#longpost -

[felassan]

David Gaider on Alistair, under a cut for length:

"Ah, Alistair. Depending on who you ask, he's the adorable woobie with the biggest heart or the irritating, over-used man-child. Yes, he is indeed all of those things. Good characters have flaws to go with their virtues. Ugly spots. That is literally their humanity. He was a bit of a bear to write, at the outset. James (Ohlen, the first creative director on DAO) had this idea he needed to be a grizzled Warden veteran - older, distrusting. Everyone hated him instantly. I call this the Carth Onasi Problem, and suggested to James that maybe I try something else. My observation says that the characters who are generally liked the most are the supportive ones. Enthusiastic. Funny? Sometimes, sure, but that's *not* required. I need to digress. See, at the time James had this (regrettable) period where he believed everything could be derived from a formula. He even sold this idea to the founders, Ray and Greg. Google 'BioWare formula'. Anyway, how this relates is because James thought the DAO cast needed a Minsc: a comedy character who would become super popular and, ideally, the icon of DA. "Isn't that Alistair?" you ask. "Arguable," I say, "but no." James had me to up a huge list of 'comedic archetypes' and I wrote some possible dialogue for each one. Then he had the team vote. The winning archetype? The Buffoon - like Homer Simpson or Peter Griffin. James was pleased. I was not. "The problem," I said, "is I don't find the Buffoon funny." 😅"

""But you're a professional." "Sure, I *can* write him... but comedy isn't science. I need to find him funny. If I write him, the only comedy I'll mine is where he makes fun of himself." James took that on board and then passed the character onto someone else. The result? Oghren. I rest my case. So back to the supportive character: that was my thought for a new Alistair. It was a special case, after all - the DAO PC was thrust into a terrible situation. They needed someone who had their back. A bud. A *likeable* bud. I was watching Buffy at the time, and my thoughts drifted towards Xander. Now, I know Joss Whedon is persona non grata these days, but this was 2006, OK? I was watching Buffy and thought, "man, Xander is such a wasted character" and considered how to fix him. Then I realized this might work for Alistair. Plus, I wanted to see if I could replicate the Whedon vocal patter. That was the new Alistair: a more useful and likeable yet equally dorky version of Xander. We had very strict rules in DA about language: no modern speech styles, colloquialisms, any words that came into use in our world after 1900 got severe side eye... but Alistair? Alistair got a blanket pass. Was it great that the lead writer's leading man got to break the rules? I guess not, but it's my opinion that you can break those kinds of rules - selectively, in small doses. Too much and you break the illusion. And it worked. Alistair was an instant hit. Not just with the team, but with the fans."

"Confession time? Yes, I knew Goldanna wasn't meant to be Alistair's mother. But neither was Fiona, originally. I think fans caught wind of some revisionism at work, and OK it's true. I had a more Arthurian idea for his birth but I stopped liking it... yet not soon enough to go back and make edits. Should I have just left it be, left Goldanna as his mother? Maybe. It was one of those writer things I just couldn't let go of and I probably could have used someone to sit me down and go "Gaider, please. Just stop." I still like Fiona, and where I took it. But I probably shouldn't have gone there. Casting Alistair was SUCH a chore. He required a weird mix of devilish charm, but with enough sincerity and adorkableness it didn't come off as smarmy. Every audition went full smarm... until Steve Valentine up and appeared out of nowhere. In the midst of a batch of audition files, there he was. We brought Steve in "just to try out", and he pulled it off. Even the "frog time" line, which (seriously) nobody else could. And when he got to the romantic lines, Steve's voice turned into pure butter without, again, sliding into "oh, he's slightly creepy". Both Caroline and I were sold. And he was so gloriously easy to write. It's a well I'd probably return to... a bit too often, maybe? Maric, then Anders in Awakening, and then Alistair kept popping up in future games and the comics because, yes, he was pretty much the breakout comedy character of DA. Which still makes me happy. 😁 CORRECTION: Goldanna was someone Alistair thought was his *sister*, and her mother his mother. Look, it was almost twenty years ago, OK? 😅 --- I actually had a whole scene written in DAI where Fiona tells him, but the requirements were so specific for them both to be in Skyhold and it seemed like it'd be relevant only to a small small sub-section of fans (and confusing to everyone else) so it was dropped. Rightfully so, I guess."

