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samsseptember · 3 months ago

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Samtember 2024 Calendar, Rules, and Guidelines!

Hi, Sam Wilson Nation! It’s that time of year again when we all get together to celebrate our beloved Sam Wilson’s birth month. That’s right, it’s ✰Samtember2024✰ !!!

As per usual, the event will be running from Friday, September 1st to Saturday, September 30th and there will be prompts set for each day:

Week 1:

Day 1 - Free Space

Day 2 - Bird Telepathy

Day 3 - Costume

Day 4 - Crossover/Multiverse

Day 5 - Canon Divergence

Day 6 - Hurt/Comfort

Day 7 - Future Fic

Week 2:

Day 8 - On Your Left

Day 9 - Move Your Seat Up

Day 10 - I Never Said Pilot

Day 11 - The Big Three

Day 12 - When Do We Start?

Day 13 - Man, Shut the Hell Up

Day 14 - Moon Stuff

Week 3:

Day 15 - Cap Quartet

Day 16 - Redwing

Day 17 - Mission Fic

Day 18 - Shield

Day 19 - Wakanda

Day 20 - Undercover

Day 21 - Co-Pilots

Week 4 + 2 Days:

Day 22 - Cookout / Boil

Day 23 - Birthday

Day 24 - Fishing

Day 25 - Louisiana

Day 26 - Lovers

Day 27 - The Paul & Darlene

Day 28 - Slice of Life

Day 29 - Wilson Family

Day 30 - Home

We will open a collection on AO3 soon. We will update this when the collection is ready, but when it is you'll also be able to find it by typing samtember2024 in the add to collections option.

You can also tag any works you post with #samtember2024 or tag this blog @samsseptember. Works will be reblogged every day throughout the month.

What works count for this fan event?

Any of the following count:

fanfic

podfic

fanart

gifsets

photosets / moodboards / collages

graphics

Haikus

videos / edits

playlists

fic rec lists

comments

Whichever way you want to celebrate Sam Wilson, it’s up to you!

The rest of the FAQ and rules are under the cut.

FAQ

What is this?

It’s a Sam Wilson fan event.

Is there any pressure?

No pressure at all. Fill one prompt. Fill all the prompts on for the month. Do however many you please.

Can I fill more than one prompt with one piece of art/one fic?

Yes! You can fill one prompt with one piece of art or fic. You can try to fill all 30 prompts at once with one piece of art or fic. If you can fill every single prompt from every single day in one fill, that’d be wild but it’s okay by the rules. You can do any number in between.

Are there any prizes for making anything for this event?

Just the satisfaction that you made something cool.

Should the work I make be Sam Wilson-centric?

Yes. You can make a gen work or a piece with any ship with Sam Wilson in it, but the main focus should be Sam Wilson.

How long will this event run?

It will run from September 1st to September 30th.

I heard there are badges I can use for each fill?

There will be! They will come out daily.

Do I have to post my fic for the prompt on the day of the prompt?

You can if you’d like, but it’s okay if you post a piece on a day other than the day of the prompt.

RULES AND GUIDELINES

What are the guidelines for the event?

For Everyone:

1. Remember to tag @samsseptember in the post as well as #samtember2024.

2. Please also tag the prompt you’re filling (for instance, if the square is “Redwing”, use “#redwing” as one of your tags when posting about it on Tumblr).

3. If you’re uploading to AO3, please:

a ) Say somewhere which prompt you’re filling.

b ) Add it to Samtember 2024 Collection that you can find here.

For Artists:

1. Create at least one piece of new art that can’t have been posted anywhere else before this.

2. All visual art forms are welcome:

a ) Gifsets, at least 3 gifs.

b ) Aesthetic boards or moodboards, at least 4 images each.

c ) Drawing/painting, that is not a sketch.

d) Fan video.

e) Graphics edit.

For Authors:

1. At least 500 words.

2. Posted on Tumblr or AO3.

3. Can be part of a series, but should work as a standalone.

For Podficcers:

1. The podfic should at least be 5 minutes long.

2. It should be posted on either Tumblr or AO3.

3. The podfic can be of a fic made for the event, a fic not made for the event while still adhering to the prompt, or a notfic.

For Fic Rec Lists:

1. You must have at least three fics or podfics on the rec list.

2. Make sure to give brief descriptions of the fics or podfics as well as their rating and wordcount.

For Commenters:

1. Any amount of comment counts, from a heart emoji (“❤️”) to an essay.

2. We would rather this be about what makes you happy and joyful about reading than any scathing critiques.

Things to be mindful of when creating:

For Sam

Avoid framing Sam only as a caretaker or emotional support for Bucky. Be mindful of Sam acting angry or aggressive in an out-of-character way and falling into the angry/sassy Black man trope (check out the MCU source material to help with character traits).

Avoid decentering Sam as a main character and refrain from focusing entirely on Bucky.

In art: avoid whitewashing Sam’s skin and research drawing Black characters.

General disclaimer: Race affects every aspect of his life, including interacting with police/government and the white structures of the world when it comes to performing his duties as Cap and simply being a Black man that lives in the U.S.

For Bucky

Avoid phrasing “flesh/normal/human hand” to refer to the contrast between his prosthetic arm and his right arm. The phrasing is ableist. You can simply refer to his prosthesis when relevant, otherwise use “right/left arm/hand”.

For more information, please check out this document suggested by @ninesdb on how to write Bucky as an amputee. @ninesdb is also open to questions if you have any queries not answered by the google doc.

