one can be a helpful primer for the epistemology (theory of knowledge) that most marxist works use.

For a more in-depth, but still short look into Marxist philosophy, I can recommend Dialectical and Historical Materialism by Stalin. This work is my go-to for the topic. It is a bit denser than the above works but it is a very rewarding study. I've read it many times and developped my understanding further each time, so don't worry if it doesn't click Immediately, this isn't fiction so it will take some time to digest, thats normal. Two works which pair well with the above are On Practice and On Contradiction, both by Mao. The first gets into the relationship between knowledge and practice, it elaborates on Where Do Correct Ideas Come from, and also offers some helpful guides for how to change things. The second is a good compain to Dialectical and Historical Materialism, elaborating on it by another author, A lot of people prefer Mao's writing style, so you can gain another perspective on Dialectics. If you're up for trying a book, a good introduction to the politics of Marxism is State and Revolution by Lenin. This work answers most of the common questions about revolutionary marxism, its positions on the state and where that differs from other ideologies. Its split up into chapters and sections within each chapter, so you can take it at your own pace. It took me a long time from first picking up this work to finishing it, so don't worry if you need to take it slow

I would also highly recommend supplimenting theory with other activities. It sounds like you're already participating in those to some degree, so thats wonderful, but just to clarify: Finding discussion groups and communities which talk about marxism is extremely valuable. Whether its a book club or just some friends to discuss with - Marxism is a communal ideology and it is best underestood socially, so discuss with others as much as you can. If nothing else, feel free to send me asks about the above works (or anything else, really)

There are also plenty of other forms of media which are helpful for study, there are several youtubers you can find who discuss marxism, two I find particularly helpful and rarely discussed are Halim Alrah for raw theory breakdowns in regular words (please do check out his channel), and Kay and Skittles, for media breakdowns which apply marxist analysis to media to gain a better understanding of both.

I hope these are helpful! I've laid them out somewhat in order but the important part is to just pick one that sounds interesting and start. I find I often start several works of theory before finding one to finish - don't think of it as a bad thing if you do the same - reading one work of theory often gives you the knowledge you need to underestand another better, so even if you struggle to tackle something particular and move on elsewhere, you're still growing your knowledge base and that will make understanding it easier in the future when you do eventually try again.

Thank you for the ask <3

[silverwhittlingknife]

superboy: the man of tomorrow 1 spoilers

(it's just one panel but below the cut just in case)

memory identification: go!

[themoonking]

not to shit on decade old ffn fics but in being nostalgic i've noticed there are a lot of young justice x dcau crossovers from when yj seasons 1-2 were airing that seem like they were written by someone who has never seen a dcau show. like, they're explicitly said by the author to be the dcau. not just any generic justice league, but the dcau (sometimes even specifying around what episode / season!), but there's stuff that directly contradicts dcau canon.

like, the flash will be barry allen, despite the fact that in the dcau the flash is wally west. nine times out of ten, there's some kind of exchange about batman not having a robin and rejecting the idea that he would ever take on a protege, despite the fact that by the jl animated series, dcau batman has two robins and a batgirl. if zatanna is involved, the jl usually says that they don't know her / she doesn't exist, and sometimes this is even said by batman and its like.. bruce! yes you do know her!! you've known her for years!

like i love the concept, i wish there were more dcau x yj crossovers, especially with a s1 yj team (or a yj team a year or so after s1), but a lot of the ones that exist feel like the author watched all of young justice (at the time) but only like. season one of justice league.

[random-bean-allie]

Do you have an ao3 author that you really hate? A fic you wish would just disappear?

Fear not, with our "Allie's bad luck" service your dreams can now become reality!! 💖✨

We only need a title! Allie will take a look at the unfinished fic, think "oh wow, sounds amazing!", bookmark it.. and the fic will never be updated again.

Not. Even. Once.

[starfieldcanvas]

yes!!! as an exr shipper myself, can we please stop giving other people's plotlines to grantaire. if the two of them ever managed to get together it would be so, so much messier and less rational than any of those options

it’s so so funny silly. “grantaire is a working class person who inspires enjolras through new perspectives” so close, that is feuilly. “grantaire is enjolras’s intellectual equal who has complicated and conviction-informed feelings about revolutionary violence and his articulations of these feelings round out and supplement enjolras’s perspective” so close, that is combeferre. “If grantaire had joined in the fighting he would have been super awesome at it and earned enjolras’s respect and admiration” so close‼️‼️ that is MARIUS!!

