#long time no art tumblr nation!!!

[cut-aare]

🩸🫦

[asanjou]

historians will say they were besties

[manitapaleta]

L->R comic of the intro to @pained-expression eri’s fic A Hair’s Breadth from Death

this has been in my wips so long….finally got it to look decent 😢 😭 😭

[crossbackpoke-check]

the world at its beginning, dustin pearson // mosaic, linda pastan [Link to IHL’s Solar Bears connects NHL Draft prospect to Orlando] // Goin' high: Hughes chooses No. 86 with Devils // twice your size, declan mckenna // jeff bassett // blue is beautiful amy but the story is so the '90s, farrah field // what it means to be alive at the time of the resurrection of the dead, michalle gould // Quinn Hughes impresses youngest brother Luke with All-Star play // mozart songbook, joan larkin // siblings, paul klee // closeness lines, olivia de recat // andrew hancock // brother's keeper, young the giant // jason e. miczek // michigan athletics // "he ain't heavy, he's my brother", the hollies // luke hughes can follow brothers as first-round pick at 2021 nhl draft // genesis (from music for the dead and resurrected), valzhyna mort // jack hughes once had his braces 'ripped off his face' in a moment of sibling rivalry //

After Abel, Dante Émile // sportingnews // Cain, José Saramago (trans. Margaret Jull Costa) // Dave Sandford // Kin, Clan and Community in Proto-Indo-European Society, Birgit Anette Olsen // ESPN // Wikipedia // ESPN // Jeff Vinnick // Genesis, Valzhyna Mort // Puckprose // I Cast It Away, My Body, William Bearhart // Puckprose // Cain slaying Abel, Abraham Bloemaert (1590) // NHL // Clive Baker // Puckprose // NHL // Murder Ballad in the Land of Nod, Traci Brimhall // Freep // The Changes of Cain: Violence and the Lost Brother in Cain and Abel Literature, Ricardo J. Quinones // penticton western news // The Book of a Monastic Life, Rainer Maria Rilke (trans. Anita Barrows and Joanna Macy) // "A Brother Named Gethsemane", Natalie Diaz // NHL // NHL // Ivan the Terrible and His Son Ivan on 16 November 1581, Ilya Repin (1883-1885) NHL // Brothers, Dan Pagis (trans. Shirley Kaufman) // Fox News // NHL // NHL // Wikipedia // Fox News // NHL // Cain, José Saramago (trans. Margaret Jull Costa) // Allaboutthejersey // Allaboutthejersey // Jewish Literacy, Rabbi Joseph Telushkin

[todayontumblr]

Monday April 17.

National Haiku Poetry Day.

Sometimes less really is more. And other times a lot less is a lot more. Which is why today, this Monday April 17, we are joining in the celebrations for National Haiku Poetry Day, as devised and implemented by The Haiku Foundation back in 2012. Because things don't get a lot more more for a lot less less than the old art of Haiku, in which a frog leaping in a pond, the profundity of a drop of few, the light of a candle, a blooming poppy, a howling wind, or the taste of rain can be distilled and expressed with such compelling and elusive intrigue—and such economy of words. These are works which require very little time at all in the act of reading, but sit and linger and echo for a long time thereafter. They resonate, in the truest sense of the word. Tumblr being Tumblr, the writing community here is home to more than a few talented Haiku poets, as you can see for yourself over at #haiku poetry. 

And Tumblr being Tumblr, of course, this community is home to one particular talent notable in the art of Haiku: @the-haiku-bot, a bot which, in their own words: "Beep boop! I look for accidental haiku posts. Sometimes I mess up." This is a bot that can prise moments of poetry from even the most innocuous post, and, we would contend, makes the perfect way to celebrate #haiku poetry and today's national commemoration. Trans sex? 17 syllables? Your aunt? Long rants? The Turing test? There is nothing—nothing—this mysterious little bot cannot accomplish. 

[clarekirener]

Maybe I've missed the posts on Tumblr but if you're not on Twitter you might have missed the marketing on the official social media accounts. I'll post some. Amazon knows the Haladriel fanbase exists. That's what the marketing told me: they've learned what's popular and what gets them views. I don't know how much of what's popular will influence the writing and I'll do a post on my speculations in light of delayed renewal- things I've said on Twitter for 2 months.

But right now here's some of the digital marketing:

On the official The Rings of Power account, The Haladriel Nation tweet (4.1k likes) and the tweet with the BTS video of Charlie Vickers and Morfydd Clark (6.9k likes) were among the posts that got the most engagement.

The only two posts with greater likes were a BTS video about the Siege of Eregion (5.7k likes) and one thanking viewers (7k likes). Their other posts average around 2k likes.

The shift was unmissable when Prime Video was comparing Sauron and Galadriel to Daisy and Billy from Daisy Jones & The Six, a romantic couple.

Another account (Amazon MGM Studios) in on the action.

The Rings of Power account social media manager addressing us as Haladriel Nation on the official account and then on his personal account. He got people trying to get him fired for this post by the way.

International Prime accounts on Twitter, TikTok, Insta, and YouTube Shorts.

Prime Mexico calling Sauron and Galadriel "my parents"

Prime Video Brazil made a YouTube Short saying "the love of Sauron and Galadriel speaks louder"

The Rings of Power account on Instagram:

Prime Video Australia/NZ posting Haladriel edits on TikTok:

There are a lot of official accounts associated with Prime Video, Amazon MGM, and then there's the TROP account. They've all been posting edits of the fight from different angles regularly and this is just some of the digital marketing. They do post other dynamics of course but none this shippy and none as much as the Haladriel dynamic. The TROP account started a Fan Artist Friday 3 weeks ago to highlight fan art. They picked a canon compliant non-shippy Silvergifting fan art and they did the same for the Haladriel fan art as well. It was definitely carely chosen to avoid accusations of bias Irving Lopez got over the official account shouting out Haladriel Nation lol. The rest were just character art- they posted Adar fanart last Friday.

Unlike other marketing formats which requires more planning and time to coordinate, digital marketing is the most reactive to fan response. These official accounts were lurking on Haladriel fan accounts and responding to them during S2, and reposting Haladriel fans but it shifted post-s2 into overtly shipping material.

And baiting only works for so long before folks stop buying. I've said this before. When people hear there's only one scene, they'll just watch that scene on YouTube or TikTok. This happens a lot with other fandoms. Folks posting YouTube scene playlists and TikTok outright posting everything. But I'll save this for a post about PR in the context of the flux the show is in.

[samsseptember]

Samtember 2024 Calendar, Rules, and Guidelines!

Hi, Sam Wilson Nation! It’s that time of year again when we all get together to celebrate our beloved Sam Wilson’s birth month. That’s right, it’s ✰Samtember2024✰ !!!

