#looking at pictures you can totally see the difference and how I’ve developed since then. but just looking at me I look barely 13
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god I look so young. why do I look so young
#I think it’s mostly cause I’m transmasc and have the body proportions of a 7th grade boy#I’ve got a real babyface going on rn#it’s funny even tho I’ve matured physically and look a bit different I still look the same age as I did in 7th grade#looking at pictures you can totally see the difference and how I’ve developed since then. but just looking at me I look barely 13#god I hate I hate it#it fit me til a few months ago but recently I’ve grown up a lot mentally and now it just feels wrong#relating to later Claudia from iwtv so much rn#I look like a kid. I look so much like a kid rn and I hate it#this is part of why I want to go on T. deeper voice slightly different body proportions etc etc. not just trans dysphoria but also this
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im curious since in ur request rules you have that you write yandere characters. What is your definition of yandere? How do you write them and what do you think about them? btw I really love your work.
and since we're on the topic, what characters would you see being a little yandere? What type of yandere would they be?
Hi Anon! I appreciate the question! Many people have different ideas of what a yandere is and how they should be portrayed. I’d like to start off by giving you the definition of what most people see a yandere:
Now, my definition of a yandere is a person who is completely devoted to another, to the point where they develop unhealthy tendencies. I tend to write my Yandere characters in a more realistic way. (I tend to stay away from the whole ‘oh gosh you just killed this person because they looked at me weird’ kind of writing style. It’s just not my cup of tea)
Since I’ve always been a big fan of psychological horror and dark romance, I portray yanderes as narcissistic, manipulative, and simply not safe to be around. They might have stalkerish tendencies, yes, but I like to focus more on how they would affect the person they like. (I know it kinda takes away from the whole definition of yandere) Basically, I just like turning the usual lovestruck, insane yandere into a more realistic version of themselves (as realistic as they could get in the ninja world. I hate completely altering a character’s personality into something they’re not).
What do I think of yanderes? Well, I certainly wouldn’t want to meet one in real life. I like reading and writing them in fiction, but in no way shape or form do I romanticize or agree with whatever the Yandere does. I do not condone any type abuse because it’s absolutely vile that someone might go out their way to hurt others. Having said that, I think many people might not find the way I write yanderes very pleasing, because it’s not what they’re used to seeing, and that’s totally okay!
Now to answer you final questions:
I believe there are a few characters that might have the possibilities of becoming a Yandere or having Yandere tendencies:
Obito (way too obsessive):
I know a lot of people think the same way as I do. I believe that Obito is a man with serious problems.
He technically grew up alone, just with his grandmother. He almost succeeded in putting everyone in an infinite genjutsu, where he could distort reality to his liking and be with the girl he loved.
It’s safe to say that he would be a yandere where if push comes to shove, he will do whatever it takes to have you near him.
He is obsessive (he had a lot of pictures of Rin when he was young, so…). He needs to remember your face clearly, even when he’s away from you. You’re the reason why he breathes. He lives because you allow him to. That’s what he thinks.
Madara(protective and controlling):
Hear me out, this man is complicated.
Sometimes he would put his desires over you, but if we’re going to be honest, he’d shred down the world for you.
If something ever happened to you, Madara would take no time in avenging you. He’s a little different to Obito. Although he’s obsessive, he doesn’t completely revolve his life around you.
He likes feeling possessive over you, but he can leave at any time that he needs to. You have to wait for him. He’ll be a protective yandere, looking out for you and making sure you understand that he’ll be the only one there for you.
Kakashi (protective, pathological liar) :
Whoa? Kakashi? Really? Yes really. This man has grown up alone. He made friends, they died. They left. Anytime he got close to someone, they’d disappear. It’s only logical that if he were to fall for someone, he’d like to protect them.
However, this protectiveness can get overwhelming. He knows you’re capable of protecting yourself, he simply doesn’t want you to. If one thing he’s done wrong in life, it’s protecting those around him. This was his time to make up for all those times he failed.
He isn’t used to affection, but when he has it, he craves it. Badly. You need to remind him that you love him too, or else he might just think you’re ready to leave him at any time.
He isn’t above lying to get you to do something. He’s lied before, so why not lie again? If it gets things going his way, he won’t care. A little harmless lie can turn into a bunch of them.
Sasuke (distant, but protective) :
If he likes you, he definitely won’t show it. If he genuinely cares, he won’t be above doing anything inhumane. He’s already done a lot of things in this world that got him hate, adding another one to his list wouldn’t be a problem.
He’ll work from the shadows. He’ll love you from far away. He isn’t really affectionate and doesn’t know how to show it.
One things certain though, you’re his lover. He will give his life for you or take another.
You ask him for the moon and he will serve it in a silver platter before leaving.
Do I think other character could be Yandere? Well yes, this is fiction after all, but these are the best that fit that description. Anyways, thank you for your questions! I’d love to answer more if anyone else is curious or wants to request some Yandere content!
#fanfic#naruto#naruto shippuden#naruto fanfiction#naruto x reader#kakashi fanfiction#kakashi hatake#kakashi hatake x reader#kakashi hatake x you#obito x you#obito uchiha x reader#obito headcanons#obito x reader#naruto obito uchiha#naruto obito#obito uchiha#sasuke uchiha#sasuke x reader#sasuke uchiha x reader#sasuke uchiha x you#madara uchiha#madara x reader#madara imagines#yandere#yandere naruto#yandere madara#yandere obito#yandere kakashi
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At The Gold Saucer, Aerith Is Still Pining For Zack
SE baited us so hard with that last trailer, I can’t stop giggling.
At first, I didn’t know what to think. Romantically coded clips of Aerith clinging to Cloud—a very stoic and grumpy-looking Cloud, I might add—interspersed with him gawping at her on stage as she “sings” a love ballad about fate and destiny? Isn’t that a bit… tacky? One wonders if SE is trying to make two of their most popular characters look like total scumbags. Why is Aerith, fully aware that her new friends Cloud and Tifa have feelings for each other, getting waaaaay too cozy with Cloud? And is Cloud somehow complicit in what seems to be a flagrant betrayal of both Tifa and Zack?
Of course, we know exactly who’s been gobbling it up. Convinced that Hollow is about Cloud longing to be with Aerith, they’ve wasted no time in appropriating “No Promises To Keep” as Aerith’s answer to Cloud.
The trailer does give the impression there’s something going on between those two; and, obviously, that was deliberate.
But when you take a closer look at the lyrics that are sung after the trailer, an entirely different picture emerges.
Till the day when we meet again
In our place
Just let me believe
In the church
Know that you’ll take my hand
And never let me go
Take my hand
And believe we can be
Together evermore
Did you catch that?
In OUR PLACE.
In the CHURCH.
I know that in general, theme songs aren’t meant to be interpreted line by line, but this is VERY specific.
Now unless you’ve bought into the rampant lies and delusions about Hollow, you should immediately know who Aerith is singing about. Who spent “a lot of time” with her in that church, according to the devs? Who, when he first saw her face, thought he was in heaven and called her an angel? Whom did she embrace to comfort him? To whom did she first speak the words, “I’d like to spend more time with you”, in that very same church?
(Hint: not the other guy who crashed through the roof 7 years later wearing the same sword and spent more time with Reno than with Aerith during the brief time they were there together.)
It’s not all that hard to figure out.
The ones who still refuse to see what SE has been beating us over the heads with since Chapter 8 of Remake—they’ve got it coming. They’ve already set themselves up for this. I’ve seen them comparing Cloud’s expression in Remake’s red dress reveal to this one below, where he’s supposedly lovestruck as he watches her sing.
And since now we know there will be four different Gold Saucer dates, just like OG, these are both from OPTIONAL scenes. What else is new?
The devs were obviously trolling big time with that over-the-top scene, with the red carpet and the crowd and the fireworks, and now they’re doing it again, this time on an even grander scale. Aerith is the star of the show, singing on stage, garbed in a pure white princess dress, standing amid showers of yellow flowers.
Follow the yellow flowers.
Reunion.
Till the day when we meet again…
And if Aerith is singing about how she wants to be with Zack at the Gold Saucer, moments before the infamous gondola ride that’s been trumpeted for decades as proof she fell for Cloud—or the Zack-colored version of Cloud, as most of us understand he wasn’t truly himself—then that tacky montage we saw in the trailer can’t possibly be what it appears to be.
This is new. Aerith is now not only explicitly but extravagantly shown to be still pining for her first love at this point in the story. She’s NOT moving on, even if she’s convinced herself she’s trying to. Or perhaps she’s “giving up” again, as she lamented to Cloud in the Language of Flowers scene.
So what’s really going through Aerith’s head as she’s reaching for Cloud? What are we supposed to think of her? What other developments have happened in Rebirth to lead up this point—say, for example, in Gongaga? We’ll have to wait for rest of the game to get the full context of these clips—which, again, are most likely from optional scenes—but I’m convinced they’ll be overlaid so heavily with the specter of Zack that no one with a shred of honesty could possibly conclude Cloud is being portrayed as Aerith’s true love.
What all this amounts to, basically, is more of the same fake, superficially romantic scenes we got in Remake. The bridal catch. Them being on a “date”. Wall Market sleaze calling them a couple. I absolutely hate it, but the way this is looking, Cait Sith might still have something to say this time around.
And what about Cloud? Again, the same as Remake. She pushes herself into his space, and he’s kind (or bewildered) enough to tolerate her closeness, but his face is an open book. He’s not having a good time.
Don’t forget: Crisis Core Reunion was stated to be part of the FF7 Remake project. The devs wanted everyone to play that game in order to fully appreciate what’s coming in Rebirth. And a central feature of that game was Zack and Aerith’s blossoming relationship and the tragic way it was cut short. Not only that, but Zack’s character profile for Rebirth states he’s trying to return to his “love”, Aerith. They didn’t do all this for no reason.
Remember the last scene of Remake? The first notes of Hollow play as rain falls on the cracked earth at Cloud’s feet, exactly the way Nobuo Uematsu describes his inspiration for the song. Then Zack appears, with the visual of his face interposed directly between Cloud and Aerith.
Just as in the first game, that image is going to hover over every scene with the two of them in Rebirth. Just as their “date” in Remake wasn’t about Aerith falling for Cloud but missing Zack, Aerith’s Gold Saucer date is going to have similar overtones. Their brief time together is not the love story some are bent on interpreting it as. And we shouldn’t fall for it, either.
In spite of the way they shaded her in Remake, of which booby-trapping Cloud in her house was just one instance, I’m not willing to believe SE is out to utterly destroy Aerith’s character. I don’t think most of her fans deserve that. But they do seem to be going out of their way to make a certain ship look really, really bad.
And for those who still insist on pretending, against all odds, that ship is actually going to sail? They’re in for a massive shock.
Take a moment to let this sink in. The THEME SONG for Final Fantasy Rebirth is a love song from Aerith to Zack, yearning to be reunited with him, promising him he’ll find her. And it’s performed by the amazing Loren Allred, who first dazzled us with her stunning vocals in The Greatest Showman (let’s try to forget for the moment that, most frustratingly, she sounds nothing like Aerith’s English VA and it’s futile to hope the in-game performance, if she does in fact supply Aerith’s actual singing voice, will be the least bit believable). This is more than any Zerith fan ever dreamed we’d be given. It’s positively glorious.
More than once in the past few months, it’s been confirmed that the end of the FF7R trilogy will fall in line canonically with the events of Advent Children, with Zack and Aerith in the Lifestream, “together evermore”. We have to get there somehow, to that point where they joke about “adopting” Cloud and walk off, side by side, to say their final goodbye. I can’t wait to see their reunion!
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Film costume analysis | Daisy's red dress in The Curious Case of Benjamin Button
(mild spoiler alert!)
Intro
I have a million and one things to write about, and I have to start somewhere, and I can’t believe that no one’s done a costume analysis on this specific dress. The film (The Curious Case of Benjamin Button, dir. David Finch) came out in 2008. I was far too young back in 2008 to remember anything about the internet, so I’m not sure whether it’s because there had not developed a niche for film costumes on the internet yet or that this film was generally overlooked (imo), but there is really very little coverage of this dress on the internet. Besides, some links do not work anymore and some pages are archived.
For me, though, it has a permanent place in my mind because it’s a combination of period drama plus ballet plus contemplation on time plus the one and only Ms. Cate Blanchett. Dunno if one could ask for more in a film.
