#little mole cartoon

[schmedterlingfreud]

"don’t invite me unless these are the plans"

[fruity-m0nster]

is this anything

[valerieandherweekofwonderz]

Krtek a raketa / The Little Mole and the Rocket (1966) dir. by Zdeněk Miler.

[diaryofmarhula]

me making myself eggs for breakfast, lunch and dinner everyday cuz i hate everything else thats in the fridge

[i-really-like-phrogs]

Unironically my favorite picture of Toonjuice. Look at her! She’s just delightful, delicious— De-lovely!

[dimalink]

Mole at the field has a free time

A thematical drawing for today. Based on good and kind animals. A mole and a country house. Field and summer. Mole is laying in a field and having a free time. It is a good weather. There are lots of grass and flowers. There are singing grasshoppers here and there. And mole is looking at the clouds. And he is making his fantasies about clouds. About their form. What is similar to this cloud. And what thing another cloud reminds by its form.

Mole has a good thing at his country house. He, already, finished his things. He makes a cleaning in his country house. He put in a flowerbeds new flowers. He paints his fence. And wash flowers. And run to the field to have a good time. He lay on the grass. And just relax. It is so good to be in a country house at summer! So just like this - to go to the field and have a walk. Grass is already high. Later, maybe, mole go to a river. To his friend - frog.

Dima Link is making retro videogames, apps, a little of music, write stories, and some retro more.

WEBSITE: http://www.dimalink.tv-games.ru/home_eng.html ITCHIO: https://dimalink.itch.io/ GAMEJOLT: https://gamejolt.com/@DimaLink/games

TUMBLR: https://dimalink.tumblr.com/ BLOGGER: https://dimalinkeng.blogspot.com/

[betweenblackberrybranches]

trademarks for you: art style that somehow manages to rewind me back to the old Czech cartoons I'd watch before bedtime. innately comforting and soft lines, expressive faces, lots of round edges~

also lots of nature posts, chances are 8/10 if I see a collection of outdoor photos then it'll be a reblog from you and I love that

Fr fr the old Czech cartoons have had a big impact on me when i was really small especally the plants in the cartoons with my mans the little mole. That my art reminds you of this kind of stuff is a bigger compliment than you probably realize

[total-drama-brainrot]

my total drama oc is a reversal of the show's pre-established "villain" archetype.

right off the bat, they're just the worst person; outright antagonistic towards everyone and constantly causing conflict amidst the cast, openly orchestrating people's eliminations, blatantly cheating but in such a way that technically they're not breaking any rules- without disguising themself behind a mask of geniality (like alejandro, heather and julia did).

and they're kept around well into the competition because their villainy? it's ratings gold. people love a good antagonist, especially one that's so productive. the audience loves to hate them, or hates that they love them, and everyone is gunning for their downfall- which only becomes more and more tempting with every elimination.

plus, chris is more than happy to enable them so long as they keep things interesting.

interestingly enough, they never seem to use the confessional. or at least, none of their confessions are aired. well, that's not exactly true. one confession is aired, and it's them boasting to the audience that they wouldn't understand the inner machinations of their mind, and that they don't deserve to hear their thoughts.

consequently, the audience has no idea what they're thinking at any given time, only seeing glimpses of their schemes throughout the episode until everything comes to fruition- like a puzzle finally being completed. it's a smart move for the network, because it means the audience gets to watch their plans play out in 'real time' without their insight/foreknowledge, making it just as impactful to the viewers as it is to the competitors. it helps with immersion, which is a boon for the ratings!

until their elimination, wherein their confessions are played out on the big screen, and it's heartbreaking.

they explain, in their first confession, that they were accosted by chris at the beginning of the competition to act as the main antagonistic force for the show, and that he's turn a blind eye to their antics so long as they kept the viewers watching, even paying them a decent salary if their act was good enough. because they're smart- smart enough to play the rest of the cast like a fiddle if they wanted to, and chris wants them to.

what a great deal, right? being given blanket permission to be as conniving as possible, and a pay check to boot- who wouldn't take the opportunity?

