can i make fanart of your au 👉👈
(i might not but im obsessed with the idea and i kinda want to)
(Tldr: I would LOVE to see art of my aus and I’m very happy I can inspire anyone to want to make art, even if they do not end up drawing it.)
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YES YES YES OFC YOU CAN
I CANNOT VERBALIZE. HOW ABSOLUTELY JOYFUL I FEEL AT GETTING YOUR ASK, BELOVED ANON!!!!
BLESSINGS UPON YOU AND ALL YOU LOVE
Even if you do not end up drawing it, it brings me such happiness that my rambling would cause someone to want to draw. I love art, and to be an inspiration to make more is. Ig like Nagito wanting to be a stepping stone for hope? But like. With less death. And less self loathing
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gansey fighting with adam and talking about how ronan hadn't stolen his car while ronan is not only quite literally stealing his car at that exact moment but crashing it too will never not be funny
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THERE IS SIMPLY NOT ENOUGH SHERLOCK & CO CONTENT FOR ME TO CONSUME, I HAVE LIKED EVERY POST ON THIS BLOODY PLATFORM AND I R E F U S E TO GO TO TWITTER >:(
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guys neil in his glasses he looks like a tiny little bird that hops around ands eats seeds
like idk a lot of birds I just googled ‘little hopping bird’ but this one looks pretty good
something in its face reminds me of neil
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there is something so, so devastating to me about imogen having spent the past weeks utilizing how much like her mother she appears to be as a way for the hells to gain intel and slip past different situations but how significantly her like . relvin vibes have increased in the past couple episodes. and of course we only have the one interaction with him but the temult dynamic is one of the ones that spins my brain around in knots. there is something very juicy to me about an imogen who can’t escape her mother’s fate because she looks like her spitting image and has her same powers and who can’t escape her father’s fate because she’s also powerless watching the woman she loves disappear.
like relvin in that visit is of course walled off and he’s decades down the road of having seen the woman he loves disappear into the unknown of her powers and what we got of his response to liliana and the idea of helping imogen save her wasn’t unlike imogen’s recent response to laudna. his comment that he always figured that liliana would realize gelvaan wasn’t the place for her, he just also hoped they’d go together when she left is like the domestic small town mirror of imogen’s illogical but real griefguilt about leaving laudna alone by fighting against predathos. i mean relvin specifically brings up that he doesn’t know if liliana was lying to him the whole time about her powers or if she didn’t know either, “it’s a lot to take in at once. you think you know someone, there’s a whole part of their life that they just been keeping secret from you. i was angry. i’m still angry. but you know, a little part of me wants to believe she was just doing it to protect you.“ a sentiment echoed by imogen’s responses to laudna the past few episodes.
and at the end of that gelvaan visit, relvin speaking up enough to tell imogen to “tell her…” but not having anything to say. because liliana made her choice and he knows his words didn’t mean anything before. imogen just watching as laudna shoves a dagger into her own chest, imogen telling her “i’ll always love you, laudna. i just don’t know what to do with it.”
god, in general, imogen who grew up knowing that love isn’t enough. that love is important and it’s a lot, but not enough. relvin and imogen standing with a chasm of grief and a silver locket between them and “i never want you to be afraid of me, daddy” “me neither.” and laudna’s “i don’t like people being mad at me.” and imogen’s “i know.”
because imogen is her father’s daughter. like absolutely with anger at him and complexity in that relationship but silly little cowboy jokes aside, the values imogen expresses are ones that — when not ones born of her experiences with her powers — seem very much contextualized by her upbringing. i mean the ideal life that she dreamt of and dismissed with laudna someday when the apocalypse is over is a small cottage with some horses. relvin lives in a farmhouse furnished for one.
i’ve talked before about how For Me the most fruitful lens for viewing imogen’s story is one of generational trauma, and i think the reasons for that re: liliana are obvious. but i also think that being raised by someone who isn’t privy to the intricacies of whatever haunts their spouse enough that it’s been passed down is another sort of fucked up legacy and i am truly delighted/sorrowed by how messily and interestingly imogen sits at the intersection of these dual temult legacies; one of leaving and one of being left.
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thinking about that show where the navy seal love love love love love love love love loves the jersey detective
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