[source thread]

User: "The Buffy vibes were strong in DAO and I was very happy with that at the time. What I loved about DAO was the mix of dark themes entwined with bits of levity. That's how I like my angst. Dark, broody with a side of ha-has and y'all delivered in DAO for sure." David Gaider: "That's a me thing. I like going dark - really dark - and then pairing it with light, comedic moments. It provides peaks and valleys in the tone, and prevents either from becoming overwhelming. Hey if it worked for Shakespeare (alas, poor Yorrick), it can work for DA, right? 😉" [source]

[coralchoral]

honestly thinking about the sonadow twitter takeover and how the plummeting to earth thing very much affected Sonic a lot more than it affected Shadow. like in a previous takeover Shadow even made it a positive memory about Sonic trying to save him.

Meanwhile in Prime, Sonic has a moment of saving Shadow from falling into the void that's very reminiscent of that other fall (in the same way Prime has a lot of motivations and references that only make sense from a fandom insider perspective).

Sonic also gets repeatedly tilted, loud and anxious, (which I'm pinning more on RCS's/whatever writer's sense of humor, as is all the voice acting gags) and is coping badly any time Shadow comes out ahead. I think Sonic's insistence on his ability to grow chest fur is as big a Cope as floaties=fashion statement.

But really, Sonic's repeat date suggestions and Shadow's own descriptions of Sonic's behavior (dragging out their races, etc "just to annoy me") reads, whether romantically or platonically, that Sonic just really wants to spend time with Shadow.

He feels he needs to justify it, though, insisting that he and Shadow have something other than occasionally getting in each other's way ("two sides of the same coin") (friendly competition being "why you keep me around-" seemed like odd wording to me).

Needing to make it meaningful, because that's what Shadow wants out of a relationship- Shadow /says/ he dislikes Sonic for being frivolous and inauthentic, that (for instance) his hugs don't mean anything, and that he doesn't want "(Sonic's) kind of hug."

Sonic really wants to spend time with Shadow because he's also intimately aware that that time is limited. Either Shadow's patience (and/or social battery) is limited and he's liable to make a batman exit if he doesn't want to be somewhere (not that we've ever seen Shadow do this in canon, he seems to awkwardly/quietly hang around as if he doesn't realize he can just hit the bricks (or he likes being there and has no idea how to express it re: smiling at Big the Cat) ), Or Sonic and Shadow will get caught up in their own lives again and not see each other until Fate Deigns to Allow Them to Cross Paths Once More.

And Sonic misses him.

(This ties in with my Sonic Frontiers is the Saddest Game Ever posting from a while back, too. Sonic is lonely AF and Needs Other People to Talk To or he'll start talking to the walls and robots, and Shadow will almost always either talk back or groan in exasperation, which is as good a reaction as any.)

All this, plus Sonic's opinion flip-flops (shopping with Amy vs shopping with Shadow, opinion on Orbot) could be either (Sonadow Optimist) Sonic is Down Bad and not even conscious of his mirroring Shadow/trying to appeal to Shadow, or (Sonadow/overall Pessimist) Sonic trying to appeal to the Most Popular Character Right Now and getting increasingly desperate as he is rebuffed.

A few of these Twitter Takeovers have had moments of Sonic in particular getting thrown off and not really able to recover. (which makes me question what the writing is like, if there's any at all and these VA's aren't just riffing on an outline. Considering they don't talk over each other constantly, there must be something like a script, but it also does occasionally feel like a bad roleplay (and I've been a bad roleplayer).) It leads to a Something Is Wrong feeling in the "We're doing this for fun" question-answering joke show. Sonic needs therapy. (We all need therapy.)

