#lord tusk

[heretakesomecandy]

lord tusk, nightmare if every dentist and soon of our heroes too.

[islasislas333]

Lord Tusk en sala Meteoro en Barcelona

[beatbude]

Big one coming up with special guests! Also exhibiting first Tax mag! Merch proceeds will go to 'Funds for Gaza'.

[thetownsendsw]

Today marks the premier of #Pathfinder’s Triumph of the Tusk Adventure Path, so I’d like to take a moment to discuss a relevant topic near and dear to my heart.

ORCS!

While Tolkien was drawing on some linguistic antecedents, Orcs in fantasy originate from The Hobbit & Lord of the Rings, where they’re brutish soldiers of various forces of evil.

Initially lacking redeeming quality, Orcs have become a darling of pop culture, their thuggish nature explored from many angles across TTRPGs, video games, comics, novels, and more.

Now, when you picture an Orc, you no doubt imagine something akin to the Warcraft or Warhammer franchises: statuesque, green skinned humanoids with protruding underbites and looming tusks, often locked into a primitive, itinerant lifestyle, eschewing technology beyond what they pillage from other races.

Interestingly, none of this is in Tolkien.

In Tolkien, “Orc” was essentially another word for “Goblin,” or perhaps unusually large Goblins. Far from statuesque, Gollum (a (former?) Hobbit) could easily be confused for one. The Uruk-hai, a new, stronger Orcish offshoot were described as Orcish in appearance but only as tall as a Man, not taller.

Tolkien’s Orcs are described as deformed, but nothing as specific as green skin or tusks is specifically mentioned (Tolkien saved in-depth sensory detail for trees, and occasionally beards).

Far from being savages, Tolkien’s Orcs were–in his grand Romanticist narrative–stand-ins for industrialization. They were destroying the forests to build grand weapons of war, and soot-covered Mordor evoked the smokestacks of 19th century london.

In many ways the conflict of LotR can be interpreted as Tolkien pitting the noble myths and tales he studied up against his real experiences in WWI.

(the thought amuses me of a firmly medieval fantasy setting, except when we zoom in on the Orcish Badlands they’re all shelling each other from the trenches)

But while none of these traits are in Tolkien, there is a source where they are central.

The Green Martians, or Tharks, first appeared in A Princess of Mars by Edgar Rice Burroughs, published in All-Story Magazine from Feb-July 1912, well before any of the kids Tolkien decided to tell a fairy tale to were born.

The Tharks are described as 15 foot tall nomadic savages, favoring mighty beasts and weapons salvaged from the more civilized races of Barsoom. They have green skin and tusks, as well as six limbs (interestingly, the middle limbs are described as functional as either crude arms or secondary legs, but art always just depicts four arms)

Culturally, the Tharks are clearly meant as extensions of the Apache raiders encountered in the early chapters of the book set in Arizona; i.e. some California ranch-owner’s idea of wasteland savages. Nomadic, inhuman raiders redeemable only when breaching their primitive traditions.

The parallels are almost uncanny, and I’ll admit I’m honestly not sure where the crossover occurs. Early editions of D&D–another driver of fantasy trends–depict orcs as pig-people, which is probably how tusks became so iconic. They later added gray skin, which persisted officially until the current edition.

Somewhere between there in ‘74 and Warhammer in the early 80s is when the pseudo-Barsoom look took over in broader culture, and at this point there’s no getting around it. Even the more recent Tolkien film adaptations can’t entirely escape the expectation of modern Orcishness.

Turning back the clock a bit, Tolkien notably was never entirely sure where Orcs came from. His first idea was that they were molded from clay by Morgoth, a dark mirror to Adam, but being a Catholic at heart, he disliked the idea of Evil being a creative force.

He flip-flopped for the rest of his life, whether Orcs were corrupted men/elves/hobbits, uplifted beasts, even (according to one post I saw) soulless bodies remotely piloted by demons. He could never quite square the need for unfailingly evil mooks with his own feelings on Good & Evil.

Personally, I find particular resonance in the parallel between what D&D used to call an “always chaotic evil” race and the very Catholic concept of Original Sin. Was Tolkien merely dancing around the idea that the Orcs only needed to be Saved?

I can’t say what Tolkien would think of modern Orcs, either their merging with an earlier, American space alien, or our attempts to humanize what was supposed to be fundamentally inhuman. But I think his insecurity speaks to the same source as our fascination.

Who among us hasn’t struggled with what it means to be good? Or to be evil? And if we are made to be evil, what does it mean to strive against that purpose or to surrender to it? Can we abandon the precepts of predestiny? Or do we reject that they were ever there?

Stare deeply into that Jungian shadow and tell me…

Is it green? And do you want it to be?

[scp-1296]

Oh funny D20 animatic Emily and Lou are hilarious-

Wait.

Zoom in. Enhance.

