#looking at fanbinds again

[bamsara]

I so desperately want to book bind again, my own fic specifically because (1) the only permission I would need is my own (2) I don't feel like i've ruined or done a disservice if I fuck it up and (3) holding a physical weighty book in your hands that you wrote is very good for the brain no matter what size and I highly recommend it for my fellow writers

That being said I would want a cool looking cover but idk if I would use something I've already drawn or draw something new. I have ideas but none of them are like, clicking

[boin-de-bindery]

The Witch With Sunlight in His Hair - boinin

Burned out on casebinding, I decided to give pamphlet binding a shot! I'd picked up this lovely reflective gold paper, but I only had one copy so it was a no-go for endpaper. Still, it was too pretty to let languish in my paper stash—so I decided to print out one of my own fics that features sunflowers and magic.

This is a short BachIsagi oneshot that gave me the opportunity to figure out how to format AO3 tags and metadata. I decided to omit the author's notes, but retain the summary information and tags. I printed it as four signatures... why, you ask? Because I'm an idiot. That ended up making this (a) two sheets per signature, a trivial amount to fold and sew given the length of this fic and (b) not a pamphlet bind. I sewed the signatures together with a simple stitch and glued on the cover paper with PVA. So this is closer to a perfect binding overall.

It turned out adorable, at least to me. It's just a lil guy! 🐝 I got along much better with the heat transfer vinyl this time around—I really love the bee graphic, which was one of the freebies on Cricut Design Space. I did mess up the signature imposer by leaving fold lines on, which are visible when you open the pamphlet. Not enough of a reason to reprint everything IMO.

It's nice getting to hold something I've written and published ✨ Though tiny next to my other binds, it adds some welcome sparkle to my shelf.

[wolfsbanesparks]

Second book for Binderary is done!

Lots of firsts with this one! It was my first quarto and the first time I tried smart vinyl!

The story is Blinding Light which I wrote for the Duke Thomas Big Bang last year!

I am really proud of how this one came out!

I'm hoping to finish one more book this month!

[landwriter]

Ahhhh! look, look!

WHAT an incredible surprise to receive, thank you @thirrith and @chubsonthemoon, from concept to execution it is so beautiful — the typeset, the dos-à-dos, the bookcloth, the ginkgo leaves, and especially the secret collaboration between two of the most clever, visionary, and renaissance-skilled artists I’ve had the pleasure to meet in fandom. I feel so lucky to know you two. Bodied by the gold line of love running through it all. Honoured to have some small part in the making of something so wonderful twice over now. What an incredible treasure you’ve made!! I can’t wait to cradle a copy in my hands <3

It is done! This is The Death of Translation, originally written in English by @landwriter, translated into Mandarin by @thirrith. Binding is dos-à-dos, with English version on one side and Mandarin on the other. Bookcloth was handwoven by me, on my rigid heddle loom :3

More under the cut!

Typeset: Fanbinders are Liars

Full stop, this typeset would not have been possible without Eth and all their patience, enthusiasm, and willingness to do even more translating! I reached out to them *checks watch* nearly a year ago in July 2023 (lololol), asking if I could use their translation of TDOT in a surprise bind I wanted to send along with Gloam's author copy of Flower King. They were kind enough to say yes, and even kinder to answer my questions when I reached out six months later in January, when I was finally able to start work on the typeset.

We talked about the many delicious things that are bound to come up when discussing translating not just from English to Mandarin, but also from digital space to meatspace. Some topics I had anticipated, like font questions, translating the colophon, etc. But even with the topics I thought I'd prepared for, there were still things that came up that both surprised and delighted: for example, while AO3's website allows for italics in Mandarin--

--my publishing program doesn't (or at least, it doesn't without needing to manually tilt every character by about 10 degrees). So as a workaround, Eth suggested changing these cases of italics to the font 华文楷体:

Through no one's fault but my own, this ended up being only slightly less work than manually tilting every instance of italics--I wanted to be sure that I got all of them, so I ended up doing a lot of double-checking manually anyway, instead of relying solely on the Search function. There was a lot of cross-referencing with the Word document that Eth was kind enough to provide, as well as squinting and general swearing. I also did the same for the uses of Latin script, manually styling each instance as Garamond to keep it consistent with the English edition:

The only other time I've had to do font surgery this intensive is probably for my typeset for Tell Me About the Big Bang, which I had to port over from a PDF. Folks, hell on earth. Do not recommend XD I remember squinting at my monitor as I had to visually confirm every instance of italics, thinking I will never do this again. Welp, four years later, here were are: fanbinders are liars, LMAO. At the very least, using Eth's Word document at least allowed me to search by styles, so it was a little easier on my eyes. 🙏