Specific Tags:

Avoid tags in AO3 like “Sam Wilson is a Gift”, “Sam Wilson is a Saint”, and “Bucky Needs a Hug”.

Have fun and we look forward to all your wonderful works! ✰

#samtember2024 #sam wilson #sam wilson event #fan event #marvel #captain america #tfatws #marvel mcu #marvel comics #the falcon and the winter soldier #anthony mackie #ca:bnw #ca:cw #ca:ws #falcon and the winter soldier

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redbatchedcumbermayned · 5 months ago

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It all started under a duvet held up by an oar

Not so long ago I emailed Chris Tester, the voice of Heinrix van Calox in Owlcat’s recently released CRPG Rogue Trader, and asked if he would like to sit for an interview with me. Having some experience in interviewing people I like, most famously Oscar winner and all-around sweetheart Eddie Redmayne, this was not a completely nerve-wracking endeavour. And within a day of sending my email, Chris said yes. And what a pleasure it was interviewing him: Chris was so generous with his time, that the agreed upon 30 minutes turned into 50 minutes as we brushed upon many topics from his start as a theatre actor to his first voice-over role in a video game to his recently discovered hobby of playing D&D. Of course, we also spoke about all things Warhammer 40k, his new found fame brought on by voicing Heinrix and the insights he could share about the character.

I will publish this interview in three parts over the next week in text form and with the accompanying audio file (the audio quality is not spectacular but tumblr limits uploads to 10MB). If you quote or reshare, please quote me as the original source.

Part 2 of the interview

Part 3 of the interview

Fran: Thank you very much for taking your time.

Chris Tester: That's no problem. No problem at all.

F: So then let's start. You graduated in 2008.

CT: I did. Yes.

F: You started out as a stage actor. Did you always want to become a stage actor or an actor in general? Tell us a bit about your career.

CT: I always wanted to be a stage actor. Yes, as soon as I knew that I wanted to be an actor, which probably wasn't until I was a teenager. But yeah, my first passion was always the stage, and that was kind of borne out in my career. I would have been open to TV and film of course, if it had come along, I'm a huge fan of TV and film as well, but I never got an audition for any TV or film work.

I think I literally did about three short films in my 10, 12 years of actually professionally acting, and it is one of those industries where the more you do of one thing, the more you seem to find yourself doing the same thing to a degree. So yes, watching Shakespeare from an early age was one of my first passions.

And that was what first planted the seed of wanting to do it myself. The whole aspect of live performance is still something that I'm very passionate about. Up until 2020, when the world changed, I was trying to do two or three theatre shows a year, but since 2020, I haven't been near a stage and I doubt right now, especially with the way that the UK theatre scene is going, that I'm going to be back on stage anytime soon. I am resigned to that, but at some point in my career, I know I will be on stage again, because I can't live without it, but only for the right thing, both financially, but more importantly, creatively.

F: Your production company is currently on hiatus?

CT: I was the producer of a theatre company, which was run and was the baby of the director of the company, a guy called Ross Armstrong, who's one of the most talented writers and directors that I've ever worked with. I was helping out with a lot of the administration stuff so that he could still put me in plays. Instead of creating my own work because I'm not a very good writer or the best writer in the world, I support those people who will write me good parts. So yes, it is currently on hiatus, but never say never, we would always be looking to get back. It's difficult right now. It's difficult for all of us, because arts council subsidy, that way of being able to fund stuff, is drying up. We were doing a national tour of the UK when we were doing that [with the support of a subsidy]. There's even less money, there's even more people. I won't bore you with anything more than that, but it's kind of tough. We'd like to come back, but in the right way, and that's tricky to negotiate.

F: It's always hard as a stage actor to earn a living.

CT: Well, I've been spoiled by voice-over as well, and whereas when I was in my 20s and 30s then you're all about your art. And of course, I'm still all about my art, but I'm also about my wife and my cat and the mortgage and the bills and wanting to have nicer things to a degree as well. I've come to terms with that and voice-over does facilitate that as well as it opens you up to different roles and working with different people. So, I can't complain.

F: It's quite similar with making a living as a writer, because with a steady income you get used to a certain standard of living and once you have obligations and bills to pay, I think the stress on your mental health being creative and having all the stresses of regular life thrust upon you brings with it a challenge.

CT: It's a cliche we can very easily fall into: if I'm suffering, then it means I'm an artist. And that's not necessarily very true. It very often means that the art that we create only reflects one aspect of our lives, and it's usually a very tortured one. I am also about having wider experiences and broadening myself out. Whereas I think when I was in my twenties, I was thinking a bit more like: Oh, I'll experience the world and life through my art and just purely through my art. Whereas now necessarily I need to have a life outside of it as well, and then I can justify like I have the life so that I can feed my art or not, whatever. You know, I'll be a better artist by having a bit of a life outside of it. Maybe.

F: But that's what your twenties are for.

CT: Yeah, indeed.

F: Doing the crazy stuff, doing the band stuff

CT: Yeah, yeah, exactly. So, there was certainly an aspect of that in my twenties.

F: So, what brought you to voice acting or voice-over work initially?

CT: Money. Video game stuff is kind of sexy and cool, and I'm a gamer, so that's important. Before I was a video gamer, I was a board gamer and off the back of that, I was a voracious video gamer, partly because I wasn't very good at team sports at school. I was always the person who was picked last in the football team. So that becomes part of your identity for better or worse. But video games, I was pretty good at, not amazing, but I was pretty good at, and I enjoyed it. And it gave me a different form of escapism as well, and off the back of that I always had an interest in them.