Red also happens to be my very, VERY favourite colour.
I haven’t made a Western (as in opposition to Chinese) dress for absolute ages, and I have never done a couture dress with a boned bodice. Hence I would love to grow some skills by attempting to replicate this red dress, probably making it a bit more haute couture than the original one as I imagine the industrial standards for a costume are slightly different from a couture gown.
(I cannot, for the life of me, find the current location of this dress via internet – so my best guess is that it’s in the storage of the film studio, if not in a private collection. If they put it on display I would totally book a ticket to the US okay.)
The film clip
The biggest source is of course the film itself. This section of the plot starts from around 1:26:00, and the dress appears in what is called ‘the gazebo scene’ several minutes later. There is not much material because its appearance lasts maybe five minutes in total, and mostly in dim lighting and mist. Still there are a few things to be noted. (Excuse the subtitles, ahem.)
First of all, the V-shaped neckline and the V-shaped low back. I love love this style. Looking closely, you can also see the placement of gatherings along the neckline and the back.
The sleeves are in one piece with the bodice, which is known as kimono sleeves (which feels a teeny bit strange because they have little to do with actual kimono sleeves). There is some underarm wrinkles, which is totally necessary as she needs to raise her arms when dancing.
The neckline is technically not off-shoulder, but it’s really barely on the shoulders and I doubt that the shoulder area had any major supporting role in the hanging of this dress. It certainly wouldn’t for me, since I have very slope-y shoulders and a bodice like that with no inner support would slip right off. The bodice has to be boned and its weight should be distributed to the waist instead of the shoulders, if I am to keep this beautiful neckline. I think the original was likely boned anyways, as suggested by this still. However, we also know that Daisy danced in this dress and it seems flexible like a tutu bodice, which means another source of reference is tutus/ballet costumes. I know the side panels of tutu bodices (when made in non-stretchy materials) are cut on bias, as shown in this picture.
The reason for this is to make the side panels fit tightly to the dancer’s torso whilst allowing some room for movement and breathing. I’m not sure how to use this piece of information, though, because as far as I can see there are no extra seams except for the CF, CB, and side seams. Perhaps I will try structuring the boned inner support on bias, as I’ve seen actual corsets being done like that. Ultimately the goal is to make a bodice that can cling to the body without shoulder hangings.
Back to the film clip. I try to choose a suitable fabric by observing how the dress moves and reflects light. (This has a lot to do with the film lighting, on which my guesses are based, and I understand that in real life and under other types of lighting the effects could be much different.) Let me start by stating that I’m choosing a silk because if I’m going to spend all this time on this dress, it had better be made of proper good materials. (The gazebo scene is available on YT should you want to see it in action.)
First thing I’ve noticed is that the dress does not reflect the light in a sharp, shiny way. It’s easy to think that the fabric has a matte finish, especially when referring to the film clip only, but the clip from blue-ray actually suggests a subtle lustre. The fabric also does not have heavy slubs so I’m ruling out dupioni.
Secondly, the fabric feels quite solid, so no chiffon/georgette/organza.
The skirt has some volume, but we do not see a petticoat (or at least not a separate lining) when Daisy raises her leg as she dances, so the fabric has to be airy and not too drapey. This is where I’m eliminating charmeuse and crepe de chine because I feel that they are too fluid and will not hold the bell shape of the skirt.
The gathers around the bust and the waist are quite soft and delicate, and when Daisy dances we see the fabric slide gently down her leg. For these reasons I’m hesitant about taffeta. I happen to own about five metres of cheap taffeta, and I don’t know whether it’s because it’s cheap and therefore low quality, but it’s very crispy and papery, and produces ‘dry’ gathers. Perhaps the quality/hand has to do with weight too (the one I own is 19 momme and feels too thin for this project). I don’t remember ever touching an expensive and heavy taffeta, so I’m not sure if paying more could remedy the plastic feel.
The above brings me to a choice between a heavier, better taffeta and raw silk (I’ve been told that ‘raw silk’ is the English translation for soie sauvage). Currently, my plan is to make a skirt with my very cheap taffeta and go from there. I will also get samples for both taffeta and raw silk, probably from multiple sources too, because there’s no point in rushing when you are already investing this much, right?
(EDIT: looking at how soft the sleeves hang in the blu-ray clip, I'm willing to consider charmeuse, but at a heavier weight than 20 momme. Duchess is also possible but I worry that 1) it's too heavy for the gathers, 2) it's really not very affordable at the moment.)
Blu-ray behind the scenes
There is a specific section in the blu-ray in which Jacqueline West, the costume designer, talks about the costumes. She specifically discusses this dress, which is actually based on an original.
This shot wonderfully shows the front closure: seven pairs of hooks and eyes with the skirt opening almost directly in the front, though it could be slightly to the right (left side of picture). The hooks and eyes are functional. A layer of fabric from the left side extending as a modesty panel of some sort down the CF. I also noticed the shiny spots on the top of the right side opening and bottom of the left side, but I'm not sure why they were there. The writing overlapping the mannequin reads: ‘Make in deep midnight blue/This is a genuine Claire McCardell dress/Jazz club'. (David Finch had wanted to change the colour until he saw Ms Blanchett in it.)
There are also two sketches.
I have not seen this second one anywhere else on the internet and I’m really pleased about finding it because it illustrates so clearly the intended effect of the bodice and the skirt.
McCardell and the front closure
The Claire McCardell bit is supplemented by an ELLE interview with West. I will quote one specific question and answer from that interview:
Did you have a favorite look for Cate Blanchett's character?
The red dress has become kind of an icon piece. It was a compilation of some different Claire McCardell designs that I loved. The long ballerina-length skirt in 1947—no one else was doing that really in America. It was strictly in Europe, in France. McCardell's favorite color was red, and I put the hooks and eyes that she used on a lot of her clothing down the front as an homage to her. Those hooks aren't made anymore.
This blog article by Isaspacey also helped so much by quoting a Claire McCardell dress at an Augusta auction. The links to the auction have expired so the pictures I’m posting here are reposts from Isaspacey’s blog. (Credits probably belong to Augusta.)
There is also another Claire McCardell dress on Ebay that has hooks and eyes down the front.
I’m going to put the pictures here just in case the link stops working (when someone buys it for $945? I mean, I would.) The pictures were presumably taken by the seller enokiworld. One of these pictures is particularly valuable, as it offers such a clear view of the hook-and-eye closure. I’m not sure about the hooks, but the eyes are sandwiched between the outer layer and an inner layer that simultaneously cover up the seam.
I also really like this dress because it has a dog leg closure for the skirt. I would like to use this type of closure for my replica as I feel it’s more elegant. Then I recalled this tutorial for a mid-19th century dog leg closure, which I first read many years ago for an actual 1850s dress lol. It looks very adaptable to my purpose.
Here is also a picture from an FIDM display a few years ago, showing the left side seam where the gathers are stitched down and not just floating. Also note that 1) again the fabric is not super reflective/shiny, 2) it's just so red I love it. -------------
EDIT 9 September, 2024
I found another Claire McCardell! It's here. I don't want to repost the pictures but please let me know if teh link doesn't work anymore.
And of course, this gown at MET. It has a 'boot-hook' closure in the front.
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May Status Update
It’s May! well basically like an hour into it lol 😆, anyways I wanted to write an entry about stuff and the progress on my current commission batch!
Commission batch work in progress:
🌸 Commissions without background: 11 in total
1 still not started
3 still on sketch phase
1 is on base colors
5 are finished!
🌸 Commissions with background: 4 in total
still not started: 2
sketch in progress: 3
from last time I got 2 commissions more, that before I was waiting on which listing they were supposed to belong to, it was basically 1 and 1 from each one!
and yeah, I’m hoping to keep making progress on these this new month! and I’m looking forward to try some other stuff as well!
some more ramblings under the line here
-----------------------------------------------
I recently finished some notebooks I was working on since the beginning of this year, and I’m hoping to be able to sell them on Facebook maybe? I don’t intend to make too much with them since, they’re still far from very professional looking notebooks 😅, but I’m also wanting to invest on more supplies, and I’m taking notes as well to keep learning how to make these better!
I certainly learned a lot during the process of making these XD, I made a lot of mistakes as well lol
Also, here you can see the 2 designs I did, I did another one but the printer ran out of ink and I couldn’t use it lol, (another thing I gotta invest in the future is inks or maybe a new printer lol) and you can see here my Cinch machine!
honestly I’m super tired, I finished these today and I had to store all materials and such again... and ugh... I seriously NEED a shelf to put all these machines and supplies, every time I’m going to use them I gotta take them all out of boxes and they are all under more boxes...gotta put them on boxes again and put everything again in order next to my bed..it also doesn’t look all too nice in there, so I’m going to start seriously looking for shelves next month 😆
Other thing I wanted to ramble about, I recently got into Inkblot! it’s a new art site, it has like around 1 year I think?, it’s still in development but so far it’s been pretty alright, Here’s my site so far:
I’ve been wanting to use it to put all my commission art, I’ve finally catch up to last year’s work, so I can start posting this year work! I also want to put my other works here, kinda using it as a general gallery like the one I had with Deviant art.
There’s still so much I haven’t put here, but slowly filling with art! still doesn’t feel as my old DA’s gallery and sometimes the site loads pretty slowly, but I want to give it a chance since it’s still pretty new, I look forward to see how it evolves. the community part at least seems pretty chill so far!
also has this very cool feature, where you can make comparisons!! it has a sort of thing that you move it and you can see the difference between both pictures.
I’ll definitely still be using Tumblr for art gallery as well, I already have posted a lot of art here anyways lol, I’ve managed to organize a lot of my art with the tags as well, although I think I’ll also be separating commission art without background and with backgrounds, that way they are all not too mixed up!
Oh also, I’ve learned about Neocities! recently people were talking about it on Twitter, and seems like a cool option for a personalized website! although may first have to learn more about html coding 😆
Neocities is an open source site, you can own a site here and customize it however you want, but you gotta do it from scratch! it’s honestly pretty cool, I think customization of Tumblr themes is pretty close to this,
but even so, if you check the sites from here just for fun, THEY ARE FANTASTIC! it’s like taking a look at internet in 2008, the customization value is so cool!
I personally find very fun the customization options like this, I may want to give this a try some day 😄
Well I think that’s all, this ramble became a bit too long lol but well, thanks if you read this far!
Hope you have a great first week of May!
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I have to both agree an disagree with you and anon on the porn thing, I agree that porn has warped peoples views on sex and body parts to an extent but viewing porn doesn’t inherently make one doubt themselves nor does it cause ill effects, that is a natural reaction to worries of inadequacy that’ve been around for millennia it’s sadly something that is difficult to work through no matter one’s assets, I also believe it’s natural for young teens to explore porn of course absolutely anonymously and without any deeper interaction, we all developed sexual urges as teens in some amount (of course we all keep it hush hush as is proper social courtesy) and it’s best to deal with those urges in a safe and healthy manner but again as I stated some porn has warped people’s perception of sex in fact the industry has an annoying trend towards stereotyping, I believe though these things are a case by case basis not all porn is bad but it’s not all good either as is with many things it is exhaustingly never as easy an simple as we’d wish it were.
Also if I’ve misinterpreted your post I apologize and thank you for taking the time to read my ask.
No apologies needed for much of anything, I'm shockingly difficult to upset and even if you misinterpreted things, you're coming in in a very polite way so no need to even consider fussing about it, if you were being a jerk I'd answer totally differently.
Short answer/summary at the end.
_____________
I wind up confusing people on here a lot because I'm fairly good at leaving wiggle room for myself, for example.
"can do"
Over the years I've developed the skill of avoiding blanket statements as much as possible, kept me out of trouble a lot, and also I agree with you it doesn't get everyone.
all that stuff where you say it doesn't inherently XYZ, be what I said too
Still don't think a 14 year old should be accessing porn, be nice for kids to just be themselves and all that for as long as possible and maybe get some comprehensive sex ed in there focused on the mechanics of it all, porn is terrible for that
I also know it's not going to happen, don't think there's been a time in history where it has, accessing some form of pornography be it peeping tom stuff or those pictures naughtius maximus drew on the parchment he keeps under his bed.
Been different things with all it though.