and they round it out by "getting into character" on camera, sneering haughtily at the lens and- you guessed it- boasting to the audience that they wouldn't understand the inner machinations of their mind, before giggling dorkily at the silliness of their statement, commenting that it'd we way too obvious they were faking if they acted that snooty. they're a theatre kid at heart, so the idea of "playing the villain" is exciting! it's going to be so fun!

but their second confession is sombre. they're visibly tired, wiping away at the concealer under their eyes to reveal some heavy bags, and they're curled up into a pitiful ball in front of the camera. they divulge that the pressure to constantly live up to the shows expectations of antagonism is crushing, and their status as a social pariah is more draining than they'd care to admit, and that- despite the apparent glee they've been committing these acts of villainy with- being so outwardly morally corrupt has left them with a constant churning of guilt in their gut. they only agreed to be the "bad guy" for the money, which would help their family's financial situation tremendously, but they're growing increasingly uncertain if the reward justifies the risks.

by the third confession, they're actively sickened by their actions, eventually devolving from airing their frustrations, lamenting their choice to method act as such an awful person, to throwing up into the confessional's toilet as they hold back guilt-leaden tears and repeat a mantra of "i'm sorry, i'm sorry,". they're drowning in the murky waters of their persona, and backing out now would only lead to more scrutiny and suspicion from the people who were supposed to be their friends, and they know they'd deserve the mistrust. plus, backtracking from their deal with chris would jeopardise everything- from the dirty money they've earned from their antagonism to their place in the competition itself; they'd be voted out in a heartbeat without the network's safety blanket of plot armour!

they don't know what to do. they barely even know who they are anymore.

and then the camera's focus cuts to the real-time them, who's sat ashen-faced and deathly still as their weakest moments are broadcast, not only to the people who rightfully hate them, but to the whole world.

[asgardian--angels]

LISTEN TO THE NAKED MOLE RAP

[academicelephant]

I don't know about you guys but classical music just keeps reminding me of The Little Mole

[rallamajoop]

So why are there so many gay vampires?

From the time of Carmilla all the way up to the works of Anne Rice (a universe that seems to get only less subtle as the years go on), gay vampires have been a thing basically as long as anyone was writing about vampires. Lesbian vampires have been a genre all their own for decades. Bram Stoker, author of the most famous vampire novel ever written, was gay himself. So why vampires specifically?

I’ve seen people attempt to answer this one before, and there are all sorts of contributing factors I could point to here, from the genres’ beginnings with Lord Byron (infamous bisexual disaster fuckboy), to modern discourse about why queer folks so often find themselves identifying with the monsters and outcasts of fiction. Few other monsters besides vampires can so easily pass for ‘normal’, or are nearly so well known for their snappy dress sense and ‘unnatural cravings’ for human flesh. And that’s without even getting into all those skeezy outdated stereotypes casting queer people as predators, or the idea that even one ‘gay experience’ could somehow ‘convert’ you into being one yourself.

But to my mind, there’s just one really important thing that makes vampires so gay, and it’s the same thing that makes them sexy in the first place: plausible deniability.

You see, a vampire’s bite is simultaneously a) ridiculously sexual, and b) not even a little bit sexual at all.

You don’t have to look far for vampire canons where there’s nothing sexy about being bitten by a vampire. Bloody, violent, painful, sure ‒or just clinically miserable, human bodies torn open or hung up to drain like a human blood bag. What’s sexy about getting bitten by a mosquito, or a fecking leech? The diet of the actual vampire bat requires it to process so much water that it apparently spends mealtimes busily pissing out the difference, and the anti-coagulants in its saliva leave the wound bleeding messily long after it’s gone. The basic act of feeding is no more inherently sexual for a vampire than it is for a zombie.

Vampires are even a surprisingly acceptable monster to market to children. There’s a vampire muppet, a cartoon about a vampire duck, and a whole series of books about a vampire rabbit. You can put a vampire on the side of a cereal box without undue outrage. Vampires do not have to be R-rated for sex or violence.