[prokopetz]

Folks act like "maybe the author isn't the final authority about what their work means" is some wanky post-modern nonsense and not a simple recognition that a lot of authors are perfectly prepared to bullshit about their own work. Like, leaving big-name popular media aside, I have personally encountered authors being actively disingenuous about their own work for all of the following reasons:

A true answer wouldn't fit the image they've cultivated.

They've decided they like the explanation the readers/viewers have come up with better than what they actually had in mind.

Something that was originally intended as a standalone work ended up growing into a franchise or series, and now they're pretending that was the plan all along for some reason.

They don't want to admit that the bit you're asking about is genuinely just a plot hole.

The real answer gets into some shit they don't care to discuss, so they've prepared a cover story to explain away the parts they don't want to talk about.

Their politics have changed since they wrote it, but they don't want to acknowledge that, so they're constantly trying to re-interpret everything they've ever written to be perfectly consistent with whatever their positions are this week.

They wrote it decades ago and they honestly don't remember what they were thinking at the time, so they're just making shit up; sometimes they also don't remember what shit they made up the last time, so the answer is different every time they're asked.

The work in question is at least partly autobiographical and they can't tell the truth without confessing to a crime in the process.

Most of the good bits are plagiarised and they don't really understand it themselves.

They're lying to you on purpose, for evil reasons.

[autistichalsin]

In retrospect, four years later, I feel like the Isabel Fall incident was just the biggest ignored cautionary tale modern fandom spaces have ever had. Yes, it wasn't limited to fandom, it was also a professional author/booktok type argument, but it had a lot of crossover.

Stop me if you've heard this one before: a writer, whether fan or pro, publishes a work. If one were to judge a book by its cover, something we are all taught in Kindergarten shouldn't happen but has a way of occurring regardless, one might find that there was something that seemed deeply problematic about this work. Maybe the title or summary alluded to something Wrong happening, or maybe the tags indicated there was problematic kinks or relationships. And that meant the story was Bad. So, a group of people takes to the Twittersphere to inform everyone who will listen why the work, and therefore the author, are Bad. The author, receiving an avalanche of abuse and harassment, deactivates their account, and checks into a mental health facility for monitoring for suicidal ideation. They never return to their writing space, and the harassers get a slap on the wrist (if that- usually they get praise and high-fives all around) and start waiting for their next victim to transgress.

Sounds awful familiar, doesn't it?

Isabel Fall's case, though, was even more extreme for many reasons. See, she made the terrible mistake of using a transphobic meme as the genesis to actually explore issues of gender identity.

More specifically, she used the phrase "I sexually identify as an attack helicopter" to examine how marginalized identities, when they become more accepted, become nothing more than a tool for the military-industrial complex to rebrand itself as a more personable and inclusive atrocity; a chance to pursue praise for bombing brown children while being progressive, because queer people, too, can help blow up brown children now! It also contained an examination of identity and how queerness is intrinsic to a person, etc.

But... well, if harassers ever bothered to read the things they critique, we wouldn't be here, would we? So instead, they called Isabel a transphobic monster for the title alone, even starting a misinformation campaign to claim she was, in fact, a cis male nazi using a fake identity to psyop the queer community.

A few days later, after days of horrific abuse and harassment, Isabel requested that Clarkesworld magazine pull the story. She checked in to a psych ward with suicidal thoughts. That wasn't all, though; the harassment was so bad that she was forced to out herself as trans to defend against the claims.

Only... we know this type of person, the fandom harassers, don't we? You know where this is going. Outing herself did nothing to stop the harassment. No one was willing to read the book, much less examine how her sexuality and gender might have influenced her when writing it.

So some time later, Isabel deleted her social media. She is still alive, but "Isabel Fall" is not- because the harassment was so bad that Isabel detransitioned/closeted herself, too traumatized to continue living her authentic life.

Supposed trans allies were so outraged at a fictional portrayal of transness, written by a trans woman, that they harassed a real life trans woman into detransitioning.

It's heartbreakingly familiar, isn't it? Many of us in fandom communities have been in Isabel's shoes, even if the outcome wasn't so extreme (or in some cases, when it truly was). Most especially, many of us, as marginalized writers speaking from our own experiences in some way, have found that others did not enjoy our framework for examining these things, and hurt us, members of those identities, in defense of "the community" as a nebulous undefined entity.

