#long time no art tumblr nation!!!

[cut-aare]

🩸🫦

[asanjou]

historians will say they were besties

[manitapaleta]

L->R comic of the intro to @pained-expression eri’s fic A Hair’s Breadth from Death

this has been in my wips so long….finally got it to look decent 😢 😭 😭

[todayontumblr]

Monday April 17.

National Haiku Poetry Day.

Sometimes less really is more. And other times a lot less is a lot more. Which is why today, this Monday April 17, we are joining in the celebrations for National Haiku Poetry Day, as devised and implemented by The Haiku Foundation back in 2012. Because things don't get a lot more more for a lot less less than the old art of Haiku, in which a frog leaping in a pond, the profundity of a drop of few, the light of a candle, a blooming poppy, a howling wind, or the taste of rain can be distilled and expressed with such compelling and elusive intrigue—and such economy of words. These are works which require very little time at all in the act of reading, but sit and linger and echo for a long time thereafter. They resonate, in the truest sense of the word. Tumblr being Tumblr, the writing community here is home to more than a few talented Haiku poets, as you can see for yourself over at #haiku poetry. 

And Tumblr being Tumblr, of course, this community is home to one particular talent notable in the art of Haiku: @the-haiku-bot, a bot which, in their own words: "Beep boop! I look for accidental haiku posts. Sometimes I mess up." This is a bot that can prise moments of poetry from even the most innocuous post, and, we would contend, makes the perfect way to celebrate #haiku poetry and today's national commemoration. Trans sex? 17 syllables? Your aunt? Long rants? The Turing test? There is nothing—nothing—this mysterious little bot cannot accomplish. 

[samsseptember]

Samtember 2024 Calendar, Rules, and Guidelines!

Hi, Sam Wilson Nation! It’s that time of year again when we all get together to celebrate our beloved Sam Wilson’s birth month. That’s right, it’s ✰Samtember2024✰ !!!

As per usual, the event will be running from Friday, September 1st to Saturday, September 30th and there will be prompts set for each day:

Week 1:

Day 1 - Free Space

Day 2 - Bird Telepathy

Day 3 - Costume

Day 4 - Crossover/Multiverse

Day 5 - Canon Divergence

Day 6 - Hurt/Comfort

Day 7 - Future Fic

Week 2:

Day 8 - On Your Left

Day 9 - Move Your Seat Up

Day 10 - I Never Said Pilot

Day 11 - The Big Three

Day 12 - When Do We Start?

Day 13 - Man, Shut the Hell Up

Day 14 - Moon Stuff

Week 3:

Day 15 - Cap Quartet

Day 16 - Redwing

Day 17 - Mission Fic

Day 18 - Shield

Day 19 - Wakanda

Day 20 - Undercover

Day 21 - Co-Pilots

Week 4 + 2 Days:

Day 22 - Cookout / Boil

Day 23 - Birthday

Day 24 - Fishing

Day 25 - Louisiana

Day 26 - Lovers

Day 27 - The Paul & Darlene

Day 28 - Slice of Life

Day 29 - Wilson Family

Day 30 - Home

We will open a collection on AO3 soon. We will update this when the collection is ready, but when it is you'll also be able to find it by typing samtember2024 in the add to collections option.

You can also tag any works you post with #samtember2024 or tag this blog @samsseptember. Works will be reblogged every day throughout the month. 

What works count for this fan event?

Any of the following count:

fanfic

podfic

fanart

gifsets

photosets / moodboards / collages

graphics

Haikus

videos / edits

playlists

fic rec lists

comments

Whichever way you want to celebrate Sam Wilson, it’s up to you! 

The rest of the FAQ and rules are under the cut.

FAQ

What is this?

It’s a Sam Wilson fan event.

Is there any pressure?

No pressure at all. Fill one prompt. Fill all the prompts on for the month. Do however many you please.

Can I fill more than one prompt with one piece of art/one fic?

Yes! You can fill one prompt with one piece of art or fic. You can try to fill all 30 prompts at once with one piece of art or fic. If you can fill every single prompt from every single day in one fill, that’d be wild but it’s okay by the rules. You can do any number in between.

Are there any prizes for making anything for this event?

Just the satisfaction that you made something cool.

Should the work I make be Sam Wilson-centric?

Yes. You can make a gen work or a piece with any ship with Sam Wilson in it, but the main focus should be Sam Wilson.

How long will this event run?

It will run from September 1st to September 30th.

I heard there are badges I can use for each fill?

There will be! They will come out daily.

Do I have to post my fic for the prompt on the day of the prompt?

You can if you’d like, but it’s okay if you post a piece on a day other than the day of the prompt.

RULES AND GUIDELINES

What are the guidelines for the event?

For Everyone:

1. Remember to tag @samsseptember in the post as well as #samtember2024.

2. Please also tag the prompt you’re filling (for instance, if the square is “Redwing”, use “#redwing” as one of your tags when posting about it on Tumblr).

3. If you’re uploading to AO3, please:

a ) Say somewhere which prompt you’re filling.

b ) Add it to Samtember 2024 Collection that you can find here.

For Artists:

1. Create at least one piece of new art that can’t have been posted anywhere else before this.

2. All visual art forms are welcome:

a ) Gifsets, at least 3 gifs.

b ) Aesthetic boards or moodboards, at least 4 images each.

c ) Drawing/painting, that is not a sketch.

d) Fan video.

e) Graphics edit.

For Authors:

1. At least 500 words.

2. Posted on Tumblr or AO3.

3. Can be part of a series, but should work as a standalone.

For Podficcers:

1. The podfic should at least be 5 minutes long.

2. It should be posted on either Tumblr or AO3.

3. The podfic can be of a fic made for the event, a fic not made for the event while still adhering to the prompt, or a notfic.

For Fic Rec Lists:

1. You must have at least three fics or podfics on the rec list.

2. Make sure to give brief descriptions of the fics or podfics as well as their rating and wordcount.

For Commenters:

1. Any amount of comment counts, from a heart emoji (“❤️”) to an essay.

2. We would rather this be about what makes you happy and joyful about reading than any scathing critiques.

Things to be mindful of when creating:

For Sam

Avoid framing Sam only as a caretaker or emotional support for Bucky. Be mindful of Sam acting angry or aggressive in an out-of-character way and falling into the angry/sassy Black man trope (check out the MCU source material to help with character traits).

Avoid decentering Sam as a main character and refrain from focusing entirely on Bucky.

In art: avoid whitewashing Sam’s skin and research drawing Black characters.

General disclaimer: Race affects every aspect of his life, including interacting with police/government and the white structures of the world when it comes to performing his duties as Cap and simply being a Black man that lives in the U.S.

For Bucky

Avoid phrasing “flesh/normal/human hand” to refer to the contrast between his prosthetic arm and his right arm. The phrasing is ableist. You can simply refer to his prosthesis when relevant, otherwise use “right/left arm/hand”.

For more information, please check out this document suggested by @ninesdb on how to write Bucky as an amputee. @ninesdb is also open to questions if you have any queries not answered by the google doc.

Specific Tags:

Avoid tags in AO3 like “Sam Wilson is a Gift”, “Sam Wilson is a Saint”, and “Bucky Needs a Hug”.

