#lots of animation meme action in this one | Explore Tumblr posts and blogs

icarusallusion · 9 months ago

Text

One of the main reasons I've been so fond of Otasune since I first knew it was a thing was because I think they're genuinely one of the purest forms of love in Metal Gear.

Throughout the series we see horrible relationships between horrible people trying to get by and then that relationship gets dragged through the awful scenarios they live with, be it war, internal struggles, infidelity etc. Despite this common place struggle with so many other characters, we see Otacon and Snake steadfast loyal and healthy throughout every struggle they go through.

They may not be an official couple, but they will always stay the most communicative relationship even outside of shipping. I see people joke about how Otacon kind of bosses Snake around (especially in MGS4), but I always saw it as refreshing. In the series, there is so many times where x character does something horrendous and y character just sits aside and silently sulks about it.

But this doesn't happen, like at all, with Dave and Hal. There are many times where Snake doesn't think about consequences to his actions as a general rule of soldier, however Hal has never been a soldier. So when these things happen, Otacon tells him off and it's something Snake genuinely needs to hear. It's something human, away from combat. Because Otacon is one of the very few characters that talks to Snake as a person, as a human, not as a soldier or fucked up clone baby.

Snake has gone his whole life scrapping the bottom of the barrel to stop feeling so lonely, he flirts with every woman he sees, he attaches himself very easily onto superiors, etc. Snake is a man who has spent his whole life trying to appeal to people, to get the praise he was never allowed as a child. Otacon gives him the comfort he never got. While any military superior can say Dave is the best of the best. None will look him in the face and tell him he has to live to just live.

Hal also opens a lot of doors to Snake's own discovery about himself. While this next point might sound a little cringy, stick with me. People may joke about the anime interest Snake and Otacon share, but it always came across so genuinely sweet to me. Snake's only interests up until he met Otacon have been, stop feeling lonely and war. I think even part of his musher life and interests within sledding can contribute to part of this. I mean come on, not even a regular musher keeps 50 dogs in their house and dogs are a natural remedy to loneliness. But in all seriousness, David refers to the huskies as his only family and I don't see him connecting with any other mushers he works with, it reads as him wanting to not be alone while also still being so lonely. As well as how mushing is considered a more normal interest than being an otaku, especially in the early 2000s. Mushing is a sport, and being an Otaku was pretty much unheard of or hated. Watching this guy who has been stuffed full of war propaganda scream a dorky "falcon punch" and "ninjutsu" with his best friend is so heartwarming in a way.

As well as Otacon's whole meme turned question of "do you think love can bloom on the battlefield?" Is something that I think Snake needed to be asked. It's probably been something he's been thinking about. It is also one of the most human things Snake asked throughout the game. About finding love in fear. Otacon constantly prods into Snake's heart and brings out the good in him.

Not only does Hal open up a space for Snake to have genuine unashamed interests and show true pure humanity. He also shows off their childhood. Both Hal and David never got proper childhoods. They connect that with each other through cheesy animes, talking about uncertainty in love, finding out what life is all about, navigating feelings, and through that damn cheesy handshake hug. It's all genuinely pure and wholesome love that connects what they didn't get to explore in childhood with one another. When Snake opened that piss covered locker and saved Otacon, he brought his own salvation into his life without knowing it. The very presence of Otacon saved Snake. It's why MGS4 felt so depressing for me especially, the strain between Snake and Otacon left a hole in my little heart and made Snake feel even more hopeless.

I also want to talk about how Snake benefited Otacon.

Otacon begins as cowardly and timid, he's an incredibly insecure character that struggles to connect with others, probably stemming from the issues in his younger life. When he meets Snake, he's faced with someone he could relate to that has an outward appearance that makes him seem so much more confident than he is. Snake is not this, he's as insecure as Otacon. Indirectly, Snake is the whole reason Otacon gets on his feet to take action against terrorism, takes action to become a better person. Snake shows Hal that he doesn't haven't to be strong to do the right thing. Throughout time, Snake helps Otacon come to terms with his own self worth and issues.

In MGS2, it has one of my favorite examples. The infamous bro hug scene.

Before it, this is when Otacon allows himself to open up about his childhood, not even just Infront of Snake, Infront of Raiden too. This showcased such a development in his character because he's proudly talking about it, while even through tears he doesn't hide it anymore.

Did you know that during that scene if you pan the camera to Snake, you can see that he is crying too?

When Hal has a breakdown over his sister's death, Snake is there to comfort him as well as tell him how it is in bluntness with a hand on his back that he needs to save people. It isn't cold or callous, it's letting Otacon know that he has something worth fighting for after a loss like that. Then when they face one another, they embrace each other and Snake tells Hal that he believes in him. Hal spent a lot of time as a scientist, hoping for someone to believe in him, while Snake puts all of his belief into Hal.

I can never forget the iconic "You're the only god I can pray to, Otacon" line. Snake has a deep loyalty, love, and belief in Otacon that Otacon has never been truly given before.

They both, in turn love each other till the end of their lives. Their love was one of the most heart wrenching and beautiful things in Metal Gear Solid and it's no surprise it captivated so many people. Their relationship, whether you ship them or just see them as a bromance. There is no denying the love they feel for one another as friends or lovers is one of the most iconic and sweetest bromances out theres They have impacted so much pop culture and I love them forever, as I'm sure many of you do who read all the way to the bottom.

#mgs #otasune #metal gear solid #solid snake #otacon #hal emmerich #little sappy post sorry guys i love them

700 notes · View notes

centrally-unplanned · 1 year ago

Text

The thing about morality is that it only matters when it's real. Discussions of rules or norms for what is right or wrong are almost always, at some level, illusions, approximating reality and guiding decisions in an uncertain world - which does not make them useless, just contextual. Profaning god in your bedroom can never be “wrong” - there is no one to hear you, no one to be hurt by it. You can only show something is really wrong from the intentions of the actions and their results.

So with that out of the way, lets talk about Knives Chau - and specifically, how the comic vs the anime handled that part of the story.

Scott Pilgrim vs The Reification of Dating a High Schooler

There is an extremely pervasive meme in Scott Pilgrim discourse that our titular Scott is a scumbag. Our returning whipping boy the Kotaku article loves this idea, describing Scott’s “detestable behavior” and wondering “was it too subtle the first time about Scott being an absolute shitbag?”. There is this viral headline screenshot from an interview floating around right now riding that same line:

Which is, of course, pretty much false. Its up to you in the end, “shitbag” is a subjective description, but the story just isn’t about events that would be described that way. Its the story of a guy getting over an awful ex, hurting some people, then meeting a new person, and realizing step-by-step what it takes to be their partner and levelling up as a person each time he does. He starts off broken, and Ramona of course is just as broken - getting better is their mutual arc. And its fundamentally about relationship drama - those stakes don’t make you a scumbag lol, just clueless, unless you are terminally online and don’t know what real stakes are.

I will let O’Malley get the last word in with his quote the writer of that interview is hilariously trying to torture into his headline:

There's a bit of, like, young people see Scott Pilgrim a certain way, and, you know, there's a lot of, like, 18-19-year-old fans that are really judgmental of the character. They're like, "Oh, he's a bad person. I would never do that." But I always tell them, like, get back to me when you're 25 or 30, tell me how your 20s went. Were you a bad person? Everyone has to make choices and do things in life that maybe they're not going to be proud of later.

Scott is a scumbag the way everyone is - you yourself will likely commit similar sins; that at least seems to be the authorial intent, and I agree with it.

So how does dating Knives Chau slot into this?

Despite the memes, age, in fact, is just a number - two consenting people dating does not a sin make. The reason dating underage people is bad is because of its consequences, not the categorical imperative. So what are the consequences of dating Knives Chau in the comic?

Knives is, as a consequence of dating a guy who is simply via his age able to appear so much cooler than her peers to her, absolutely obsessed with Scott. She worships his band:

She starts aping his taste in music and interests; she slots herself into his circle of friends, who don’t relate to her, even after their breakup (often drinking her way through it):

She totally spirals after he cheats on her and leaves her, blaming everyone but him; she is wounded and hurt for months, a year, over a relationship that lasted weeks:

Knives Chau is a literal poster child for why you should not date a high schooler. She is, at every turn, emotionally not ready to date someone who is not at her own level of social development, and is deeply affected by it. It is, sometimes, played for laughs - that is the nature of the comic, everything is played for laughs, but I would have given it a bit more dramatic space myself - but over the course of the story Scott himself realizes how much of an ass he was to her, and how he didn’t take what happened seriously.