So of course vampires will go after victims of the same sex. Do you stop to inquire whether the cow you’re eating was male or female? It’s all just predator and prey!

Until it’s everything but.

Do not let the ‘vampires aren’t supposed to be sexy!’-purists fool you. The tradition of sexy vampires goes all the way back to the oldest folklore, where the first victim of a newly-risen vampire was often their still-living spouse. Vampires were even occasionally known to get women pregnant (a convenient excuse for any widow who might turn up pregnant slightly too many months after their husband's death). The ‘original’ Nosferatu sounds more like an incubus than the naked mole-rat creature they made that movie about. The demon lover aspect of the vampire has been there all along.

And it’s not hard to imagine why. If someone is biting and sucking on your neck, then either they’re a vampire, or they’re well on the way to second base (other folklore has its vampires feed directly from their victim’s heart, which is scarcely less suggestive). The implications of an exchange of bodily fluids were never subtle, even in Stoker’s day (I'm looking at you, Lucy-with-the-three-husbands), and the vampire as a sexual predator was a popular literary device well before Stoker's time. Beautiful vampire women would seduce men to their demise, and the males of the species might visit the bedroom of some innocent maiden time and again. The Victorian obsession with mesmerism, meanwhile, provided the perfect explanation for how victims might be hypnotised into eager compliance, and perhaps not even remember being fed upon at all. Vampires have been the ultimate guilt-free sexual fantasy since way back in the day, compatible with all your awkward Victorian mores! (Not quite ready to admit they're sexual fantasies? No problem: he's just here to, y'know, suck on your neck a bit. No subtext here!)

The whole act of biting is so suggestive that in the early years of vampire cinema, it wasn’t shown at all, not even between opposite-sex participants. The camera of 1922’s Nosferatu maintains a demure distance during the climactic scene where the heroine is finally bitten and slowly drained of blood, and Universal’s Dracula conveniently fades to black or cuts away whenever it’s about to take place. But even if the biting has to take place off screen, who’s to say a vampire isn’t going to pick victims of both sexes?

The stately tradition of the lesbian vampire has cinematic examples going all the way back to 1936, with Universal’s Dracula’s Daughter. Though the titular vampire has a nominal male love interest – a psychologist who naively advises her to confront her temptations without fear – the result of his advice is a famous sequence where she picks up a young woman under the premise of wanting an artist's model, and convinces her to remove her top. No actual biting or nudity is shown (it was only 1936), but her fate is left in little doubt.

By the era of 70’s sexploitation, all such subtlety had been abandoned. If we’re all good with naked boobs, who’s going to be offended by a little biting?

In fact, when it comes to men rather than women, a vampire bite was, for many years, far too sexy to be shown, or even alluded to. Nosferatu clearly feeds on that film’s Jonathan-expy, but our only evidence is the bitemarks on his neck in the morning, and the final sacrifice to defeat the evil monster must naturally be female. Universal’s Dracula had to ignore explicit studio mandate that only the brides should be allowed to feed on their own Jonathan-equivalent, as to even imply that Dracula himself had fed upon a man was obviously far too homoerotic to contemplate (never mind that it’s Dracula who must be established as the threat in this opening sequence, or that it’s Dracula his victim will spend the rest of the film obsessed with).

But in that unspeakable land of male-on-male homoeroticism, you might be surprised how much homo we can squeeze in even without resorting to fangs-in-necks. The Lost Boys is surely one of the most homoerotic vampire films ever made, but there, the one big blood-drinking scene is rendered in a bloody massacre of slasher-movie violence. And though Anne Rice certainly describes the scene where Lestat drains Louis of blood in lurid detail (and even has them spend their first sunrise together sharing a coffin), Louis is already thoroughly seduced before he ever reaches this point.

You see, the lore of the pop-cultural vampire conveniently comes with a second and equally-compelling target for plausible deniability: the act of making a new vampire.