Have fun and we look forward to all your wonderful works! ✰

[redbatchedcumbermayned]

It all started under a duvet held up by an oar

Not so long ago I emailed Chris Tester, the voice of Heinrix van Calox in Owlcat’s recently released CRPG Rogue Trader, and asked if he would like to sit for an interview with me. Having some experience in interviewing people I like, most famously Oscar winner and all-around sweetheart Eddie Redmayne, this was not a completely nerve-wracking endeavour. And within a day of sending my email, Chris said yes. And what a pleasure it was interviewing him: Chris was so generous with his time, that the agreed upon 30 minutes turned into 50 minutes as we brushed upon many topics from his start as a theatre actor to his first voice-over role in a video game to his recently discovered hobby of playing D&D. Of course, we also spoke about all things Warhammer 40k, his new found fame brought on by voicing Heinrix and the insights he could share about the character.

I will publish this interview in three parts over the next week in text form and with the accompanying audio file (the audio quality is not spectacular but tumblr limits uploads to 10MB). If you quote or reshare, please quote me as the original source.

Part 2 of the interview

Part 3 of the interview

Fran: Thank you very much for taking your time.

Chris Tester: That's no problem. No problem at all.

F: So then let's start. You graduated in 2008.

CT: I did. Yes.

F: You started out as a stage actor. Did you always want to become a stage actor or an actor in general? Tell us a bit about your career.

CT: I always wanted to be a stage actor. Yes, as soon as I knew that I wanted to be an actor, which probably wasn't until I was a teenager. But yeah, my first passion was always the stage, and that was kind of borne out in my career. I would have been open to TV and film of course, if it had come along, I'm a huge fan of TV and film as well, but I never got an audition for any TV or film work.

I think I literally did about three short films in my 10, 12 years of actually professionally acting, and it is one of those industries where the more you do of one thing, the more you seem to find yourself doing the same thing to a degree. So yes, watching Shakespeare from an early age was one of my first passions.

And that was what first planted the seed of wanting to do it myself. The whole aspect of live performance is still something that I'm very passionate about. Up until 2020, when the world changed, I was trying to do two or three theatre shows a year, but since 2020, I haven't been near a stage and I doubt right now, especially with the way that the UK theatre scene is going, that I'm going to be back on stage anytime soon. I am resigned to that, but at some point in my career, I know I will be on stage again, because I can't live without it, but only for the right thing, both financially, but more importantly, creatively.

F: Your production company is currently on hiatus?

CT: I was the producer of a theatre company, which was run and was the baby of the director of the company, a guy called Ross Armstrong, who's one of the most talented writers and directors that I've ever worked with. I was helping out with a lot of the administration stuff so that he could still put me in plays. Instead of creating my own work because I'm not a very good writer or the best writer in the world, I support those people who will write me good parts. So yes, it is currently on hiatus, but never say never, we would always be looking to get back. It's difficult right now. It's difficult for all of us, because arts council subsidy, that way of being able to fund stuff, is drying up. We were doing a national tour of the UK when we were doing that [with the support of a subsidy]. There's even less money, there's even more people. I won't bore you with anything more than that, but it's kind of tough. We'd like to come back, but in the right way, and that's tricky to negotiate.

F: It's always hard as a stage actor to earn a living.

CT: Well, I've been spoiled by voice-over as well, and whereas when I was in my 20s and 30s then you're all about your art. And of course, I'm still all about my art, but I'm also about my wife and my cat and the mortgage and the bills and wanting to have nicer things to a degree as well. I've come to terms with that and voice-over does facilitate that as well as it opens you up to different roles and working with different people. So, I can't complain.

F: It's quite similar with making a living as a writer, because with a steady income you get used to a certain standard of living and once you have obligations and bills to pay, I think the stress on your mental health being creative and having all the stresses of regular life thrust upon you brings with it a challenge.

CT: It's a cliche we can very easily fall into: if I'm suffering, then it means I'm an artist. And that's not necessarily very true. It very often means that the art that we create only reflects one aspect of our lives, and it's usually a very tortured one. I am also about having wider experiences and broadening myself out. Whereas I think when I was in my twenties, I was thinking a bit more like: Oh, I'll experience the world and life through my art and just purely through my art. Whereas now necessarily I need to have a life outside of it as well, and then I can justify like I have the life so that I can feed my art or not, whatever. You know, I'll be a better artist by having a bit of a life outside of it. Maybe.

F: But that's what your twenties are for.

CT: Yeah, indeed.

F: Doing the crazy stuff, doing the band stuff 

CT: Yeah, yeah, exactly. So, there was certainly an aspect of that in my twenties.

F: So, what brought you to voice acting or voice-over work initially?

CT: Money. Video game stuff is kind of sexy and cool, and I'm a gamer, so that's important. Before I was a video gamer, I was a board gamer and off the back of that, I was a voracious video gamer, partly because I wasn't very good at team sports at school. I was always the person who was picked last in the football team. So that becomes part of your identity for better or worse. But video games, I was pretty good at, not amazing, but I was pretty good at, and I enjoyed it. And it gave me a different form of escapism as well, and off the back of that I always had an interest in them. 

So, the very first voiceover job was a video game: Dark Souls, which is quite a big franchise. At that time, I was your very typically jobbing actor. My acting agent came in and said: I got something for you. And so, I went in with that. But it was only in 2016, 2017 that I realised it was something that you could actually do yourself. People had recording studios at home and they were contacting people directly, not just going through agents. Because I'd basically written to the same 20 voice agents in the UK, mainly in London for like eight years in a row and not received anything. So, you keep knocking on those doors hoping. 

Before I'd even graduated from drama school, I'd burnt a CD and made these cases with my headshot on it and sent them all off at what at the time felt like great personal expense and didn't get anything for eight years in a row.  So, I was a bit like, I'm obviously doing something wrong, but I don't really know what, because I'm doing these workshops and getting good feedback. Then I found out through a couple of online courses, that there were ways and means of doing it myself, and that was a bit of a game changer for me, and within six months of having started, I was earning more through voice work than the bar job and the box office job that I was doing combined. Within six months, I was kind of like: “I gotta quit because I'm actually holding myself back from things.” So that was quite a big shift.

F: Somewhere you said, you started out under a duvet and with an oar.

CT: Yeah. On my website, I do have an image of it. [Dear reader, I could not locate this elusive photo] I literally had to take the duvet off my bed and put it into the living room, which was the quietest space in my then shared flat. I also had to wait until after one flat mate had watched TV and another one had used the table that had their washing on it. One of my flat mates had stolen an oar from some night out and that was perfect in order to be able to erect it over my head and the duvet as a frame. 

I did probably the first four or five months of voice recording like that. Probably about 10, 15 voiceover jobs that I actually got paid for, I was using that because it worked well enough. Since then, I've gone through various different iterations of a setup in the bedroom, to a setup in the hallway, to my current setup. In 2020 we moved to our first house, and this is the spare bedroom which I've had converted into a studio, which means my cat can be here asleep on me or near me getting fur everywhere, but it's fine. I can thrash around and I've got natural light to work in at the same time, which I find quite important. [Pictured below Chris' current setup.]