There's a quote that was posted in a news writeup about the whole saga that was published a year after the fact. The quote is:

The delineation between paranoid and reparative readings originated in 1995, with influential critic Eve Kosofsky Sedgwick. A paranoid reading focuses on what’s wrong or problematic about a work of art. A reparative reading seeks out what might be nourishing or healing in a work of art, even if the work is flawed. Importantly, a reparative reading also tends to consider what might be nourishing or healing in a work of art for someone who isn’t the reader. This kind of nuance gets completely worn away on Twitter, home of paranoid readings. “[You might tweet], ‘Well, they didn’t discuss X, Y, or Z, so that’s bad!’ Or, ‘They didn’t’ — in this case — ‘discuss transness in a way that felt like what I feel about transness, therefore it is bad.’ That flattens everything into this very individual, very hostile way of reading,” Mandelo says. “Part of reparative reading is trying to think about how a story cannot do everything. Nothing can do everything. If you’re reading every text, fiction, or criticism looking for it to tick a bunch of boxes — like if it represents X, Y, and Z appropriately to my definitions of appropriate, and if it’s missing any of those things, it’s not good — you’re not really seeing the close focus that it has on something else.”

A paranoid reading describes perfectly what fandom culture has become in the modern times. It is why "proship", once simply a word for common sense "don't engage with what you don't like, and don't harass people who create it either" philosophies, has become the boogeyman of fandom, a bad and dangerous word. The days of reparative readings, where you would look for things you enjoyed, are all but dead. Fiction is rarely a chance to feel joy; it's an excuse to get angry, to vitriolically attack those different from oneself while surrounded with those who are the same as oneself. It's an excuse to form in-groups and out-groups that must necessarily be in a constant state of conflict, lest it come across like This side is accepting That side's faults. In other words, fandom has become the exact sort of space as the nonfandom spaces it used to seek to define itself against.

It's not about joy. It's not about resonance with plot or characters. It's about hate. It's about finding fault. If they can't find any in the story, they will, rest assured, create it by instigating fan wars- dividing fandom into factions and mercilessly attacking the other.

And that's if they even went so far as to read the work they're critiquing. The ones they don't bother to read, as you saw above, fare even worse. If an AO3 writer tagged an abuser/victim ship, it's bad, it's fetishism, even if the story is about how the victim escapes. If a trans writer uses the title "I Sexually Identify as an Attack Helicopter" to find a framework to dissect rainbow-washing the military-industrial complex, it's unforgivable. It's a cesspool of kneejerk reactions, moralizing discomfort, treating good/evil as dichotomous categories that can never be escaped, and using that complex as an excuse to heap harassment on people who "deserve it." Because once you are Bad, there is no action against you that is too Bad for you to deserve.

Isabel Fall's story follows this so step-by-step that it's like a textbook case study on modern fandom behavior.

Isabel Fall wrote a short story with an inflammatory title, with a genesis in transphobic mockery, in the hopes of turning it into a genuine treatise on the intersection of gender and sexuality and the military-industrial complex. But because audiences are unprepared for the idea of inflammatory rhetoric as a tool to force discomfort to then force deeper introspection... they zeroed in on the discomfort. "I Sexually Identify as an Attack Helicopter"- the title phrase, not the work- made them uncomfortable. We no longer teach people how to handle discomfort; we live in a world of euphemism and glossing over, a world where people can't even type out the words "kill" and rape", instead substituting "unalive" and "grape." We don't deal with uncomfortable feelings anymore; we censor them, we transform them, we sanitize them. When you are unable to process discomfort, when you are never given self-soothing tools, your only possible conclusion is that anything Uncomfortable must be Bad, and the creator must either be censored too, or attacked into conformity so that you never again experience the horrors of being Uncomfortable.

So the masses took to Twitter, outraged. They were Uncomfortable, and that de facto meant that they had been Wronged. Because the content was related to trans identity issues, that became the accusation; it was transphobic, inherently. It couldn't be a critique of bigger and more fluid systems than gender identity alone; it was a slight against trans people. And no amount of explanations would change their minds now, because they had already been aggrieved and made to feel Uncomfortable.