Obviously, to work, this has to be deliberate. A world where anyone bitten by a vampire becomes one hasn’t much to offer us, and the relationship between maker and fledgling can just as easily be framed as parental, as recruitment into a cult, or purely transactional. But whichever way you twist it, the implications of choosing another to share in your own eternal youth and immortality… like, I don’t have to spell this one out for you, do I? Did I mention how that thing where a vampire’s traditional first victim tended to be their own mortal widow goes all the way back?

But if we’re not ready to be completely obvious with our mainstream audience, some alternative explanation can always be provided for cover. Lestat doesn’t really want Louis, he just wants Louis’ money! (He also really wants Louis.) The Lost Boys just want Michael to join their gang! (Their very, very pretty gang, who swan around in mesh shirts, tank tops and assless chaps.)

The two sides of the vampire-deniability coin aren’t mutually exclusive, either. Carmilla drinks her new paramour’s blood, but also gazes into her eyes while promising her you will be mine. Drinking blood is a key part of making a new vampire in so many vampire stories, after all.

Carmilla isn’t even the only gay vampire story of the Victorian era. I recently posted about two other fascinating examples, both featuring male/male pairings: one being pretty much just a gender-flipped version of Carmilla, and the other a tragic love story filled with significant "vampire = gay lover" metaphors (why oh why must the townsfolk keep us apart, when we’ll only ever be happy once we’re united once more?) This stuff goes surprisingly far back.

In fact, you can find queer subtext in vampire fiction that predates even Byron and Polidori. 1819's The Vampyre was the first published vampire story, yes, but the first known work of vampire-fiction in the English language is a poem published by John Stagg in 1810, also called The Vampyre (look, the genre didn’t exist yet, you didn’t have to be creative with your titles).

In brief, Stagg’s poem recounts a conversation between a wife (Gertrude) and her dying husband (Herman), whose dear friend Sigismund, lately deceased and deeply mourned, has returned as a vampire. Night after night, he crawls into Herman’s room to drain his blood. Herman’s fate is already sealed, but unless Gertrude takes action, it will surely be she that Herman will take as his own first victim when he rises from the grave.

There may be nothing intentional about the queer subtext of this tale. A vampire’s victims often include friends he knew in life, as Stagg himself cites in his introduction. But if Herman’s first victim will be his wife, what are we to read about the fact Sigismund’s first victim is Herman? Especially given how long he’s kept secret from poor Gertrude that his dear ‘friend’ has been climbing into his bedroom each night, lying beside him in bed and sucking and draining "the fountain of my heart!" while Herman moans and tosses (in pain, obviously!), always leaving him "exhausted, spent." Ultimately, Gertrude is saved only when both Herman and Sigismund are staked through the heart, and we close on the image of them slumbering together in the tomb.

It is, however you turn it, pretty gay.

I reiterate: this is the very first known work of vampire fiction written in the English language. The second was the one that was kind-of-written-by, kind-of-stolen-from, and unambiguously based on bisexual-disaster-fuckboy Lord Byron. And the two most influential works of vampire fiction of the next hundred years would be Carmilla, the very lesbian vampire story written by a… presumably straight man? And Dracula, the not-completely-convincingly-hetero story written by #1 Walt Whitman fanboy Bram Stoker. Vampires have always been very equal-opportunity kind of monsters.

There are, of course, plenty of influential heterosexual vampire tales to fill out the roster too. Varney the Vampire, a penny dreadful from the 1840s, was so successful it ran for over 200 chapters. The 1960s had their own wildly successful Varney-equivalent in the soap opera Dark Shadows. Love it or hate it, we really can't ignore Twilight either. My own introduction to the genre was Christopher Pike’s The Last Vampire series, which came out alongside the original Vampire Diaries novels. So there's plenty of material around to keep the straights entertained – and honestly, that’s only as it should be, because the very thing that makes vampires so queer-friendly is that the sex of their victims doesn’t matter. And it’s so easy to make vampires sexy (let alone a full vampire-proposal!) that even the Victorians could do it.