The reason I view this with charity is what Scott did to lead to this - he met a cute girl on the bus! He was deeply hurt and kind of numb in life, and found someone who was safe and easy to talk to. He never attempts to kiss her (she starts trying to kiss him which he repeatedly rejects) they don’t even hold hands, and it lasted a few weeks. He knew deep down, pretty much immediately, it was fake:

Then he met an actual person he liked, and with some browbeating from Wallace agreed to break up with her, but chickened out for a day. Then the next day he decides to break up with her, and she drops the L bomb before he can, so he instantly ends it. It is really awkward for everyone involved.

Pushing off an awkward and uncomfortable conversation resulting from a dumb decision you made on a whim for a week - god I relate to that, that’s everyone! If you think it isn’t you I think you're lying. Its why this relationship is so interesting in the comic - Scott is always one step removed from it, putting it at abeyance, and the fact that something so minor to him is so destructive to her is a really good portrait of how these kinds of things happen. Its so easy to hurt someone when you don’t even know what the stakes are, and when its coming not from malice, but from weakness. Its a very good portrayal of a bad relationship because its bad in a relatable way, even if as a story is a bit more dramatic than is typical. And its a great portrayal of how fraught age gaps can be - this bad relationship is part of what makes the comic a good story.

But its 2023, we don’t give a shit about any of that anymore!

O’Malley in the same interview discusses the cultural shift around these kind of relationships:

I felt like in this day and age, I had to provide clarity on that [relationship]. Because when I wrote the first books, I took it for granted that people would understand that dating a high schooler was a bad thing. But on the internet, in this day and age, people are like, "He's dating a high schooler. That's terrible!" Like, that's pretty much what I say on page 1 of the book. But I try to spell it out a little bit more this time.

He isn’t telling the full story though - it was bad in 2004, but not bad the way it is today. Its dubiousness was mitigated by its frequency; people were doing this kind of shit all the time. Scott Pilgrim is a bass guitarist in an indie band; fucking groupies is like built into the cover charge. Half the problem Scott has in dating Knives is that she is the wrong kind of 17-year-old - had Scott met her at 1 am in the aftermath of a Born Ruffian’s concert at the Whippet Lounge knocking down shots off the back of her fake ID, no one would have even noticed. Hell, no one does notice; there is someone who actually makes out with a drunk 17-year-old Knives Chau in the comic Scott Pilgrim, and isn’t Scott Pilgrim:

No one cares about Kim’s inebriated petting session here; that is 10% because she is a Girl and Girls Can’t Be Predators, 40% because she isn’t the main character, and 50% because Kim Pine’s dating history is not a useful proxy battleground for GamerGate-adjacent nerd culture wars in ~2014; but that is road that goes directly to hell, so let's veer back.

The point, of course, is that in 2004 this is a crime flecked with normality, something your friend would do and you would maybe just cock an eyebrow at:

Its not that in discourse today - it is radically more condemned. It is not a contextual sin, but an original sin. It underwent a process I am calling reification - where it goes from being just a shifting descriptor of reality, to a thing in itself, with a defined (reified) meaning. And to be clear, that is in a lot ways on net a good thing? The reality is that, despite everyone’s protestations, there are today thousands of 17-year-olds taking the L line out to a gig at the Brooklyn Steel and going down on a 25-year-old guy they just met in a back alley off Frost St who swears he’s a “drummer in a sick new band” that played here “just last week”, he promises, and she is having a great time, bragging to her friends about how hot his tattoo was, and then shipping herself off to Cornell next year to start on her pre-med track with barely a memory. But for every dozen of those, there is at least one person who is deeply, deeply hurt, a Knives Chau who never deserved this. The rest can have a slightly worse time, its probably worth it.

That does not make it a categorical imperative, though - the reification has masked that truth. The crime comes from the context - those other girls aren’t victims, they would laugh at you for suggesting they were. But in 2023, Scott Pilgrim Takes Off is no longer concerned with context. It is telling you, right to your face, that Scott is a bad dude. Over and over and over - jokes from the Evil League about “wow, I thought we were evil”, its not subtle.

Yet meanwhile, Knives Chau is, like, fine? She dates Scott, is totally into him, and then literally in the middle of his funeral forgets about him for Envy crashing it:

Picks up the bass and has yuri-inflected playtime with Kim the literal next day:

And less than a week later is pitching an off-broadway musical adaption of Scott’s life to a billionaire Matthew Patel - I can’t explain that okay, I’m as confused as you are.

She is mad at Scott, sure, but she is over it in a matter of days. Hell, notice how she was already a fan of the Clash at Demonhead now? There is no scene of Scott introducing her to his kind of music. He didn’t change her. By the end she is a member of his band and they are totally chill:

This is, again, about a week or two later.

Knives is not an important character in this show, way less than in the original, this is no grand sin. But I still find it very interesting: O’Malley is wrong. He “spells it out” way less in this version when it comes to the actual consequences of Scott’s actions. Everyone’s verbal condemnations are substitutes to replace the real damage his actions dealt in the comic. Scott is a better person this time, in a world that has universally agreed he is worse (still not a good move ofc). Even Scott’s moment of apology to Knives about their dating is so tepid its almost Straussian:

Its ‘frowned upon’…which is not the same thing as saying it was wrong! I don’t think this is intentional, its just funny, but its a nice capstone nevertheless.

And it had to be this way, not just for media in general, but for Scott Pilgrim in particular. Not only are sexual crimes far more reified today, but Scott Pilgrim’s sin of dating a high schooler is reified as well - its the first piece of discourse everyone encounters about it. Its the ur-debate of the franchise. The idea of actively engaging on this point, and digging deeper into it…its too hot, too controversial. Way better to shy away from it, disown it. The discourse wrote this part of the script over the course of a decade; its not something the creatives had any say in.

Honestly they should have just gone all the way - just make Knives 19. Then how tepid it is wouldn’t be a distraction anymore. Scott can just be an asshole for cheating on her, that would work fine. If you aren’t going to commit to the reality of these things, you shouldn’t bother with it at all.

#scott pilgrim #essay

819 notes · View notes

eschergirls · 3 months ago

Text

And after a few days break, here's the third and final part of the "Let's Draw Manga Sexy Gals" posts (here are parts one and two if you missed it).

These pages are just kind of strange: the arbitrary distinction between "anime" and "manga", apparently anime girls are all just little children compared to manga girls, the differences between male bodies and female bodies, that women apparently just vanish after age 40 (and they become space aliens as teenagers).

But my favourite is the "coke bottle" page where a) that's not what a coke bottle is shaped like, but also 2) the actual woman drawn there is the OPPOSITE of the shape they depict (which again, isn't what a coke bottle is shaped like).

The bottle they drew is wider in the hips than in the chest/shoulders, the woman they drew is wider in the shoulders than in the hips. xD

This feels like another situation where the person writing the text (or who drew that coke bottle) wasn't on the same page as the person doing the figure.

I also love "women can be depicted as four circles", that should be a meme. And the four circles woman looks kinda like a bunny.

Anyway, I hope everybody learned a lot about drawing manga sexy gals. I know I did.

For those interested in the uncensored versions of the first 2 images, there are links in the EscherGirls.com post.

(Cover and snippets from Let's Draw Manga Sexy Gals by Heisuke Shimohara)

I've included descriptions for text readers in the images, but the longer commentary on each page is too long to fit the description boxes, so I'm including the transcription of just the text below:

Transcription of image 1:

Depicting Softness of Form - Part 1 The bottom line for drawing an attractive woman is to effectively project the softness of her body. No one likes a rock-hard body on a girl! Here are some techniquest o use for bringing out a soft form. The curves of the female form can be represented as four circles. The "coke-bottle figure", long used to describe the ideal female form, is characterized by a small waistline and rounded buttocks.

Transcription of image 2:

Differences Between the Male and Female Form - Part 1 The male and formale form exhibit several distinguishing features. These differences are often exaggerated in drawings. Generally speaking, the male form is based on an inverted triangle, while the female form is based on an upright triangle. Shown below are the three body parts that most distinguish men from women. Shoulders Give this portion some mass. (pointing at male shoulder) Make the neck thin and long. (pointing at female neck) Chest The male chest should have a square, rigid appearance while the female chest should be curved and soft. Waist and Leg Bones Straight waist (pointing at male waist) Slim down the torso for a pinched-in waistline (pointing at female waist)

Transcription of Image 3:

A comparison of Manga and Anime Characters - Part 1 There are too many differences between the two artistic styles of manga and anime to describe all of them here, but we can examine each through erotic illustratoin. Here are some examples typical of this genre.

