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m-c-easton · 2 years ago
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Submission Spotlight: Blackbird
A lot of literary journals have closed until fall. This gives us months to dust off old stories and see if we can whisk them up into something tasty. When that happens, the online journal Blackbird is a great place to send stuff. #writing #publishing
Okay, so the bad news is that a lot of literary magazines have closed their doors until fall. The good news? You’ve got a few months to pull up that piece you’d given up on, dust it off, and see what you can make of it. If it fluffs up into something pretty tasty, Blackbird might be the literary magazine for you. Since 2001 (or 2002—different places on their website name different founding…
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leannareneehieber · 1 year ago
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Darlings! I'm SO excited! More Ghosts! This time, with GOTHIC feeling!!!! This goth is happy-dancing through haunted houses.
Publisher’s Marketplace Deal Report:
America’s Most Gothic by Leanna Renee Hieber, Andrea Janes
Imprint: @kensingtonbooks
Bram Stoker award finalists and authors of A HAUNTED HISTORY OF INVISIBLE WOMEN: TRUE STORIES OF AMERICA’S GHOSTS Leanna Renee Hieber and Andrea Janes’s AMERICA’S MOST GOTHIC: HAUNTED HISTORY STRANGER THAN FICTION, an examination of America’s most Gothic places and hauntings, featuring the weird and wild trappings of Gothic tradition such as hidden passages, wailing women, family curses, and more, with an emphasis on female spirits and the cultural narratives surrounding their stories, to Elizabeth May at @kensingtonbooks , in an exclusive submission, for publication in 2025, by Chelsea Hensley at KT Literary (world).
Non-fiction: History
August 14, 2023
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theres-whump-in-that-nebula · 8 months ago
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I wish I could see a blender and be normal about it.
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author-mandi-bean · 1 year ago
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How to Get a Literary Agent
Photo by Rodolfo Quirós on Pexels.com On this day six years ago, two literary agents requested full manuscripts of my novel Moody Blue, which ended up being published by GenZ Publishing. That publication journey took at least five years and that should be a lesson in patience and perseverance for me, but I’m still impatient and rejection still stings. I’ve sent 95 query letters to literary…
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queers-gambit · 23 days ago
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History of Clocks
prompt: Carmy asks you out, Carmy thinks it's platonic. Carmy and Claire go on a date, Carmy forgets to cancel. how strong - or brittle - is your friendship?
pairing: Carmen 'Carmy' Berzatto x female!bestie!reader
fandom masterlist: FX's The Bear
collection masterlist: Nights Like This
word count: 10.8k+
note: strap in, this is a doozy. a masterpiece, but i digress.
warnings: humiliation / being stood up in public, i guess miscommunication trope, Carmy's a dumb fucking boy (and a lil bit of a dick), emotions are hard, angst, this Barbie copes through writing, girls being girls over fashion, love confessions, unrequited love, drawing boundaries, depiction of anxiety, nicknamed!reader has a dog, Cicero's niece reader 'cause why not! alcohol consumption (reader's a wine girlie)! and brief depiction of smoking! use of literary devices*, hurt no comfort!
*literary device warnings: a lot of repetition and too many idioms - some flow, others are kinda forced. please roll with it.
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If someone asked Carmen Berzatto who his best friend was, he'd have zero hesitation to list your name. If someone asked who understood him the best, he'd say you did. If someone asked who supports him most outside his family, he'd shout your name first, declare your love as unconditional. If someone asked who or what inspired him, he'd insist it was you. But if you asked Carmy who he took romantic interest in, he'd answer Claire.
If anyone asked you ANY of the aforementioned questions, each response would be the same: Carmen Anthony Berzatto.
The two of you had been friends well over a decade by now, enduring his tenancy in Copenhagen and his residency in New York; plus anywhere in between. Sure, of course, it was frustrating having him gone, you missed him in abundance - but your pride outweighed everything. To see him chase and achieve such dreams brought you unparalleled joy; so much so, it didn't matter your pain of missing him. In turn, Carmy genuinely contributed much of his success to you, claiming your friendship is the central pillar that kept him upright; your blind encouragement what propelled him forward; and how a single phone call, hearing your voice, was like audible Xanax that quelled anxiety and self-doubt.
You had a tailored way of speaking to him; a way that never pressured him, but tried to show a different perspective to soothe his overactive thoughts. He describes you as optimistic, which, in his mind, was refreshing because of his violent pessimism. So, he attributed you as someone who kept him in balance.
A partner in crime. Another pea in his pod. Each other's missing half. A best friend.
For a while, this was enough.
You knew Claire was back around, but didn't put much stock in it because Carmy never did. Foolishly, you thought it was because of you - that maybe he harbored some feelings for you as you did him, and that's why he was uninterested in Claire. Through his transition being back home, Carmy had relied on you heavily, especially in the wake of Mikey; sharing intimate moments of emotional turmoil, doubts, fears, hopes, worries, dreams. Something in you both shifted; thinking perhaps you had aged past petty, fleeting flings and could focus on farming meaningful, real, lasting, supportive relationships. You foolishly thought you and Carmy were seeing one another through rose tinted glasses at the same time; that his were finally on.
You had been in the back office, wrapping up necessary paperwork for The Bear's operation when Carmy suddenly appeared in the doorway. "Hey, Honey, you got a sec?" He asked, wiping his hands on a dish towel; broad shoulder supporting his weight on the doorframe.
"Sure, whatcha need, Bear?" You glanced away from your paperwork to smile at him.
"What're you doing Friday night?"
"Uh, probably laundry? Why?"
Carmy chuckled and asked, "Wanna go out with me to this new marketplace? They have this place that does a fusion menu I've been wanting to try."
"Oh, I don't know, babes, I'm kinda out of clean underwear," you joked, both snorting identically.
"C'mon, pretty girl, go out with me. I'll even pay."
Apparently, in Carmy's mind, the phrasing 'go out with me' was purely platonic whereas to your ears, it was being asked out on an actual date. A miscommunication - or misunderstanding - that would position you both towards pain and difficulties.
"Oh, then I guess I can make it work. Where and what time do you wanna meet, Bear?"
"There's my girl," he smiled so prettily.
Carmy set the time. Carmy set the location. Carmy sought you out. Carmy asked you to go out with him. So, you didn't think to specifically clarify this meant Carmy was seriously committing because it sounded like a secure plan.