F: Very pretty. That's good. Guide us through a typical day of yours, if you like.

CT: Oh, sure. I mean, there is no typical day. And yet, and yet, and yet. A typical day for me is, because I am spending the vast majority of the day sitting in this room or somewhere close to this room, because I may need to record at short notice, because the vast majority of jobs are quite short notice. My priority is exercise for mental health more than anything. I've got some weights at the bottom of the garden, and I will get up first thing, and I will go there and I will do that after breakfast. And that's my minimal routine of physical activity done. 

And then I'll come back, and this is so rock and roll. Now what I do is, I spend like an hour on LinkedIn. And that's what you dreamed of as a creative person. Isn't it as an actor? I spend time on LinkedIn regularly every day, because it's a really good networking place for a lot of my types of work, and first thing in the morning, I'm a bit mentally sharper. So that's when I come up with a quick post that may be inspired by a bit of content that I've made elsewhere. That probably takes about 20 minutes and then I spend another 45 minutes to an hour engaging with people and saying hi and introducing myself and asking questions, whether that's with video producers or game developers or documentary makers or pretty much anything and everything. There are a lot of people who are active at that time. And so I do it.

And then after that, if I already have some recording lined up, then I'll prioritise mid-morning, because I've warmed up physically a bit more then, and I'm focused. So, you're going through the scripts, annotating the scripts, recording the scripts, editing the scripts. But then there could be live sessions at any time within that as well. I try to keep hours from nine till six. But occasionally, like with Rogue Trader, that was recorded at various different times of the day because we had people in New York, we had people in mainland Europe, and we had people in the UK. So all different time zones, so that can happen at any time. 

And then I try to do other kinds of bits and pieces of marketing whenever I've got free time to. I do use really exciting productivity hacks, like time blocking. Again, not something that as a creative individual, I was like: Oh God, this gets me so excited, because it doesn't, but it works. It's finding a system that works for you, but still has a certain kind of flexibility and fluidity. I'm trying to make sure that I get outside of the house, and that kind of stuff. 

Recently, over the last year, I’ve started doing audiobooks as well. That long form type of thing is quite nice to be able to dip into because sometimes you don't record for two, three days. You don't get the work. Nothing’s coming in. So, you’re marketing, but it kind of connects you back to the performance side of things to go: I can do a few chapters and you know, that kind of thing. So that's probably it. I try to formalise it, but you know, every voice actor’s day is radically different. There are people, some of the biggest names, going into different studios every week or every day. I very rarely, despite being based in London, I very rarely go into external studios. Like I would say 99 percent of the work I just do from home.

F: So how do you find the right voice for the specific type of voiceover work you do, maybe start with how did you find Heinrix's voice?

CT: Thankfully, Owlcat sent through quite a detailed casting breakdown. So, you get a picture, and that's pretty crucial, as well as a short bio, in terms of the background of the character, but not too much, because you have to sign an NDA, a non-disclosure agreement. But even if you do sign an NDA, I think developers are always slightly hesitant of giving you too much info about the game because things could still be changed. But I think I did get a picture of Heinrix, if not in the first audition, then certainly on the second one. From that you immediately think about the physicality and what might affect the voice, and there was also some direction in terms of what they were looking for. Anybody who has heard the character and me, they do not sound radically dissimilar. There's not a transformative process that I needed to go through, other than his sense of authority and the space that he takes up and the sureness that he has in that he has a kind of divine right from the emperor, so that level of confidence being brought through.

The other part of the audition was about the void ship [the Black Ship] that he'd been raised in and the horrors that he'd seen. And you as the actor have to do the detective work to go like this is showing another side, the more vulnerable side, the side that underpins all of his life choices up to this point. It's essentially playing the opposite to a degree. So it was kind of knowing when to let those elements bleed through a little bit. I think I had probably about a page worth of scripts, quite a lot of script actually to audition with. 

But I don't like to listen back to it a lot, because I think you get into your head. My biggest thing is stage work where it's ephemeral. You say it once and it could be different the next night. The whole point is that there's no one definitive way of doing things. Not quite the same with voice acting, where it's being recorded and you've got to get used to hearing it back. But I try not to overthink it. Just like record it two or three times with different impulses and then review and go like, those two seem pretty contrasting. I'll send those along and hope and then never hear anything back unless I do.

[xitsensunmoon]

I've been thinking about sharing this here for a very long time and now it reached a point when I'm so upset I just can't be silent anymore.

Almost immediately after creating this account, the first thing I did was to put "Ukrainian artist" in my bio.

Shortly after that, I got a few asks with death threats, disturbing and just horrible words about my nation and culture. I was called a nazi, a fascist, and just a pig. Hating me just for being a Ukrainian, just for my existence. Not just on Tumblr, but on other social platforms too. If I were to guess, those were sent by russians or people who support the war.

Dca community made me feel the safest I've ever felt in any other community, up until that point.

After that, I put "russians DNI" in my bio and closed anons. Whoever was sending hate was not brave enough to say the same terrible things to me on their main pages. It felt a little bit safer that way, even if some of you will say it's not the right thing to do. Honestly, at that point, I was really ready to just leave Tumblr for good.

I can't stop people who are making me uncomfortable and making me feel unsafe from coming to my page and ignoring my very clear boundary of just not interacting with me.

It's my page. It's my art. It's my home. I have the right to decide who I want to have here, who I want to interact with me and my art, my hours of work. If you're taking away that right from me, do you really think you're a good person and my boundary doesn't apply to you?

I do not attack russians. I do not spread hate and toxicity, even though I have a right to be as angry as I can. I do not mass report their accounts and don't send death threat asks. I just ask to be left alone.

My question is, if a person, a russian, sees my bio that asks to not interact with me, but decides against it, ignoring my boundaries gets banned for it. Am I really in the wrong?

The point of this - if you don't agree with my actions please leave. Don't start a fight, just please leave. Because I will continue to block every russian who I encounter on my page. I really, really don't want people who just don't even want and try to understand the situation and just completely ignore how fucking terrible this is even WITHOUT me starting on the war context.

[sixty-silver-wishes]

everyone shut up this is ACTUALLY what fans of different composers are like

Mahlerians are PROUD TO BE ABSOLUTELY INSUFFERABLE DRAMA QUEENS, THE LIKES OF WHICH EVEN THE WAGNER CULT COULD NEVER SO MUCH AS ASPIRE TO BE. WE ARE ONE WITH THE UNYIELDING EBB AND FLOW OF THE BOUNDLESS UNIVERSE, DAMN IT ALL!

Shostakovich fans are like Mahler fans except they actually understand what sarcasm is. We also all really like the Muppets for some reason. Most of us own cats and likely have at least one mental illness.

Liszt fans are either tweenagers who love anime or salty old pianists who know a disturbing amount about music theory. These two factions are constantly at war.

Copland fans are either very, very far right or very, very far left. Either way, neither side actually listens to all of Copland's repertoire.

Tchaikovsky fans are either Russian grandmas or LGBT orchestra kids on Tiktok. Either those or the one noob who heard there were cannons once.