Now, if your reaction to all this theorising is to tell me "but the LGBTQ’s shouldn’t have to hide behind plausible deniability!" I can only counter, "well sure, but why should the straights have all the fun?" Because playing with all the ambiguity of "is this monster really just after my blood or is this going somewhere?" can be all sorts of fun, regardless of the genders involved. And as long as they’re up for exchanging bodily fluids with persons-and-or-victims of either gender equally, why not have some fun with it?

So, okay, maybe the real title of this post should have been "why are there so many pansexual vampires?" But the answer doesn’t change. Vampires have been the bisexual disaster fuckmonsters for as long as anyone’s been writing about vampires, and have been a metaphor allowing people publish barely-coded gay attraction since 1872. And much like the queer community, they’ve only become more complex, more sympathetic, and all the more popular as romantic paramours as the years have gone by.

[countriesgame]

Please reblog for a bigger sample size!

If you have any fun fact about Czechia, please tell us and I'll reblog it!

[diaryofmarhula]

Me looking at myself in the mirror after putting together the most horrendous outfit

[frudoo]

Random König Headcanons

Hey y'all! This is my first post on here so I hope it's alright <3

These are all pretty SFW (for now >:)), so I don't think there's really any content warnings??? Idk let me know if I'm wrong.

Likes going to Build-a-Bear. Will definitely make your bear and his bear kiss.

This man can COOK. Oh, you want takeout? Nah. He's already pulling out the ingredients for your favorite dish. Buys the two of you matching aprons.

Talks to animals like they're babies. I also feel like the man just... attracts wild animals like birds and squirrels. Undercover Disney princess??? Perhaps.

Speaking of babies... the man is so good with kids. Laughs all giddily when toddlers climb him like a tree. Wants you to have his babies so bad

Actually has a decent singing voice. Get him drunk enough and he's doing karaoke like a pro. Oh, and if you agree to sing a duet with him??? He's GONE. Goes all out.

Likes to hold pinkies when walking around in public. He likes holding hands, too, but when he's feeling a little more anxious he'll intertwine your pinkies. PDA isn't his strong suit but he HAS to be touching you at all times, and it's like a pinky promise that he'll always be there with you :,)

Draws patterns/words on your back with his fingertips when y'all are laying in bed. Mainly a bunch of pet names, "I love you"s, and hearts. And cartoon penises

This big burly BEAST of a man loves being the little spoon, no matter how impractical it is. Honestly loves any cuddling position though.

Pouts when you're not giving him enough attention. His lips get SO puffy when he's jealous. Talking to one of his friends? He's grumbling German insults to them under his breath. Eventually he'll just scoot closer to you on the couch and rest his legs on top of your lap. BAM, now he's got your attention, even if it's just you telling him that he's crushing you. Big ol' lap dog.

Likes to do your hair!! He'll take pictures of what he's done and show them to you like a hairdresser :,) It could be the worst hairstyle you've ever seen but you're wearing it PROUDLY.

On the rare occasion that you two go out to a restaurant, he REFUSES to tell the waiter if his meal is wrong. Oh, it's shrimp and he's allergic to shellfish? He's telling the waiter he loves it and will just stare at the untouched plate sadly. Also will not let you trade plates with him because what if the waiter sees??? Tries to sink under the table when you finally cave and tell the waiter that the order is wrong. Glares at you the entire time he eats his new correct meal but is secretly so thankful. <3

Is absolute trash at video games. One of the best combat soldiers on the planet, but put a controller in his hands??? He's lucky if he gets three shots in.

Bought an engagement ring two weeks after you two started dating. I mean, he literally fell in love with you immediately upon seeing you for the first time, so are you really surprised??

Is a really good gift wrapper. His hands always start cramping around the holidays because he does most of the wrapping. His love language is 100% physical touch/gift giving btw.

Adding onto the singing thing... I just think he would be a really good musician, specifically a drummer.

NOSE NUZZLES. Like the Brendan Fraser type of kiss where you just rub noses after. He just gives off those romantic vibes <3

Unconventional kisses. Eyelids, the tip of your ear, everywhere you have moles, your calves, ankles... the man is obsessed with you, and he's kissing you wherever he can reach.