So, the very first voiceover job was a video game: Dark Souls, which is quite a big franchise. At that time, I was your very typically jobbing actor. My acting agent came in and said: I got something for you. And so, I went in with that. But it was only in 2016, 2017 that I realised it was something that you could actually do yourself. People had recording studios at home and they were contacting people directly, not just going through agents. Because I'd basically written to the same 20 voice agents in the UK, mainly in London for like eight years in a row and not received anything. So, you keep knocking on those doors hoping.

Before I'd even graduated from drama school, I'd burnt a CD and made these cases with my headshot on it and sent them all off at what at the time felt like great personal expense and didn't get anything for eight years in a row. So, I was a bit like, I'm obviously doing something wrong, but I don't really know what, because I'm doing these workshops and getting good feedback. Then I found out through a couple of online courses, that there were ways and means of doing it myself, and that was a bit of a game changer for me, and within six months of having started, I was earning more through voice work than the bar job and the box office job that I was doing combined. Within six months, I was kind of like: “I gotta quit because I'm actually holding myself back from things.” So that was quite a big shift.

F: Somewhere you said, you started out under a duvet and with an oar.

CT: Yeah. On my website, I do have an image of it. [Dear reader, I could not locate this elusive photo] I literally had to take the duvet off my bed and put it into the living room, which was the quietest space in my then shared flat. I also had to wait until after one flat mate had watched TV and another one had used the table that had their washing on it. One of my flat mates had stolen an oar from some night out and that was perfect in order to be able to erect it over my head and the duvet as a frame.

I did probably the first four or five months of voice recording like that. Probably about 10, 15 voiceover jobs that I actually got paid for, I was using that because it worked well enough. Since then, I've gone through various different iterations of a setup in the bedroom, to a setup in the hallway, to my current setup. In 2020 we moved to our first house, and this is the spare bedroom which I've had converted into a studio, which means my cat can be here asleep on me or near me getting fur everywhere, but it's fine. I can thrash around and I've got natural light to work in at the same time, which I find quite important. [Pictured below Chris' current setup.]

F: Very pretty. That's good. Guide us through a typical day of yours, if you like.

CT: Oh, sure. I mean, there is no typical day. And yet, and yet, and yet. A typical day for me is, because I am spending the vast majority of the day sitting in this room or somewhere close to this room, because I may need to record at short notice, because the vast majority of jobs are quite short notice. My priority is exercise for mental health more than anything. I've got some weights at the bottom of the garden, and I will get up first thing, and I will go there and I will do that after breakfast. And that's my minimal routine of physical activity done.

And then I'll come back, and this is so rock and roll. Now what I do is, I spend like an hour on LinkedIn. And that's what you dreamed of as a creative person. Isn't it as an actor? I spend time on LinkedIn regularly every day, because it's a really good networking place for a lot of my types of work, and first thing in the morning, I'm a bit mentally sharper. So that's when I come up with a quick post that may be inspired by a bit of content that I've made elsewhere. That probably takes about 20 minutes and then I spend another 45 minutes to an hour engaging with people and saying hi and introducing myself and asking questions, whether that's with video producers or game developers or documentary makers or pretty much anything and everything. There are a lot of people who are active at that time. And so I do it.

And then after that, if I already have some recording lined up, then I'll prioritise mid-morning, because I've warmed up physically a bit more then, and I'm focused. So, you're going through the scripts, annotating the scripts, recording the scripts, editing the scripts. But then there could be live sessions at any time within that as well. I try to keep hours from nine till six. But occasionally, like with Rogue Trader, that was recorded at various different times of the day because we had people in New York, we had people in mainland Europe, and we had people in the UK. So all different time zones, so that can happen at any time.

And then I try to do other kinds of bits and pieces of marketing whenever I've got free time to. I do use really exciting productivity hacks, like time blocking. Again, not something that as a creative individual, I was like: Oh God, this gets me so excited, because it doesn't, but it works. It's finding a system that works for you, but still has a certain kind of flexibility and fluidity. I'm trying to make sure that I get outside of the house, and that kind of stuff.

Recently, over the last year, I’ve started doing audiobooks as well. That long form type of thing is quite nice to be able to dip into because sometimes you don't record for two, three days. You don't get the work. Nothing’s coming in. So, you’re marketing, but it kind of connects you back to the performance side of things to go: I can do a few chapters and you know, that kind of thing. So that's probably it. I try to formalise it, but you know, every voice actor’s day is radically different. There are people, some of the biggest names, going into different studios every week or every day. I very rarely, despite being based in London, I very rarely go into external studios. Like I would say 99 percent of the work I just do from home.

F: So how do you find the right voice for the specific type of voiceover work you do, maybe start with how did you find Heinrix's voice?

CT: Thankfully, Owlcat sent through quite a detailed casting breakdown. So, you get a picture, and that's pretty crucial, as well as a short bio, in terms of the background of the character, but not too much, because you have to sign an NDA, a non-disclosure agreement. But even if you do sign an NDA, I think developers are always slightly hesitant of giving you too much info about the game because things could still be changed. But I think I did get a picture of Heinrix, if not in the first audition, then certainly on the second one. From that you immediately think about the physicality and what might affect the voice, and there was also some direction in terms of what they were looking for. Anybody who has heard the character and me, they do not sound radically dissimilar. There's not a transformative process that I needed to go through, other than his sense of authority and the space that he takes up and the sureness that he has in that he has a kind of divine right from the emperor, so that level of confidence being brought through.

