#live out of spite and the desire to help each other. or any reason really idc as long as u live

[mukuberry]

Trans men are completely invisible to everybody!!!!!!!! It's like we don't exist in this world!!!!!!! If we all disappeared tomorrow nobody would notice or care!!!!!!!! FuckAaaaa

[guiltyasdave]

are you ever dreaming of me?

series masterlist • this is part IV

pairing: Dave York x f!reader

a/n: This got very dark very quickly, but it had to be done. It’s basically just one big love letter from me to Dave and his character. I know Dave’s behavior in the last chapter has been a little frustrating but I hope it’ll make more sense now (it’s still frustrating though ngl). I also know this is not as smut-heavy as the other chapters, which might come as a disappointment to some. Stay with me here, more filth is coming soon, I just had to get emotional for a second. <3 (also, please be nice because I lowkey hate this, actually)

word count: ~3.1k

summary: Dave’s side of the story.

warnings: ANGST, bits of fluff if you squint, age-gap, mentions of killing people, mentions of death, mentions of rough sex, power imbalance, able-bodied reader, somewhat unhealthy relationship dynamics, dubios morals (Dave is cheating on his wife… kinda), idiots in love, this whole serious is still very much 18+ only, mdni… did I mention angst? (As always, please tell if if I forgot something!)

dividers by @/saradika <3

find my full masterlist here!

Dave York isn’t a good man.

He isn’t a good man and he hasn’t been in a long time. He probably had been, once, when he first joined the military, when he still thought that he was doing the good thing, the right thing. Before he killed his first man. Now he’s living in shades of gray, where nothing is as simple as right or wrong.

He knows that what he’s doing is not right, but then again, the people that he’s killing aren’t good men either. He’s doing what he’s good at, what he has been trained to do for years. He doesn’t really know what else he’s good at. If there even is anything else.

He makes enough money to provide well for his daughters, the only thing in his life that he really cares about, the two girls that he loves more than anything. He loved their mother too, once, when they were both young. They were high school sweethearts, got married quickly simply because that was the thing that you did, only to realize later that adult life with each other wasn’t what either of them had imagined.

He’s never told Carol what exactly it is that he does, trying to protect her, which then led to her not understanding what was going on when he came home feeling cold and empty, a void inside of him that nothing could fill. They both grew distant from each other, not sharing any real connection anymore, just living aside one another. It works for him; their daughters are still the top priority for both of them, and they’re going to do everything in their power to give them the best possible childhood.

He suspects that Carol is seeing someone else, with the way she’s sometimes working late for no good reason, sliding out of the room to answer her phone at odd hours, the way he occasionally finds a position on their shared credit card bill that he doesn’t have an explanation for.

Dave knows that if he cared, he could easily find out every little detail about it. If he cared, he would probably be angry at how she’s not even making an effort to hide it. But the thing is - he just can’t bring himself to care. Has never done the same thing either, neither out of spite, nor because he had any desire for it.

Until he met her.

Sitting in a hotel bar, two seats over from him, when he’d just gotten a job done and figured that a quick drink might help him fall asleep easier. The whiskey’s burn in his throat didn’t ease the coldness that felt like it had permanently settled into his chest, not that he’d expected it to.

He had just decided to retreat to his room and get out of the city first thing in the morning when she sighed loudly and downed her own drink abruptly. He had noticed her when he walked in, the way he always clocked every person in any room he entered, and every possible exit route. He had absentmindedly noted that she was attractive, then dismissed the thought immediately. Probably here for a date, much younger than him, not paying him any mind. Not a threat, and therefore not important.

Not important at all, until he found himself turning to her and offering to buy her another drink before his mind had even caught up to his actions, learning that she had just been stood up for what would indeed have been a date, noticing the glint of interest in her gaze as she eyed him up and down, feeling a kind of longing that he hadn’t felt in a long time.

Getting her to go up to his room with him had been easy. A mutual understanding of wanting each other, the desire to turn a shitty evening into something else, something that he doesn’t think either of them understood at the time.

Kissing her for the first time had been easy, too. Touching her, feeling her hot skin under his fingertips, her entire being so much softer, lighter than he was, felt easy. It felt right, like something that he hadn’t known he was missing right until that moment. He wanted to devour her, make her his, get her as close as he possibly could, before he inevitably had to give up this fleeting moment of something that suspiciously felt like happiness, and happiness never stayed within his reach for too long.

Sinking into her for the first time, hearing her gasp, her breath hot against his neck, felt even better. This was never gonna last, things this good never did. The way she clenched around him when he first slapped her ass and her whimper of “harder, please” turned him feral in a way that he hadn’t known before. How she gave up all control to him so willingly when his entire life had felt out of control for so long - it was addicting. He had known that he would come back for more again and again before he had even spilled himself into her for the first time.

He hadn’t planned for her to stay the night. Hadn’t planned for the way she kissed his lips in the morning, acting a little shy, like she was worried that he might send her away, but so clearly showing him that she wanted more of him, if that was what he wanted. And god damn, did he want to give her more, give her all that he had to offer, if only it wasn’t for the fact that any more of him would be enough to scare her away for good.

So, he didn’t give her more. Made it abundantly clear that he wasn’t looking for an emotional attachment, told her about his marriage, told her that they couldn’t be a thing. She was quick to hide her disappointment, but not quick enough for him not to notice. He half expected her to walk out then, that this wasn’t something she wanted, but instead she scribbled down her phone number, gave him a flirty smile and told him to call her “whenever”.

He knew he was being greedy, that he should have kept it a one time thing that he could keep a fond memory of, but of course he called her. Kept making stops in her town before flying back home, started spending weekends with her, the feeling of being around her too good to let go of.

He knows that it’s not right, that he’s probably taking advantage of her in some way. Of course he sees how badly she wants to please him, how she looks at him like he’s hung the moon for her. She has never denied him anything, no matter what kinds of depraved things he’s wanted to do with her. Hesitated, yes, but she has never said no. Never called red, never asked him to stop. Not when he first told her to call him “sir”, not when he spanked her for the first time, not when he’s edging her until she’s barely coherent, not when his fingers tightened around her throat for the first time. He could leave her a crying, shaking mess on the floor, and by the end of the night she’d still look up at him with those wide eyes and thank him.

It’s addictive and he can’t stop, always comes back for more when it feels like his whole life is spiraling out of his control again, when the darkness around him is threatening to swallow him whole. She’ll let him grab at her with rough hands, mold her body into any shape he wants, let him spit filth at her and let lose until he feels grounded again, until some of the darkness around him has dissipated.

Lately, work has been weighing on him even harder. Maybe he’s just getting older, maybe he has finally reached his limit, he’s not sure. With the whole week off, an incredibly rare occurrence, he knew who he wanted to spend it with. She had seemed stressed lately, like she needed a break too, so it was easy to convince himself that he was doing this for her. That it wasn’t just a selfish plan of his to spend more time with her.

Because somewhere along the way he has come to enjoy the time with her way too much. He enjoys lying in bed together, both of them catching their breaths, laughing about a stupid joke, the little tidbits from her life that she shares with him, the rare occasions when they’re walking around her neighborhood. The way she shyly grabbed his hand the first time, like she was scared that he would pull it away. The smile that she tried to but couldn’t hide when he didn’t.

This isn’t right and it’s not going to last, he’s well aware of that. As clear as he has been about his intentions, he still feels like he’s leading her on sometimes. But it feels too good to stop, to let go of one of the few comforts that he has in life.

The past few days with her have been heaven. He hadn’t anticipated how much he would enjoy spending so much uninterrupted time with her, how good it would feel to be around her the entire day, just watching her be herself and listening to her talking. And he has been talking as well, the feeling of speaking to someone without an ulterior motive, of someone listening to him just because they wanted to, more meaningful to him than he could put into words.

And all throughout, she had so willingly bent to his every wish, put all her trust into him, secure in the knowledge that in the end, he would take care of her.

So, Dave had let his guard down. Relaxed. Then the dream happened.

Last night, he had come home to find the girls slaughtered in their house, their small bodies soaked in blood. It’s a recurring nightmare, a fear that he can never entirely shake off, that haunts his subconscious every couple of weeks. He’s being thorough in his work, never leaving loose ends, keeping his private life concealed from the world that he moves in. The risk that anything could happen to them is as low as he can push it, but it’s not zero. Never zero, and it’s eating at him. Usually, he wakes up alone, gasping for breath, the sheets soaked with sweat. Him and Carol haven’t slept in the same bed for a long time.

Last night, it had been different. It had been different because she had been there beside him, shaking him awake and holding him in her arms until he calmed back down. It had also been different because she had been part of the dream. Just as dead, just as blood-soaked as his daughters.

She had been so sweet when he woke up, and it broke his heart. He wasn’t a good person. He was endangering everyone around him, he was endangering her by not being able to end this thing with her, and yet here she was, oblivious, comforting him.

He had always thought that eventually, he would be the one to break things off. But what if it was her? What if she figured out what a pathetic excuse of a man he was, that he couldn’t give her anything? Not a real relationship, and no future. He couldn’t let her in, couldn’t let her see who he was. What he did, what he was afraid of - and just how realistic those fears were.

He couldn’t even bear to picture the look on her face if he ever told her. The betrayal, the disgust, and eventually the fear. He couldn’t tell her. He wouldn’t. But how could he go on with this, knowing that every minute that he spends with her, he puts her in danger? Someone could find out. Someone could find her.

So does what he does best. Makes a plan. Suppresses his emotions until he’s sure of what to do. How to keep her safe. The logical part of his mind arrives at a solution pretty quickly: She’ll be safest if she stays away from him.

The emotional part of him, the part that he tries to keep shut down, doesn’t approve of this idea.

He has to tell her. Sooner rather than later, while the dream is still fresh in his memory, while he can still see her dead body when he closes his eyes.

Because he obviously knew about the dangers of being with him when he first laid eyes on her. When he kissed her for the first time, texted her for the first time, walked up to her apartment for the first time, when he booked this damn vacation because he’s unable to stay away from her. Unable to think straight when it comes to her. There’s a million reasons why he shouldn’t be with her and yet, he always finds a reason not to quit.

He tells himself that he’ll speak to her as soon as she gets up. Then once he’s done with his phone call. Maybe after they’ve had breakfast. At the end of the day, when they’re back in the room. He never does. He can’t.

The tension has become unbearable at that point. He knows that she’s confused, that she has questions that he doesn’t have answers for. His life feels out of control once again, so he tries gaining it back in the only way that he knows.

He half expected her to refuse him, but she seems just as relieved as he feels when he tells her to get down on her knees. Afterwards, he doesn’t feel better. Possibly hates himself even more.

He can tell that she’s off afterwards, and he’s battling himself to comfort her. This is not what he should be doing. None of this is what he should be doing.

Usually, she tucks herself into the space between his shoulder and his chest before he can even say a word. Not tonight. Tonight, she had her back turned to him before he had even switched off the lights, the “good night” that she normally breathes against his neck nothing more than a murmur from her side of the bed.

He stares at her backside in the darkness of the room, the way she seems to be curling in on herself, and he has no idea what to do. What they just did seemed like what she wanted, she had appeared eager, enthusiastic even, but maybe he read her wrong. Shit, he hadn’t even asked for her color once.

It’s quiet for a long time. He finally feels himself slowly drifting off to sleep, when her hears her sniffle. His eyes fly open again. It’s only minimal movements, but he can see her tremble ever so slightly. Fuck it, he thinks to himself as he reaches out towards her.

“Sweetheart? What’s wrong?”

You tense at his words, at the fact that he’s apparently awake. Has probably been the whole time. You try your hardest to make your voice sound normal, even though you know that it’s pointless.

“Nothing.”

It comes out even weaker than you had anticipated. You keep your back to him and feel him shuffling closer, his hand gently pulling at your shoulder to turn you towards him. “Baby. Talk to me.” His voice is soft in your ear and your heart is beating painfully in your chest. Baby. He has never called you Baby before. You feel a fresh wave of tears welling up in your eyes and shake your head but let him turn you around until you’re facing him.

His eyes search your face in the faint moonlight that’s filtering into the room and his hands cup your damp cheeks, his thumbs gently running over the skin under your eyes. The worry that’s so evident in his expression right now makes you want to break down. You’re exhausted, and confused, and you don’t understand the man in front of you and his contradictory behavior at all. So far you’ve been crying silently, but you can feel your bottom lip trembling as you try to suppress the sobs that are threatening to crawl up your throat.

“Did I- shit, was I too rough, did I hurt you? You didn’t say anything, but I never asked- I should’ve checked, I’m sorry, I-“

“You didn’t hurt me,” you whisper, cutting off his frantic rambling. He didn’t, not in the way that he’s referring to, anyway.

“Then what’s wrong?” he pleads, his hands still on your face, “Talk to me.” You inhale deeply. You really don’t want to have this conversation, but maybe it’s best like this. Rip the bandaid off, make it quick.

“Do you want to leave?”

Your voice breaks on the last word. He stares at you for a beat, his eyes wide. “Do I- What?” You shrug, unable to bring yourself to ask a second time. One of his hands slides down to your shoulder, holding you there. He doesn’t speak, his eyes boring into you.

You can’t hold his gaze any longer, your eyes dropping down to his chest instead. “You’ve been… weird. Today. I thought- I don’t fucking know, that I had done something or that you’ve-” a sob breaks free and interrupts you, “that you’ve had enough of me. That you don’t want to go on with… this.” You gesture helplessly between the two of you.

You’re certain that now you’ve said too much, that if he hadn’t had enough before, he definitely has now. You’re supposed to be fun, a distraction, not someone who’s clinging to him, but you’re feeling too exhausted, too raw to keep pretending like this thing between you doesn’t mean something. To you, at least.

“Fuck,” Dave mumbles, and you gaze up to see the anguish in his eyes before his arms envelop you and he presses you against his chest, speaking into your hair. “I’m sorry, sweetheart. You didn’t do anything wrong, I promise.”

It’s quiet for a minute as you’re inhaling his scent, trying to calm yourself down, when something occurs to you. “You didn’t say no,” you whisper into his chest, “you said that I didn’t do anything, but… you didn’t say that you don’t want to leave.” Dave freezes for just a second, searching your face, then he sighs heavily. He sounds defeated, you think.

“No, I don’t want to leave.”

taglist/people who have expressed interest in this: @joelscurls @reddedmiller @iamasaddie @guelyury @theywhowriteandknowthings @amanitacowboy @corazondebeskar @vabeachazn @mellymbee @bbyanarchist @untamedheart81 @missladym1981 @no1-nosesitter

let me know if you wanna be added, also no hard feelings if you wanna be removed! 🫶🏻

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series masterlist

[emmieblueeyes]

Let me introduce you to my inner voice. She is one serious bitch! She's cruel, violent and she hates me.

At my worst moments of failure and personal recognition of lameness, she is there to cast a shadow over me. She tells me that I am disgusting. She tells me that I am a mistake. That I am ugly and that no one would miss me. She twists harmless comments made by the people in my life into cruel proof that if I was to die today, people would move on. She tells me I am a coward. She tells me everybody, especially me would be better off if I wasn't here.

She makes me cry. She also makes sense to me. I know her, she's been around for a long time and I secretly believe she's right.

Positive mental health has been made into a morbidly obese happiness eater. People are applauded and heralded as positive role models when they tell you on various media platforms how to keep smiling, how to chase your goals, how to be happy in spite of your traumas, and road rage at traffic. Most of all, these welfare and mental health gurus tell you various steps on how to have a positive or solution focused mindset that will eradicate the toxic inner voice.

I am going to a funeral tomorrow. For a client that I cared about and I want to honour them. I work in social work. I bought a dress. My boyfriend asked to see pictures that he could look at from across a different time zone. The evening descended into chaos. Seven months ago I was 24 stone. I am now 17 stone. I wasnt always big. Five years ago, I had a wonderful body that I wasn't grateful for and judged. I used to wear dresses everyday. Now I rarely wear them because my big belly and tree trunk calves cause me to wince and so I wear clothes that are strategic in what they highlight and hide. I go to the gym every day. I have cut out wheat, sugar and I live in calorie deficit. It works. Week on week, I lose pounds, small and great. But when I wear the dress, there is still mounds of fat everywhere. I can't send any photos to my boyfriend. He's not going to be turned on by my morbidly obese backside and bouncy castle physique. I am not turned on by it. I have another 7 stone to lose to be at my target. I look terrible in the dress. I look terrible full stop. I look as large as I did at 24 stone. I don't look normal, I look like an eye sore.

That's when the bitch serves me her best hits. She unleashes such torment that I want to die. I truly want to close my eyes and not wake up. I don't think I would really be missed for long. I am a blimp. Remembered and then forgotten. Not truly needed by anyone that couldn't replace me. I am temporarily suicidal. Seriously and not.

I say this as someone who not only works in mental health but as a trainee therapist about to qualify this year.

Good mental health is not the absence of toxic thoughts or never having a desire to die or to hurt yourself. It is the ability to know how to make sure that you around tomorrow and the day after. To continue even with a bitch throwing shade. To try again, even when you believe her. Good mental health is being able to hold a state of hope and hopelessness - waiting for the choas to quieten and move towards a kinder reasoning.

I want media platforms to talk more about the bitch. Maybe if we talked more honest about her and her long-term stay in our own lives, more suicidal thoughts would stay temporary, and we wouldn't hide this bully so effectively. We could help each other wait it out. Like strangers at the bus stop during a storm. We talk, and we joke because together, it feels a little less shit and the bus seems to get there quicker.

[lipstickchainsaw]

Victoria/Lisa

So, the running joke here is that these two act like a divorced couple forced to hang out because of shared custody, and that's a good joke, but let's dig a little further!

Lisa is not interested in relationships for herself, in either the romantic or the sexual side. She is in no way attracted to people, but there are hints that she's still a little romantic at heart.

She sets Taylor up with Brian, for example. Now, how much of that is because of her desire to give Taylor a happy and fulfilling life to counteract her suicidal urges, and how much of it is Lisa living vicariously through other people is up for debate (and I'd probably lean on the former, personally), but let's look at it from both sides.

For the latter, despite Lisa's cynicism, she eventually admits to herself that she actually gives a shit about humanity, about people, and wants to see them survive and live. This is a conclusion she comes to at the worst possible time in Worm, and that drives much of her motivation in Ward. A part of her really does want to see people happy, including in ways she herself isn't actually interested in.

And for the former, well, Lisa put a lot of effort into saving Taylor (and is saved by Taylor in return), but, in the end, she could not stop Taylor from sacrificing herself when that seemed to be the one thing to do. This left Lisa adrift. She attaches herself to people like Taylor in order to save them, in order to make up for what she feels is her failure to save her brother (see my post about her name), but, after Worm, the loss of Taylor weighs heavy on her, and none of the people around her are doing badly enough to need her.

So instead she's trying to keep the world on the rails in her supervillain mastermind way, which is something she wants, but doesn't satisfy her, and she gets cranky because of it, and drives her friends away, and gets harsher in the choices she makes for the world, spiraling without anything to grab onto, to help her focus.

And then Victoria comes back.

Victoria's spent two years in the hospital, and another two years barely living, going through life as if by rote. She's deeply uncomfortable in her own skin for Amy related reasons, and not particularly happy with her power, also for Amy related reasons, and also not exactly willing to think about herself being in a relationship, also for Amy related reasons. Sexually, she is interested in guys, but a lot of this is because she has some seriously conflicted feelings about any potential interest she might have in girls, for, well, three guesses.

Throughout the early arcs of Ward, Victoria finds some zest in her life, and comes back to life, finding her passion in heroism, and that's because one of the villains of her old hometown, one of the catalysts for the Amy situation, one of her own failures, comes right back to poke at her, and is she going to let her? Absolutely not!