Is there a script that I might've been able to use if I was more code-savvy? Probably. But I figured going at it sledgehammer style would be the least hair-pulling way to get the job done, weirdly enough. Still, despite my best efforts, there are a few instances of PMingLiU to Garamond and PMingLiU to 华文楷体 that I know I missed, and I know I missed them because I caught them after I'd printed/cut/folded/sewn/glued (cue more swearing), so Gloam and Eth, my apologies >.< please consider them artifacts of a uniquely handmade object ajslkdjfs

In addition to the fonts, there were also some other fun things Eth and I discussed, like how to translate the notes I usually provide on the colophons! In addition to information on fonts, I also usually include some variation of:

This private, limited edition published by chubsthehamster (Moonham Press, imprint of Renegade Publishing) in 2024. This is chubsthehamster's personal copy. Out of three existing copies, this is the first.

The thing that came up with this, which still tickles my brain to this day, was how Eth chose how to translate "Moonham Press, imprint of Renegade Publishing." To get a better sense of what word to use for "imprint," they asked what the relationship was between Moonham Press and Renegade Publishing, which got me thinking about the relationship between my lil imprint and the wonderful @renegadeguild:

What's all very funny about all of this is that we are now, in fact, going by the name "Renegade Bookbinding Guild," per our most recently updated Code of Conduct. While this renders the wording I asked for out of date (and thus, the wording that made it into the book out of date :'D), I think it's also a testament to how cool the work @renegadeguild is doing--like any artform, fanbinding is alive, with its own evolving language, communities, and ideas about the craft. And I love it, I love it so much. (Was this also a plug for our new-ish website? Perhaps).

There's more I could say here, but this post is already going to be long enough, so I'll move on for now! If you get anything from this section, it's that @thirrith is amazing and very patient and kind, and I'm so grateful that we got to talk shop together. Thank you so much for all your invaluable help with this, Eth! I hope the typeset, though undoubtedly flawed, does your hard work justice!

Binding: Or, SO Much Math. Like, So Much, Guys. (It was worth it, though!)

Whoo, boy! So math was never my strong suit in school, but when I set out to do this bind last year, that wasn't an issue. At first. The dos-à-dos binding, if anything, just requires a little bit of finagling on the usual case-bound format--a bit more math if you want to do an all-cloth cover, like I planned on doing, but nothing I couldn't work out with some trial and error. (My prototype below!)

Then came February, when I took a weaving class with my friend, and then everything kinda exploded.

My original idea was to use some green Duo bookcloth I had on hand (this color, actually)--for those of you not initiated into the Duo cult, Duo is a Rayon bookcloth with a very devoted fan following in Renegade. It's very pretty; the Rayon weave is one color, and the paper backing is usually complementary color, so it has this cool two-toned effect. Duo is in high demand in Renegade circles because sadly, the company that manufactures it went out of business last year. (Although I've heard rumors recently that there's another company making something similar, but the cloth has a really high purchase requirement and is, like, for businesses only I think).

Anyway, I also wanted to have a gold line around the whole book as a kind of bellyband/obi to further connect the two versions of the story (another reason why I chose the dos-à-dos format to begin with heh), as you can see from my scribbled notes here--

But alas! I knew going in that adhering things to Duo is often Problematic, thanks to one very painful experience trying to get some iron-on foil on another bind (the textured surface of Duo just makes it kinda hard to stick or paint stuff on it). So if I wanted a clean, continuous line, the remaining options were to either paint it on a strip of paper that I'd somehow...adhere to the cloth? Or maybe cut different slices of bookcloth and glue them on. I wasn't satisfied with either of those options, though.

Then--the weaving class. I made a scarf, and I love it and I loved making it. But the whole time, I'll not lie, my thoughts were elsewhere.

In short, my decision to weave my own bookcloth kinda came from a few different factors:

The desire to attempt to recreate Duo, that elusive beauty, the one that got away, etc. (I have several yards in my stash, but still). Others have also attempted to recreate it, and I thought I'd throw my hat in the ring.

My current spiral into the deep hole that is fiber arts (it started with crochet, then knitting, then sewing, then weaving, then spinning, and now I'm eyeing quilting! Please help me).