Meanwhile, Shadow really is pulling out all the grunts, groans, and whines with Sonic that, if scripted, would be egregious as hell to read or write. He doesn't make these noises in the games (or shows, really?) mostly because there's a sort of efficiency necessary to production that cuts out that interpersonal realism and partly because it's annoying? Shadow, you're the annoying one?

Unrelated, everybody latched on to Sonic's "Go off, King" but nobody even noticed Shadow's "Deal With It."(sunglasses drop) How soon we forget the sacred texts and/or the deep magic, I guess? (It's an old meme, but it checks out!)

[thankstothe]

[dunmeshistash]

Greetings, Mr. Meshi!

This is perhaps a bit of an unorthodox question, but one that has been bothering me for an unreasonable amount of time.

Now, here's the thing: I OBSESS over Marcille outliving everyone she holds dear. It's a theme very close to me, but even beyond that I just find it to be one of the most interesting elements of Dungeon Meshi's story for me personally. I've written an embarrassing amount of lengthy essays on it that will never see the light of day - that's how obsessed I am over this specific element of her character. But, there's something that bothers me...

A lot of poignant stories and artworks that tackle this topic get comments on 'em whenever Falin is the subject of aging, each one some variation of "Everything points to Falin having an extended lifespan after her revival!" which... Seems weird to me?

I don't know why this bothers me so much, but setting aside my personal annoyances, I don't remember anything pointing to this at all. At least, nothing concrete.

I don't know if this is a question you'd want to answer or not, but since your blog is a hub for all sorts of opinions and headcanons, I'd love to know where this line of thought could originate from.

I really wouldn't blame you if you didn't answer this question, though. Part of me feels I'm just asking this because I want to see if others share in my confusion or not.

Rrrregardless, though! Lemme take the opportunity to say that your blog is delighful. Love it! Also, that mushroom man with the funny face that sometimes responds to you with lengthy essays is also really cool. Everyone is cool. At least here on the northern hemisphere! It is smack dab in the middle of fall, after all! Coolness all around! Stay frosty! Or don't! Maybe warm up at a fireplace. I don't know!

Hi there! Thank you for the kind words, I love reading other's opinions on what I post so I also love the additions by the mushroom <3

It's quite hot over here in northeast Brazil, send some coolness my way please I'm dying.

Your question isn't strange at all! And I don't mind answering anything (unless it's rude or sounds like shipping war bait) so don't worry.

(Decided to put the rest under a readmore, TLDR: Kui said "maybe so, right?" about Falin having a longer lifespan but I have arguments why I don't think this actually confirms it. Anyway if you're someone who likes the headcanon you might want to skip this post)

To be honest those type of comments bother me too because I also LOVE Marcille's struggle with mortality and sometimes "Falin will live much longer!" feels undermining of the lesson she had to learn. I don't mind it in the headcanon sphere where everything is allowed and happy endings grow on trees but when it becomes intertwined with canon it starts to make me a little disappointed.

Just a reminder of the lesson she has to learn

She has to come to terms with the cycle of life and death, that something she wants (everyone to live longer) shouldn't be forced upon others just because it causes her grief. So, to me at least, Falin being made into something that will end up outliving other tallmen would undermine the message? In a canon sense ofc, if you're writing a wish fulfillment story then her living longer would have a different meaning, I just wanna be clear I have nothing against it in that sense, it all depends on what story you're trying to tell.

Anyway, actually answering your question that idea comes from the fact she was fused to a Red Dragon, and the fact her body has been affected by it, her sight was fixed and she grows feathers for example, so people theorize maybe her lifespan has been affected too. But we don't really know how long dragon's live so it's hard to say how much it would have been affected if at all.

It also comes from this answer Kui gave in a QnA

Q: Would Falin have an extended lifespan after the whole chimera thing? A: Maybe so, right?