You should have.
Apparently, after parting ways with you, Claire contacted Carmy later in the night and made arrangements for their own date - on the same night, at the same time as his date with you. Carmy was so over the moon about going out with Claire, though, that he completely "forgot" to cancel on you, let alone tell you. Which felt very deliberate, considering the pair of you were so close, you were in the room post his appendix surgery - and if you've ever been there when someone's coming out of anesthesia, you know it can get kinda... intimate. So the fact that he never "thought" to tell you about Claire was a malicious blow - even if he did it unknowingly by being hyperfocused on where he'd take his lifelong crush, what he'd wear, even practicing certain topics of interest that would help him keep conversations flowing. The determination to make this date with Claire prove himself worthy of being loved, of being a priority in someone's life, mirrored your own desire - but specifically with Carmy.
You're not even sure how long you've harbored these feelings. Was it since high school? Maybe after? Was it before he left Chicago? Or when he was in Copenhagen, calling you when he got off work to chat on his walk 'home'? Maybe it was after he came back stateside and gifted you a leather-bound parchment journal where each page had a different dried, pressed, preserved floral. He labeled each bloom, dated the pages, and detailed where he was when he found each flower in silky ink from a fountain pen. The script truly looked poetic on the 'aged' pages.
"Oh, my God, Carmy - oh, wow! Look at this!" You gasped when presented the gift, gingerly leafing through the journal. "This is so - who thinks of something like this, wow, oh, look! Carm, I-I-I don't have the words, babes, this is just so beautiful, I'm blown away right now."
He shrugged sheepishly, hands in his pockets, "I picked any flower that reminded me of you." You'd come to read later that each page had an inked explanation of why these flowers made him think of you.
You beamed, clutching the journal to your chest, "Thank you so much, Carmy, I-I love it. No, really, I do!" You insisted when you saw his expression morph, "It's honestly the most thoughtful gift I've ever gotten, thank you so much."
"It's nothing," he eased, but the tips of his ears and apples of his cheeks were glowing bright. "I just didn't want to bring you home some novelty bullshit, like a 'I heart Copenhagen' mug; you deserved something better, more personal. You're a huge part of why I even went... Even bigger reason why I came back."
It was arduous to keep a level, pessimistic attitude; to gaslight yourself into believing your best friend didn't have feelings for you, that he was just being nice. Soon, it felt like wherever you turned, you had reason to suspect his feelings had changed; so upon being asked out, you abandoned logic and allowed yourself to flood with optimistic euphoria.
On Friday, you showed up at the agreed upon location; excited to take your taste buds on a culinary world tour without ever leaving Chicago with a real worldly chef. You thought you looked nice; carefully selected fashionable clothes (that ensured didn't look like you tried 'too hard') with chunky heels; your hair styled, make-up so perfect it could've been the featured look of a YouTube tutorial. Not wanting to wait on the sidewalk for safety reasons, you stepped into the fusion restaurant. After checking in with the hostess and earning a compliment from her on your fit, you were lead to a two-person table draped in navy linen with a contemporary floating candle centerpiece.
"Are you expecting company this evening?" She asked kindly, handing you a menu.
"Yeah, I'm just a little early. We're - yeah, no, I guess it's a date? He, um, he should be here soon," you rushed, flushing when you mentally scolded yourself that she didn't care and you needed to stop oversharing.
"Oh, no wonder you look so stylish!" She gushed. "He's gonna love it, you look beautiful - but not as much as I love your purse. I've always wanted one like it, but maybe in burgundy." You told her the store you got yours at, explaining it was a discount-department store buy, but the designer was sold at other easily accessible stores. It was nice to have a friendly, normal conversation; just two girlies, exchanging fashion tips which helped you feel all the calmer. The hostess who's badge read Laura nodded with a smile, "Is it okay to leave his menu here, then? I can take it back with me, if you wanna share?"
"No, no, you can leave it - I didn't bring my reading glasses," you tried to joke, wincing at the awkwardness.
"No problem," she set it down. "Can I get you anything in the meantime, honey?"
You almost laughed, instead smiling, "Oh, uh, water would be great, thank you."
The dining hall was relatively moderately full; several tables empty, waitstaff in matching navy uniforms dotted around, the lighting low to create a warm (or romantic) ambiance. You nervously checked the gold bracelet-watch inherited from your grandmother, clocking the time as 6:24.
There was no need to stress yet, so you studied the menu and made mental notes of what sounded good, what dish paired with what. A person could only look over menu options so many times, however, so you answered a few emails and texts before mindlessly scrolling through social medias to kill awkward time.
Around 7:05, your chest felt warm with something that made your intuition catch flame.
You texted Carmy: hey are you running late? you haven't texted me you're on the way yet 🤨
While to some, saying 'you haven't texted me yet' might sound a little overbearing, crazy, or pushy - maybe even spoiled - you did so because you knew how scatter brained Carmy was. He had an incredibly unpredictable, stressful, and chaotic job, which meant he sometimes lost track of time and needed reminders of other responsibilities / obligations outside The Beef, soon-to-be The Bear. You two had a friendship built on trust, fully able (and encouraged) to be yourselves and send borderline crazy messages to each other. You said it in person, why not over text?
The sweating glass of water was refilled, invisible timer ticking inconspicuously in the background, bread basket missing several sticks, the dining room now about 75% full.
Glancing around, you felt nauseated when you noted several couples enjoying romantic dinners; others with easy smiles and jovial laughter, happy to partake in the good tidings of loved ones. All around you, there was a smorgasbord of buzzing conversation you couldn't decipher. You had nothing else to do but focus on random moments of clarity, deducing some patrons were meeting for business; others were on dates, one table was celebrating their friend's new promotion, another, a birthday.
Yet here you sat, alone in the middle of a popular, high-trafficked restaurant; silent, isolated, feeling as if you were some zoo exhibit. Your plaque would read: Behold! The Stood-Up Single Woman!
While irrational, you felt other patron's beady eyes glazing over you - as if everyone could just tell what was happening. Their eyes made you sweat, feeling perceptive and heated, heavy and hateful. They watched you in your exhibit as if to affirm their situations could never be so bad because at least they weren't like you: stood-up, outcast, and humiliated. Their pity reeked. Their muttered words of prediction filled the stuffy space.
The invisible timer ticked louder, faster.