NO FUCKING WAY

[toxooz]

ever since that one ask i keep thinking abt Jakkans timeline with the whole 'Ollie's demonic genetics cause him to age super slowly and outlive everyone else' so hes like 1000 years old but only looks like he's in his mid 40s but hes also like a half cyborg at this point

[spycemel]

So I started playing modded Terraria with a friend. And I finished two different playthroughs of the JoJo's mod (one with the friend and one by myself). So like last time I'm doing drawings for them. I did three drawings for the characters (Joab Joslin/Tusk and SpongeBob/Patrick Star Platinum) me and my friend played as for the co-op playthrough. I’m also planning to do one for my solo-playthrough.

The second photo has two versions, one of them is me attempting to replicate the affect that happens when you fight the Moon Lord in game. I don't think I did a good job but I still like how it turned out.

The last one's a joke based on mod mechanics and some visual glitches that kept happening in our playthrough.

In game you have the ability to switch your stand between manual or auto. Star Platinum in this mod has Star Finger as an ability that it uses while in auto mode, every time it uses it a voice clip from the anime plays. Which is a little annoying but can be fixed by adjusting volume. Now the funny part is. For some reason when you play this mod in multiplayer, Star finger glitches and starts from a point that it shouldn't. So for me whenever the ability was used, it would appear as if it was coming from the holes created by Act 3 or from whatever pet I had equipped at the time.

[the-history-chap]

On another note, have some random polish politics memes

[thepanvelite]

The Tale of Ganesha’s Broken Tusk: A Story of Wisdom and Sacrifice

Lord Ganesha's broken tusk symbolizes sacrifice, duty, and wisdom in Hindu mythology.

Have you ever wondered why Lord Ganesha, the beloved elephant-headed deity, has only one tusk? The story behind Ganesha’s broken tusk is as fascinating as it is symbolic. Let’s dive into this intriguing tale! The Battle with Parashurama Battle between Lord Ganesha and Parashurama One of the most popular stories comes from the Brahmanda Purana. It all started when Parashurama, a fierce warrior…

[pujapujari]

Ganesha On Elephant Tusks Brass Sculpture For Puja Mandir & Home Decoration

Awaken divine presence in your home with this exquisite Ganesha, exquisitely sculpted from solid brass. Puja N Pujari's master artisans have captured every intricate detail, breathing life into the Lord of Beginnings. His warm presence, radiating auspicious blessings, will grace your puja mandir or any living space with elegance and serenity.

Purchase it here: https://www.pujanpujari.com/shop/ganesha-on-elephant-tusks-brass-sculpture-for-puja-mandir-home-decoration/

[thaylepo]

I LOVE historical fiction, I love the fuck out of it. Gladiator was a fantastic fucking movie and fun as hell to watch, knowing it was about as historically accurate as Stanley Kubrick's 1960 Spartacus doesn't change that it was a really fun movie. (Beyond a bit of initial disappointment maybe at learning the Roman Empire wasn't exactly as sensationally fucked up as portrayed..... at least until you learn all the ways the Roman Empire was actually sensationally fucked up, anyway lol)

You don't need to claim your historical fiction is historically accurate for.... what? Clout? Veracity? Compensating for telling a poor story? No one's going to see cgi lions and tigers twice the size of a man and think "oh surely that's exactly how it must have been", and if they do, then accuracy's not of much concern to your target audience anyway.

ROME didn't even remember their own historical origins by the time they became of any significance among the Classical Mediterranean powers. They'd lost nearly all memory or record, if there was any, of anything before the Bronze Age collapse just like pretty much everyone else. So they took the scattered fragments of recollected lore and made up their own origins. The Roman Empire invented its own fucking history out of myth and legend and baked in all the things that were important to them at the time. That story's about as factually historical as a vampire hunting president, but it tells us more about how Rome saw itself than any list of events possibly could.

Our stories now shape how we see ourselves and our place in a timeline of humanity much more than how we see history or historical accuracy, and making people believe your made-up bullshit is historical is just posturing: useless and nonessential. Who cares? Who are you fooling? The true value of made-up bullshit is that it's supposed to be FUN. Abe Lincoln fighting vampires is FUN. A jousting stadium of 14th century medieval spectators stomping to Queen's We Will Rock You is FUN. Giant tigers and Napoleon being a short sassy bald man with indigestion is FUN. Yeah, it's misleading, but it's even more misleading AND disingenuous to dig your heels in and claim that people who dedicate their lives and passion to the study of something know less about that than you to make yourself look.... smart? Authentic? It doesn't matter.

There's no shame in choosing to make something FUN instead of accurate, but there's a shitload of shame in outright fucking lying about it. What level of respect does Ridley Scott show for his audience with that?