Isabel Fall was now a Bad Person, and we all know what fandom spaces do to Bad People. Bad People, because they are Bad, will always be deserving of suicide bait and namecalling and threatening. Once a person is Bad, there is no way to ever become Good again. Not by refuting the accusations (because the accusations are now self-evident facts; "there is a callout thread against them" is its own tautological proof that wrongdoing has happened regardless of the veracity of the claims in the callout) and not by apologizing and changing, because if you apologize and admit you did the Bad thing, you are still Bad, and no matter what you do in future, you were once Bad and that needs to be brought up every time you are mentioned. If you are bad, you can NEVER be more than what you were at your worst (in their definition) moment. Your are now ontologically evil, and there is no action taken against you that can be immoral.

So Isabel was doomed, naturally. It didn't matter that she outed herself to explain that she personally had lived the experience of a trans woman and could speak with authority on the atrocity of rainbow-washing the military industrial complex as a proaganda tool to capture progressives. None of it mattered. She had written a work with an Uncomfortable phrase for a title, the readers were Uncomfortable, and someone had to pay for it.

And that's the key; pay for it. Punishment. Revenge. It's never about correcting behavior. Restorative justice is not in this group's vocabulary. You will, incidentally, never find one of these folks have a stance against the death penalty; if you did Bad as a verb, you are Bad as an intrinsic, inescapable adjective, and what can you do to incorrigible people but kill them to save the Normal people? This is the same principle, on a smaller scale, that underscores their fandom activities; if a Bad fan writes Bad fiction, they are a Bad person, and their fandom persona needs to die to save Normal fans the pain of feeling Uncomfortable.

And that's what happened to Isabel Fall. The person who wrote the short story is very much alive, but the pseudonym of Isabel Fall, the identity, the lived experiences coming together in concert with imagination to form a speculative work to critique deeply problematic sociopolitical structures? That is dead. Isabel Fall will never write again, even if by some miracle the person who once used the name does. Even if she ever decides to restart her transition, she will be permanently scarred by this experience, and will never again be able to share her experience with us as a way to grow our own empathy and challenge our understanding of the world. In spirit, but not body, fandom spaces murdered Isabel Fall.

And that's... fandom, anymore. That's just what is done, routinely and without question, to Bad people. Good people are Good, so they don't make mistakes, and they never go too far when dealing with Bad people. And Bad people, well, they should have thought before they did something Bad which made them Bad people.

Isabel Fall's harassment happened in early 2020, before quarantine started, but it was in so many ways a final chance for fandom to hit the breaks. A chance for fandom to think collectively about what it wanted to be, who it wanted to be for and how it wanted to do it. And fandom looked at this and said, "more, please." It continues to harass marginalized people, especially fans of color and queen fans, into suffering mental breakdowns. With gusto.

Any ideas of reparative reading is dead. Fandom runs solely on paranoid readings. And so too is restorative justice gone for fandom transgressions, real or imagined. It is now solely about punitive, vigilante justice. It's a concerted campaign to make sure oddballs conform or die (in spirit, but sometimes even physically given how often mentally ill individuals are pushed into committing suicide).

It's a deeply toxic environment and I'm sad to say that Isabel Fall's story was, in retrospect, a sort of event horizon for the fandom. The gravitational pull of these harassment campaigns is entirely too strong now and there is no escaping it. I'm sorry, I hate to say something so bleak, but thinking the last few days about the state of fandom (not just my current one but also others I watch from the outside), I just don't think we can ever go back to peaceful "for joy" engagement, not when so many people are determined to use it as an outlet for lateral aggression against other people.

[lesmana-enterprise-ltd]

The Winsbury Manor, Historical Residence in Ravenwood (NO CC)

Winsbury Manor is a grand Tudor-style estate built in 1490, nestled in the heart of Whispering Glen, Ravenwood. Steeped in history, this manor boasts intricate architectural details, lush landscaped gardens, and an aura of timeless elegance. With its meticulously preserved features and rich legacy, Winsbury Manor offers a rare glimpse into the opulent lifestyle of a bygone era, blending heritage with enduring charm.

Winsbury Manor stands as a testament to centuries of power and conflict. Established on land claimed by the Kingdom of Henford after their decisive victory in the Battle of Whispering Glen in 1485, the manor was completed in 1490 under the command of Lord Governor Winsbury I. Serving as Henford's seat of authority over the Kingdom of Ravenwood, it remained a symbol of dominance until the tragic Siege of Winsbury in 1532, where Dutchess Annelise Winsbury, the last resident, perished at a young age of 17, marking the fall of Henford's control. Left abandoned for decades, the estate was revived in 1609 by the Ravensworth family, who meticulously restored and modernized it through the centuries. In 2020, the Lesmana Enterprise acquired the manor, ushering in a new chapter for this storied estate, blending historical preservation with modern innovation.