Tapping your phone screen set on the table, the time now glared as 7:33. So, you sent another text: uh, hello? Carmen! i thought we agreed to meet at 6:30? what's wrong?
Your message delivered, but there was no response.
Anxiety filled your heart, mind, and soul; being pumped through your veins to absorb in your bones - which created a sort of ripple effect within your chest and abdomen. Hair stood on the back of your neck. Stomach torqued in fear. Lungs deflated. Esophagus twisted. Chest hollowed and sunk. Right leg bounced at Olympic speed. Fingers twitched nervously, picking at cuticle, teeth chewing the skin off raw lips; eyes drawn to the entrance just in case Carmy showed up... In case anyone showed up. Skin burned and sizzled under the long, pitiful stares of patrons and employees alike. Heat flushed your body with embarrassment as if under Broadway stage lights; making you feel clammy and uncomfortable.
At 7:36, you double texted: Carmy?
Why wouldn't he answer you? Why wasn't his location updating? You worried something happened, he always messaged you when running late - so why not this time? Was something wrong? Did something happen? Wouldn't Sugar or Richie or one of the nine fucking Faks have called you?
The invisible timer ticked louder, faster.
At 7:45, Laura returned to your table, asking, "Would you like to see our drinks menu again?"
"Oh, uh, no, thank you, it's not necessary. Could I do another glass of Moscato, please?"
"Of course. Could I interest you in the bottle, you think?"
"At this point, yes ma'am," you chuckled at yourself.
"Any appetizers? Or more bread?" Laura asked sweetly.
You ordered multiple somethings to keep appearances, feeling bad you had sat there without ordering for so long; but also figuring if you were here, might as well enjoy trying something new, right? As the pretty young thing with a slicked back bun walked away, you were left to stare at the other undisturbed menu across from you, the candle wax dribbling into the water it floated on. Snatching your phone in hand, you glared at your message thread with Carmy, sending another: what the FUCK, Carm? answer your phone!
The invisible timer ticked louder, faster.
By 8:24, you had called him a total of 15 times.
The dining room was packed and poppin' by now, making shame cloud your shoulders from taking up precious optimal space on a popular date night. In truth, you didn't notice just how busy the dining room had gotten, but you know what they say? "Time flies when you're having fun," but it fucking trudges by in a mocking, lazy taunt when being actively humiliated.
At 8:32, your bottle of wine was polished off and you finally texted Richie: hey Cousin, is Carmy with you?
He answered within a fucking minute: no he left over a while ago for a date with Claire Bear
A record scratched in your brain, rapidly typing: what??? what does that mean???
Richie replied: damn, Cuzzo, you should know what a date is or has it been that long? 😂
Your throat swelled shut, nodding sadly and locking your phone; rolling your lips between your teeth to prevent yourself from having a very public, very emotional breakdown.
The invisible timer ticked slower, quieter.
With a sharp sniffle, you flagged Laura down, pointed at the menu, asking for your meal to-go and the check. She could hear the warble in your voice, so when she returned with your to-go order and check, Laura had snuck a couple extra things in your bag without charging you. And she only charged you for a glass of wine, not the bottle.
Laura earned herself a generous gratuitous tip as well as all the cash in your wallet, being a little over $150.
Returning home around 9:03, you could identify the dreadful feelings of rejection; how forgotten, taken for granted, disappointed, abandoned, replaced you felt. Unloading the food on the counter, you made yourself a plate and looked at your phone one last time. There was still nothing from Carmy, but Richie had texted you again: you good, Cuzzo? what you need Carmy for?
Changed into a set of cozy clothes, you curled up on the couch with your food and another glass of wine; faithful, loyal, loving dog(go) hopping up beside you. Switching something on the TV, you answered Richie with one hand while fending off the pup: nothing important anymore, Cuzzo. we can talk tomorrow!
It was a strange sensation; that blatant sting of betrayal and rejection from someone who was never supposed to hurt you. If Carmy didn't return your affection, that was okay! That was perfectly fine! That was ideal, even, because you never wanted to jeopardize losing him from your life so even if you couldn't be with him, you'd rather be his friend than nothing at all. But what isn't okay, is standing you up. Forgetting you. Neglecting you. Unjustly shaming you. Publicly humiliate you. Disrespecting you. After over a decade of friendship, didn't you deserve better than that? Of course, you did - so why did Carmy subject you to such degradation? Was Claire so hypnotizing, enchanting, bewitching, she successfully managed to block all your Carmy sensors? Or were you just that forgettable?
There were too many overwhelming emotions pinballing around your heart, mind, and soul to even begin processing. So, you cuddle your most loyal companion who would never betray or abandon you, ate what you could, polished off any wine, set several alarms on your phone, and laid down on your couch to be lulled into restlessness by the sounds of whatever comfort show was left on.
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After getting up early to shower off the previous night, you got ready for work and made the trek through the city. While your couch was comfortable, you didn't sleep well; eyes heavy from their sting, second cup of coffee already in your travel mug, movements sluggish. You would've called out, but today was one of those days you had to go over some legal and logistical shit with your Uncle Cicero.
So here you were.
"Yo, Cuzzo! Hey-hey, good mornin', sweetheart!"
With a tired sigh, you spied Richie outside The Beef, smoking, watching you with a smirk. "Mornin', Richie-Rich," you tried to sound as if you hadn't been awake all night.
"Well, don't you look fuckin' peachy?"
"Fuck off, I'm not in the mood."
He held a hand out to prevent you from passing him, asking, "Yo... Hold on, what's good with you? And don't feed me no bullshit, I know something's wrong. You look like shit - but I mean that in concern, Cuzzo."
You decided not to comment, answering instead, "I just didn't sleep last night."
"Uh-huh... And?"
"And what?"
"That's it?"
You shrugged, "Nothing else worth dwelling over."
Richie cocked his head, "The fuck does that mean? Here," he offered his cigarette, which you accepted.
"Nothing's wrong, can we just - "
"Fuck all the way off," he scoffed, "you know the sooner you tell me, the sooner I stop askin'."
"It's... It's really stupid, Cousin."
"Don't make no difference to me; if it's bothering you, tell me."
You dropped the butt of the cigarette to the sidewalk, squashing it under your heel before leaning back into the wall with a long sigh. "I should preface this all by admitting, I might have feelings for Carmy - "
"Yeah, no fucking shit," Richie laughed, seeing your deadpanned expression. "Dude, holy shit, everyone can see it except you two idiots, it was high time someone admitted it. Tina and Mikey used to have a bet going about y'all ending up together."