As per usual, the event will be running from Friday, September 1st to Saturday, September 30th and there will be prompts set for each day:

Week 1:

Day 1 - Free Space

Day 2 - Bird Telepathy

Day 3 - Costume

Day 4 - Crossover/Multiverse

Day 5 - Canon Divergence

Day 6 - Hurt/Comfort

Day 7 - Future Fic

Week 2:

Day 8 - On Your Left

Day 9 - Move Your Seat Up

Day 10 - I Never Said Pilot

Day 11 - The Big Three

Day 12 - When Do We Start?

Day 13 - Man, Shut the Hell Up

Day 14 - Moon Stuff

Week 3:

Day 15 - Cap Quartet

Day 16 - Redwing

Day 17 - Mission Fic

Day 18 - Shield

Day 19 - Wakanda

Day 20 - Undercover

Day 21 - Co-Pilots

Week 4 + 2 Days:

Day 22 - Cookout / Boil

Day 23 - Birthday

Day 24 - Fishing

Day 25 - Louisiana

Day 26 - Lovers

Day 27 - The Paul & Darlene

Day 28 - Slice of Life

Day 29 - Wilson Family

Day 30 - Home

We will open a collection on AO3 soon. We will update this when the collection is ready, but when it is you'll also be able to find it by typing samtember2024 in the add to collections option.

You can also tag any works you post with #samtember2024 or tag this blog @samsseptember. Works will be reblogged every day throughout the month. 

What works count for this fan event?

Any of the following count:

fanfic

podfic

fanart

gifsets

photosets / moodboards / collages

graphics

Haikus

videos / edits

playlists

fic rec lists

comments

Whichever way you want to celebrate Sam Wilson, it’s up to you! 

The rest of the FAQ and rules are under the cut.

FAQ

What is this?

It’s a Sam Wilson fan event.

Is there any pressure?

No pressure at all. Fill one prompt. Fill all the prompts on for the month. Do however many you please.

Can I fill more than one prompt with one piece of art/one fic?

Yes! You can fill one prompt with one piece of art or fic. You can try to fill all 30 prompts at once with one piece of art or fic. If you can fill every single prompt from every single day in one fill, that’d be wild but it’s okay by the rules. You can do any number in between.

Are there any prizes for making anything for this event?

Just the satisfaction that you made something cool.

Should the work I make be Sam Wilson-centric?

Yes. You can make a gen work or a piece with any ship with Sam Wilson in it, but the main focus should be Sam Wilson.

How long will this event run?

It will run from September 1st to September 30th.

I heard there are badges I can use for each fill?

There will be! They will come out daily.

Do I have to post my fic for the prompt on the day of the prompt?

You can if you’d like, but it’s okay if you post a piece on a day other than the day of the prompt.

RULES AND GUIDELINES

What are the guidelines for the event?

For Everyone:

1. Remember to tag @samsseptember in the post as well as #samtember2024.

2. Please also tag the prompt you’re filling (for instance, if the square is “Redwing”, use “#redwing” as one of your tags when posting about it on Tumblr).

3. If you’re uploading to AO3, please:

a ) Say somewhere which prompt you’re filling.

b ) Add it to Samtember 2024 Collection that you can find here.

For Artists:

1. Create at least one piece of new art that can’t have been posted anywhere else before this.

2. All visual art forms are welcome:

a ) Gifsets, at least 3 gifs.

b ) Aesthetic boards or moodboards, at least 4 images each.

c ) Drawing/painting, that is not a sketch.

d) Fan video.

e) Graphics edit.

For Authors:

1. At least 500 words.

2. Posted on Tumblr or AO3.

3. Can be part of a series, but should work as a standalone.

For Podficcers:

1. The podfic should at least be 5 minutes long.

2. It should be posted on either Tumblr or AO3.

3. The podfic can be of a fic made for the event, a fic not made for the event while still adhering to the prompt, or a notfic.

For Fic Rec Lists:

1. You must have at least three fics or podfics on the rec list.

2. Make sure to give brief descriptions of the fics or podfics as well as their rating and wordcount.

For Commenters:

1. Any amount of comment counts, from a heart emoji (“❤️”) to an essay.

2. We would rather this be about what makes you happy and joyful about reading than any scathing critiques.

Things to be mindful of when creating:

For Sam

Avoid framing Sam only as a caretaker or emotional support for Bucky. Be mindful of Sam acting angry or aggressive in an out-of-character way and falling into the angry/sassy Black man trope (check out the MCU source material to help with character traits).

Avoid decentering Sam as a main character and refrain from focusing entirely on Bucky.

In art: avoid whitewashing Sam’s skin and research drawing Black characters.

General disclaimer: Race affects every aspect of his life, including interacting with police/government and the white structures of the world when it comes to performing his duties as Cap and simply being a Black man that lives in the U.S.

For Bucky

Avoid phrasing “flesh/normal/human hand” to refer to the contrast between his prosthetic arm and his right arm. The phrasing is ableist. You can simply refer to his prosthesis when relevant, otherwise use “right/left arm/hand”.

For more information, please check out this document suggested by @ninesdb on how to write Bucky as an amputee. @ninesdb is also open to questions if you have any queries not answered by the google doc.

Specific Tags:

Avoid tags in AO3 like “Sam Wilson is a Gift”, “Sam Wilson is a Saint”, and “Bucky Needs a Hug”.

Have fun and we look forward to all your wonderful works! ✰

[haguenauisforlovers]

HAGUENAU IS FOR LOVERS

A Webgott Valentine’s Week Fan Event Feb. 12 - Feb 19, 2025

“Bastogne is for the battered bastards, Haguenau is for lovers. Haguenau is for Webgott.” - Tom Hanks, allegedly

We’re celebrating romance, workplace power trips, and Webgott. Ditch the dating apps, put on your unwashed, bloodstained ODs because you’re spending Valentine’s week in a mortar-pilled billet with Joe Liebgott and David Webster (cuck chair not included). The rest of Easy Company’s there too.

What is it?

A week-long Valentine’s Webgott fan event where you can create beautiful and sick things for every tiny interaction between the two in the land of lovers, depression facial hair, and night patrols: WWII Haguenau. ‘Haguenau is for Lovers 2025’ starts and ends on a Webgott Wednesday and will run from Feb. 12 - Feb 19, 2025. This fan event would like to thank this post by @randlemartin for being iconic, and for literally providing the title of it all.

Sound good, babe? Click ‘Keep Reading’ for rules, FAQs, and The Good Stuff.