Wagner fans. Yes, there are the cringey neo-Nazi Wagnerians, but anti-Nazi Wagnerians are a whole new level of chaotic good. They spend their time dreaming up the most disastrous, chaotic Ring productions possible, with the sole purpose of making Richard Wagner's entire family simultaneously spin in their graves. They take "death of the author" to a whole new level and constantly run on nothing but 100% pure spite. You want a Wagnerian who would beat up Wagner in a Denny's parking lot on your side.

Prokofiev fans will unironically say "ackshually...". That's it.

Dvorak fans are homeschool kids. They're either soul-crushingly innocent or devastatingly horny.

Sousa fans are just high school band directors who try to convince themselves they like Sousa to get through the semester.

Joplin fans constantly argue over whether Joplin's music should be played twice as quickly or twice as slowly than it's actually written. Also sick of hearing about Janis.

Chopin fans are exactly like Liszt fans, except there are 20% more "uwu softboi flowercrown" edits of Chopin than Liszt floating around on Instagram and Tumblr.

Holst fans will drag you into an alleyway and beat you up with their bare hands if you so much as mention The Planets.

Bernstein fans are either horny theatre kids or communists, but it's more likely they're both at once. They are very opinionated about recordings, and express their approval of the ones they like by gyrating excessively to them. If you put a Bernstein fan, a Mahler fan, and a Shostakovich fan in one room, they will either topple a national government or have a threesome.

Ravel fans are inherently Wes Anderson fans. You can be friends with one for years without knowing a single thing about their personality.

Schoenberg fans are like Mahlerians but with worse memes.

Brahms fans are... I have never met a Brahms fan. I'm sure they exist, but I'm pretty sure my own taste in music scares them off.

Paganini fans are almost always TwoSet kids, particularly the ones who try to convince people that "classical music isn't boring because it's basically metal." If you tell them Paganini played viola, they will spontaneously combust.

Rachmaninov fans are ultimately really chill, but are often socially awkward. If you ask a Rachmaninov fan "how are you?", they will most likely respond with "you too."

Schumann fans are Mahlerians on medication.

Stravinsky fans think they're chaotic and unhinged and listen to the most obscure underground shit, but in all actuality they just decided to enter their edgy phase after a lifetime of being sheltered and forced to listen to nothing but Handel by their parents. Possibly homeschooled.

Ysaye fans are like Paganini fans, except they're depressed graduate music students with permanent calluses on their fingers.

Debussy fans go to art school, decide they don't like art school, but have been doing art school too long to turn back, so they can't get out of art school. They may be high on weed at any given moment.

Satie fans are just possessed vessels of Erik Satie. Death cannot hinder Erik Satie. Erik Satie will return to this mortal plane. Search your feelings. You are already Erik Satie.

[joyejoyu]

Some sensitive stuff but if you care about current going ons in Palestine I encourage you to read:

I am genuinely devastated by the cognitive dissonance world leaders and celebrities are exhibiting re: Gaza. As a Levantine Arab whose parent’s homes were destroyed in war ignited by Israeli occupation, I am vehemently Pro-Palestine and sincerely encourage people to be critical of Pro-Israeli propaganda. Israel has been recognized time and time again by the United Nations and several human rights organizations as a colonial-settler state that has and continues to commit apartheid. Israel has always been a white supremacist and Zionist project financially backed by America and Europe solely for the benefits of keeping Palestinians oppressed while utilizing the land as a makeshift military base in the Levant. World leaders are lying through their teeth in order to retain all the benefits that come with subjugation. It is not a ‘conflict’ nor is it ‘complicated’. If you don’t support what Russia is doing to Ukraine, you should not support what Israel is doing to Palestine. There is never an excuse for massacre at this scale for this long.

I will be adding many resources below while also reblogging many informational posts. I know this is just my art Tumblr but I am incredibly passionate about this situation and it effects my family directly.

Links:

How ‘Israel’ came to be and how it was on the blood of indigenous Palestinians and a white supremicist project funded by the UK and America:

What has been happening in Gaza for almost 80 years:

The sheer amount of carnage that Israeli officials hide from the general public and claim is ‘less’ than Israeli casualties:

How Americans are brainwashed into helping with and advocating apartheid and ethnic cleansing:

How Israelites and zionists hide behind anti-semitism when confronted with the reality of Palestinian genocide and any critique on Israeli apartheid. As well as how utilizing this term as a shield dismisses the actual meaning of anti-semitism and diminishes it’s value during genuine critique:

Human rights resources

There are many more but this is enough to start. Please don’t stay silent and don’t blindly believe the overwhelming (and very calculated and intentional) wave of pro-Israeli sentiment.

[goodomenscalendar]

What is this? | Submit your own event! or tag us! | Be sure to click through to the original post for the latest updates! Last edited: May 20th.

Ending Events

DIWS: Silver Screen Bang | Writer Sign-ups close May 3; Artist Sign-ups close May 20

The Good Omens Silver Screen Bang brings writers and artists together to retell a movie through a Good Omens lens! AUs and fusions welcome! Both SFW and NSFW content allowed. - @do-it-with-style-events - Twitter -

Good Omens Minisode Minibang | 16+ | Sign-ups close May 4

A reverse bang revolving around the theme of Good Omens historical minisodes. Both SFW and SFW content allowed. - @go-minisode-minibang -

Twin Passions: A Bildad Zine | Fundraising ends May 7

Charity digital zine focused on Bildad era Crowley, fundraising period to benefit RAINN and Safeline! There are 2 editions available for instant download, plus digital extras: SFW (shoemaking) and NSFW (obstetrics)! - @bildadzine - Twitter - Instagram - Bluesky - Download on itch.io -

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A fanzine celebrating Aziraphale and Crowley's retirement to a peaceful cottage in the South Downs. - @itbeganinagardenzine - Twitter -

Good Omens for Palestine | Fundraising ends May 13

Good Omens for Palestine: A Charity Fanzine is a project dedicated to raising money for Palestinian aid. All proceeds will be donated to the United Nations Relief and Works Agency for Palestine Refugees (UNRWA). - @goodomensforpalestine - Twitter - Instagram

Ineffable Romans Contest | Entries close May 15

Write, draw, cosplay or more the Ineffable Romans and tag @angellilou-art to be included in the digital version of the Ineffable Romans illustrated book! Three lucky pieces will be chosen to be featured in the printed version! Both SFW and NSFW content allowed. - Tumblr - Kickstarter -

GOAD: Spring Fling Kink Sling | 18+ | Posting ends May 19

It’s time to dust off the suspiciously nondescript box under your bed, crack it open and see what’s inside! There's one more "Heat" sprint event remaining before the end of the event, so hop over to Reddit to see the details of how those are run! - @goodomensafterdark - Reddit - AO3 Collection -

WIP Big Bang | Sign-ups close May 21

This is a Big Bang with one goal in mind: to clean out your fanfic drafts folder. These are stories that were unfinished for whatever reason, that authors returned to and completed, and the art that goes with them! - @wipbigbang - Twitter - Dreamwidth - AO3 Collection -

High Pollen Count! | 18+ | Posting ends ~May 22

A rules-loose Good Omens event centering around sex pollen. Featuring both NSFW and SFW works! - AO3 Collection -

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Red Tape: An Ineffable Bureaucracy Zine | Pre-orders close May 31

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Ongoing Events

Ineffable May | Prompts for every day of May

You hear that? Ineffable May is nigh! That’s right— this month-long daily prompt event dedicated to Good Omens… is back. Participate using art, writing, cosplay, or any other craft at your disposal. - Prompt List - AO3 Collection -

Mayngst | Prompts for every day of May

This prompt list is multi-fandom, with dialogue style prompts - one for every day of May!! If you’re interested in participating and sharing, please use the tag #mangst2024! - Prompt List - AO3 Collection -

Good Omens Fairy Tale Bang | Artist Sign-ups open now!