The relationship that forms following that is mutual antagonism, with Victoria not wanting to just let this villain ruin more lives, and Lisa incredibly annoyed this ill-informed hero starts getting in her way of saving people. Both of them are wrong about each other, of course (Lisa's motives are more altruistic than Victoria is assuming, but Victoria is absolutely right to stop Lisa's more callous tendencies).

More importantly, however, the mutual antagonism is healthy for them both. It gives Victoria a goal, someone to spite, and the antagonism and the barbs are honestly a kind of security blanket an almost safe way of dealing with her personal vulnerabilities, and Victoria hones Lisa's focus, with someone who can actually hold her to account when she starts messing up, and someone she starts giving a shit about, despite her own reluctance to get there.

They don't come up with the idea of working together themselves, because the hatred is genuine, but both their teammates are more willing to cross the hero/villain gap, and, eventually, they become each other's first thought when they need someone on the other side of that divide.

As things go on, they settle into some kind of weird absolutely not friendship, where the barbs never stop, and they don't even stop being genuinely mean, but they're also safe, because they know each other well, and their hatred of each other as 'evil villain' and 'ignorant hero' both softens and hardens into 'this bitch is so close to doing it right, but she just has to be an asshole/idealist'.

And the fun part is that they never stop doing this! They just start hanging out together more, without this making them like each other more. Them hanging out together changes how they view the world, and it makes them both better at their side of the 'keep the world together' job, but they never fully resolve this conflict, even when they both start mentoring the same teen superhero/villain team.

Which is why they have bitter exes vibes throughout, and it makes for a great relationship dynamic.

A: I love it

[saltyemoo]

Sanya and Elwy have a toxic, codependent relationship that outsiders looking in...really wouldn’t “get”. It’s something that kind of only makes sense to the both of them, who feel it so deeply, this indescribable connection to and fascination with one another. It’s as though their very own souls call out in ways that only the other’s could possibly respond to, like their bond is simply meant to be.

Like they’re meant to be one, to be themselves and to be each other, to coexist and to not exist at all. To be of this realm and another and no realm at all. To live and to die, to watch lives start and to watch them end, to create life and to bring it to a grinding halt -- together.

Elwy, once called Eirian, is a spirit who, in spite of herself and her very purpose for being, came to trust a mortal so deeply that she would bind herself to him, opening up her own body to his soul. The mortal, in turn, betrayed her trust and hurt her. He used her form and her magic for personal gain, violating her, over and over again. Her freedom only came with his end, and upon returning to her forest she swore that she would never trust mortal kind again.

For years she would defend her forest from the mortal threat, to protect it -- and herself -- from any further harm. She could be ruthless and cruel and creative in her methods. Eirian had no issue spilling blood, especially indirectly, and for every foolish mortal felled another dozen flowers sprouted and bloomed in their place.

Elwy swore to never use the magic of healing for the sake of a mortal again. The image of a mother, cradling her son, sobbing joyfully as he’s miraculously cured of what injury should have taken his life, thoroughly disgusts her. It’s audacious. It’s painful. It’s regret and sorrow and loathing. 

Yet, when Sanya entered her domain for reasons unknown, they didn’t emerge from it alone. The trickster life spirit of the forest had bound herself to them. Even more shockingly, she allows them to utilize her healing abilities...with some terms and conditions.

And Sanya does not betray her. 

For every wound healed, a wound must be inflicted unto another,

For every soul brought back from the brink of death, a life must be taken,

For the life of a noble blood, a town must in turn wither and die.

(She fucking hates the nobility. Some things do not change.) And Sanya adheres to these conditions as they interpret them, and Elwy observes in fascination. Because she isn’t just a tool to them, she isn’t just a key to power, or a contract to be broken and thrown away. Sanya respects Elwy, and Elwy respects Sanya back, in her own way.

Sanya is a good person. They’re trusting, they’re gentle, they’re kind, and their heart bleeds for the world. They’re capable of great hurt, and they have hurt people, but they don’t want to. The guilt they feel for their transgressions is something they internalize deeply, and they greatly exasperate their own wrongdoings and mistakes. 

Sanya isn’t a bad person, but they think they are. They tell themself that they’re bad because it’s what makes sense to them. Because why would a good person hurt people? They’re desperate to make things “right”. They can’t unhurt anyone, but maybe they can still atone for those sins. Maybe there is something that they can do to bring more “good” into the world, to make up for the “bad” that they’ve done.

Elwy grants Sanya the power they desire, a means of atonement, the ability to help people, to be “good”. In turn, Sanya hurts themself. A wound healed must be inflicted onto someone else, so Sanya chooses to take it onto themself. They will heal your bruises and take them as their own. They will mend your flesh, and in turn mar their own. Your pain will become theirs. You will be freed of the burden, and they shall shoulder it in your place. Because that’s what being “good” looks like.

And Elwy enjoys that about them. She thinks it’s riveting, and strange, and stupid. To her, there isn’t a bit of “good” in those selfless acts, only recklessness and shame and delusion. But she doesn’t stop them. She hates it and she likes it. It’s revolting, she rolls her eyes at it, but it makes them so very interesting. They’re a hypocrite and a fool and a mess of conflicting ideals and judgements and a puzzle to be studied.

Elwy isn’t a good person. She hurts people because she wants to, and she does so very intentionally. She has nothing to atone for and every justification and none at all. She is everything that Sanya is and isn’t, their opposite and their mimic. Their souls intertwine and sing a discordant lullaby. They directly conflict with one another, but they mesh together with such ease that they must have been made for one another.

When Sanya abandons their body to inhabit Elwy’s, they feed on each other’s thoughts and emotions and memories. They corrupt each other and make each other whole. 

They are yuri.

That is all.

[phantomdialogue]

˗ˏˋ. ݁₊ ✶ ˖ 𝐬𝐩𝐨𝐨𝐤𝐢𝐥𝐲 𝐲𝐨𝐮𝐫𝐬 𝐛𝐲 𝐣𝐞𝐧𝐧𝐢𝐟𝐞𝐫 𝐜𝐡𝐢𝐩𝐦𝐚𝐧 - 𝟎.𝟓/𝟓 ☆ . ݁ ˖ˎˊ˗

premise: willow is looking for a new familiar when she happens upon a black cat in the local shelter. however, she quickly learns that her cat isn't a cat at all. it's the bastard prince of the demon realm and he needs her help to break the curse keeping him in his current form.

couple: damien and willow

tropes: witch/demon, demon prince, slightly grumpy x sunshine, halloween theme

available on kindle unlimited

review below!

review:

this is the closest i've gotten to a DNF in a while. i got genuinely upset reading this book. the concept was there. the concept was great. the execution made me want to scoop my eyeballs out with spoons. it had so much potential. a shifting demon playing the part of a witch's familiar... like are you kidding me? how do you fumble the bag that hard?

there was so much that i didn't like about this. the instalove/fated mates made me genuinely upset because i think part of what would have made this concept work is them building a friendship with him as her familiar at first and seeing that translate to him as a demon when she broke the curse. then the love could have grown from there. i know the author wanted to do that soulmate thing but i feel like it just ruined the potential of the romance by trying to fastrack to the spice (that i don't have an opinion on honestly. i didn't hate it and i didn't like it at the same time. i was just indifferent) and having them already "so in love" with each other.

there was also so much room for world building that the author just straight up did not do. it's centered in this town exclusively full of witches with magic to keep humans from seeing that it's all witches and we didn't get any information other than those two facts. when was it formed? was it always just witches? did humans live in peace with witches there at any point? there was another concept there that could have been cool but it just was completely forgotten in favor of a, subpar at best, romance. i mean we didn't even get to learn the character's last names... like it was just severely underdeveloped, i think.

this book unlocked an anger in me that i didn't know i still possessed after reading so many good books in a row. i finished it out of pure spite (and desire to finish my goodreads reading challenge faster but mostly spite). this was the case of "was i going to finish this book for the completion status or throw my kindle across the room?" and thankfully for my kindle, i chose the first option. the only reason it's getting even 0.5 stars is because of the concept. nothing else.

q & a:

are they endgame? - i would say i sure hope not but the book literally did the "we're fated mates and you'll claim me and we'll live together forever" thing so unfortunately canonically yes? but in my head, if we took away the immortal claim thing, these guys wouldn't last a year. it's just not there. the lust would fade and then it would be over.

did i cringe? - i don't know if i could classify what i felt as cringe. it was just anger. a lot of upsetness. if i was cringing, i didn't realize because it was overshadowed by my overwhelming dismay with this book.

favorite part? - no.

least favorite part? - instead of not being able to choose a favorite part, i am not able to choose a least favorite part. i didn't like it. just straight up. it made me so frustrated. it was severely underdeveloped. the plot was paper thin if there. the romance was subpar at best and extremely rushed. it really just was one of those books that was made to be marketed on booktok. i felt like i was reading a fanfiction off of wattpad a majority of the time. if you told me damien was secretly harry styles, i wouldn't have been shocked.

favorite quote (there isn't really much to begin with but i liked this one i guess):

Sometimes it felt like he was trying to commit every inch of me to memory, like if he kissed me enough, I would never fade from his thoughts. 

[aquaaquila]

@cafecxonmilk I guess you will be the first "fire starter" of this discussion so let's talk.

The first thing I want to establish is why yes, my post does call out mostly people who rather assume hurtful things regarding each other thus creating divides in this fan base, the people who choose to be butthurt over things they witnessed also aren't helping reduce the toxicity in the slightest. Though I'm not going to make you like someone as that would be absurd, nor will I shame you for hating as that's a valid emotion especially since you have a good reason to be upset. I just hope that rather than engaging in actual witch hunts on harassing Lunter shippers or straight-up talking shit behind their back, you simply just continue to live, laugh and love unbothered not sparing them any thought because if you don't, then what are you even doing with your life wasting your time on strangers you don't like? No matter how dumb you think they are, they're not worth your brain cell activity or bleeding heart. If you know better then be better. Just a PSA on establishing a difference between establishing personal boundaries and being an asshole.

The next thing to consider is that taste differs and it's fine if you don't vibe with fluff or healthy couples. Be weird, be wild, go crazy! Do whatever you desire and don't let anyone stop you...within moral boundaries, but this matter is fine. You can't really blame Lunter shippers for calling Lumity "just a fluff" when pretty much majority of the canon and fanon content focuses on fluff. And trust me, if Lumity fans didn't go out of their way to harass Lunter shippers, the actual Lunter critics of Lumity would be very mild "just not my taste, prefer more angst and spice" and stuff like that. That would also help identify actual homophobes within the fan base better since you would be able to see who's an actual outliner who is messed up. But instead, the Lumity fan base declared a pointless shipping war on Lunter shippers who knew they wouldn't win the first time and made them fight back and be as nasty as they were perceived because much like Catra at Crimson Waste (yes, I'm being annoying SPOP fan because I'm rewatching it now), they no longer gave a shit on doing right or wrong if they always would get the short end of the stick by the world.

Also, I already stated somewhere here (and if not then I'm stating it here) that both Amity and Hunter are being used by their fans respectively to dunk on each other through their characters (it's like playing with dolls but both dolls are caricatures that are meant to say mean things to one another). Like Hunter's mischaracterization caused by Amity Toxic fans is just as bad. There's no good guy here Lumity/Amity fans will dunk on Hunter and use Amity to bash him for existing along with making Hunter just as unbearable, and Lunter/Hunter fans will make Hunter spiteful towards Amity while making her an absolute bitch. Once again it's pretty much monkey vs monkey where both of them are throwing shit at each other. If you really want to stop it then call out the actual root of the problem of "Why are we using those characters as our mouthpieces? Why can't we just let it go and enjoy ourselves instead of tearing one another to shreds? What's the point in all of this?" instead of going "Those fans are the worst because they do the same thing we do to them but they're directing it at us now so it's wrong". My entire post is about this fan base lacking self-awareness, sp I do suggest people look back to their own thoughts and figure if they aren't contributing to the problem even in little ways instead of going out of their way to blame it on someone else.

And the Luz "misinterpretation" does hold a form of validity to it you know. Luz indeed kept secrets from Amity every time the shit was really bad for her, which on its own is already a trust issue, especially after the first two times were supposed to break away from it, only for Luz to did again but even worse by not telling Amity the true reason why her mental health is truly going downhill along with how much downhill it's actually going (especially with her being even more distant and way less responsive by the end with the hug she gave Amity in TtT while watching villainous Lucy not as warm and then being also distant when Amity comes to check on Luz when she was laying in Eda's nest) to the point she even made a decision behind Amity's back to abandon everyone "for their own good", never coming back to BI and consequently breaking up with her. And this is even worse when you remember that what gave Amity strength and hope to pull through an eternity of S3 was that she and Luz would stay and fix everything together. Kikimora is a shipsaver for interrupting Luz dropping a bomb on her true plans in the photography room because we would otherwise have plenty of Lumity angst from this. After all, even if Amity wouldn't get mad, she would still be heartbroken.

I can't blame Luz for going through things but she still hides it away from Amity despite already 3 times supposedly learning to not keep secrets from her GF. And it doesn't help how easily she spilled her guilt to Hunter in TtT even if she didn't tell him anything about staying behind, along with both of them keeping Belos's presence secret too, which could've endangered the entire gang. This can be also blamed on Hunter sure, but Luz could've disagreed and this fan base sure loves making Luz little shit to Hunter that makes his life difficult and this would arguably be one good stance where it actually is for the better good and not just spite and pettiness.

People drawing a conclusion that Luz doesn't tell Amity everything because of her mean era does make sense because look how Amity at first reacted when Luz kept messing up unintentionally. Of course, Luz would be on a sub-conscious level because Luz established clearly multiple times she doesn't want to upset Amity and in their case, upset again because she upset her plenty of times in S1, and Amity's change still while gradual, was rather quick. Luz's life changed so much in so little time and Luz has gotten further than she could've imagined, so forgive her for also not always adjusting accordingly that her now awesome girlfriend is suddenly so understanding in spite of at the very beginning drawing wrong conclusions about her, admitting straight to the face she struggle to understand her and lashing out when Luz was being well... Luz. I don't blame Amity for also getting mad as Luz was at times really pushing it (even if she didn't make it any easier to NOT push her by denying Luz's direct request of friendship along with bullying her and her friends) so you really can't fault any of them or their relationship for having a flaw that OF COURSE would exist regardless of what they want, and people have a right to be upset even if it makes sense and still doesn't condemn the actual healthy dynamic between them as while Lumity has issues, it does tackle them gracefully and they still remain healthy even if they have hiccups in their relationship.

Like I'm actually sorry to play devil's advocate on this case as I acknowledge that you still hate this take and personally can't fathom it as truth, but there are some good arguments to be made on this case and I for one would not dismiss them. I did not just go out of my way to justify Luz being Evelyn parallel to suddenly do a whole 180 on this take, especially since this one can still be used to improve Lumity by giving them self-awareness and an arc where they try to either defeat it or in fact explore their issues even outside of their relationship if they can't tackle it together. And I did see it before and saw it as Amity ultimately being at peace that Luz may still not fully be over her mean girl era, both owning up to her past mistakes once again, along with actually giving Luz room to breathe and not being overly toxic over Luz not telling her everything. I still call this a bad decision for Luz to not confess everything to her girlfriend at least as it does put into question Lumity's foundation of supposedly always being "communicative" with each other when even they struggle to communicate at times as they still learning how to do such stuff (as fictional stories never truly get to such part and it's always just the chase after relationship) but in the end I'm sure they will overcome it and be stronger than ever. That's my 3 cents.

My very long rant about The Owl House many will have issues reading

Felt like writing my hot takes within The Owl House and its fan base after witnessing some crazy drama all over the blogs I follow and followed:

First things first, I want to establish that there's nothing wrong with liking other ships that are non-canon or ships that are canon. We can all co-exist peacefully, but we won't if we're going to assume that shippers of other ships by default must be sexist or delusional or just the worst. There are plenty of bad apples among all the shippers here, but they're not necessarily the norm (though to be fair the norm usually enables the worst behaviors of such shippers). As a whole TOH isn't a healthy collective and could never be as this fan base is much larger than people realise (you can't have so many people invested with this show for the fan base to be supposedly chill, like Fat Chance).

Like really you can go from canon purists who will keep everything wholesome and silly but because of how starved the actual canon left them they will include a hundred different headcanons that are not in any way related to actual canon and still be upset as if the canon was threatened when you can just to agree with the headcanons alone. There's still, of course, an issue of canon purists literally rejecting everything that's in their mind is supposedly not okay because it strays away from canon in a more direct way. Then you will have Wittelore enjoyers who just love everything about Belos, Caleb, and Evelyn in various different expressions, but it can at times go to becoming lowkey colonist apologist territory along with pretty much-appropriating everything that applied to the character of color into these three when two of them canonically were never given a proper characterisation and Belos is not supposed to be just a victim that deserves grace but the very force that creates victims and the one to continue the cycle without remorse or second thoughts becoming the cycle itself, thus not making it any wrong to unceremoniously end it, though plenty of people will still have problem with it and wish the show validated Philip's feelings. However, you will also have POC defenders who will give the attention and love to characters of color they deserve and even the demon characters like King for example, and acknowledge how they're in fact the main characters while pointing out the clear white favoritism. But this can also go to an extreme territory where you will be called racist for actually finding white characters your favorite and still being interested more in their characters, which as I said is in fact incredibly extreme and disingenuous and also, something that will invalidate all the other good arguments by the virtue of this extreme being the underlying reason behind all of them and thus completely diminishing the problem because people will no longer take it seriously. Then you will have shippers of non-canon ships that are literally harassed by canon persists and were like that for years until they snapped and started to return the favor in the same way to the point of being delusional about how the canon pairings were not the original plan and how they actually suck and it's the non-canon pairing that should be canon which also further fuels the cycle and validates those who believe that somehow the shippers of other ships are after them specifically and how they mean o good when in fact they're the monsters they created themselves. This also leads to the infamous "critics" of the show who will pretty much hate anything within it to also inaccurate extreme that is based on assumptions born from the collective gaslight of some headcanons being canon, along with people judging the show on the surface and assuming things that were never the plan because they made a connection to something else they liked and got disappointed when those two things turned out to be unrelated (for example Hunter's arc being not like Zuko's arc when clearly it was never the point) and thus shushing away any potential criticism the show actually could get by the virtue of getting criticism that holds no water upon the closer look and thus makes people believe the show is, in fact, flawless or that the flaws don't matter in the slightest (when they do as they help improve future stories to not make the same mistakes and create something better). And of course, you will have people collectively gaslighting everyone around them that everything is fine and there's no drama in the show even though everyone hates each other here and fuel toxicity together by constantly drawing distinctions between "us and them" but never talking about how toxic it is.

Congratulations, we created our Emperor's Coven at home! This entire thing is pretty much the reason why I'm making this thing.

But back to the rest of the actual meat of this post, that was mere appetizer.

Second of all: Multishippers exist. Some people like both Lumity and Lunter and there are Lunter shippers who like Amity, me included as Amity's one of my favorite characters. It's disingenuous to assume Lunter shippers are by default lesphobic or just hate Amity. Heck, the reason Lunter shippers dislike Amity is less about her and more about the fan base's attitude. Imagine being constantly harassed that you don't ship mainstream ship by being specifically reminded that a specific lesbian exists, even if this isn't about her. You would be tired of her too because "good for her to be a happy lesbian", but Lumity may still not satisfy people as it's basically all fluff at this point. People are so overjoyed with them being together they hardly explore now possibilities of them going through something. At most, they will use green-haired Amity but people still will be waiting for green to turn into periwinkle, and fluff will just overwhelm anything else. And don't get me started on how both of them also end up being flanderised and dirty because of each other (as it goes both ways). People can just not vibe with that or be indifferent, but because people get harassed for daring to not love Lumity or Amity, they just end up hating it more. The issue is not Amity, the issue is Amity being the only option allowed. And gatekeeping people from enjoying other ships isn't ok. It really makes you feel like people erase aspects of their characters just to conform to a specific image of them and how can you accept something like this when the show is all about embracing weirdness and differences and not conforming to anything. Loving Lumity is a norm in this fan base, not a break with convention.