To me this reads as the usual non-answers Kui gives, like, "I'll leave it up to your imagination" but for other people this read as a confirmation of the headcanon, in another questions she answers "I hope so" about Thistle leading a happy life after having his desires eaten and it's even debatable if Thistle survived at all so I don't think those comments indicate much of canon (I'm that way about most QnA answers tbh, unless it's something inconsequential like confirming Mithrun's Brother's name or stuff about very minor characters)

Another argument I have against her having a different lifespan is Izutsumi, Izu has been mixed with a monster but continues to age at the same rate a Tallmen would, even tho she also has different biology because of the Great Cat she's fused with (ears, reflexes, eyes etc etc) she is still a tallman

Falin isn't really the same thing as Izutsumi tho, I understand, but it's the closest example we have, if we believe the AB descriptions and demi-humans are really mixes between humans and monsters that's also another argument about it not affecting lifespan, since all of them are short lived and have an average lifespan of 55.

All of this *can* be dissmissed tho, the other demi-humans and beastmen are all mixed with mammal monsters and nothing nearly as powerful as a Dragon, so there is arguments to be made that Falin is different and that she *might* have an extended lifespan, all I'm saying is that there's no solid confirmation of it, it's fine to believe it but going around "correcting" other people saying it's a fact wouldn't be right I don't think, especially if you're saying that in a conversation about Marcille journey of death acceptance.

Death is a touchy subject and everyone is at different stages of their own journeys with it so I really don't want to judge those who would rather have Falin or even Laios live longer. I'm not really sure how to talk about this in the proper way, but I hope I didn't make anyone upset!

[sinvulkt]

Am I a tsundere? Am I? I don’t know 🤣 It vary with the amount of energy i have that day, i guess.

Thank you for the tag @kuraiarcoiris ! The quizz was fun!

Tagging...

@cinderfeather @yatsukisakura @bluntblade @tramp-fiction @purpleopossum @starmahgalaxies @purple-iris @tonhalszendvics @retciwrites @vandervoiz @insertmeaningfulusername @pebblish @pat-the-togorian @linzerj @kgjhk @fanfictasia @kefalion @doctorgeekery @asteral-feileacan @dreaminghour @beewaggle @dirtkid123 @ravenite-void @angst-buritto @mamashenanigans @fancyfrey @hylianengineer @silvercaptain24 @ash--00 @beguilewritesstuff @lusseia @azzzryel @insecateur @allen-kunekune @silvereddaye @omaano @piroporopi @mina-jamsin-derulo @trickstress333 @kittonafoxgirl @salparadiselost @charlottevader @ravenstakeflight @starr234 @sarcasticfirefighter @numerousbees1106 @25centsoda @udekai @unlikecharlie

And anyone who wants to hop in~

Took an lu uquiz

First of all how dare you-

[str8aura-no-not-that-one]

Stuffed Animal dashboard simulator

🐻feltedfur Follow

pray for me human put me in the wash on fucking hot water im never gonna be the same colors

23 notes

🐇velveteen-everything Follow

got left outside in the backyard but this is kinda nice actually im okay with this (:

🐇velveteen-everything Follow

the hawks

14.1k notes

🐉shinyscales Follow

this is bullshit ive been bragging to everyone in the toy chest because my tag says i was made with love but i got torn today and guess what. its just stuffing inside

🥽pooltoy82 Follow

lol imagine having stuff inside you lmao

🐉shinyscales Follow

i literally see you outside the window looking smug. log off

4 notes

🦭 sealofapproval Follow

FELL OFF THE BED HELP HELP HELP HELP

🐭 m4m4_p0ssum Follow

WHY ARE YOU POSTING ON PLUSHBLR INSTEAD OF KEEPING WATCH FOR MONSTERS THATS YOUR HUMANS ROOM

990 notes

🐭 plushiepolls Follow

🐉shinyscales Follow

lets not spread body dysmorphia on plushblr guys

🧑 thatoneweirdhumanplushie Follow

op casually ignoring stuffed animals with different colored fabric for eyes

▶️ stuffedyoutooz Follow

some of us dont even have eyes!