The other part of the audition was about the void ship [the Black Ship] that he'd been raised in and the horrors that he'd seen. And you as the actor have to do the detective work to go like this is showing another side, the more vulnerable side, the side that underpins all of his life choices up to this point. It's essentially playing the opposite to a degree. So it was kind of knowing when to let those elements bleed through a little bit. I think I had probably about a page worth of scripts, quite a lot of script actually to audition with.

But I don't like to listen back to it a lot, because I think you get into your head. My biggest thing is stage work where it's ephemeral. You say it once and it could be different the next night. The whole point is that there's no one definitive way of doing things. Not quite the same with voice acting, where it's being recorded and you've got to get used to hearing it back. But I try not to overthink it. Just like record it two or three times with different impulses and then review and go like, those two seem pretty contrasting. I'll send those along and hope and then never hear anything back unless I do.

#chris tester #heinrix van calox #rogue trader #warhammer 40k #rouge trader crpg #owlcat games

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funniestjokesinfilmtournament · 2 months ago

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WELCOME TO THE FUNNIEST JOKES IN FILM TOURNAMENT!

Decided to make a tournament poll blog because everyone seems to be doing it uh I hope I'm doing this right

Basically what it says on the tin, let us, the great minds of Tumblr, decide once and for all the objectively greatest joke ever put into the art form of cinema. I am sure our decision will be universally agreed upon with no controversy whatsoever.

I am your host, S! (He/Him, don't mind They/Them either though) I will be your referee throughout this tournament as we encounter twists and turns, upsets, and close finishes galore!

(I hope at least, that's good for engagement)

THE RULES

Submit a film joke in the ask box

Include the films name, year of release, and a thorough explanation of the joke itself and why it is hysterical. A quip, some physical comedy, a running gag, anything goes as long as it's funny! If said joke involves significant spoilers it should be prefaced with a warning. Also while films in any language can be submitted do please write the submission itself in English. Also also please attach images or gifs if possible relating to the joke, it will save me a lot of time later. While I will be somewhat lenient, I reserve the right to delete any submission that does not meet the above requirements.

Tell your friends if they'd be interested so we can get a good number of votes!

Vote for each one you think is the funniest!

BANNED FILMS

Anything released after December 31st, 2019: to avoid recency bias

All the Potterverse films: because JK Rowling is a scumbag and trans rights

Films that have dated views on certain subjects like Casablanca are allowed but genuinely malicious films like Birth of A Nation are not; I will mostly exercise my own discretion here but may put some cases up to a poll

Please don't be the reason I add any more here

I'll start when I feel I have enough submissions

One more thing: be nice. Hyperbole can be funny but actually hateful comments will not be tolerated.

Have Fun!

#film #humor #cinema #movies #films #tumblr polls #poll blog #I hope this is how tags work #jokes #humour #puns #slapstick #running gag #polls #film tumblr #comedy #tournament

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xitsensunmoon · 11 months ago

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I've been thinking about sharing this here for a very long time and now it reached a point when I'm so upset I just can't be silent anymore.

Almost immediately after creating this account, the first thing I did was to put "Ukrainian artist" in my bio.

Shortly after that, I got a few asks with death threats, disturbing and just horrible words about my nation and culture. I was called a nazi, a fascist, and just a pig. Hating me just for being a Ukrainian, just for my existence. Not just on Tumblr, but on other social platforms too. If I were to guess, those were sent by russians or people who support the war.

Dca community made me feel the safest I've ever felt in any other community, up until that point.

After that, I put "russians DNI" in my bio and closed anons. Whoever was sending hate was not brave enough to say the same terrible things to me on their main pages. It felt a little bit safer that way, even if some of you will say it's not the right thing to do. Honestly, at that point, I was really ready to just leave Tumblr for good.

I can't stop people who are making me uncomfortable and making me feel unsafe from coming to my page and ignoring my very clear boundary of just not interacting with me.

It's my page. It's my art. It's my home. I have the right to decide who I want to have here, who I want to interact with me and my art, my hours of work. If you're taking away that right from me, do you really think you're a good person and my boundary doesn't apply to you?

I do not attack russians. I do not spread hate and toxicity, even though I have a right to be as angry as I can. I do not mass report their accounts and don't send death threat asks. I just ask to be left alone.

My question is, if a person, a russian, sees my bio that asks to not interact with me, but decides against it, ignoring my boundaries gets banned for it. Am I really in the wrong?

The point of this - if you don't agree with my actions please leave. Don't start a fight, just please leave. Because I will continue to block every russian who I encounter on my page. I really, really don't want people who just don't even want and try to understand the situation and just completely ignore how fucking terrible this is even WITHOUT me starting on the war context.

#tw death threats mention #tw harassment #xit shh #I'm so sick and tired of this #i feel helpless #it's like I'm banging my head on the wall just begging for peace #it just keeps happening

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sixty-silver-wishes · 2 years ago

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everyone shut up this is ACTUALLY what fans of different composers are like

Mahlerians are PROUD TO BE ABSOLUTELY INSUFFERABLE DRAMA QUEENS, THE LIKES OF WHICH EVEN THE WAGNER CULT COULD NEVER SO MUCH AS ASPIRE TO BE. WE ARE ONE WITH THE UNYIELDING EBB AND FLOW OF THE BOUNDLESS UNIVERSE, DAMN IT ALL!