I love made up bullshit for its own entertainment value. I cannot stand someone trying to feed me made up bullshit while trying to tell me it's real. That is literally 99% of my waking life in modern society. Just make your bullshit entertaining and stop trying to convince me the Vikings were filthy bare-chested pelt-wearing barbarians. I'm still gonna watch the hot sweaty shirtless man and badass sword wielding lady show. I grew up on Sam Raimi's Xena and Hercules, ffs. I don't know why we keep trying to bill stuff that's just as ridiculously made up as "historically accurate" when we're basically just reinventing writing Homer's Odyssey or Virgil's Aenead. (Then again, that was basically considered "history" as far as Emperor Augustus was concerned.... so maybe nothing really has changed.)

Ridley Scott, regarding his new Napoleon movie, is being aggressively defensive about its inaccuracies with historians. He's gone on record saying "When I have issues with historians, I ask: ‘Excuse me, mate, were you there? No? Well, shut the fuck up then.’" This is a classic argument of people with no idea how historians do their work, how historical accuracy is determined and evaluated, and - in Ridley Scott's case in particular - how important it is to properly portray historical accuracy in other media.

The reason why Ridley Scott is being so aggressively dismissive of complaints about historical accuracy is due to past beef leading to a problem he likely has.

This is a movie that, by din of being touted as a 'nonfiction' movie about a historical figure, is basing much of its marketing on historical accuracy by default. The trailers show it's not, and reviews by historians say it is riddled with dozens if not hundreds of inaccuracies. Napoleon's portrayal is frankly a surface level depiction and nowhere near the nuance that historians were hoping for.

Scott's defensive about it. He need not be. If he had a historical consultant then he could go "I'm not an expert on the time period, but I have someone who is, ask them about it" and fob them off on his movie's historical consultant. It's a whole Thing. He doesn't have one, however, so he has to defend it personally.

You see, Ridley Scott probably didn't hire a historical consultant for Napoleon. The last time he had one - Kathleen Coleman for Gladiator - she was so upset over the inaccuracies he pushed through and how little her work affected the film, she requested her name be taken off of it.

Why this is important is because so many more people will watch a movie made by Ridley Scott than I or any other person could write. More people will watch Scott's Napoleon in the States than five hundred books about Napoleon combined worldwide.

More people watched Dunkirk than ever read a book about the Evacuation of Dunkirk. The movie Breaker Morant did so much for public perception about the execution of a genuine war criminal people in Australia still on occasion call for a pardon for Morant.

Fundamentally, mass media like movies will always have more impact of a popular perception about somebody, a time period, an event. That's why Ridley Scott making an inaccurate movie and going 'oh, you weren't there, you didn't see it with your own eyes, so how could you know, I don't have to listen to you' is a problem.

[peachessndreamss]

Wolfswood

Summery : Cregan receives an injury while out hunting, his wife cares for him

Characters : Cregan Stark x f!wife reader (no use of Y/N)

Warnings : Cannon typical injury and first aid/wound care, cannon typical hunting

Word count : 4k

A/N : Cregan Stark I love yooou. Also, apologies in advance if this is the most boring thing you've ever read.

Winter had arrived with devastating speed and brutality in the North. The first heavy snowfall had destroyed the last remaining crops left out in the fields and the woodpiles stacked as high as two men and just as wide had looked like enough to see them through two winters but soon began to deplete at an alarming rate. 

And when a great boar had been sighted at the edge of the Wolfswood, Lord Cregan Stark quickly called the men of his house to a hunt, knowing it was better to find the creature now and make use of it rather than let it be starved by the winter. 

They had set out in the pre-dawn, 10 men of House Stark, wrapped in layers of leather, wool and fur, mounted on the most surefooted horses the Winterfell stables had to offer. Lord Stark rode at the front of the group, his steward and close friend Martyn Snow riding beside him, the two of them talking as they disappeared from sight. 

Once in the Wolfswood Lord Stark had led the hunt, first on horseback as they tracked the creature deeper into the cover of the dense wood and then on foot, when the terrain had become too dangerous for the horses and the boar needed to be harried out of its hiding place.

Cregan had been moving slowly north, stepping over tangles of brambles and avoiding tree roots thicker than his thighs, the men of the group formed a large crescent shape as they moved slowly, hopefully driving the animal toward a clearing. One of the men at the end of the line gave a sharp whistle to indicate the group should stop, instinctively his head moved toward the sound and in that split second of distraction Cregan missed the rustling of dead leaves and the heavy breathing of an animal charging. 

The great tusk of the boar gored his left thigh. Cutting deeply through the skin to the muscle beneath, bright red blood immediately falling to the leaves at his feet. The power of the blow from the animal knocked him off his feet and sent him slamming into the cold ground, the back of his head knocking hard against a tree root. The metallic stink of blood filled his nose as shouts went up from the men of the household, they abandoned the hunt and gathered around their injured lord. 

“Get the beast,” was all he managed to say before the wintery sunlight faded from his view and he wasn't aware of pain or cold anymore. 