The gold line. It kept bugging me. And when I found weaving, I just thought there was something very neat about the process of actually making the cloth for a dos-à-dos binding from scratch, and especially for this binding. I wanted to bind a story about translation (or rather, the death of it, and yet still the necessity of it--how we must try to communicate, despite of, or perhaps precisely because of, everything that gets lost in the spaces between people, and the tragedy of that loss, and the beauty of what makes it through, and the love always present in the effort regardless), and also, the translation of that story. Weaving is a very meditative process, and with every pass of the shuttle, back and forth, building slowly but surely the fabric that would hold the story that Gloam had written and that Eth had translated, I thought a lot about translation, and the gaps between people, and how we choose our words not just when translating, but when we speak at all. From a design perspective, I used the same colors I would've used had I chosen the Duo bookcloth--green and gold--so the design wasn't too altered in terms of color scheme. But I think the choice to weave the bookcloth--the thing that bound it all together--made the project take on a completely new meaning for me, both in process and in scope, one that hadn't been there when I started. I saw the warp, perhaps, as the original story, laying the groundwork for the weft, the translation; or maybe it was the other way around, with the translation providing the scaffolding for its own, new meaning, choices that Eth had to make with this word or phrase or another building something new, something translated, and the original a live, moving thing that wove over and under each word turned phrase turned story; or maybe it was both. Maybe it didn't matter which was which, in the end. And as I wove, the thing that connected them, that gold line that had started all of this, slowly formed.

All that to say: Good God, was there a lot of math. So much math. That prototype pictured above was actually made specifically so I could calculate exactly how much I needed to weave, lol, because while I certainly had enough thread, I didn't want to have to warp more than once. I'd learned the basics in my class, but the training wheels came off here. I wanted to make my own custom fabric, which meant calculating things like ends per inch, picks per inch, loom waste, shrinkage after washing, the width of that damn gold line, how much I'd need for the hinge, the turn-ins, the boards--the whole nine yards (I didn't actually weave nine yards tho heh). It was all absolutely worth it in the end--so challenging and so, so rewarding!

(And my final reason for weaving the bookcloth? Not gonna lie, It was because I just wanted to see if I could do it LOL. I love trying at least one new thing with each of my binds, and this was it for this project. While I've been bookbinding for a few years now, I'm still very much a beginner weaver, and I'm so excited to continue to learn and experiment! Also, here's a video of me unwinding the cloth from the loom, heh. I used 10/2 Perle cotton in gold and green colors :3)

Also, turns out, you can back handmade cloth the same way you can any other cloth! I backed it using my usual heat-n-bond method, and with some Unryu Tissue in the color Forest. Since the cloth itself is a bit transparent, there are a bunch of really fun fibers you can see when it's held up to the light, but which aren't visible when the cloth is glued down to the boards. Still, knowing they're there still makes me happy :D

Finally, capping all this off, is one final, small detail I really liked: ginkgo leaf endpapers :3 this one's for me and Eth and Gloam specifically <3

Aaaand that's all from me for today, folks! Thus ends (several months late XD) my last Binderary project for the year. This was probably my most ambitious bind to date, and gosh it was so, so much fun.

And, of course, thank you so much to Gloam for sharing your story, and Eth for translating it. I can't wait for y'all to receive your copies soon!

All my love! <3

[karry-on]

I just tried doing a Japanese book bind and it turned out kinda bad. Honestly my mistake started since the beginning with me thinking that an awl would be enough to make the holes through that paper AND a hardcover.

[mpchev]

Update on fanbinding dissertation: binding the dissertation itself!

After many days and nights of writing and wrangling footnotes and proofreading (where I couldn't convince my laptop that yes, I meant textualisation, not sexualisation), 'twas time to bind the beasts! In three copies, no less! Which I approached with way too much confidence from my one fanbind experience, and came with many fun little surprises due to the format guidelines I had to follow 🤡

This is going to be a long one, so here's my happy unfocused mug to confirm that it all ends well:

First pickle: The typesetting. I absolutely loved typesetting fanfic, but the dissertation had to be A4 (way less fun, boo-hoo), one-sided, with every page numbered. Did you know that LibreOffice won't let you add blank pages and only number the non-blank ones, without skipping numbers? In order to print signatures I could fold into one-sided pages, only numbered on the right-hand pages, I ended up switching to landscape orientation and including the equivalent of a blank page in the left margin.

Second pickle: The imposing, which I couldn't figure out using the amazing bookbinder with my weird landscape 2-page layout. I finally gave in and rearranged all the pages manually, which looked like p. 1 on the recto / p. 10 on the verso, then p2/p9, p3/p8, p4/p7, p5/p8, p6/p7. And because there was no way I was paying print-in-colour prices for all of this, I further split the manually imposed pages into two files, one for the greyscale printer (cheaper) and one for the colour printer (highway robbery). Still came up to ~£70, just for printing.

Very glad I went in chunks of 10 for the signatures, it made both the math and the folding using sheets from two different piles much easier, highly recommend (if for some absurd reason you also want to bind one-sided numbered pages in folded signatures).

Third pickle: Linear time. Had planned on having so much time to print and bind this thing, but kept writing and rewriting and proofing and oops! It was due in less than 24 hours and it was still not out of the laptop. So.