Shostakovich fans are like Mahler fans except they actually understand what sarcasm is. We also all really like the Muppets for some reason. Most of us own cats and likely have at least one mental illness.

Liszt fans are either tweenagers who love anime or salty old pianists who know a disturbing amount about music theory. These two factions are constantly at war.

Copland fans are either very, very far right or very, very far left. Either way, neither side actually listens to all of Copland's repertoire.

Tchaikovsky fans are either Russian grandmas or LGBT orchestra kids on Tiktok. Either those or the one noob who heard there were cannons once.

Wagner fans. Yes, there are the cringey neo-Nazi Wagnerians, but anti-Nazi Wagnerians are a whole new level of chaotic good. They spend their time dreaming up the most disastrous, chaotic Ring productions possible, with the sole purpose of making Richard Wagner's entire family simultaneously spin in their graves. They take "death of the author" to a whole new level and constantly run on nothing but 100% pure spite. You want a Wagnerian who would beat up Wagner in a Denny's parking lot on your side.

Prokofiev fans will unironically say "ackshually...". That's it.

Dvorak fans are homeschool kids. They're either soul-crushingly innocent or devastatingly horny.

Sousa fans are just high school band directors who try to convince themselves they like Sousa to get through the semester.

Joplin fans constantly argue over whether Joplin's music should be played twice as quickly or twice as slowly than it's actually written. Also sick of hearing about Janis.

Chopin fans are exactly like Liszt fans, except there are 20% more "uwu softboi flowercrown" edits of Chopin than Liszt floating around on Instagram and Tumblr.

Holst fans will drag you into an alleyway and beat you up with their bare hands if you so much as mention The Planets.

Bernstein fans are either horny theatre kids or communists, but it's more likely they're both at once. They are very opinionated about recordings, and express their approval of the ones they like by gyrating excessively to them. If you put a Bernstein fan, a Mahler fan, and a Shostakovich fan in one room, they will either topple a national government or have a threesome.

Ravel fans are inherently Wes Anderson fans. You can be friends with one for years without knowing a single thing about their personality.

Schoenberg fans are like Mahlerians but with worse memes.

Brahms fans are... I have never met a Brahms fan. I'm sure they exist, but I'm pretty sure my own taste in music scares them off.

Paganini fans are almost always TwoSet kids, particularly the ones who try to convince people that "classical music isn't boring because it's basically metal." If you tell them Paganini played viola, they will spontaneously combust.

Rachmaninov fans are ultimately really chill, but are often socially awkward. If you ask a Rachmaninov fan "how are you?", they will most likely respond with "you too."

Schumann fans are Mahlerians on medication.

Stravinsky fans think they're chaotic and unhinged and listen to the most obscure underground shit, but in all actuality they just decided to enter their edgy phase after a lifetime of being sheltered and forced to listen to nothing but Handel by their parents. Possibly homeschooled.

Ysaye fans are like Paganini fans, except they're depressed graduate music students with permanent calluses on their fingers.

Debussy fans go to art school, decide they don't like art school, but have been doing art school too long to turn back, so they can't get out of art school. They may be high on weed at any given moment.

Satie fans are just possessed vessels of Erik Satie. Death cannot hinder Erik Satie. Erik Satie will return to this mortal plane. Search your feelings. You are already Erik Satie.

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kradeelav · 3 months ago

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the tl;dr

IRON CROWN as a free comic is now off of wordpress and can be viewed by a neat, robust HTML/CSS/JS comic template called rarebit! effectively nothing has changed for the reader, beyond expecting a little more reliability of uptime over the years.

all comic pages and previously paywalled patreon posts can also be downloaded in this art dump for free, as mentioned in the new author's notes.

the long story:

When talking shop about site/platform moves under this handle, I think it's useful to realize that us (taboo) kink artists live in an actively adversarial internet now, compared to five years ago.

meaning that we have to live with an expectation that 99% of platforms (including registrars and hosting, let alone sns sites) will ban/kick us without warning. this might explain the overly cautious/defensive way we discuss technologies - weighing how likely (and easily) the tool can be used against us vs the perks.

for example: has a harassment mob bullied the platform owners into quietly dropping lolisho artists? trans artists? does the platform/technology have a clear, no-bullshit policy on drawn kink art (specifically third rail kinks like noncon)? does the platform have a long history of hosting r18 doujin artists/hentai publishers with no issue? does the company operate in a nation unfriendly to specific kinks (eg fashkink artists fundamentally incompatible with companies based in germany, when other kinks might be OK?). i talk with a few different groups of artists daily about the above.

but that gets tiring after a while! frankly, the only path that's becoming optimal long-term is (a) putting kink art on your personal site, and if possible, (b) self hosting the whole thing entirely, while (c) complementing your site with physical merch since it's much harder to destroy in one go.

with that said - I've been slowly re-designing all of my pages/sub-domains as compact 'bug out bags'. lean, efficiently packed with the essentials, and very easy to save and re-upload to a new host/registrar near instantly (and eventually, be friendly to self-hosting bandwidth costs since that's now a distant goal).

how does this look in theory, you ask?

zero dependencies. the whole IRON CROWN comic subdomain is three JS files, a few HTML files, one CSS file, and images. that's it.

no updates that can be trojan horse'd. I'm not even talking about malware though that's included; I'm talking about wordpress (owned by the same owners as tumblr cough) slipping in AI opt-outs in a plug-in that's turned on by default. I used to think wordpress was safe from these shenanigans because wordpress-as-a-CMS could be separate from wordpress-as-a-domain; I was wrong. they'll get you through updates.

robust reliability through the KISS principle. keep it simple stupid. malware/DDOS'ing has an infinitively harder time affecting something that doesn't have a login page/interactive forms. You can't be affected by an open source platform suddenly folding, because your "starter" template is contained files saved on your desktop (and hopefully multiple backups...). etc.

so how does this look in practice?