EVENT DATES TO REMEMBER

Prompts poll open: Dec. 18, 2024

Prompts poll close: December 26, 2024 

Prompts reveal: Dec. 28, 2025

Fan event start: Feb 12, 2025

Fan event end: Feb 19, 2025

FIC SUBMISSION DATES TO REMEMBER

AO3 Collection open for Submissions: Feb 12, 2024

Fic collection reveal: Feb 14, 2024

Fic collection close: Feb. 18, 2024

*This page will begin reblogging posts with @haguenauisforlovers mentioned, and/or posts tagged with #haguenauisforlovers or #webgottvday on Feb. 12, 2025.

FAQs

Who can join and what can they contribute?

All those who are part of Webgott nation near and far. This event will be hosted primarily on Tumblr so to participate, you must have a Tumblr account. AO3 accounts are optional but highly encouraged, especially if participating authors prefer to lock their fics for AO3 users only. This fan event is open to: - Fics - AMVs and edits - Fan Art - Webweaves and Moodboards - GIFs - Playlists - Meme nonsense - Historical research, baby

RULES AND GUIDELINES

1. Main Relationship: Joe Liebgott/David Webster This is a Webgott event. That’s what it’s all about, baby.  2. Inclusion of other Ships: Ships apart from Webgott are welcome as background/implied (OC/Canon, Big Ships, Rare pairs). examples: Fic: Baberoe sharing an excruciatingly tender moment in the background while Joe and Web glare at each other in a gay way.  Text post/GIF sets: Other ships sharing Tender/Cute moments in Haguenau  vs. Joe and Web at each other’s neck at Haguenau 3. Tracking and Reblogging: This page will reblog posts with @haguenauisforlovers mentioned, and/or posts with tagged with #haguenauisforlovers or #webgottvday 4. AI-generated content is not allowed. Romance is created not generated. All Webgott works found here will be organic and free-range. RPF is honest work for real, beautiful, flesh-and-blood sickos. 5. [Fic Specific] Can we do AUs? AUs can be incorporated in, but fics should be set primarily in Haguenau. example: Post-war is allowed but they have to be reminiscing about Haguenau. Modern AU but they’re thrown into a time machine and land right smack behind enemy lines. You get what we mean. 6. Zero-tolerance Policy: Don’t be a dick actually. :) Please be civil and respectful toward one another. There is a zero tolerance policy for posts and/or comments that contain personal attacks or attempts at doxxing. Comments/posts promoting homophobia/racism/ableism or Nazi glorification will be removed. Similarly, there is also a zero tolerance policy for disrespecting characters, pairings, or kinks. This is a YKINMK (Your Kink Is Not My Kink) zone.

*Unironic Webster haters, please sit this one out. That's First and Second Platoon’s job. Cobb, Martin, and IRL Malarkey signed up twice.

Will there be prompts?

Yes! You can find the prompt list here.

What is a prompt?

A thought starter, brain lube if you will. Prompts are there to 1) spark any ideas for your works, whether they’re edits, gif sets, text posts, or fics; 2) keep you on theme. You don’t have to use them as is, but they’re there to help you jumpstart an idea. e.g. Prompt: Spit  Fic: Web finally spits out what he’s been wanting to tell Joe since day GIF Set: Side by side: Web open mouthed, Lieb spit compilation

Do I have to use every prompt for each day? 

No, you don’t! You can choose one (1) of the prompts, or incorporate all four prompts if you’re a beautiful overachiever like that.

Do I have to participate/create something for every day of the fan event?

Not at all! This is a: No Pressure Zone. Create and post for the event as much or as little as you want. On the same note, just engaging with the posts created by others or the page is already active participation with the fan event. Haguenau is for Lovers just wants a fun week where we all hyperfixate on Webgott in love together (more than usual). Don’t feel the need to put something out everyday single day.

Do I have to participate/create something for every day of the fan event?

Not at all! This is a: No Pressure Zone. Create and post for the event as much or as little as you want. On the same note, just engaging with the posts created by others or the page is already active participation with the fan event. 'Haguenau is for Lovers' just wants a fun week where we all hyperfixate on Webgott in love together (more than usual). Don’t feel the need to put something out everyday single day. <3

Why Haguenau?

Because it’s for LOVERS. Caress Band of Brothers episode 8 “The Last Patrol” in your hands and say a prayer to RPF. Anything can happen at the tailend of war, but especially falling in love. Get as snug as a bug, and let your Webgott imagination roam wild and free in war-torn Haguenau. But on a more serious note, Easy Company was stationed there during Valentine’s Day 1945. Historical accuracy, our collective beloved.

Any more questions?

The inbox is open! All questions will be answered as promptly as possible. If you’re submitting through anon, you can track your answered questions through the ASK TAG.

CREDITS: Huge thank you to previous HBO War events for providing templates and guidelines for this event. The logistics, rules, and etc. took notes and were guided by hbowar fandom giants hbowarkinkmeme -> kingcleven on dreamwidth, @sledgefuweek @luztoyeweek @heavyartillery @hbowardaily @hboww2rewatch (this is not pressure to reblog, just genuinely thankful for being guided by the events you’ve all already created!!)

[redbatchedcumbermayned]

It all started under a duvet held up by an oar

Not so long ago I emailed Chris Tester, the voice of Heinrix van Calox in Owlcat’s recently released CRPG Rogue Trader, and asked if he would like to sit for an interview with me. Having some experience in interviewing people I like, most famously Oscar winner and all-around sweetheart Eddie Redmayne, this was not a completely nerve-wracking endeavour. And within a day of sending my email, Chris said yes. And what a pleasure it was interviewing him: Chris was so generous with his time, that the agreed upon 30 minutes turned into 50 minutes as we brushed upon many topics from his start as a theatre actor to his first voice-over role in a video game to his recently discovered hobby of playing D&D. Of course, we also spoke about all things Warhammer 40k, his new found fame brought on by voicing Heinrix and the insights he could share about the character.

I will publish this interview in three parts over the next week in text form and with the accompanying audio file (the audio quality is not spectacular but tumblr limits uploads to 10MB). If you quote or reshare, please quote me as the original source.

Part 2 of the interview

Part 3 of the interview

Fran: Thank you very much for taking your time.

Chris Tester: That's no problem. No problem at all.

F: So then let's start. You graduated in 2008.

CT: I did. Yes.

F: You started out as a stage actor. Did you always want to become a stage actor or an actor in general? Tell us a bit about your career.

CT: I always wanted to be a stage actor. Yes, as soon as I knew that I wanted to be an actor, which probably wasn't until I was a teenager. But yeah, my first passion was always the stage, and that was kind of borne out in my career. I would have been open to TV and film of course, if it had come along, I'm a huge fan of TV and film as well, but I never got an audition for any TV or film work.