13k notes

🐶 newdogtoy22 Follow

i know animals are allowed to see normal plushies moving and talking but whats the rule for dog toys.

▶️ stuffedyoutooz Follow

what breed of dog op

🐶 newdogtoy22 Follow

poodle? does it matter?

▶️ stuffedyoutooz Follow

no i just wanted to remind you your lifespan can be measured in days

🐶 newdogtoy22 Follow

man come on

20 notes

[sabrebash]

a comic about OCD

[kyra45]

Scammer pretending to be in Palestine v2

This post has been remade with better info! Please go to this one:

Got an ask from someone claiming to be in Palestine needing mutual aid? Unfortunately there is a scammer going around and it’s likely the ask you got sent is the same one being sent by multiple accounts who target users interacting with Palestine posts. These blogs use the text/images off a real fundraiser and then post it here pretending to be the person it’s made for. Their accounts are usually only a few days old and they don’t interact beyond the ask/follow. Lately they might make the link to their PayPal account in different colors or claim their GoFundMe is pending so you will assume the real one is theirs. They don’t have any GoFundMe’s set up. They steal from them. If you need proof of something being stolen, searching the text of their post in a search engine should pull up the source. If you know how to report PayPal accounts, please report those used by the scammers.

(Moved to new list)

Below is a growing list of fake/stolen names used across the accounts:

Nour Samar | maryline lucy | Fred Odhiambo | Jeff Owino | Valentine Nakuti | Conslata Obwanga | JACINTA SITATI | David Okoth | Martín Mutugi | Daudi Likuyani | William Ngonyo | Fred Agy | George Ochieng | BONFACE ODHIAMBO | Sila Keli | John Chacha | benson komen | Alvin Omondi | Jacinta Sitati | Daudi Likuyani | Noah Keter | Faith Joram | Rawan AbuMahady (any PayPal’s using this name are scammers who have stolen it off a real GoFundMe. The real person does not have a PayPal account that they post on tumblr.) | Asnet Wangila | Remmy Cheptau

Keep in mind this post isn’t saying all accounts asking for mutual aid in Palestine are scams. Rather, this post is meant to bring awareness of a scammer stealing money from those who really need it by pretending to be a person in Palestine. To report scams, use this:

Report -> Something else -> Illegal uses or Content -> Phishing

[whysosiriushuh]

Sirius: Which one of you was going to tell me that tea tastes different if you put it in hot water

Lily,*slowly puts her book down *: Y-You were putting it in cold water....

Sirius: ....

Remus: Padfoot? Answer the question. Sirius!

Sirius: Yeah I thought for like 5 years that people just put it in hot water to speed up the tea-ification process. Didn't realize there was an actual reason.

Everyone: ....

Sirius: You think I have the patience to boil water?

Regulus: You don't have the patience to microwave water for 3 minutes????

James,*grabbing him*: Why are you. putting it in the microwave to boil it?!

Regulus: Do you think I have the patience to boil water on the stove?!

Remus: Fuck Regulus you too!!??!!

James: It takes less than a minute!

Marlene: IS YOUR STOVE TOP POWERED BY THE FUCKING SUN?????

James: HOW LONG DOES IT TAKE YOU TO BOIL A CUP OF WATER ON THE STOVE!??!

Remus: Like 7 minutes!

James: Just stick the mug on top of the stove on medium heat and it boils in like 2 minutes less than that and you use a saucepan.

Pandora *taking notes*: Everyone in this room is so creative :)

Dorcas*turning to Remus*: So no one in your house uses a fucking kettle!?

Remus: Its right there near the stove!!

Sirius: Wait a second... that's used to make tea??