Third of all: I'm sorry to y'all but I think that considering Evelyn and Willow as literal parallels because they both fell in love with "Caleb" is disingenuous to both of them. No one would draw this connection if Willow wasn't romantically involved with Hunter. And while I don't disagree that Huntlow is goated and canon/semi-canon, their relationship is still left to interpretation and they are only implied to have a thing but not confirmed to be downright an item. We don't know 100% if they're dating, playing the long game, engaged, or amicably broken up. And that's great as both of their characters work in their own right and they don't need an established relationship to be fulfilled and people can interpret their relationship however they like, no need to throw pitchforks at one another. And Willow being dressed up AS A STEREOTYPE just doesn't help the case of her somehow being Evelyn's foil. Luz was dressed as an actual witch character (even if said witch is also not how real witches operate either, but it's still closer in meaning than Willow being dressed up as a devil as if Evelyn indeed charmed Caleb and he didn't fall in love with her like a normal person or that Evelyn was ever in the wrong to like a boy).

And as for Evelyn: please stop just summarising her up to Caleb's love interest for Titan's sake. We may not know much about her but we know that they did start as friends according to Dana's livestream and later on they would become parents to their child (if Belos didn't ruin it). Not only it's different from Huntlow as Huntlow didn't establish where they stand in their relationship at the end while it's clear that Evelyn and Caleb fucked, but Evelyn and Caleb had their love story that did take time (Huntlow at most is just getting started but for all, we know they could still break up in the future cause why not, it's their choice, first love isn't necessarily the only option). My point is that Evelyn's life didn't revolve around her love for Caleb alone so saying Willow and Evelyn are parallels because of them being lovers of our favorite white boys pretty much erases both of their characters. Evelyn's worth as a character doesn't end on getting pregnant, but also being a catalyst of all the events within the story, along with being a Clawthorne ancestor and original wild witch living between worlds.

Fifth point: this is where I bring Luz into this as the parallel, the infamous "Luz is Evelyn" everyone just loves to discard because it's only used as Lunter's argument and further making Evelyn only Caleb's bitch and nothing else, but here's a thing: you can use this parallel platonically to further spite Philip. People draw the connection because aside from having no romantic feelings towards "Caleb" (which is the only distinction between the two), Luz is also a wild witch (wild as in both wild personality-wise, wild as in everything Belos stands against (and side note: Willow being someone Belos wouldn't approve of is not a high bar because Belos would literally not approve of ANYBODY within our cast, so Willow's not special in this regard, heck Belos doesn't even know Willow all that much), wild as in using the very magic that came from the titan and wild as in a wild card that changed the course of history) that traveled between realms and came from another world (let's be real, Hunter is a witch from boiling isles, not a human from the earth, so Luz by a longshot matches the description better than Willow who's just a regular witch born in the demon realm to Hunter that frankly wouldn't be hurt or restrained by the coven system as she only uses plant magic from her bile sac and didn't go against the empire until season 1 finale and even then she didn't do it as a wild witch but child witch railing witches belonging to the coven to release Eda). Both of them also have loose association with Clawthornes as Luz isn't legally one but just a surrogate daughter of one and Evelyn's surname isn't known, the clan could've been established much later down the line or Evelyn's descendant married into Clawthorne's family, making Evelyn just an ancestor at best and distant at worst. I also already mentioned how both of them are catalysts to both the rise in power and the death of Philip while having massive guilt over it (Philip died on the inside as he killed Caleb, crossing the moral event horizon along with setting on the journey of destroying the entire realm. Plus I cannot imagine the survivor's guilt Evelyn must have felt over Caleb dying and orphaning their unborn child - which parallels Luz thinking she doomed her palisman by carving into an egg thinking it could never hatch because of how "she keeps on messing up constantly"). And of course, it's clear as day that Luz kickstarts Hunter's redemption arc by introducing Flapjack (and Evelyn did the same with Caleb, meanwhile Willow's only interaction with Flapjack is her giving him flowers on his grave; and it's worth noting as I doubt that Evelyn intentionally 'fixed" Caleb, much like Luz didn't intentionally "fixed" Hunter, though people sure love to think otherwise), making him question what he knows (a witch hunter falling in love with a witch - existential crisis is warranted, along with tones of guilt) and making him "betray" Belos (Hunter disobeyed Belos in HP and then questioned him directly in HM; Caleb "left Philip behind"). Like I'm sorry but Willow did nothing but wait till Hunter gets his shit together by himself (the only thing she actively tried to change his mind about is not judging a book by its cover but that's where it ends; she didn't call him out on doing the utterly terrible thing of kidnapping them to his cult nor anything else he did that wasn't morally correct) while Luz openly defied him and his worldview for him to come to his senses ("You're really going to take all those Palismen? I know what he does with them. I thought you were a good guy, but that was just wishful thinking" Hunter then proceeds to protect Luz from Kikimora, reveals his name, and lets Luz go with the Palismen just like that). Trivia: Evelyn also has brunette hair that is wild and tied back, Luz used to have them too early on but shorter, and currently they're curly.

That's where parallel comes from. That's what Evelyn us to Caleb: catalyst of change. Yes, Luz isn't in love with Hunter, but we could headcanon away that Caleb would be merely an uncle of Evelyn's kid, who's going to stop us from doing that? We can even make it that Philip felt replaced by Evelyn by her being Caleb's "new sibling" just for the fun of interpretation of the character.

But even if we won't do that (as no one forces us) then we must remember that parallel characters are not 2 characters being one and the same. Evelyn and Luz would still be separate entities and there's no crime in that. Luz not falling in love with a blond white boy is fine because that isn't and shouldn't be Evelyn's defining trait. Evelyn's defining trait is kickstarting change in Caleb which kickstarts Belos's vendetta against Witches. Romance was a bonus.

My sixth point: Last but not least let's finally talk about the elephant in the room that is parallel between Philip and Luz. All interpretations are valid, if you're choosing to interpret them like that, it's your valid choice and opinion. But saying that it's THE thing that happened within the show is just not correct and let me explain why before you discard me altogether if you haven't already.

Luz projected into Belos and Belos took advantage of that.

There, I said it, that's the ultimate truth of the show, you literally cannot deny this isn't how it happened.

Luz pretty much only had Philip as a point of reference to someone who shared her experience of a human in the demon realm. However, if she got to know Caleb instead of Philip, he would be the one Luz would compare herself to him. Ironically, she would be more correct as both of them are humans who run away to the demon realm after being possibly rejected by the closed-minded society and leaving behind unpleasant reality and their only living family member who they didn't realize how much they've hurt for choosing to leave them for the world that made them happy and helped them flourish (compare starved Caleb in Belos's vision to Caleb living in the demon realm and introducing Philip to Evelyn before he decided to kill them,). You could even say that Luz is a fusion of both Caleb and Evelyn at once. But unfortunately, Luz doesn't know Caleb as well as the audience does, all she knows is that he used to be a witch hunter who fell in love with Evelyn but that's about it. She doesn't know that he even has a connection to the portal door or Clawthorne ancestry.

So with no one else as a point of reference, Luz is going to compare herself to Philip Whattabitch. She assumed that she must be as bad as Belos because she thought he sincerely thought he was doing everything for a genuine reason and not because he was just a douchebag. Sure Philips's motivations are complex, but they don't come from a good place in the slightest. The Titan himself literally asks Luz if she's drunk on Eda's apple blood for thinking she's just as bad as Belos.

Like seriously, Luz stumbled on the Isles by pure accident. It was never for a reason or a higher purpose. She was never "destined" to go there, but it was her actions and decisions that led her there and changed the world around her. She didn't know the reason why she landed on Boiling Isles because there never was any reason or a prophecy to justify her presence there as it was never needed. This is not the same as Belos who willingly went to the demon realm to both find his brother and destroy all the witches. Luz very quickly grew out of "I'm the chosen one" whereas Belos made himself a false messiah. Even the Titan said that she's not chosen to be given Titan powers by fate but for her actions and kindness she's given them to support her and it was her decision to accept them. Not to mention that she respected the Isles, the inhabitants, and the magic that was part of this world, while all Belos ever did was destroy, murder, and steal it all for himself.

The show doesn't tell you Luz and Belos are foils, the show tells you that Luz VIEWS herself as Belos's foil, but she's nothing like him. Even their respective hero complexes are different. Luz seeks self-improvement to find a community for herself to belong to. But Belos? Belos wants to get praise and glory for slaughtering "the evil". Those two are not the same because Belos doesn't care about anyone but himself while Luz is all about what other people feel and think about her and she sacrifices herself multiple times for other people's sake. Belos would never do that. Belos wasn't even happy that Caleb was actually well and healthy in the demon realm, in contrast to the vision where Caleb is starved and sleep-deprived because he had to look after him ever since they were little orphans, sacrificing his own well-being. But Luz would rather give up her own hopes and dreams just to not see anyone she cares about ever put themselves on the line like that.

At most, I can agree that Luz represents what's best in humanity and Belos represents the worst, but that is still an incredibly broad concept that just doesn't contribute much to the actual story of TOH which isn't about humanity as a whole. And I'm sorry but this parallel is just used to woobify Belos and villanise Luz, something that certainly is not right. Because even if you made Belos a hero and Luz a villain, they'd still be nothing like one another.

Even Luz's dynamic with Hunter is nothing like Caleb and Philip. Caleb and Philip grew up together and they were the entire world to one another growing up. But Luz and Hunter didn't even have each other when growing up, they didn't get to know them until their teens, and the first time they meet they were at each other's throats which is different from Wittebane brothers having a loving relationship early on only for Belos to stab Caleb. Arguably, even if liked the idea of Luz and Hunter being siblings, I'd be disappointed with how much the show didn't do anything with them and it's always the fan base that pulls heavy weight on them being sibling-like. Like Hunting Palismen is them not even being friends let alone family and it's still supposed to be the pinnacle of their sibling rivalry, even though they were actual enemies and Luz is just as petty and immature here as she is with Kikimora? Luz supposedly didn't go after Hunter after he ran away from the Owl House whereas she did chase King when he learned the truth in Echoes of the Past? Supposedly we never had an on-screen scene where Hunter officially becomes a Noceda? I'm sorry but I will take a "You're family" from Afro-Latina as not confirmation that I'm a sibling but a friend who is close enough to be as valued as a family member, especially followed by Willow's "You're one of us now" and preceded with Camila's "I'm a mother of six". Are Hunter and Willow siblings too now? Hunter didn't even get to be in a photo of the Noceda family in the epilogue, what kind of brother would that be?

Camila is more of a Caleb to Luz considering it was her who raised Luz through trials and tribulations, sacrificing her own quirks and encouraging Luz to do the same just to conform to the norms of Gravesfield. But quite frankly it's Luz who ultimately runs away because of a certain Clawthorne Witch leaving Camila behind. Hunter literally has no such story with Luz, unless you count him running away in HM, only to return to COTH a week later and then finally live under Nocedas' roof.

Even when Luz didn't like Hunter's guts, she would never kill him. And despite being dressed up as Belos in the nightmare sequence, there's never a parallel between Philip and Caleb, because truly this isn't their relationship. And while we're at it, the whole nightmare sequence is once again a play on Luz's insecurities and doubts, but none of them are the truth. None of Luz's friends blame her for what happened, none of Belos's crimes are her crimes, and Luz would never willingly destroy the Boiling Isles because she doesn't destroy the things or people she hates. Even Belos was not finished off by Luz but by boiling rain and her family.

Ok, I finished venting about everything that's been going on inside my head. Might add more on the way, but those were the issues that were bugging me so now do whatever you want with it.

[sonyapaxtonapologist]

you know what keeps me up at night, years after the fact ? the entire cuddy-wants-a-baby storyline between house and cuddy. that it was house who gave cuddy her ivf injections initially, not only secretly but also in spite of his own mixed feelings on the process. that he not only helped her comb through possible donors but that he wanted for her to actually know who she was having a baby with. to consider not just the medical realities, but the social/emotional ones too. and when she suggests that he might be a potential candidate ? how certain he is that she wouldn’t want that — how wounded he was by that. then she summons all her strength to ask him and he doesn’t push her, not really, not even when she loses her nerve and backs off and runs away. and there could be any number of reasons for this, but it’s not until he’s detoxing that he brings it up again. it’s unforgivably cruel that he weaponized her greatest insecurity against her — what he said to her, and when and how he said it — only to be confronted with it again in the form of a pregnant patient. his casual certainty about terminating the pregnancy right up until he’s performing the c-section and the baby reaches out to him. how the gravity settles. then, once joy comes along, house has to confront his warring feelings around cuddy. the genuine desire for her to be happy rivalling his fear that she’ll be reckless in that pursuit. that he’ll somehow get hurt, too. which does happen when cuddy adopts rachel. bc suddenly cuddy has so much more on her plate and she’s not paying as much attention to him and the way he thought they’d always be in each other’s lives in some capacity seems to be slipping away. she’s moving on, into a new phase in her life that he’s not ready to join her for, and she doesn’t even want him there (and does he deserve to be ? after what he’s said to her ? what he’s done ?). not like she wanted him during the ivf, when cuddy trusted him with this secret and the future health of her child. how she told that patient that she’d trust him more than any other doctor to save her and her child. she doesn’t need him any more and this isn’t like a partner where she could break up with them one day. this is a full time, lifelong commitment, and where the hell does that leave him ? a point that’s driven home again and again with mayfield and then lucas. so when he and cuddy finally get together it’s huge how house cuts right to the chase on needing to spend time with rachel. ostensibly for the sake of his relationship with cuddy, but at times seemingly counter to it (like trying to get rachel into cuddy’s dream daycare and ending up just enjoying the time he spends with the kid, or being as gentle as possible with her even when he’s on death’s doorstep in the backseat of cuddy’s car, talking about pirate cartoons). it’s the way cuddy might have outpaced him, outgrew him, bc he was never gonna be the guy she needed. and how, in the end, he was wrong. how cuddy’s growth meant growth for him too, so he could be someone capable of being part of a Family. that’s what keeps me up at night, a decade later.

[makeste]

some meta about Izuku, Katsuki, and trust

and choosing to trust is the real bridge that goes to accepting that person as a part of your live again and what the offender has to earn. I think the interesting aspect of Deku and Bakugou's relationship is that Deku has always trusted Bakugou, and I would say more than he had forgiven him at the start of the story (where he does show more frustration and resentment towards Bakugou's behaviour and see him as a jerk) but despite that he can always trust Bakugou to him himself, attested to

the fact that Deku feels very confident about how Bakugou will act or what Bakugou's true motives are and probably the reason why he always sees Bakugou as a hero despite his hurtful behaviour is because Deku 100% trusts Bakugou even if he's doing something disagreeable or that will hurt him. Knowing someone and trusting is not exactly the same and I see it as trust because of Deku willingness to be co-operative. On Bakugou's side he is mistrustful of Deku and thats where the communication

breaks down and there has been plenty of meta exploring why Bakugou has deep rooted problems around Deku and his journey is him taking accountability of that and changing to be a better person. While understanding and miscommunication get their fair due I think trust and mistrust are the true bedrocks of the bkdk river bed because that allows for how they can still be so connected despite the miscommunication (with Bakugou mistrust is mixed with some trust) because of knowing.

anon I really enjoyed this, thank you for sharing your thoughts! I concur with just about all of this, and this ask got me thinking a lot about the nature of trust, and how it applies to Izuku and Katsuki’s relationship.

I think a lot of people’s reactions to reading the sentence “Bakugou and Deku have always trusted each other” would pretty much be, “???” and “lol what.” like, yeah, sure. they trusted each other so much that Bakugou decided that throwing a tantrum for ten years would be an appropriate reaction to Deku trying to hold his hand. classic Trust, right there!!

lol but I honestly think this is true, though. it’s just that there are different... levels?? types?? of trust. let’s go with types. there are different types of trust, and what makes Izuku and Katsuki’s relationship so interesting to me is that it’s kind of the opposite of what these fictional rival-type relationships usually are. it’s basically the difference between knowing, and understanding.

okay so first of all let’s back up here to make sure we’re all on the same page. we’re defining trust as “firm belief in the reliability, truth, ability, or strength of someone”, which is the Oxford Language definition and which works pretty well for me. you’ll note, btw, that the current relationship between Katsuki and Izuku more or less meets all four of these criteria.

reliability - both boys regard each other as dependable and are willing to rely on each other in a pinch (although Izuku is currently having some difficulty with that, but that’s another topic for another day).

truth - both are honest with each other, though not completely honest (this is the aspect that Katsuki still needs to work on, as he’s currently hiding his desire to atone).

ability - neither of them have any difficulty with this. Izuku admires Katsuki’s ability so much that he’s made it his own gold standard since childhood, and Katsuki respects Izuku’s ability enough that he made him his main rival, and never doubted that Izuku was qualified to receive OFA and become All Might’s heir.

strength - as with ability, this is another aspect of trust that neither of them has ever struggled with. in fact, a lot of their relationship struggles happened specifically because Katsuki never doubted Izuku’s strength, but feared it because he didn’t understand it.

so yeah. there’s a lot more trust between them than most people realize, I think. but the thing is that the type of trust they have is based more on knowing than understanding, and that’s where so much of their conflict stems from.

when I say knowing, I’m talking about the kind of awareness that comes from familiarity and experience. this is the type of trust that’s difficult to take shortcuts with, because it mostly just has to be accumulated over time. this is all about learning what someone is like through observing them and being around them. and it’s just as much about being known as well, because at the same time that you’re learning who the other person is, they’re learning about who you are. and that’s where trust starts to work its way in. it’s the slow unveiling of who you are, and laying it on the table piece by piece over time. and every time another little piece of you is revealed and accepted, and every time you accept one more piece of who the other person is in turn, that trust increases a little bit more. this type of trust takes a long, long time to build up, but in exchange the foundation it creates is pretty much rock-solid and nigh-indestructible.

understanding, on the other hand, to me is more instinctual. it’s about empathy and insight. and the interesting thing is that it’s possible to know someone for years upon years, and yet never truly understand them. and on the flip side, it’s also possible to understand someone within minutes of meeting them, even if you know almost nothing about them. if “knowing” is about learning who someone is, I would say that “understanding” is about learning why they are who they are. this type of trust isn’t necessarily always mutual, but it does necessitate forming a connection with someone. because empathy is such a critical component of it, it’s basically impossible to understand someone and not form an emotional connection to them in some way. this type of trust can be far more powerful and intense than the “knowing” type of trust, but the flip side is that it can sometimes be less stable and easier to break.