Lady Stark watched the hunting party return from the covered walkway between the Great Keep and the Armory. She expected to see Cregan leading the party, a triumphant smile on his cold reddened face with the great beast slung over the back of his stallion. 

Instead it was Cregan's steward, Martyn, who galloped in at the front of the procession, his horse wet with sweat, its nostrils flaring as it snorted. The animals rider didn’t look much better, the steward’s face was fearful and the same colour as the bark of the weirwood tree, his pale brown leather jerkin was darkened with blood. 

“My lady,” he called when he saw her watching, “Lord Stark’s been hur’, cut by the boar. Please send for the maester,” 

His words caused a lump of ice to form in her stomach, chilling her from her heart outward. There was always a risk when the men went hunting, and more often than not her husband returned home with some small injury or another but this had to have been serious. As she dashed into the Great Keep she caught sight of a wagon being drawn by two great horses, on the bed of the wagon a tangle of fur and blood, she fought a wave of nausea at the sight and ducked inside the keep. 

Her feet were light and silent as she reached the maester’s chambers, not bothering to knock on the old man’s door she threw it open with a crash. 

The maester was startled by her sudden interruption, jumping up from his stool at the desk with surprising speed and agility for a man who was nearing 70. He opened his mouth, ready to scold whoever had so rudely burst into his rooms, but his words died on his lips. 

“Lord Stark’s been injured in the hunt,” she said, praying her voice didn't waver and give away the fear that was gripping her throat like a claw. 

“Injured how?” The maester replied, moving toward the large wooden sideboard that dominated the room. On the shelves were jars, bottles and boxes containing every substance needed by a maester, and probably a few they didn’t need as well. 

“Gored, I don't know where, they've just arrived back, please come now,” she said firmly, not willing to keep Cregan waiting. 

The maester nodded and gathered his heavy leather case from the side, the bag was filled with sharp tools and simple herbs and mixtures for most every day healing.  He followed behind Lady Stark as she led them to the undercroft of the Great Keep, where there was a great deal of noise and disruption. 

The undercroft was a dark, cool, enclosed space usually used for storage, most days it would only see one or two visitors but now it was alive as men lit torches around the walls while others heaved Cregan’s limp form onto the huge oak table that sat in the centre of the space. They stripped him out of his blood soaked outer clothes and left him lying in his linen shirt and woollen trousers. 

The left leg of his trousers was ripped open at the mid thigh, revealing a 5 inch gash, skin and muscle had been torn apart and glistened dark red. A tourniquet above the wound had stopped most of the bleeding but his face was ghostly pale and his lips an unhealthy shade of blue. 

Lady Stark moved slowly toward the head of the table where Cregan’s closed eyes made him look almost peaceful, the maester went straight to the wound and began cutting away at his trousers. 

“Has he been talking?” he asked as he began to inspect the wound more closely. 

“A little, but he was unconscious for a minute or so after it happened,” the steward replied, standing by Cregran’s right hip, wringing his hands together. 

“Hello my love,” Lady Stark said softly, brushing her hand over his forehead, willing herself not to fall to her knees and weep when she felt how cold his skin was. 

His grey eyes fluttered open and blinked slowly, trying to bring his wife’s face into focus, the world around him seemed to shift violently, left and right, up and down but her warm hand on top of his head held him steady. 

“Now, what have you been up to?” she asked softly, as if addressing one of their children. 

Cregan’s whole left leg throbbed painfully and his stomach roiled with nausea, he swallowed once, finding his mouth and throat dry. 

“It's barely a scratch,” he croaked. Lady Stark gave a small huff that might have been out of amusement and stroked her fingers over the crown of his head. 

“‘Tis a dreadful looking scratch,” she replied, “still, the maester’s here now,”. 

Cregan hissed with the pain as the maester applied a green tinged ointment to the wound. Sweat broke out all over his body and he felt his hands start to tremble. 

“Did they get the beast?” Cregan asked, once the initial wave of pain had passed and faded back into a constant throb. 

Lady Stark glanced at Martyn who gave a small nod of his head. 

“Of course, and you shall have the beast's head for your chambers if you want”. 

He gave what appeared to be a weak nod before closing his eyes again and taking a deep breath. Cregan had known pain before but dislocated shoulders, broken bones and the sharp bite of Valyrian steel were nothing compared to this. 

At his thigh the maester had soaked a small piece of linen in a clear, strong smelling substance that he placed over the wound before tightly wrapping a clean bandage before removing the tourniquet tied high up his thigh. As the blood was allowed to flow back into the lower leg the colour returned to the skin but there were no signs of excessive bleeding at the wound. The maeester turned his attention to Lady Stark. 

“It’s as clean a cut as we can expect from a tusk, most importantly there’s no sign of dirt within, I have great faith that it will heal well,” the maester explained, wiping his hands on a clean piece of linen that was tucked into the belt at his waist. 