Transcription of Image 4:

Manga: Mature facial features with realistic eyes, nose and mouth Anime: Eyes are comparatively large in relations to other features. The ears have a simple shape. Comparing Body Proportions: Always keep movement in mind. A typical anime character is designed with simple lines, making it easier to draw in action poses.

Transcription of Image 5:

Facial Differences in Women According to Age A conservative hairstyle with somewhat subdued facial features 30 to 40 years old: Sharper facial features with a more provocative hairstyle. 20 to 30 years old: This face is borderline anime style. Notice how the unnaturally large eyes extend further down the face. 10 through teens: Like an anime character, the eyes are unusually large and positioned just below the center of the face.

#how to draw books #let's draw manga sexy gals #organless torsos #manga art #representation of women in comics #general sexism #general portrayal of women in fiction

123 notes · View notes

kaythefloppa · 3 months ago

Text

Wild Kratts - Chimpanzee and Me - Thoughts

The last of this week's new episode premiere, released online today alongside Salamander Streaming and Bumblezzzz. Will air on TV this coming Wednesday so as always, spoilers ahead!

K, so huge confession but Zooboomafo was the only other show by the Kratt Brothers I distinctively remember watching. I watched a few clips of Kratts' Creatures, but mistook them for WK as a kid. This is most definitely a callback to some Chimpanzee adventure episode in KC that I did not happen to pick up. So it's totally lost on me.

That being said, my prediction of references to previous Kratt Brothers' works reigns supreme (and for those who view all four Kratt Brother shows in one hollistic "canon" here's some ammo for your fan-theories).

Look at those delicious yummy grapes... wonder if they're being saved for later.

I will still never forget when the synopsis for this episode came out about Chris spraining his ankle, as well as when a synopsis for the clip came of him tripping on grapes. The constant memes and reactions omfg /silly

But seriously this man is in PAIN. This season for what it's worth, does a lot of angst and in ways you'd never expect.

I've never sprained or broken a limb, so I'm probably in no place to talk, but from the looks of that frame, Chris bent his ankle pretty damn good. He's definitely gonna be on hiatus for the next few weeks (which could ironically be taken metacontextually since after this episode we'll be on another hiatus until next year when the live show comes)

Ok let's talk about the villain's plan here. He wants to replace his Zachbots with a Chimpanzee he can roboticize to do his work. Here are my many thoughts and takeaways from this, some of which, definitely are just me reaching.

A step up from his dumbass plan in the last episode. Not threatening, but motivations that are actually sensible (but still evil though).

More than once have I seen the theory floating aound where Zach programmed his bots to be smart enough to obey his commands, but dumb enough to where they won't turn against him. I assumed that this episode was going to end with the cliche of Zach's creations turning on him as laser guided karma (hint it doesn't) so it really puts things into perspective.

Considering how we are getting two Zach-related episodes in a row, coming just off the heels of Our Blue and Green World, I like to headcanon that Zach's overall character in this batch of episodes is some form of response or byproduct of the events of that special. Because between Paisley's sudden betrayal, Donita's callous threat of physical violence in the previous episode, and his henchmen's limited intellect, he realizes how much he is fundamentally losing control, both in the villain team, and in his own endeavors as a villain. He's slowly, yet consistently and constantly being knocked down from the pedestal that he views himself on, and by trying to change the status quo with a new animal assistant, he thinks he can keep himself up at the top where he thinks he belongs, completely oblivious to how he's his own worst enemy. Yes, I'm overanalyzing all 3 episodes and I love it.

This is another moment where I HAVE to use my one-video-only-free-card to convey the point across because a certain scene is that good. This is only a 34 second action sequence where the chimpanzees are running from the Zachbots, but holy hell the background music. I had to isolate the background noises just to share it with y'all so you can see my point as to how the music absolutely carries this scene. Pure West has always gone so hard with the scores in this show, but they were absolutely on fire for this brief chase scene. I actually tensed up seeing the Chimp's mother getting torn away from her baby as the music swole up. Yet another reason why PBS should release an official soundtrack for the series, it's so fucking good.

Ok so Chris doesn't activate Chimpanzee Powers, nor does he invent the disc but goddamnit! This entire plot is so cute, and dare I say, the episode actually works better with Chris not being the one to activate the suit.

Now I can use my allotted time to point out how much I love this scene and why it makes this episode very well-liked for most people, myself included. This isn't the first PBS Kids show to educate viewers on non-verbal communication such as facial expressions and sign language, and it's definitely far from the last, but it's a really sweet and sincere moment that's both educational, and really good rep for people who use sign language. It gets its point across efficiently and could very well reach out to any children at home who use ASL. It's magnificent.

Also, Leah is fun, I hope we see her more in future eps.

THE CHIMPANZEE POWER SUIT

Ok I take it back: This is definitely the best designed Creature Power Suit of S7. I remember dreading it because of how alike Chimpanzees and Humans are physically, but oh my god I am so glad to be wrong. It's giving full Season 1 vibes (looks a lot like the Orangutan Suit, total sense), and I am all FOR IT.

And again, I feel like I would/should be angry or disappointed that Chris didn't activate the suit, but again, the plot actually works better without him using the suit, and the design of the Chimpanzee Suit itself is so good, everything just comes together neatly.

Bro is in his peak.

I mean, still peak.

Joss pointed this out better than I could, but there are a lot of varied facial expressions for Zach in this episode. As mentioned earlier, during the hiatus in between Season 6 and 7, new builders and riggers were hired on the animation team for Wild Kratts, many of them likely fans of the show themselves. And again, seeing as there's a 2 year gap between S6 and S7 in terms of development, there's bound to be some slight differences in rigs or models. Which is definitely why we get a lot of moments like this in the episode.

My two cents. I can definitely see why people would be caught off guard, and yeah, at such a high frequency it can get off-putting and requires some getting used to. But at the same time, I kinda dig it, just for the camp factor. It also somewhat reminds me of some of the facial expressions used in the pilot episode, (which has the stronger excuse of different animation + art-style to back it up), but yeah, definitely something that catches the eye.

Zach's hair is defnitely giving Kovu from Lion King 2 and I mean this in the worst. Possible. Way.

This entire scene can be seen as an allegory for two different types of parenting. Zach takes harsh, demanding approaches, speaking without listening for the sake of control, all out of a place of emotional unintelligence and immaturity, which alienates + drives away the child; Whilst Chris takes a more constructive, compassionate, understanding, yet still direct approach to get through to the child/chimp, allowing for a proper solution to the issue at hand. Yes, I'm pointlessly over analyzing even more but in an episode where communication is the main focus & moral of the episode as well as the resolution to the climax, I have to wonder if someone, whether it'd be the writers, animators, or even network execs did it on purpose. Because once again, you could takeaway a really good lesson for kids, and even adults with this interpretation in mind.

Oh yeah, once we get past that stuff, the climax of this episode is like, really fucking hilarious. And Zach getting mind-controlled by his own helmet is still a good dose of laser guided karma.

CONCLUSION:

Cons:

A few of the facial expressions can be a bit jarring. Again, Joss pointed it out perfectly how this episode could've been earlier in S7's development so these adjusted rigs probably can and will get better. I wouldn't even say it as a con, it's just some little thing of the episode that doesn't really lower my overall opinions.

This is a personal nitpick of mine; Not a critique. I think we could've seen more of the chimpanzees in action. I'm talking about face-offs with gorillas (which I think we might get an episode on that in the future, idk), hunting monkeys, leopard attacks! But I do get why it wasn't in the episode, it would've just bogged down time. Frankly, the only reason why I'm putting the cons first is because there is so much I have to say otherwise.

Pros:

The animation overall

The backgrounds

The Chimpanzee Power Suit

The Chimpanzees themselves.

The Background Music

Chris angst!!!!!!

The A plot and B plot perfectly complementing each other, which makes certain writing decisions that could've fallen short, work so much better as a result in execution!

Zach not being a dumb POS like he was in the last epiosde!

The chimpanzee designs!!!!

The very well-handled representation and depiction of sign-language and lessons of communications to its young audiences!

Final Ranking: 9.2/10. Our Blue and Green World and No Name Dream subverted expectations (mainly through Paisley's redemption and the S1 callbacks + the return of the Draco Power Suit). This is the first episode of Season 7 that exceeded my expectations. It is far better than how I thought it would be, and the experimental writing that this season has been hinged upon thus far hit the mark entirely when it came to this episode. So much so that it actually raised the already-high expectations I had for the new season. It is that. Fucking. Good. I'd easily call it a contender for one of the best episodes of the season, but again, we'll have to wait and see.