I think that the majority of fictional relationships, especially the ones that become really popular ships, are based more around the latter type of trust because of its intensity and unpredictability and potential for story development. the thing is, both of these types of trust are necessary for a good ship (and when I say “ship”, I’m talking about both romantic and platonic relationships just fyi). if neither type of trust is present on at least some level, then there’s really no foundation to start building up the relationship. so most of the time a ship will start out with one or the other, and then over the course of the story they'll work on building up whichever one was lacking.

and because of how stories work, the majority of the time we’re going to be dealing with characters who at first don’t know each other all that well. and so the relationships we get are ones where the characters first form some kind of emotional connection that builds understanding, and then over time they start to learn more about each other and build up that kind of trust as well. I feel like 90% of ships have this kind of dynamic. it’s the basis for things like enemies-to-lovers, fake dating AUs, and basically any kind of trope in which the characters get stuck somewhere and are forced to spend a lot of time together. it’s good, and it works.

but the fascinating thing about the relationship between Izuku and Katsuki, though, is that it’s actually the exact opposite of this. the premise of Izuku and Katsuki's story is that these are two people who’ve known each other their entire lives, but have almost no understanding of each other whatsoever. they know almost every little detail about each other, so much that they hardly even think about it. but all of their conflict is based on the fact that understanding between them is basically nonexistent.

and to me this is such an intriguing dynamic. the two of them know each other like the back of their hand. they’re familiar with the smallest habits. they can predict each other’s actions. they know how the other person thinks. and they have the kind of trust that comes with having seen the other at both their best and their worst. Katsuki is capable of letting his guard down around Izuku in a way he doesn’t do around anyone else. he cries in front of him on multiple occasions. he lets Izuku call him “Kacchan” long after their other childhood friends have stopped doing so. and even though he fears and resents Izuku’s strength early on, he also subconsciously acknowledges it in ways that even he doesn’t realize (e.g. “don’t you dare get into U.A.,” rather than “you can’t get in” or “you won’t get in”). he knows Izuku.

but he doesn’t understand Izuku. he knows who he is, but he doesn’t understand why. he knows that Izuku is strong, but he can't wrap his head around the nature of that strength. and because he lacks that understanding, this vital aspect of the trust between them is lacking, and is all too easily broken when Katsuki falls into the creek and Izuku tries to offer his help. Katsuki knows that Izuku is a good person, but he doesn’t understand that goodness, that selflessness, and so he’s mistrustful of it.

on the flip side of the coin, however, Izuku has the utmost faith in Katsuki. to him, Katsuki is the strongest, smartest, most capable and most amazing person in the world (aside from All Might). and Izuku, unlike Katsuki, actually does understand his childhood friend at least a little bit. he understands Katsuki’s reasons for wanting to be a hero. he understands that Katsuki is not just mindlessly pursuing strength. he understands that Katsuki’s motivation is about overcoming obstacles and beating challenges. and most importantly, he understands that Katsuki, in spite of everything he’s said and done to Izuku over the years, is fundamentally a good person.

and this is crucial. because, along with the bond of familiarity they’ve built up together over the years, it’s this other, one-sided bond of understanding that is responsible for their relationship enduring for as long as it did despite everything. as you put it, anon, Izuku’s trust is ultimately what becomes the bridge between them. on some level, he trusts in Katsuki’s innate goodness. he believes in it in spite of all of Katsuki’s attempts to persuade him otherwise. e.g. when Katsuki suggests that he go jump off the roof, Izuku is hurt by the words, but he never once takes them to heart, because he knows on some instinctive level that Katsuki doesn’t mean them. and so he grumbles to himself about Katsuki needing to think before he speaks, but aside from that he never gives the words another thought.

Katsuki would no doubt consider this yet another example of Izuku not caring enough about himself or taking himself into account. but it really is more than that. the reason the words don’t cut deep in spite of them being vicious and well-targeted is simply because Izuku knows that Katsuki isn't truly that cruel. and he knows that on a level so deep that Katsuki is never able to break it despite his best efforts. he can’t break it, because there’s nothing to break, because it’s true. the reason the relationship endures in spite of everything is because deep down Katsuki is fundamentally a good person, and so Izuku’s trust, in the end, is based on truth. and so it never fully breaks, and eventually, it becomes reciprocated.

and that’s what their story is all about. it’s two people that have known each other their entire lives, but have to work in order to build their understanding of each other. unlike many ships, they start off already having that foundation of knowing and being known, and so their story instead is about forging that connection of empathy and insight. and it doesn’t come easily to them at all. but they keep at it.

anyway, so thank you again for sharing your thoughts on this, anon. I didn’t even get into the topic of forgiveness, but I agree with you about it being a process of letting go of negative feelings and resentment. I also agree that forgiveness is a separate thing from trust, but I do think trust plays a big part in one’s decision to forgive or not forgive. it's a lot easier to forgive if you have an understanding of the other person’s actions. and it’s also far, far easier to forgive if the offender’s actions are long in the past. and because the latter is now true in Katsuki’s case, that shows a pattern of him learning from his mistakes and not repeating them. which further builds trust, especially in the “reliability” department. and so even though forgiveness and trust are two separate things, they’re still connected. and in many ways, by working to rebuild the understanding between him and Izuku, Katsuki is also working towards earning Izuku’s forgiveness, even though that’s ultimately something that can never truly be earned, but can only be granted.

I’m not sure if I’m really making my point very clear here lol, but basically what I’m trying to say is that while the relationship may have once been one-sided in this aspect, it’s not anymore. it’s mutual, and they’re both putting the work in. and Katsuki is also doing his part without any guarantee or expectation of forgiveness on Izuku’s end. it’s unconditional. he’s doing it because he wants to atone. and he’ll continue to do it whether he’s forgiven or not. and that’s important. it’s important because it shows that the relationship has value to both of them. and it’s important because neither of them wants to lose it. they want to fix it; they want to make it stronger.

and ultimately what that means is that the relationship will continue to endure, despite their ups and downs. because even though it may have started out as something incidental -- two boys who just happened to become friends because they spent a lot of time together as children -- it’s not, anymore. it’s no longer just something that happened, something that just accidentally came together. it’s something that they’re both working to build. they want to trust each other. they want to understand one another. their relationship is no longer something that simply withstood and persisted -- it’s something that is now being nurtured. and you love to see it.

so let's see, how do I even begin to tl;dr this post lol. something something blah blah blah trust, understanding, childhood friends, knowing someone, having faith in someone, being the recipient of that faith, and working to become worthy of it. they're very confused, but they care about each other a lot, and they are good boys.

[candychronicles]

yes sir // i. midoriya

A/N: my take on the bnharem workplace au collab! this is pretty much porn with plot, there’s no real interesting background. i just wanted to write sexy times with midoriya hehe

CHARACTER PAIRING: Izuku Midoriya x F!Reader

WORD COUNT: 2,765

WARNINGS: an obnoxious amount of pet names, soft-ish dom, dubcon maybe?? if you squint??, power dynamics, possessive izuku

SYNOPSIS: an infatuation with one of your bosses turns into something much more interesting. 

Click here to go to work on admiring all the other pieces!

work was never fun but when you directly responded to three equally attractive ceos, it tended to make things easier. despite them all being incredibly attractive, you found yourself particularly drawn to one man in specific: Izuku Midoriya.

he was the face of the operation, the one who greeted the media with a smile and ran lectures, pep talks and gatherings with the employees. not only did he have the charm, but he was smart and analytical, something that came in handy when dealing with other businesses and creating interpersonal relationships. he strived to make everyone feel like they belonged and that’s why you never put any thought into the bright smiles and big waves he gave you as he passed your office every morning.

Bakugou was who you usually worked under, the man being brash and loud but incredibly intelligent and covering a lot of ground when it came to running the company, especially when it came to logistics and timelines. you weren’t his secretary and yet often found yourself in his office helping whenever he called. you would say it was annoying except it meant that he favored you and you often got added perks because of that, like a flexible work schedule and unlimited premium coffee from his personal stash. 

Todoroki was a man who you seldom interacted with but had nothing but pleasant things to say. he was cold and standoffish at first but as you chatted he became more relaxed and willing to talk. he handled a lot of the behind the scenes, keeping up with IT and using his connections from his wealthy family to bring in new business. nonetheless, he was a pleasant man and tried to interact in his own odd way at any appropriate chance he got.

you never realized you had any special treatment outside from your own boss but it became more apparent over the months that they had all taken a liking to you in some form or another. you became absolutely ecstatic when you learned you had a chance with Midoriya, an awkward and yet sincere drunken love confession thrown dramatically your way outside of a business gathering. since he wasn’t technically your personal boss and you harbored a secret crush on him, it was all too easy, with the alcohol flowing through your veins, to say yes to a date with him.

despite his inebriated state the night before, he stayed true to his word and took you to a relaxed and private restaurant, one that you were sure wasn’t cheap as there wasn’t even prices on the menu. he told you to not worry about it and just enjoy the night and enjoy you did. after some awkward laughs here and there, you really got to know him and what he was like: funny, charming, truthful, determined, emotional, raw and bursting with the desire to be understood the way he understood other people. 

you took his truth and ran with it, confiding in him about anything you could think of that was appropriate for a first date and then some, over time learning all there was to know about one another. you spent many a night laid on his chest, confessing your hopes and dreams, listening to his own and promising each other that you would both work towards your desires as hard as possible. 

things outside of the bedroom, however, stayed incredibly private. you understood that he was a shy man by nature and was nervous that your position would be undermined or belittled by the other employees if they found out that you two were together but as time went on, you grew more and more frustrated about him keeping you a secret. all of his reasons, he claimed, were to protect you but you didn’t care and if he didn’t tell you the honest truth soon, you were going to burst.

it only took a few more weeks before things took an interesting turn. you had yet another argument with Midoriya, begging and pleading with him to not hide you anymore, to wear you on his arm with pride and shower you with even the tiniest of affection, but he was not budging, claiming he didn’t want you to get hurt and sad over the other employees judging you despite him not being your actual boss. when you confirmed to Midoriya that this wasn’t a real relationship and cut things off, you were intrigued to find Todoroki at your office door with a bouquet of flowers asking you on a date.

whether it was out of spite or a sheer desire to be seen and acknowledged, you accepted without any hesitation, donning your best dress and heels for the icy man. he took you to a much fancier and flashy restaurant than Midoriya did, flaunting his wealth without a care in the world. you tried some of the finest wines and foods, enjoying the live music and chatting casually with Todoroki. outside of his awkward demeanor, it was a good first date and you had fun, certainly appreciating all that he did for you, but you realized it didn’t matter because you were still head over heels in love with the green haired guy with the golden heart. every little thing Todoroki did, you caught yourself comparing and contrasting with what Midoriya would’ve done and with a sad smile, told him you had fun but that you were going through some personal problems and needed some time before trying anything else. he was nothing but a gentleman and insisted that it was okay but despite his words, you still felt a pang in your heart, guilty for leading him on in the first place.

work the next day was rather uneventful, time spent chipping away at paperwork and organizing events for the next day, Bakugou sliding into your office with an unusually sad look on his face as he handed you your favorite coffee and slid back out, not acknowledging you otherwise. you hummed appreciatively nonetheless, savoring every sip like it was your last. just as you were walking out the door, the last person in your department to stay behind, you got a text from Midoriya asking you to meet in his office to discuss something.

you swallowed thickly, knowing there may be another argument approaching and hoping your heart could handle the pain. with a soft knock to the large wooden doors, you stood, waiting for him to invite you in. 

the door creaked ominously open before you were yanked into the room, wood slamming heavily back into place as he crashed his lips against your own without any warning, harsh and fierce and nothing like he had ever been before. 

you tried to create some space, some sort of distance between you two in order to process the situation but he was relentless, attacking you with such fervor that you had no choice but to follow along, desperate to know what he was thinking.

you didn’t have to wait long before he slowed down, pressing his forehead against your own, breath fanning against your face as he collected his thoughts.

“you went on a date with Todoroki,” he stated simply, eyes shut as he focused on you, your body movements, the way your heart leapt into your throat and your pulse point jumped at the comment. 

“i did,” you replied, squinting your own eyes at him as best as you could in your position, trying to figure out what his next move was.

“why would you do that?” he questioned, hurt laced in his voice.

you contemplated for a few moments on what to say, finally deciding on the truth: “i was hurt and thought that maybe i could get over you by going out with him but i couldn’t. i just wanted someone to show me off for once, not be ashamed to be seen with me.”

“sweetheart,” he sighed into your mouth, lips ghosting over your own. “i was just trying to protect you from the judgement you’d get being with me, but if you’re that insistent in being shown off, then let me show you off.”

one gentle kiss after another was placed on your face, from your temple to your nose to your cheeks to finally your lips, sealing them with yet another searing kiss. you whined into his mouth, enamored by the taste of coffee and mint on his tongue. he pinched your ass and smiled when you squealed, taking advantage of the sound to pick you up against the door, hiking your skirt up to your waist and pressing one experimental finger to your clothed slit, noticing each and every breathy moan that left your body.

“let me take these off, yeah?” he asked, not waiting for a response before he not so delicately ripped your panties off your body, assuring you he’d get you a new pair after you protested against his actions. 

he walked casually over to the desk, setting you down and spreading your knees apart as he kneeled, face cooing over your cunt. you tried to squeeze your knees together in embarrassment but he only pulled them open again, tsking as he brought his thumb pad up to your clit, rubbing delicate circles around the bud as he watched your mouth open into an o.

he continued to rub in circles, changing the pace and pressure as he analyzed your every move, watching to see what made you feel the best. when he was satisfied with the pace, he brought his other hand up to delicately insert a finger into your dripping hole, curling to try to find the place that made you see stars behind your eyelids. it only took a few moments before he hit the spot, your head fallen back and toes curling in pleasure. 

“look at me and nowhere else or i won’t let you cum. do you understand?” he asked, forcefully grabbing your chin.

“y-yes sir.”

he nodded, satisfied with the eye contact before resuming his movement, eyes boring into your own as he watched you struggle to breathe and watch him back, his cock straining in his pants as he watched your eyes water, tears spilling over your cheeks as he brought you so incredibly close to your orgasm.

“sir, please let me cum. p-please, i don’t think i can hold on any longer,” you finally begged, giving into what you knew he secretly wanted.

“my sweet angel wants to cum? i guess she’s been such a good girl that i’ll have to indulge her,” he cooed, picking up the pace and inserting another finger, making it just enough to have you unravel in seconds. 

your head remained still, eyes locked on his own, but your body shook from the mere exhaustion you felt as you forced yourself to not throw your head back in pure ecstasy. he helped you ride your orgasm out with steady thrusts, his long, scarred fingers hitting all the right ridges. 

“look at you being just a doll,” he murmured, opening your mouth to stick his dripping fingers in, pressing down harshly on your tongue, smiling when you gagged. 

“i think my sweetheart deserves a bit of a reward for being such a good girl, hmm? what do you think?” he asked, removing his fingers from your mouth to allow you to speak.

“please sir, please, i need,” you stopped, hiccuping, not realising you were crying as you begged for him.

“you need what angel? c’mon, use your words.”

“i need your cock, please, i need you inside of me. i’ll be good, i’ll be so good, i promise. just please fuck me.”

before you had a chance to realize what was going on, he pulled you off the desk, flipping you around so that your ass was on full display. he gave it one appreciative slap before his belt was being unbuckled, his pants falling to the floor as he pulled out his cock, aching to be buried inside your wet cunt.

“relax for me sweetheart. i’ll take care of you.”

the tip had you instantly pressing yourself into the desk, but as he continued to push into to you, you relished in the way he stretched you out, making you feel so full and warm.

“more, m’need more, please,” you begged, squirming around as you tried to fill yourself up with as much of him as you could.

he obliged without hesitation, sheathing himself fully into you, eyes rolling back into his head as he felt you squeeze around him, pulling him impossibly closer. he placed his hands against your hips to steady himself, pinching the flesh and breathing deeply through his nostrils as he attempted to control himself but once you started begging again, hands gripping the other edge of the deck as you attempted to ground yourself, he lost all control.

“don’t say you didn’t ask for his angel.”

his hips snapped out before surging forward, thrusting hard and deep, his tip kissing your cervix and fingers bruising into your flesh. you cried out, not sure what you were feeling but incredibly happy anyways. his cock pounded in and out of your squelching cunt, your cream dripping down your thighs and his. you felt every little vein, the curve of his shaft, how he fit into you so perfectly, how he was made for you. your vision went white and you held onto the desk for dear life as your legs gave out from under you, your cunt clenching aggressively around his cock as you came.

“i’ve got you, just relax.”

your body went limp as he leaned over you, propping you up against the desk as he continued to thrust into you, moving smoothly as your liquids pooled around his pelvis. your hands kept gripping the desk for dear life as you tried to catch your breath but with every snap of his hips, every nip to your shoulder, every searing hickey left on your neck, had your head reeling and the coil in your stomach building once again.

“‘Zuku, i don’t know how much longer i can hold out. m’gonna cum again,” you whined, breathing heavily as you tried to prolong it for as long as possible.

“c’mon sweetheart, you can do it one more time, just cum for me, it’s okay. i’ve got you.”

it only took three forceful swirls of his fingers on your aching clit to have you squirting all over his cock, your cum gushing everywhere as you arched your back and dug your nails into the glass of the desk. as you squeezed around him, you felt Midoriya cum, burying himself deep inside your pussy, head coming down to rest on your shoulders.

without saying anything, he pulled out gently, wincing as he saw the disheveled state you were in. he helped you sit back on the desk, pulling out some napkins to clean you and then himself up, offering you some water and helping to pour it in your mouth, wiping away your mascara stained cheeks.

“are you okay?” he asked once you had settled down a bit, pulling down your skirt and shakily standing on two legs.

“what are we Midoriya?” you replied, not wanting to let the post sex haze ruin what you had orignially come for.

he sighed, walking over to you and holding your hands in his own, bringing them up to kiss them before responding, “i wanted to protect you but i see how selfish that is now considering the fact that you didn’t care. i’m sorry i didn’t listen but i won’t hide from you anymore and i won’t hide you from the public, no matter what.”

you nodded at his response, eager to be with him again and not be held in the shadows. 

“but in order to do that, i have got to put a few mutual friends in place.”

quizzically, you watched as he sat down in his computer, motioning for you to sit in his lap. he tapped away at a few folders, watching in confusion and then embarrassment as he pulled up a video, one of the encounter you just had. 

“i’m sending this to Bakugou and Todoroki. they always talk about how they could fuck you better, how they could make you scream louder, make you listen, make you theirs. this will prove otherwise. you want me to show you off, have you be mine unconditionally? well you’ve got it babe, loud and clear. you’re mind, understood? and nobody will get in the way of that, not even them.”

[becausethathappens]

Will you please write a super angsty fic where Link is freaking out because he thinks the wedding vows he has written aren't good enough and Rhett helps him go over them and make corrections and says they're perfect but also, just says the vows he would say for Link if it was them like it should've been because he's heartbroken and Link can tell but their hands are tied and they don't know what to do so they soldier on without saying a word, but wordlessly communicating lifelong love and misery and everything, maybe comfort as well?

i'm really really sad and i can't shake it off and i really want some good angst and hurt/comfort and i really love you, maura, you're awesome

I don't do unhappy endings, anon. I'm confident you don't either. In fiction or otherwise. So, pardon this if it’s not what you expected.

Please enjoy? This was done a little hastily to share it with you (and I should be writing other things per usual) but I've had a rough week and I want to hopefully make someone smile. (I have way angstier stuff in the drafts and I will be sure to get those out eventually, too.) You’ll feel better soon.  🤞  Thank you! 💞

-———————-

now or forever

4k - Rhett writes Link vows.

If you were my boy, Blue

I’d bathe you in honeys (sp?)

I’d sing write you a love song

I’d shoot you a star**

If you were my boy, Blue

There ain’t nothing in this life I wouldn’t give

From my heart, to my toes, to my fingers, my nose (**)

Whatever it takes just to watch you live 

continue to ‘ ’ grow with you like a vine ‘round a rose 

If you were my boy, Bue

I wouldn’t want you all for myself

There’s no star bright enough to match your lightin’

In sickness, blue, so certainly while we have health

Hand in hand, no longer fightin’

What’s destiny (**)

You and & me

If you were my boy, Blue

I'd marry you

&

Thank God for Rhett. Giving him, delivering him, blessing him with Rhett.

Link is in the middle of a spiral (what he’ll later recognize as a panic attack) when Rhett arrives, the eve of his wedding. Bailing him out of this with pen, paper, and a smile.

Link has always been good at improv.

Though Rhett tended to find the words to start. These were his own vows and Link has been putting time to sit and start them off for weeks. Now that he has to, he’s dumbfounded, despite being deeply in love.

