#look i am insane about it

[thatautisticemo]

my little plant baby. geofffff. plant geoffffff. GEOFF. ugh he's so precious i loev him so much

[hinamie]

surprise it's yuri!!!in 2024

[ink-the-artist]

funky ceramic wizard staff + an update on how fucking LOUD the cicadas have gotten jesus christ

[potatobugz]

objects loving objects baby!!!!

[imeriayapping]

Every time i bring loscar picture to twt i think i should also bring them here, so i present

[xnyu09]

[puppetmaster13u]

Prompt 41

Hear me out, DP and DC crossover where Scarecrow is cousins with the Fentons. 

 His mother was siblings with Jack’s father, and both Jazz and Danny met ‘Uncle Jonathan’ during one of the many Fenton-Nightingale family reunions that happens every few years. Honestly, perhaps it’s what gets Jazz interested in psychology, hearing from her ‘uncle’ about fear and its effects.

 And honestly once they start having to deal with ghosts and having had to deal with their parents for years it’s not really hard to talk with their uncle. Crane still doesn’t know how he became these kids’ favorite uncle, or even all of the family kids’ favorite uncle-cousin, but that’s just how the family is. 

 Really he’s not even the only villain of the family, with both Jack and Maddie being close but not quite, even if they’re definitely mad scientists. Their son becoming a local hero, even if they’re not aware of that fact, is just ironic. 

 John knows. The two kids told him when they found out that Danny may or may not need to feed on fear now that he’s half ghost, and well he’s the specialist about the emotion so…

 At least they have someone to stay with when Jazz goes to Gotham university and brings Danny with her, even if the local vigilantes are concerned as to why Scarecrow attacks have suddenly took a nosedive…

[bytebun]

my piece for @thecodywanzine! thanks to the mods who let me go completely ham and cheese on this bad boy. this one's about living longer than you ever expected and not knowing what to do with it

[luthqrs]

"Hey, can I get you anything? Water? Soda? You hungry?" EMILY PRENTISS in CRIMINAL MINDS 6x02 | 'JJ'

[formulanni]

the new aurora album SLAPS

Tags: @st-leclerc @three-days-time @the-wall-is-my-goal @saviour-of-lord @rubywingsracing

[theoldkyokodied]

Uploading all my Tomgreg art at once from the past few week before season 4 hits, who knows in what kind of mental state i'm gonna be once it does :')

[mikansei]

from the trailblazer's perspective:

we met some weird guy who wears a statue on his head, who was kind of a dick to us, but then we went on a little entomological field trip where he was oddly encouraging. surprisingly nice to us afterward for all that he literally interrogated us first. but herta runs around as a doll and we're plenty weird ourselves, so dr. ratio is whatever, i guess. we probably think of him as "that weirdo who was on the herta space station once," which is an association i'm sure he'd hate - but hey, at least we don't call him "scholar king."

from the trailblazer's perspective:

we met some flashy IPC guy because we accidentally held him up in line at the hotel check-in, himeko tried to negotiate and it turns out he's a professional cutthroat negotiator, but it all worked out and he gave us his fancy room. he also loomed over us with freaky glowing eyes and maybe threatened us, but it was kinda vague and it's not like he really hurt us. well... until he did. the trailblazer gets the opportunity to be verbally sore about that, but the fight didn't really feel like cocolia, like phantylia; like aventurine had gone mad and wanted to take over and/or destroy the world. his grandstanding didn't make any sense to us at the time, though, and fighting him sucked ass. but we lived and - as we found out eventually - so did he.

then the trailblazer boards the radiant feldspar, and we see aventurine's hologram talking with ...boothill? okay. who explicitly says they're working out some kind of shady underhanded deal to find oswaldo schneider which, subtlety thy name is not boothill, but that's none of our business i guess. but aventurine's there(-ish) and alive and not cackling mad, which is an improvement.

then we go into the next room over and see that herta space station weirdo, dr. ratio.

huh???

and the first thing he says to us is "no wonder that gambler likes you so much."

huh???????

everything about this is news to the trailblazer. since when is dr. ratio not only on penacony, but in the dreamscape, aboard the exclusive invitation-only dream cruise ship? since when does he not only know of aventurine, but was apparently on this mission with him? since when does aventurine like us??? we just got done mutually trying to kill each other! his hologram didn't seem sore about it, which is great for us, but doesn't exactly translate into "like!"

why are we hearing this from him and not aventurine? why does he know aventurine's thoughts on us in the first place?

dr. ratio really just shows up, yaps about aventurine unprompted, recommends us reading material, complains about the crowd and then is like "k i'm done here. ur dismissed."

the trailblazer had bigger things to think about but i, the player, do not. the fandom at large may feel like 2.3 fell flat, but the fall of the roman empire is still within the wheelhouse of my roman empire. i never left the radiant feldspar. i am still aboard this fucking ship.

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[shima-draws]

I’m still so mentally ill over the whole Luffy refusing to eat unless it’s Sanji’s food thing. Like. We KNOW how fucking feral over food Luffy is. He loves food and loves eating so much that he steals it off other people’s plates and out of their hands and is so impatient when it comes to meals that he’ll literally try and sneak into the kitchen to mooch before it’s ready. Or he’ll try to break into the refrigerator. I know Sanji mentioned putting a lock on it at some point bc Luffy literally wiped it clean. He will not hesitate to eat other people’s portions or literally an entire meal meant for a whole ship of people! He’s unbelievably selfish when it comes to food and that’s just SUCH a central part of his character that it’s become almost endearing. Even in Totto Land Luffy didn’t think for a second before devouring everything in sight, including an entire fucking HOUSE, regardless of the consequences or the people it might affect. Homie did not care!! He’s food driven first and foremost!!!

Until Sanji leaves him. Until he decides that eating—something that he loves and brings him comfort—isn’t WORTH it unless it’s Sanji’s food he’s eating. It’s been shown that Luffy has zero self restraint when it comes to food so the fact that he was SURROUNDED by food on all sides on a food themed island and utterly refused to partake in any of that? Even though he hates being hungry and will always make eating a priority over pretty much anything else?? The amount of willpower it must have taken for him to sit there and purposefully let himself starve, for SANJI. Even when food was offered to him conveniently (in the form of syrup rain) he stubbornly rejected that. Because it wasn’t Sanji’s food. Because it wasn’t Sanji who made it, who always puts so much thought and care into the food he makes, who always indulges Luffy and prepares extra because he knows how much Luffy eats and how much he loves to eat. Luffy literally took one of the most defining traits he has and tossed it out the window. For Sanji. I’m going to fucking blow up

[helimir]

the fact that orym was working up the courage to go to dorian’s room for 20 minutes… and then immediately admits that he’s been working up the courage for 20 minutes.

he has such a hard time opening up, but once he’s made the decision and the opportunity is there? it’s an instant shift as he can finally put down the weight of hiding anything he’s feeling from dorian.

[valentines-virgil]

Viktor in Salos Body, talking to Jayce: "Come. Visit me."

Viktor, in his body: *taking off his fancy robe*

Sky: "Viktor, what are you doing?"

Viktor: "Getting ready to see Jayce?"