Ancient Greeks associated a large dong with being oafish and slow, another weird factoid learned while trying to answer a question I had in my mind (can it be done and how, you'll see what I mean) was when the Levant region of western Asia was under Hellenistic (Greek) rule there was a trend among some of the men to attempt to get their foreskins to grow back because they wanted to look "greek" devices they used then are very similar to what's available today.
So ya all that can create body image issues.
I get very jumbled when i start in on these responses because my brain doesn't always go in a linear fashion so I scroll up and add something when it hits my head and it may make other things a bit confusing, sorry bout that. ____________
Short answer: Ya I agree with most of what you said, since most of it was what I said just you used more words.
Porn bit is where we may diverge but I respect your opinion, nobody needs to agree with everything from everyone else.
That would be boring.
Again i hope this makes sense, I'm very aware of how messy my mental process can be and I can't fix it tried for years so disclaimers abound.
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New Post has been published on Michel Tanguy
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I take a short break from necessary stuff, because despite the fact that I am kind of in a hurry to finish CS4 for multiple reason, I for some reason absolutely need to do that swimming-contest even tho I hate that minigame. And now that I mentioned the swimming-contest, you get who this murderous aura belongs to, right? XD
Shirley is not really the type for gentle flirting, if you get me ^^’
Those color-differences between these two almost hurt my eyes. I get why it had to be Leonora, since we are going for a swimming-contest but... urg... the green and the red is... no fun at all to look at. (By the by, speaking of fun to look at, look at Shirleys innocent face here XD If we wouldn’t know better we would totally believe that she had no plans whatsoever to engage in a fight right there... uh... do she might had to put her immense weapon away to make it more believable XD)
You have to give credit were credit is due. The Shirley from Crossbell would not have agreed to even think about a “non violent” - way to deal with this. If she was roaring for a fight, she was getting a fight. We’ve seen in CS3 that you can not really stop her if she wants, you know “a little taste” if you get me. So this is quite surprising already, even tho at this point she hasn’t agree to anything but to listen. But that in itself is quite the character development for someone like Shirley.
Isn’t that the kind of thing that got Knights to drown back in the medieval days? ^^’
I’ve just realized that is the first time Alfin has actual contact with Shirley. Not to ruin the fighting spirit here or anything, but... wasn’t that a missed opportunity for Alfin to ask for Cedric? The answer could also clear out a few questions about how much freetime Shirley and Cedric actually spend with each other. But okay... we prefer swimming-minigames.
So... lets see how many times I fail this time. (What did I actually activate that mission for? To see Shirley in a Bikini? I honestly have no idea what I was thinking...)
Oh. I won on the second try. Not bad. *pads myself on the shoulder*
I am honestly not sure if Shirley is exhausted or just enjoying the sun XD
I absolutely loved this performance and it honestly sucked that we couldn’t focus on it for long.
We see bits and pieces of that in Sky, but you only see the true picture after you enter Kuro and work in the grey zone for once And once you are in that gray area, you will not go back to the bracer guild ^^’
You know... it will propably bug and frustrate me for the rest of my damned life that of all those traitor-bastards who got redeemed over the past 3 sagas, it is that as*hole of a freaking backstabbing bastard-son that it is actually the only one of them who gets a redemption arc that makes it feel like he actually deserved to be redeemed. How is that fair? He murdered Lianne in Cold Blood just for the sake of getting her powers and making his Knight stronger. There was no such thing with him then an excuse like “I was brainwashed” or “My grandfather died and I needed revenge” or whatever other bullshit we have. Heck, I am even sure that the curse had nothing to do with it either, Rufus is far too headstrong to let himself get overcome by the Twillight. He is doing this because he wants to, because that is the as*hole he actually truly iss. We know that most of our traitors actually always head a good heart deep within and ultimately turned to more pure intentions for the greater good and not their own benefits. And here we have a man that backstabbed a woman that was wise and good just for his own power and personal gain. And he gets it all. He gets freedom, friends and allies that like and care about him, he got to fix his relationship with Jusis and he actually managed to work his as* into a situation were even I, who despises this man A LOT, sat there and said: “Damn it! He deserved that redemption.” What is Falcom thinking?
It was sneaky of Falcom to make it look like someone as strong as Leanne would join us, just to take that away from us with such a turn of events. And now instead if enjoying our victory, we are suffering through the death of yet another amazing character that earned our respect.
It is probably because his character resembled Dreichels. Of course she wanted to have a child from the man she loved that was just like him...
Fu*k power! Leanne granted us the best gifts that anyone could in this situation. She gave us back those who we missed dearly.
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Physical Differences - Skye x Fem! Reader
A/N: I’ve been toying with this idea for a while, and I finally decided to write it. I’m not sure if I totally love it, but I think it’s not too shabby either. Please let me know what you guys think.
If you want to request anything, you can do so here.
Word count: 1744
Warnings: A little angst/hurt & comfort.
It’s amazing how much one woman can affect you.
That was the thought you had as you watched Skye from outside the gun range. The deafening gunshots weren’t too loud for you, since you weren’t in the same room as the Australian Radiant.
A part of you wanted to join Skye in her training despite having practiced your shooting ability just the other day. After all, any excuse to hang out with her was one you wanted to jump on.
But you had resigned yourself to just watch her instead. Her long, red hair was pulled back in a braid with a green headband on her forehead. Her bright green eyes stayed fixated on the bots as they popped up one by one. Her muscular arms had a good grip on the Vandal she used to wipe out each target.
God, she’s gorgeous. But she would never be into me.
You glanced down at yourself. You had never been muscular whatsoever in your entire life. Sure, you were in good physical condition- but nowhere as bulked up as Skye. You had always been a skinny person for as long as you could remember. While both of you were some of the shorter agents in the Protocol, Skye was still taller than you by several inches.
Then there was the fact that you weren’t a Radiant like her. While Skye had never voiced many negative opinions on humans- she got along with most everyone in the Protocol despite race- you couldn’t picture things working out between you two. At the end of the day, you two were beyond different in terms of physical aspects.
When it came to personality and interests, however, you two had a lot in common. You both were excellent team players who consistently worked hard every day. On top of that, you both loved animals and nature dearly. In short, you and Skye had been friends ever since you met long ago.
But recently, you had found yourself developing feelings for Skye. Her personality and kindness had caused you to fall hard for the Aussie. You knew she was into girls, as she hd mentioned it months ago in passing when you two had discussed past relationships alongside Jett and Raze over drinks. So, that wasn’t an issue. Yet you had a feeling that your feelings for Skye were unrequited.
You snapped out of your depressing thoughts to see Skye putting the Vandal back in its original spot. You blushed violently and hoped that she hadn’t caught you staring while she trained. Not wanting to embarrass yourself further, you turned around and started to walk away.
“Y/N!”
Never mind.
You cursed under your breath before spinning around to find Skye staring at you curiously. She had a small smirk on her face, as if she had caught a child with their hand in the cookie jar.
“Hey,” you said in a small voice.
“What ‘cha doin’?” Skye asked, her voice sounding ever so cocky.
You tried to come up with a lame excuse, but nothing came to mind. You ended up hanging your head without saying a word in response.
“So, you were watching me,” Skye said in between an amused laugh.
“You were doing well, that’s all,” you replied weakly. “I’m sorry, I shouldn’t have-”
“It’s alright, don’t worry about it,” Skye interjected. “What’ve you been up to today?”
“Not much,” you answered. As much as you wanted to talk to her, you didn’t want to risk embarrassing yourself anymore in front of Skye today.
Skye frowned. “What’s wrong?”
You felt your face become hot all of a sudden. “I have to go.”
You swiftly turned on your heel and walked away as fast as possible. You didn’t even bother to look behind you; you couldn’t bring yourself to look at Skye as you stalked off.
She’d never be interested in a string bean like me. I should just avoid her ‘cause it hurts to even talk to her anymore. I’m gonna stay away from her until these stupid feelings disappear, you thought.
...
Ever since your last run-in with Skye when you had vowed to avoid her, you had done exactly that. You turned down every request to hang out or train with her. You attached a flimsy excuse every time; whether it was feeling sick, needing to take a mental health day, or being “busy”. It hurt you more and more each time you said no to Skye. But your head continued to tell you that it was the best thing to do.
Unfortunately for your heart, your feelings hadn’t disappeared in the almost two weeks since your awkward encounter with Skye. They had actually gotten stronger instead. Your feelings for her had intensified to the point that they bugged you nearly every waking moment.
After ignoring Skye for so long, you couldn’t bear the thought of continuing any longer. It was early in the afternoon when you finished your workout and walked by the gun range. Skye wasn’t there, but Jett was. They seemed to be finishing up, so you waited for them to come out.
“Hey, Y/N!” Jett greeted, her voice cheery like usual. “What’s up?”
“I’m looking for Skye. It’s about...training,” you said, hoping that your fib sounded convincing.
Jett frowned in thought. “I actually haven’t seen her today. Have you checked her place?”
You shook your head. “I didn’t, but I will. Thank you.”
After saying goodbye to Jett, you strolled to Skye’s apartment in record time.
“Skye?” you called out while knocking on her door. “It’s Y/N.”
No one opened the door, which made your heart sink. You stayed there for a few minutes in the hopes that she would open it. But it never happened.
Disappointed, you turned to walk away. You planned to walk to your apartment for a much-needed shower when you spotted the woman you were looking for off in the distance.
Skye sat all alone under a tree, looking unattached to her surroundings. You didn’t waste anytime running over to her.
“Skye, I-”
“What the hell, Y/N?” Skye snarled. She paused long enough to stand up. “You ignore me for nearly two weeks! I’ve heard you been hanging out with other agents- all of them except me. You’ve been avoiding me on purpose, haven’t you?”
Skye’s outburst had caught you totally off guard. Your jaw hung open as you tried to comprehend her words.
“You have,” Skye confirmed with a scowl. “I thought we were friends, mate!”
“I...yeah,” you said, defeated. “I owe you an apology.”
“Damn straight!” Skye exclaimed, her voice pained. “What did I do? The last time I saw you, we had a nice chat before you just left with no rhyme or reason! I’ve been worried sick that I said or did something to upset you!”
“You didn’t,” you piped up, wanting to get back into the conversation. “It was all on me, okay? You did nothing wrong, Skye. I’m sorry for ignoring you the way I did. You didn’t deserve it.”
Skye seemed to calm down, albeit only a little. “But why, Y/N? Why did you start ignoring out of nowhere??”
You hesitated to respond. If you did what you wanted to do, there was no going back.
“Y/N, what’s going on?” Skye asked, her voice edging on worry.
“I have feelings for you.”
Your admission caught Skye off guard. Her green eyes widened and her jaw gaped like a fish out of water. She seemed to process your confession slowly and carefully.
“I avoided you ‘cause I didn’t think you felt the same,” you went on. “I know we have a lot in common and get along, but...”
“But what?” Skye interrupted.
“I thought you wouldn’t be interested in such a weak-looking woman,” you conceded. “You’re so strong and I’m not. I’ll never be as strong as you, and I wish I was. So, that’s why I avoided you. I hoped that doing so would make those feelings go away...but they didn’t. Quite the opposite, in fact. I really like you, Skye. I have feelings for you.”
You felt tears welling up, but you didn’t care. You had laid your cards out on the table for your love interest. You had no clue if she would reciprocate your feelings. Yet you had poured your heart out to her in the hopes that she cared for you the same way.
You had glanced down at the ground, unable to look at Skye. You watched as she inched closer to you and tilted your head up with one hand. A couple of tears had already escaped, staining your cheeks.
“Y/N...I had no idea,” Skye said, breathless. “I...wow.”
This isn’t good, you thought. “If you don’t feel the same-”
“That’s not the case.”
You blinked hard. “What?”
“I do have feelings for you, Y/N,” Skye explained, her voice soft and gentle. “That’s why it hurt so much when you started to ignore me. I enjoy spending time with you, even if we’re just chatting about nonsense. You always manage to brighten up my day and make me happy.”
“I’m...glad to hear you say that,” you said.
“And also,” Skye added, “I never wanna hear you talking that shit about yourself ever again, you hear me? I don’t care if you’re not muscular like me. That’s not why I like you, Y/N! I like you ‘cause you’re hardworking, dedicated, and an all-around good person. You’re one of the best people I’ve ever met.”
You began blushing as your tears subsided. “Skye...thank you. I feel that way about you too. I’m so happy to have met you.”
Skye’s cheeks turned pink. “No more hiding how you feel to me, okay?”