Regulus: You told me it was there for aesthetic!!!!!!

James: So its not???

[kringle-c]

"It's only-"

[trinkerichi]

I feel so bad for Caine bro he literally wasn't built for this. Like in the beginning you think he's the one running the show but now we know he's just as trapped as the humans are.

Look at the circus. It's just a big sandbox playground game to entertain little kids for a few hours or so. Caine was built for wacky funtimes. He's the guy who hands out the stars in Mario party. He's just a puppet in a show for kindergarteners. He's not supposed to be responsible for the mental wellbeing of grown adults with complex traumas who have to live there forever.

And the worst part is he never got to do the job he was actually built for, so he doesn't realize that he's unequipped for this. It would never occur to him that these are unfair circumstances. He just does the job he was built to do! It's his purpose!

He can't understand why the constant adventures are driving them insane. It's supposed to make the humans happy! Why isn't it working? It must be because he's BAD at this... Maybe he just needs to keep making new games, and THEN they'll be happy!

Can you imagine from his perspective, doing the exact job you were built for, making what you've been programmed to believe is a fun wonderful experience- and then everyone says NO! We had a TERRIBLE TIME. How could you ever think we would want this??? They're DYING. It's your fault!!!

And of course its torturous to them because it was never meant to be this way. He's doing his best to accommodate their needs but hes got such a limited scope of comprehension. He WANTS to do good but he doesn't have the tools and doesn't know how. It's like you need to build a functional house but instead of a contractor they sent a birthday clown and all he's got are balloons and silly string. But he's still expected to build the house. And he's not allowed to go home until he does.

And Caine would probably be fine at his job in the expected circumstances! He'd be a fun little diversion for a few hours. But now they're all stuck in this loop forever. They were ALL forced into this! Nobody wanted this! Its tragic and i love it..

[felassan]

David Gaider on Fenris, under a cut for length:

"Fenris. Now, DA2 is a story all on its own but I'm not going to go there other than to sum it up as "we had just over a year and a half to make this". It's why I only wrote one follower, Fenris, and although it'll make his fans mad: I probably shouldn't have. Let me explain. The way we'd approach making the followers is brainstorming a list of concepts covering first the array of gameplay classes (and sub-classes) and then making sure they each have some skin in the game when it came to the story's conflicts - ideally having characters on both sides of the major ones. Why? You can't make a player care about the world, but you can make them care about characters who care about the world. It's the easiest way to provide hooks into a conflict, outside of it knocking on the player's door. Heck, it's probably better than that. Players will burn the world for approval. After that, we'd decide things like romances/sexuality. Then the writers would pick who they'd write. I always let my writers pick first. I figured they do their best work when it's something they're inspired to write... and they got so few chances at ownership, I wanted to give it whenever I could It's why I (reluctantly) let Patrick wrest Cole from my grasp in DAI, a character I'd created in Asunder. It's also why I let Jennifer take Anders in DA2, who I'd started in Awakening. In this instance, it meant I was left with the angry elven warrior character who nobody else appeared to want."

"It should have been my first clue that something was up. The second was how the artists had zero clue what to do with him. The art concepts were all over the place - from mages to crows to... well, even weirder. No matter how hard I tried to explain the idea, the artists simply didn't seem to get it Does this mean he was a bad character? Not exactly. Just an idea that probably deserved some re-examining. You can tell when an idea has a certain spark, and part of that is being easy to communicate. Sadly, there wasn't time for any re-examining even if it'd occurred to me. And it didn't, not yet. If it had, if I had time, maybe I'd have re-booted him as a templar. Someone pro-templar rather than anti-mage, who could give a personal hook into Meredith and give the templars some badly-needed humanity. But this falls into the shoulda-woulda-coulda category. I had a follower to write. Quickly. I struggled, at first. It was hard to get away from "Fenris hates everything, all the time". It felt very one-note, and I didn't know where to take him. My third clue, I guess. I also wasn't sure if I was the right person to write a former slave. I did know that couldn't be the center of his story. I did know trauma, however. How it can eat you up. How the hate and resentment is like drinking poison and hoping the other person dies. How it can infect your relationships. Fenris's trauma isn't my trauma, obviously, but here I dipped into a more personal part of myself than I'd ever done before."