“I'll go to my rooms now and make a poultice to fight infection and in the meantime he can be moved to his rooms to ensure he's comfortable,” he added. 

With a small nod from Lady Stark the men still standing around the room went into action, they brought a stretcher and carefully moved Cregan from the table to the stretcher. He was then carried slowly through the Keep and up to his rooms. The masters chambers were the largest but the least used within the Great Keep, Cregan and his wife favoured the smaller but warmer Lady’s chambers, especially as they were the closest rooms to the children’s rooms. 

Once he was settled on the bed she sent for two bowls of water and a cloth before stripping him of the last remaining pieces of clothing. Unable to lift him from the bed to get his shirt over his head she cut the fabric straight up the middle with a small knife, pushing the two halves over his chest and cutting the sleeves apart to expose his arms. She also had to cut away what was left of his trousers, finding some of the material stuck to his skin with blood. 

Once he was as bare as the day he’d been born she soaked the cloth in warm water and set about washing him. Somehow the blood had managed to get up to his neck and down to the bottom of his left foot. She started at his neck, watching as droplets of reddened water ran down onto his chest and collected in the dark mess of curls that started at his collar bone, completely covered his chest and then funnelled into a thick strip that ran all the way down his stomach to the apex of his thighs.  

“I swear you're more beast than man sometimes,” she said softly as she dabbed at his chest, lifting the blood from his skin and hair. 

“It's the wolf in me,” he replied softly. 

Her head snapped towards his face, she’d had no idea he was awake and seeing his soft gaze on her face brought a wave of emotion flooding through her body. The usual surge of love she felt whenever she looked at him, intense relief at seeing his cheeks a healthy flushed colour after how deathly pale he’d looked before and bubbling anger brought on by the extreme fear that still sat in her stomach like a block of ice. 

“The wolf couldn't smell the boar sneaking up on you?” She asked as she felt tears burn her eyes. Cregan offered her a small, reassuring smile. 

“The wolf is more,” he paused a second while he thought, “passive...”. 

Unable to resist him, Lady Stark felt herself smiling and the two of them shared a laugh before she continued to wash him, revealing the pale skin under the dark curls and dried blood. 

“You're lucky it wasn’t more serious,” she said softly as she wrung the red water out of the cloth into a mostly empty bowl before dipping the cloth back into clean water, “if it’d caught on the inside of your leg you'd have been dead before they got you home,” she added, an icy edge to her voice as the fear that had gripped her throat now throbbed behind her eyes. 

“But I wasn't,” he placated gently, reaching out and taking hold of her wrist as she dabbed at his stomach.

“I'm fine,” he added when he noticed the tears gathering in her eyes and the angry wobble of her bottom lip. 

She snatched the hand from his, throwing the cloth into the bowl of clean water at her feet. The water splashed up, catching the skirt of her dress. 

“And what if you weren't? What if you weren’t fine?  Your son is barely 9 months old Cregan, do you expect me to hold the entire North until he comes of age? Fighting off every grasping lord from The Wall to Dorne trying to get to him and steal his birthright?” An angry tear tracked down her cheek.

“I cannot be regent, Cregan, I cannot be here without you,”. 

He reached out again and took hold of her balled first at the wrist, bringing her hand towards his face, pressing a soft kiss to her curled fingers. 

“And nor will you be,” he said softly, his lips still touching her fingers, “you and I are going to grow very old together, so old they write songs about us when we're all but turned to dust,”. 

She gave a small, watery laugh through her tears and pulled her hand out of his again. 

“Now you're just placating me,” she said, reaching into the bowl for the cloth and ringing it out. 

“Of course I am,” he replied with a smile, stretching his right arm up and settling it behind his head, the bend in his arm causing his muscle to flex and bulge under his skin. Were it not for the bandage around his leg he would have looked as if he was just relaxing for the evening. 

“I understand well that my most important duty is keeping you happy,”. 

Lady Stark scoffed at him and returned to the gentle washing of his stomach. A small smile tugging up the corners of his lips as he watched her tending to him so carefully. He'd been in a fair few scrapes before this one and was always happy to be tended to by his wife, the mixture of her gentle hand and sharp words always made him feel better. 

“Am I permitted to say how I'm enjoying your undivided attention?” He asked. 

“You may not say it” she replied, flicking her eyes to his face and catching him grinning at her. 

“I shall just think it then,”. 

They both fell into a tense silence as her cloth inched closer to the bandaged wound. The maester had said he would come by later that day to stitch the wound closed once it had time to dry and he could be certain there was no rot. Sweat broke out across his body as her gentle touch began to feel like needles piercing his skin, he kept his jaw firmly shut, unwilling to let a single sound of pain pass his lips.

“Would you take something for the pain?” She asked, not needing to hear him cry out to know he was in great discomfort, she wrang the cloth out again wetted it with clean water again. 