To be fair, you're often trading convenient new shiny UI/tools for a clunkier back-end experience. but i think it's a mistake to think your art site has to look like a MIT professor's page from 1999.

with IRON CROWN, I've effectively replicated it from a (quite good) comic template in wordpress to 98% of the same layout in pure HTML/CSS/JS via rarebit. Should rarebit's website go "poof", I've got the initial zip download of the template to re-use for other sites.

I frankly have a hard time recommending rarebit for an actively updating webcomic since you personally might be trading too many advantages like SEO tools, RSS feeds, etc away - but for a finished webcomic that you want to put in "cold storage" - it's amazing. and exactly what I needed here.

#not art #resource

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joyejoyu · 1 year ago

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Some sensitive stuff but if you care about current going ons in Palestine I encourage you to read:

I am genuinely devastated by the cognitive dissonance world leaders and celebrities are exhibiting re: Gaza. As a Levantine Arab whose parent’s homes were destroyed in war ignited by Israeli occupation, I am vehemently Pro-Palestine and sincerely encourage people to be critical of Pro-Israeli propaganda. Israel has been recognized time and time again by the United Nations and several human rights organizations as a colonial-settler state that has and continues to commit apartheid. Israel has always been a white supremacist and Zionist project financially backed by America and Europe solely for the benefits of keeping Palestinians oppressed while utilizing the land as a makeshift military base in the Levant. World leaders are lying through their teeth in order to retain all the benefits that come with subjugation. It is not a ‘conflict’ nor is it ‘complicated’. If you don’t support what Russia is doing to Ukraine, you should not support what Israel is doing to Palestine. There is never an excuse for massacre at this scale for this long.

I will be adding many resources below while also reblogging many informational posts. I know this is just my art Tumblr but I am incredibly passionate about this situation and it effects my family directly.

Links:

How ‘Israel’ came to be and how it was on the blood of indigenous Palestinians and a white supremicist project funded by the UK and America:

youtube

What has been happening in Gaza for almost 80 years:

youtube

The sheer amount of carnage that Israeli officials hide from the general public and claim is ‘less’ than Israeli casualties:

How Americans are brainwashed into helping with and advocating apartheid and ethnic cleansing:

How Israelites and zionists hide behind anti-semitism when confronted with the reality of Palestinian genocide and any critique on Israeli apartheid. As well as how utilizing this term as a shield dismisses the actual meaning of anti-semitism and diminishes it’s value during genuine critique:

Human rights resources

There are many more but this is enough to start. Please don’t stay silent and don’t blindly believe the overwhelming (and very calculated and intentional) wave of pro-Israeli sentiment.

#personal #please help Palestinians and be critical of things you see online #especially all the recent waves of PR being posted online #resource list

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schneeblyjuice · 1 month ago

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long time no see tumblr nation, i've changed for the better /silly new insert, same old same old, his names Hemlock and he's super in love with his retired (and in hiding) crime boss husband, Giovanni <3 I may ramble about him more later on, we'll see, take an art dump for nowsies, oh also their ship names SnakeEyes / PoisonPointshipping

#selfship #yumeship #pokemon #giovanni #self insert

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goodomenscalendar · 6 months ago

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What is this? | Submit your own event! or tag us! | Be sure to click through to the original post for the latest updates! Last edited: May 20th.

Ending Events

DIWS: Silver Screen Bang | Writer Sign-ups close May 3; Artist Sign-ups close May 20

The Good Omens Silver Screen Bang brings writers and artists together to retell a movie through a Good Omens lens! AUs and fusions welcome! Both SFW and NSFW content allowed. - @do-it-with-style-events - Twitter -

Good Omens Minisode Minibang | 16+ | Sign-ups close May 4

A reverse bang revolving around the theme of Good Omens historical minisodes. Both SFW and SFW content allowed. - @go-minisode-minibang -

Twin Passions: A Bildad Zine | Fundraising ends May 7

Charity digital zine focused on Bildad era Crowley, fundraising period to benefit RAINN and Safeline! There are 2 editions available for instant download, plus digital extras: SFW (shoemaking) and NSFW (obstetrics)! - @bildadzine - Twitter - Instagram - Bluesky - Download on itch.io -

It Began in a Garden Zine | Pre-orders close May 12

A fanzine celebrating Aziraphale and Crowley's retirement to a peaceful cottage in the South Downs. - @itbeganinagardenzine - Twitter -

Good Omens for Palestine | Fundraising ends May 13

Good Omens for Palestine: A Charity Fanzine is a project dedicated to raising money for Palestinian aid. All proceeds will be donated to the United Nations Relief and Works Agency for Palestine Refugees (UNRWA). - @goodomensforpalestine - Twitter - Instagram