Amidst all the planning and chaos, writing his vows was such a given that Link left it as priority sixty-seven on a list of many more.

Unfortunately, even as busy as they’ve been, that list was shredded with the “who gifted what” tracking sheet (both literally, accidentally, and figuratively) back around the bridal shower and it’s been anarchy ever since.

So he thanks God for Rhett, who’s here, to stop another needless disaster from happening.

That same generous God, however, watches him plagued with thoughts of utter devotion at Rhett’s willingness to drop everything on a weeknight and rush over to help Link find his words.

His lyrics, really, is what Link has in mind. Since they used to write songs together and this felt much the same. He’s been floundering all night and now that Rhett’s here, he knows he’ll at least get what he needs done. Even if it’s not all he wants, right now.

That same God seeks judgment on his every decision or flinch against His will, for any reason, to spite him.

For this reason.

He wants to smush Rhett’s face and kiss him. Deeply. He doesn’t.

Even if there were sometime in the past that he could get away with a platonic smooch, now he can’t. He simply could not prevent that from escalating.

So, he merely tightens his grip on the wrinkled scrap paper in his hand and scrunches his eyes.

“Why can’t it be you up there…” Link bemoans, loudly, in his frustration.

Rhett’s eyes widen, in horror, and Link slams his other hand at his mouth, rolling his eyes. “Not like - I mean - why can’t you go say my lines for me. You’re so much better at this kinda thing.”

“Let me read what you’ve got,” Rhett says.

After some review, Rhett sighs, not unkindly and sits down next to Link. “Let’s just talk through what you’re trying to say because, yeah, this reads like liturgy.”

“Ain’t is supposed to? It’s in a chapel!”

“What do you like about her?” Rhett asks, ignoring his nitpicking. “Christy?” Rhett stares at him, waiting, too upset for Link to chastise but clearly wanting to.

“She’s patient,” Link says, reminded by the similar. Rhett folds over the book to an open page and clicks the pen in his hand, writing that down. “A-And she’s kind. Like considerate, ‘specially with babies and little animals. Sh-She does this thing where she immediately drops to their eye-level to make sure they don’t feel unheard or seen. Probably ‘cause she’s always been so tall…”

Rhett’s still writing.

“Then when I’m sick, she forces me to rest. You know I hate that,” Link says, voice rising a little, at the memory. “But you know I need that. You won’t be the last to make me stop and smell the roses or take a break, once in a while.”

“Her hair, write, her hair - the way it looks in the sunshine. Like warm caramel with flecks of gold. She’s a vision, an angel. Especially when she’s wearing all white, like,” Link says, pausing to point to Rhett’s undershirt and pale grey sweats. “Makes blondes look ethereal-like, always has.”

“Oh, and her voice. Sometimes, the way her accent catches, well, you know she don’t like to sing like us, never has, but when she says certain things, asks a question the right way - it’s music. The way it harmonizes with my answer, reminds me of singing, reminds me of us.���

Rhett keeps writing, quiet, and focused.

After a short time, Link can’t stop and wants to crane over to see what he’s come up with. Rhett hands it over after crossing a final “t” somewhere on the page.

“Those’re good, Link, but I think you need to keep closer to what I wrote, leave out the stuff about me.”

“Stuff about you?” Link asks, having spoken in a stream-of-conscious style, Link forgets most of what he even said

Rhett looks away, shakes his head.

Distracted by the desire to read the rest, Link abandons the lingering questions he has about Rhett’s suggestion and response.

“These are great, man, thanks,” Links says, pushing a soft hand into Rhett’s side.

His eyes scan to the bottom where Rhett’s added a few lines about the journey, the marriage, all the ceremonial aspects of the day for him to close with, but then something more.

Something about him.

Rhett catches him catch it and looks further away. “I know Christy pretty well, too, y’know. Y’all are just alike, in that way. She might need some back-up vows, to have and hold.”

Link reads them.

“You know, just in case.”

Link looks up and tries to laugh.

He doesn’t laugh.

He goes back to reading them.

Rhett shifts uncomfortably, touches the back of his neck, and shuts his eyes.

“Rhett, these ’re…”

“I know, bo, you can forget ‘em,” Rhett excuses, still not meeting Link’s gaze. “You want me to… I can rewrite the others on a different - I can turn the page and write ‘em there so you can just…”

“Hey, hey,” Link interrupts him, mad at Rhett putting down his best friend, and eager to explain his actual thoughts. “Rhett, these are perfect. These are… I’m sad I can’t say anything as nice in return to you.”

Rhett finally looks up to acknowledge that and their gaze heats and lingers.

“Not that I…” Link stutters to clarify. “Y-You’d have to be a - if that’s something that was gonna - you know - if that was gonna work…”

His mind does it’s usual jump to a visual for the worst case scenario depicting the implication he stumbled across. Him out eight grand on the wedding. Not to mention a wife, a family, a future, a faith -

a friend -

Link gulps, pushing that back away, pushing them both forward, in his estimation.

It’s too much to bear to think about for another second. When he glances at Rhett, he can’t get a read on his face what he thinks about it, and that’s scary enough for him to want to abandon the concept altogether.

“Christy’s gonna love them.”

It’s enough, saying his fiancée's name, to ground him again. Enough to make it okay for him to grab Rhett’s palm and squeeze it in thanks, between them.

Rhett’s made his choice to give up on film school.

Link’s made his choice to give up on whatever schoolboy obsession he has with monopolizing all of Rhett’s days and nights. 

He’ll stick to the days or every other weekend, however they can still fit time together, is fine by him. This ceremony, tomorrow, feels as much about his graduation from friend to husband, and all that that entails.

They’re adults.

They both know there’s a lot of sacrifices to be made and this feels like the first time he’s really acknowledging how hard they’re going to be to make. He hopes they’ll still see each other.

He hopes their kids will get along.

He has a lot of hopes.

All of them involve Rhett.

There’s a lot he should write down for when Rhett finds his own bride to wed.

Link notices, suddenly, that Rhett is crying. The same part of him that's nearly broken the headwind of these conflicting emotions turns back to comfort him.

“Hey, don’t cry,” Link soothes, realizing he’s also still holding Rhett’s hand.

“‘M sorry,” Rhett intones, the words bubble up and out of him simultaneously, sounding like water draining in a filled sink. “And the night before your wedding, good Heavens.”

“Hey, I’ve been crying all week,” Link says, waving a hand at the stress that planning a wedding has kept put on him. “Nothing I haven’t seen in the mirror.”

Rhett laughs, rubbing a thumb over his own thigh in a way that brushes upwards against the place Link’s clasping his hand. Link nearly pulls his hand back, thinking Rhett’s trying to get him to sense his want for space, but when he meets his eye it’s clear he’d like nothing less.

“I think I’m just -” Rhett starts to say, trailing off. The light from the lamp on the far coffee table is the only thing on in the room. Link drops his gaze a few inches to try and see more of Rhett’s downturned eyes as he hems and haws. He squeezes their hands together, again, this time clasping it more firmly, still pressing Rhett’s large palm down from above. “I think I’m just a li’l jealous, is all.”

It’s the quietest admission he’s heard from Rhett since he told him he failed their chemistry mid-term in eleventh grade.

Link is also so lost at the innocence of the admission that he can only think of follow-up questions. “Of me?”

Rhett looks at him for a long, long minute and finally, when Link’s gaze remains confused for the whole length of the pause, he shakes his head, no.

Then he waits. 

He waits for Link to realize what he means.

But he’s still waiting when Link, oblivious, moves onward trying to comfort Rhett, instead of understanding him fully.

The tension in the room is palpable as Link talks, but only to Rhett, it seems. Only Rhett pictures air bags being deployed in a car safety video as metal hits cinder block. Only Rhett moves his hand, though it’s all it takes to dislodge them from each other completely.

“I know you’re gonna make an amazing husband some day.” Link is saying.

Rhett’s hand aches where cool air now surrounds it.

“I know your wife is gonna get to hear you say such wonderful things about her.”

Rhett wipes his hand of the misunderstanding on the cotton of his pants.

“I know she’s gonna say the same kind of things about you, when it’s your turn up there.”

Rhett mourns the idea that this would ever be requited.

“I know she’s gonna love you, just as much as I do, so she’ll have plenty to say.”

Rhett looks away, wiping the last of his tears from his eyes. 

 “I’ll make sure she has plenty of ideas where to start.”

Rhett pats Link’s leg, in camaraderie, and nods.

And that’s it. They shoot the shit, they make a plan to meet up at a donut place for the groomsmen’s breakfast to thank them for their help, before the ceremony, and they’ll talk things through if Link’s feeling jittery still. Then Rhett’s gone.

It’s not until the next day at eleven on the dot (everyone has an agenda to follow and every moment is accounted for) that Link understands Rhett’s pain.

His mother straightens his tie and flattens the edges of his suit. “You’ll wanna know I heard Christy looks like an angel in her dress, from the girls upstairs.”

“Those actual angels you been talkin’ to, Sue?” Rhett jokes, where he’s twisting his cummerbund around every so often, bored.

“Very funny, honey,” Sue ribs back. “From the cousins, Beth and Hailee Sue. Remember they’re friends with the hairstylist you got to do the curls for Christy’s hair, today? She was over last night getting Christy ready for bed with how to wash and dry it a special kind of way. They were there, too.”

Link starts to tune her out, since there’s a lot on his mind, but then she says more.

“She says the hairstylist was talking about how jealous she was of Christy, all night, getting to marry you,” Sue relays.

“Oh, mama, please,” Link dismisses. The compliments he’s been getting have felt faker than the toupee on his uncle Bruce. That girl has never even met him. “I’m the only person here people should be jealous of, who would be jealous of Christy,” he says, trailing off, muttering his reasoning as he did. “Marrying a trainwreck like me.”

Link looks up in the mirror where some of his friends continue to mingle in various states of undress. Rhett is already dressed, however, and staring straight at Link like he’s been caught with a hand in a cookie jar.

Link’s about to ask what’s wrong when he remembers his words. Then looks again over the planes of Rhett’s face.

Last night’s words slam back into his mind and Link’s mouth drops open.

The church organ belts out an opening flurry of notes before Canon in D begins playing loudly through the sound system built into the rafters above them. Link looks up to see one of the church staff at the door instructing them to join the bridal party to line-up.

Link’s mom dashes off to where she’s paired with her nephew, Link’s favorite cousin, to be escorted down the aisle.

Rhett sees Link’s face rushing through a wash of emotions from a distance, he nods to the staffer in silent understanding that he’ll handle it, and then they’re alone.

He walks up to Link and takes his hand. He squeezes it.

“Hey, you gotta go. We gotta go. It’s showtime,” Rhett insists.

Link looks around like a bomb went off, since in some ways it did, and he doesn’t know what to do.

Rhett seems to pick up on that. He squeezes Link’s hand again.

“I’ll get over it, Link, it’s okay,” Rhett whispers, on the verge of desperation.

That confirmation is enough to fully shatter Link.

Only for a moment. 

The music continues and Rhett keeps his hand hold.

They are adults. They are in love. They have to marry. 

None of these things can be helped.

“I’m gonna be so jealous of Her, too,” Link whispers back. He squeezes Rhett’s hand one last time, as they part.

They leave.

They walk straight.

They part again.

Until later.

They move houses and cities and states.

They move mountains, inside and out.

They move together.

Much later.

They join again.

They run crooked.

They return.

To one another.

Link has spent years worrying a ring that means too much to too few people.

In the beginning, when he cries himself to sleep at what he thinks has been the mistake of a lifetime, it’s His talisman. It reminds him of the expectations upon this life he’s made.

As the years pass, however, the adherence to the bogeymen of their childhood’s rules wears thin. It starts to strictly represent love and patience.

Sacrifice.

It begins to feel like a burden. A representation of what’s been lost, not what’s been found.

He contemplates taking it off, but believes that to be a betrayal of all that it stands for to the people he stands for. 

Then, one day, (surely mid-spin) he hears Rhett tell a story about wanting to change his ring.

He watches the silver twirl as Rhett explains.

He believes he was rushed into a certain type of marriage and a certain type of life by a certain type of person.

It’s a life that he’s grown to love but the ring represents a union forced by custom and not one that’s grown through devotion. 

His ring reminds him of that too often to be good for him.

Link twists his again at the admission.

So, Rhett’s thinking about replacing the ring.

Link returns home that night in a stupor. He’s sure he said one too many things to Rhett to emphasize how wild it felt to hear him talk about changing rings.

Any memories of that day, their wedding, bring up a rush of emotions that he’s never been good at sorting through.

Today’s admission makes him feel the same spur to make use of idle, betrothed hands he feels when he cleans the fridge.

He wants to clean the slate.

He finds an old DVD copy of their wedding ceremony that he paid to have converted from miniDV some years ago. Now he struggles to find a place to watch that DVD. How quickly time has flown by.

Eventually, he ends up in his son’s room - no one’s home for the remainder of the night but he and Christy - now, he’s sitting on a bean bag, squinting at the game console’s controller trying to get the joysticks to move to “play” on screen.

The ceremony bursts to life and, like it was yesterday, Link’s nerves fizzle awake.

About halfway through the video, Christy finds him like that and sits down next to him in a thwump absorbed mostly by the stuffing of the chair.

They watch themselves smile happily at each other and Christy takes his hand.

“Should I be happy or scared to find you alone watching this on a Saturday night?” she asks, wryly, squeezing his palm.

Link doesn’t know what to say. He’s caught up in Rhett’s bygone script being spoken on screen. Words about Christy and about Link that were not their own, declared loudly in front of the congregation.

“I don’t know,” Link admits, shrugging. He doesn’t. He squeezes her hand back.

“You wanna tell me what’s eating you?”

Link hesitates, but relents. He wants that clean slate, after all. “Rhett’s getting his wedding ring replaced.”

“Replaced?” Christy asks, balking.

“Replaced, yeah,” Link responds, sure he didn’t misspeak.

“With what?” she asks.

“Oh, some new one. Fancy thing, very cool, made of trees or something. Honestly he wears the other one, the slick black one more than his wedding band half the time. He says it feels like the old one? It’s the kind of ring you get in a bauble at a vending machine crank. So, he wants a new one.”

“Jeesh,” Christy says, making a face at the screen. The camera catches Rhett stealing glances at the couple, then at the crowd, beaming at all with unbridled pride.

“Wouldn’t you be mad if I did that?” Link inquires, still baffled at the idea.

“Well, no, but don’t you love your ring? Heirloom and all that,” she says.

Link cringes. “Yeah, yeah. Honestly, I do.”

“So?”

“So, I still kind of want to and I’m not sure what that means.”

They watch the screen together.

“Do you wanna stay married?” she asks, in a small voice.

“Yes,” he breathes out.

There’s a long pause.

“To me?” she asks, her voice even smaller.

“Yes,” he breathes in.

She squeezes his hand, her confidence built back up. She begs him to join her.

“And him?” Christy whispers.

They both look the screen, the lens centered on the two of them, but their gaze is mutually torn to where Rhett stands wiping a tear from his eye at Christy reciting the last of the vows that he wrote her. Wrote him. Wrote them both.

She squeezes his hand again.

“Yes,” he breathes out.

She leans her head on his shoulder.

“You should probably get another ring, then,” she jests. “We shouldn’t have to share everything.”

The slate is clean.

There’s a lot he wants to say to Rhett about it, but just as before, he’s relied on Rhett to give him the right words to say. So, instead of words, he starts wearing Rhett’s ring.

Then, a new one, when he realizes he can match him separate from the other, all told. Have something of Rhett’s, all to himself.

In his unspoken push towards something more, their hands now match along with their steps, as they walk forward.

On the last week in July, they get ice cream at the fifth place that month to mistake them for husbands, but the first one he hears Link crow an affirmative in response.

Rhett waits for him while he triple-tips the cashier (for the guess) and pays for their cones.

“Bad joke,” Rhett says, softly, but firm.

“Who’s kidding?” Link parries back, a smirk dancing it’s way across his lips.

Rhett watches him with a wistful look of disbelief.

“Link, we’re married,” Rhett warns him.

Link shrugs. “I know. I’m just waiting for you to figure that out and minding my ice cream here, all right?”

He’s got a mouthful of vanilla bean and extra cookie crumble, the next second, so his vow ends there.

Later, at home, Rhett startles Jessie awake when he fully realizes Link’s words.

He shakes her awake. He shakes them both awake.

“I’m in love with Link,” he says, like it’s a confession.

She kisses him because so is she. So are most people.

“What’s wrong?” she asks.

Rhett repeats himself.

So does she.

They stare at each other under the cover of silk and moonlight.

“We’re married,” Rhett whispers, touching his hand to hers. Their rings clink, new and shiny.

“Yeah, and so are we,” she whispers back.

They fall asleep smiling.

The next day, Rhett sneaks up behind Link while he’s working and causes him to spill his cup of coffee. He gets the stink eye for only a minute because it’s the same length of time he can stand Link’s grumpy mug before he has to swoop down and kiss him on the lips.

“You figured it out,” Link says, grinning.

“I did,” Rhett chirps as he kisses Link more.

They take a car to their house. It’s filled with their love and the history of it; before, during, and after.

“What’s this?” Link asks, dazed in their post-sex glow, naked and alive.

He spots an old chord book of theirs from last time they wrote music.

“Oh,” Rhett says, bashful. “I came looking for you here this morning, hoping you slept over again, but, uh,” Rhett stalls, looks away and tries to take the songbook from Link’s hand. Link pulls it far enough he can’t reach. “You were already at the job.”

“And?” Link asks, using his spry, sinewy body as an advantage to slink away from the bed out of Rhett’s grip. He still has the book in hand.

“Those are your vows,” Rhett explains.

Link looks down and squints, confused. These aren’t the vows that Christy read at their wedding. He’s seen that video only a few months back and is sure of it.

“Our vows,” Rhett whispers, explaining further, at Link’s puzzled look.

“It’s a love song,” Link notes, marveling at the gesture. What it means to a young version of himself that once felt like they had surely cut out and mourned the possibility of this - all of this - ever happening. To have that thought coexist with the image of a nude, hulking tree trunk of a husband laid before him smiling up adoringly felt panoptic.

“So are you.”

Link begins to cry.

“Play it for me.”

Rhett wipes his cheek.

“Get my guitar.”

They sing twice more that night, always in harmony (not always in lyric), then spend the rest of their lives together doing much the same.