Your frown deepened. "Right, well, glad everyone's so entertained and well-versed on my doomed love life," your eyes rolled.
"'Doomed'?" Richie chuckled, stopping when your expression turned crestfallen, rushing, "Woah, hey, I'm just teasin' you. C'mon, Honey, tell me how you're doomed?"
You were quiet, staring at your sneakers as you tried to build the courage to verbalize the situation. See, once you said it out loud (and to anyone), it becomes tangible, public, and undeniably real. You didn't want this to be real.
Just as Richie was opening his mouth to question (or nag) you, you admitted, "Carmy and I had plans to go to dinner last night..."
Richie paused, then asked, "But he was with Claire?"
"Exactly."
"I... Don't think I follow, Cuzzo?"
You huffed, "Cousin, Carm asked me to dinner, right?" Richie nodded. "He picked the time and place, then apparently, made plans with Claire but didn't tell the other. So, I got there last night, right? I waited for two hours, Cousin, but Carmy never showed, never answered my messages. He stood me up. He chose Claire."
"Are you fucking serious?"
"Unfortunately."
"Wait, lemme get this straight. So, he asked you out?"
"Yes."
"And made a legit plan? To link up? Time, place, whole thing?"
"Yeah."
Richie readjusted his stance, his anger flaring - reminding you of the diagram Lilo drew for Stitch to show how full of 'bad' he was. "And you're saying, you got there, waited for him for hours - fuckin' plural - and he didn't show up? No text, no call, no nothing?"
"Correct. I called and texted plenty, though. No answer."
"Right, but he didn't cancel your date when Claire came in the picture? Or vice versa, what-the-fuck-ever?"
"Nah."
"Just left you there? Alone?"
"Yep."
"Hold up, hold up. Homie made a date with Claire Bear before or after he made one with you?"
"Now that, I don't know. But does it matter which date came first, he still stood me up for someone else."
Richie blinked a few times, nodding silently with pursed lips. Then he snarled and tried to surge past you for the door, "Oh, I'll fuckin' kill him - "
"Yo, yo, yo, hang on! Wait, hold up! Leave it be, Cousin, it's not worth the hassle - "
"Nah, nah, nah! He doesn't get off scot-free! Nobody puts Baby in a corner and nobody fucks with Honey!" The two of you tussled on the sidewalk, you refusing to let him pass but him being stronger. It was quite the sight.
"No more Dirty Dancing references!"
"Hater! Lemme go, Honey!"
"Listen to me! Please, for fuck's sake! I don't want this to be anything bigger than it already is! Listen to me, I just want to get some work done with Cicero and go home. Okay? Okay? Goddamnit, Richie! It's not the time for this! Leave it alone for today! I just want peace!"
Richie eventually calmed down enough to let you push him back a couple feet. It took two more cigarettes, but you managed to pacify Richie enough for you to enter The-under-construction-Beef together, discovering most employees already present. Yet, in a rare and odd occurrence, Carmy wasn't; which would've normally confused or worried you, but now, only relieved you. As project manager, you worked intimately with Carmy on a daily basis - which poses as an obstacle if you were trying to avoid him - but without him, you could focus on getting work done and not dodging him.
"Behave," you reminded Richie in a lower register. He swatted at you, picking at a donut Marcus created.
"Mornin', Miss Mamas," Tina greeted, glancing over her shoulder to flash you a warm smile - requiring a double take. "Oh, baby, you look exhausted."
"I feel exhausted," you cleared your throat, greeting her with a quick peck to her cheek.
"Oh! So she can say it and it's fine? But when I do it, it's an issue? This is hypocrisy! Double standard bullshit!" Richie barked with laughter, shuffling past with a swift peck to your temple. Tina pushed at his belly as he passed, making him grunt and flinch dramatically.
You asked Tina, "Is Cicero here yet?"
"In the back with Sugar, baby."
"Thank you, Chef."
Richie watched you walk away from Tina only for Marcus to stop you, then Ibrahim needed something and it looked like everyone was gearing up to bring some kind of problem to your plate. Like a good cousin, Richie swooped in to place a donut in your hand, "All right, all right, back off, you jagoffs, let the lady breathe." He shooed you onward, feeling protective enough to intercept anyone to give you the space you needed after last night. You told him you wanted to work and go home, so he was going to do what he could to give that to you. The moment you disappeared into the office, Richie hissed to any surrounding employees, "Get the fuck over here!"
"The fuck, Richie?" Tina snipped, "We got work t'do, baby."
"I know," he rushed, glancing over his shoulder, then back at the others, "but I want everyone to go. Fuckin'. Easy. On Y/N today. Okay? Got it? She's got some shit to do with Cicero and then she's gonna go home - so, let's make sure that happens, no exceptions."
"What happened? What's wrong? Is she okay?" Marcus asked in concern, his frown deep enough to lower his brows.
"Yeah, Richie, you can't say that and then not explain," Syd tacked on. "I'll talk to her. -"
With grit teeth, Richie scooted in front of Syd and warned, "Hey. She's my fuckin' family, right? I'll protect her from anything - including you jagoffs, so leave her alone today. Okay? That's all I'm asking - Leave. Her. Alone." He glanced around and lowered his voice as the others all dipped inward to hear him, "Fuckin' Carmy asked her onna date last night then stood her up and went out with Claire instead."
This caused an angry ripple to emit from the huddle. You were none the wiser; in the office, sat at the desk to go over what Sugar had prepared for your review. Cicero leaned on the desk beside your chair, arms crossed, just watching you as if a bug under a magnifying glass. He pushed his glasses up by one finger to the noseband, glancing at Sugar and asking, "You all right, doll?" There was a pause, then a hand nudged your shoulder, "Honey? You hear me?"
"Hmm?" You looked up, "Oh, wait, sorry, were you talkin' to me, Unc?"
"Yeah, darling. I mean, you look pretty tired, just asking if you're all right?"
"Wow, I come into work as my most beautiful, natural self and all anyone can say is I look tired?" You laughed, trying to lighten the mood, "Maybe I do need make-up."
"You're also in joggers."
"I didn't feel like putting jeans on this morning, sue me."