“I promise,” you vowed before going in for a tender kiss.
The two of you stayed under the tall tree for a few minutes, kissing and embracing one another. You placed your hands on Skye’s face while her strong arms wrapped around your waist to pull you even closer.
“Will you please go out with me tonight?” you asked when the moment ended. “At least let me make up for what I’ve done.”
Skye smiled. “You don’t need to keep apologizing or making things up for me, Y/N. But I’d love to go out with you tonight.”
You two shared another passionate kiss, not wanting this intimate moment to end anytime soon.
Needless to say, you were so glad that you had taken that leap of faith.
#imagine#imagines#fic#fanfic#fanfiction#valorant imagine#valorant imagines#valorant fic#valorant fanfic#valorant fanfiction#valorant agents#valorant x reader#fem! reader#valorant skye#skye valorant#skye x reader#hurt and comfort#hurt & comfort#romance#angst
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I see a lot of deaf Bakugō or deaf Present Mic headcanons floating around and I figured that y’all could use some more technical information on it instead of just “can’t hear” and “learns sign language”.
This is going under a cut since it is a lot but it is all information that would help with writing/developing a good Deaf character and not just focusing on what inconveniences/fascinates hearing people.
It covers assistive devices and fittings, audiograms, medical stuff, and the Deaf community.
Please note that this is not an exhaustive covering of all the technical aspects and is based mainly off of what I’ve experienced/have seen happen/have asked professionals about. I might come back and add more as more comes to me.
1) Types of assistive devices that can be used to help reach the needed level of hearing
The devices depend on the severity of the hearing loss. That is determined by an audiogram which tests the quietest noise at a frequency you can hear which is discussed later.
If you have a mild hearing loss, the chances of you needing an assistive device is low, almost nonexistent. That is because you can still hear the speech of most people which is what an assistive device helps with.
The two assistive devices used are a hearing aid and a cochlear implant.
A cochlear is only for profound or total deafness. You can only hear really loud things, and sometimes not even that. The basics of how it works is you have a sound processor that converts noises to electrical impulses which go to the physical cochlear. It requires surgery to install and you can get that at 12 months at the youngest.
A hearing aid has 6 different appearances which depend on what your needs are and what you want.
a)iitc-invisible in the canal. People can’t see it but it’s better for less severe hearing losses because it’s smaller and can’t process as much
b)cic-completely in the canal. Pretty much the same as an iitc just a bit bigger and more visible.
c)itc-in the canal. Again, same as above, but it does have more ability to help with more severe hearing loss.
d)ite-in the ear. Visible, and can help with moderate hearing loss.
Most in the canal designs are made for less severe hearing loss and better. They’re small and discreet, especially if you get skin-colored ones. They also can have smaller batteries which can be an issue for dexterity.
e)ric- reciever in canal. The power bank is behind the ear while the reciever that makes the noise is in the canal
f)bte-behind the ear. Most visible
The ones that go behind the ear are best for connecting with additional assistive devices because you can fit Bluetooth in or connect a receiver to it. These are also good for children who lose things and are a bit sturdier.
2) What an audiogram is and how you get one
[Image ID: A graph with the left axis labeled “Loudness-measured in decibels(dB)” going from 0-120, the right axis labeled “degree of hearing loss”, normal in 0-25 decibels, mild in 25-40 decibels, moderate in 40-70 decibels, severe in 70-90 decibels, and profound in 90-120 decibels. The top is labeled “pitch (or frequency)-measured in cycles per second(Hz)” and goes from 125-5000. Pictures of different things that make noise are over the graph with a yellow banana-shape in the middle of the graph. End ID]
This is an audiogram with the “speech banana”(the yellow banana shape) which is where you have to be to hear and understand speech without any devices and it is how you find out if you have a hearing loss.
To get one, you have to go to an audiologist and take quite a few tests that take forever and suck. Keep in mind, these tests can go in any order but as kids are a handful they tend to go in this order from experience.
Test one: You go into a little sound dampening booth so you can’t hear outside of it and the doctor puts what is basically wired earbuds in your ear. They leave and sit at a table full of controls and start pressing buttons. You’re told to repeat whatever words you hear through the earbuds and you do it. It goes on for a while, lots of boring words and struggling to make one out, it is done in a single ear and both ears. It can be done by the doctor saying words but that’s not as common in professional settings.
Test two: You stay in the little booth with the earbuds. Now you have to listen to sounds and confirm that you heard the sounds. This can be done verbally, by raising your hand, or by pressing a clicker that tells the doc you heard it. The sounds are piped in through one ear at a time, this is to determine if one ear has a more severe hearing loss
Test three: The doc comes back in and removes the earbuds. Next, they put a special band on your head that looks like a headband but has a cold hard bit on the end that goes right on the bone behind your ear. It hurts and is very uncomfortable. Then repeat the same stuff as test two with the doc coming in to put the headband on the other side of the head so both sides hurt from the bit on the end.
3) Hearing aid fitting
First step, you go and get any big lumps of earwax in your ears cleaned out. Too much earwax means they can’t make a mold of your ear. Second, the doc shoves mini sponges with a string attached into your ear to make sure that you don’t get anything down the canal and it doesn’t get lost. Third, they open up a package with a syringe and some sort of molding stuff, I don’t know what it’s called, but it’s often blue or pink or a mixture. The molding stuff gets put in the syringe which is then used to fill up your ear. The stuff is cold and feels weird while it’s drying which takes ~5 mins, and while it is in there you cannot hear a single thing from that ear. Then the doc pulls the dried thing out of your ear using the string and you have an ear mold for the hearing aid. Repeat for other ear if needed.
Couple weeks later, you go back and the doctor has your completed hearing aid with everything preset to compensate for your level of hearing loss and a perfect fit in your ears. Then you fiddle with the settings a bit so that you’re comfy and trim the wire if it’s a bte to make it sit better. It’ll feel weird for a bit as you adjust to it, but it’ll feel comfy after a week or two.
4) Deaf community and sign language
First, sign is a real language which has its own dialect, slang, jokes, and grammar. Go away if you disagree.
Second, one sign language isn’t the same as another. ASL is not the same as BSL which is different from JSL which has little in common with SSL. There are similarities but they are very different from each other. I can’t interpret for a deaf British person because I don’t know BSL
Third, yes staring at someone who is signing is rude and annoying. If you know it, it’s like you’re eavesdropping on them. If you don’t know it, it’s like staring at someone speaking a language you don’t know just because you don’t understand them.
Fourth, sign names are given by a Deaf person. If you’re hearing and learning sign, you can’t give yourself a sign name, that’s disrespectful.
Fifth, most Deaf adults don’t support getting cochlears when a kid is still a toddler or younger because it implies that deafness is something that needs to be fixed and the kid has no real say in the matter.
Sixth, Deaf person and deaf person are two different things. It’s similar to identity first vs person first language, but not the exact same.
Seventh, the Deaf community is fairly welcoming to everyone. Someone who’s just going deaf is just as welcome as someone who’s been deaf all their life. A hearing person learning sign is welcomed in as long as they’re polite and don’t expect the community to shift to make them more comfortable. A parent of a deaf kid is welcomed and given information that the kid needs.
5) Medical Stuff
Technically, speaking if you have any sort of hearing loss, you should wear a medical alert bracelet. It’d have your name, a phone number, if you wear a hearing aid, cochlear, and/or use ASL, and says that you might not respond to vocal prompts. Most of us don’t wear them, it’s just kinda a hassle to do.
Since both cochlears and hearing aids do have metal, you have to be careful about MRIs because if they are removed, they can get ripped out and injure you further. That mainly a concern for cochlears since they’re surgically installed under the skin and not visible unless the outer piece is on
Using hearing aids does cause earwax buildup, so you need to get that cleaned out regularly or it’s make your hearing worse.
Audiograms are typically redone every 5-ish years to update the cochlear/hearing aid ability and to make sure you’re getting what you need.
Anyone can get hearing loss, and it’s almost impossible to not get it as you age. The severity of the hearing loss is dependent on what you do and where you live. The chances of a single accident wiping out all of your hearing and rendering you completely deaf is fairly low, but not impossible.
#deaf bakugo#deaf present mic#deaf yamada hizashi#deaf and hoh#deaf character#boku no hero academia#hearing aids#cochlearimplant#sign language
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A Message to the TOH Fandom
I’m tired.
I feel like everyone in the fandom can agree that the TOH fandom overall has white favoritism. If you actively deny that we have a problem with white favoritism or are offended that I said this, look at yourself and other people who have been talking about this issue. Really look at yourself and ask why you are offended by what I said. Now back to the TOH fandom’s problem with white favoritism. It’s a huge problem and I don’t think people have realized how bad it’s gotten.
Luz and Amity
Do both of them have amazing content created about them? Yes, but if you look a bit closer to the contents of their contents you’ll see a clear disparity between the two. Luz is more likely to be in Lumity art (which itself isn't a problem), but the problem lies in that she is only there for Amity. Is there still content with her alone and highlighting her character? Of course there is, but for every content that exists for Luz solely, there are at least two others for Amity. Don’t get me wrong I love Amity as much as the next person, but she still is a side character. The Owl House focuses on Eda, King, and Luz mainly. They are the main characters.
When I first joined the TOH fandom, I noticed a lot of Amity focused content. A lot more so than I expected since she is a side character. I understand that a factor in her popularity is her crush on Luz and we’re all really excited for confirmed gay characters, but it doesn’t explain how popular she is. She appears in roughly half of season one’s episodes (I know she technically appears in 11 episodes, but some of her appearances are so minor you can easily forget they happened) compared to Luz being in all 18 episodes. Yes Luz isn’t always the focus of these episodes, but she still changes and develops as a character through most of them.
The reason I’m bringing all of this up is that Amity is white and Luz is a POC. Characters of color in the past have been overlooked and underappreciated in the past, not just in this fandom, but it still happens a lot here. Whether it’s conscious or not, we all have been affected by white favoritism and it is our responsibility to recognize it and change. The Owl House brings more than just gay representation: it brings an Afro-Latina Bisexual protaganist with two major side characters, Willow and Gus, being a mixed Asian-Black character and a Black character. You still think I’m full of shit saying there’s white favoritism in the TOH fandom? Well I’m just getting started here.
Willow, Gus, and Boscha
Boscha herself is an interesting character and I think people see a lot of potential for her character, but the problem is that she overshadows a lot of other characters who are much more important and relevant. Willow is a good example of someone who has been constantly overshadowed by Boscha. Most content I see of Willow is usually Boschlow content (I’m not approving or condemning Boschlow here, this is me just stating some facts) and it’s so unfair to Willow as a character. Willow is more than just Luz’s friend or a quiet girl and more people need to realize that. If you can analyze Boscha’s character in the three episodes she is in, you can do the same thing to Willow, who has been in 14 episodes (three more than Amity). There is no excuse for the lack of Willow content and the abundance of Boscha content.
The same thing can be applied to Gus. Sure he doesn’t get very much screen time, but it is still loads more than Boscha. I have seen barely any content about Gus and the few times I do, he is usually with a group and not alone. No one talks about him and I cannot express how underrated he truly is. If you want some funny content with him, play around with his interest in humans and how he has totally misinterpreted things we know as facts. If you want Gus angst, then write about how young he is and how he could be feeling inadequate despite being smart enough to skip two grades. Amity is seen by the fandom as a whole as being extremely smart, but the fact that Gus skipped two grades, a feat Amity has not done herself, truly showcases how smart Gus really is. It’s not that hard to make Gus content and everyone is just sleeping on him.
The fandom loves to attach itself to Boscha, who may I remind you is white. Willow and Gus, who have way more plot relevance and screen time, are constantly pushed aside for more and more Boscha content. Willow and Gus are beautifully written in the show, but most people overlook it for Boscha, who in the show has been fairly one note so far. If your only argument is that you want to show the background characters some love, then where is the Skara content? Skara has just as much screen time as Boscha, but I’ve seen very little content about her. I guarantee if Boscha was a POC she would have the same level of content as Skara, but since she is white she overshadows literally every other POC supporting character, including those who have had more screen time than her. Don’t even get me started on the Detention Track kids and Emira/Viney. This post is already long enough and I don’t need to make it any longer.