[cerberusdailynews]

[PEOPLE] Interview with an Ardat-Yakshi

By Cil M’riste, freelance storyteller xposted to Freelance News, Cerberus Daily News, The Watch, and 14 others The Ardat-Yakshi condition is one of our oldest myths. One that is largely presumed to be legend by a large portion of the galaxy’s population. The term “ardat-yakshi” appears in fantasy books, in extranet games, and even in extranet RP forums. But what is the condition, and what is the myth? Most people will never even meet those with the underpinning medical issue. But I happened to get a chance to sit down with someone with the condition, to get her thoughts on a few issues facing people like herself. I myself am not a doctor, nor any legal scholar. So any information provided by this interview can only be taken as a small view into a larger issue. They are the opinions and lived experiences of but one person living with the condition. The rest of the article will be presented in a Q/A format, with a set of final thoughts from myself. Cil (C): "Hi, Nara. It's nice to meet you! Thanks for doing this. How was the trip here?" Nara (N): "Um... nice to meet you too, Cil, my job is to pilot a freighter between here and Palaven, so I make this trip a lot. This time it was a little slower than usual. You'd think traffic jams wouldn't be a thing in three-dimensional space, but with the amount of starship traffic around the Citadel, that's not always true. But I assume you're not here to interview me about my trip. You're here to interview me because I'm an Ardat-Yakshi. Well... Ask away." C:"Oh, no. While that’s true, that it's not what we came here for, I'm not aiming to rush you. But if you'd like to get into it, certainly. Let's see…" N: "Yeah, I'd like to get the tough questions out of the way sooner, I've been stressed out about this interview for like the whole day, and once we get those out of the way it'll be a huge load off my back." C: “Well, for starters. All most of us know about Ar- about those with your condition is that they are... well, extremely controlled, to put it mildly. Most of that knowledge comes from vids and games and all manner of fictional sources, so I don't even know if that's actually part of their thing, but for the sake of asking... Have you ever had an encounter with a Justicar?" N: "I can neither confirm nor deny that, unfortunately. Damn it. Uhhhhh... some of it, but not all of it, will probably be declassified in like fifty years or something. If we're both still around then, I can answer that question. But I think this is the only question that would run into that problem, so feel free to ask anything else you want." C:"So if there's something to declassify that insinuates, at least in my view, at least a tip to the scales in the 'yes' direction. But we'll move on, for sure. Hopefully this one is a little more easily answered. Now, as I understand it, for obvious reasons you've spent your life outside of the Asari Republics entirely. What has life been like for you living away from the traditional asari space?" N: "That... is quite a broad question, you could get a whole interview out of that, if you wanted. But if you want a short answer... On Palaven, especially in the city I grew up in, there weren't very many asari. I spent my whole childhood trying to fit in with my turian neighbors, and I didn't really have other asari to interact with other than my parents. When I became an adult, I enlisted to join the Turian military, where I stayed for most of my life so far, then retired to the reserves several years ago. I ended up having to become a cabalist since I was a biotic, like almost all asari are. There was only one other asari in my cabal though, and we didn't really get along much. First deployment was to Irune, which was pretty peaceful. Also met my wife there, so it made up for having to wear an exosuit all the time. Second deployment was to Solregit, which was... not peaceful. There was a rebellion on the planet's northern hemisphere that wanted to secede from the Hierarchy, which I'm sure you've heard about before. And, of course, I helped defend Palaven during the Reaper War. If there's anything you'd like me to go into more detail about, ask away." C:"Wife? Can you explain how that happened? Were they aware of...everything?" [Nara showed me some pictures here] N:"We met through an online dating service, actually. I stated up-front in my profile that my condition made it impossible for me to meld with anyone, or... be intimate in a way that could risk me accidentally melding with them. But Jin wasn't really interested in either of those things, so we were both happy together in spite of that. I think I have some wedding photos in my omnitool I can show you. That's her. That's Jin. And that's me next to her, but it's hard to tell it's me because the suit obscures my face." C:"Awwww. Those are lovely pictures. Many of us in our maiden stage don't settle down so easily. Do you think living in a mostly turian area growing up influenced your desire to commit to someone that early? And if you don't mind another question to move us along... You seem relatively outspoken about your condition. Is there a reason you feel the need to take what most people would likely consider the risky position of putting yourself and your condition out there without secrecy?" N: "To answer your first question, I would say yes, absolutely. Most of my turian peers, those who did settle down, at least, tended to do so in their thirties. I was thirty-eight years old when I married Jin, which is a little above average for a turian but I found out later that it was like, crazy low for an asari. Your second question is kind of complicated because I have multiple reasons. Firstly, and most importantly, is that somebody needs to speak out. If any of the Ardat-Yakshi in the Republics tried to do an interview like this, they'd be killed or locked up by Justicars or by the government or an angry mob of other asari. I'm still worried sometimes that they'll try and do that to me anyway, even though I've never been to asari space, and if it's a justicar I don't stand any chance of winning a one-on-one fight with one. I have a responsibility to speak up for those who can't speak for themselves, while I still can. Secondly, I'm from the Hierarchy and Turian culture places a very very strong value on honesty. Directly lying about my condition would go against everything I stand for. Thirdly, if what I say informs people about Ardat-Yakshi, it lessens the risk of other Ardat-Yakshi accidentally or, though I'm sad to say it, intentionally injuring or killing innocent people. If even one life is saved, even if I get killed, speaking up will have been worth it. Lastly, though this isn't that important since it only affects my personal life, but I am really, really, annoyed by stereotypes about asari promiscuity and especially asari maiden promiscuity. Letting it be known that I can't sleep with anyone because it could kill them cuts down on unwanted propositioning by, like, ninety percent." C: "Thank you… Those answers definitely shed some light on why you're willing to be rather public about these things. It's a good goal, wanting less people to be hurt. The idea of informing others actually leads quite nicely into my next question. I'm fairly certain I know the answer to this one- But are there any big myths that are simply false, or incomplete information that you think people should know the truth about?" N: "Well, to start things off, basically everything in stuff like Galaxy of Fantasy is wrong. We don't have magic powers, we can't resurrect the dead, et cetera. Most of these should be fairly obviously false, so I'm not going to spend that much time on them because otherwise I'd have to spend all day ranting about stuff like that one human I met who claimed I was somehow a real-life vampire or something. I get so many vampire comparisons. It's annoying. Ardat-yakshi aren't vampires. There's like, no connection at all. Anyway, to get back on track, there's one very important myth I would like to dispel. The ardat-yakshi medical condition is actually a spectrum. The lethal variant of the condition, which I have, is very very rare, but there are other variants that aren't lethal, and are much more common. At the mildest and most common end you have people who just give their meld partners temporary headaches, though most people with this variant don't actually know that what they have is technically a variant of the ardat-yakshi disease, and the Republics don't persecute them like they do with people like me. However, they're still infertile, just like anyone else on the A-Y spectrum. Further along the spectrum, the condition gets bad enough that each meld basically gives the ardat-yakshi's meld partner a concussion, and then even further along the spectrum comes permanent brain damage from each meld, and some ardat-yakshi can even leave their partners comatose in extreme cases. Or dead." C:"Thank you for your answers. I can't imagine it's easy to talk about some of this, given the way the disorder is regarded. Now that we've discussed things that are false, what are some true things you wished other people knew about it?" N: "Well, melding is actually addictive for Ardat-Yakshi, just as the Republics and Justicars say it is. I'm not exactly sure how addictive it is, since at the time of my only meld, which was before I knew I was an Ardat-Yakshi of course, I was already trying to fight off an Aurora addiction. I'm not sure what withdrawal effects were from that and what were from the meld, but it's definitely possible to fight off the addiction. Secondly, Ardat-Yakshi serial killers, though I would like to emphasize that they are very, very rare and are in no way representative of the average A-Y sufferer, do actually exist. They normally don't get very far in the Republics proper, since an autopsy can reveal how the victims died and you can test suspects for the Ardat-Yakshi medical condition. But outside asari space, people don't know how to actually catch the serial killers because the Republics keep trying to suppress information about Ardat-Yakshi, and the serial killers can amass staggering body counts because of that. The Republics would seemingly let hundreds of innocent people die to... um... avoid making themselves look bad or something? I'm actually kind of confused as to why they don't just tell everyone the truth for once." C: "Hm. That makes sense. But what about asari colonies, or even nations with asari majority or pluralities? Surely the condition can occur in them as well? Even if the Republics are, as you say, loath to reveal the truth, surely someone out there has been doing research too? That's just a thought though, I don't actually expect you to know what groups or nations all across the Terminus might be doing." N:"As far as I know, the condition, well, the forms of the condition severe enough to be dangerous, anyway, is rare enough that research isn't prioritized, especially since A-Y is basically a pureblood exclusive disease and asari colonies outside the Republics tend to have fewer purebloods." C:"Well, I have two more questions planned, so we're really scooting along here. Thank you again for sitting down with me. Let's see... Are there any mistakes you've made in your efforts to spread awareness for this condition?" N:"Well, with the fact that so few Ardat-Yakshi are able to speak openly about their conditions, when I talk to people about this, I'm basically the only Ardat-Yakshi that most people ever know about. Since I'm their only reference point, I worry that people will take my flaws and apply them to everyone with the condition. I admit, I'm not the best figurehead. I'm a convicted criminal, albeit for something I don't want to discuss here. I'm a veteran of a, to put it mildly, controversial war on Solregit. And I don't get along with people sometimes, along with other various personality flaws. But there are Ardat-Yakshi who are better people than I am. They simply never got the chance to speak out, like I do. One more question, and then I have to get back to my ship." C:"Of course, I don't want to take up too much of your time. I only had one last one planned anyway." Well we've spoken about many aspects of the situation as-it-is. What, to you, would a more just policy look like in the Republics?" N: "To put it simply, equality under the law. No preemptive targeting of Ardat-Yakshi based on what we might do, with the monasteries as a strictly voluntary institution. Ardat-Yakshi who have knowingly hurt or murdered people should still be arrested, like any other criminal. Ardat-Yakshi who do not harm others should be treated the same as anyone else. All I ask is that you judge each of us by our own actions, not the actions of others." C:"A fine answer. One I think the vast majority of people can empathize with. I understand. You probably have a schedule to keep. But it's been a pleasure getting to know you some, Nara. I look forward to writing this up." With the interview concluded, I walked away with a few different feelings. I entered the conversation a little nervously. I had no more special knowledge of the AY condition than any other asari out there. Since I’m not a doctor I can’t speak to the accuracy of any of the medical specific claims my guest made. But I felt that her desire to make more information known was genuine. During the conversation there were certainly no feelings of threat or manipulation that I picked up on. And I sympathize greatly with the idea of wanting to be treated the same as everyone else. It was a very interesting conversation; and one that opens a window into a phenomena that is very rarely covered in anything but fiction. I hope you enjoyed the small look into the world of Ardat-Yakshi as much as I enjoyed bringing it to you.

[shihalyfie]

An analysis of Iori and his character arc

Iori has a particularly interesting position in 02′s narrative (and, even more widely so, in perhaps all of both Adventure and 02) in that his base profile is rather unusual-looking even from the get-go -- the youngest child in both groups, yet with a (seemingly) mature demeanor that surpasses even his seniors. On top of that, Iori ends up having a very deep relation to 02′s themes and plot itself in a way that isn’t initially apparent, but actually makes him a very vital centerpiece of 02′s story.

Before we get into Iori’s role in 02′s actual plot, it needs to be established that a very, very large amount of Iori’s character is heavily shaped by his family background and upbringing. Prior to the start of the series, the Hida family had a large void in it, with Iori’s father Hiroki having been killed in the line of duty. Being a mere five-year-old child who had lost his father barely into actually being sentient and basically had to live the following three years going off hearsay on what he was actually like, Iori ends up raised by his mother Fumiko and his paternal grandfather Chikara.

While not in exactly the same way as the Takenouchi family (which is literally working in cultural preservation and study), the Hida family is very traditionalist Japanese -- Fumiko makes traditional Japanese food and snacks like kanpyoumaki and ohagi, and a lot of attention is given to the butsudan altar in their house where they honor the late Hiroki (also note the tatami flooring). That, combined with Chikara’s naturally strict personality, led to Iori being raised with “very strict manners”, and by a set of very firm guidelines on honor, respect, and the like.

Having been raised into this kind of formality, Iori speaks almost exclusively in polite-form Japanese. This happens to initially make him come off a bit like Koushirou -- likely a deliberate parallel, given the Knowledge connection between the two (being the kind of person who admits that you don’t know everything and wants to know more requires a bit of humility, after all). That said, Iori’s way of doing this has some key differences from Koushirou:

Unlike Koushirou, who was largely polite out of an attempt to keep distance from everyone and thus had a streak of being somewhat non-confrontational, Iori is perfectly willing to say harsh or critical things -- in other words, his way of speaking is formal, but it’s not necessarily polite, and in fact Iori is probably the single most passive-aggressive person in this cast. He has absolutely no qualms about dunking on whatever he feels truly deserves the dunking, and he’ll certainly do it with a lot of grace, but he is very capable of being extremely cold when he wants to be.

Koushirou stuck to formality out of detachment and intimidation, to the point that, as per Adventure episodes 38 and 54, he was compulsively unable to bring himself to speak casually unless he forced himself. Iori, on the other hand, often “slips” -- on top of willingly defaulting to casual form whenever he’s talking to himself or (occasionally) to the Digimon (who are outside Japanese levels of propriety), he also has a tendency to start using casual form whenever he gets particularly emotionally compromised. (While it doesn’t quite come off in the translation, the above screenshots from 02 episode 10 are an example of this, with Iori losing his temper at the Kaiser and slipping into casual form -- and a bit of fun foreshadowing, guess who’s the one to successfully calm him down? Takeru. Remember this for later.) In other words, Iori’s formality is not compulsive, but a conscious thing he tries to maintain as he holds himself to high standards, and is unable to completely uphold during times his emotions get the better of him.

Ultimately, Iori may come off as “mature and composed”, but he’s still an impressionable nine-year-old child, who’s effectively parroting the rules his grandfather instilled in him because he sees it as The One and Only Guide to Living Life. In trying to figure out the right thing to do in any situation, Iori ends up constantly trying to fall back on “this is the right way to do things!” and taking it rather badly whenever things start falling outside of the expected pattern. Despite being the one responsible for Iori’s tightly principled life to begin with, even Chikara himself comments that Iori’s not being flexible enough in his thinking in 02 episode 5 -- because it’s not like he’s expecting Iori to be like this, but Iori is simply having a hard time applying these principles practically when he’s working with the limited range of being a nine-year-old child.

And as much as it may be tempting to see Iori as stoic, watching his expressions and way of emoting throughout the series, he does very much have the full range of emotions and curiosity and even cheer of a nine-year-old child -- it’s that he’s just constantly holding himself back for the sake of being principled and well-mannered. This has the unfortunate side effect that Iori is, as the Animation Chronicle calls it, “clumsy at expressing himself as a child”. Because he’s constantly restraining himself like this, he has a hard time expressing himself or letting himself enjoy things in the way a normal child would.

It also goes a long way in explaining why Iori is never seen hanging out with any other peers his age, and is exclusively depicted in the company of either the rest of the 02 group, or his own family. While part of it is simply because (as per Japanese school procedure) he’s too young to be formally enrolled in any clubs, 02 episode 3 goes out of its way to show Iori being left alone in the classroom with only a teacher stuck supervising him, as he tries to force himself to finish his lunch due to his stubborn adherence to principle (even though he seems to hate tomatoes). In other words, it’s heavily implied that Iori’s own behavior ended up isolating him from his peers. Considering that the 02 group is generally made up of kids who are socially displaced in some way, it naturally follows that, despite being significantly older than him, they end up welcoming him into their friend circle and treating him as an equal.

When the series starts, Miyako and Iori seem to have gotten a certain degree of closeness (with Iori as one of the only people Miyako drops honorifics on). It stands to reason that Miyako, being open-minded towards people and rather aggressively friendly, would be willing to befriend her neighbor despite the three-year age gap between them, and so they already seem to have developed a rapport where Miyako’s willing to come over to his place to help work on the Hida family electronics in exchange for food.

So, you know, this and that happens, Iori becomes a Chosen Child, and this is the start of where Iori’s “principles” start coming into conflict with each other. The nature of the Digital World crisis is a no-brainer -- the Kaiser is doing terrible things, and Iori’s just been given the tools to do something about it, and so for him, upholding his principles to do the right thing means proactively doing something about it. But getting involved in this territory war will mean “fighting and hurting other people” (bad) and “hiding things from his family and sacrificing obligations to them” (also bad). Chikara advises him in 02 episode 5 that he still needs to be the one to decide what he wants and needs to do at any given moment, but it’s clear that this is still a new concept for Iori to swallow.

It’s also important that 02 episode 5 is also the episode that introduces Jou, who very much understood the dissonance between “adhering to principles in spite of how practical that may not actually be”, which means the two of them end up bonding over...ditching real-life obligations to come to the Digital World. This bonding happens despite the fact that they have the largest age gap out of any two given kids out of the Adventure and 02 group (Jou is 15, and Iori 9) -- and yet, they’re able to bond over being like-minded like this. And while they come from different contexts, there’s also a parallel drawn between the two on “the importance of personal choice” -- because back in Adventure, Jou’s story involved channeling his desire to help others in a way different from his usual expected path as a doctor or as a Chosen Child, and, likewise, it will be up to Iori to find his own way towards what he thinks is right.

Iori’s “adherence to principles” also needs to be distinguished from Jou’s in that Jou was someone more likely to be stuck to “practical” rules (one might call him Lawful) such as waiting for adults to help them with things, or what to put on eggs. Iori, on the other hand, has self-enforced rules that are far more ideological -- he doesn’t actually care that much about institutionally-enforced rules (note how he has absolutely no issue with sneaking into school with his friends in 02 episode 6) as much as he enforces a moral code on himself about “the right thing to do”. For instance, that he has to show his respect to Jou by formally finishing his introduction, even if it’s clear they know each other by now already.

But, again, it bears repeating: Iori is a nine-year-old child. The rest of the kids respect him enough to not treat him like a younger child -- other than a brief moment of emotional compromise that Daisuke quickly apologized for, the group is never really depicted as paying particular mind or care to the fact that Iori is so much younger than them, and for the most part treat him like an equal. But Iori himself is conscious of this -- after all, it’s why he’s constantly speaking politely to everyone all of the time, but 02 episode 16 also implies he’s very self-conscious about this. The plot of the episode kicks off when Iori momentarily gets caught up in his excitement about potentially getting a new Digimental, and, once things start going south, he starts blaming himself for causing all of this and lashing out at the others for (at least, in his mind) singling him out to be the one to escape on the grounds of being the youngest. After all is said and done with the incident, Submarimon lets Iori have a moment of something Iori really does need: a bit of a chance to actually get to enjoy himself as a young child instead of restraining himself so much.

Speaking of 02 episode 16, this is also where we first get to see how the pressure of maintaining Iori’s moral code starts to emotionally tear at him. It’s the first time we see Iori lose his composure this much. To everyone else here (and, perhaps, the audience, to some degree), Iori’s making a mountain out of a molehill -- he’s calling himself an unworthy person for telling a lie that even Jou himself clearly didn’t mind. But remember, Iori is someone who’s still learning a lot about how the world works at such a young age and is inclined by default to fall back on whatever his grandfather’s told him (to a point that even said grandfather considers to be overdoing it). Right now, Iori has basically built his entire view of morality based on this kind of thing, so putting a dent on it is like encouraging a slippery slope of potentially falling into moral depravity.

The reason why I say Iori’s character arc has a lot to do with Adventure and 02’s storytelling itself is that it’s a surprisingly pragmatic series when it comes down to it -- “it’s okay to lie, sometimes” is not exactly the kind of moral you’d expect out of your average kids’ show, but, perhaps a bit unusually, this series prefers to skip all of the preachiness and focus on pragmatics. (After all, back in Adventure, a lot of the final arc revolved around the question of “is fighting the right thing to do when there might be casualties?”, with the probably-kind-of-uncomfortable-but-frankly-very-practical answer of “it certainly beats having more casualties that would happen if you sat around and did nothing.”) Iori’s character arc is, effectively, this in a nutshell -- what’s the “right” thing to do when following principles alone doesn’t seem to be doing it? In the end, both Adventure and 02 are big on this -- preachy words and moralistic principles mean nothing in the face of striving to practically minimize damage and help others.

And so, Jou -- who himself grappled quite a bit with the dissonance between principles and pragmatism back in Adventure -- is the one to successfully reframe it in a way that Iori understands: most of all, Iori doesn’t want to see people get hurt, and whether “lying” or “not lying” is the right thing to do is not as relevant as “whether people are getting hurt”. Iori not lying would have caused a great deal more of hurt than lying, and it’s through understanding this kind of principle that Iori accepts that he still has a long way to go in terms of exercising his duty to others. The secondary Digimental arcs have a heavy theme of “acknowledging your deficiencies and resolving to improve”, and in the case of Iori and the Digimental of (this thing has been translated half a dozen ways, but, effectively, honoring your obligations to others), it involves his first major moment of coming to terms with the idea that the principles on paper he’s been stubbornly following aren’t going to do it by themselves.