"And you're quiet as hell."
"So? Usually you're telling me to shut up."
"You have a college degree in yapping," Cicero chuckled, "so when you go silent, I know something's wrong."
"I'd have multiple PhD's if yapping was a real major," you joked. "But I promise, Unc, I'm all right. I didn't sleep last night, so, after we get this shit done, I'm gonna head out."
"Are you sure?"
"Positive, Unc. Tell you what, you can even drive me home when we're done."
Cicero nodded, "Good deal. Then, let's get crackin'."
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It was the worst timing in the History of Clocks.
Pete called Sugar several times, so she finally answered when Cicero needed to run to the restroom; leaving you alone and defenseless in the office as Richie was out back for a smoke break. Carmen apparently arrived just in time, all but bolting into the office when he didn't immediately clock you in the kitchen.
The invisible timer began to tick.
"There you are!" Carmy gasped, startling you enough for your knees to bang up into the desk. "Ohhh, shit," he blinked when you grunted and rubbed your legs, "I'm so sorry, Honey, that was my fault, I should've called or something as I came in."
"It's fine, Carmen. Look, uh," you gestured to the paperwork before you, "we're almost done here, do you need something or can it wait? Kinda your restaurant on the clock..."
"I mean, it can wait, but are you busy, like, right now-right now? 'Cause, lookit, I gotta tell you, I had the best fucking night. I'm so serious, Honey. I went out with Claire - you remember Claire, right? - and it was, wow, just wow - I mean, this girl is the whole package, you know?" You bristled when he took a seat on the edge of your workspace and realized he was carefully avoiding usual pet names. He continued to ramble on about his incredible date with the incredible Claire, missing your lips pursed in patient annoyance as you listened to him without reaction; staring emotionlessly at the laptop screen. "Hey," Carmy waved a hand in front of you, causing you to flinch and automatically look towards him - albeit in annoyance. "Where are you right now? You're not here, in the present with me. You all right?"
You couldn't help but bite, "Mhm. Where's your phone?"
The invisible timer ticked louder, faster.
"What?"
"Your phone, Carmy, the thing you pay a monthly bill for so people can get in touch with you, or you with them. Ring any bells? Where's your phone, it'll play bells for you."
"Woah, hey," his hands went up in defense, "what's with the hostility? I left my phone somewhere here last night, Honey."
"Oh, sure. How convenient - "
"No, look, I'm serious - look, look around the fuckin' desk!"
You glared at him before shuffling the few papers and files, ready to snarl at him when you found his phone. "Why's it here?" You asked stiffly, handing over the shut-off device.
"I forgot it, I was in a bit of a rush."
"There a reason for your rushing?"
"Yeah, to get to my date with Claire - see, you weren't even listening to me, were you?" He let a twinge of frustration taint his tone, "You wanna bite my fuckin' head off about my fuckin' phone that I forgot at work, fine; but you're so mad about it that you didn't even listen to me? Jesus, fuck, who are you, my mother?"
You swear you heard 'oooohs' coming from outside the office.
"Oh, fuck you, Carmen! How about you check your messages before trying to come at me, you fuckin' bitch," you snapped, slapping your laptop closed and starting to pack up the desk.
"What the fuck are you so pissed off for? 'Cause I didn't text you 'goodnight' or 'good morning'? Grow the fuck up - "
"Hey!" Cicero charged into the office, interrupting the argument. "I don't know what the fuck is happening, but we're busy in here, Carmy - "
"No, actually... Actually, we're done for the day, Unc, I can do everything else at home."
"No, Honey, hang on - "
You stood abruptly to gather the last files from the desk, "No, it's fine, I'm exhausted anyway. I got stood up last night waiting for this jackass, so as you can imagine, I just want to go home, away from any and all others right now."
"Woah, hang on," Carmy pleaded, checking his repeatedly dinging phone he managed to turn on, "wait, what the fuck is this? Why did you call me - holy shit, seventeen times?!"
"Could you drop me at home, Uncle?" You pleaded softly.
"Of course, princess, but what the fuck is going on?"
You could only manage a fake, sad smile, "Carmy's the jackass who stood me up last night."
"No fuckin' shit!" Cicero gasped, looking between you. "Uh, yeah, yeah, Honey, sure, I can take you home, c'mon, let's go."
"I left these for Sugar, they're all filled out if she can just file them - the rest I can do from home," you tapped the files left behind, leading the way out of the office; Carmy stood to the side in shock as he caught up on his messages. "Think we could grab something to eat on the way?" You asked, desperate for distraction.
"Whatever you want, doll, of course," Cicero agreed easily, following you at a close range. The others scattered like roaches, pretending they weren't listening, but... C'mon... You know?
The invisible timer ticked louder, faster.
"Wait! Wait, Honey! Please, hang on," Carmy called after you, repeatedly shouting your name. "Wait, please, wait, wait, wait, hang on!" He pleaded in a race against time to clear the kitchen and reach you before you could walk away from him for good. His hand wrapped around your upper arm in a desperate attempt to stop you, but it only made you flinch.
"Carmen," Cicero spat in warning.
"It's okay, Unc. It's okay, we should probably hash this out, you know? I can - I'll meet you out front," you promised softly, patting his arm raised to protect you from Carmy's grab.
The invisible timer ticked louder, faster.
Cicero gave a 'harrumph' and pushed his glasses back up the bridge of his nose, glaring at Carm before taking his leave. You huffed and crossed your arms, turning to face your best friend, sneering, "What could you possibly have to say to me? You said enough last night."
"The fuck does that mean, we didn't even talk!"
You snapped, "Your silence was really fucking informative, Carmen!"
"That's what you're not fucking explaining to me! I don't even know what you're mad about!"
There was satirical amusement donning your expression as you gave a gruff chortle of disbelief. So, you broke it down, "By you not canceling the second you and Claire made plans or remembered you made plans with her first, by not answering me all night and humiliating me, leaving me there, alone, so you could go out with Claire said all I needed to hear. It was all you had to say. You were so fucking loud, it's a miracle I haven't burst an eardrum!"
"Honey," he sighed like you were a child throwing a tantrum, "it was an honest mistake. I don't get why you're blowing this up? We've literally forgotten about plans before, just help me understand why this one is so different? I want to fix this, tell me what the fuck is going on!"
Speaking of bursting an eardrum, the invisible timer ticked louder, faster.