#wild kratts #pbs kids #kratt brothers #martin kratt #chris kratt #pbs kids go #2d kratt brothers #2d martin kratt #2d chris kratt #wild kratts spoilers #season 7 spoilers #s7 spoilers #wild kratts season 7 #chimpanzees

63 notes · View notes

velnna · 10 months ago

Note

What's wrong with using a pose ref lol, didn't you just redraw a screencap from a tv show

See this is why I prefaced it by saying it's not objectively "wrong", it's a personal take and a grey area. Ultimately if an artist tells you they're uncomfortable with something and you choose to do it anyway it's on you if they then complain about it or ask you to reconsider, it's not the law. You can always tell them they're wrong but then don't be surprised if they take issue with that lol

But for a more detailed answer, I know I've said this a thousand times but I'll always hammer it in. I think there's definitely leeway to do redraws of things across media (so if you redraw a screenshot from an animated show and link said redraw etc, I see it as more of a transformative thing and a tribute than just straight up copying. Same for live action or even photographs - the same way that if someone took one of my drawings and decided to replicate it in photography or animation with a very clear link to it I would see it as more of a tribute because it's transformative) but even then if anyone was shown to take an issue with it I'd just Not Do It. Also the vast majority of the time these things are memes and very obviously a nod to the original one rather than me saying "look this is totally something canonical to the characters I'm drawing and didn't originate elsewhere"

There's times when I don't take an issue with people using my poses as inspiration or reference but a lot of my work does sort of just work as pieces of a comic or a scene that I don't like seeing repurposed for other characters. But that's the keyword: I don't like it. Not gonna send the police after you for it or claim copyright or even force you to take it down but I may *ask* you to reconsider it and think about it. And if it's a recurrent thing and I see you do it a lot I may insist 🤷‍♂️ it's a boundary I established but others are free to feel differently

ALSO I'm not referring to accidentally creating shit that's too similar. We all take inspiration from each other so that's bound to happen. I'm mostly referring to when it's very obvious a single artwork was used as a direct reference - and again, no shade if people do it without realising the artist might feel bad about it. I never assume ill intent from the get go

#ask #im not the only artist feeling this way too #so I think it's just something to keep in mind you know

172 notes · View notes

pearlprincess02 · 11 months ago

Text

gemini sun, gemini moon, libra rising, gemini venus, cancer mars

gemini sun: great comebacks, lemonade, anime, spring, talking and talking and talking and talking, memes, ice cream, social adaptability, electrifying eye contact, flowers.

gemini moon: individuals with the moon in gemini handle their emotions using their intellect. they often approach feelings with a logical mindset, aiming to understand and communicate their emotions openly. people with a gemini moon experience a broad spectrum of emotions and can easily adapt to various emotional situations. expressing emotions through words is common for those with a gemini moon. they enjoy sharing their feelings, thoughts, and experiences through conversation, seeking verbal reassurance to feel emotionally connected. additionally, humour plays a significant role in how they deal with their emotions, and they may use it as a tool to navigate emotional experiences, not taking themselves too seriously. this ability to use language and wit adds a unique dimension to their emotional expression.

libra rising: soft/feminine features - just like taurus libra is ruled by venus which rules over femininity, conventionally attractive - venus rules over beauty, beautiful hair - venus rules over the hair, symmetrical face - libra’s symbol is the balancing scale, it’s even on both sides, curvy feminine body and nice shaped butt - venus rules over femininity and your butt

gemini venus: they will listen to you the way a child listens to their favourite bedtime story, they will want to put you in their pocket and bring you everywhere. this is a placement that will tell you so many random stories, so many jokes, they will talk to you about anything, entertaining all of your interests. you like painting, great they will go paint with you, you like cooking, they will go to a cooking class with you. they will suggest you two go off and do a bunch of random activities together. they love to spend time together, they want to keep things light and playful too so they will always insert humor into everything. they will text you all the time, these are the people that text you goodmorning every day and ask you what you had for breakfast. but then they will also need times when they will kind of fly away for a little bit, just because they need a lot of stimulation so they need a lot of people in their space, you can do group activities together but they will always need time away and if they are provided with this freedom that doesn't clip their mercurial wings then they will fall in love even more deeply.

cancer mars: cancer mars can have a tendency to be overly protective and emotional when it comes to their actions and decisions. they may be attached and protective of those dear to them, and can have a strong instinct to protect them no matter the cost. this can lead to a tendency to being overly controlling and being unwilling to let go or release their attachments. they may have a tendency to overreact and act excessively when it comes to protecting their loved ones. they may also come across as being overly sensitive and impulsive, making them prone to taking things too personally and being emotionally reactive.

(@camila-heart)

ᵒᵇˢᵉʳᵛᵃᵗⁱᵒⁿˢ ᵃʳᵉⁿ'ᵗ ᵐⁱⁿᵉ

#gemini sun #gemini moon #libra rising #gemini venus #cancer mars #astrology #astro notes #astro observations #astro community #astro placements #astro tumblr #astroblr #astrology aesthetic #astrology moodboard #astrology notes #astrology observations #gemini #libra #cancer

250 notes · View notes

thydungeongal · 6 days ago

Text

I recently mentioned how Cairn takes an active stance in setting player expectations of how they should engage with the game beyond just telling them the rules (understandable since Cairn actually has previous few rules). I spend a lot of time talking about how mainstream RPG culture, especially D&D culture, often cultivates antisocial play and unhealthy dynamics, where the enjoyment of one player (the facilitator) is considered secondary to the rest of the table. It's in part due to toxic memes which memeify a dynamic where the players' "job" is to mess with the facilitator's plans, but also largely the result of a discourse that sees games as problems to be solved and it being the facilitator's job to know the rules, fix perceived flaws in the rules on the fly, entertain, and craft an engaging "story" so that players want to engage with the game.

Now, I admit to being biased towards Eureka: Investigative Urban Fantasy by @anim-ttrpgs because I have become friends with the creators, but I still feel comfortable in giving the game praise for taking an active stance against a multitude of these issues.

The game does not expect the Narrator to be the one with exclusive authority over the rules. In fact, it actively tells players that there is a minimal amount of rules knowledge required to effectively enjoy the game. While narrators are expected to learn a larger chunk of the rules, the rules are presented very much as a set of tools that the whole group has access to.

The game does not demand the Narrator to craft a satisfying narrative. There is a reason why Eureka refers to the player bringing the game as the Narrator instead of a Storyteller or Game Master: they are not the sole arbiter of the rules, but neither are the events of the game their story. Eureka does implicitly take the stance that all RPGs are narratives, but the Narrator isn't the one crafting the story: they are narrating the events as they happen.

As an emergent property of the above, the game not only encourages but all but mandates proactive play. The investigators are the ones who drive the events. There isn't a story that happens to the investigators, with them as passive, reactive participants. They are active agents, without whose action there is no narrative: the murderer is never caught, the innocent person gets tried, the mystery of who took the last slice of pizza is never solved. The game does this not only through explicitly stating it as a principle for the players to follow, its rules are built in such a way as to discourage player fears stemming from the investigators failing at checks. Instead of loading all their expectations onto a single check, investigators are encouraged to poke at things, ask questions, and even sometimes break into places where they are not wanted.

The game asks players to accept loss and reframe their expectations of a victory. Eureka is unafraid to ask players to buy into the fiction, and that means accepting that their characters are not representative of them and that the investigators' failures are not a failure on their part. While the investigators' objective is usually to solve the mystery, the game is not failed should that not happen: it simply means that the story has a different ending. Buying into the fiction also applies to the Narrator, whom the game explicitly mandates with not pulling any punches, not altering the facts or fudging rolls to ensure investigator success, and only giving the investigators information they have access to via their five senses. Failure as a viable outcome serves not only to discourage seeing the game as a competition between the players and narrator (and thus avoid unhealthy play dynamics), it also makes victories feel earned, as they are direct results of investigator actions.

And that thing about the game asking players to buy into the fiction cannot be overstated. Besides accepting the outcomes of investigator actions and their failures the game asks players to accept that sometimes the most interesting story arises from the investigators butting heads. The investigators may not be working to solve a mystery cooperatively and they may even be at odds with another, and this is an accepted outcome of play. Once again, since the investigators' failures are not reflective of any failure on a player's part, one investigator "succeeding" in a way that means another fails is not an undesirable state.

And importantly, the game still draws a line between healthy opposition between characters and bad faith play. Again, the game is unafraid to openly state what is asked of players, and that includes plainly stating that buying into the fiction and accepting that characters may come into conflict with one another should never be used as an excuse for antisocial play. The objective of the game is still to have fun playing out a story of some sleuths solving a mystery. While it can be fun to have that story include characters butting heads, play that actively seeks to detract from other players' enjoyment is actively going against the game's stated goals.