ADORES taking baths with you. Candles, rose petals, bath bombs: he does it all. Washes your hair for you. Lots of forehead and temple kisses.

I am unwell. I need him so bad.

Please feel free to reblog if you'd like!! I hope y'all enjoyed my little (very self-indulgent) rambles. :)))

[wroteclassicaly]

Telling best-friend Steve over the phone (you know, the guy you started out being a target in highschool from his friends, only to end up in the same group and fighting Hawkins monster fest, to becoming actual best-friends and not just casual…?), how you feel awful, why you’re feeling so bad, but you can’t comprehend what you need. He tells you to pack a weekend bag, and it doesn’t take him ten minutes until he’s at your apartment to pick you up and take you to his home. Once inside, he ushers you into his room to toss down your bag. You’ve never bothered with the guestroom since becoming closer (your choice firsthand, Steve wasn’t going to argue. It helps with the nightmares, anyways). You do your walk around his room, helping yourself to what you want.

Today, it’s a pair of his tube socks to go with your cherry and polka dot printed pink nightgown. He jogs downstairs to gather some snacks, back in time to see you making yourself comfortable amongst a sea of blue plaid on his mattress, tv remote in hand. It wraps around his chest, causing a series of drumming throbs. He’s pretty sure you can see the skin moving beneath his cartoon decorative shirt that Dustin had gifted him. You smile up at him, as if thinking the same thing, like your heart isn’t going to plummet from your mouth and slap right into Steve Harrington.

You quickly look down, a shy grin on your lips. Steve runs a hand through his hair, placing the snacks on the bed’s foot, while pulling the tv cart a little closer.

“Horror or action?” You ask first.

And he settles on horror, because he knows that black and white classics are your favorite. Hell, you’ve even turned him into a pop culture guru. So you start with The Wolfman first, and you end up right asleep in the warmth of Steve’s chest, both of you pretending that you’re not admiring the beautiful tendons in his neck, to every freckle and mole available, right down to the one spattered on his ear. His eyes reflect the sundown, only when he rubs a massive hand along your shoulder to gently soothe. The soft sound of your breathing, the way you’ve thrown a leg over his own, wrapping, securing, hand thrown over his belly - he’s well aware, now, that you’re out.

He kisses your crown, fading summer sunlight drifting through his curtains, the hum of the rolling credits fading on the tv as Steve drifts with you in his arms. He doesn’t know what’s wrong with you, but he knows that he’s got you and that he’ll make sure that you’re okay.

[irisintheafterglow]

Hiii!! I’m absolutely in love with the way you write kiyoomi :) he’s literally perfect. If you have time, I would love a scenario where his partner meets the black jackals for the first time!! Whether it’s accidental or on purpose is up to you :)

but he was so much fun (and he had such weird friends!)

cw/tags: gn!reader, swearing, mentions of cooking and eating, domestic omi crumbs, established relationship and pet names (love, baby), pure jackals crack

note: hi love!!! this prompt is so funny omg i'm obsessed. hope you like it!!! i got extremely carried away

likes, reblogs, and replies are always appreciated :)

"i'm-" he starts, huffing out an irritated breath and setting his knife on the cutting board, gripping the edges of the countertop. you turn to look at him from your spot at the stove, tapping the wooden spoon against the edge of the pot and placing it in the spoon rest. you check the vegetable prep over his shoulder and find neat piles of cut carrots, cauliflower, and potatoes. it didn't seem like anything was wrong with his knife skills, so it perplexed you why he was suddenly having trouble expressing his thoughts. "i'm having..."

"you're having?" you wipe your hands on a kitchen towel and gently turn him to face you, snaking your arms around his neck while his hands find their natural place on your hips. your thumb absentmindedly brushes over his moles, right above his furrowed eyebrows of annoyance.