Tears broke your waterline, "You've always been my best friend, Carm."
"You're mine, too - "
"But at some point, things changed for me. I get it's a personal problem, so I kept quiet because I loved being your friend, being in your life - I tried not to be greedy, but now I see we were just racing this inevitable clock. When you and I went through everything with Mikey, I thought it made us closer, stronger - "
"It did!"
" - but I also thought that maybe you weren't seeing me as before, as some kid, but as I am now - a woman."
"Honey..."
"Let me finish," you bit off, tears dripping down both your cheeks. "I still never said anything, I never wanted to pressure you, and truthfully, I always knew you had a thing for Claire, I knew one day someone would come around and replace me, but I still loved you. Despite everything with my family, with yours, I loved you. Despite any of my own reservations, my own fear about ruining what we have because it's better than losing you completely, I loved you. Despite the physical distance and all of your emotional distance, I loved you. And then, you come up to me, out of nowhere, and you asked me to go out with you. Twice, you phrased it that way, Carm."
"Honey, baby, please - "
"You asked me to go out with you, you set the time and place, I agreed. I showed up... I sat there as people came and went through the night, Carmen. It was humiliating an-and degrading and mortifying. Only to find out within seconds from Richie that you had left for a date with Claire - when there I was, alone, waiting for you, too. Like I said, I always knew you had a thing for her, and I knew one day someone would replace me, but holy fucking shit, Carm, I thought you had a little more decency, more respect than that after years of friendship - "
"How could you say that to me?" Carmy snapped with tears racing down both your cheeks, mindful of the distance as to not crowd you. "Knowing you're my best friend, the only person - "
"How could you leave me there, Carmen!?" You cried, making him freeze. "That was downright cruel and so fucking hurtful. So much so, in fact... I-It makes me feel we shouldn't talk for a while."
"What?"
"I'm so sorry, Carm, but I just - I don't think it's fair to anyone involved, nor those around us, to remain friends right now. So, we just... Need a break, or something. Being your friend is too fucking hard and so exhausting, it's been at my expense... We just need a break."
"No, hey, h-h-hang on a second, baby, wait, please," he halted you from turning away. "Listen to me, please, I'm so sorry. I really am, sweetheart, I'm so fucking sorry. Okay? I-I'm so sorry I forgot my phone and didn't see your calls or texts - "
You let your hand wave as if to physically pause the conversation, breathing, "That's what you think I'm upset about?"
"Well, yeah, and I'm sorry I couldn't call you, but you saw, you found it - I forgot my phone!"
"No... No, you didn't forget your phone, Carmen. Jesus Christ, you forgot me," you whispered, taking two steps back so he couldn't touch you even if he tried. "I really don't think we should talk anymore, okay? What you did was really fucked up, what you made me feel was even worse. I'll still help with the restaurant, I promised I would, and unlike you, I can be taken for my word because it means something. But I don't think you and I should work together, you make me so fucking uncomfortable - "
"No, hey, wait, baby, please, listen, listen, listen - I made one mistake," he pleaded, trying to step towards you but you reared back another three. "W-Why're you punishing me - punishing us - for one mistake? Please, Honey, I know I fucked up, but let me fix this!"
"Well, a stitch in time saves nine."
"The fuck?" Carmy chided, eyes narrowed.
"It means by doing proper the first time, you avoid problem later - but you don't have a lick of accountability, do you? No forethought, no comprehension to how your actions will affect others! It's not just 'one mistake', it's not just you standing me up, Carmy! Jesus, fuck, it's everything! I just poured my fucking heart out and you can't even say you love me back, can you?" You gave no time to answer, "No, of course not, because it's Claire - it's always gonna be Claire! It's always gonna be someone! So, I-I can't play second fiddle anymore, I won't - I can't be in love with you while you're in love with someone else, Carm. You've kept me on your back burner for too long, you forgot me, so you're not allowed to be surprised the kettle still whistles. I just can't do this, Carm, it's complicated and it hurts, it's not fair to either of us. So, I'll remove myself, no problem and work from home, but if I have to be here, please, limit our interactions best you can. For my sake, I'm begging you, give me fucking space."
"You're just gonna throw us away? I fuck up once, and that's it? Just like that?" Carmy begged, sounding earnestly confused. He looked like a kicked puppy. It broke your heart in a way last night couldn't. "I made one mistake, Honey, okay, yes, I take full responsibility! Please, let me try to fix this, okay? Please? I'm so sorry, I know that doesn't cover it, but lemme try to make all of this up to you. C'mon, baby, please, don't let me be the reason we both lose - just - okay, just let me fix this, please!"
"No, you know what? I'm not throwing anything away, I never did, Carm, you did when you chose Claire over me," you shrugged, tears strangling you once more. "Now, I need space... Can you give that to me or is that too much to ask for?"
"Why're you talkin' t'me like that? I-I'll give you whatever you ask for, Honey, you know that," Carmen sniffled, eyes reddening by the minute; hands going from hips to hair to forehead and back, unsure what to do.
You managed to get out, "I don't even know you anymore, it seems," before fleeing the kitchen, lungs choking on nothing. You couldn't get air in. You couldn't push any out, it was all so choppy and violent. With a hollow chest, you escaped out the front door; hating that you had to ignore Sugar and Richie calling after you, stumbling on the sidewalk and into Cicero's idling car.
"All right, let it out, you're all right, Honey. You're safe with Uncle Cicero," he soothed, rubbing your back as he pulled into traffic. "I know, I know... We all know, I'm so sorry this happened. What a fuckin' jagoff - you want me to pull my money from this restaurant? I'll do it - I'll do whatever - "
"No, no, no," you whimpered, sniffling and wiping your cheeks. "While I appreciate your ready and willingness to defend me, I don't want it at Carm's expense. I'll just work from home, it's not a big deal, and then... Maybe if I have to come in, I know Richie will be there to be a buffer, but maybe you could - "
"I'll be there whenever you ask, princess, you know that."
"Thank you," you squeaked as he drove past your usual street. "Oh, uh, I'm down South - "
"I thought we could make a run to the store, make sure you have all your comfort snacks so you don't have to go back out. Or do you wanna go straight home? You tell me, princess."
You gave a watery smile, a new wave of emotion choking your words, "Snacks would be really nice, thank you."
"You have dinner?"