Ineffable Romans Contest | Entries close May 15

Write, draw, cosplay or more the Ineffable Romans and tag @angellilou-art to be included in the digital version of the Ineffable Romans illustrated book! Three lucky pieces will be chosen to be featured in the printed version! Both SFW and NSFW content allowed. - Tumblr - Kickstarter -

GOAD: Spring Fling Kink Sling | 18+ | Posting ends May 19

It’s time to dust off the suspiciously nondescript box under your bed, crack it open and see what’s inside! There's one more "Heat" sprint event remaining before the end of the event, so hop over to Reddit to see the details of how those are run! - @goodomensafterdark - Reddit - AO3 Collection -

WIP Big Bang | Sign-ups close May 21

This is a Big Bang with one goal in mind: to clean out your fanfic drafts folder. These are stories that were unfinished for whatever reason, that authors returned to and completed, and the art that goes with them! - @wipbigbang - Twitter - Dreamwidth - AO3 Collection -

High Pollen Count! | 18+ | Posting ends ~May 22

A rules-loose Good Omens event centering around sex pollen. Featuring both NSFW and SFW works! - AO3 Collection -

Good Omens Big Bang | Sign-ups close May 31

A classic big bang, all about Good Omens! Both SFW and NSFW content allowed. - @goodomensbig-smallbang -

Red Tape: An Ineffable Bureaucracy Zine | Pre-orders close May 31

An 18+ Good Omens zine dedicated to Gabriel and Beelzebub! Featuring SFW and NSFW content. - @red-tape-zine - Twitter - BigCartel -

Ongoing Events

Ineffable May | Prompts for every day of May

You hear that? Ineffable May is nigh! That’s right— this month-long daily prompt event dedicated to Good Omens… is back. Participate using art, writing, cosplay, or any other craft at your disposal. - Prompt List - AO3 Collection -

Mayngst | Prompts for every day of May

This prompt list is multi-fandom, with dialogue style prompts - one for every day of May!! If you’re interested in participating and sharing, please use the tag #mangst2024! - Prompt List - AO3 Collection -

Good Omens Fairy Tale Bang | Artist Sign-ups open now!

This is a Good Omens Mini Bang themed entirely around Fairy Tales! Writing your own or adapting a favorite! All versions of all Fairy Tales and Mythology are welcome! Both SFW and NSFW content allowed. - @fairytalegobang -

Good Omens Spooky Bang | Sign-ups open now!

A spooky Good Omens bang to kick off the autumn season! Whether it's Aziraphale pumpkin-picking, a pumpkin spice latte coffee shop AU, or Hell hosting a Halloween bash, you're invited to the Spooky Bang! Both SFW and NSFW content allowed. - @spooky-bang-good-omens -

Monster Bangers Bang | 18+ | Interest Check open now!

Calling all monster-fuckers! A Good Omens bang devoted to monster banging. - @gomonsterbangersbang -

Upcoming Events

Good Omens Ineffable Bang | Posting begins May 7

A bang centered around your favorite Ineffable Husbands. Featuring SFW and NSFW content! - @goineffablebang - Twitter - AO3 Collection -

Ace Omens Zine: Volume 2 | Pre-orders open May 15

A Good Omens zine focused on ace representation. Featuring SFW content! - @aceomenszine - BigCartel -

Above, Below, and the Common Ground | Fundraising starts May 19

A SFW digital charity zine that celebrates the varied and wonderful cast of Good Omens––human, demon, angel, and anything in between! Free to download or with a donation to National Network to End Domestic Violence. Featuring SFW content. - @abczine - Twitter - Instagram - Bluesky - GumRoad -

In Love With My Car Zine: Volume 2 | Fundraising starts May 20

A zine dedicated to the vehicles in Good Omens. The zine will be free to download with the option of donating to the Mercury Phoenix Trust. Featuring SFW and NSFW content! - @in-love-with-my-car-zine -

#Good Omens #Good Omens Events #Fandom Events #zine #bang #fest #prompt #may #2024 #event calendar #trying some slightly new formatting from last month!!!#how do we feel about the @s? yay? nay?#also removed some multi fandom recurring events #bc this post became Very Long #so some of those will be added in for june's post!!

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fluffbyday-smutbynight · 1 year ago

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Good Omens x Michael Sheen x Ancient Rome - a crossover made in heaven Italy

I'm crawling out of the rock I've been living under - just because I feel like this post I reblogged needs some context to be fully appreciated (and you all know how much I love deep diving into the most random shit). Quoting @thiswomanshouldbewriting :

No one is doing it like the Italian Good Omens fandom, making Michael Sheen trend on twitter because Alberto Angela used his footage as Nero in his documentary. Literally no one is like us.

The mentioned footage is, as you might have inferred if you're a Michael Sheen/GO fan, from the 2006 BBC docudrama "Ancient Rome: Rise and Fall of an Empire", which Sheen starred in as a very unhinged Nero. Imagine you're the average italian GO fan, channel-zapping while you do chores, or homework, or you're having dinner, and you suddenly see (on RAI1, aka the state-owned broadcasting *main* tv channel) THIS:

(and also the show somewhat restores Nero's reputation, *and* discusses at length the Romans' rampant bisexuality *and* mentions Nero's same-sex marriageS (plural) *and* the soundtrack SLAYS) (god I wish it was subtitled in English 'cause y'all would love it)

That's something to be excited about already. But wait... there's more!