Your Very own Retreat

Awaits at Winsbury Manor, nestled in the heart of Ravenwood's enchanting Whispering Glen. This historic estate offers timeless elegance, expansive grounds, and modern touches, creating the perfect harmony of luxury and heritage.

Isolated from the Main Road

A Tennis Court That Functions

A Chapel and Mausoleum

A Lush Manicured Backyard

Stables for Your Horses

A Lively Pond

Living Room (Former throne hall)

Dining and Kitchen

Lounges, Activity Rooms and Reading Rooms

Two Spacious Bedrooms

Packs Required

Download (Place Tray File)

SFS: Download Here

Don't forget to like, comment, and reblog! your feedbacks and comments means a lot to us.

Sul Sul!, The Lesmana Enterprise Co., Ltd.

[sunderwight]

Modern AU where Shen Yuan accidentally sugar-daddies everyone.

So for the purposes of this, Shen Yuan's family is basically $10 Bananas levels of cluelessly rich. Shen Yuan has almost never had to look at the prices of anything he wants. He and his siblings all get an allowance from the family's main account, which increases when they reach adulthood, and in the interest of fairness his parents made it all the same size. So Shen Yuan gets the same amount of money for his daily living expenses as his older brothers with their penthouse apartments and vacation homes and private jets, at least from the family account (since he doesn't work, he doesn't actually make as much as them in total because they earn more on top of their allowances).

And the thing is, Shen Yuan genuinely just lives a lot more humbly. He likes people but what would he do with a vacation house? Anything really nice would probably require him to fly to get out there, and he gets sick as hell on planes. Living in the central city is also not great for him, because the air pollution is so bad. Having a whole house to himself would also be ridiculous. So he has a reasonable apartment, in a reasonable area, and he splurges every so often on purchases that make him happy and take-out food that he likes, and of course he pays a cleaning service to come in twice a week. Most people assume he's comfortably middle class and has some tech job he does from home, but he's been getting a lot more than he's been spending in his monthly allowances for years now, and the figures are big.

Enter into this environment author Airplane and his trash novels. Novels, multiple, because in this AU there's no PIDW, and instead after some alternate PIDW prototype got popular in the harem genre, Airplane decided to churn out a series of copy-paste shorter stories rather than recycling the same subplots in one massively long epic.

Shen Yuan of course discovers Airplane's writing and becomes as obsessed with it as ever, except this time he notices that if there are delays between new stories, they seem to clear up faster whenever he throws some cash at the problem. And also that the drops in Airplane's writing quality coincide with times when Shen Yuan was having health issues and not keeping up with his VIP purchases. So, he works out that Airplane's probably doing the writing for the money, and that when Peerless Cucumber isn't paying the most for it, Airplane starts listening to the other buffoons in the comment section more to try and entice them to pay his bills instead.

Peerless Cucumber leaves a comment on one of Airplane's latest stories that kicks off the two of them actually chatting, and Shen Yuan eventually gets to the point of offering to fund all Airplane's writing, in exchange for Airplane not doing his crap sellout stuff to appeal to other readers anymore. Airplane thinks he's joking or maybe mocking him. Shen Yuan asks how much it would cost. Airplane fires off a ridiculous number. Shen Yuan doesn't even blink and wires him the first payment. Then he gets annoyed because Airplane leaves him on read for a while, but that's because Airplane is staring at his account balance in shock.

Of course, it's Airplane who starts referring to Peerless Cucumber as his sugar daddy. Shen Yuan is just like "based on your sex scenes I don't think anyone would pay you for that" and Airplane's all "but you WOULD pay for my sex scenes ^_~" and Shen Yuan's like "technically I am actually paying you not to write that shit" and so on. Usual banter. The quality of Airplane's writing improves dramatically, a lot of his readership drops off but he does get new readers and gradually builds up an even bigger fanbase than before, and so on, it all goes pretty well. He eventually writes a few things that take off to the point of getting physical publications and international translations. Technically Airplane no longer needs Shen Yuan to pay all of his bills by that point but he's not going to tell Shen Yuan that! The contract's still good as long as he keeps writing!