This is a Good Omens Mini Bang themed entirely around Fairy Tales! Writing your own or adapting a favorite! All versions of all Fairy Tales and Mythology are welcome! Both SFW and NSFW content allowed. - @fairytalegobang -

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A spooky Good Omens bang to kick off the autumn season! Whether it's Aziraphale pumpkin-picking, a pumpkin spice latte coffee shop AU, or Hell hosting a Halloween bash, you're invited to the Spooky Bang! Both SFW and NSFW content allowed. - @spooky-bang-good-omens -

Monster Bangers Bang | 18+ | Interest Check open now!

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Upcoming Events

Good Omens Ineffable Bang | Posting begins May 7

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Ace Omens Zine: Volume 2 | Pre-orders open May 15

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In Love With My Car Zine: Volume 2 | Fundraising starts May 20

A zine dedicated to the vehicles in Good Omens. The zine will be free to download with the option of donating to the Mercury Phoenix Trust. Featuring SFW and NSFW content! - @in-love-with-my-car-zine -

[fluffbyday-smutbynight]

Good Omens x Michael Sheen x Ancient Rome - a crossover made in heaven Italy

I'm crawling out of the rock I've been living under - just because I feel like this post I reblogged needs some context to be fully appreciated (and you all know how much I love deep diving into the most random shit). Quoting @thiswomanshouldbewriting :

No one is doing it like the Italian Good Omens fandom, making Michael Sheen trend on twitter because Alberto Angela used his footage as Nero in his documentary. Literally no one is like us.

The mentioned footage is, as you might have inferred if you're a Michael Sheen/GO fan, from the 2006 BBC docudrama "Ancient Rome: Rise and Fall of an Empire", which Sheen starred in as a very unhinged Nero. Imagine you're the average italian GO fan, channel-zapping while you do chores, or homework, or you're having dinner, and you suddenly see (on RAI1, aka the state-owned broadcasting *main* tv channel) THIS:

(and also the show somewhat restores Nero's reputation, *and* discusses at length the Romans' rampant bisexuality *and* mentions Nero's same-sex marriageS (plural) *and* the soundtrack SLAYS) (god I wish it was subtitled in English 'cause y'all would love it)

That's something to be excited about already. But wait... there's more!

If you're not Italian (hi 99,9% of tumblr) you might ask yourself: but what's all the fuss about? and who the fuck is Alberto Angela?

Glad you asked.

Alberto Angela, author and host of the documentary programme that included the aforementioned footage, is - simply put - an icon, a myth, a cornerstone of cultural divulgation in this country.

He's an accomplished paleontologist, archeologist, writer, and a very engaging communicator.

He's a son of art, since his late father Piero was an even greater public figure, an all-time favourite of the italian audience (think: the Mr. Rogers of science divulgation) -- which only adds to Alberto's fame and love by the masses.

He's been a staple on tv for a long time, a beloved chaperone to everything about science, culture and especially history, which he conveys with utmost passion.

He's also a very fine man.

It won't surprise you that, over time, he's become sort of a national sex-symbol: the charming nerd, the next-door Indiana Jones, the cultured, wholesome, handsome heartthrob.

...and a great source of memes:

"I DIVULGE. HARD."

"Deoxyribonucleic acid" *splash*

So... let's rewind for a moment: you're the average italian GO fan, channel-zapping while you do chores, or homework, or you're having dinner, and you suddenly see Michael Sheen as Nero featured on the most popular documentary programme in the country, by the most beloved & iconic tv host of recent times.

In conclusion: this is why the italian GO fandom is going positively feral on twitter. You're welcome. *crawls under her rock again*

[brf-rumortrackinganon]

Has Meghan ever been invited to the Met Gala that you know of?

I have a feeling that she and Harry can’t actually afford a ticket - plus she is very greedy and cheap, so even if they hypothetically had the money I just can’t see her willingly parting with such a large amount. What I can envision though, is her mercilessly pestering the absolute hell out of Anna Wintour since she is completely shameless and has zero manners or class - and always expects someone else to pick up the tab for her sponging arse. I would be completely mortified if I had a reputation of being a known cheapskate and grifter like her.

But, back to my original point: knowing how petty and childish she is, it must infuriate Meg immensely that people who also dress like crap *cough* *cough* Serena - and also Mindy Kaling or any of her other so-called ‘friends’ get invited while she is repeatedly shunned year after year. One thing about Meghan is that she absolutely lives for this kind of superficial and glib BS and I would think she is very offended that she’s persona non grata in such elitist circles. TBH, I would only want her to be invited exactly once because of the potential gossip that would come out about her, otherwise she’s undeserving. I’m sure she would give nothing and wear boring beige like nearly everyone did last night. Initially I was excited for the theme, but most of the outfits were quite underwhelming and fell flat, unfortunately!

Meghan has an open invitation to attend as long as she attends with Kate, and only Kate. This is straight from the mouth of Anna Wintour.

Allegedly Meghan was invited as Edward Enniful's guest in either 2018 or 2019. We talked about it here a few months ago but I can't find that post. C'mon, Tumblr! Get your act together.

But to recap: The national editors of Vogue get tickets to the Met Gala as a perk for working at Vogue. Enniful got some tickets and allegedly, he planned to take Meghan as his +1. Ultimately it didn't happen and the speculation why includes Meghan pissing off Anna in her usual entitled way so Anna struck her from the guest list, Enniful gave Meghan the UK Vogue cover as a consolation prize, and Meghan having Archie on May 6th in an attempt to steal headlines from Anna and the gala as revenge.

I also covered in that now-missing post how one attends the Met Gala. You can:

Be the +1 of someone who gets invited (e.g., Andy Cohen, who is usually Sarah Jessica Parker's guest).

Work for the sponsors, including Vogue, or be the +1 of someone who works for the sponsors.

Work for the Metropolitan Museum of Art.

Be a huge donor to the Metropolitan Museum of Art and/or the Fashion/Costume Insitute (e.g. Sarah Jessica Parker, I believe).

Be besties with or have a contract with the designers that attend the Met Gala (e.g., Meg Ryan and Michael Kors). In this case, the designer will dress you and you'll sit at their table.

Buy your own ticket. An individual ticket is $75,000. A table starts at $350,000.

Be an "it celeb" of the moment.

Meghan and Harry definitely don't have the money for a ticket to the Met Gala. Meghan also doesn't have the fashion contacts or the reputation in the fashion industry to be dressed by a designer. She could probably have been dressed by Carolina Herrera back in the day, when she was wearing her. I don't think she had a chance to be dressed by Dior to attend the Met Gala, not when people like Jennifer Lawrence, Anya Taylor-Joy, Rihanna, etc. have Dior contracts.