"I don't know - "
"We'll get you some," he comforted, patting your knee as you just needed a safe space to cry. And for now, that was the front seat of your Uncle Cicero's 6-figure car.
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You knew it was a formal invitation the moment you caught sight of it at your doorstep, indicating it was hand-delivered and not sent through the mail. It sent a flurry of unknown emotion through your veins; angry by its arrival, yet excited by what it meant. With a glance up and down the hall of your apartment landing, you found yourself alone; bending to pluck up the envelope and enter your home. Keys to the bowl, shoes left at the door in the foyer, coat hung up, purse deposited to the available end table; phone being pocketed as you turned for the kitchen to drop all mail on the counter.
You didn't open anything.
Instead, you got on with your evening after working your usual 9-5. After a steaming-hot shower, you smeared on a facemask to hydrate your tired skin; then shimmied into soft loungewear and fixed your hair for the night. In the living room, you turned on Netflix for background noise before scouring your kitchen for an appropriate dinner that would hopefully nourish you after such a busy day. You debated a glass of wine, thinking you didn't need it, but then pouring one as the glittering envelope taunted you from where you left it. You drank, glaring at the little piece of stationary as you cooked a simple stir fry concoction. Carmy taught you to clean while you cook, so, once your meal was dished up and whatever could've been stored in the dishwasher was, you poured yet another glass of wine, snatched the invitation, then nestled in the living room with your meal.
You still didn't open it.
The coffee table was larger than others; big enough to double as a work desk; the perfect height for you to still access while lounged back on the sofa. You had all kinds of documents spread, most pertaining to The Bear - which was finally set to open in about a week. It would've been an exhilarating time of celebration... Should you have been able to feel anything other than outright heartache.
For weeks now, you hadn't spoken to Carmy, the longest you've gone in your lives. You simply weren't ready to face the other side of rejection; spending this time building yourself up as an independent woman who didn't need no man, even if that man was your best friend. The idea that there was no place for you in Carmy's life or room for him in yours felt farfetched and illegal in some manner, as if it were taboo. You had a lot of navigating to do, and much farther to go, but for now, you were still in the adjustment phase. Never had you been without each other, it was weird to think this was it, there wasn't any going back; at least, not from you, yet, after such a putrid display of disrespect.
While you were stood up in just one restaurant, you avoided the entire marketplace as a whole out of sheer embarrassment. Granted, it wasn't a place you frequented, but it was still a hotspot some other friends had discovered and wanted to meet at for your weekly hang-outs. You couldn't tell them how triggered you felt because you didn't want to limit places to go, so, you figured bailing on them was the better option. It's not like you lied when you said you couldn't see them because of work - which was typically really crazy - but you could still make time if you wanted to; you had before. That's how much Carmy's hurt debilitated you, though.
Your plate was left to the side, dog sniffing around in the hopes of licking up whatever scraps you might've dropped; one hand holding the glass of wine, the other pinching the envelope by the corner. Deciding it was now or never, you ripped open the seal and retrieved the contents with delicate fingers, as if it would burn you.
The invisible timer started to tick.
You ignored the use of parchment paper. You ignored the perfume slightly wafting from it. You ignored the familiar script in silky ink. You ignored the certain choices you remember picking out, now used officially on the friends and family opening night invite.
You smiled sadly, letting the parchment card fall to the envelope left on the coffee table's corner. You took a long breath in, jaw wriggling; tears slowly forming, but not falling. For weeks, you had avoided any direct reminder of what happened; knowing you still worked as project manager, but able to sort of schedule your emotions around deadlines and necessary interactions. This particular piece of mail was impending, but unexpected today; where being invited to see the completed restaurant you helped design and erect was all but expected - just not today, per se. While every fiber of your being wanted to attend, nothing felt right about accepting when you knew you'd more than likely run into Claire and would have to interact with the others.
It felt too soon.
You had no right to go around any of them anymore.
What would you say?
Sniffling your emotion with a deep sigh, you leaned back to your back couch cushion with the last of your wine tipping to your mouth. While petting your pooch fondly, you wrestled mentally pros and cons, different logistics, like: who did you message your rejection or acceptance to? Did you bring a date? Did you go with Cicero? Were you supposed to wait after the crowd cleared to mingle with your friends? Were they still your friends? What did you wear? Should you make legit plans with other people so you had plenty of distraction that evening? So you had a solid alibi? Would anyone even question your absence?
Your dog whined when your phone vibrated violently in a phone call from another cushion. With a sigh, you leaned forward to set your wine glass down and snatch the offending object, answering, "Hey, Unc."
"Hey, princess. You busy? This a bad time?"
"No, no, I just finished dinner and am trying to will myself to finish the dishes. What're you up to?"
"Gettin' ready for bed - just wanted to check in on you..."
"Ohhh, I get it - so, you got a pretty little invite in the mail, too, huh?"
"I got something, yeah. I think it looks pretty nice, don't you think? Definitely Sugar's design."
You held back your sarcastic quip about how you had all but designed the invites, so, you answered instead, "Yeah, real nice, Unc, yeah, she's got real talent. You goin'?"
"Uh-huh, no beating 'round the bush with you, is there?" He sighed, making you smirk broadly, "I am, I'm goin', gotta visit my money, you know? Well, I was wonderin' if you wanted to go with me?"
"Oh, Unc - "
"I know, I know, but it could be nice. Just us! Or we could double date? My treat - I'm paying - "
"I don't know if I can go yet, I haven't checked my schedule. I got home, made dinner, ate, answered your call."
"Oh, shit," he laughed. "Well, you think about it and let me know, Honey, okay? Okay, seriously, it'll be nice, we can go together, or separate - you know, don't let me cramp your style."
You laughed, "Nah, you kinda up my game."
"As I should. All right, pumpkin, well, I should run - but you think about it, let me know what you think, okay?"
"Okay, Unc, sounds good. We'll talk soon, I love you. Goodnight."
"Love you, too, doll, goodnight."
The invisible timer ticked louder.
The invitation was the only thing clipped to the front of your fridge. It taunted you at every passing moment. For days, it demanded your attention - succeeding only because you knew you had to RSVP to someone. Friday loomed closer and closer, Cicero had sent you two reminder texts, and try as you might, the fracture to your heart wasn't easily plastered.