Then one of Airplane's online acquaintances runs into some financial trouble and asks for help.

Liu Mingyan used to beta read for Airplane back when he wrote fanfiction (she was like thirteen, Airplane was unaware because internet and hey free beta), and it seems her family has hit a rough patch. She wants tips on how to go pro, but Airplane explains that it was extremely difficult and he mostly lucked out by finding a single wealthy backer. Mingyan wonders if the same guy would be interested in her writing, Airplane sadly thinks not because Mingyan exclusively writes kinky danmei erotica and Peerless Cucumber seems pretty firmly in the closet still and also generally prefers plotty and world-building heavy stuff.

But like, Airplane has definitely gotten a vibe off of Cucumber-bro, and Mingyan's gorgeous older brother does video streams of himself doing cool martial arts and swordsmanship stuff. So he asks her permission and when she gives it, he recommends Liu Qingge's videos to Shen Yuan, being sure to mention that the guy in question can't really afford to keep up with his hobbies and oh what a shame it would be if he had to stop making art like that.

Haha, Airplane, you're not subtle.

Even so, Shen Yuan watches the videos and immediately agrees that Liu Qingge is beauty in motion, and that it would be criminal to deprive the world of more videos of his sword. Swordsmanship! That is the, the art of, martial arts! Definitely. He clicks the donate button, reasoning out that he'll just send a donation about the size of his usual monthly payments to Airplane and call it his good deed for the day.

Liu Qingge is very confused by this new follower from nowhere who suddenly dumped a little over a month's rent into his account. One thing leads to another, with Mingyan and Airplane conspiring to try and get Shen Yuan as a permanent patron, and then Liu Qingge being let in on it. Except that Airplane keeps referring to Shen Yuan as his sugar daddy, and well... it's not like Liu Qingge doesn't ever get 'those' kinds of comments on his videos. At first he's embarrassed, then offended, then mortified that his own younger sister is apparently setting him up to make premium private videos for what he assumes is some old pervert who is going to want him to do untoward things.

However, their options are pretty bleak at the moment, and Liu Qingge worries that if he doesn't do this then Mingyan might. She even mentions something to the effect of having planned to offer herself, and only didn't because she wasn't this "sugar daddy" guy's type!

Teeth clenched, Liu Qingge asks Airplane stiltedly for advice on how to... appeal, to this wealthy benefactor.

In the end though it's not nearly as bad as Liu Qingge feared. He winds up doing more videos in costumes and cosplay, which ought to have been an untenable expense, but Peerless Cucumber always ends up covering the cost of whatever he invests in plus extra. Sometimes he sends Liu Qingge stuff with a request to wear it, but so far it's just been like, badass warrior-themed or historical costumes. Nothing overtly pervy. He does some LARPing, he makes enough to start doing horseback archery again, convinces some of his good-looking peers from various clubs to spar with him, and ultimately the most risque videos he ends up doing are the ones where he demonstrates how to put on certain kinds of gear. He still locks those ones behind paid subscribers only, mostly because he feels like he's doing something illicit now, even if he used to show more skin on his older videos any time he took his shirt off.

Peerless Cucumber doesn't leave creepy comments, either. In fact he seems genuinely nice and supportive, it's hard not to like him, and so even once his situation levels out Liu Qingge decides there's not really much need to stop making videos for him. (He maybe even gets a little giddy thrill over... well, sometimes he finds it all a bit... just when he thinks about Peerless Cucumber watching him demonstrate his physical prowess and finding that alone worth... ANYWAY--)

So that goes on for a while, before Yue Qi enters the scene.

Yue Qi is the childhood friend of one of Shen Yuan's older brothers (Shen bros!) and Shen Jiu owes him a big favor for something that he won't talk about. At least he won't talk to Shen Yuan about it. But Yue Qi is also not the type to ask for help, and Shen Jiu is very bad at offering it, so when Shen Jiu gets word that Yue Qi is having some difficulties making ends meet, he tells Shen Yuan to act as the middle man. Go offer Qi-ge money, he knows you're nice he'll just accept it, and then Shen Jiu will pay the actual bill.

Well it turns out that Yue Qi doesn't just accept it, of course he sees right through it, and gently but firmly tells Shen Yuan that he's not interested in burdening Shen Jiu further than he already has. Etc, etc, stoic stiff upper lips and no proper communication all around. Shen Yuan panics because it's not working and he's also genuinely worried about Yue Qi by now, so he tries to figure out how to make it compelling and basically blurts that, well, see, the thing is that sometimes he pays men to entertain him. You know. To like. Do things, for him. So. He could also pay Yue Qi? To do something for him?