My personal theory is that as much as Meghan wants to go to the Met Gala and be in the room with all those celebs, she doesn't *really* want to actually be there. I think she's terrified to be around that kind of powerful, respected, talented people because she knows they know she's not one of them and they'll ignore her, making her the one to go up to everyone when she wants everyone to be coming up to her. I said this around Oscars time when we were talking about whether she'd go or not and again, I can't find the freaking post!.

But it is very telling, isn't it? Like you've pointed out, everyone in Meghan's circle these days - Mindy Kaling, Serena Williams, Kris Jenner, Tracee Ellis Ross, etc. - is going to the Met Gala. Everyone but her, that is. I wonder why...

[kradeelav]

the tl;dr

IRON CROWN as a free comic is now off of wordpress and can be viewed by a neat, robust HTML/CSS/JS comic template called rarebit! effectively nothing has changed for the reader, beyond expecting a little more reliability of uptime over the years.

all comic pages and previously paywalled patreon posts can also be downloaded in this art dump for free, as mentioned in the new author's notes.

the long story:

When talking shop about site/platform moves under this handle, I think it's useful to realize that us (taboo) kink artists live in an actively adversarial internet now, compared to five years ago.

meaning that we have to live with an expectation that 99% of platforms (including registrars and hosting, let alone sns sites) will ban/kick us without warning. this might explain the overly cautious/defensive way we discuss technologies - weighing how likely (and easily) the tool can be used against us vs the perks.

for example: has a harassment mob bullied the platform owners into quietly dropping lolisho artists? trans artists? does the platform/technology have a clear, no-bullshit policy on drawn kink art (specifically third rail kinks like noncon)? does the platform have a long history of hosting r18 doujin artists/hentai publishers with no issue? does the company operate in a nation unfriendly to specific kinks (eg fashkink artists fundamentally incompatible with companies based in germany, when other kinks might be OK?). i talk with a few different groups of artists daily about the above.

but that gets tiring after a while! frankly, the only path that's becoming optimal long-term is (a) putting kink art on your personal site, and if possible, (b) self hosting the whole thing entirely, while (c) complementing your site with physical merch since it's much harder to destroy in one go.

with that said - I've been slowly re-designing all of my pages/sub-domains as compact 'bug out bags'. lean, efficiently packed with the essentials, and very easy to save and re-upload to a new host/registrar near instantly (and eventually, be friendly to self-hosting bandwidth costs since that's now a distant goal).

how does this look in theory, you ask?

zero dependencies. the whole IRON CROWN comic subdomain is three JS files, a few HTML files, one CSS file, and images. that's it.

no updates that can be trojan horse'd. I'm not even talking about malware though that's included; I'm talking about wordpress (owned by the same owners as tumblr cough) slipping in AI opt-outs in a plug-in that's turned on by default. I used to think wordpress was safe from these shenanigans because wordpress-as-a-CMS could be separate from wordpress-as-a-domain; I was wrong. they'll get you through updates.

robust reliability through the KISS principle. keep it simple stupid. malware/DDOS'ing has an infinitively harder time affecting something that doesn't have a login page/interactive forms. You can't be affected by an open source platform suddenly folding, because your "starter" template is contained files saved on your desktop (and hopefully multiple backups...). etc.

so how does this look in practice?

To be fair, you're often trading convenient new shiny UI/tools for a clunkier back-end experience. but i think it's a mistake to think your art site has to look like a MIT professor's page from 1999.

with IRON CROWN, I've effectively replicated it from a (quite good) comic template in wordpress to 98% of the same layout in pure HTML/CSS/JS via rarebit. Should rarebit's website go "poof", I've got the initial zip download of the template to re-use for other sites.

I frankly have a hard time recommending rarebit for an actively updating webcomic since you personally might be trading too many advantages like SEO tools, RSS feeds, etc away - but for a finished webcomic that you want to put in "cold storage" - it's amazing. and exactly what I needed here.

[funniestjokesinfilmtournament]

WELCOME TO THE FUNNIEST JOKES IN FILM TOURNAMENT!

Decided to make a tournament poll blog because everyone seems to be doing it uh I hope I'm doing this right

Basically what it says on the tin, let us, the great minds of Tumblr, decide once and for all the objectively greatest joke ever put into the art form of cinema. I am sure our decision will be universally agreed upon with no controversy whatsoever.

I am your host, S! (He/Him, don't mind They/Them either though) I will be your referee throughout this tournament as we encounter twists and turns, upsets, and close finishes galore!

(I hope at least, that's good for engagement)

THE RULES

Submit a film joke in the ask box

Include the films name, year of release, and a thorough explanation of the joke itself and why it is hysterical. A quip, some physical comedy, a running gag, anything goes as long as it's funny! If said joke involves significant spoilers it should be prefaced with a warning. Also while films in any language can be submitted do please write the submission itself in English. Also also please attach images or gifs if possible relating to the joke, it will save me a lot of time later. While I will be somewhat lenient, I reserve the right to delete any submission that does not meet the above requirements.

Tell your friends if they'd be interested so we can get a good number of votes!

Vote for each one you think is the funniest!

BANNED FILMS

Anything released after December 31st, 2019: to avoid recency bias

All the Potterverse films: because JK Rowling is a scumbag and trans rights

Films that have dated views on certain subjects like Casablanca are allowed but genuinely malicious films like Birth of A Nation are not; I will mostly exercise my own discretion here but may put some cases up to a poll

Please don't be the reason I add any more here

I'll start when I feel I have enough submissions

One more thing: be nice. Hyperbole can be funny but actually hateful comments will not be tolerated.

Have Fun!

[starartist]

Hi! I just discovered your blog and it’s wonderful! Your art is great, and it’s impressive how you’ve improved since the start of this blog!

Long live Zutara nation! 💙❤️ Wish you good luck creating and a lot of feedback, you deserve all the best!!

May I ask about your story of falling in love with Zutara? Did you ship them as soon as while watching ATLA for the first time, or did it take time to realise how awesome they were? Maybe some creators from the fandom were the ones who showed you the beauty of Zutara?

And the second question: what are some of your Zutara head canons? You probably have hundreds of them, so feel free to provide only the favourite ones!

That’s all for now, have a good day! 🫶✨

Hiii, thank you so much! 😊 I've been working hard to improve my drawing skills, and I'm glad to hear that the progress is noticeable✨️

I fell in love with Zutara when I was a kid and watched Avatar for the first time. Honestly, I was a bit disappointed when I saw the kiss between Aang and Katara in the final episode🥲. I had hoped that she would end up with Zuko until the very end. Of course, I've watched Avatar another 100 times since then, but that's okay. Later, I started seeing Zutara fan art on Pinterest, and I really enjoyed looking at them. About two years ago, I bought a tablet with a stylus just so I could draw on it. Honestly, at first, I was drawing myself and Zuko together, trying to insert myself into the story—whoever says they didn't have a crush on Zuko as a kid is lying! 😂

One day at school, I was drawing some human figures and thought, "Hey, this could be a Zutara fan art." When I finished it, I debated whether or not to post it on Tumblr, which I had installed just to look at Zutara fan art. So, I uploaded my first piece, not expecting even 20 likes, but the Zutara fans really liked it. From then on, I started drawing almost every day at school and posting my works and ideas.🫶

My favorite Zutara headcanons, even though there are hundreds of them, are:

• The Fire Nation Ambassador- if Katara had stayed true to herself, she would have become a powerful politician, serving as an ambassador for both the Fire Nation and the Water Tribe, dedicated to maintaining peace across the world. Naturally, she would have grown closer to Zuko and they would fall in love❤️‍🔥 .