“I would rather keep my wits,” he replied, his voice strained. 

“Then perhaps a little when we’re finished and you can rest?” She pressed. She knew he disliked the effects of milk of the poppy but seeing him in such pain made her heart ache. 

“Perhaps,” he nodded before pressing his lips tightly closed, redoubling his efforts to stay silent.

She finished his bed bath at his left foot, cleaning the dried blood from the bottom of his toes and the ball of his foot. And all the pain that had passed before paled in comparison to the agony he felt as her hands gently tended the most ticklish part of his body. He fought with every ounce of willpower to stay still and not curl his toes and kick his foot out of her hands. 

Once finished she rung the cloth out one final time before standing and carrying the two bowls of water across the room and setting them aside to be cleared away later. 

“Will you sleep for a while? She asked him, moving back toward him and running her hand over his forehead before drawing a soft woollen blanket over his nakedness. 

Cregan nodded, suddenly feeling exhausted and wanting nothing more than to close his eyes and sleep until the dawn of the summer. 

“Alright, will you take a little milk of the poppy?” she asked.

He nodded again, opening one of his eyes to peek at her face. 

“And a kiss to sweeten it?” He asked, letting the corners of his lips quirk up just a touch. 

She laughed softly, taking the small bottle of white milky liquid from the table beside their bed. She unstopped it and helped him lift his head off the pillow, she held the bottle to his lips while he took a small swallow before dropping his head back onto the pillow with his eyes closed. 

“And to make it sweet,” she said, bending and pressing her lips to his. 

As she stood he opened his eyes again although she could already see he was fighting the effects of the milk of the poppy. 

“Kiss the babies for me as well?” he asked. 

“Of course,” she replied, stroking his forehead again and watching his eyes close as he finally gave in and allowed himself to be dragged into a dreamless sleep. 

She watched him for a few minutes, keeping an eye on the steady ride and fall of his broad chest. In sleep he always appeared to be younger, his features softened as sleep took away the worries and the duties he carried on his shoulders every day. 

Once she was happy he would sleep for a while and there was nothing else she could do for him, Lady Stark went in search of Martyn the steward, she knew he would be worried and was waiting for news of his lord and friend. 

She found him outside the stables, running a brush over Cregan’s stallion. 

“Is he alright?” Martyn asked as she approached him. There was a panicked edge to his voice and his face betrayed his worries. 

“He'll be fine,” she soothed with a nod, “he's made of strong stuff,” she added as she placed a comforting hand on his forearm. 

“I'm sorry he was hurt, my lady,” he said, already looking lighter knowing Cregan was alright. 

“You've nothing to be sorry for, he's a man grown and it's his own fault if he doesn't hear a boar sneaking up on him,” she said, making her voice playful and teasing. 

“I'll pray for him,” the steward said, returning to brushing the huge grey horse that stood patiently in front of him.

“Thank you, I know he'll appreciate that,”. 

She stayed talking to the steward a little longer, the two of them discussing how to make the best of the creature that’d been killed that morning. The sky was quickly darkening and the air turning colder by the minute, although no new snow had fallen that day there was a crisp smell of it on the air and dark, heavy clouds covered the sky, threatening a heavy snowfall that night. 

She left Martyn to his final tasks for the day and returned to The Great Keep, she went first to the nursery to look in on their children. The eldest, Aly, was playing on the floor with her nurse, the two of them racing carved wooden animals across the floor. She paid no attention to her mother when she entered the room, too caught up in her game, while their son slept in his cradle. 

She lifted the boy from his crib and carried him to a chair beside the fire where she sat, focusing on nothing other than the small sound of his breathing and the tiny movements as his chest expanded and contracted with every breath. 

After a few minutes Aly got up from her spot on the carpet, her wooden horse still clutched tightly in her small hand as she walked toward her mother. 

“Where's papa?” She asked, coming to stand beside the chair, reaching out her own empty hand to take her mothers. 

“Resting, the men went hunting this morning, do you remember?”. 

“Will he put me to bed?” Aly asked, letting the toy horse drop from her hand with a small thud. 

“Not tonight, I can do it tonight,” Lady Stark replied. 

The girl sighed heavily, like she'd received some truly dreadful news, her small shoulders slumping. 

“But Papa tells the best bedtime stories,”. 

“I know he does, and I’m sure he’ll have a very special one for you tomorrow night,”. 

After another heavy sigh Aly climbed up into the chair with her mother and younger brother, curling into Lady Starks chest and closing her eyes. The girl found a loose thread on the bodice of her mothers dress and begin to twist it around her finger, in a few minutes she too has slipped off to sleep. 

The warm weight of her children soothed the Lady’s fractured nerves, this wasn't the first time her husband had returned home injured, his body was a tapestry of scars, each one she'd lovingly touched and kissed in turn, learning his scars as closely as a traveller learns a map. 