I think I literally did about three short films in my 10, 12 years of actually professionally acting, and it is one of those industries where the more you do of one thing, the more you seem to find yourself doing the same thing to a degree. So yes, watching Shakespeare from an early age was one of my first passions.

And that was what first planted the seed of wanting to do it myself. The whole aspect of live performance is still something that I'm very passionate about. Up until 2020, when the world changed, I was trying to do two or three theatre shows a year, but since 2020, I haven't been near a stage and I doubt right now, especially with the way that the UK theatre scene is going, that I'm going to be back on stage anytime soon. I am resigned to that, but at some point in my career, I know I will be on stage again, because I can't live without it, but only for the right thing, both financially, but more importantly, creatively.

F: Your production company is currently on hiatus?

CT: I was the producer of a theatre company, which was run and was the baby of the director of the company, a guy called Ross Armstrong, who's one of the most talented writers and directors that I've ever worked with. I was helping out with a lot of the administration stuff so that he could still put me in plays. Instead of creating my own work because I'm not a very good writer or the best writer in the world, I support those people who will write me good parts. So yes, it is currently on hiatus, but never say never, we would always be looking to get back. It's difficult right now. It's difficult for all of us, because arts council subsidy, that way of being able to fund stuff, is drying up. We were doing a national tour of the UK when we were doing that [with the support of a subsidy]. There's even less money, there's even more people. I won't bore you with anything more than that, but it's kind of tough. We'd like to come back, but in the right way, and that's tricky to negotiate.

F: It's always hard as a stage actor to earn a living.

CT: Well, I've been spoiled by voice-over as well, and whereas when I was in my 20s and 30s then you're all about your art. And of course, I'm still all about my art, but I'm also about my wife and my cat and the mortgage and the bills and wanting to have nicer things to a degree as well. I've come to terms with that and voice-over does facilitate that as well as it opens you up to different roles and working with different people. So, I can't complain.

F: It's quite similar with making a living as a writer, because with a steady income you get used to a certain standard of living and once you have obligations and bills to pay, I think the stress on your mental health being creative and having all the stresses of regular life thrust upon you brings with it a challenge.

CT: It's a cliche we can very easily fall into: if I'm suffering, then it means I'm an artist. And that's not necessarily very true. It very often means that the art that we create only reflects one aspect of our lives, and it's usually a very tortured one. I am also about having wider experiences and broadening myself out. Whereas I think when I was in my twenties, I was thinking a bit more like: Oh, I'll experience the world and life through my art and just purely through my art. Whereas now necessarily I need to have a life outside of it as well, and then I can justify like I have the life so that I can feed my art or not, whatever. You know, I'll be a better artist by having a bit of a life outside of it. Maybe.

F: But that's what your twenties are for.

CT: Yeah, indeed.

F: Doing the crazy stuff, doing the band stuff 

CT: Yeah, yeah, exactly. So, there was certainly an aspect of that in my twenties.

F: So, what brought you to voice acting or voice-over work initially?

CT: Money. Video game stuff is kind of sexy and cool, and I'm a gamer, so that's important. Before I was a video gamer, I was a board gamer and off the back of that, I was a voracious video gamer, partly because I wasn't very good at team sports at school. I was always the person who was picked last in the football team. So that becomes part of your identity for better or worse. But video games, I was pretty good at, not amazing, but I was pretty good at, and I enjoyed it. And it gave me a different form of escapism as well, and off the back of that I always had an interest in them. 

So, the very first voiceover job was a video game: Dark Souls, which is quite a big franchise. At that time, I was your very typically jobbing actor. My acting agent came in and said: I got something for you. And so, I went in with that. But it was only in 2016, 2017 that I realised it was something that you could actually do yourself. People had recording studios at home and they were contacting people directly, not just going through agents. Because I'd basically written to the same 20 voice agents in the UK, mainly in London for like eight years in a row and not received anything. So, you keep knocking on those doors hoping. 

Before I'd even graduated from drama school, I'd burnt a CD and made these cases with my headshot on it and sent them all off at what at the time felt like great personal expense and didn't get anything for eight years in a row.  So, I was a bit like, I'm obviously doing something wrong, but I don't really know what, because I'm doing these workshops and getting good feedback. Then I found out through a couple of online courses, that there were ways and means of doing it myself, and that was a bit of a game changer for me, and within six months of having started, I was earning more through voice work than the bar job and the box office job that I was doing combined. Within six months, I was kind of like: “I gotta quit because I'm actually holding myself back from things.” So that was quite a big shift.

F: Somewhere you said, you started out under a duvet and with an oar.

CT: Yeah. On my website, I do have an image of it. [Dear reader, I could not locate this elusive photo] I literally had to take the duvet off my bed and put it into the living room, which was the quietest space in my then shared flat. I also had to wait until after one flat mate had watched TV and another one had used the table that had their washing on it. One of my flat mates had stolen an oar from some night out and that was perfect in order to be able to erect it over my head and the duvet as a frame. 

I did probably the first four or five months of voice recording like that. Probably about 10, 15 voiceover jobs that I actually got paid for, I was using that because it worked well enough. Since then, I've gone through various different iterations of a setup in the bedroom, to a setup in the hallway, to my current setup. In 2020 we moved to our first house, and this is the spare bedroom which I've had converted into a studio, which means my cat can be here asleep on me or near me getting fur everywhere, but it's fine. I can thrash around and I've got natural light to work in at the same time, which I find quite important. [Pictured below Chris' current setup.]

F: Very pretty. That's good. Guide us through a typical day of yours, if you like.

CT: Oh, sure. I mean, there is no typical day. And yet, and yet, and yet. A typical day for me is, because I am spending the vast majority of the day sitting in this room or somewhere close to this room, because I may need to record at short notice, because the vast majority of jobs are quite short notice. My priority is exercise for mental health more than anything. I've got some weights at the bottom of the garden, and I will get up first thing, and I will go there and I will do that after breakfast. And that's my minimal routine of physical activity done. 

And then I'll come back, and this is so rock and roll. Now what I do is, I spend like an hour on LinkedIn. And that's what you dreamed of as a creative person. Isn't it as an actor? I spend time on LinkedIn regularly every day, because it's a really good networking place for a lot of my types of work, and first thing in the morning, I'm a bit mentally sharper. So that's when I come up with a quick post that may be inspired by a bit of content that I've made elsewhere. That probably takes about 20 minutes and then I spend another 45 minutes to an hour engaging with people and saying hi and introducing myself and asking questions, whether that's with video producers or game developers or documentary makers or pretty much anything and everything. There are a lot of people who are active at that time. And so I do it.