Yue Qi gets the wrong idea entirely, and at first is like, oh, no, A'Yuan, you shouldn't be paying people for that! These things should just happen organically! But Shen Yuan is very adamant that he believes in compensating people for what they do for him, it's not like he can't afford to, and it gets awkward but Yue Qi is like well he does have health problems. It's perhaps difficult for him to meet people. So then he starts worrying about Shen Yuan and all these strange men he's apparently paying for "entertainment". Does his brother know about this?

No of course Shen Jiu doesn't know! He'd hate it, and Shen Yuan doesn't want to hear about how he's doing everything wrong with his life again!

Then Shen Yuan mentions that his prior house cleaning service up and quit on him (they didn't), and if Yue Qi would like to earn fair compensation he could just come over sometimes to help instead, and Shen Yuan would pay him just to tidy up and hang out for a few hours! Which Yue Qi thinks is a fantastic idea, actually, even if Shen Yuan is only doing this because of his brother, this will give Yue Qi a chance to keep an eye on him and his so-called entertainers. Even if he sort of... ends up also being one?

Shen Yuan keeps everything above board, though his apartment always seems perfectly clean and he overpays way too much (Shen Jiu is still footing this bill after all), and Yue Qi starts to think maybe he actually is being paid for intimacy. Of a sort that they're maybe still working up to? Shen Yuan usually has a very thin face after all. He's kind of got two minds about this prospect. On the one hand, he's got his situationship with Shen Jiu, so dating his brother would be absurd. But on the other hand, it's not actually dating, and he does like Shen Yuan, and maybe if they can be good company for each other then Yue Qi won't feel so depressed and Shen Yuan won't need to hire strange men so often.

Meanwhile it's come to Shen Yuan's attention, perhaps through an offhand comment he read online somewhere, that people who are struggling financially often also struggle to "treat themselves". Because even when they have enough money to be comfortable there's often the looming specter of deprivation, and etc, so he figures he should start buying some of his dependents more treats and things. Since they might not buy them for themselves? And also he's enjoying doing this but shhh no he isn't, it's a huge hassle, he's only doing it out of basic moral decency, etc.

So like, Airplane starts getting little things that he'd put on some public wish lists, clearly sent by Peerless Cucumber. And he tells Mingyan to make a list for Liu Qingge too, and sure enough, Liu Qingge (bewildered, slightly flustered) tries to figure out what he's supposed to do with an album from a band he likes and some high-end leather polish. Ultimately settles on playing the music and wearing his nicest leather in his next video. Yue Qi starts arriving at Shen Yuan's place to be plied with his favorite coffees and to have scented candles awkwardly foisted onto him (Shen Yuan does not know what Yue Qi likes in gifts) (he buys these presents himself they're not out of Shen Jiu's pocket).

So finally Shen Yuan's parents start to notice that he's been spending a lot more than usual, and start to worry that he's either been taken in by a scam artist or is secretly dating a gold digger or has developed a drug addiction or something. But asking things directly like normal people is basically illegal in the Shen family, so they decide to hire a private investigator.

Enter Luo Binghe, a young man of humble background who is struggling to make ends meet after the untimely death of his adoptive mother, and is using his P.I. job and his online cooking videos to help pay his way through school (scholarship student). Usually his cases are more like, cyberstalking someone to find out if they're cheating on their spouse, or helping someone planning a lawsuit accumulate evidence on their corrupt employer, or other things like that. When he gets the Shen Yuan case, the idea that the Shen family's son is paying for "company" is well within his list of probable answers.

Though this one is a little... peculiar?

Mostly because Binghe can't find evidence of Shen Yuan actually getting what he would, presumably, be paying for. At first Luo Binghe just goes through the online paper trails, using the info that the Shen parents give him to figure out that Shen Yuan is paying Airplane and Swordmaster Liu (*cough*) what seem to be exorbitant prices just for trashy fiction and cosplay videos. He assumes this is a cover, that someone's actually delivering drugs or going over for "private meetings" or at least actually sending dirty videos as well, but even when he pays for Liu Qingge's VIP access it's just tutorials and such. Neither of these guys are even on any of the sites that are more lenient towards hosting explicit content. Luo Binghe's aware that kinks aren't always obviously sexual, but people don't usually pay through the nose for the kind of content they can easily find for free all over the place, either.