Once the Kaiser arc concludes and the group is posed with the question on how to handle Ichijouji Ken, Iori’s reaction to him is the most infamously extreme: Ken is a Bad Person who is completely beyond forgiveness, and Iori wants nothing to do with him. It probably needs to be made clear that Iori’s stance on not wanting to forgive Ken is not inherently unreasonable. Ken really did some awful, horrible things in the first half of the series, and it is completely within Iori’s rights to decide that he doesn’t want to forgive or like Ken thereafter.

The part where Iori’s behavior starts posing issues is not the part about whether he likes Ken or not, but rather that Iori gets so hung up on that lack of forgiveness that he becomes very bad at observing the practical reality in front of him. Or, in other words, Iori gets so fixated on the principle of what happened in the past that he’s unable to make good judgment calls on what should happen going forward. It is abundantly clear to everyone by (at the latest) 02 episode 26 that Ken is not going to easily lapse back into his old ways and would like to make an effort to repair the damage he caused; regardless of whether they like him or not, it’s in their best interest to cooperate with him and let him help out (and even keep an eye on him to make sure bad things don’t happen again!), especially when the factor of Jogress comes into play and turns out to be a very valuable asset in the fight ahead. But Iori has a a rather squeamish, petty response when he tries to claim that they shouldn’t need Jogress (in the midst of everyone else being excited about the possibilities it poses, even without Ken in the equation) in 02 episode 28, and even when he does go along with everyone working with Ken in 02 episodes 28-29 during the Giga House Incident, he approaches it like he and Ken are bartering favors and that he’ll have to “repay” Ken before he can properly return to pigeonholing Ken as an Unequivocally Bad Person.

And so the issue here is: Iori being so determined to fixate on trying to stuff Ken into a neat box of a Bad Person isn’t good for himself, either, because it basically means he’s going out of his way to run pointless mental loops and maintain the feeling of stewing in a grudge against him, even when it’s helping absolutely nobody. Note the metaphor drawn when Iori practices kendo with Chikara in 02 episode 24 -- he keeps doing the same motion over and over again despite the fact it’s clearly not going anywhere, and Chikara has to warn him that doing nothing but aim for the head isn’t how you’re supposed to do it. Right now, Iori is having a hard time parsing things in ways besides shoving things in neat boxes of black-and-white morality, and this lack of flexibility is severely restricting his ability to be productive.

What starts to really cause Iori to make a major shift in his thinking process is none other than his connection with Takeru, a subplot that had already started kicking off all the way back in 02 episode 19, when Iori witnesses Takeru suddenly taking a violent shift in mood against the Kaiser to the point it scares him. Iori, of course, considers Takeru to be a “good" and “kind person”, but someone like that should (in his mind) logically not be making sudden, violent outbursts like that -- and especially once he starts advocating for BlackWarGreymon to potentially be killed if it comes down to it, going very against Iori’s fundamental principle that killing anything that’s sentient is unforgivably immoral.

This “contradiction” is what leads Iori to realize that he needs to do much more if he wants to understand Takeru properly, and it’s also the start of how Iori grows into the trait of his first Digimental, “Knowledge” -- or, more specifically (as defined by Koushirou in Adventure episode 24 and 02 episode 2), “curiosity and a drive to know more”. In the case of Iori, this manifests in “I want to know more about other people.” It’s Iori effectively understanding that his very limited view of the world and how people work isn’t sufficient in itself, and this concept becomes the crux of his character arc for the rest of the series.

After tussling around and getting increasingly confused about Takeru’s seemingly paradoxical behavior, Iori finally goes directly to Yamato to consult him about it in 02 episode 35, and Yamato explains the backstory behind Takeru’s trauma from losing Angemon back in Adventure episode 13, as well as a reminder that as much as it may have been his own fault, Ken technically went through some pretty similar trauma, and everything that’s happened since his fall from being the Kaiser hasn’t exactly been sunshine and roses for him either. Iori reflects on this as he goes home, with the important statement attached: he understands Takeru’s feelings. He’s now able to understand why Takeru acts the way he does, not on the grounds of principles of what’s right or wrong, but based on the fact that Takeru’s simply a very messy human being who’s not handling his own tendency to suppress his emotions well.

Because Takeru is such a convoluted person, and because Iori’s fundamental issue with approaching things involves unraveling some very deep-seated tendencies in his mentality, the way the two finally connect in order to properly Jogress requires something a lot more convoluted than just happening to clash in a single magical moment like Daisuke and Ken or Miyako and Hikari did. Iori starts off the episode catching himself when he’s about to fall back into “principles over practicality” again -- he starts railing on the others for (in his mind) taking the impending BlackWarGreymon fight too lightly, before Armadimon reminds him that he’s hungry, and Iori realizes -- again -- that he cannot effectively enforce “the right or wrong thing to do” without taking other people’s feelings properly into account. Realizing that this is is a barrier between him and the others, especially Takeru, Iori tries to adjust his thinking pattern and even becomes the one to advocate that everyone get some proper food and rest instead of charging into the fight unprepared.

The meal results in Iori getting yet another rare moment of letting himself truly enjoy something without restraint, and is also followed by Takeru speaking openly to him about their potential Jogress -- openly, honestly, not covering it up, not even with the same light playfulness he would usually put on (including what he had with the very same topic at the beginning of this episode). It is an acknowledgment from Takeru’s own part that he’s been watching what Iori’s doing and also wants to connect, and an open and serious statement from someone who had constantly tried to cover up everything with a smile up until that point, and, with the two reaching an understanding, they finally achieve their Jogress at the end of the episode.

This connection with Takeru, and the understanding that came from it, is what allows Iori to start applying a bit more flexibility towards approaching other situations. 02 episode 38 has him finally accepting Ken’s invitation to his Christmas party, after so many episodes of despising so thoroughly -- because now that he’s taking Ken’s position and feelings into account, he’s able to properly recognize him as someone doing his best to make amends going forward and be friends. Later, in 02 episode 44, despite having originally been the one more staunchly against it on principle, Iori handles the shock of having to kill an enemy with somewhat more grace than Miyako does, because not only had he already started considering the difficulty of fighting an enemy that cannot be reasoned with and wants nothing but wanton destruction (back during the end of 02 episode 29), Takeru is there to remind him that their priority must, first and foremost, be “saving lives” -- like, for instance, the girl in a wheelchair in front of him.

And so, the final episodes of 02 put everything Iori’s learned to the ultimate test, when he learns that the major perpetrator behind it all is none other than a friend of his departed father.

Up until this point, much of Iori’s mentality had been shaped by the rather saintlike image everyone had put up of Hiroki -- it’s almost certain that he must have had his own flaws as a person, but the resistance to speaking ill of the dead, and the generally positive influence he’d had on his friends and family and his untimely death by “protecting someone”, painted him as effectively a perfect, impossible ideal for Iori to strive to. Much of Iori’s justifications for his own behavior had consistently been reliant on “my father said this” or “would my father would have done this?”, such as his reason for forcing down his lunch in 02 episode 3, or using him as a mental model in 02 episode 44. For Iori’s former mentality of “good person” and “bad person”, this is the ultimate contradiction that threatens to rip apart everything Iori had built his own values system on -- that someone so incredible and saintlike and virtuous would be friends with someone so unambiguously doing horrible things like Oikawa. Iori, taking this as an awful emotional blow, parses this with a desperate desire to understand the motive behind why someone would do this, because it’s not enough for him to continue until he does.

And in 02 episode 49, we see Iori effectively forced to confront the fact that he can’t keep relying on the model of his father anymore as the sole basis for his way of life when, in the end, his father will never return. Iori doesn’t even know him that well; he can’t conjure up an image of him talking, or anything beyond just a flat, serene smile. And when the image of his father finally disappears, Iori almost immediately accepts it, as if he’d known the whole time.

It’s also significant that Iori declares that what he’ll do next is introduce Armadimon to his mother -- because, in the end, Iori is at least now capable of “moving forward”. He can’t get his father back, and the best thing he can do is make use of his existing support group and keep pushing forward with the people he does have in his life -- quite the opposite of Oikawa, who responded to the loss of that exact same person by clutching onto the remnants of the past they shared, and never becoming able to move on.

Hence, 02′s finale ends on none other than Iori, and when you think about it, this is actually a pretty unusual position to be in for someone who’s not the lead protagonist (Daisuke) nor the most prominent focus of the story (Ken)! But it’s a testament to just how important Iori is to this narrative on a thematic level -- all of the struggles about the morality of fighting and the disparity between principles and practicality (which dated all the way back to Adventure), and 02′s prominent theme of coping with loss and regrets and figuring out how to best move on, are all tightly entwined with the character arc of this nine-year-old child. (If you want to take the parallel between the Adventure narrative and Iori even further, Iori and Armadimon sharing the same voice actress is possibly one of the most prominent ways of indicating how a Digimon partner is fundamentally meant to express one’s inner self.)

And especially since Iori is the person who should have been the most vehement about having any kind of sympathy or compassion towards Oikawa -- just remember how determined he was to be cold towards Ken only half a series ago! -- and it leaves a strong impression of the huge, huge journey Iori had gone on through this series. Iori’s arc closes on him understanding the nature of what Oikawa had wanted this whole time, and understanding exactly what it meant for him to make that sacrifice right after finally meeting his partner, and ends the story the most emotionally affected by it -- because, after all, that’s the sort of truly kind person Iori is.

Iori after 02

By the time of Spring 2003, when Iori’s had some time to reflect on it, we learn from Iori that he still does not forgive Oikawa. That in itself is fine; remember, Iori is perfectly within his rights to not do so after all that he’s done. However, again, a distinction must be drawn between whether Iori forgives him, and whether he still considers it to be important to understand the mentality behind why Oikawa did what he did, and to reflect meaningfully on that instead of running himself in circles fixating on a grudge. Again, it’s about going forward with what he knows and has, instead of getting fixated on past deeds -- and with that, Iori resolves to “study”.

In The Door to Summer, we also learn that Iori allegedly has a “girlfriend” -- or, at least, someone Daisuke calls his girlfriend (Daisuke is a bit of an unreliable narrator here, given he’s also totally blown Hikari’s “rejection” of his beach hangout offer up as if it were a full-on total rejection of him completely). It is, perhaps, interesting that Daisuke is capable of getting this impression about Iori’s relationship with someone outside the 02 group, given that he’d been rather isolated from his peers all the way back in 02 episode 3...

Iori occupies an interesting position in Kizuna, because we only have one point in time where we got to intimately know him, and that was back when he was only nine years old -- and between that and Kizuna, there is a massive eight-year timeskip. He's 17 now, and we don't get any kind of catch-up period in the middle like we did with Takeru and Hikari in 02, and that is a time period where a lot of changes in demeanor could have happened with him compared to all of the others.

At first glance, it seems that he’s gotten much more stoic -- but this is actually something that should reasonably be expected, because now that he’s a teenager, it stands to reason that he would be much better at actually controlling his emotions and not necessarily get overwhelmed as easily. Plus, it’s not like he’s shown to be completely emotionless throughout the movie; he’s just doing a much more graceful job of holding himself back (look carefully at the credits and you can see him sweatdropping at Armadimon barging in on his practice), and moreover you can still see him deliver some pretty direct bluntness about the ramen in New York. Still with formal language, but nevertheless, no flattery is to be had here; Iori will dunk on you if he thinks you deserve it (even if it’s to do with mediocre ramen).

But there are some other interesting observations -- for one, the official website profile states that he’s actually settled on his future career in law at this point, and has made himself extremely busy in order to do so. (On top of that, he at least seems to be on friendly enough terms with his peers at school that they’re happy to greet him on their way out.) The drama CD indicates that Daisuke considers him the busiest out of the entire 02 group -- yet he and Takeru went out of their way to pick him up from school, because he’s that important to them. (Think about it -- how often do you see university students going this far to go retrieve a high school kid to hang out with them?) And likewise, Iori doesn’t even hesitate to state that he’ll make time for them, and throughout the movie he’s conspicuously seen in his school uniform, implying he really is moving things around to make it happen, because they’re that important to him.

He also engages in the single most chaotic action from this group, which is getting Armadimon to break into Menoa’s lab. It’s not that he’d inherently been against this kind of thing before, especially for something important (recall that he’d been happy to sneak into school for Golden Week with the others back during 02 episode 6), but it does beg the question of where and how he got this information that Armadimon could break electric locks. Perhaps he’s become a bit more, ah, pragmatic of a person since 02...

So, in the end, Iori does become an attorney, and specifically a defense attorney (the Japanese law system does draw the distinction). The person who once wanted to stick people he considered to be doing wrong into a “bad people” box and call it a day eventually came to embrace a career that involves understanding people and advocating for their perspective, or at least bargaining for something other than defaulting to the harshest assumption and a solution that allows all of the parties to best productively move forward.

He also has a daughter, who seems to have been raised to be as well-mannered and formal as he was. But, thankfully, he himself is there to help raise and guide her as she grows up.

[cherry-gemz]

Summary: This is a continuation of the movie Before We Go and my interpretation and imagination of an A/U. Brooke is you (Y/N) and Nick is still Nick :)

Prompt: "Just admit that I'm right." for @the-ce-horniest-book-club Drunk Drabbles for Nick Vaughan.

Pairings: Nick Vaughan x Y/N

Rating: PG-13

Word Count: <2k...is this a drabble still? Oopsies XD

A/N: I watched this movie for the first time just last week. It's now one of my top 3 Cevans movies! While I'm all for a romantic, serendipitous, spontaneous trope...much like Before Sunrise *no spoilers*, the ending was great, but I wanted a different spin. No pressure...yah, right! Either way, hope you enjoy xx.

Tags: @thesecretlifeofdaydreamss @tonystankschild @a-little-counter-esperanto

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You sniff and rub the end of your coat sleeve with your nose. Had to be the chill in the air, you thought. Not the fact that you just spent the most amazing and life changing night with a man you just met hours before and it was ending.

You stare out the train’s window; the gentle hum of the cart gliding across the steel tracks echoed in your thoughts. You shook your head in thinking that you made a mistake. I should have stayed...I should have told him how I felt…

“Nick. It's you again. Listen. I want to give you one more piece of advice. You're gonna be playing one night... Grand Central... thinking of every reason in the world to not go see the girl that broke your heart. Then, you're gonna meet somebody. And now, at first, she's gonna seem… icy. You're gonna know right away she's trouble. She's gonna take all your money. You're probably gonna get punched in the face. But stay with her; you're gonna need her a lot more than she needs you. And at the end of the night, you're gonna want to say some things, but don't. Don't ruin it. It's nothing she doesn't already know. Just give her a kiss. Wish her good luck. And thank her. Thank her for showing you that you can love more than one person in this life.”

He was unbelievably charming. You said so yourself. His raw talent with the trumpet was beautiful and different from what you were used to. The suburbia of the Boston bubble was what you were forced to live in now. You were from London, you were cultured and refined. Sure things with Michael were exciting at first, but the ho hum of the daily diatribe of routine became loathsome. Dépaysement. But you still never wavered in your marriage. Unlike Michael who had crossed that sacred line and lost your trust. It wasn't even fully the physical aspect that he went to another woman. It was the intimacy of telling her his deepest desires and then some that hurt the most. That he would want to share that with anyone else but you. But tonight. Tonight was what made you see clearly.

"It's possible, isn't it? It's possible that you could meet somebody who's perfect for you even though you're committed to somebody else," you asked as you bit your lip.

"No, no, see, I think if you're committed to somebody, you don't allow yourself to find perfection in someone else."

You found yourself blushing and cupping your cheek in thoughts of Nick. He was right. The whole night was a cluster mess of you trying to get home before Michael so you'd be able to throw away that wretched note. That he'd come to his senses and forget Linny. That he'd realized he was a fool and you'd start over. Just like old times.

However, slowly that feeling of reconciliation faded away little by little as each hour in the city passed. You couldn't pinpoint it exactly, but somehow the scrappy trumpet player Nick Vaughan etched his way into your icy heart and left an impression and stayed.

His fluffy, dark hair - so soft and inviting for you to rake your fingers through it was enough to drive you mad. His scruffy beard, which tickled when you kissed. You already loved ghosting your palms over it softly and imagined being able to do it whenever you wished. He said earlier into the night you weren't his type; you scoffed, but we're annoyed that it bothered you. You were a classic model of what guys were into, looks wise. Sure, your attitude was what rubbed some people the wrong way, but Americans really were too sensitive.

He however...he was the full package. Every toothy grin, wink, and full hearty laugh. He was addicting. He was a dead ringer for a heartthrob, but you also couldn't hate the guy for it. He was the friend you'd call to bail you out of jail at 4am and the boyfriend that you could see settling down with. It was nauseating really.

And then his lips. His soft lips...you can’t believe you kissed him in the hotel room. And then again at the train station. But you would have kicked yourself for not doing so in the first place. The way your fingers interlaced themselves on his terry cloth robe, how desperately you wanted to press your body against his. All you wanted was for him to feel that burning need within the apex between your thighs and extinguish it all night. But it was more than that, he was what you were missing. But you were kidding yourself. You weren’t running to Michael, you were running away from Nick.

But why? Because of the unknown? Because he actually knew who you were deep down inside? How could a man you barely knew, change you? Change what you thought was true, what you thought was love?

You dove your hand into your wool jacket’s pockets to push any thoughts of self-doubt, when you realize there was a piece of cardstock. You were puzzled to find it and immediately smiled in recognizing the hotel survey card. You bit your lip as you read down the survey questions one by one and notice Nick’s handwriting at the bottom, ‘turn over’ with an arrow.

Curious you turn over the hotel card and he’s written the word ‘yes’. Yes? You furrow your brow and contemplate further what he would be saying yes to. You think about the night - the time at the bar, helping him with Hannah, when you went to the psychic reading. Yes? What in the world - and then you turn the card back over and realize that on the second to last question it asked “Will you be likely to return?”

None of the boxes are checked, but he’d written ‘yes’ on the back. Yes. Yes he’ll return? Where? To the hotel? But when? You look up and rush to think about stopping the train dead in its tracks to return back to Grand Station. You breathe out heavily and come to terms that this isn’t a movie. He’s not chasing you down the tracks, jumping on the train to find you. Or is he? You wouldn’t put it past him. The whole night was filled with serendipitous concourses, this would be icing on the cake. You dart your head around to see if he’s in the cable car. It’s like in every rom com movie ending, the man of your dreams will be right there. He’s somehow charmed his way into boarding the train and found you waiting like a princess in her high tower. The train car is dark and bleak, only a few passengers are riding it as it’s the first route to Boston on a Sunday. You peer over to see if he’s in the next cart, but alas he is not. You slump in your seat and rub your thumb methodically over his words.

"Have you ever had a feeling that somebody was going to play a major part in your life?” you ask.

“Yeah."

“Do you know the most interesting thing about hotel art? It's what's on the back.”

It’s then you realize you have to return to New York. This story wasn’t about you and Michael anymore. No, it was about the man who selflessly helped you while you were in need, not only at your dire hour, but metaphorically as well. This was meant to be. You were meant to miss your train, break your phone, and meet the handsome man named Nick Vaughn. You knew he’d still be in the city because of his audition for the day with Duke at least, if you could just get to him somehow...

*

Your knees bounced as you sat on a cushioned chair in the hotel lobby. You had planned to wait there all day, but then realized the $13 train ticket was your only way of providing you security back home. So you went home. Confronted Michael. Cursed, cried, and then relief rushed over you as he had read your letter and how you knew about the affair. How you wanted to throw fists on his chest and tell him how much you hated him. But once you saw him, you found it didn't matter to you anymore. Someone else was worth fighting for. Your marriage was over. The hatred and spite you once had for your husband had dissipated. Your world didn't end like you thought it would. This wasn't your only chance at love. You were choosing to be happy, whether it was with Nick or not. This was the first time you were going to jump without having a net.