And then after that, if I already have some recording lined up, then I'll prioritise mid-morning, because I've warmed up physically a bit more then, and I'm focused. So, you're going through the scripts, annotating the scripts, recording the scripts, editing the scripts. But then there could be live sessions at any time within that as well. I try to keep hours from nine till six. But occasionally, like with Rogue Trader, that was recorded at various different times of the day because we had people in New York, we had people in mainland Europe, and we had people in the UK. So all different time zones, so that can happen at any time. 

And then I try to do other kinds of bits and pieces of marketing whenever I've got free time to. I do use really exciting productivity hacks, like time blocking. Again, not something that as a creative individual, I was like: Oh God, this gets me so excited, because it doesn't, but it works. It's finding a system that works for you, but still has a certain kind of flexibility and fluidity. I'm trying to make sure that I get outside of the house, and that kind of stuff. 

Recently, over the last year, I’ve started doing audiobooks as well. That long form type of thing is quite nice to be able to dip into because sometimes you don't record for two, three days. You don't get the work. Nothing’s coming in. So, you’re marketing, but it kind of connects you back to the performance side of things to go: I can do a few chapters and you know, that kind of thing. So that's probably it. I try to formalise it, but you know, every voice actor’s day is radically different. There are people, some of the biggest names, going into different studios every week or every day. I very rarely, despite being based in London, I very rarely go into external studios. Like I would say 99 percent of the work I just do from home.

F: So how do you find the right voice for the specific type of voiceover work you do, maybe start with how did you find Heinrix's voice?

CT: Thankfully, Owlcat sent through quite a detailed casting breakdown. So, you get a picture, and that's pretty crucial, as well as a short bio, in terms of the background of the character, but not too much, because you have to sign an NDA, a non-disclosure agreement. But even if you do sign an NDA, I think developers are always slightly hesitant of giving you too much info about the game because things could still be changed. But I think I did get a picture of Heinrix, if not in the first audition, then certainly on the second one. From that you immediately think about the physicality and what might affect the voice, and there was also some direction in terms of what they were looking for. Anybody who has heard the character and me, they do not sound radically dissimilar. There's not a transformative process that I needed to go through, other than his sense of authority and the space that he takes up and the sureness that he has in that he has a kind of divine right from the emperor, so that level of confidence being brought through.

The other part of the audition was about the void ship [the Black Ship] that he'd been raised in and the horrors that he'd seen. And you as the actor have to do the detective work to go like this is showing another side, the more vulnerable side, the side that underpins all of his life choices up to this point. It's essentially playing the opposite to a degree. So it was kind of knowing when to let those elements bleed through a little bit. I think I had probably about a page worth of scripts, quite a lot of script actually to audition with. 

But I don't like to listen back to it a lot, because I think you get into your head. My biggest thing is stage work where it's ephemeral. You say it once and it could be different the next night. The whole point is that there's no one definitive way of doing things. Not quite the same with voice acting, where it's being recorded and you've got to get used to hearing it back. But I try not to overthink it. Just like record it two or three times with different impulses and then review and go like, those two seem pretty contrasting. I'll send those along and hope and then never hear anything back unless I do.

[funniestjokesinfilmtournament]

WELCOME TO THE FUNNIEST JOKES IN FILM TOURNAMENT!

Decided to make a tournament poll blog because everyone seems to be doing it uh I hope I'm doing this right

Basically what it says on the tin, let us, the great minds of Tumblr, decide once and for all the objectively greatest joke ever put into the art form of cinema. I am sure our decision will be universally agreed upon with no controversy whatsoever.

I am your host, S! (He/Him, don't mind They/Them either though) I will be your referee throughout this tournament as we encounter twists and turns, upsets, and close finishes galore!

(I hope at least, that's good for engagement)

THE RULES

Submit a film joke in the ask box

Include the films name, year of release, and a thorough explanation of the joke itself and why it is hysterical. A quip, some physical comedy, a running gag, anything goes as long as it's funny! If said joke involves significant spoilers it should be prefaced with a warning. Also while films in any language can be submitted do please write the submission itself in English. Also also please attach images or gifs if possible relating to the joke, it will save me a lot of time later. While I will be somewhat lenient, I reserve the right to delete any submission that does not meet the above requirements.

Tell your friends if they'd be interested so we can get a good number of votes!

Vote for each one you think is the funniest!

BANNED FILMS

Anything released after December 31st, 2019: to avoid recency bias

All the Potterverse films: because JK Rowling is a scumbag and trans rights

Films that have dated views on certain subjects like Casablanca are allowed but genuinely malicious films like Birth of A Nation are not; I will mostly exercise my own discretion here but may put some cases up to a poll

Please don't be the reason I add any more here

I'll start when I feel I have enough submissions

One more thing: be nice. Hyperbole can be funny but actually hateful comments will not be tolerated.

Have Fun!

[xitsensunmoon]

I've been thinking about sharing this here for a very long time and now it reached a point when I'm so upset I just can't be silent anymore.

Almost immediately after creating this account, the first thing I did was to put "Ukrainian artist" in my bio.

Shortly after that, I got a few asks with death threats, disturbing and just horrible words about my nation and culture. I was called a nazi, a fascist, and just a pig. Hating me just for being a Ukrainian, just for my existence. Not just on Tumblr, but on other social platforms too. If I were to guess, those were sent by russians or people who support the war.

Dca community made me feel the safest I've ever felt in any other community, up until that point.

After that, I put "russians DNI" in my bio and closed anons. Whoever was sending hate was not brave enough to say the same terrible things to me on their main pages. It felt a little bit safer that way, even if some of you will say it's not the right thing to do. Honestly, at that point, I was really ready to just leave Tumblr for good.

I can't stop people who are making me uncomfortable and making me feel unsafe from coming to my page and ignoring my very clear boundary of just not interacting with me.

It's my page. It's my art. It's my home. I have the right to decide who I want to have here, who I want to interact with me and my art, my hours of work. If you're taking away that right from me, do you really think you're a good person and my boundary doesn't apply to you?

I do not attack russians. I do not spread hate and toxicity, even though I have a right to be as angry as I can. I do not mass report their accounts and don't send death threat asks. I just ask to be left alone.

My question is, if a person, a russian, sees my bio that asks to not interact with me, but decides against it, ignoring my boundaries gets banned for it. Am I really in the wrong?

The point of this - if you don't agree with my actions please leave. Don't start a fight, just please leave. Because I will continue to block every russian who I encounter on my page. I really, really don't want people who just don't even want and try to understand the situation and just completely ignore how fucking terrible this is even WITHOUT me starting on the war context.

[sixty-silver-wishes]

everyone shut up this is ACTUALLY what fans of different composers are like

Mahlerians are PROUD TO BE ABSOLUTELY INSUFFERABLE DRAMA QUEENS, THE LIKES OF WHICH EVEN THE WAGNER CULT COULD NEVER SO MUCH AS ASPIRE TO BE. WE ARE ONE WITH THE UNYIELDING EBB AND FLOW OF THE BOUNDLESS UNIVERSE, DAMN IT ALL!