22/09/24, 6pm: Got to the library, started printing.

6.45pm: Found another printer where all the paper was the same shade of white, started printing again 🤦‍♂️ (kept the the misprints to use as scrap paper when glueing)

7.30pm: Started folding the 150 sheets of paper (3 x 100-page dissertation, 2 pages per sheet). Went from the last episode of The Magnus Protocol, to an episode of Welcome to Night Vale, to deciding restart The Magnus Archive, which felt almost poetic.

9pm: Headed back home, trimmed the edges (with a borrowed guillotine), folded the endpapers, stabbed everything. Lack of pictures to be blamed on my inability to mess with linear time, and the eventual sleep deprivation.

10.30pm, I think? Started sewing the signatures together, again with Supernatural (which I started rewatching when I submitted my first dissertation assignment in mid-May, and finished 2 days after submitting the dissertation itself, again, such poetry).

2am, probably? Tipped the endpapers and glued cheesecloth over the spines. Somehow figured out where to set the three textblocks to dry (I don't have a press). Sadly gave up on sewing on (or glueing) headbands, because time.

3am-ish: Cut the missing cover pieces out of millboard (had already cut 4 of 6 covers, since I knew it had to be A4), measured the spines of the three textblocks and cut those as well.

???am: Did some math, because sure, that's the right time for that. Cut the bookcloth to size, glued the cover pieces on the bookcloth. Remarkably only messed up the measurements on one of them! That means one of the copies has a millimetre of millboard showing in the inside corners of the back cover, but not enough time/bookcloth/millboard to redo it, onward we go!

Way past dawn: Took a break for food while the covers somewhat dried. Cased the three textblocks in the three covers, with the endpapers bubbling, which took me by surprise since it was the same paper and same glue I had used for the fanbind without any problem. I'm now thinking that bigger book = more time needed to apply the glue = endpapers getting warped, but I was so exhausted by this point that who knows. Again, no time to redo it!

9.30am: Stacked the dissertations under the heavy reference books I used to write the dissertation. Toute est dans toute hein. Went to bed while they (mostly) dried.

2.30pm: Woken up by my neighbour's dj set. Eventually put all that hard work in a tote and walked to school to hand it in at 4.30pm.

Fourth and last pickle: The titling. Couldn't find paper long enough to do a half-dust jacket like I did last time. Had big cutout plans, ran out of time and couldn't finish testing those. Also had some thicker textured paper I thought of cutting and glueing to the cover as a title card, but it turned out too thin and was warping. Finally resigned myself to submitting it with a blank cover, but one of my teachers asked if I would mind adding the title on with metallic markers to make it easier to identify (one copy will eventually be on the shelf at the Institute), and I'm SO HAPPY with how it turned out. Metallic markers. Why didn't I think of that. (I did, however, think about dressing appropriately for the occasion.)

So, is it possible to print and bind 3 books in less than 24 hours? Yes! Am I glad I did it? Also yes, very satisfying, love being extra! Would I do it again? God no, I've been sleeping for two weeks and I still haven't recovered. Can't wait to start binding something else though, so I guess it wasn't that bad.

That's it! That's over! Aaaaaah! Now waiting for the grade and comments, and hopefully soon I'll be able to share the content as well.

I'll also try to post some more about the research/writing process itself, somewhere between the late nights reading international treaties on income tax and the early mornings spent figuring out how to apply for a phd next.

Thank you so much to everyone who followed along, this was way more fun than I ever could have hoped!

[ohmightydevviepuu]

fanbinding: the reason birds can fly

the story: the reason birds can fly by philthestone

genuinely i sometimes wonder if i am the only person who has read this little gem of a fic. canon-divergent post-s5 finale and an absolute delight of absurdity and ... reality from Henry Mills' POV as he heads to college after everything he has survived.

the binding: sewn boards paperback legal quarto. designed to look like an american school kid's composition notebook. took me ages to line up the notebook lines and then they didn't print that way so i had to trim it pretty much by hand using a guillotine. speckle design from stock imagery printed on sparkle HTV. modified spine with bookcloth, no backing, to give it that rounded feeling. in retrospect, i might have made a few different choices; if i ever print it again i might try black kraft paper with white sparkle HTV so the feeling of negative space is different. but this bind has been in progress over a year and i'm happy just to be holding it in my hand.

yes, the first page is on the wrong page. yes, i (mostly) did that on purpose. lol.

[celestial-sphere-press]

Fanbinding: Prajna Paramita by @catalpa-waltz

"What do you know of the Jedi?" she asks him.

"Nothing," he says. And it's true. All at once his mind is full of nothing, of an empty sky and empty sand, and on the horizon, the dark hulking shape of an empty house crouched like a sleeping beast.