He digs a little more but keeps coming up empty on evidence to clarify which of the many vices the Shen family's son is actually indulging in. Which is a problem because that's the information they're paying him to find out. Plus his curiosity kind of piques as he reads Shen Yuan's seemingly quite invested comments on Airplane's writing and Liu Qingge's videos, looking to see if there's any kind of clandestine code or pattern. But near as he can tell, whatever else Shen Yuan might be getting out of these arrangements, he does genuinely like the stories and videos too? Well. Sometimes. Sometimes he's actually scathingly vitriolic towards Airplane's writing.

Luo Binghe decides that surveilling Shen Yuan himself is probably the way to go. That gets more complicated in court cases, but since the Shen parents just wants to know what's going on and aren't planning on prosecuting their son for anything, it doesn't matter as much if Luo Binghe gets information in sneaky or underhanded ways.

So, Binghe uses the account he created to access Liu Qingge's videos to chat with Shen Yuan a few times, and then recommends his own cooking channel. Shen Yuan doesn't seem too interested in cooking, so Luo Binghe makes sure to include a video that has an image of himself in his recommendation, and then films a few new videos of himself cooking with his shirtsleeves rolled up to three quarters and a few more buttons than usual unbuttoned, adopting a more flirty persona than he typically does for his shows. He takes his cues from some of Liu Qingge's more popular videos for how to be enticing bait.

It takes a few videos, but eventually Shen Yuan comments. Luo Binghe latches onto the chance to start talking to him, playing up a persona of a vulnerable young man with little means who is trying hard to make it through school, etc, and sure enough Shen Yuan seems interested. Well, most predatory people like vulnerable targets, don't they?

However... Shen Yuan just sends him a chunk of money.

Luo Binghe is confused.

Isn't he supposed to ask for something or create some kind of expectation of repayment first? But, maybe this is his approach to handling new targets. Maybe he's just trying to lull Binghe into a false sense of complacency, before he starts indicating what he wants from all of this. Luo Binghe makes sure to move the money Shen Yuan sends him into a separate account, so that if the Shen parents get angry about it then he can return it as a gesture of good faith.

But Shen Yuan just keeps sending supportive comments and donations. Eventually he leaves a comment that alludes to how badly he'd like to taste Binghe's cooking, and Binghe is like finally, but when he implies that they could perhaps meet in person and Luo Binghe could thank him for his support by making him something, Shen Yuan backs off.

Things eventually progress to the point where Luo Binghe, who is a totally normal person treating this like a totally normal job still thank you very much, is basically camping out in the bushes in front of Shen Yuan's apartment building. At some point he conscripts the aid of his weird cousin (finding his birth family was how he got into this business initially), and then almost immediately regrets it because Shen Yuan helps get Zhuzhi Lang a job doing landscaping for his building.

Why would he want Zhuzhi Lang close but not Binghe? Binghe is much handsomer! He'd make an excellent target for seduction! >:(

Anyway eventually Yue Qi catches Luo Binghe lurking around like a creeper and is like, finally, I have caught one of these suspicious men, whilst Binghe is like oh so he does have a lover, well this guy sucks and is clearly not good enough for him, and they both try and chase one another off and Shen Yuan comes home to a heated passive-aggressive-politeness war being waged in front of his apartment. Eventually he realizes the misunderstanding and calls everyone together (zoom conference? in-person meet-up?) to clarify that he is not paying any of them for "special favors", that was just Airplane being deranged about his sense of humor, and then he has no idea what to do when the prevailing response seems to be disappointment.

[juli-bahama-official]

frustrating to see people blame fanfic for books being marketed based on tropes when this is pretty much how romance novels functioned for a long time. they didn't openly call that 'tropes' and slap a blatant label like 'enemies-to-lovers' on the cover, so this part IS taken from fanfic, yes, but the idea is nothing new, just that back then they would do stuff like, design covers in a way that would convey the tropes in the story, or make "collections" that all featured stories with a certain theme (or publish them all under one author's name when it was actually an army of ghostwriters). in general a whole lot of things in modern popular literature esp YA that people blame on fic are very old genre literature things that kinda went unnoticed because they happened in the unimportant skipped over kinda of books, but now publishers are trying to market them as the 'proper' sort instead of disposable trash