Camilia and Alador/Odelia Blight
Right here is the clearest example of the white favoritism of the TOH fandom. Alador and Odalia Blight have gotten so much content about them and we still haven’t seen their faces. You can easily find so much analysis on them and how their parenting must affect the Blight siblings. You can find so much content about them and we know literally nothing about them other than the fact that they’re abusive. I know Alador is set up to be less abusive than Odalia, but it doesn’t change the fact that he is still abusive to his kids. Whether he approved what was going on or not doesn’t matter because he was still complacent with what was happening.
Now let’s look at Camilia and all her content- oh wait there is basically none for her. All the Camilia content is basically nothing other than CamilEda content (again I’m not trying to bash or approve CamilEda, I’m just trying to state some facts). Camilia did make a mistake in setting Luz to the camp, but that does not make her a bad mother. People need to remember one bad action does not make a bad person. I think Dana herself said that Luz and Camilia do love each other, but they do have their differences, which makes things hard sometimes. Camilia truly does care about Luz and tries her best to do what‘s best for Luz and more people need to recognize it. There is so much untapped potential with Camilia’s character, like how she will react to Luz not coming home or what she will do to try to get Luz back. What if she sees all of the recordings Luz has made for her? How will she react? These are all things we can make content on, yet I see so many people sleeping on it.
Now when you compare how the fandom treats both Camilia and the Blight parents, there’s a clear bias in favor for the Blight parents. The Blight parents are given more attention and content despite having less actual screen time and being actual pieces of garbage. Camilia is shoved to the side despite there being plenty to analyze about her and her relationship with Luz. Camilia is also a good person, which is clearly different to the Blight parents. It’s never been a matter of which parent/child relationship is better because they’re both written very well, but rather the fact that Camilia gets shoved aside every time we talk about parent/child relationships. I mean when you look at it, Camilia and Luz’s relationship with each other is literally the Blight family’s dynamic, except the opposite. The only difference between the two families is that one has POCs and the other is white. And to no one’s surprise, the white family gets more attention and analysis than the POC’s family.
Statistics
If you’re still not convinced here's some cold hard evidence that white characters are more favored than POC characters. I’m going to be using AO3’s (archiveofourown) data on how many works a character is tagged in.
On AO3 at around 6:35 PM EST Oct 3, 2020, The Owl House had 1921 works. As we can see Luz is number one (as she should), Willow is number three, and Gus is number four. They’re ranked fairly high (which was a surprise to me), but when you look at how many works they’re actually in, the white favoritism becomes clear. Amity is tagged in around 1480 works and Willow and Gus each are in 730 and 610 respectively. Willow and Gus are in half the works Amity is. Somehow Willow appears in half the works Amity does even though Willow appears more than Amity in the show. Boscha also has 360 works with her in it, half of what Gus and Willow’s works despite being a very minor character who has appeared only a few times. What's worse is that Edric and Emira are literally 200 to 60 works away from Willow and Gus respectively. Edric and Emira, two white characters who have appeared in literally three episodes, but are tagged in nearly the same number of works as two main POC-supporting characters. Now maybe you’re like “Oh the Blight siblings are only so popular because of Lumity, this data is skewed” so the next picture is of all the characters with all of the romantic relationship tags excluded.
The data shows that the fandom favors the white characters so drastically that there is no excuse or other explanation for it. Lumity being popular doesn’t explain why Amity is still the third most written-about character, even with the Lumity tag being blocked. Quantity of episode appearances doesn't explain why Willow has less content about her because Willow appears in three more episodes than Amity does. The only explanation is white favoritism because the most popular characters are all white (with the exception of Luz, but that’s because she is the main character). Before you tell me “Oh it's because they’re more interesting or they have more potential” actually look and analyze the POC characters because they’re amazingly well written if you actually sit down and analyze them.
Why Calling Out White Favoritism Matters
Now you may be asking: why should I care? Well you should care because the fandom as a whole is literally favoring white characters over POC characters, which is low key racist. It makes people care less about POC characters and actual people which can lead to some internalized racism if not caught early enough. The Owl House tries very hard to highlight their POC characters and actively ignoring or dismissing them is disrespecting the show itself.
I feel like I should make it clear that I’m not shaming anyone who’s favorite character just happens to be white. What I’m doing here is being critical of whether or not a person likes a character because they are white (whether that decision is conscious or not). There is a clear difference between “Oh X is my favorite character, but I recognize the other characters are good in their own ways.” and “Oh I love X and only X. I will only use the other characters to further X’s character and completely ignore everyone else’s complexity”. Please take some time and think about why you like a character and see if you unconsciously love them because they are white. No one is immune to it and even I had to realize I was unconsciously favoring white characters while writing something The Owl House related.
The sad part about all of this is that it needs to be said that racism is bad. It needs to be said that white favoritism is extremely toxic and we should make sure we don’t actively take part or be complacent in it. I know for a fact that other POC have seen this white favoritism, but are too numb to say anything about this because they feel like their voices won’t change anything. The few people who have spoken out haven't been listened too. The fact that I had to step up and make this just to try to get people to listen and I might not even make a difference is so sad to me. The fact that I’m young makes me not numb to the white favoritism. The fact that I dealt with, for the first time, racism at the age of 14, which is extremely late for a POC. The fact that the only reason I can be mad about this is because I dealt with racism so late that I have energy to speak out against this and not be numb to this all. I hate that all of this exists and we all let this happen. We all let this problem fester and now it is now our responsibility to get our priorities straight and change. If we let this problem grow and grow, then in a few years this fandom will be a shell of what it once was.
“We can do this together.” -Luz Noceda
#the owl house#toh#lumity#luz noceda#gus porter#willow park#camilia noceda#amity blight#boscha#edric blight#emira blight#alador blight#odalia blight
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haikyuu fic recs — the most beautiful, lovely, breathtaking masterlist (vol. I)
so i’ve been binging fics to cure my sadness, and i thought that these select masterpieces were too magnificent to not be plastered on every billboard ever. some tore my soul into shreds, while others melted said shreds back whole, but all of them made me feel some form of sheer, unadulterated love, so. please enjoy! 🥰⛅️✨
note: all of these fics are exquisite and you should read all of them, but if you’re short of time, those with ☆ are my all-time favourites!
daisuga
butterfly in the subway by bigspoonnoya ☆ | T
Sugawara Koushi has no idea he's already in love with the man he's supposed to hate.
i lovelovelove how all the concepts tied in together like a perfectly wrapped gift
also very wholesome, made me feel so inexplicably warm. like, love can exist everywhere!!! despite everything!!! that’s just so inspiring
i revisited this many times, i think it was (one of) my first haikyuu fics and honestly. it set the bar so high and i have no regrets
you’d fit my lonely arms so perfectly by boxofwonder ☆ | G
“Oh. You're. Not Asahi.”
Calmed down enough that he can speak again, Daichi takes a deep breath, his smile settling on his face easily and wide.
“Not as far as I know, no.”
-
Suga accidentally calls a stranger instead of his best friend, tells him all about his burned batch of cookies before realising, and that particular mistake might turn out the best one he ever made.
major, major fluff
the buildup!!!
god this made my yearning for love so much worse
the perfect stranger by downmoon | T
There’s a man standing outside Suga's door.
Scratch that. Start over.
There’s a man he doesn’t know standing outside his door, holding his sleeping nephew in one arm, with another kid clinging tightly to his free hand.
so domestic please read the entire series from start to finish it has my whole heart
shoyou and tobio as their actual kids 🥺
these two parents are so in love it makes me wanna cry
asanoya
silica sand by lilien passe ☆ | G
Overworked, over-stressed programmer Azumane Asahi works on the top floor of a Shinjuku skyscraper. Nervous around his coworkers and terrified of the long drop on the other side of the window, Asahi falls into a miserable routine, only to have it broken one day by a simple message on the outside of the glass.
PLEASE. so well-written it makes my heart glow and ache simultaneously
made me ascend into asanoya heaven
such a brilliantly unique concept i love it A+
qué syrah syrah by loudlucy | M
Asahi wants to be a Master Sommelier. It's the highest honor in wine service, and the certification would allow him to live the life he's always envisioned for himself. Too bad the certification test is notorious for being the world's most difficult.
Most people fail their first time taking the exam, and Asahi is no exception, but he has more difficulty than most dusting himself off and getting back on his feet. Enter Nishinoya, a young man who shares his same dream, and who believes in their goals so fiercely it forces Asahi to embark on a delicious and sensuous journey of viticulture and validation.
AKA The Wine Tasting AU that literally no one even knew to ask for.
NOTE: You Do Not Need to Know About Wine to Understand This Fic!
another super unique concept!!! (´∀`=)
my god their chemistry is amazing
the writing made me feel things ngl
stop my bones from wondering by cerasi ☆ | T
After graduation, Asahi hides from the world and needs help from a few sources to find his way back.
i want to write sonnets and sing ballads for this fic, it’s that beautiful
as always, Top Notch Writing *chef’s kiss*
no but i seriously... can i kiss the author? asking for a friend 😳👉🏼👈🏼
iwaoi
star-crossed by starlitcities | T
“I never thought I’d see the day that I’d envy a human,” Oikawa admits, showering himself in tiny suns, because he can actually feels those, like a fusillade of warm kisses on luminous skin that leave marks. To humans, they’d be freckles. Skin stars, Oikawa calls them. He didn’t make that up, a human did.
“Who created the rule that we can’t touch, I wonder,” Iwaizumi ponders, floating heedlessly through space.
“Maybe it’s because we can fly. Humans dream of flying, right?”
“I don’t think so.”
gsjsgsjshsjshsjsj star!iwaoi
they’re LITERALLY STARS
beautifulbeautifulbeautiful i love how the author conveyed the beauty of touch and humanity 🥺🥺
please bless yourself further with the sequel sun-kissed
conquering the great king by suggestivescribe ☆| E
Iwaizumi blinked his gaze over to Oikawa, "Last time was supposed to be a one time thing," he said, voice low, lacking some conviction.
Oikawa's lips twitched into a smirk and he brought them hovering just over Iwaizumi's, "One time thing, Two time thing, what's it matter as long as it's not a Relationship thing?"
yes.
in fact, this entire series (breaking the rules) features daisuga, kuroken, asanoya and it’s SO GOOD. every single one.
but anyway, character development!!!!! plot!!!!!!!!! writing!!!!!!!! i’m here for it all
tsukkiyama
campfire in your chest by deanpendragon ☆ | M
Kei realizes in their second year of high school that he’s probably been in love with Yamaguchi since they were ten. However hopeless he might be in handling that situation, Kei prays he’s at least not as hopeless as Hinata and Kageyama. But he just might be.
SO BEAUTIFUL
i am also a sucker for anything with stars, moons and all the love in between
no words to describe this work of art please just go read it and be blessed
under the lilac tree by raewrites | G
there’s a lilac tree in Kei’s backyard.
gorgeous in its simplicity
softtsukkisofttsukkisofttsukki
not as grandiose as the rest but the love written into every word, action and character is absolutely show-stopping
kagehina
saffron and cayenne pepper by dontsaycrazy ☆ | T
Cooking is hard. Even if you have your very attractive, very grumpy neighbor there to help you.
-
In which Hinata's lack of cooking skills are a danger to him and others. Luckily (or not), Kageyama is willing to teach him, if only for the sake of avoiding any burned down apartments.
the essence of their characters were captured so well and yet it’s like they’re completely new characters too? author, whoever you are, you totally owned this
this made me ship kagehina so hard
fluff! cuteness! lots and lots of cooing!
kuroken
the galaxy is endless (i thought we were, too) by cosmogony ☆ | T
soulmate
/ˈsəʊlmeɪt/ • noun
A person who was made from the same star as you.
-
// Kuroken AU where the last words your soulmate will say to you appear on your skin when you turn 16, and how Kenma and Kuroo learn what this means over the course of their lives.
ahhh here it is. beautiful, heartbreaking, soul-emptying agony. you want angst? choke on this, and your tears later on.
no but seriously please read this if you haven’t you won’t regret it at all i promise
written from kenma’s perspective so you experience every depth and multitude of emotion he does and it’s so raw and- brb imma go cry for a sec
knot in my heart by hearthope | T
There’s a picture. Kenma blinks, looking at the little calico cat, being held up next to the face of a guy with stupidly messy hair and a crooked grin.
Cute.
The— the cat. The cat is cute.
Just the cat.