These are all rules in the game as much as modifiers and skill checks and HP. And I feel this is important: games can and should take an active part in teaching players what is expected of them for the sake of getting the intended experience out of the game but also for the sake of ensuring that everyone else gets the most out of the experience. Now, some people will bounce off a game simply because they will find that their playstyle does not align with the expectations of a game, and that is okay: but a player who comes away from a game with the understanding that the intended play experience was not for them will have still learned something from the game, and I will always appreciate a game for openly telling me what it expects of me as a player! It's good for games to be actively opinionated about how they are played! (And even when games don't encode these things explicitly, these expectations are somewhere down there.)

52 notes · View notes

kingofthewilderwest · 5 months ago

Note

Am I the only one who feels like HTTYD isn't as memeable as Shrek or KFP? I know we have "You're as beautiful as the day I lost you." and the famous dancing Toothless, but that one was really from a parody recap. Other than that, I really don't see a lot of memes from it.

I think that means HTTYD is successfully doing its job with the type of narration it intends.

There are comedic lines like "talking fishbone" and "thanks for nothing, you useless reptile" that fandom has parroted since the early days. There's Hiccup encouraging Toothless while the Light Fury looks aghast as a meme template. And fandom can find anything to josh with, be it Hiccup's hot froglegs in HTTYD 2, or Hiccup's love affair with scrap metal from RTTE, or throwing everyone in the dungeon who made a Stoick joke (I am DATING my time in the fandom here, y'all). There will always be moments we play with, as it were.

But HTTYD, while funny, is built on heart. Shrek and KFP have heart, too (especially KFP), but they're built around different vibes (especially Shrek). Shrek was an intentional, abrupt, genuinely shocking aberration from animated fairy tale movies. For people who weren't around when it happened, there's a REASON it was a HUGE, rocking sensation and has become part of permanent culture. Meanwhile, KFP is a comedy action. HTTYD, at its core, is the story of a boy and his dragon, and a boy and his dad. I wouldn't expect fan response or general societal response to respond to these different frameworks the same way.

When audiences think about the impact of HTTYD, they aren't thinking about the pleasurable absurdisms that lead to "You're tearing me APART, Lisa!" or "I don't like sand" (which actually, for the record, I think is an unironically good character scene, sue me).

You ever watch a movie where they try soooo hard to be meme-able? Or they're throwing in jokes at places they shouldn't? I'm not not not saying it happened here, but one of the things I think THW could've improved was by reducing the number of gags it tried to run - while competing for time to emotionally conclude a sweeping trilogy. Sometimes it's not the place for a movie to have the content that'd make it meme-able. HTTYD's always been funny, yeah, and that's part of the franchise's charm. But different types of funny bring different audience results, and you ain't gonna beat Shrek when it comes for appropriate humor vibes for memes.

I could be forgetting a ton in my sleep-deprived state. But I'd agree it's not as meme-able as Shrek, one of the most meme-worthy pieces of media to exist. It means both have their place in the ecosystem of movies, and it makes both of them fantastic for what they are.

#httyd analysis #my analysis #httyd #How to Train Your Dragon #DreamWorks Dragons #ask #ask me #awesome anonymous friend #anonymous

74 notes · View notes

kiragecko · 5 months ago

Text

How to Support People With Faceblindness/Prosopagnosia Online

This isn't super important. I'm pretty sure I'm not the only faceblind person whose response to not recognizing people was to stop caring about celebrities (and most live action). Unless it's an important political post, we're unlikely to NEED to recognize a random image on Tumblr. But if it you have the energy, this really helps:

Caption photos with the names of whoever is in them. Even if it's someone like Elvis Presley or Donald Trump, who EVERYONE recognizes.

I can't consistently recognize Marilyn Monroe. And I don't want reassurance that she looks just like someone else, so you understand. There will be someone you don't understand, and I still won't be able to recognize them. I'm bad at faces.¹

I notice that reaction images are especially hard for me. People LOVE seeing how much context they can remove while still leaving a reaction image recognizable. I have to guess that the zoomed-in eyes are probably still the Obama reaction image from years back. They're just eyes to me. Even normal reaction images are hard if they don't have distinct enough poses.

If you can mention the person's name in the alt text or a caption below your reaction image, it would help a lot.

This doesn't apply to people whose names aren't well known. If their identity isn't adding to the meaning, I don't care who it is.

For example:

With the 'then perish' Obama meme, part of the humour is that the then-president is the one telling us to die. So mentioning that it's him aids my understanding of the meme.

With 'Dead Dove: Do Not Eat', mentioning that the actor is Michael Bluth, or that the scene is from Arrested Development, allows me to go find out the context if I want to know more. (Which might have stopped me from distributing misinformation to thousands of people about the meaning of the phrase!)

As far as I can tell, the fact that the 'snakes started manifesting' guy is named Uhrie Anthony is NOT particularly important to the meme. I don't need to recognize him from somewhere else to understand what's going on.

I don't struggle nearly as much with cartoon characters. Just live-action/real people. Not sure if there are faceblind people that will struggle that way. It's still nice to get context for where some anime character is from, but it doesn't affect me the same way as seeing a random blond woman on my dash, and trying to figure out if she's a singer, an actor, an activist, or something else completely.

¹ I'm not annoyed, just trying to support those who struggle with reading comprehension. This isn't about the individual people I'm mentioning. It's about my ability to recognize ANYONE.

#prosopagnosia #face blindness #accessibility #image descriptions #can serve a lot of purposes

54 notes · View notes

caw4brandon · 10 months ago

Text

The Power of Stop-Motion

Media in today's standard is quick and easy. Rarely is a show more than 2 hours long or 13-epiodes per-season. With that, animated movies are a lot slower than the typical films.

There is a discussion on if animation is suitable for film purposes and while it is often shunned by the Golden Globes or the Oscars or other awards. The very few outliers can prove these awards and the world very wrong.

But that is not what we will be talking about today. Because while animation is popular, there is a dark horse among its sphere. One with a rich history and strong filmography that should be shared. Let's talk about;

- Have I possibly gone daffy? -

Stop-motion is a film making style that compiles multiple still images of an object being physically manipulated in small movements into one whole scene.

Majority of Stop-motion films and videos use [Clay Animation] or [Paper Animation] with several more varieties of new innovations emerging under the umbrella of stop-motion. The most popular of them in the modern era towards kids is [Lego animation] which is the manipulation of Lego models in motion.

The earliest trace of Stop-motion in films is the 1898 short [The Humpty Dumpty Circus] by Albert E. Smith and James Stuart Blackton which is said to be a lost media. To compensate, please watch [A Tribute to Stop Motion]

In its early concept, Stop-motion was used as a method to create impossible things or do practical effects under budget constrains. Such as the iconic King Kong scene at the Empire State building. Since then, Stop-motion has evolved into a full production industry. From Indies; [Righteous Robot] to Juggernauts; [Laika Studios]

- Shimmer a Little at The Edges -

Unconventional media such as stop-motion is often not a style suited for every story. Its a rather expensive type of media that requires worthy innovations top break the niche barrier. Just looking at Laika Studios alone, we see that they've develop a lot of interesting ways to improve visual effects while staying to their stop-motion roots.

One perfect example is seen in < Kubo and the Two Strings > where the animators need to create water in a still image world that feels natural. [A Perfect Storm] one other part of the stop-motion puzzle is the iron-willed discipline it to conceptualize, animate and edit a production that can take about 3 to 5 years to complete. More so of a time frame than a normal film.

This difficult curve lead to budgeted methods such as using models that already exist to tell new stories. Such as; Legos or with crude multi-jointed figures of existing characters. [MOONSHINE]

While I may say its crude, the low budget production is the selling point. Assisted with sound bites taken from gaming sessions or from shows featuring a lot of inside jokes and memes. Also, its hilarious to see a Teletubby turned into a Eldritch monster.

These attempts to make stop-motion productions accessible has captured the attention of other like-minded channels to collaborate and elevate one another. [ERB: Harry Potter vs Luke Skywalker]

- For Better Tomorrows -

With all that is said, what is the power of stop-motion? As a media that is tediously overlapping across processes. What are the better tomorrows for our inanimate subjects?

I like to think, that as filmmaking grows. Stop-motion will continue to remain as a sacred tug against live action films and traditional animation. It can be used to tell complicated stories with concepts that may look strange if its adapted in a live action.

As I have mentioned in [The Beautiful World of Hilda] animation's greatest strength is simplification. Stop-motion takes the opposite side of that philosophy.