"doubts," he says uncertainly, glancing at the dining table set for four more than its usual two occupants. the corner of his mouth juts to the side in obvious discontent, even though he was trying not to dampen your excitement for formally meeting his friends. not that he would ever call them that, at least not in this lifetime.

"how so, baby?"

"they can be a little...hard to handle," he mutters. "you know them. you've seen it," he says, voice strained and it makes you chuckle at the memory of the first time you actually met his friends.

kiyoomi wishes that it didn't happen that way at least twice a day. it was partially your fault, overestimating your ability to find him in the back halls of the msby gym facilities after only a few months of dating. after turning yourself around about four different times and unable to retrace your steps, you settled for walking in the direction of a nearby conversation. you ended up, however, steering a wrong turn into the men's locker room, yelping in surprise when you were met with three bare chests, none of which belonged to your boyfriend. apologizing profusely and briskly walking away, you were fleeing too quickly to hear the three players equally as alarmed.

it was like a scene from a cartoon; you could vaguely make out the sound of things being thrown like shirts, water bottles, and flailing limbs. there were hushed whispers of holy shit, someone just walked in here and they're so pretty and put some fucking clothes on, shoyo, that's indecency. you make the executive decision to just wait for him outside, but before you leave, your boyfriend's voice rings loud and clear from around the corner.

"what the hell are you guys freaking out about?"

"omi, dude. you just missed them."

"missed who?"

"there was this really pretty person that walked in! they were wearing the same zip-up that you were wearing yesterday, isn't that neat?" your attention darts down to the jacket that was very much kiyoomi's and definitely not yours, your face warming from pure embarrassment. "maybe you could ask them if they shop there frequently; i think they'd be your type."

"since when did sakusa have a type?"

"hey, wait! where are you going?" is the last question you hear before your boyfriend comes barreling around the corner in nothing but shower shoes and sweatpants and looking just as bewildered as you and the three guys in the locker room. after a palpable moment of shocked silence, you both word-vomit at the same time.

"you're wearing my jacket."

"why are you shirtless?!"

"you're wearing my jacket." his voice drops in volume to a yelled whisper, his hand pulling you further down the hallway and away from the locker room despite his lack of clothes. a few of the gym staff eye you in confusion and you give them a weak smile, fighting the urge to stare at the muscle rippling across kiyoomi's body. "you're wearing my jacket," he repeats for the third time, as if it was taking several tries for his brain to compute the information in front of him.

"that's your main concern?!"

"no, shit, no," he shakes his head, regaining his composure after his mind short-circuited. "my main concern is you running into the three stupidest members of my team without me there-"

"and while they were shirtless," you add and his nose scrunches in pure distaste. "wait, why don't you want me to meet them without you there?"

"because they're stupid and-and i love you and they're-and they're stupid," he stammers, visibly flustered in a way that you'd never seen him before. it sets your face on fire, hearing how easily he said he loved you when you'd never said it to each other up until that point. the same realization must hit him at the same time and he pinches the bridge of his nose in defeat, sighing through his nose. "i just said i love you."

"you just said you love me," you echo, a delirious smile widening on your mouth as you peel his fingers away from his face and lace them into yours. "you just said you love me."

"he just said he loves them!" a very eavesdropping-sounding whisper comes from behind the wall and you both flinch. like a straw breaking a camel's back, kiyoomi's face contorted into a vengeful scowl. he composed himself for a moment, promising you he'd be right back, and then stomping around the corner where you heard receding screams of terror.

that was five months ago, and you finally convinced kiyoomi to let you meet his friends formally, along with atsumu's brother who was bringing more food to help you feed four pro athletes.

"i've seen a lot more than just them being stupid," you remind him, giggling when his face turns a light shade of pink. "and, i think it's endearing how much they care for you. i know you won't admit it, but i know you care about them, too." he gazes at you so softly that it makes you melt a little. i'm gonna marry you, one day, he thinks. "now, i promise i won't be deterred by their idiocy, so let me get back to cooking, okay?"

"okay," he murmurs, pressing a kiss to the corner of your mouth. "i love you. a lot."

"i love you even more, omi."

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