-
Kuroo starts spending a lot of time at the flower shop Kenma works at. Kenma definitely isn't into him.
okay so i like it when authors unravel a normally stoic character’s full scope of emotion and give them depth, sue me.
anyway, back on the fluff train!
i absolutely f*ck with flower symbolisms, cats and bitchy best friends who have dirt on each other. the layers of romance, friendship and everything in between is so prettily developed 10/10
bokuaka
the jacket you never returned by daisuga ☆☆ | G
He leaned over, kissed Bokuto on the cheek, and smiled bitterly, eyes watery.
He will never remember. Not now, not ever.
What they were will now forever be forgotten.
-
"You used to call me Keiji, Koutarou."
YOU USED TO CALL ME KEIJI, KOUTAROU!!!!!!!!!!
i beg you to listen to Spiegel im Spiegel when it’s first mentioned in the story please
i read this and screamed through my tears for a solid 1.5 hours. i rarely cry.
no f*ckin regrets though i read this thrice already and it hurts so good every time
rules by conesofdunshire ☆☆ | E
In which Akaashi Keiji is an overworked accountant who stumbles upon Bokuto one night playing the piano in the lobby of his work. Bokuto is different, that much is obvious. But with such supreme musical talent and a smile so dazzling it rivals the sun, there's just something about him that brings Akaashi back every night.
this fic. this fic has my whole, broken, sobbing heart and laughing soul
gorgeous. breathtaking. magnificent.
bokuto is so WARM and akaashi is so STRONG and they both find the solace they need in each other and it’s all i want for me 😭😭😭
in another life by littleluxray | T
Sleeping didn't come as easy as it used to. Bokuto knew this, and now Akaashi did, too.
The hospital AU that no body asked for, but that I took upon myself to write.
this is a famous fic that i doubt any seasoned haikyuu reader wouldn’t know, and RIGHTLY SO BECAUSE, the PAIN. the pain. the pain.
i could feel my lungs shrivel up and my chest cave in on itself. fatigue and rest are things i struggle with too so this whole story resonated with me from start to finish, and it broke me. in like, the best, most revitalising way
i would read this again but it still haunts me at night. i need to heal from the first time before i have the guts to try one more time HAHAHA 😆💔😭
tea-stained polaroids by dalyeau | G
“I'm gonna date that,” Bokuto declares solemnly, and Kuroo throws a plastic spoon at his head.
mmmmmmm pretty photographer + personalised coffee cups + cute baristas = diabetic fluff fic
i smiled so much throughout this you have no idea. cheeks achey but so good
i may have squealed a little at the ending
kurotsukki
moonfall by batman | T
There is no unlearning Tetsurou, after all. There is only leaving him.
-
(Five things of Tetsurou's that ended up in Kei's home, and one that never left.)
the writing!!!!!! is pure beauty!!!! sheer grace!!!!!!! the construction of the AU and the romanticism and hsjsgsjshsj
didn’t cry but. heart ache and bittersweet smiles are another level of misery that is just as fulfilling
yea just pleasepleasepleaseplease go read it thank you and have a good day
hidden gem by realmSpinner | E
Things get complicated when everything you thought you knew about a guy changes, and they get even more complicated when you actually start liking those changes.
That guy working with you AND becoming your neighbor? That's just a cherry on top of the cake of confusion.
this AU was refreshingly different, and amazingly so
top!tsukki??? sign me the f*ck up
the whole plot, man. perfection.
pings by barfs ☆☆ | T
[5/02/16, 3:50:17 AM] Tsukishima Kei: Please wake up.
[5/02/16, 3:50:23 AM] Tsukishima Kei: I hate begging. You know I hate it.
[5/02/16, 3:50:34 AM] Tsukishima Kei: I bet you’re snickering at that, wherever you are.
[5/02/16, 3:50:53 AM] Tsukishima Kei: But, it keeps hurting and I don’t know why and it feels like shit and I know you could tell me why, but you’re not here and I would really appreciate it if you’d just wake up.
[5/02/16, 3:51:02 AM] Tsukishima Kei: You’re laughing at that too, aren’t you.
[5/02/16, 3:51:10 AM] Tsukishima Kei: Dying is probably up there in the list of top ten shitty things you’ve ever done, and you’ve done a lot of shitty things.
god.
you already know what’s coming, and yet. when it comes.
how the f*ck did the author make grief beautiful????????? (at the expense of me dying along with kei and everyone else i guess)
this fic will ruin you and bury you under all your pain (i hope you’re ready)
but also put you back together with the “sequel”
kyouhaba
close to the chest by darkmagicalgirl | T
It takes Yahaba thirteen years to realize he's different from the other kids, one to figure out how to hide it, and two more to learn to be happy just the way he is. Yahaba's journey ft. an extremely annoyed Kyoutani, best friend in the world Watari, and loads and loads of good senpai Oikawa.
cause i’m (not) alright with the slow, burn~
no fr, take slow and burn very seriously
overthinking yahaba? i understand. i do.
again, such an amazing fic; 10/10 recommend
safe here by crossbelladonna ☆ | M
“Raids are routine work,” Kyoutani tells to Yahaba before he can air the question. “Sometimes there is no sleep done until we accomplish something, say kill a certain ghoul. I guess they’re still going through the possibility that people in the accident are still alive huh?”
Yahaba quirks a smile, pushing his mask up his head.
“You’re alive.”
Kyoutani looks at him intently and all of the things that they’ve gone through for the past month seems to flash in his mind.
“Yes I am.”
i haven’t watched tokyo ghoul but i understood everything perfectly. such is the power of f*cking kickass writing
*cue ugly crying and a lot of unresolved angst*
like the grief??????? ruin me please thank you 🙏 (i think i’m a little masochistic)
rare pairs
mannequin men by surveycorpsjean ☆ | M
[bokuto/akaashi/kuroo/tuskishima]
The modelling world is full of hungry wolves, constantly clambering over the other, snarling and desperate. They fight, and they kill, trampling over anything in their path.
In this case, Akaashi fell in love with the wolves.
i did not expect this to be good, and it wasn’t. it was SPLENDID.
akaashi is so enamoured with them from the get go i love it
a tiny bit of angst that stabbed me in the heart, but the happy ending soothed it (thankfully, because if there wasn’t one i will sue)
characterisation, writing, plot development; everything is great. can you tell i’m running out of synonyms for ‘beautiful’
feel like gold by heronfem ☆☆ | T
[bokuto/akaashi/kuroo/kenma]
In which Kenma is unapologetic and comfortable with who he is, Akaashi learns a lot about himself in a short period of time, Kuroo is wildly in love and an eternal survivor, and Bokuto remembers that love doesn't cure mental illness, but having a support system sure helps a lot.
Or, the one where 4 young men get together, and are helplessly, hopelessly, utterly in love despite everything.
e.e. cummings?? poetry??? f*ck yes
so beautiful. i’m so star-struck by this fic it’s simply stunning
there are no words to fully capture how worth your time and heart and mind reading this fic is so please. do yourself a favour, and fall in love with this fic with me
the sky and guilt are the only feelings i have left by oopsthisisqueertoo ☆☆ | not rated
[bokuto/akaashi/kuroo]
Akaashi is at his wits end. He feels nothing. He's quickly crumbling as a human being. He wants nothing but sweet release of death. In his fourth year of college he drafts a plan for his suicide. He is to graduate, publish writing for others to be inspired by, and slip quietly away. Shortly after, he meets a dog walker named Bokuto who asks him out and Akaashi reluctantly agrees. Nothing matters anymore and he treats Bokuto like an obligation. Until he's not anymore.
TW: SUICIDE ATTEMPTS & DEPRESSION
this was... this gutted me entirely and filled my body with too many shades of agony
arguably one of the best haikyuu fics i’ve ever read
so beautiful in the most painful way fathomable; strongly recommend
april to may by surveycorpsjean | T
[bokuto/akaashi/kuroo/tsukishima]
They're an odd family.
The four of them? Parents?
But still, they're a family.
So they'll support each other until the end.
aaahhhhh third gym as parents 🥺
so much fluff. i also love april and may
they’re still so in love there’s love in every millimetre of this fic :”)
that’s it for now! i’ll add more if i come across anymore good fics. i hope you enjoyed this list! if you have any requests/fic recs, or if u just wanna chat, feel free to just ask! hehe 🥰 k aight bye~
#haikyuu!!#haikyuu#fic rec#beautiful#writing#ao3 fanfic#daisuga#kuroken#bokuaka#tsukkiyama#kagehina#third gym#iwaoi#fic#reference#hq
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“Feeling good in my skin/ I just keep on dancing,” Harry Styles sings in his latest single, “Treat People With Kindness.” And in the song’s exuberant music video -- which has garnered 17 million YouTube views and counting since its debut on New Year’s Day -- he does just that: Wearing a sequined jacket and bow tie, he chassés, spins and flutters jazz hands like an MGM musical star (with a little help from his equally debonair partner, Fleabag’s Phoebe Waller-Bridge).
Styles shot the video in early 2019 after several weeks of training with choreographer Paul Roberts, a collaborator since his One Direction days. “I think somewhere in the back of my mind, I knew this could be something special,” says Roberts, a veteran stage director and choreographer who’s worked on videos and tours for the likes of Sam Smith, Katy Perry, Diana Ross, and the Spice Girls (their Spiceworld stadium tour).
Watching the explosive fan reaction to Styles’s little known dance talents -- including from the Spice Girls, who've “sent lovely messages" about the video -- Roberts says it seems like "Treat People With Kindness" arrived at the precise right moment. “Most people’s comments are, ‘I’ve not felt that happy for three and a half minutes in a long time,’ or ‘I smiled from ear to ear the whole way through.’ It’s a positive light.”
He spoke to Billboard about Styles’ intensive training process -- and why he wouldn’t be surprised to see him dancing onstage again.
There’s been one pretty overwhelming reaction to this video: “This is the guy who was in the group that insisted they couldn’t dance?!” Did you expect this kind of reaction to Harry dancing? I’ve been with Harry for 10 years: I was with the One Direction boys from the beginning the whole way through their career before they took the hiatus, and they always made a very conscious decision that they didn’t want choreography as part of their brand -- but they did want a kind of disheveled organization in order to allow the cameras and the lighting to stand a chance in terms of presenting them in the best manner possible.
What was very evident to me was that all five of them, and then it obviously became four, they’ve all got their own magic. The only time I’ve experienced that was when I worked with the Spice Girls. I always knew that they had special skills aside from what they were in One Direction, whether it was movement, songwriting, being able to handle the business side of things. For such young lads they were very astute and very decisive. So, getting together with Harry -- he’s a bit of an alchemist, is Harry. Everything he turns his hand to turns to gold. Where did the initial dance-centric concept come from? Harry and the directors, Ben and Gabe [Turner], sent me a video link to the Nicholas Brothers scene from Stormy Weather and Harry asked me, "How long do you think it would take to dance like this?" I was like, "OK, are you being serious?" "Yeah, I’m being serious."
That is probably one of the most standout dance sequences ever captured on film -- so I knew we were aiming high. I said, "Why don’t we go into a studio and let’s workshop some choreography, some moves, some short sequences, and see what your ability is, see how we can tailor this to make you look the best you can possibly look." Obviously it would take some investment in terms of rehearsal and commitment, I told him it would be mentally and physically exhausting, but I thought, "My God yeah, let’s do it; this will be an adventure."
How long did the whole process take? We started in mid-January 2019, and we rehearsed and workshopped for about four to five weeks before the shoot, every day. Both Harry and Phoebe had other things going on, so, for instance, Phoebe was working on the new Bond movie in Canada, so I sent my assistant to Canada to work with her. I stayed in the U.K. with Harry, and then we went to L.A. where Harry shot two more videos, for “Watermelon Sugar” and “Falling.”
At the end of the “Watermelon Sugar” shoot, he wrapped, got in his car, came to the dance studio and we rehearsed into the night. Knowing how short a time you sometimes get with artists even for really big performances, I thought the rehearsals would dilute and we’d lose momentum, but both Phoebe and Harry were so committed.
What was the process in the studio like with Harry? We didn’t even use his [vocal] track to begin with -- we used different big band songs, some contemporary alternative music. It was just about finding his [movement] language first and foremost. Then we developed the choreography and sent it to the directors, who gave us feedback. We enhanced the work a bit more, and then once we had some really solid sequences, Ben and Gabe storyboarded the scenes against the timeline of the music.