• The Fire Lady Katara- just imagine if Katara and Zuko had ended up together—I think the show would have ended with Zuko's coronation and him proposing to Katara with a necklace, or maybe even their wedding where Katara is crowned as the Fire Lady🔥.

• Love After the Agni Kai - Imagine the Agni Kai is over, and while Katara is healing Zuko, he confesses the feelings he has long kept hidden inside. He declares his love for her, and she admits that she feels the same. And they are kissing💋.

• Love Without War - Imagine if the Fire Nation never declared war and peace prevailed. Avatar Aang's era has passed, and a new Avatar is born—Katara from the Water Tribe. While traveling the world, the time comes for her to learn firebending, and she is assigned a talented young prince, Zuko, as her teacher. They fall in love, and the rest is history💞. (This is my idea, and it’s for the next drawing that you’ll soon see on my profile)

I'll get back to regular drawing in two weeks as soon as I return from vacation and start my final year of high school. I have a thousand ideas for new pieces, and I hope you all will enjoy them! 💙❤️

[whencyclopedia]

White Plume

White Plume is a hero tale of the Sioux nation featuring the supernatural trickster figure Unktomi (Iktomi) who serves as a catalyst for transformation, whether for good or ill. In this story, Unktomi is the villain whereas in others, such as The Bound Children, he is a force for good. The tale is among the most popular Sioux legends.

Text

The following is taken from Myths and Legends of the Sioux (1916) by Marie L. McLaughlin. It has been edited for space considerations, but the unabridged tale will be found below in the External Links section.

There once lived a young couple who were very happy. The young man was noted throughout the whole nation for his accuracy with the bow and arrow, and was given the title of "Dead Shot," or "He who never misses his mark," and the young woman, noted for her beauty, was named Beautiful Dove.

One day a stork paid this happy couple a visit and left them a fine big boy…Time passed, and the boy grew up to a good size, when one day his father said: "Wife, give our son the bow and arrows so that he may learn how to use them." The father taught his son how to string and unstring the bow, and also how to attach the arrow to the string. The red, blue and yellow arrows, he told the boy, were to be used only whenever there was any extra good shooting to be done, so the boy never used these three until he became a master of the art…

One day the boy came running into the tent, exclaiming: "Mother, mother, I have shot and killed the most beautiful bird I ever saw”…The parents decided to give a big feast in honor of their son killing the strange, beautiful bird…The guests soon arrived…The great chief and medicine men pronounced the bird "Wakan" (something holy)…, the chief and councilmen bestowed upon the boy the title of White Plume.

One day, a stranger came to the village, who was very thin and nearly starved…After he had eaten and rested, he told his story.

"I came from a very great distance," said he. "The nations where I came from are in a starving condition. No place can they find any buffalo, deer nor antelope. A witch or evil spirit in the shape of a white buffalo has driven all the large game out of the country…Another evil spirit in the form of a red eagle has driven all the birds of the air out of our country…Many a marksman has tried his skill on this bird, all to no purpose…Another evil spirit in the form of a white rabbit has driven out all the animals which inhabit the ground, and destroyed the fields of corn and turnips, so the nation is starving, as the arrows of the marksmen have also failed to touch the white rabbit. Anyone who can kill these three witches will receive as his reward, the choice of two of the most beautiful maidens of our nation. The younger one is the handsomer of the two and has also the sweetest disposition. Many young, and even old men, hearing of this (our chief's) offer, have traveled many miles to try their arrows on the witches, but all to no purpose. Our chief, hearing of your great marksmanship, sent me to try and secure your services to have you come and rid us of these three witches."

Thus spoke the stranger to the hunter. The hunter gazed long and thoughtfully into the dying embers of the campfire. Then slowly his eyes raised and looked lovingly on his wife who sat opposite to him. Gazing on her beautiful features for a full minute he slowly dropped his gaze back to the dying embers and thus answered his visitor:

"My friend, I feel very much honored by your chief having sent such a great distance for me, and also for the kind offer of his lovely daughter in marriage, if I should succeed, but I must reject the great offer, as I can spare none of my affections to any other woman than to my queen whom you see sitting there."

White Plume had been listening to the conversation and when his father had finished speaking, said: "Father, I am a child no more. I have arrived at manhood. I am not so good a marksman as you, but I will go to this suffering tribe and try to rid them of their three enemies. If this man will rest for a few days and return to his village and inform them of my coming, I will travel along slowly on his trail and arrive at the village a day or two after he reaches there."

"Very well, my son," said the father, "I am sure you will succeed, as you fear nothing, and as to your marksmanship, it is far superior to mine, as your sight is much clearer and aim quicker than mine."

The man rested a few days and one morning started off, after having instructed White Plume as to the trail. White Plume got together what he would need on the trip and was ready for an early start the next morning. That night, Dead Shot and his wife sat up away into the night instructing their son how to travel and warning him as to the different kinds of people he must avoid in order to keep out of trouble. "Above all," said the father, "keep a good look out for Unktomi (spider); he is the most tricky of all, and will get you into trouble if you associate with him."

White Plume left early, his father accompanying him for several miles. On parting, the father's last words were: "Look out for Unktomi, my son, he is deceitful and treacherous."

"I'll look out for him, father;" so saying, he disappeared over a hill.

On the way he tried his skill on several hawks and eagles, and he did not need to use his painted arrows to kill them, but so skillful was he with the bow and arrows that he could bring down anything that flew with his common arrows. He was drawing near to the end of his destination when he had a large tract of timber to pass through. When he had nearly gotten through the timber, he saw an old man sitting on a log, looking wistfully up into a big tree, where sat a number of prairie chickens.

"Hello, grandfather, why are you sitting there looking so downhearted?" asked White Plume. "I am nearly starved and was just wishing someone would shoot one of those chickens for me, so I could make a good meal on it," said the old man. "I will shoot one for you," said the young man. He strung his bow, placed an arrow on the string, simply seemed to raise the arrow in the direction of the chicken (taking no aim). Twang went out the bow, zip went the arrow, and a chicken fell off the limb, only to get caught on another in its descent.

"There is your chicken, grandfather."

"Oh, my grandson, I am too weak to climb up and get it. Can't you climb up and get it for me?"

The young man, pitying the old fellow, proceeded to climb the tree, when the old man stopped him, saying: "Grandson, you have on such fine clothes, it is a pity to spoil them; you had better take them off so as not to spoil the fine porcupine work on them."