"Nothing," he says again.

This bind has been sitting on my backburner for so long bc of other deadlines but it's one of those fics that drove me a little insane. @catalpa-waltz by their own words wrote in this fic a "thesis on the intersection of Mahayana Buddhism with Jedi and Mandalorian culture" and it is absolutely lovely. How could I not lean in equally hard? So we have here a number of motifs - a mandala I designed using architectural embellishments from jedi temple imagery, a lotus flower, the wheel of dharma, a geometric divider that looks like it has a bes'karta in it.

The lovely golden flower bookcloth I sourced locally here in Japan, and it is SO SILKLY SOFT I could never make a mark on it, so I did a printed obi-band instead. This paper is quite interesting - it's also a Japanese style, and I believe it's done by heavily polishing little spirals or flowers into the paper. The endpapers are a lovely geometric chiyogami, and I sewed the endbands in Japanese hand-sewing silk thread.

[sunshine304]

FTH Fanbinding: "Concord" by Deastar

@youhideastar won my FTH auction and gave me a great gift: She wanted me to bind her CQL fic "Concord" including the thorough author's commentary she'd done. I was so happy when she chose this fic because I'd loved it so much and had pondered doing a fanbinding of it at some point anyway. 😄

Now that the book has finally arrived (spending two days in the air even, I guess, at least when one looks at the tracking info 😆), I can show it off here!

I tried some new stuff on this bind and also some things that I'd only done once before and that definitely need some, uh, perfecting. 😅 But overall, I'm very pleased with how this book turned out, as it's pretty close to what I'd imagined when I started it.

The fic is set in Cloud Recesses and Dea and I agreed that the colour blue should be prominent in the design, as it not only fits the setting, but also is of significance in the story itself. As the rules and traditions of the Lan sect also are quite important, I wanted a very clean, simple style for the case, a bit reminiscent of traditional Chinese bindings.

I did the title as a cut-out and used Japanese transparent paper for some extra flavour. The paper shows up inside the book as well early on and I liked the recurring motive of it. I'm also really pleased how well the hot foil came out on it! I was a bit scared that it might rip or something, but it's quite sturdy, after all.

I thought about doing a faux stab binding with red thread to get even more of a traditional feel, but then decided against it as I'd wanted to use two different blue book cloths and I felt that it might get too busy. Instead, I used the red ribbon as a nod to Wei Wuxian.

The little cloud illustration is used several times in the typeset and I like how it comes out in the title. I didn't even mess up this title, yay! (Mine's got a few tiny blotches but uh well, better mine than Dea's!)

I painted the edges with metallic watercolours - the second time I tried painting edges, but this time with several colours and trying to do a little illustration as well. Big thanks to @zhalfirin who quickly answered my question about how to get the paint to actually stick. 😆 I'd read several posts about how awesome water colours are for foreedge painting, but none mentioned that this kind of paint just rubs off again (I am no artist and have no knowledge of different kinds of paint). Zhalfirin told me to mix in glue and also wax the edges afterwards, which I both did and I think it's fine now. At least my fingers didn't turn blue. 😅

I really love how the shading came out on the head/tail; it could've been better on the foreedge and it looked great while the paint was still wet. Steep learning curve, this thing. I also died trying to sand the edges and I didn't get them completely smooth, but at least smooth enough to work with. That also needs some more work, I guess.

First time I sewed endbands with four different colours! I think they came out quite well! I also forgot the second row of dark blue on Dea's book and had to unravel half the endband again when I noticed at the very end... 🤦‍♀️

Nice marbled endpapers. For the title page spread, I used part a very famous Chinese painting, as it not only reminds me of the Gusu mountains but also, again, is very traditional. I played around with the colours to give the picture a bit of a bluer tinge.

The typeset itself was very straight-forward. There's the fic without commentary, and then the second part with it. I used a grey background for the comment parts to make it stand out from the actual story.

I had lots of printer issues with this fic (my copy actually had even more issues because the printer treated every page as an image for unknown reasons and therefore it not only took forever, it's also a tiny bit blurry. Hmpf.) and the greys tended to have a bit of a blue tinge, which was not my intention. But at least it works with the overall theme, I guess! 😅

I also did an extensive Appendix with all the meta links mentioned in the commentary as well as cut scenes and a little "praise for the author" section.

Last but not least, I decided to try making a slipcase for the first time! DAS_Bookbinding on youtube has good tutorials on that and I used one of them. It worked well on the first try. The second try, I used sturdier cardboard and should've added a few millimetres to the width, because the book didn't fit - the ribbon got stuck and I feared that it might get damaged. So I had to redo the case and then it was perfect.