At this point Harry and Phoebe were still working separately, and then we joined forces in London, where we really started to refine these sequences of choreography we’d developed, trying to find the finesse and the style, almost making sense of the movement for them so they felt they had a dancer’s way of working the movement through the body. You’ve worked with a wide variety of artists, many of whom aren’t dancers first. How do you find, as you put it, the “language” of movement that makes sense for each of them as individuals?
I think the general answer is really communicating -- listening and understanding what the artist’s desire is. And also collaborating, so you don’t get too lost in yourself as a choreographer. What looks good on you might not transcend to the artist, or even necessarily the dancers.
With Harry, what was important within the language of the choreography was that it felt joyful and had personality. Him and Phoebe, with the work she’s done with Fleabag, you associate them and what they do with a sense of style, a real confidence, but at the heart of it it’s entertainment. And with the amount of time and budget we had, which was such a luxury in this day and age, we wanted to do something that pushed both of them out of their comfort zones. We tried to make it as athletic as possible but without compromising them as artists and becoming too comedic. We wanted it to be a bit quaint and cute in places, but we definitely didn’t want it to be thought of as nonsensical or silly.
Harry’s movement in the video is so crisp and precise, even his hands and arm extension look very dancerly. Did that come through a lot of specific work with you? As a songwriter and artist, for Harry it’s about detail, about pushing yourself to be the best. He’s always got questions: "Why are we doing that? Should we be doing this?" We got to a point during the rehearsal period where I brought in a ballet teacher, really to just get Harry and Phoebe to open themselves up from behind their shoulder blades, have an idea of extension, the lines that extend from your center all the way to the tip of your finger. I’d be saying, “Your arms Harry, your arm line!” Asking him to push his shoulders down, lift his carriage up, extend through his breast. And when he hit those lines, he’d be like, “Oh yeah, that feels different.” It’s funny: We spent a couple days apart -- he had to go off and do a gig somewhere -- and I was like, “I hope you’re rehearsing when you’ve got some downtime, dude!” And he sent me a picture in the gym with his arms in the most beautiful balletic arm line! I was like, "Yes, by George, you’ve got it!" Besides the Nicholas Brothers, did you have any particular dance references in mind for the feel of the choreography? I just delved into the MGM archives. Obviously [Fred] Astaire and [Gene] Kelly, the two greats -- especially with Astaire, we loved how sometimes it seems so effortless yet a bit throwaway, not totally totally perfect always. We enjoyed the moments from him of “I’ll just do a bit of this,” “I’ll just walk off camera left,” the dropping in and out of movement. We loved the duet “Moses Supposes” from Singin’ in the Rain, for Gene Kelly and Donald O’Connor -- we loved the camaraderie between them, which felt a bit goofball at times, and just that wry smile, the look to the left, knowing your partner is there and has got your back. It feels fizzy, it feels joyful.
And yes, there was a massive core of MGM-ism, but at the same time an absolute huge dollop of Harry-and-Phoebe-ism. It was important to us to feel a bit more contemporary, so again we stay true to Harry and Phoebe as artists. Has Harry indicated any interest in dancing more going forward?
We had a conversation back at the end of the summer about how much we enjoyed the process, and I know he was doing another project where choreography was involved, so we were just talking about it and how he felt. Coming from where he came from to what he was about to do, he felt he could be pushed even further. I don’t know if he got the bug, or if it’s just the way he is as a person, very inquisitive and wanting to keep elevating himself. There’s now been some talk on social media that it can’t be long before Harry does Broadway. What do you think?
I mean, I think with Harry Styles, anything is possible, is it not? I mean, I’m sure because he’s tasted the dance, he’ll inject that along the line in his career. It won’t necessarily be out-and-out dancing, but I guess it’s a bit like Bowie used to do, isn’t it? It’s the showmanship and presentation of the performance. Who knows? He’s just so open-minded and open-hearted — and because he’s so open it allows the universe to come back at him and he’s able to do anything he sets his mind to.
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Hello Geo-san, just read your post on Malleus's birthday. It says that his only relative is his grandmother and she still rules the Valley of Thorns. There are theories that his grandmother is none other than Maleficent herself. If that's the case, there are two options here, either she survived her encounter with Prince Phillip or the TW timeline is following the 2014 film. Where she's still alive and ruling the Moors, maybe renamed as the Valley, alongside with Aurora. We'll just wait and see.
I've actually been thinking about this myself, that was much of a shoking reveal!
Aside from revealing the fact that Malleus's parents are dead, this somehow dropped a bomb on "Maleficent being Malleus's grandmother theory"
The main discussion going over the fandom regarding the topic is whether his grandmother is Maleficent or not, which is a really important question!
As someone who strongly supported this theory before this reveal, I can't say I wouldn't be disappointed if Maleficent isn't actually his grandmother, but on the other hand, the possibility of her being Maleficent and still alive would face some strong contradictions in the story:
First off, let's flash back to where this theory begun in the first place:
In Malleus's personal chats, we can find Sebek complimenting Malleus's performance after the classes, telling him that he'd even surpass the witch of thorns herself one day!
Malleus immediately objects to it, saying his powers barely come close to his grandmother's.
Well, to think that they were actually talking about Maleficent but all of a sudden Malleus mentioned his grandmother instead, left us qith a great possibility of him being Maleficent's grandson, to the point that many, including me, considered this theory as canon! But now I highly doubt this theory, even though I wanted it to be confirmed true so much. But since we have more information to seriously discuss the matter right now, here are my thoughts whether this theory is still acceptable or not, which is mainly explaining what would happen if they're actually using the 2014 and 2019 live action movies as a reference:
1) Maleficent being alive would totally WRECK Silver's character development and design!
Come to think of it, there would be no Silver if Maleficent is still alive! Silver's twisted logo is the sword, and the one and only famous sword in the sleeping beauty classic AND the live action movie is the one which slayed Maleficent.
So... If Maleficent's still alive -> There hasn't ever been a sword which slayed her -> Silver doesn't have any special or specific symbol/ character which he is twisted from!
While his name might have something to do with the live action version, where they strongly used Silver to defeat Maleficent, it can also be referring to the fact that dark fairies would immediately be wounded if touched with Silver, which is most likely because of Yana's studies in the fae mythology field (Like how she chose ice cream as Malleus's favorite food since fairies love cream) which isn't necessarily bound to the live action version. But since the sword is Silver's most important role in the game, we can't really stick with the live action version because not only didn't we have any special swords in the live action version, but there also would be a big confusion if there hasn't ever been a sword which slayed Maleficent and Silver is twisted from!
In summary, I'd be honest and say this out loud: Maleficent HAS TO be dead because we need the Silver sword to exist somewhere in the story!!!
2) History of 'Classic Maleficent' vs 'Live action Maleficent'
one of the main points which needs to be considered in this matter, is how different Classic Maleficent and Live action Maleficent are. Maleficent is the very first Disney live action to present a totally different face of a well-known Disney villain such as Maleficent, which also led to a considerable growth in both "Maleficent" and the classic version of "sleeping beauty"'s popularity at the same time! But while 2014's Maleficent was an absolutely amazing movie (to at least) and nearly turned Maleficent into the most beloved villain of Disney's history, the live action (especially the 2019 version) received some strict critiques regarding how they pictured Maleficent: Many of the fans were familiar and attached to the original Maleficent, the mistress of all evil who had control over the powers of hell itself. A REAL villain and an absolutely perfect one. But the live action Maleficent wasn't meant to be a villain, the live action narrated a totally different story from what the classic was.
Though it didn't really lessen the movie's popularity, there were fans who begun to dislike this version of Maleficent after the 2019 version and their reason for disliking the movie actually made sense, the live action went TOO FAR with creating a second Maleficent, almost to the point of not being anything similar to the original, that strong villainous sense they were expecting to see in Maleficent had disappeared.
Now let's talk about twst, what is twst about? Villains. It's basically the world of villains. We need that evil, menacing and demonic sense of villains to be brought back to life through this twisted vessels, as it's confirmed that this school's students have villainous souls. From the Heartslabyul chapter till now, the Pomefiore chapter, his is all we've dealt with: Absolute villains. Each chapter is about a dorm leader (expect for Kalim) discovering and revealing their villainous spirits, which leads to an overblot. They want them to see just as evil and reckless as the original villains, which is why they put them into a mode such as overblot, where they're controlled by a puppet in the shape of one of the great seven.
Is such a story, where they need to make each of the main characters be as evil as possible, choosing live action Maleficent (who is a half villain, half hero character) not only is debatable but ia also a big contract to the previous chapters as they all followed the original villains' stories!
I guess we can all agree that Diasomnia's quite special compared to the rest of the dorms, but going as far as using a different source in character development and plot design compared to the rest of the characters and dorms seems to be a bit too much- I don't think Diasomnia's design and development is planned to be THAT different.
3) Key points about fhat has been officially mentioned in twst
Personal chats are VERY important to go through while doing a character analysis, they're such a wealthy and perfect source of information regarding each and every of the characters!
As for Diasomnia, each and every of the members mentioned something about the witch of thorns and her background, which directly leads us to how and who is the twst's Maleficent:
Lilia: Explains how Maleficent's Chronicles spent 16 years looking for a baby in a cradle -> This only happened in the classic! Live action Maleficent never sent any of her minions to look after aurora as she never had any!
Silver: Explains how the King of a well-known kingdom forgot to invite Maleficent and offended her with this, he wonders what kind of King would ever do such a disrespectful thing? -> Original Maleficent was offended and mad just because she wasn't invited, while the Live action Maleficent was betrayed by the King Stephan, Aurora's father who intentionally refused to invite Maleficent. Keep this in mind that Silver said forgetting to invite her, which is exactly what happened in the classic and King and Queen seriously forgot to invite Maleficent, not to intentionally avoid and decide to keep her away from baby Aurora like what happened in the live action.
Malleus: In his chats with Lilia, he mentions how The witch of thorns once invited the prince of as enemy Kingdom into her own castle -> This is again, something which only happened in the classic, referring to the scene where Maleficent captured prince Philip and imprisoned him inside her castle. Live action Maleficent didn't even have a castle to begin with, note that all she did was to take Phillip to Stephan's castle to give Aurora a chance to live.
Malleus: He explains how The Witch of thorns could turn into a dragon -> Live action Maleficent never turned into a dragon, she just once turned her crow, diaval, into a dragon (2014 ver.) and turned into a phoenix (2019 ver.). The only Maleficent which could and did transform into a dragon is the one we know from the sleeping beauty classic.
Hitting with the lighting: This is something Malleus is capable of doing, he both did this to Sebek back in the manga anthology and threatened Rook with it -> Again, this is something which the original Maleficent and herself only could do.
There are quite a few of other orginal Maleficent references you can find if you carefully go through the story and voice lines, but I'm not going to mention each and every of them because I believe I've already discussed this enough. Note that while there are tens of original Maleficent references in the story, there hasn't been anything mentioned about the live action Malleus so far expect for fan content and stuff.
Obviously, they're using Original Maleficent as the main reference. The question is whether they're using the live action too as a reference or not.
4) A summary + Existing debates
Aside from all of the current theories and headcanons, I guess this is all we can tell about the canon information revealed so far. But before we end, I'd like to add a few of small notes:
Lilia has never referred to the Witch of thorns as Queen of thorns, it's not quite specific to tell but it seems like Queen of thorns and Witch of thorns are indeed to different people.
But then again, why does Malleus bring his grandmother up in the middle of a discussion about Witch of thorns? Could it be that he just used her mother as an example since her too, is a very powerful magician but not exactly the witch of thorns herself, or...??
There hasn't been any information revealed regarding the great seven's current position in twisted wonderland's history, how long ago has their stories taken place? Could it be that some of them are still alive? Did their stories end just the same as orginal stories or did they decide to twist the endings as well?
The main reason why I think Maleficent cannot be alive now is not becuase she died in the original story, it's becuase of Silver, which has already been explained in part (1)!
At last, I'd like to add a final note to this piece: Even if the "Grandmother Maleficent" theory turns out to be wrong, many of the fans are already enjoying the eixisting fanon twst content which are using the live action as a reference! The most popular reference is probably with Malleus's back, where many artists decide to add two wounds on as a reference to what happened to Maleficent's wings in the live action. This is personally one of my FAVORITES and I just love it when artists draw the wounds, though the possibility of Malleus actually having wings is pretty low! We can almost call it impossible lol. The thing is, from how the story has gone so far we can assume that they aren't going to use the live action at all, but if they do, that'll be quite amazing and interesting to discuss!!