When she heard the first spatterings of wet snow from the nursery window Lady Stark decided it was time for her to look in on her patient. Calling the nurse over and letting the young woman take the sleeping girl from her lap. 

“Let her sleep a few more minutes, then wake her or she’ll never sleep tonight,” Lady Stark instructed as she stood and carried her small son back to his crib. 

“And I'll be back to feed this one once I've looked in on Lord Stark,” she added, lowering him into the cradle and watching as he settled. 

The nurse nodded and smiled softly as she lowered Aly onto her day bed, covering the girl with a soft embroidered blanket. 

Cregan didn’t stir when the heavy oak doors of his chambers were opened and his lady wife stepped inside, she paused, watching him for a few moments to see that his condition was unchanged, the only difference was that he’d thrown the blanket off his body and was now lying naked, his whole body exposed to the cool air. Moving toward him she noticed his breathing was still easy and his cheeks were a healthy colour. She touched the back of her hand to his cheek and then his forehead. 

At her touch his eyes flicked open and he blinked slowly as the world around him came into focus. He made a small sound of approval that rumbled up deep from his chest as his eyes focused on his wife. 

“How are you feeling?” She asked softly. 

“Better for seeing you,” he replied, his voice gravelly. 

“You're a dreadful flirt Cregen,” she replied with a smile, knowing his ability to flirt was a far better indication he was on the mend than anything else would be. 

“Come lie with me,” he said, choosing to ignore his wife's chastisement.

“Only for a few minutes,” she replied, moving to the other side of the bed and climbing on it, settling herself beside him and placing her head on his shoulder. 

He wrapped one arm around her shoulders and encouraged her to roll onto her side, tightening her body to his in a familiar and comfortable way and she sighed contentedly. Her hand rested on his chest, her fingers pushing and playing with the dark curls of hair. Cregan turned his head and placed a soft kiss on her forehead, feeling the warmth of her body sink into his own flesh and bones. 

“I should ban you from future hunts,” she said, her voice muffled by having her face squashed on his shoulder, “make you take an oath never to put yourself in such danger again,”

“Even for you, I could not swear such an oath,” he replied, kissing her forehead again and keeping his lips pressed to her skin, breathing in the familiar and comforting scent from her hair. 

The two lay in silence for several minutes, Lady Stark listening to the steady and deep drum beat of his heart, the thumping sound reminding her that he was still alive, injured but alive and home with her and in their private moment it was easy for her to believe that was the only thing that mattered in all the known world. 

“But I can swear, it will only be death that keeps me from you,”.

[islasislas333]

such a honor 🥹

[iguanodont]

My gift for @mathpope from a recent discord “secret Santa” art exchange! I give you the great California Condor, king of North American vultures, lording over a megafaunal feast.

Some notes on the border art: the tree branch flourishes up top depict bristlecone trees, another unique Pleistocene holdover that clings to existence in remote parts of California. The insects in the curve of the mammoth tusks are condor lice (Colpocephalum californici), a parasite that fed exclusively on California condors and went extinct when the 22 birds left in existence were captured and de-loused for the breeding program to save their species. The woven art on the sides depicts two indigenous myths about condors, left side as a beneficial entity, saving humanity from a primordial flood (Wiyot), and right side as a bloodthirsty antagonist that gets beheaded by Ground Squirrel (Mono). The bones overhead (mammoth, moose, horse) are all Pleistocene megafauna that the condor would have been specialized in feeding on.

Thanks for another fun trade!

[whereserpentswalk]

There's an orc attending your college. Your city is pretty diverse, there's a lot of human cultures represented there, and even harpies and dwarves are common. But an orc is still a really rare sight. And she's not assimilated at all, she wears the symbol of the dark lord around her neak, and the strange black cloths from the wastelands she came from, and she always seems to have a gun somewhere on her. It's strange just to see an orc in person, she's not like the green skinned monsters you see in movies, her eyes are pitch black, and her skin is so pale you can see veins, she's muscular and tell but also strangely skinny, and her teeth are sharp and spiked like a sharks, this one doesn't have tusks, just these rows of serrated teeth.

Everyone avoids her at first. There's something creepy about her. She doesn't move like a human. She emotes weirdly, being stoic during conversations, but sometimes smiling or laughing at odd times. In class it becomes clear that she lacks knowledge anyone growing up in your society has, but has extensive knowledge on things most humans will never know. She also very clearly supports the dark lord and the demons who serve him, and gets mad when his narrative of conquest and strict genetic hierarchy is challenged in class.

You end up paired with her for a class project. It's weirdly awkward. But you end up spending more time with her then most. It still takes awhile to get used to her mannerisms, and you have to convince her of evolution in a long debate (but eventually you do convince her). She seems strangely naive to a lot of things. Every time she does something that she considers a failure she goes into self loathing, and she gets really afraid she's going to be punished. You have to explain to her things are going to be ok sometimes.