If you're not Italian (hi 99,9% of tumblr) you might ask yourself: but what's all the fuss about? and who the fuck is Alberto Angela?

Glad you asked.

Alberto Angela, author and host of the documentary programme that included the aforementioned footage, is - simply put - an icon, a myth, a cornerstone of cultural divulgation in this country.

He's an accomplished paleontologist, archeologist, writer, and a very engaging communicator.

He's a son of art, since his late father Piero was an even greater public figure, an all-time favourite of the italian audience (think: the Mr. Rogers of science divulgation) -- which only adds to Alberto's fame and love by the masses.

He's been a staple on tv for a long time, a beloved chaperone to everything about science, culture and especially history, which he conveys with utmost passion.

He's also a very fine man.

It won't surprise you that, over time, he's become sort of a national sex-symbol: the charming nerd, the next-door Indiana Jones, the cultured, wholesome, handsome heartthrob.

...and a great source of memes:

"I DIVULGE. HARD."

"Deoxyribonucleic acid" *splash*

So... let's rewind for a moment: you're the average italian GO fan, channel-zapping while you do chores, or homework, or you're having dinner, and you suddenly see Michael Sheen as Nero featured on the most popular documentary programme in the country, by the most beloved & iconic tv host of recent times.

In conclusion: this is why the italian GO fandom is going positively feral on twitter. You're welcome. *crawls under her rock again*

#a new segment:#italian culture 101 with fluffsmut #next time i'll introduce you to Alessandro Barbero - and then it's over b*tches!! lol #michael sheen #good omens #alberto angela #italian tumblr #italian stuff

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brf-rumortrackinganon · 6 months ago

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Has Meghan ever been invited to the Met Gala that you know of?

I have a feeling that she and Harry can’t actually afford a ticket - plus she is very greedy and cheap, so even if they hypothetically had the money I just can’t see her willingly parting with such a large amount. What I can envision though, is her mercilessly pestering the absolute hell out of Anna Wintour since she is completely shameless and has zero manners or class - and always expects someone else to pick up the tab for her sponging arse. I would be completely mortified if I had a reputation of being a known cheapskate and grifter like her.

But, back to my original point: knowing how petty and childish she is, it must infuriate Meg immensely that people who also dress like crap *cough* *cough* Serena - and also Mindy Kaling or any of her other so-called ‘friends’ get invited while she is repeatedly shunned year after year. One thing about Meghan is that she absolutely lives for this kind of superficial and glib BS and I would think she is very offended that she’s persona non grata in such elitist circles. TBH, I would only want her to be invited exactly once because of the potential gossip that would come out about her, otherwise she’s undeserving. I’m sure she would give nothing and wear boring beige like nearly everyone did last night. Initially I was excited for the theme, but most of the outfits were quite underwhelming and fell flat, unfortunately!

Meghan has an open invitation to attend as long as she attends with Kate, and only Kate. This is straight from the mouth of Anna Wintour.

Allegedly Meghan was invited as Edward Enniful's guest in either 2018 or 2019. We talked about it here a few months ago but I can't find that post. C'mon, Tumblr! Get your act together.

But to recap: The national editors of Vogue get tickets to the Met Gala as a perk for working at Vogue. Enniful got some tickets and allegedly, he planned to take Meghan as his +1. Ultimately it didn't happen and the speculation why includes Meghan pissing off Anna in her usual entitled way so Anna struck her from the guest list, Enniful gave Meghan the UK Vogue cover as a consolation prize, and Meghan having Archie on May 6th in an attempt to steal headlines from Anna and the gala as revenge.

I also covered in that now-missing post how one attends the Met Gala. You can:

Be the +1 of someone who gets invited (e.g., Andy Cohen, who is usually Sarah Jessica Parker's guest).

Work for the sponsors, including Vogue, or be the +1 of someone who works for the sponsors.

Work for the Metropolitan Museum of Art.

Be a huge donor to the Metropolitan Museum of Art and/or the Fashion/Costume Insitute (e.g. Sarah Jessica Parker, I believe).

Be besties with or have a contract with the designers that attend the Met Gala (e.g., Meg Ryan and Michael Kors). In this case, the designer will dress you and you'll sit at their table.

Buy your own ticket. An individual ticket is $75,000. A table starts at $350,000.

Be an "it celeb" of the moment.

Meghan and Harry definitely don't have the money for a ticket to the Met Gala. Meghan also doesn't have the fashion contacts or the reputation in the fashion industry to be dressed by a designer. She could probably have been dressed by Carolina Herrera back in the day, when she was wearing her. I don't think she had a chance to be dressed by Dior to attend the Met Gala, not when people like Jennifer Lawrence, Anya Taylor-Joy, Rihanna, etc. have Dior contracts.

My personal theory is that as much as Meghan wants to go to the Met Gala and be in the room with all those celebs, she doesn't *really* want to actually be there. I think she's terrified to be around that kind of powerful, respected, talented people because she knows they know she's not one of them and they'll ignore her, making her the one to go up to everyone when she wants everyone to be coming up to her. I said this around Oscars time when we were talking about whether she'd go or not and again, I can't find the freaking post!.

But it is very telling, isn't it? Like you've pointed out, everyone in Meghan's circle these days - Mindy Kaling, Serena Williams, Kris Jenner, Tracee Ellis Ross, etc. - is going to the Met Gala. Everyone but her, that is. I wonder why...

#met gala #sussexes

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