#lollywood songs

[localrants]

From Tera Woh Pyaar, Ghalat Fehmi, Jo Tu Na Mila, Soneya, Habibi, Tere Naal, Ishqiya, Sinf e Ahan to Dil Haara and Main...

we all grew up with Asim Azhar somehow.

My man turned every song to a hit of it's own.

<3

[sajniiii]

tu hi mera dildaar, tu dil ka qarar, nahi iss baat sey mujhey koi inkaar

sajdey mei bethey hai jitni dafa, woh meri mannat mei harr baar hai

lagey jeet si mujhko, yeh haar hai kaisi?

mei tera sarmaaya hun, jo bhi mei bann paaya hu

itni be rang bhi, toh nahi zindagi, harr mulaqaat mujhsey yeh keh jaati hai

mei tera hojau, jo tu kardey ishaara

ishq ki chingaariyon ko phir hawa deney lagey

ahad raza mir and sajal aly as dr. asfandyar and dr. zubia in yakeen ka safar (2017)

humein itna pyaar// kalank (bonus track)//kuch khaas// tum se hi// teri jhuki nazar (film version)//tere sang yaara// ishq

[zaynepie]

one day I'll post Me and my 🤍مِیاں جی🤍 to this song and then go missing.

[movieboxbd]

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[marketingstrategy1]

29th Death Anniversary Of Master Abdullah Observed

The 29th death anniversary of a renowned Lollywood musician, Master Abdullah was observed on Tuesday ISLAMABAD, (UrduPoint / Pakistan Point News – 31st Jan, 2023 ) :The 29th death anniversary of a renowned Lollywood musician, Master Abdullah was observed on Tuesday. During his career, he had prepared the songs for Lollywood hit movies like ‘Sharif Badmash’, ‘Dunya Paisa De’, ‘Mallangi’ and…

[khwabeedah]

𝘛𝘩𝘦 𝘥𝘦𝘴𝘪 𝘧𝘦𝘮𝘪𝘯𝘪𝘯𝘦 𝘶𝘳𝘨𝘦 𝘵𝘰 𝘸𝘦𝘢𝘳 𝘫𝘩𝘶𝘮𝘬𝘢𝘴 𝘦𝘷𝘦𝘳𝘺𝘥𝘢𝘺 𝘢𝘯𝘥 𝘣𝘦 𝘢𝘯 𝘦𝘵𝘩𝘦𝘳𝘦𝘢𝘭 𝘣𝘦𝘪𝘯𝘨♡

[loveyouon21september]

“Yaar Ko Humne Ja-ba-ja Dekha

Kahin Zahir Kahin Chupa Dekha

Yaar Ko Humne Ja-ba-ja Dekha”

_ Abida Parveen

[sanwalbhatti]

♥️♥️😊😇 #pakistanicelebrities #pakistan #pakistanifashion #pakistani #pakistaniwedding #lollywood #karachi #lahore #pakistanidrama #pakistanistreetstyle #islamabad #pakistanidress #pakistanstreetstyle #pakistaniclothes #pakistanidramas #urdupoetry #pakistaniweddings #pakistanpics #pakistanfashion #songs #pakistanistyle #pakistanmediaindustry #sajalaly #hellopakistan #pakistaniweddingdress #musician #sanwalbhatti #pakistanidesigner #instagood #beautyofpakistan (at Gloria Jeans Coffees - Expressway Murree) https://www.instagram.com/p/Cfj5Ylcs1Si/?igshid=NGJjMDIxMWI=

[localrants]

favorite songs

Every well written song is my favourite song i guess. I have a playlist on SoundCloud which listen to on repeat.

Gulon mai rang bharay (Ali Sethi)

Aaj bazaar mai (bayaan) (QB's version is realllly good as well)

Dasht e tanhai (Meesha Shafi)

Bol kaffara kia hoga (Sehar Gul Khan)

Aaqa (Abida Parveen, Ali Sethi)

Dil jalanay ki baat krty ho (Atif Aslam)

Alif's OST (Shuja Haider, Momina Mustehsin)

Mohabbat tum se nafrat hai OST (RFAK)

Mein OST (Asim Azhar)

Tera Woh Pyar (Asim Azhar)

Paar Chanaa De (Noori band, Shilpa Rao)

Jafaa OST (Shafqat Amanat Ali)

Iss Morr Se Jatay Hain

And many many moree

[lahoreherald]

The new Pashto song by Ali Zafar and Gul Panra is a hit

Rockstar Ali Zafar continues his successful run of seducing music fans with an electric Pashto song titled Larsha Pekhawar, which was released earlier this year.

The Channo singer released his rendition of the iconic and most celebrated Pashto folk song, which included the drop-dead beauty Gul Panra and the outstanding rap trio ‘Fortitude Pukhtoon Core.’

The publication of the song coincides with the celebration of Pashtun cultural day, and the 41-year-old musician has surely delighted his devoted following with his latest endeavour.

���It’s finally here! LARSHA PEKHAWAR is a Pakistani politician. To view the entire video, please see the link in the bio. Go ahead and subscribe to my channel right now and let me know what you thought!? Poora dekh ke bataana, poora dekh ke bataana! “The singer shared his thoughts on his Instagram account.

As a visual and sonic delight, Larsha Pekhawar by Ali Zafar preserves the linguistic authenticity of the song while the tribute leaves music fans dancing in their seats to the beats of a rousing chorus of beats. It is currently the most popular video on YouTube.