Shostakovich fans are like Mahler fans except they actually understand what sarcasm is. We also all really like the Muppets for some reason. Most of us own cats and likely have at least one mental illness.

Liszt fans are either tweenagers who love anime or salty old pianists who know a disturbing amount about music theory. These two factions are constantly at war.

Copland fans are either very, very far right or very, very far left. Either way, neither side actually listens to all of Copland's repertoire.

Tchaikovsky fans are either Russian grandmas or LGBT orchestra kids on Tiktok. Either those or the one noob who heard there were cannons once.

Wagner fans. Yes, there are the cringey neo-Nazi Wagnerians, but anti-Nazi Wagnerians are a whole new level of chaotic good. They spend their time dreaming up the most disastrous, chaotic Ring productions possible, with the sole purpose of making Richard Wagner's entire family simultaneously spin in their graves. They take "death of the author" to a whole new level and constantly run on nothing but 100% pure spite. You want a Wagnerian who would beat up Wagner in a Denny's parking lot on your side.

Prokofiev fans will unironically say "ackshually...". That's it.

Dvorak fans are homeschool kids. They're either soul-crushingly innocent or devastatingly horny.

Sousa fans are just high school band directors who try to convince themselves they like Sousa to get through the semester.

Joplin fans constantly argue over whether Joplin's music should be played twice as quickly or twice as slowly than it's actually written. Also sick of hearing about Janis.

Chopin fans are exactly like Liszt fans, except there are 20% more "uwu softboi flowercrown" edits of Chopin than Liszt floating around on Instagram and Tumblr.

Holst fans will drag you into an alleyway and beat you up with their bare hands if you so much as mention The Planets.

Bernstein fans are either horny theatre kids or communists, but it's more likely they're both at once. They are very opinionated about recordings, and express their approval of the ones they like by gyrating excessively to them. If you put a Bernstein fan, a Mahler fan, and a Shostakovich fan in one room, they will either topple a national government or have a threesome.

Ravel fans are inherently Wes Anderson fans. You can be friends with one for years without knowing a single thing about their personality.

Schoenberg fans are like Mahlerians but with worse memes.

Brahms fans are... I have never met a Brahms fan. I'm sure they exist, but I'm pretty sure my own taste in music scares them off.

Paganini fans are almost always TwoSet kids, particularly the ones who try to convince people that "classical music isn't boring because it's basically metal." If you tell them Paganini played viola, they will spontaneously combust.

Rachmaninov fans are ultimately really chill, but are often socially awkward. If you ask a Rachmaninov fan "how are you?", they will most likely respond with "you too."

Schumann fans are Mahlerians on medication.

Stravinsky fans think they're chaotic and unhinged and listen to the most obscure underground shit, but in all actuality they just decided to enter their edgy phase after a lifetime of being sheltered and forced to listen to nothing but Handel by their parents. Possibly homeschooled.

Ysaye fans are like Paganini fans, except they're depressed graduate music students with permanent calluses on their fingers.

Debussy fans go to art school, decide they don't like art school, but have been doing art school too long to turn back, so they can't get out of art school. They may be high on weed at any given moment.

Satie fans are just possessed vessels of Erik Satie. Death cannot hinder Erik Satie. Erik Satie will return to this mortal plane. Search your feelings. You are already Erik Satie.

[whencyclopedia]

Ancient Egypt

Egypt is a country in North Africa, on the Mediterranean Sea, and is home to one of the oldest civilizations on earth. The name 'Egypt' comes from the Greek Aegyptos which was the Greek pronunciation of the Ancient Egyptian name 'Hwt-Ka-Ptah' ("Mansion of the Spirit of Ptah"), originally the name of the city of Memphis.

Memphis was the first capital of Egypt and a famous religious and trade center; its high status is attested to by the Greeks alluding to the entire country by that name. To the ancient Egyptians themselves, their country was simply known as Kemet, which means 'Black Land', so named for the rich, dark soil along the Nile River where the first settlements began. Later, the country was known as Misr which means 'country', a name still in use by Egyptians for their nation in the present day. Egypt thrived for thousands of years (from c. 8000 BCE to c. 30 BCE) as an independent nation whose culture was famous for great cultural advances in every area of human knowledge, from the arts to science to technology and religion. The great monuments which ancient Egypt is still celebrated for reflect the depth and grandeur of Egyptian culture which influenced so many ancient civilizations, among them Greece and Rome.

One of the reasons for the enduring popularity of Egyptian culture is its emphasis on the grandeur of the human experience. Their great monuments, tombs, temples, and artwork all celebrate life and stand as reminders of what once was and what human beings, at their best, are capable of achieving. Although ancient Egypt in popular culture is often associated with death and mortuary rites, something even in these speaks to people across the ages of what it means to be a human being and the power and purpose of remembrance.

To the Egyptians, life on earth was only one aspect of an eternal journey. The soul was immortal and was only inhabiting a body on this physical plane for a short time. At death, one would meet with judgment in the Hall of Truth and, if justified, would move on to an eternal paradise known as The Field of Reeds which was a mirror image of one's life on earth. Once one had reached paradise one could live peacefully in the company of those one had loved while on earth, including one's pets, in the same neighborhood by the same stream, beneath the very same trees one thought had been lost at death. This eternal life, however, was only available to those who had lived well and in accordance with the will of the gods in the most perfect place conducive to such a goal: the land of Egypt.

Egypt has a long history which goes back far beyond the written word, the stories of the gods, or the monuments which have made the culture famous. Evidence of overgrazing of cattle, on the land which is now the Sahara Desert, has been dated to about 8000 BCE. This evidence, along with artifacts discovered, points to a thriving agricultural civilization in the region at that time. As the land was mostly arid even then, hunter-gatherer nomads sought the cool of the water source of the Nile River Valley and began to settle there sometime prior to 6000 BCE.

Organized farming began in the region c. 6000 BCE and communities known as the Badarian Culture began to flourish alongside the river. Industry developed at about this same time as evidenced by faience workshops discovered at Abydos dating to c. 5500 BCE. The Badarian were followed by the Amratian, the Gerzean, and the Naqada cultures (also known as Naqada I, Naqada II, and Naqada III), all of which contributed significantly to the development of what became Egyptian civilization. The written history of the land begins at some point between 3400 and 3200 BCE when hieroglyphic script is developed by the Naqada Culture III. By 3500 BCE mummification of the dead was in practice at the city of Hierakonpolis and large stone tombs built at Abydos. The city of Xois is recorded as being already ancient by 3100-2181 BCE as inscribed on the famous Palermo Stone. As in other cultures worldwide, the small agrarian communities became centralized and grew into larger urban centers.