You try to spend time with her. She supports the dark lord but out of a strange sense of fear more than the type of ideological support humans in nations not under his control have. When she does something that she thinks is heresy agaisnt him she becomes afraid. And while she's angry at people who follow gods other than him (which is basically everyone here) she's more afraid of them than everything. When a holy symbol you own touches her she's surprised it doesn't burn her, you have to tell her it's ok.

She has a lot more freedom here than she did back in the wastelands. You slowly help her realize she doesn't have to worry about being punished for sinning agasint the dark lord. She's able to go on the internet for the first time, you help her get everything set up. You also introduce her to your freinds, only some of whom feel safe around her, but those who do seem to like her.

It's weird just hanging out in her dorm. She can be weirdly laid back and introspective at times, at least when she's not nervous or paranoid. But when she's just relaxing she'll tell you about things, about the beauty of the desert sands, about what it was like to observe the rattlesnakes and condors and wyverns of her homeland. How she likes to observe the city, the way the diffrent people flow through it, she was scared of it at first but now she likes to explore it, and the way it lacks stars at night but the lights from the buildings replace it. She says she wishes she could stay here forever, that she wishes she could be an artist but that she was sent here to learn skills useful to the dark lord's empire.

There's something nice about showing her new things. You get to take her to a musical for the first time. Get to show her neighborhoods you like. Get to explain to her what public transport is (though she got scared feeling trapped in a subway car). You get to show her stuff she never got to experience because orcs are never really children, she loves getting to hold a plush for the first time, or watching cartoons for the first time, it's like she's finally getting to live an experience she never had. Even though she's a well armed adult she really likes plushies once she finds out about them, they weren't something she was allowed to have back home.

Over time she starts meeting people and learning things that go against her worldview. As she makes more friends, understands new things, slowly learns that she shouldn't be punished for mistakes, she slowly comes around to seeing how fucked up the world the was raised in is. She tells you she doesn't want to worship the dark lord anymore, she cries just from saying it. You hug her, and realize she's never been hugged before, she seems to really like that feeling. She bathes in the waters of a healing goddess, and she worships something out of love instead of fear for the first time.

Eventually the spawning warlock who spawned her and her siblings comes to visit her. You told her to be careful but she ended up spilling that she doesn't worship the dark lord, she ends up spilling all the things a warlock like that considers a sin. When he leaves she tells you she can't go home. Not ever. Never again will she see the shifting sands, or flying condor, or flowing serpents of her homelands. She's trapped where she is now.

You know it hurts her a lot. She says she feels like she's in a small pocket of safety. Back home she'd be hurt for being an apostate. In human lands outside of the city she'd be hurt for being an orc. But she's safe here. She stays in her apartment for awhile, while you try to make things work. She's finally changing her major to art, and despite everything she's finally free, free to watch the starless sky, free to not be punished when she makes a mistake...

[theaceofskulls]

This upcoming week's preorders for warhammer are the funniest combination they could think of.

For Kill Team, 40k's small scale game where you play as a single squad of dudes, you have the Chaos Space Marine Night Lords vs Druhkari Mandrakes.

To quickly sum that up, you have a terror troop that makes the "normal" space hell-infused supersoldier barbarians look nice. These are the people that skin their victims, broadcast screams to their friends, and generally are the most edgy of the edgy faction in general. You can see them below with all sorts of skin hanging off them, swords made of bone, and a whole ass banner made of a partial dead supersoldier.

Opposing them are the shadow demons of the torture elf faction. These are the guys that lurk in the shadows of Edgy Shadow Murder Elf City that scare even the people who live there. They also skin people and wear them as their clothes too. And they wield edgy dark magics that they throw to burn people alive (and possibly their souls as well).

Then you have the War Cry box, the Age of Sigmar Fantasy skirmish game which has Lumineth vs Nighthaunt.

The Nighthaunt are cursed spirits that the god of the dead personally has constructed ironic punishments for. These ones in particular are eternally burning ghosts that used to be healers, alchemists, and priests who attempted to use sacred fires or potions to burn away death or purify areas of the undead who now spend their afterlives aflame or having to keep the awful flames of Nagash's realm alight upon pain of worse fates.

So that leaves us with the elves who are the exception right? Well they're nicer than the above, being monk/druid/paladins who are trying to save the realms. However, anyone familiar with Lumineth or with the trope of "too good makes an evil paladin" kind of tropes, you can figure out that they're not always the good guys in the stories. Still they're mostly good, but let's hope they don't run out of villains to fight

They're also dropping the dark fantasy human hunters alongside the eternally starving ogres who are mutating teeth and tusks out of their body (they previously were for sale together but they're now splitting the box).

So these opposed and themed boxes are dropping soon alongside... gnomes.

The whiplash between these products feels like being hit with a truck