Zafar had previously recorded a song named Ura Mein in honour of Defence Day, in which he paid gratitude to the military services and their sacrifice.

Read more: Veena Malik’s recent controversial statement

Published in Lahore Herald #lahoreherald #breakingnews #breaking

[qalamkarnews]

چھم چھم، نگو، ایمی مینوالا اور رخشی…. https://www.qalamkar.com/magazine/57607/ #Pakistan #entertainment #SHOWBIZ #Showbiz360 #Lollywood #film #television #music #dance #dancer #item #song #QalamkarNews | #Qalamkar | #قلمکار https://www.instagram.com/p/CNRvH6JJwbH/?igshid=t18zgkhd9rap

[bollywoodrommance-blog]

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[jalebi-o-shir]

The Emergence of a Diasporic Singular Desi Culture

I have been observing this for a while on several social media platforms and I have a theory that a singular “Desi” culture is taking shape in North America, and perhaps other diasporas. Since I haven’t had much experience with other diasporas in several years, I will only focus on this phenomenon through a North American lense.

The reason for saying is that I increasingly see young South Asians, in particular, Gen Z, make tiktoks mentioning how “our” culture is beautiful, and then proceed to show off cultural dress, cuisine, art, architecture etc. playing to a remixed Bollywood song.

The issue here is not showing appreciation, but the issue is using the singular from of culture instead of the plural — cultures.

South Asia is not a monolith, nor does it have one culture, so which culture in particular are we here appreciating? Every country, whether it would be Pakistan, India, Bangladesh, Nepal, (Southern) Tibet (controversial, I know) , The Maldives, Sri Lanka, Bhutan, and Diaspora countries like Suriname, Guyana, Belize, Trinidad & Tobago, Jamaica, Mauritius, Fiji etc. all have self-contained individual cultures that are inter-connected or unique to their own region.

These tiktoks, from my observation, show only Northern Indian cultural aspects with a heavy emphasis on Punjabi culture. Popular Tiktok dances feature Hindi and Punjabi, yet rarely any music from other states. Then again, it is called fyp for a reason. It may be the content I interact with, but then again I interact with a broad spectrum of self-stylized Desi creators on “brown tiktok”. From North to South.

Every now and then, there is legitimate criticism on limiting Desi tiktok to Hindi-Urdu and Punjabi songs where a number of videos have been circulating to test one’s “Desiness” whether you know these songs or not. Same goes for movies. If not, then you are white-washed. What about the rest, who don’t speak Hindi-Urdu or Punjabi? This is why being “Desi” is quite controversial because it means different things to different people.

Why do I think that there is singular North American Desi culture emerging? It is because Bollywood consumption plays a central role in it in making the younger generation believe that there is a such thing as one culture being portrayed in Bollywood while reality is something very different.

I as a Punjabi am used to seeing my culture being hyper-represented in Indo-Pak media. In fact, it is the culture that is used in Bollywood and Lollywood productions the most when we talk about cultural reprentation. Same for music, apart from Hindi, Punjabi is the only regional language that gets that much attention and gone worldwide – for good and bad reasons.

Home culture is very different. We all have our own home culture that we grew up in. We have our languages, our own foods, our own clothes, own histories, yet when these younger Desis present themselves to the outside world, it all dissipates and changed into this Bollywood-esque performance.

We suddenly ALL eat naan, biryani, samosein, jalebi, gulab jamun, roti and we ALL speak Hindi, wear saris, lehengas, shalwar kameezein and are ALL Indian, desi, and brown.

Yet, here I am, not knowing anything about other regional dishes other than my own which ironically is all of the above and more as a Punjabi-Pakistani. I have no idea what Gujuratis eat, no idea what Sindhis eat, I had no idea what Marathi sounded. I had no idea Bihari songs were popular. I have no idea what Assamese wear.

It disregards everything unique and hyper-focuses on Bollywood and Punjab as the source for this repackaged Desi culture. Bengali home culture, Punjabi home culture, Pashtun home culture, Tamizh home culture, Devehi home culture, Indo-Guyanese home culture, Indo-Surinamese home culture are all different environments, yet you won’t see that when you land on #browntok, instead you will see this generic brand where everyone supposedly can participate in disregarding that it leaves people out and alienizes anyone that doesn’t relate to “Desi culture”

I find it so odd that Patels are quite well represented, yet know nothing about Gujurati culture or their language other than “kemcho”. The reason why I bring this up is because the culture would be seen as foreign to the Desi-sphere and not recognizable as Desi because people views this “Desi culture” though a very narrow lense.

In a way this Desi culture is just repackaged Punjabi culture made palatable for the masses that are fixated on romanticized images of their home countries disregarding class differences, history, and culture. People don’t realize that only certain classe wore such ornamental dresses like the lehenga choli and thatvit was limited to a certain class or money and still is, yet is touted as something accessible to anyone.

Big “Indian” weddings are not the norm, they are the exception, yet still are juxtapositioned with White Weddings as being something extravagent. It only works if you or family have money.

Bottomline: this Desi singular culture does not exist outside of social media realistically because we all have our own cultural aspects that are unique. Bollywood is not an accurate and reliable cultural representation. You are not cultured by watching Bollywood movies, you are a good consumer. People need to show off their regional cultures more.

[sabyasachis]

Billo Hai | Parchi (2018)