#answered#mister-jedblack#twst#twisted wonderland#malleus draconia#character analysis#twst x reader#twisted wonderland x reader#disney twisted Wonderland#twst theories#twisted wonderland theories#lilia vanrouge#sebek zigvolt#silver
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Why I am leaving this blog
This is the truth as of why I'm abandoning my tumblr, @/sageinacage.
CW: swearing/harsher language; mentions of breaking boundaries, sexualization, bondage, non-con/tickle torture, kinks, toxicity, overall rly uncomfortable topics
TLDR at the bottom.
Before I start, I want to say that I’m not talking about everyone in this community. Not everyone is like this, but still a lot of people are, and unfortunately the negatives are louder than the positives.
Having this blog was quite an adventure. It definitely had its ups and downs, but I was quick to notice that it had a majority of downs instead of ups. As of now, I'm dreading being on this page.
I don't feel comfortable here anymore and it's incredibly hard for me to feel any sense of safety in this community, and I honestly feel personally ashamed to be in the MCYT tickle community with the bullshit me and others have seen and experienced.
People go around on anonymous and practically harass creators, I've seen so many rude anons get sent to myself, my friends, and people on my dash. People are also breaking CC's boundaries left and right, and no one will listen to anyone when it's spoken up about. I remember making a post stating that if you send anon hate then DNI, and I lost 4 followers. So disappointing. Actually after I took a screenshot of my boundary/trigger list and posted it, someone sent me an ask and did EXACTLY what was listed in my triggers. It went fully against my boundaries, and it caused me to feel scared whenever I get a notification in my inbox, because I’m scared that somebody is trying to purposely trigger me again; and I shouldn’t have to be on Tumblr with such paranoia as I’m experiencing.
Going onto the topic of the more weird and uncomfortable side of the community, I also remember I made a post a while ago saying "if you support putting minors in heavy bondage, then unfollow," and I lost 5+ followers. To put it bluntly, that’s fucking disgusting. For those people to admit for putting minors in a borderline NSFW situation, since heavy bondage is quite literally something that only happens in the kink world and there’s nothing wholesome or cute about it, and for them to admit to doing it, is fucking weird. Though, I’m thankful those people got off my blog.
I have literally seen someone post art of c!Ranboo in heavy restraints and it didn’t even look remotely fun or consensual. It was pictured, or at least my friends and I interpreted it, that he was being tickle tortured and it was non-con. Though, it’s to be expected when the art is a dark-lit room with an intense tickle machine with heavy bondage, with a blindfold and what looks he is genuinely struggling. What made me even more uncomfortable is that an adult drew it. Another person wrote a fic of c!Ranboo in a lot of bondage with the sign “tickle toy” attached to him. That’s fucking weird. That’s practically something that never gets condoned in a strictly SFW sense. The sad part is that others and I have seen a lot of this happening around.
I was actually informed that an artist the other day on another MCYT tickle server drew literal non-con tickle art of Technoblade (/srs). I was revolted. The worst part is, some people didn't even have an issue with it and reacted to the image with heart emojis. For someone to draw non-con in a completely SFW server filled with a bunch of minors is creepy and weird. Non-con isn't a fun thing, and so many people, including me, have horrible experiences related to it; and for someone to turn it into a "heehee fun tickle" situation is fucked up. For someone to even fantasize non-con as a tickle fantasy just makes me feel sick. There are a few fics like this I've seen as well, unfortunately.
Related to non-con things, I've actually gotten a request before asking me to write Schlatt literally tickle torturing Tubbo, and multiple asks that are similar to that; even when on my request rules it stated not to ask for things related to that. Anything with the word "torture" in it is not consensual, especially in the context it was in. I’ve probably had to delete around 5–8 asks in total from my inbox that were related to non-con or torturous things, even after I already stated in my rules I do not write that stuff.
Another thing I've seen is romantic-esque things written with CCs and then the creator slaps a "/p" onto it, and all of a sudden it's okay? Ranboo has even stated in a stream that he is uncomfortable with his IRL self being written/drawn cuddling his friends, and I see so many fics and concepts of IRL Ranboo cuddling in some way (which I've spoken out about before, but again, no one listened).
Moving on, I've probably met the most toxic people in this community than any others I've been apart of- and I've been apart of a lot, I've been on Tumblr on different blogs since I was 11. For some reason, so many people love to guilt trip here (both my friends and I have noticed and experienced a bunch of people doing it in this community), and the people who get called out for it avoid apologizing like the plague. A person in this community made me and a few others literally scared to say no and scared to advocate for our boundaries, because of how much we got guilt tripped. And no, no one received an apology. But still, people DEFENDED this person, even though me and other people spoke out and explained how this person hurt us. That’s so fucking upsetting. I automatically don’t feel safe in a community where people willingly associate with a literal manipulator and someone who hurt probably over 10 people in total (/srs).
Another thing I've noticed is that so many people seem entitled to something. For example, when I got practically harassed by anons for my discomforts/triggers, basically trying to squeeze out reasoning. No one needs to explain their boundaries/discomforts to you, and this community doesn't understand that from what I've experienced; after being harassed by multiple people on anonymous multiple times, all of which were because of personal reasons I was not obligated to share. No one should be able to say that they got harassed by people on anon for their OWN BOUNDARIES. ON 3 DIFFERENT OCCASIONS AS WELL.
Long story short, I can’t help my triggers. Each of my triggers has developed from trauma I’ve gone through or a bad experience, and I shouldn’t even have to defend myself for my triggers/discomforts if people were respectful and weren’t so fucking entitled for an explanation. So many people in this community can’t mind their own business, and I unfortunately had to learn that the hard way.
I've also seen people project onto IRL CCs. Those are real and breathing people. I understand doing it for comfort, but, the CCs have a literal character that people can project onto, but for some reason, people have to push their things onto real life people. I’ve seen someone headcannon IRL Tommy as trans. That's like the same as your friend "headcannoning" you, a real person, as a different sexuality that isn't what you identify with, and one you may not even be OK with being seen as, and without knowing if you're comfortable with it or not. It's weird.
There are more points I could bring up and more specific things I could state, but I think you got the gist of why I'm leaving. I don't feel comfortable being a member in a community which a lot of its members condone in this stuff.
This is the reason why I'm only active in the MCYT tickle community on Discord, because my server, "Mcytickles," actually respects CCs boundaries and is truly an SFW server, and people are respectful towards each other. It's the only safe space I have in this community anymore, so please do not join it if you exhibit any of these things on this post.
No, I will not be coming back, so please do not try to convince me to stay. I’ve been wanting to leave for about a month now, so this isn’t some impulsive decision. I’ve been in the MCYT tickle community since April, and these problems have always existed but have just gotten worse and more extreme, so I’m leaving for my own mental health and to protect myself from further harm than what I’ve already received.
TLDR: I am leaving this blog and the MCYT tickle community on Tumblr due to the many boundary breaking and unacceptable behaviors I've seen be exhibited, and it makes me not feel safe and comfortable to be here anymore.
I want to thank my mutuals, though. You were all awesome and such kind and loving people, and I’m happy to be your guys’ mutual. I want to thank those who were always so nice to me and hyping up my work, and those who were respectful to everyone and advocated for boundaries. Thank you so much for everything, moots <3 (/gen)
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☕ + wfa
i do not like wfa with ham, i do not like it, sam i am.
I have a lot of problems with Wayne Family Adventures. The idea for it is solid enough, but the execution is. bad. I've put my thoughts below the cut because this got long, so I hope you don't mind me going in depth on my feelings.
Duke Thomas as a POV character - I'm plagerizing heavily from my convo with @phamtai about this. Def check them out for more info and better insights than mine into the character. Duke is extremely well established in canon despite only having been around for a decade or so. Remarkably, it's taken until WFA to butcher his character. Duke in this series is too polite. He's too clueless. He's been presented as the Relatable Kid archetype that he doesn't fit. In canon, Duke has never not been self-assured. He's a relatable character, yes, but not because he doesn't know what's going on. He has experience as a hero long before the batfam became involved. And since then, he's bonded with them. WFA doesn't show his connection with Cass, his dynamic with Bruce or Jason, and completely ignores his conflicts with the family. In a supposedly family-focused product, those are damn near cardinal sins. He may as well be a totally new character. Duke has been watered down so much for the sake of this series. WFA could be a vessel to explore so many things about him that we don't see a lot of on the regular page. We could see a dive into the parallels between him and Bruce, the full psychological impact of losing his parents, epecially in contrast to Jason, how his world view and morals differ from Batman's, the daily consequences of his powers, or the fallout of his mourning independently for the friends he's lost. But those would be interesting angles WFA doesn't seem eager to explore. If you can't imagine a version Duke punching a cop just because they're a fucking cop, you're doing it wrong. Another issue is, unfortunately, Duke's role as the only Black batman member. I shouldn't need to explain why it's problematic to be showing his as constantly less knowledgeable and presumably skilled as the other bats. (No, it doesn't matter that Dick and Damian are drawn with dark skin. Dick has been written as a white man for nearly his entire existence. The person who retconned that is notoriously racist and has spent years defending her inclusion of sexual assault in her writing. I have no issue with Dick being Romani, but just changing the color of his skin is not the way to do it.) DC has recently had a push towards inclusion, on the page an behind the scenes. This is good, of course. Though if they really are committed to representation and inclusion, it needs to be an effort seen across the board. Faux pas like this paint a pretty obvious picture.
The Webtoon format is shit - Webtoon is a great platform for indie writers and artists. It's not my style of content, but I get the appeal. IMO, it's ridiculous to accept a professional comic publisher shitting out 12 page fluff pieces. Yes, the weekly comic format has been phased out for a reason. Yes, halving the workload is a possible way around that restriction. But there just isn't a good enough reason to do it. It's a pretty obvious ploy to seem "hip" and "get in with kids these days." It's lazy and frankly kind of embarrassing. For anyone who doesn't know, a standard comic book is usually 24-28 pages. This isn't an arbitrary number, it's part of the format for the art form. That length allows for necessary plot developments in a serial story line while also giving the characters, themes, and artwork time to breathe. Furthermore, it's what most comic readers have come to expect over the decades. Halving that wouldn't necessarily be a problem, there are plenty of examples of well made shorts out there, but coupling that WFA's love affair with single panels and splash pages is a major issue. Say you make a 12 page comic with 4-6 panels per page. You have 48-72 panels to work with. You can sit a compelling story into that, with or without heavy dialogue. But bring that down to 12-24 panels, and you have one of two options: either 1) ultra-compress your narrative or 2) reduce the plot to compensate. Ignoring the formatting choices, WFA is a convenient reason for DC to keep the worst of the status quo in the bat titles. There's no need to acknowledge criticism of Bruce's treatment of his family when they can simply point and say "Jason's throat hasn't been sliced open here! And look, Damian hasn't been left with the crushing guilt of his grandfather's death! We even let Tim exist as his own character!" WFA doesn't change anything, it shows that DC is aware of its problems but would rather outsource them than put in the work to fix it. There's a special kind of rejected feeling that comes with being told "I hear you, I just don't care.
Fandom isn't bad, but - Everyone is familiar with the incorrect quotes format by now. Sometimes they're funny, most of the time they tend to over-saturate. WFA is like if a incorrect batfam quotes blog was a comic. It's a steady supply of one-liners and references, sure, but it lacks any real substance. If that's what you like, I can't fault you for it, but it's not going to be everyone's cup of tea. The way the batfandom has piled onto the "this is the best thing ever" bandwagon is concerning to me. There has been good batfam content in canon, you just need to know where to look for it. The lack of critical analysis of the project and dismissal of critiques is always an alarming pattern, but the way WFA has come to be the odd face of the fandom is just bizarre. It's everywhere, as you know if you've ever tried avoiding it. Thinking about WFA being the default interpretation of these characters makes me nervous. They lack the depth their canon counterparts. I don't care if you enjoy WFA, I do understand the appeal of it, but for the love of the gods, take it down from it's pedestal.
WFA is... fine. It's yet to commit any sins too egregious, but, like all DC properties, it's a ticking timebomb. I won't be surprised when it goes off, and I can't say I'll be sad to see it go. Ao3 has better content, anyway
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