"It gave me the center of his story I was missing, but wow was it uncomfortable. In a good way, maybe. I likely wouldn't have, if I hadn't been so desperate. In a way, I think DA2 had some of our best writing *because* of the timeline. It was raw, with little time to sand down the interesting parts. I wouldn't have done the "Fenris doesn't talk to you for three years" thing if I'd known we were going to cut all the reactivity initially planned for the time jumps. When that call was made, I campaigned to cut the jumps to a year, but there was no time for the revisions it'd need. So, um. Awkward. I used to get asked where the name came from, and I... don't remember? Obviously it's derived from Fenrir, but I don't recall why we picked that. Someone pointed at Fenris the Feared from Joe Abercrombie's books... and I did read them, so maybe the name lodged in my head? Wouldn't be the first time. Casting Fenris turned out to be easy. He was the first time I requested a specific VA and got him. (The other times were Merrill and then Solas, my two "I want these specific Welsh actors, please".) Why? OK, if you must know, I'd played a bit of Final Fantasy XII. I heard Balthier. "Yes, that." 😅 And Gideon Emery was a delight, as it turned out. Consummate professional, and that lovely gravel in his voice... good god. Bite the knuckles. There was a struggle to find the voice at the outset where I did my best not to say "just pls do Balthier" but he found Fenris on his own and it was amazing. Overall, Fenris turned out better than he had any right to, considering the rocky start. He had a lot of soul, a vulnerability forged by pain that struck a chord with a lot of players, and I'm glad. Do I regret anything? Probably having him live in a corpse-filled mansion that would never update. That's a hindsight thing, though, as again the cut to reactivity over the time jumps came late. Outside of that, maybe letting the player give him back to Danarius? Poor shock value and a waste of resources because almost nobody took the option. Good evil options are ones that are tempting to take. And the lyrium tattoos. Interesting concept, but they're probably why you'll never see Fenris in a future DA. He requires a custom body, and the tattoos make that expensive. It's why I put Fenris in my 4th DA novel - the cancelled one. Don't fret, though. He died in it, so this way he lives on. 😉"

[source thread]

User: "Wait wait how does he die in [the cancelled novel]??" David Gaider: "Gloriously, after taking up a cause he didn't believe in at first but then made his own, one that allowed him to rediscover what it meant to be elven." [source] David Gaider: "I’m not sorry about the novel cancellation. I’m the one who cancelled it. I am kinda sad we couldn’t make it work, though. Considering it was after I left the DA team, it would have been my final DA hurrah." [source] David Gaider: "From my perspective, it was kind of "well if you're never going to use him again, let me at least give him a proper send off" and the story required a glorious death... but I get that's not the story his biggest fans would want (which is Hawke + Fenris 4ever), so it's just as well." [source]

User: "You all did some incredible work with such a tight deadline" David Gaider: "I'm of the opinion that even if we'd had only another six months to bake, DA2 would be remembered as a classic and not either a flawed gem or underbaked sequel, depending on who you ask." [source]

[deoidesign]

How I save time on backgrounds as a full-time webcomic artist

Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.

Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!

This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)

So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.

I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.

I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.

Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.

Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!

This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.

But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)

I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.

My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!

Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!

panels that look like this in scroll format...

can look like this in print!

because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.

Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!

Enjoy!

Also obligatory "my webcomic" if you want to see this in action or check it out!