And Nick was wrong. Michael didn't want to work things out, he was coming to tell you that he loved you, but that and he'd be returning to Atlanta for good. The house, car, everything was yours: Nick said so himself, you gotta be okay with not being okay. So you walked away. You made the choice just like the psychic said and took it in stride, you faced the music.

However now you found yourself back in New York. Not the once stranded woman at a crossroads less than 24 hours before, but the woman that made a choice. You were worried that Nick would see it as you running away again. Running away because Michael didn't choose you. But in reality you didn't choose each other.

Still without an ID, you took your car and better against the four hour drive to the city and hoped a cop wouldn't pull you over. You thought of the night in the hotel. The laughs, the closeness you two encountered. The playful and cheeky way he could make you feel seen. You were starting to get nervous, what if he doesn't show up? What if I missed my chance?

"I'm an idiot," you murmur to yourself. "I can't believe I'm here."

You stand up and realize there Nick was there in your path. He looked a little worn, obviously from staying up all night. But he had changed and showered from the looks of it, and his signature trumpet case held in his hand.

"Well look who it is. The biggest loser in New York."

You laughed and blushed at the sight of him. He slung his trumpet case over his broad shoulder and walked over to close the gap.

“Just admit that I’m right.”

"Admit what?" You ask as you find yourself touching his jacket sleeve.

"Admit that you couldn't get enough of me." You hitched a breath from his words.

"You can say that."

"I can't believe you came back," he responded. His blue eyes gazed into yours as he brushed away a tendril of hair from your face.

"I read your answer to the survey...on the back."

"The stay did exceed my expectations and I did say I would return," he smiles.

"And here you are."

"Here I am…" he pulls away slightly as he's reminded that you're married.

"I jumped," you replied.

He's taken back by your statement and furrows his brow.

"What? With what?"

"I told Michael it was over."

"Wow. I'm so...sorry, Y/N."

"Don't be. You said so yourself, at some point it was time to face the music."

He nodded, absorbing the information.

"Say what's in your head."

He shook his head and grinned,"I'm just glad you came back is all."

"Yeah? How'd you know?"

"I didn't. Just sure as hell hoped you would."

He intertwines your fingers with his and holds tight. Like a missing puzzle piece found, your hand fits perfectly with his.

"Whaddya say we get out of here?"

"What do you have in mind?"

"I may know a place," he smiles devilishly and gives your knuckles a kiss.

You grab his dress shirt collar and turn him towards you. He runs his hands through your hair and places his lips upon yours, kissing you deeply. It's a kiss so passionate, so perfect - that after you part, neither open your eyes for a few moments afterwards and he embraces you tightly.

"Good, because I'm not going anywhere."

[k7l4d4]

A Miraculous Manifesto: A list of my thoughts on Miraculous Ladybug

Hello ladies, gentlemen, and germs of all ages! Everybody clap your hands! Today, I am going to talk about a show that I very much enjoy, but also drives me up a wall: Miraculous Ladybug!

If you don’t know the show, feel free to ignore this, this is mostly to get my head together and my thoughts posted down. It’s basically just a collection of my opinions on topics within the Miraculous Fandom and show.

First off, and it’s a doozy, Chloe Bourgeois. For those not in the know, Chloe is one of the singularly most bitter, mean, and utterly selfish characters ever invented. But, she isn’t a one-note hate sink. Chloe’s mother, who is an even BIGGER bitch than Chloe herself is, abandoned her to focus on the fame and adulation her career in the fashion industry afforded her, never remembering her Birthday and often not even bothering to remember her NAME. Ouch! Chloe’s father, Andre, while not without his faults, being a formerly corrupt, and still kind of shady, politician and all, but he deeply loves his daughter. Unfortunately, Andre is by all accounts and absentee parent, relegating Chloe’s rearing to Nannies, Butlers, and the like, and burying her in presents and gifts to avoid actually parenting and teaching Chloe. All in all, a bad combination.

By all accounts, Chloe was originally a very sweet and kind hearted girl, reaching out and befriending the lonely son of the Agreste family, Adrien. However, her loneliness, her dad’s spoiling behavior, and her pining for her mother combined to turn Chloe into a monster. Chloe, as she currently is, has a massively egotistical and selfish demeanor, and has no real friends, lashing out in the cruelest and most spiteful ways for the pettiest of reasons, or just for laughs. The closest thing she has to a friend is the socially awkward and unwaveringly loyal Sabrina, who often serves as her lackey, and is regarded as such as even her family’s staff don’t believe she has friends. Again, Ouch.

When given the chance to be a superhero as Queen Bee, a role which even Marinette, Ladybug herself, thought might help her change, we saw more signs that there is more to Chloe than just a dumb bully. Despite what people might think, Chloe actually is capable of feeling remorse for her actions, and her deepest desire underneath all the hate and bile is too be useful. To not just be another burden.

Unfortunately, show creator Thomas Astruc sank that idea. Turns out, Chloe is apparently utterly incapable of change and will always remain a self-centered monster. Now, I do NOT condone the fandom that was rooting for Chloe’s behavior against Tommy-boy, as all they did was give him vindication by acting like a pack of rabid jackals going in for the kill. On his official Wiki page for Miraculous, Thomas gives what appears to be a poetic and thoughtful detailing as to his decision and why he is right for it. Honestly? It rings hollow. For all his fancy words and attempts to illustrate Chloe as solely being a toxic, hateful individual without redemptive qualities, his reasoning, as well as his apparent intent from the start to have Chloe becoming a SuperHero to be a fake-out, comes across as crass and tacky.

Thomas perpetually portrays Chloe as being a bitter and spiteful shrew, with any kind deed she does having a duplicitous motive, that she is utterly incapable of showing genuine kindness and remorse as she is, and that is the way she always will be, but the thing is? When you give a character a sympathetic backstory and motive for how and why the way they are, you should expect people to sympathize and relate to that character, as well as acknowledge the you are opening them up to the possibility to change for the better. These are all things Thomas denies ruthlessly. In his narrative, Chloe can never be good, and all her pain has only served to ruin her, nothing more.

One of his arguments to justify this? Supervillains don’t sell toys. To explain, while a tragic backstory might make kids and folks sympathize for a villain, they still won’t consider them good or support them. That is true, of course. But the biggest flaw in his logic? Supervillains are just as capable of changing, becoming better than what they are, just like EVERYONE is. Villains can become heroes, it’s true! Not without trials and tribulation, of course, but they can be more than the label society gives them. Thomas has refused to even entertain the possibility that Chloe can ever be more than what he dictates she can be. In his narrative, people who have done bad things can never attempt to redeem themselves.

Chloe’s a baddy. Case closed. Thomas has repeatedly pointed to moments in the show that “illustrate” that Chloe is beyond redemption, that she can never grow beyond her faults, but the things is? He’s the creator, one of them, and a writer for the show. He has the POWER to CHANGE that narrative, to have things happen that force Chloe to grow and become a decent, if he can’t bring himself to make her good, and make amends, even if others don’t accept it.

Thomas likes to draw comparisons to abusive relationships when it comes to Chloe, but when you look at the show? It doesn’t actually hold water. The only people she has any kind of relationship with that isn’t straight up antagonism are Adrien, Sabrina, Audrey, and Andre. While it could be argued that Chloe is abusive towards Sabrina, and the dynamic they have is NOT healthy, I wouldn’t call it abusive. Chloe in no way forces Sabrina to do all that Sabrina does for her, even if she is barking orders, and Sabrina is cognizant of the fact that they do not have a standard friendship, enough so that even Chloe’s family’s employees don’t actually view Sabrina as actually being Chloe’s friend. Chloe might be harsh with Sabrina when they are on the outs, but she is never shown forcing Sabrina into anything, and Sabrina is often the only person besides Adrien or herself that Chloe shows compassion towards, particularly as Sabrina is one of the few people completely aware of Chloe’s childish and geeky side and accepts it utterly; at the worst interpretation, Sabrina is Chloe’s ENABLER, not her victim.

For Audrey and Andre’s relationship with Chloe, it is definitely toxic, but, if anything, Chloe is the one being abused! Audrey frequently belittles and ridicules Chloe, forgets her name, HER OWN DAUGHTER’S NAME, abandoned her when she was too little to truly take care of herself or have proper knowledge of right from wrong, and generally treats her like a particularly incompetent employee, when all Chloe wants from Audrey is her affection, her approval, and her love. Andre isn’t really bad with Chloe, but he’s neglected to be a parent to her, showering her with gifts to avoid having to actually be there for her when she needed him for all those years, which probably didn’t do any favors for how maladjusted she is. 

Adrien frequently makes excuses for Chloe, apologizing on her behalf, and only occasionally standing up to her when she acts up. But Chloe isn’t abusing him, emotionally or mentally, as Adrien could be considered Chloe’s sole true friend; whenever Adrien scolds or gets upset with Chloe, Chloe backs down and off, and on the few times Adrien has threatened to stop being friends with her, Chloe has nearly broken. The only real thing keeping Adrien in Chloe’s life is the fact that she was his first friend, and he is her only friend aside from Sabrina. Chloe has no leverage to be abusing Adrien, or anything to use to keep them in each other’s lives; Adrien is friends with her by choice. Nothing else.

The worst part of it all? Chloe never got a chance. Thomas denied Chloe the possibility of growth, and will most likely keep denying it to her. So, I say we mourn. We mourn the loss of what will never come to pass, because one guy with a TV Show said so.

[slashingdisneypasta]

Slashers / Horror Villains as: Animated (Children’s) Movie Villain Songs

+ A Nightmare Before Christmas 

First of all, its mostly Disney. Second of all, I hope you know that this was a struggle for me. 

Also, note, Bubba will be the only Leatherface in this post and Billy and Stu will be the only Ghostfaces. There is Norma Bates though, so sort of a consolation. 

There are links to videos on YouTube ^^

~~~

Billy Loomis and Stu Macher / Ghostface: Playing With the Big Boy’s Now (Hotep and Huy, Prince of Egypt) 

Well... they’re part of the ‘big boys’, now! They are part of the Slashers group that, uh, ‘inspired them’. Imagine instead of Egyptian Gods, they’re chanting Slasher names. 

[HUY] Pick up your silly twig, boy [HOTEP & HUY] You're playing with the big boys now! Ha ha ha ha!

[EGYPTIAN PRIESTS] By the power of Ra Mut, Nut, Khnum, Ptah Sobek, Sekhmet, Sokar, Selket Anubis, Anukis Hemsut, Tefnut, Meshkent, Mafdet... 

Chop Top and Nubbins + Bubba Sawyer / Leatherface: Kidnap Mr Sandy Claws (Lock, Shock and Barrel, Nightmare Before Christmas) 

I mean... they aren't Drayton’s minions, but they are like this XD 

I say that we take a cannon, aim it at his door And then knock three times And when he answers Sandy Claws will be no more

Yes you're so stupid, think now If we blow him up to smithereens We may lose some pieces And then Jack will beat us black and green

Kidnap the Sandy Claws Tie him in a bag

Chucky / Charles Lee Ray: In The Dark Of The Night (Rasputin, Anastasia)

Mystical man? Check! ‘Betrayal’ (As far as he sees it)? Check. Made them pay? Check; I think Nica, Sarah and all the other families he destroys throughout the franchise can attest to that. And ‘One little girl got away’? Well Andy isn’t a girl, but yeah. Check. 

I was once the most mystical man in all Russia When the royals betrayed me they mad a mistake My curse made each of them pay But one little girl got away Little Anya, beware Rasputin's awake

Drayton Sawyer: Don’t Fall In Love (Forte, Beauty and the Beast: The Enchanted Christmas) 

Its such a crochety, unessessarily rude way of describing relationships to someone! I mean, I understand completely and resonate deeply with the desire to be alone and not be responsible for anyone else, but- come on! Beast doesn't share your view! Let it go! 

Its just like Drayton’s reaction to Bubba having a crush. Super cool video too! 

As soon as your heart rules your head Your life is not your own It's hell when someone's always there It's bliss to be alone

And love of any kind is bad A dog, a child, a cat They take up so much precious time Now, where's the sense in that?

Freddy Krueger: No More Mr Nice Guy (Rothbart, Swan Princess) 

A man with an uncomfortable relationship with the main female character pretending to be normal and not homicidal for a while before unlocking more power and letting there inner bad guy loose and taking great pleasure in it? Sounds familiar. They also have a similar vocabulary- except of course Rothbart is rated G. 

I'll become that nasty, naughty, dirty, spiteful Wicked, wayward, way-delightful Bad guy I was born to be

Lyin' loathesome, never-tender Indiscreet repeat offender No more Mr Nice Guy That's not me 

Inkubus: The World’s Greatest Criminal Mind (Professor Rattigan, The Greatest Mouse Detective)

‘Inkubus’ is literally a movie about him listing all his crimes over the centuries and messing with the police force because he has a bone to pick with a detective. Sounds pretty similar to me! Listen to the song! ^^

Now comes the real tour de force Tricky and wicked, of course! My earlier crimes were fine for their times But now that I'm at it again An even grimmer plot has been simmering In my great criminal brain! 

Jason Voorhees: Despicable Me (About Gru, Despicable Me) 

I... this is all I could think of!! But the more I listen to it and read the lyrics... it f i t s Jason so well! XD Please just let this slide; I know Gru isn't really a villain but he is at the start!! Let me have this. 

Why ask why? Better yet "Why not?" Why are you marking x on that spot? Why use a blow torch isn't that hot? Why use a chainsaw? Is that all you got? Why do you like seeing people in shock? But my question to you is "Why not?" Why go to the bank and stand in line Just use a freeze gun it saves me time. I'm havin' a bad, bad day It's about time that I get my way Steam rollin' whatever I see, Huh, despicable me I'm havin' a bad, bad day If you take it personal that's okay Watch, this is so fun to see Huh, despicable me

Jennifer Check: Trust In Me (Kaa, The Jungle Book) 

She’s a succubus demon. Tempting boys into a safe-feeling, docile state so she she can strike is her thing. 

Will cease to resist Just relax Be at rest Like a bird In a nest

Trust in me Just in me Shut your eyes And trust in me

Mayor Buckman and Granny Boone: Savages (Governor Ratcliffe and the Colonizer’s parts, Pocahontas) 

Obviously, because of the (Inaccurate) historical relevance of both movies (Different time’s, same terrible prejudice,) and also because there is definitely a very cult-ish feel about both Governor Ratcliffe’s song and Buckman’s leadership. How easily they’re able to gather support from their people for the most horrible reasons. How horrifying it is to audiences and historians. 

They're only good when dead They're vermin, as I said And worse

They're savages! Savages!

Barely even human

Savages! Savages!

Drive them from our shore! They're not like you and me Which means they must be evil We must sound the drums of war!

Michael Myers: The Gospel Truth II (Muses about Hades, Hercules)

In a Disney movie, Michael would have others sing his song about him as he goes about his silent, determined walking XD 

If there's one God you don't want to get steamed up It's Hades 'Cause he had an evil plan He ran the underworld But thought the dead were dull and uncouth He was as mean as he was ruthless And that's the gospel truth He had a plan to shake things up And that's the gospel truth

Midnight Man: Oogie Boogie’s Song (Oogie Boogie, Nightmare Before Christmas)

A song about a “Gamblin’ Boogie Man” is perfect for the Midnight Man! He and Oogie could be pals. 

Woah! The sound of rollin' dice To me is music in the air 'Cause I'm a gamblin' Boogie Man Although I don't play fair It's much more fun, I must confess When lives are on the line Not mine, of course, but yours, old boy Now that'd be just fine

Norma Bates: Mother Knows Best Reprise (Mother Gothel, Tangled)

Norma is soooooo so so so unbelievably manipulative towards Norman (And Dylan. It just works better on Norman) and this song absolutely presents that. She can go from sweet, loving mother to spiteful, heinous bitch in two seconds if Norman or Dylan don't do what or react the way she wants them to. 

Likes you? Please, Rapunzel, that's demented

This is why you never should have left! Dear, this whole romance that you've invented, Just proves you're too naive to be here Why would he like you? Come on now, really! Look at you, you think that he's impressed? Don't be a dummy Come with mummy

Pamela Voorhees: My Lullaby (Zira, The Lion King 2)

In a opposite approach to a villainous mother to Norma, we have Pam, who was heartbroken by the camp councillors letting her son die and vowed to get revenge. She didn't know she was teaching Jason to be the Crystal Lake killer like Zira did, but she did, and the whole song does have her kind of feel to it also. 

Sleep, my little Kovu Let your dreams take wing One day when you're big and strong You will be a kingI've been exiled, persecuted Left alone with no defense When I think of what that brute did I get a little tense But I dream a dream so pretty That I don't feel so depressed 'Cause it soothes my inner kitty And it helps me get some rest

Patrick Bateman: Cruella De Vil (Arthur, 101 Dalmations) 

Never before was there a song that described audiences reaction to watching Patrick living in his daily life and hearing his thoughts better then this one. 

Cruella De Vil Cruella De Vil If she doesn't scare you No evil thing will To see her is to Take a sudden chill Cruella, Cruella De Vil

The curl of her lips The ice in her stare All innocent children Had better beware She's like a spider waiting For the kill Look out for Cruella De Vil

Pennywise (Both): You’re Only Second Rate (Jafar, Return of Jafar)

Mostly for the video and Jafar’s energy in this scene actually XD So many transformations, so many tasteless puns! I was going to give this to Freddy but its the closest thing to Penny I could think of. 

Go ahead and zap me with the big surprise Snap me in a trap, cut me down to size I'll make a great escape It's just a piece of cake You're only second rate You know your hocus-pocus isn't tough enough And your mumbo-jumbo doesn't measure up Let me pontificate upon your sorry state You're only second rate

Sheriff Hoyt / Charlie Hewitt: Hellfire (Judge Claude Frollo, Hunchback of Notre Dame) 

A nasty filthy man who think’s he’s in the right despite being the biggest creep and monster ever? Mhm. 

*Note: I honestly didn't notice the deformed baby, Quasimodo/Thomas link until the day after I wrote this. Don't know how I feel about it. I mean, Hoyt is actually nice, in his way, to Thomas so the connection isn't totally there but onwards:

Beata Maria You know I am a righteous man Of my virtue I am justly proud

Beata Maria You know I'm so much purer than The common, vulgar, weak, licentious crowd 

End of Post! 🌼

(Bonus’ under the cut) 

I did think of other connections which I obviously didnt landed on but still have merit! Here! 

Billy Loomis and Stu Macher: ‘Gaston’ was considered, but that would have just been a joke XD I don’t think Stu is quite as obsessed with Billy as LeFou is with Gaston. 

Chucky: Friends on the Other Side. Obviously! That link was actually what inspired me to make this post. In The Dark of Night fits to a T though. 

Freddy Krueger: You’re Only Second Rate! Ah, its perfectttt. But No More Mr Nice Guy fits better. If I ever do a Slashers as Disney Villains post, he’ll be Jafar for sure. Or Hades. Or Scar. Or Oogie. Probably Hades. You know what? Without the gore and blood and explicit sexual references, Freddy could be a Disney Villain himself. Its not like Disney hasn't towed the line before with perverted villains. >_> (Jafar and Frollo) 

Jason and Pamela Voorhees: Mother Knows Best! Of course. 

Jennifer Check: Love is For Peasants (Barbie Island Princess) Because Jennifer thinks like this: 

Men? <<< Literally anything else. 

Patrick Bateman: How Can I Refuse? (From Barbie Princess and the Pauper) XD If Patrick were a kids movie villain, he would totally join the ranks of corrupted usurpers pretending to be trustworthy royal advisory staff. Also ‘Let It Die’, that little interruption part of another song that O’Hare sings in the Lorax and ‘How Bad Can I be?’.