The young man took off his fine clothes and climbed up into the tree, and securing the chicken, threw it down to the old man. As the young man was scaling down the tree, the old man said: "Iyashkapa, iyashkapa," (stick fast, stick fast). Hearing him say something, he asked, "What did you say, old man?" He answered, "I was only talking to myself."

The young man proceeded to descend, but he could not move. His body was stuck fast to the bark of the tree. In vain did he beg the old man to release him. The old Unktomi, for he it was, only laughed and said: "I will go now and kill the evil spirits, I have your wonderful bow and arrows and I cannot miss them. I will marry the chief's daughter, and you can stay up in that tree and die there."

So saying, he put on White Plume's fine clothes, took his bow and arrows, and went to the village. As White Plume was expected at any minute, the whole village was watching for him, and when Unktomi came into sight the young men ran to him with a painted robe, sat him down on it and slowly raising him up they carried him to the tent of the chief. So certain were they that he would kill the evil spirits that the chief told him to choose one of the daughters at once for his wife. (Before the arrival of White Plume, hearing of him being so handsome, the two girls had quarreled over which should marry him, but upon seeing him the younger was not anxious to become his wife.) So Unktomi chose the older one of the sisters and was given a large tent in which to live.

The younger sister went to her mother's tent to live, and the older was very proud, as she was married to the man who would save the nation from starvation. The next morning, there was a great commotion in camp, and there came the cry that the white buffalo was coming. "Get ready, son-in-law, and kill the buffalo," said the chief.

Unktomi took the bow and arrows and shot as the buffalo passed, but the arrow went wide off its mark. Next came the eagle, and again he shot and missed. Then came the rabbit, and again he missed.

"Wait until tomorrow, I will kill them all. My blanket caught in my bow and spoiled my aim."

The people were very much disappointed, and the chief, suspecting that all was not right, sent for the young man who had visited Dead Shot's tepee. When the young man arrived, the chief asked: "Did you see White Plume when you went to Dead Shot's camp?"

"Yes, I did, and ate with him many times. I stayed at his father's tepee all the time I was there," said the young man.

"Would you recognize him if you saw him again?" asked the chief.

"Anyone who had but one glimpse of White Plume would surely recognize him when he saw him again, as he is the most handsome man I ever saw," said the young man.

"Come with me to the tent of my son-in-law and take a good look at him, but don't say what you think until we come away."

The two went to the tent of Unktomi, and when the young man saw him, he knew it was not White Plume, although it was White Plume's bow and arrows that hung at the head of the bed, and he also recognized the clothes as belonging to White Plume. When they had returned to the chief's tent, the young man told what he knew and what he thought.

"I think this is some Unktomi who has played some trick on White Plume and has taken his bow and arrows and also his clothes, and hearing of your offer, is here impersonating White Plume. Had White Plume drawn the bow on the buffalo, eagle, and rabbit today, we would have been rid of them, so I think we had better scare this Unktomi into telling us where White Plume is," said the young man.

"Wait until he tries to kill the witches again tomorrow," said the chief.

In the meantime, the younger daughter had taken an axe and gone into the woods in search of dry wood. She went quite a little distance into the wood and was chopping a dry log. Stopping to rest a little she heard someone saying: "Whoever you are, come over here and chop this tree down so that I may get loose."

Going to where the big tree stood, she saw a man stuck onto the side of the tree. "If I chop it down the fall will kill you," said the girl. "No, chop it on the opposite side from me, and the tree will fall that way. If the fall kills me, it will be better than hanging up here and starving to death," said White Plume, for it was he.

The girl chopped the tree down and when she saw that it had not killed the man, she said: "What shall I do now?"

"Loosen the bark from the tree and then get some stones and heat them. Get some water and sage and put your blanket over me." She did as told and when the steam arose from the water being poured upon the heated rocks, the bark loosened from his body and he arose. When he stood up, she saw how handsome he was.

"You have saved my life," said he. "Will you be my wife?"

"I will," said she.

He then told her how the old man had fooled him into this trap and took his bow and arrows, also his fine porcupine worked clothes, and had gone off, leaving him to die. She, in turn, told him all that had happened in camp since a man, calling himself White Plume, came there and married her sister before he shot at the witches, and when he came to shoot at them, missed every shot. "Let us make haste, as the bad Unktomi may ruin my arrows."

They approached the camp and whilst White Plume waited outside, his promised wife entered Unktomi's tent and said: "Unktomi, White Plume is standing outside, and he wants his clothes and bow and arrows."

"Oh, yes, I borrowed them and forgot to return them; make haste and give them to him."

Upon receiving his clothes, he was very much provoked to find his fine clothes wrinkled and his bow twisted, while the arrows were twisted out of shape. He laid the clothes down, also the bows and arrows, and passing his hand over them, they assumed their right shapes again.

The daughter took White Plume to her father's tent and, upon hearing the story, he at once sent for his warriors and had them form a circle around Unktomi's tent, and if he attempted to escape to catch him and tie him to a tree, as he (the chief) had determined to settle accounts with him for his treatment of White Plume, and the deception employed in winning the chief's eldest daughter.

About midnight, the guard noticed something crawling along close to the ground and seizing him found it was Unktomi trying to make his escape before daylight, whereupon they tied him to a tree. "Why do you treat me thus," cried Unktomi, "I was just going out in search of medicine to rub on my arrows, so I can kill the witches." "You will need medicine to rub on yourself when the chief gets through with you," said the young man who had discovered that Unktomi was impersonating White Plume.

In the morning, the herald announced that the real White Plume had arrived, and the chief desired the whole nation to witness his marksmanship. Then came the cry: "The White Buffalo comes." Taking his red arrow, White Plume stood ready. When the buffalo got about opposite him, he let his arrow fly. The buffalo bounded high in the air and came down with all four feet drawn together under its body, the red arrow having passed clear through the animal, piercing the buffalo's heart. A loud cheer went up from the village.

"You shall use the hide for your bed," said the chief to White Plume.

Next came a cry, "The eagle, the eagle." From the north came an enormous red eagle. So strong was he, that as he soared through the air his wings made a humming sound as the rumble of distant thunder. On he came, and just as he circled the tent of the chief, White Plume bent his bow, with all his strength drew the arrow back to the flint point and sent the blue arrow on its mission of death. So swiftly had the arrow passed through the eagle's body that, thinking White Plume had missed, a great wail went up from the crowd, but when they saw the eagle stop in his flight, give a few flaps of his wings, and then fall with a heavy thud into the center of the village, there was a greater cheer than before.

"The red eagle shall be used to decorate the seat of honor in your tepee," said the chief to White Plume.

Last came the white rabbit. "Aim good, aim good, son-in-law," said the chief. "If you kill him, you will have his skin for a rug." Along came the white rabbit, and White Plume sent his arrow in search of rabbit's heart, which it found, and stopped Mr. Rabbit's tricks forever.

The chief then called all of the people together and before them all took a hundred willows and broke them one at a time over Unktomi's back. Then he turned him loose. Unktomi, being so ashamed, ran off into the woods and hid in the deepest and darkest corner he could find. This is why Unktomis (spiders) are always found in dark corners, and anyone who is deceitful or untruthful is called a descendant of the Unktomi tribe.

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