Its a higher level of world building of the materials with willingness to accept mistakes and ruggedness that gives them that little flavor of life. As an actual touchable thing, the various cartoonish styles can take on a whole new dimension to heighten the style and give it that detail that is less polished.

Stop-motion shows that filmmaking magic can still exist despite already knowing the tricks. Its a media where every frame shown has a significant purpose that invokes a specific flow. That's the power of stop-motion.

#stop motion #stop motion animation #coraline #coraline jones #lego animation #clay animation #paper animation #laika studios #paranorman #norman babcock #the lego movie #emirichu #daidus #moonshine animations #pinocchio #guillermo del toro #wendell and wild #Guillermo del Toro's Pinocchio

94 notes · View notes

anniesilverl2 · 2 months ago

Text

CHARACTER STUDY: Megavolt, the representation of insanity or of a person with a disability issues?”

INTRODUCTION

Good morning, good afternoon, good night and dawn, when you know you should be sleeping, but you're on the internet to read creative and extremely specific texts from fans — ANYWAY, welcome everyone! My name is Lauanny, you can call me Annie, today I wanted to try to present an idea that It had in partnership with my dear friend (Beatriz, applause, please). This means that it will have to restrain myself a lot so as not to give away some spoilers, but someday it will do that when everything is ready.

It would like to initially warn you that this is a blog about character studies while also considering factors in a more serious tone of the character's actions, with that, there will be mention of attempted murder. Night terrors and psychological and health problems. The reflection here is about some ideas that may be more closely linked to future representations of the character. If you disagree or want to add, feel free to do so, I'm not the type who will be upset to hear your point. Just politeness and respect between the comments, that's enough to deal with the mistakes It may make. Please let me know if there are any grammar or information errors in the translation. With that, HERE WE GO!

IMPORTANT WARNINGS ABOUT SENSITIVE CONTENT: POSSIBLY MENTIONING VIOLENCE AND PSYCHOLOGICAL/PHYSICAL ISSUES.

DARKWING DUCK SERIES - Taking everything the show SAYS for itself

“Darkwing Duck” is a television series produced between 1991–1992 by Disney's main channel, being a spin-off of its classic show, “Ducktales: the adventure hunters” telling what we already know from the show's trajectory. Simple in its genre, but interesting information to the most attentive eyes can easily question how much the script was treated as just a comedy, superhero, and adventure animation.

It is a fact that proves this point by treating the past of the character, Megavolt / Elmo Sputterspark, with more serious eyes. In the show, his true character is introduced in Crash Reunion, episode 10, third season. In this episode, Elmo Sputterspark is presented as a typical intelligent student with a promising future, however. It turns out that, among so many days of bullying, a few weeks before the prom, the young rodent is trapped in his science project by his recurring bullies, Hamilton Spring and his girlfriend Preena Lott. Remembering that the project consisted of using the electric current from the treadmill to light a light bulb, the character spent indefinite hours running until he freed himself by burning the motor. When he touches a doorknob, he awakens his electrical powers and slowly begins to thirst for revenge. He follows those responsible for this event at the prom, fortunately stopped by a younger Darkwing Duck (who very ironically was Drake Mallard, a classmate of his from some year in the 70s). In the present of the episode Megavolt, the current Elmo Sputterspark, after surrendering to crime. Has a memory trigger and decides to have revenge for his first plan, and along the way discovers the identity of his enemy and even gains an advantage. However, he is defeated by being stuck with oil (I hope so) and when he tries to threaten the hero duck, he has a complete crisis of forgetfulness, and his router's battery runs out.

DARKWING DUCK FANDOM - Building everything that was formed for the fans together with the most indirect interpretations perceived in my participation when writing or drawing with lore

Megavolt, as you would imagine, is one of the super villains in the main cast. The affection for the character is so great that there are from the creator himself to the smallest fans attracted by his charismatic and considerably eccentric personality. There is an extreme variety in what fans are used to doing, fanart, fanfiction, blogs, memes, stickers, interactions with their own characters (family relationships, friendships, dating). And it is an important point to add because the character has passed through countless hands and will continue to do so. From my knowledge many agree that the character is a rodent, intimate interactions with the Fearsome Four (I know that some are romantic as it could be just Platonic). It does not write five because his interaction with Negaduck is turbulent like 99% of the characters in the show. Some observations are the indirect references to the character that range from his name to references that relate to his memory problems. And, what if I told you now that this is much deeper than you think at first glance? Okay, follow me below, and you will hear everything, well, almost everything because there is a story to write about AU.

IN DARKWING DUCK appearing in the episodes:

“Duck Blind” (Season 1, Episode 8)

“Comic Book Capers” (Season 1, Episode 9)

“A Revolution in Home Appliances” (Season 1, Episode 13)

“Just Us Justice Ducks, Part 1 and 2” (Season 1, Episodes 20–21)

“Ghoul of My Dreams” (Season 1, Episode 30)

"Up, Up and Awry" (Season 1, Episode 34)

“Life, the Negaverse and Everything” (Season 1, Episode 35)

“Planet of the Capes” (Season 1, Episode 36)

“Darkwing Doubloon” (Season 1, Episode 40)

"Twitching Channels” (Season 1, Episode 42)

“Dead Duck” (Season 1, Episode 47)

“Time and Punishment” (Season 1, Episode 52)

"Stressed to Kill (Season 1, Episode 53)

“Inside Binkie's Brain” (Season 1 Episode 55)

“Whirled History” (Season 1, Episode 58)

“Jail Bird” (Season 1, Episode 62)

“Negaduck” (Season 2, Episode 3)

“Inherit the Wimp” (Season 3, Episode 2)

“The Frequency Fiends” (Season 3, Episode 6)

“Clash Reunion” (Season 3, Episode 10)

IN DUCKTALES 2017 appear in the episodes:

"Beware the B.U.D.D.Y. System!" (Season 1* Episode 11)

"The Duck Knight Returns" (Season 2, Episode 16)

"Let's Get Dangerous!" (Season 3, Episode 12)

IN COMICS (Boom! Studios and Joe Books):

"The Duck Knight Returns, Part 1"

"The Duck Knight Returns, Part 2"

"The Duck Knight Returns, Part 3"

“The Duck Knight Returns, Part 4"

"Crisis on Infinite Darkwings, Part 4"

"Dangerous Currency, Part 1"

"Dangerous Currency, Part 2"

"Dangerous Currency, Part 3"

"Orange Is the New Purple, Part 1"

"Orange Is the New Purple, Part 2”

"Orange Is the New Purple, Part 3”

MEGAVOLT/ELMO SPUTTERSPARK - Story adapted without extreme spoilers, just adding the changes, ideas on his biological identity and influence:

Elmo Sputterspark/Megavolt has always been of special interest to me. I won't lie that eccentric characters don't immediately steal my attention. The adaptation I used had no references at all. In the version, I tried to create an interpretation that was a little more appropriate to more serious series and work only a few references within the Fandom's ideas. Despite everything, It still consider each part that is presented throughout his appearances (and when I say each, It MEAN EVERY DETAIL). Crash Reunion has a more serious and considerably possible approach in my notebook in the course of the characters' development. Especially when the fact that brought the plot of the episode is exactly the mistakes that Drake Mallard makes influencing his heroic persona. Some events that It warn you still maintain are the concept; the differences would be in the time given for the accident to affect the character (much more time than you can imagine than Elmo spent running in the flashback). Another important change is that Darkwing Duck failed, unlike the first heroic action he defeated the villain, this would not have happened because it extends the timeline between the 1990 and 2017 versions. The truth is that the first time he had to seriously face Megavolt in a risky situation, he ENDED UP LOSING and this had consequences for the others as well. This time, Megavolt was responsible for the death of a considerable group of some former students of the old St Canard and Hamilton and Preena are among the main targets (for now it is directly stated that it was MEGAVOLT who committed the crime).

Another thing It consider is to reformulate exactly the information about the two visits to the electric chair, he would only have gone ONCE. However, It does not disregard the second time in the sense that he still wants to use it to work on what happened in his mind after the second OVERLOAD. Exactly, a visit to the electric chair and an overload in this version. An interesting and somewhat silly fact is that I considered that the character would be a mix between animals, half dog and half rat. It seems silly at first, but considering how much some mutations (whether genetically, individually good or bad, disability, how can I explain it) influenced the mutation of his superpowers. In some drafts, despite some ideas of family origin, the final result is that the character is a mere American, with influences in his more distant relatives from indigenous to European. I would bet on a member of the Iroquois people as much as a Russian immigrant (or some nationality from Eastern/Eastern Europe). In truth, I haven't fully defined it yet, so it serves as a suggestion for you in your own notes.