Early History of Egypt

The Early Dynastic Period in Egypt (c. 3150 - c. 2613 BCE) saw the unification of the north and south kingdoms under the king Menes (also known as Meni or Manes) of Upper Egypt who conquered Lower Egypt in c. 3118 BCE or c. 3150 BCE. This version of the early history comes from the Aegyptica (History of Egypt) by the ancient historian Manetho who lived in the 3rd century BCE under the Ptolemaic Dynasty (323-30 BCE). Although his chronology has been disputed by later historians, it is still regularly consulted on dynastic succession and the early history of ancient Egypt.

Manetho's work is the only source which cites Menes and the conquest, and it is now thought that the man referred to by Manetho as 'Menes' was the king Narmer who peacefully united Upper and Lower Egypt under one rule. Identification of Menes with Narmer is far from universally accepted, however, and Menes has been as credibly linked to the king Hor-Aha (c. 3100-3050 BCE) who succeeded him. An explanation for Menes' association with his predecessor and successor is that 'Menes' is an honorific title meaning "he who endures" and not a personal name and so could have been used to refer to more than one king. The claim that the land was unified by military campaign is also disputed as the famous Narmer Palette, depicting a military victory, is considered by some scholars to be royal propaganda. The country may have first been united peacefully, but this seems unlikely.

Geographical designation in ancient Egypt follows the direction of the Nile River and so Upper Egypt is the southern region and Lower Egypt the northern area closer to the Mediterranean Sea. Narmer ruled from the city of Heirakonopolis and then from Memphis and Abydos. Trade increased significantly under the rulers of the Early Dynastic Period in Egypt and elaborate mastaba tombs, precursors to the later pyramids, developed in Egyptian burial practices which included increasingly elaborate mummification techniques.

Continue reading...

[vintage-vermin]

I like Ongezellig, it popped up like half a decade ago on my feed randomly. Thought it was cutely done, saw Maya and was "oh no, she just like me fr fr" Waited and saw part 3 show up and then the rest.

I sometimes just have stuff that I love, but don't even bother engaging the fandom in any way. There are shows that have helped me be less of a cunty teenager decades ago that i love, but I have never gone to a fan forum or searched tags on any site. Sometimes I only search out the creative parts of the fandom and don't bother with discussions.

I love the random little things you can find on sites like Tumblr or other art-focused platforms for Ongezellig. Redraws, OC's in the shows style and fun pieces of some of the background characters Because oh, oh no, I'm not a fan of the rest of the community. But we'll hit that up later. Later. The creator made webcomics before. Had a little youtube channel with YTP's and some random reviewy stuff. Had an old Deviantart with some furry and the rare pony thing. Did an interview for a dutch comic collection ages ago that was a fun read.

(So, you only have to mail this letter) (Mailbox has a colloquial word where it's shortened to 'bus', same word as the vehicular one. "To put a letter on the bus") (... Yes, the one without wheels) He had a little comic named 'Caiasos' that was a bit of a disjointed adventure. Followed with Mayo & Curry. Simplistic 3-4 panel comics with a bit of a newspaper format.

(One day, Mayo wondered what ink tasted like) (You know that's poisonous, right?) (The box reads "Correction Fluid") A lot of the Mayo & Curry stuff is dutch snackbar puns or kinda standard early webcomic 'sleaze' as I can only describe it. Ever read like Chugsworth Academy?

(Hey Curry, it's not really clear what our relationship is in this comic. Are we family, girlfriends, roommates...) (Haha, silly Mayo. If you read the comics well it's very obvious.) (Anyway, time for walks!) Cute enough I suppose. I used to read Sexylosers when I was like 15, who am I to truly complain.

The creator did some creative & animation schooling and made a fun project. Some of you may have seen this one fly by, too!

Somewhere around the same time, he also made a little bumper for a comic festival.

He would also do little bits on dutch history, wether it be the Dutch History Iceberg video that got popular a bit ago or his more comedic Stille Willem videos. Studio Massa, the creator, was looking to get the Ongezellig show picked up. Some of the early episodes do throw in a school shooting thing and some very dutch middleschool discrimination to the Belgians. Granted, these are pilots. Would it have been picked up, I'm sure a few things here and there would get a fix up. This did not come to pass after a long time of trying to showcase it and even finishing his pilot series. However, he did land a job at a national tv station. I hope to see new projects of his over time, maybe even bring 1 or 2 of his old characters to new life in another show.

Little write-up on my experience with a subsection of it's fandom and community under the cut, feel free to ignore at your own discretion.

I went on a little deepdive to find out more a bit ago, I didn't follow the Petje-af or the Discord at the times of their inception or popularity. One of the first places you end up is imageboards and booru's. What a treat. Some of the ' documentation' of the shows reception online is very muddled. Encyclopedia Dramatica kinda stuff. Inane terms and barely understandable references to sites or people. He also has a KF thread that lists a large amount of uncomfortable information. By the time I found a few of those boards and booru's, it was already clear that they had some mass-extinction thing happen a few years ago and had to rebuild an imageboard and a booru or 2. Dragging myself to the very first page already got me greeted with "WE WILL REBUILD" sentiments. I get that there's a certain combination in the show that will bring in a specific audience. Underage characters and some historically charged discrimination. There's an underlying edginess to one of the characters that brings in a certain type of people. I have seen multiple posts and write-ups spanning a few years between eachother where people sort of announce they are done with the shows fanbase on this level. Lot's of adult art of these characters. While most places seem to be purged of this and plenty of (THIS POST HAS BEEN DELETED) messages all over by this time. There's a sentiment shared across a lot of these types of fans. "fucking tr00ns ruined my fucking show" I've come across plenty of junk where some one makes a call to action because they found some one with a trans flag in their bio and posted some art of the show. I can't really find the root of this problem. All that seems to have actually happened is that a buncha people were being massive bigots in the discord, got banned for it and then they got indignant about it. There's mention that some one spammed some boards with the show ages ago and somehow invited tons of transphobia into the room. Like I said, it's all muddled and written from certain perspectives.

It's like that one part of the K-on fanbase really. I just find strange and a bit of a shame that there's such an active and hostile subsection of this little fandom. I have come across multiple write-up from people who just can't interact with their fun little show without some out-there types showing up. Even little videos that try to bring this show to a larger audience find their comments littered with bizarre callouts to the small imageboard groups. A prized possession of that snippet of the community is a game about Mymy shooting up her school. I understand this is supposed to be a niche layer of fandom that's still pretty isolated to 4/5 sites at most. I understand that there will always be outliers. I dunno, frustration about a fun little show made manifest.