I used wallpaper as cover material. 😄 The one you see on the outside? That's my living room wallpaper, a light blue with a lovely pattern and soft shimmer to it. My camera unfortunately is refusing to get the colour right.🤷‍♂️

The assembling process went well, for the most part. I'd forgotten to shorten the endpapers a bit which I only realised after I'd started casing in my copy. I carefully separated the textblock from the case again and then, in a moment of complete mental blackout, tried to cut the wet paper. 🤦‍♀️ That didn't go well. I managed to salvage it, mostly, and of course didn't repeat the mistake with Dea's copy, but ugh. 😆

This was a super fun project and I'm very happy with it! Thank you again, Dea, for your faith in me and your super generous donation! 💙

Materials used:

Printed on Clairefontaine DCP 100g

Case and endpapers:

booklinen Colibri cornflower

booklinen Paradise aqua

marbled paper 120g

transparent Japanese paper

Hot Foil (Memory Keepers)

Slipcase:

fleece wallpaper Newroom Nisa lightblue

fleece wallpaper grey glitter

[justheblueberry]

handbinding of A Study in Scarlette by kittebasu

There are people who want to live forever, and then there is Shinichi, who just wants to live a little longer than this.

this bind has been in my head since i first read the fic like, three years ago. i dreamed up so many ideas for it, for so long, and now it's finally done! the typeset was actually done in early 2022, back when i was still using google docs, but it went through a few iterations because i was just. so. fiddly. with every aspect of this book. it needed to be perfect (as close to perfect as i, an amateur bookbinder out of my depth, can get) and it had to be absolutely over the top, to reflect the insane amount of love and care that the author put into the fic itself.

the first time i read this fic, i barely knew what detective conan was, much less all of the intricate plot details; i was just along for the ride, but by the end i was completely invested. i went back and watched through the anime as well as a few movies (it took me six months) and then read the fic again. and then a few more times. kaishin and the world of dcmk has utterly gripped me. it's 100% this fic's fault and i love it so, so, much.

i went through a few iterations of visual designs and i'm really happy with the little details i managed to squeeze in.

the entire color scheme is based around red, because 1) it's a murder mystery, 2) for scarlette shinamoto (and the title of the fic as well as the original holmes novel it references), and 3) the irony of "lady red" actually being red. the secret fourth reason is that i think red/gold is a super sexy color combo.

i sewed the textblock with red thread to reference holmes' "scarlet thread of murder".

another detail i love is the five yen coin bookmark, it was one of my first ideas and it turned out even better than i thought.

i wanted the endpapers to evoke a sense of the white marbled floor of the ballroom, with the glow-in-the-dark kaitou kid caricature being the luminol on the floor, and the little pops of red looks like blood that's been mixed in. i lucked out in that the other side of the endpaper was like a lavender-purpley color, i like to think of it as a little wink wink nudge to the color of the actual Lady Red.

the chapter pages got a few reworkings, but i'm happy with the illustrations i ended up doing for each of them. the chapter titles are one of my favorite things about the fic, each one has so much meaning packed into it and flows so beautifully, and i wanted to put as much care into making them pop as possible.

the cover was a linocut carving i designed and carved, which i then printed onto the bookcloth, and ironed on htv on top.

i also threw in a couple of my drawings of my favorite scenes.

this is getting way too long, so i'll end it here. i'll have a separate post detailing the process every step of the way, if anyone wants to take a closer look. this fic is kind of directly responsible for getting me into fanbinding, so it's safe to say it altered the course of my life. i now spend way too much time (and money) looking at book stuff.

kittebasu, if, somehow, you see this and would like an author copy, i would be honored to make one and ship it to you; i would be overjoyed to gift you with any art i have the ability to make, because the fics you wrote have irreversibly altered my brain chemistry, and being able to give back in any capacity would be a dream. (thank you.)

a few postscripts:

i am not selling any copies of this fic. partially because i believe in the gift economy of fandom as well as firmly keeping fanbinding a hobby that will stay unmonetized, but also because it took me months (years, if we are counting when i first finished the typeset) to finish this and i do not have the strength.

however, if you are also a fan of this fic and would like a copy, i honestly, fervently, encourage you to give fanbinding a try! renegade publishing and its discord server are an absolutely wonderful and free resource. i knew nothing about bookbinding and had zero materials when i first started, but i've learned so much thanks to the lovely people there. if you're still apprehensive about getting started, i'd be willing to share my typeset of this fic as well as answer any questions about the making of this book if you DM me.

[optionalwarninglabels]

TGCF Fanbind: 'Til Our Compass Stands Still

I knew by the end of chapter 1 that this was going to be a binding project. To any TGCF fans - this is 100% a must read! @edenwolfie created a fantastic story with amazing characters. They're writing kept me thinking "one more chapter won't hurt' long into the night. For such a compelling story, I knew I was going to have to pull out all stops to manifest what I had envisioned for a physical bind.