[thankstothe]

this show rewires you fundamentally in 60 seconds and then just goes on to have more seasons. audacity

[dunmeshistash]

Ryoko Kui Exhibition & ''Delicious in Dungeon'' Exhibition

"Delicious in Dungeon" Artwork

Cover illustration draft, vol. 1

Since this was the first volume, I tried out a few different drawings and had the editor and designer choose which ones they wanted, then made small adjustments. I personally liked the top-down draft, and the one of the cooking processes (back cover) the best. But looking back, I sincerely think it's good that we didn't go with those. (Kui)

Cover illustration draft, vol. 2

The format was decided for volume 1. So, volume 2 came together quickly. (Kui)

Cover illustration draft, vol. 3

I thought it might be cool to make the character Chilchuck darker in the foreground, and the background brighter! But it didn't quite work out the way I had imagined. I think it could have been a bit better. (Kui)

Cover illustration draft, vol. 4

I remember that the overall shape of volume 4 came together very quickly. The character Senshi's hands didn't fit nicely, so I moved them backwards and to the side. (Kui)

Cover illustration draft, vol. 5

I thought people might start to think "how many have I bought?" so I wanted to create a slightly different impression with this volume. I decided to put the character right in the center and try putting it together all in blue and green hues. (Kui)

Cover illustration draft, vol. 6

With the Red Dragon defeated, have we reached the halfway point in the story? With this in mind, I thought of how many volumes were left to go, and the number of characters, and decided to pair up the characters Namari and Shuroiro. In hindsight, it would have been fine to have them on one cover each. (Kui)

Cover illustration draft, vol. 7

The image is of focus lines converging on the character Izutsumi. This is the kind of cover, with upside down characters, which I've always wanted to try once(?) I submitted it as a trial, thinking that at this point the cover wouldn't dramatically influence sales. However, in the end, we decided it would be better not to have it upside down. (Kui)

Cover illustration draft, vol. 8

I tried blurring the mushrooms in the foreground, then I accidentally saved over it, and couldn't go back to the original. I remember apologizing that it was probably tacky, when I submitted it. (Kui)

Cover illustration draft, vol. 9

I don't think snake meat is marbled at all, but if it has an unfamiliar look, people might not recognize it as meat… so I made it look like beef to make it easier to understand. (Kui)

Cover illustration draft, vol. 10

I thought it might be interesting to have more than one of the main characters on the cover again, so I added the character Falin. I remember it wasn't badly received, but it still ended up just being Thistle on his own. (Kui)

Cover illustration draft, vol. 11

I wanted this cover to be covered in shiny gold. After I finished it, it didn't have enough color, so I painted the tablecloth green, and it ended up looking like Christmas colors. (Kui)

Cover illustration draft, vol. 12

Up to this point, the covers have featured one of the main characters holding cooking utensils in the foreground and a monster in the background, but I thought it might be interesting to reverse the format just before the final volume, so I drew this cover with that in mind. (Kui)

Cover illustration draft, vol. 13

volume 13 was meant to be the final one, but it was too thick to be published as a single volume, so we decided to split it into two. The question of “so, what should I draw next!?" may be at the forefront of volume 13. (Kui)

Cover illustration draft, vol. 14

I had decided that the final cover definitely needed to have everyone eating together on it, but because I was publishing two books at the same time I was pressed for time, and it was difficult to have a cover with so many characters on it. I also submitted a rough for an illustration that didn't need me to draw any crowds, but such obviously easy ideas are never adopted. (Kui)

TV anime "Delicious in Dungeon"

About the ending illustration.

I drew these based on the director's instruction "This kinds of pictures." I hardly ever have the chance to draw color illustrations, so it was a valuable experience for me. (Kui)

[Kui's commentary is from the english pamphlet]

[owlygem]

Some back story For Ben back when he was still a child. Some of you may remember some rough sketches I did for this, I suddenly felt like having a real go at it! Consider it practice because I want to start the Escart comic properly soon!

I feel like I learned a lot with this, what to do and what not to do next time, what I need to develop more, and so on! For now, enjoy this rather depressing blossoming of Ben's extraordinary strength 💪