MEGAVOLT/ELMO SPUTTERSPARK - Character Design

Concept art Vs Final Design

Light Redesign

DEVELOPMENT:

There are three topics that I can mention that I will be working on throughout my writing in LYG (and also my participation with PU, Beatriz's AU). The first is to work on social change from the 1945s. Elmo Sputterspark, as confirmed, was a typical genius student, fond of exact sciences, good grades, curious and politely cute, but vulnerable to bad people. One fact that I consider is to work on the difference between American and Brazilian bullying. Many say that it refers to a type like this or type like that, however. It considers it to take exactly the social classifications and behaviour according to some readings that It has already done through blogs and Reddit (if you delve deeper, you will see that it is no small thing even today). An example that I think of in some concepts is when the character had suffered from hair loss, which came mainly from the trauma of when in childhood Hamilton cut his hair until his ears were visible. It's a cruel example, but this type of situation would continue over the years, until at some point it resulted in the actions at the reunion of the old students of the main academy of Saint Canard. However, it's not just pain that would come to the character. Have small blocks to add, someone to help him during the most difficult days of summer, especially to give a flying kick to specific bullies that fans are interested in. One fact that was pointed out that could be seen as differences is in the way that the writers can bring back the villain's superpowers. It varies a lot according to the way they want to fit it into the story and the interpretation of the AUs together. Beatriz and I put forward to consider the impacts of the accident to the rodent, which, regardless of whether it was, perhaps a project that gradually became overloaded. An abnormality, special equipment or reference to other characters, the issue that brought the powers that we know, is exactly THE OVERLOAD carried out during the event. When Elmo wakes up from it, regardless of the form, it is exactly the aftermath of the artificial electricity acting on the tiny portion of the brain's electricity. Gradually becoming so much that it would hinder the bearer's ability to remove it from his limbs (yes, this small logic is broad for anything that wants to add or rewrite its origin, and, unintentionally, there was a clue as to how it happened in the main story).

CONSTRUCTION OF ELECTROMAGNETIC AND ELECTRICAL POWERS

Talking comes, talking goes, won't beat around the bush, just adding to the organization. The main fact is exactly to remember in the post that, considering that in the main version (used in Purple Union and Little Yellow Girl AU) the electricity that came into contact with Elmo during the accident is both organic and artificial. Over the time he was in contact with the charge it gradually came into contact with his energy waves until at a certain point the process and storage of neurons was completely broken (if you want to research in depth, you will understand that this is exactly what I say next). When Elmo's brain came in, in short, the artificial electricity kind of altered the waves of his neurons, which gradually. In addition to giving him incredible electrical powers, it would also gradually eat away at the few functional cells in his brain and influence his thirst for revenge. >

CONSEQUENCES

Among all the factors that I have heard or read according to fans or based on research abroad, there are four factors that I think can be used to address the difficulties and changes in Megavolt/Elmo's life. Remember that this is data that I found on websites and official documents by health professionals, even so I am not a professional. I am presenting references for something small that can be added and provide recognition of these conditions and if familiar, seek out a health professional nearby.They are popularly known as:

Post-Traumatic Stress Disorder — PTSD

Alzheimer's

Dementia

Epilepsy

> POST-TRAUMATIC STRESS DISORDER — PTSD

Known as "Post-traumatic Stress Disorder" here as PTSD, the disorder is recognized as the difficulty after a high-stress event. It can last for months or years, and many people with this disorder may try to avoid returning to the event as much as possible, whether due to memories, triggers, or having spent time with the person or place. Many things can result in PTSD, and one of the main ones that raised the point for the character to carry this condition would be his exaggerated reactions when the subject is about some event from the past. Depending on what it is, it can even bring positivity, however, for those who have the condition, any trigger that has brought pain into their life tends to have strong consequences for their safety.

In a certain rewrite, the thought of remembering school days would not simply have only the good times. Megavolt is essentially forgetful and with the temperament of a threatened bull. In consideration of this, he may initially not present fear until slowly the memories try to remember what brought him there. From social isolation after the abrupt end of their plans to the future, from the repetition of what would be expected to never be seen again, the consequences of years of bullying, verbal, social, and physical. One thing to consider is that some symptoms vary, but they present the same traits, and for a moment of transition of their enthusiasm. It could easily be exchanged for a panic attack mixed with thirst for repressed fury for so many years. Aggressiveness and emotional indifference are some visible signs, and can be broad or on a smaller scale, varying according to the symptoms in the sufferer. The possible additional symptoms include: Physical reactions such as stress or fatigue:

Hypervigilance:

Panic attack:

Anxiety attack:

Nervousness:

Distrust:

Hopelessness:

Indifference / Emotional Detachment:

Headache:

Agitation:

Hostility:

Aggressiveness:

Irritability:

Hallucination:

Insomnia:

Sleep Deprivation:

Unwanted Thoughts:

> ALZHEIMER'S DEMENTIA

Alzheimer's disease is recognized as a progressive disease responsible for the degradation of brain cells and is caused by genetic factors, such as an abnormal gene in the predominant trait of ancestors. It is commonly believed that the disease consumes the brain's strength until the individual is completely unable to perform their activities due to damage to the area of the body known as the hippocampus and the cerebral cortex (and there are other similar diseases, such as neurodegenerative diseases: Alzheimer's, Dementia, Korsakoff Syndrome, Huntington's, stroke, Head injury or tumour, chronic traumatic encephalopathy, Creutzfeldt-Jakob, multiple sclerosis, normal pressure hydrocephalus, hypothyroidism, high blood pressure, depression, and ADHD…). One factor responsible for the genetic abnormality of Alzheimer's is some lipoproteins in the cholesterol in the bloodstream. There are three types of lipoproteins:

Epsilon-4: (Leads to earlier development of Alzheimer's)

Epsilon-2: (Leads to a decrease and some safety in Alzheimer's)

Epsilon-3: (Leads to neutrality between developing or not). An important part that I will highlight from the sources (everything will be at the end of the post) is that it is not in any way a routinely recommended test. As any disease in the field of cells and brain can lead to having it, it is commonly done in middle-aged individuals.

In some rewrites, Alzheimer's is one of the most popularly known diseases and is often reviewed in some indirect way among characters who have had their past taken away. Whether by force or by chance, the main consideration is demarcating that Elmo will not have it completely. However, he would gradually go through some signs as he would lose connection with his reality. A significant fact to mention is that Alzheimer's disease is commonly targeted at middle-aged people, and a fact that could point to the approximation is exactly the character who originally is in his 30s to 40s (I read the Reboot notes). Even though, it is not completely impossible for the disease to be present in younger people. However, in a headline a century ago from “the Journal for Alzheimer's Disease”. Reported in Beijing, China, a case of gradual memory loss lasting two years in a 19-year-old from Beijing, China, was diagnosed with Alzheimer's disease. Becoming the youngest patient to have the condition in the world and being treated by finding beta-amyloid in his brain in the hippocampus. I could mention the age that the character would have during the course of the story, however, for now I will say that he was born (in this interpretation) on 09/16/1964. The main fact is that he would present considerably signs of a little of each of the conditions mentioned. However, one fact is not directly linked to another so easily, each reference influences in some way to itself and the additional possible symptoms are from:

People may experience:

Disorientation (partially):

Forgetfulness:

Difficulty concentrating:

Difficulties and Loss of recent memory (there is an additional point that your implicit or declarative memory has recovery points at an average level):

Agitation/Restlessness:

“Personality” changes:

Difficulty performing functions:

Lack of or wandering aimlessly:

Apathy (significant on average):

Mood swings, anger or loneliness:

Hallucination:

Paranoia:

Rhythmic muscle contractions:

Disorientation:

Slurred speech (rare signal):

Limited social skills:

> DEMENTIA IN GENERAL

Dementia is recognized as not being a disease, but rather as a group of cognitive and social symptoms that interfere with the individual's daily activities. Characterized by dysfunction of at least two functions, such as memory and discernment, in the brain. This suggests that Alzheimer's is a type of dementia and a term used to describe poor function in the area of the cerebral cortex. With treatments that help deal with the progression of cells, there are medications to treat the symptoms brought on by the passing of the years, perhaps not preventing them completely, but helping to improve the health of the body.