I was so happy to see how much fanart has been done for this story! I knew I wanted to incorporate all of it, so time and care were put into matching art with scenes - everything is credited to their artists in the "publication" page (not shown because it's just a bunch of very tiny font with tags and the summary). For the chapter headings I chose to not have a word heading and instead just use an image of Ghost City (concept art from Bilibi). The typesetting was designed to look similar to the Seven Seas publications of TGCF.

Another thing I emulated from the TGCF publications was the glossary. I am so pleased with how this turned out! Edenwolfie made a fantastic character sheet to help people keep track of who's who and I wanted to make sure that effort was shown in the book. I added a few entries such as Hua Cheng and Xie Lian's - the additions are taken partly (or entirely) from the Seven Seas publications.

Edenwolfie's extra story A Paper Shield and a Wooden Sword and Communication Array is Down for Maintence, Try Again Later by Naamah_Beherit are also included in this work.

Thank you to Edenwolfie for creating such a rich story! This will be treasured on my shelf!

[bamsara]

I was wondering if you would be okay with someone binding trod into a book after it is completed?

I would only do this to have it for myself simply because I love it sm! Trod has my life right now so I was wondering if that was something I would be allowed to do when it is completed :)

Of course, if you do please show me too! I'm still trying to get better at book binding myself so I can fanbind, both my works and my friends!!

I'm really into bookbinding and personalization myself and me and @onethirdofimpossible often look at people making these like, really beautiful labors of love and really aesthetic looking fanbinds, (plus im a big fan of respectfully preserving literature so-) sorry for the lil ramble but now I need to go look at bookbinding posts again

[finalfrontierpublishing]

So it's been a while since i posted any books - mostly because i've been hiding my progress like a little sneak.

I just finished this bind last night of The Desert Storm by @blue-sunshine-mauve-morning, or really it's volume 1 out of like ??? 15, maybe. Please take whatever i say with a pinch of salt (I have had 0 sleep for more than 24 hours, and that tends to make me a little very sleep-deprivation drunk a.k.a. unhinged). Okay, on to thoughts! The Desert Storm was foisted onto me by @celestial-sphere-press who told me under no uncertain terms that I WOULD FUCKING LOVE THIS SHIT. Well, I did. This more than 1 million word epic about Ben Fuckin' Kenobi is pretty much god-tier fanfiction. It reads like a goddamn novel. I can never think of canon again without thinking that this good shit should be canon. I read it and then consumed half of it within a week, and I have zero regrets. @blue-sunshine-mauve-morning, i absolutely love you and love your writing. It is the best thing since sliced bread. It is better than sliced bread.

I also had the benefit of @celestial-sphere-press saying, hey would you want to use the typeset? MY GOD, i am grateful. I love this fic, i would have typeset it if it hadn't been typeset but Des did such a beautiful job that i am absolutely in awe and thankful that she and the author allowed others to use it. Look at it - it's so beautiful. I only had to think hey, i just gotta design the cover and et cetera and so the book happened.

Please also check out @celestial-sphere-press 's amazing post here and here, who is the only person i know who's started and is almost complete in fanbinding this epic, and is also making an author a copy of the entire series.

Some stats, if you will.

96215 words || 380 pages

Title font: Ghaomiec

I took some inspiration from starblight bindery's lovely desert scape as well as this amazing cover of Dune which i own. I love that the landscape emanates Dune vibes while being oh so Tattooine - just sand and heat, relentless loneliness and melancholy. This fic centres around Obi-Wan Infinite Sadness Kenobi so it needed SAD VIBES TM, which i tried to deliver in desolate landscape form.

Also thank the heavens for Renegade members, who in a masterful stroke of Group Buy Saves Money, managed to source extra-out-of-production colours of Colibri and help a fair number of us get really cool limited edition versions of bookcloth. I am now a proud owner of a lorge stash of Duo and Colibri of which i am now sitting on like a shifty dragon with a hoarding problem. Good luck getting your bookcloth now, Folio Society, ha ha (gloating)! This particular bookcloth is Colibri Copper which has been wholly stashed for The Desert Storm series. I am leaning on transitioning to Malachite for Rise and Fall when I get to it.

The front cover design was done with a stock image and converted to a PNG, which i then fiddled with and did some HTV magic with. It was remarkably easier to weed than expected. I tried something new and ironed the design on the naked bookcloth first before gluing it to the boards, which was a new challenge in making sure everything was aligned.