[demonvampire180writes]

Thank you to @alliwantforchristmasislou for setting up this amazing thing! <3

Warning: I don't know how not to ramble, or make sense.

I don't work during the winter, and I'm trying to pay down debts so I can buy a house in 2025, so I unfortunately don't have any money to spare, but I wanted to express my gratitude to the BuckTommy nation for the joy they've brought me.

I started this silly little show last winter on a total whim. Ms. Angela Basset was always there on the title card whenever I opened Hulu so, bored with my endless amounts of reading, I decided to give it a go. Immediately I was drawn in. I loved their dynamics. The stories. Peter Krause's acting, especially in the scene where he breaks down on the couch with Hen and Buck? Yeah, my overly empathetic self was like, this show is mine now.

Mind you, I didn't binge watch it all at once. I took short little breaks, never feeling the need to power through them all. And then, BuckTommy happened. All of a sudden, I had a reason to catch up and catch up I did. I can't tell you precisely why I was so drawn to them, but I have some ideas.

For once, we had a pair of equally masculine men showing affection towards each other. Neither of them could be relegated to the "woman" role. They weren't stereotypically effeminate, but they went against the alpha male stereotypes. You had two men who had been mentally neglected all their lives, into adulthood, who came out the other side being people that wanted to serve and protect for all they were worth. They had trauma, but outside of Buck's sex addiction - Buck 1.0 - they didn't let their trauma define them. They showed affection, not just to the women around them, but to their friends and chosen family. They said "I love you" with their actions. Buck was allowed to have "feminine" hobbies without being effeminate, and maybe to some that's not a big deal but to me that is. Tommy, who could be questionably called more effeminate, was allowed to have more stereotypically "masculine" hobbies despite being a Kinsey 6.

That's a huge deal on broadcast TV. The general audience has certain expectations, as much as they sometimes suck - they're not known for being the most progressive folks in the world - so the fact that the show was allowed to stick it to them was just... an amazing experience. As someone who's only other experience with masculine GAY men on TV was Ian and Mickey, whom I love dearly, it was such a nice change of pace. Also, the fact that they're both mature men? Also a huge deal. I love Alec, from Shadowhunter's, but he's still pretty young, and he's known he was gay for a very long time. Patrick and David from Schitt's Creek? They knew, and David(?) still has a very effeminate air about him, despite being confirmed pansexual.

All this is to say, that BuckTommy drew me in until they had a chokehold on me. I started using Tumblr again, started diving back into fanfiction in a way I hadn't since Kuroko no Basuke. I've produced more fics for the 911 fandom in six months than for any other fandom I've ever written for. And I've been in fandoms since circa 2007? And that's insanely impressive. BuckTommy drew me back into broadcast TV. I literally yell at my brother when the show is on to not talk to me, or bother me, for the next hour. I've got like... Four shows I wait for weekly now, TV antenna and all.

BuckTommy's have also been some of the kindest, most interesting, people I've had the pleasure of "knowing." Every single day I have things to look forward to in the tag, whether it's fics, or art, or headcannons, or honestly - my favorite - complaints about how the relationship ended and how the writers done fucked up. You guys are so amazing, and I love all of you that I've ever interacted with.

I'm PRAYING to see Lou, and Tommy, again in 2025, but even if he doesn't, I'm back for the long haul. You guys dragged me back from the brink of destruction after the break-up, I've never lost it over a fictional ship like that before in my LIFE, and I've decided that I'm here for good.

Merry fucking Christmas, and Happy Holidays to you all.

[kradeelav]

the tl;dr

IRON CROWN as a free comic is now off of wordpress and can be viewed by a neat, robust HTML/CSS/JS comic template called rarebit! effectively nothing has changed for the reader, beyond expecting a little more reliability of uptime over the years.

all comic pages and previously paywalled patreon posts can also be downloaded in this art dump for free, as mentioned in the new author's notes.

the long story:

When talking shop about site/platform moves under this handle, I think it's useful to realize that us (taboo) kink artists live in an actively adversarial internet now, compared to five years ago.

meaning that we have to live with an expectation that 99% of platforms (including registrars and hosting, let alone sns sites) will ban/kick us without warning. this might explain the overly cautious/defensive way we discuss technologies - weighing how likely (and easily) the tool can be used against us vs the perks.

for example: has a harassment mob bullied the platform owners into quietly dropping lolisho artists? trans artists? does the platform/technology have a clear, no-bullshit policy on drawn kink art (specifically third rail kinks like noncon)? does the platform have a long history of hosting r18 doujin artists/hentai publishers with no issue? does the company operate in a nation unfriendly to specific kinks (eg fashkink artists fundamentally incompatible with companies based in germany, when other kinks might be OK?). i talk with a few different groups of artists daily about the above.

but that gets tiring after a while! frankly, the only path that's becoming optimal long-term is (a) putting kink art on your personal site, and if possible, (b) self hosting the whole thing entirely, while (c) complementing your site with physical merch since it's much harder to destroy in one go.

with that said - I've been slowly re-designing all of my pages/sub-domains as compact 'bug out bags'. lean, efficiently packed with the essentials, and very easy to save and re-upload to a new host/registrar near instantly (and eventually, be friendly to self-hosting bandwidth costs since that's now a distant goal).

how does this look in theory, you ask?

zero dependencies. the whole IRON CROWN comic subdomain is three JS files, a few HTML files, one CSS file, and images. that's it.

no updates that can be trojan horse'd. I'm not even talking about malware though that's included; I'm talking about wordpress (owned by the same owners as tumblr cough) slipping in AI opt-outs in a plug-in that's turned on by default. I used to think wordpress was safe from these shenanigans because wordpress-as-a-CMS could be separate from wordpress-as-a-domain; I was wrong. they'll get you through updates.

robust reliability through the KISS principle. keep it simple stupid. malware/DDOS'ing has an infinitively harder time affecting something that doesn't have a login page/interactive forms. You can't be affected by an open source platform suddenly folding, because your "starter" template is contained files saved on your desktop (and hopefully multiple backups...). etc.

so how does this look in practice?

To be fair, you're often trading convenient new shiny UI/tools for a clunkier back-end experience. but i think it's a mistake to think your art site has to look like a MIT professor's page from 1999.

with IRON CROWN, I've effectively replicated it from a (quite good) comic template in wordpress to 98% of the same layout in pure HTML/CSS/JS via rarebit. Should rarebit's website go "poof", I've got the initial zip download of the template to re-use for other sites.

I frankly have a hard time recommending rarebit for an actively updating webcomic since you personally might be trading too many advantages like SEO tools, RSS feeds, etc away - but for a finished webcomic that you want to put in "cold storage" - it's amazing. and exactly what I needed here.