In this part of the post, in the rewrite, I confirm with a green flag that the problem in question that I would mark as total would be dementia. As it would be the field that would most encompass a behavioural analysis of the character's day-to-day difficulties. It would also represent some possible consequences for the aftermath of the genetic mutation in the character. At this point, I mention an important fact that developed over the years. Megavolt's thinking contains, to a certain extent, temperament issues. Considering that certain occasions of indifference and raising of the voice with triggers are not necessarily wilful, but are partly caused by a short temper, poor communication and low tolerance in moments of mild to serious stress. This consensus caught me when I was remembering Quackerjack's mentions with the nickname “Sparky” and that somehow it seemed very much like he repressed as much as possible the impulses of verbal threats to violence. Which, contrary to what normally happens in crises/anger attacks, tends to lead to impulsive choices at the time and then accommodated by a dose of guilt and shame (something that I will try to present directly in the future via text, stay tuned).

> EPILEPSY

Epilepsy is recognized as a disease in which there is a disturbance in the activity of nerve cells, gradually causing temporary convulsions, which can present as a crisis or epileptic fits. It can occur both generically and due to injuries, lesions, trauma, or substance abuse that affect the cerebral vascular system. An epileptic fit occurs with the contraction of muscles, or rather, as a switch from voluntary to involuntary contractions or muscle paralysis. Among the signs throughout the body, there may be loss of control of movements, incomprehensible speech, tremors, chewing on the tongue (or even rolling it up), intense salivation, panting, and this will result in what the individual's gaze does. Often, because it can occur for a short period of time, it is often not noticed by family members, caregivers, or even teachers. At the end of the recurrence, the person does not remember what happened during or before the involuntary seizure, called a partial seizure (consciousness is not influenced) and a complex seizure (consciousness is impacted). Generalized seizures define those that affect the person in a generalized manner, as the name suggests. There are some types of generalized seizures:

Absence seizure: characterized by the behaviour of staring into space, spaced out, and may make subtle movements, such as blinking.

Myoclonic seizures: characterized by sudden movements, such as sudden jerks or spasms in the arms and legs;

Atonic seizures: characterized by loss of muscle control, which can lead to sudden falls or uncertain movements.

Atonic seizures: This type of seizure causes loss of muscle control, which can lead to sudden falls.

Tonic seizures: characterized by muscle rigidity, generally affecting the muscles of the arms, legs, and back. They can also cause falls;

Clonic seizures: characterized by causing rhythmic and repetitive movements. Tonic-clonic seizures. In this type, there is loss of consciousness, rigidity, and tremors throughout the body, and in some cases, loss of control of the bladder and tongue. This is the most well-known type of seizure, when the patient struggles.The symptoms in addition to your profile:

Fainting/Fatigue:

Tingling:

Visual or sensory symptoms:

Amnesia:

Mental confusion:

Seizures:

Headache:

Temporary paralysis:

If we are now referring to the representation of Megavolt/Elmo, he takes on a considerable role in the situations in which he lives together and, many times. It is the result of a physical overload of electricity running through his veins. Furthermore, in reference to one of the actions that occurs when he pushes his body's energy limits, and one of the reasons for merging with his crisis episodes. And one of the factors that led to this connection came from the character's defeats, in which Darkwing Duck or company used water, or an overload of their powers to defeat him. With the change in tone, it is possible to direct that this was one of the reasons for considering the influence of the development of these symptoms on the character. Another fact that is considerably open to work on his psychology within his arcs until his last appearance in the AUs. It will still be studied a little more to improve the writing of the subject, even though it already contains its own notes on PTSD. It is essential to make progress to improve and find a way to show the individuality in the rat

An important fact to mention is that, despite the differences, the relationship between the Fearsome Five has undergone some considerable changes. However, the essence between the four members carries a considerable essence, even with the relationship problems and threats caused by Negaduck. An essential piece of information to be said is that as Megavolt's experience progresses, health issues begin to appear that influence a considerable dependence to treat some negligence, difficulty remembering and performing simple activities. More information and it's a bucket of unintentional gossip.

CREATIVE WRITING: What ideas can be worked and how can each one fit in?

Relationships with the Fearsome Four:

A great approach for the group of villains is to explore how interactions work, their development. Mainly, to address how they can help their little friend with his difficulties in everyday life and how sometimes he can have both good and bad days in relation to trying to be his emotional support. Negaduck is also a good placement, he could work on how both good and bad relationships can affect his personality. If it is thanks to this or that he can give in to crises or because he is someone trying to deal with everything alone for fear of being dependent. However, who can gradually show again that support in some way is essential to give him independence of his identity.

Relationships with family members:

Every character in Darkwing Duck, unlike the protagonist who has a daughter and frequently interacts with the audience, there are few characters who have any affinity with their family members, even with some small mentions. For example: Liquidator has already mentioned his cousin, Morgana has a large family, Drake has his ancestors and his adopted daughter, but what about other characters like Megavolt? Well, I say that here, it would give writers and artists total freedom to play with the concepts. They could give the same country, brothers, uncles, cousins, grandparents, even adoptive purposes that were built from friendship and relationships of consideration for a negligent environment, in the same way as giving a romantic partner. However, the point I'm getting at for now is about the certain almost coming of working a possible son into the character. Of course, the artists could even swap it for a daughter and even the fans themselves with OCs, the point is that this fact would give an influential sequence to the character. A child in their care could have countless origins, the focus on their presence would be the changes it would give to the character's personality. Would this kid be a joy for him? Just a bait? An emotional support over time, together? A line between sanity and domestic life? Or how could little Isha (Arcane) end her days to give the total loss of hope? Well, I don't tremble at all with the hands of a person committed to a message.

Non-intimate relationships and relationships with strangers:

Now let's get to the comment that would cause the most confusion among the common citizens of the city and the lawyers of the lunatic gentleman. Would there be a way to work on this without disregarding his crimes and the terror he caused to ordinary people? Would this influence his emotional indifference if it came back to haunt him? It could open up many ideas, perhaps the rodent's going to a reformatory, a psychiatric clinic or even moments of his monitoring sessions with a psychologist or therapist. Maybe there would be someone who could be a helping hand to show him other sides. Would giving him a future if he is at the end of his line of conscience or lack of security for others open up space to debate Megavolt's redemption? Well, the numerous answers are all valid, and it would be interesting to hear from each one what would be in their argument. This also applies to the relationships of enemies like Megavolt with Darkwing Duck and how much this influences his development. Whether there is variation, resentment, or that it brings some small sense of morality regarding his opinion to the hero's companions. It would be possible to play with the other topics in the smallest interactions. Such as a possible neutrality that would lead to leaving LP, Honker and Gosalyn alone or even that there would be no sense that would prevent him from hurting the hero emotionally.

INTERESTING REFERENCES FOR YOU TO PICK UP FOR THE CHARACTER

Pearl of Steven Universe;

Fiddleford Hadron / Old Man McGucket of Gravity Falls;

Doctor Two-Brains of Word Girl;

Ice King / Simon Petrikov of Adventure Time;

Junk rat of Overwatch 2

Powder / Jinx of Arcane: League of Legends;

Damian Wayne (Batman #655) and Dick Grayson (Detective Comics #38) of DC Comics

CLOSING

I thank everyone who had the patience to listen to some ideas of my anxious personality, I continue trying to have something that can be recognized and that can interact with the other people present. And probably some, coming from Instagram, must have thought of the original characters that Beatriz and I made, and that includes Isabella and little Vanna. Recently, I will try to help in the return of her main universe if I don't go back to writing the fifth chapter of LYG's story for 12/26. However, well, if you want to participate in throne-year anniversary of progress by sending questions, I would love to draw them while I'm helping in the Purple Union AU. So, if you want to help us with support or questions, we will try to answer them without spoiling the fun. I hope you enjoyed it, see you soon!

BIBLIOGRAPHIC REFERENCES:

Darkwing Duck - Fandom Wiki. Epilepsia: Conheça os diferentes tipos de crise - por Maiara Ribeiro, DRAUZIO 06/05/2020.

MANUAL MSD, Versão para Profissionais de Saúde - PorBola Adamolekun, MD, University of Tennessee Health Science Center.

Manual MSD, Versão Saúde para a Família - Doença de Alzheimer, Por Juebin Huang, MD, PhD, Department of Neurology, University of Mississippi Medical Center.

Healthdirect Australian health advice you can count on - Memory disorders

Epilysis Foundation - What is Epilysis?

Alzheimer's Association - What Is Dementia?

Psychiatrist.com - A 19-Year-Old Is Youngest Ever to Be Diagnosed with Alzheimer's

Mayo Clinic - Post-traumatic stress disorder (PTSD)

#darkwing duck #ducktales #ducktales au #darkwing duck au #fearsome five #fearsome four #megavolt #elmo sputterspark #disney duckverse #duckverse #additional ideas #character study #headcanon #dementia #alzheimers #ptsd #epilepsy #informative

30 notes · View notes