Endpapers are marbled endpapers (Renato Crepaldi) which I got from Hollanders, which perfectly fit the colour scheme of the bind. The only hiccup was as I was cutting, I realized the sheet was running in the opposite direction of his usual papers and half the size, and only yielded 3 A5 size endpapers and so my heart went noooooooooo. oh well. i guess i will use it for quartos.

Endbands are my favourite - silk in 3 colours in the french doublecore style (as i was binding this i did not have the mental capacity to handle the difficulty of 4 strands). the truth is i usually only can do 4 when I have higher brain function and am willing to spend 80% of my time unraveling it from getting tangled.

I also forgot to mention I had mild fuck-ups, I got glue on the front endpaper which I had to hastily remove with wet cloth, and the back square is preposterously bad but I'm ignoring it for now.

Anyway, i've actually managed to complete a few other binds which have not been mentioned here as they've all been gifts/ surprises or event books in some form. I am SO EXCITED, also because I am travelling in the latter half of July to San Diego and L.A. and I get to meet some bookbinding friends in the flesh. Renegade is fucking amazing y'all. I am ready to embrace these crazy lads who have enabled me for the last 1 year, even when i'm the solitary (1) weirdo from my country of origin in the server. Also... potentially bookbinding trip early next year??? I am enthused.

[nighttimepatrons]

Second Fanbinding Let's Goooooooooo

The fic I bound this time is Return to Me by @peasantswhy a lovely Glorfindel/Erestor work set in Imladris and Gondolin <3

This binding has some distinct aspects about it that I would like to point out. It was bound with a French Link stitch as apposed to my usual Coptic, its fly pages were not only dyed by me but I also handmade the paper itself out of cotton a few years ago, and all the typesetting was done in Affinity Publisher instead of Word.

Since I used the French Link stitch for the spine I glued the covers onto the fly pages to attach them and while I think this looks nicer than having the stitching come up through the cover (like what happens with the Coptic stitch) I do feel that over all the signatures are a bit looser, which I don't love.

And here are just some pictures of the book's interior. I really love the different flower of each chapter type and how the headers and footers on each page turned out. Overall, binding this fic was a lovely experience and I can't wait to do it again <3 <3 <3

I would also like to thank the wonderful people of the @renegadeguild discord server for helping me work out all the little hiccups I encountered while making this

[scary-grace]

I am overjoyed to introduce you all to my new and most prized possession — the fanbind (!!!) of seeking a friend for the end of the world made by @dyingslowlybutfasterthanyouare and @rainfern! My haphazard photo-snapping does absolutely no justice to their beautiful work, so you’ll have to trust me that it looks even better in person.

I really can’t express how much it means to me to have this. As a kid my dream was to be a published fiction writer, and I used to imagine what my books would look like and what it would feel like to hold one, and as a writer of primarily fanfiction in adulthood, I sort of let that one go. But getting to see this copy of seeking a friend and put it on my bookshelf is like realizing that dream, and I’m so thankful to have a chance to do that!

@dyingslowlybutfasterthanyouare I know I’ve been hollering in your DMs about this for a week, and @rainfern, we haven’t had a chance to talk, but let me just say it again — this is my new favorite thing and I have been carrying it around like a security blanket ever since it got here. You both are amazing!

[cardsnwords]

A little bit after my first fanbind, I bound another great fanfic. Linger in the Sun by the wonderful etymologyplayground ( @megafaunatic on tumblr).

They wrote this fanfic in the fandom of The Untamed and it ended up being another one of my first binds.

I was still learning a lot and I was still using recycled copy paper for my binds. Though I am still learning, I am definitely using different paper by now and I am trying to be better with grain direction.

I drew the mirror on my iPad, because I wanted to have something at the beginning of the story. The first page seemed a little bare to me without at least a little picture and since a mirror is featured in the story, I figured I'd just draw one.

For the covers I used an old folder that I cut to size and the spine is just some design paper which is thicker than regular paper but definitely not as thick as the board I used for the covers.

As you can see, the glue made the first pages warp a little, because I didn't use any paper or whatever in between the cover and the body of the book, which I do now. Also, I was still cutting the edges by hand and tried to smooth them a bit by actually sanding them with sandpaper. That worked... not as well as I wanted it to.

But in the end I was satisfied, because: I made another book! :D

In 2022, I bound this fic, again, just because I could and I wanted to try out different paper. This time, I printed it on white copy paper, but still without concern for grain direction. (I didn't have the name "cardsnwords" back then, which is why it says "thisismylifenao" on there.)

Here you can also see that the edges are not really smooth and that they are even kinda dirty because of the *cough* not so good *cough* sandpaper I used.

Also, in hindsight, I shouldn't have used space between the paragraphs, because in a bound book that just looks weird. But either way, I am happy that I stuck with binding books.