There was nothing but heavy pain each time you thought about attending, so, on Wednesday night, you texted Sugar: hey babe! love that F&F is happening! sadly i have some work shit to do so i can't be there ☹️💔 but the invites are gorgeous! congrats on everything, i can't wait to see it! thanks for thinking of me for the guest list! good luck on Friday! 😘
Then you texted Cicero you couldn't make it, and while he understood, Sugar replied: Thank you, my love. Fak was so proud to show us how to work Canva for those invites 😂 Sure there isn't anything I can do to change your mind? We'd all love to see you there!
You answered: no way, this looks like real handwriting! technology's going too far. and yeah babes, i'm sure, i got work shit so unless you yell at my boss, i'm kinda stuck 😂
Curiously, Sugar requested a photo of your invite; but without curiosity, she also requested your boss' phone number. After you sent the image, she replied: Oh wow! I guess Carmy went rogue and gave you a fancy handwritten invite. What a jerk. Is he still a jerk? I can't remember, we haven't talked about what happened! 🥲
You promised: nothing to talk about now, Sugar Mama. all good! i gotta run but i love you congrats again, gooooooooodnight! ❤️
You hated avoidance; the dejection, festering unworthiness, self-imposed punishment and isolation. Yet it was all you had now, rationalizing you were protecting yourself and this was a necessary defense for your newly instated peace. Sometimes, you had to do things like miss events because you're healing - and that should always take precedence because you were nobody's priority but your own.
You put a red line on your calendar through the words 'THE BEAR', nodding as if in assurance of your decision, then yanked the invitation from your fridge. Yet you hovered over the trash can, fingering the lettering and remembering Sugar's text: Carmy went rogue and gave you a fancy handwritten invite.
The trash can lid slammed shut.
The invisible timer ticked slower, quieter.
In your bedroom, you pulled a handheld trunk from your closet and knelt to the floor. Inside the trunk, you had placed all triggering Carmy centric mementos and memorabilia; dropping the invite to the towering piles. You carefully pushed some letters out of the way to pick up the journal he gifted from Denmark; flipping it open to any random page for study. Then you compared it to your invite and let a small, fond smile tug on yours lips; confirming it was Carmy's script, that he had, indeed, gone rogue.
When the trunk shut, so did the lid of your feelings.
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Opening night had been something of a disaster, but the staff was ready to handle whatever obstacle. Granted, the head chef getting locked in the walk-in freezer wasn't on anyone's bingo card, Sydney was still a fucking superstar and commanded the kitchen in a gorgeously fluid and respectful manner. Richie stepped up and proved he was a newly-appointed expert in hospitality. Fak could take... some... direction. All in all, while not ideal or what was expected, it was an incredibly successful opening night! The staff was all rightfully proud of themselves, riding euphoric adrenaline highs.
The invisible timer began ticking.
Despite knowing Carmy had been freed from the freezer, nobody could locate him. Some theorized he went home to blow off steam, others teased maybe he went home with Claire - missing the way she left in tears earlier. However, when Tina, Fak, Syd, and Richie left the kitchen, they paused and let their proud smiles drop upon discovery of Carmy sitting, alone, in a back booth of his restaurant.
A dim, yet unmistakable comparison to what he did to you months ago.
There was temptation to leave him there; the entirety of the staff pissed off to the point they were giving Carm the cold shoulder for what he did to you. They credited you with damn near everything "The Bear" was, because while not your idea, not your dream, you gave it life and brought this place into fruition. Not to mention, you had taken on work as project manager for free - paid in the value of knowing you were helping such a good cause. A good family. It was a repeating fact; your everlasting endearment and compulsive support for anything and everything 'Berzatto'.
Yet despite their own simpering feelings, it was all dwarfed on examination of Carmy's decidedly pathetic statue. Syd felt a level of guilt the entire night, feeling it increase on sight of her technical boss; but to Fak, Richie, and Tina, who took Carm's slight against you personally, this was a heart-melting sight. There was a strange, mutual desire where the group went from wanting to kick Carmy's ass to just wanting to give him a hug and help the poor emotionally-inept dumbass.
"Go," Tina snarled quietly, pinching Richie's under arm.
"Me!?" He spat in shock, "Man, hell nah, fuck that guy!"
"Fuck you, too, Richie, c'mon," Sydney chided, pushing past them to lead the way up to Carmy. "Uh... Heeey, Chef?" She greeted in an unsure, sing-song voice.
"Chefs," he nodded meekly, immediately looking back to his anxiously twiddling fingers.
"Hey, Carm," Fak smiled warmly. "Whatcha doin' here, bud? Why're you all alone? In the dark? That's kinda creepy, dude."
"Nah, nothin'. Just, uh... Just waitin'."
"For what?" Fak asked, Richie smacking his arm. The tattooed man with a mustache flinched and cried, "What!? Now I can't ask my friends questions!? He's the one sitting in the dark like the Undertaker! Jesus!"
"Dude, just pause, be quiet," Richie scolded, shaking his head to silence the confused Fak. At Carmy, Richie directed, "Yo, Cousin, c'mon, let's just - let's all go home. C'mon, man, let's go. It's closing time."
"Yeah, yeah, uh," Carmy sniffled, "you guys go 'head, I'm gonna wait up for a bit."
"Carmy, it's late," Syd tried, "we aren't just gonna leave you here. So, come with us."
"Yeah, baby, c'mon," Tina tacked on in sympathy, "it's been a helluva night, we should all get some rest."
Fak and Syd and Tina all tried to encourage him with them, but Richie remained silent; just surveying the Chef. When a natural lull came after Carmy insisted again they go on without him, Richie scoffed, "Dude, c'mon... You know she's not comin'."
The invisible timer ticked louder, faster.
"Richie," Tina hissed.
"What?" He barked with his hand raised, glaring at Carm. "C'mon, man, it's late, she knew what time this was - and she told Sugar she couldn't make it 'cause of work. That's pretty definite. So... So, c'mon, let's go, dude, she's not comin'."
Before anyone could intervene again, Carmy snapped, "You don't know her like I do, Cousin."
"Know what? Fine," Richie laughed sardonically, "fucking fine, rot here for all I care, man - "
"No, c'mon, Richie! Hey! Don't be like that!" Tina called after him, sighing in defeat. "Sorry, Chef, I gotta run - " She leaned into the booth to peck Carmy's cheek before rushing her farewells to the others, then running out the door, calling, "Richie! Wait, baby, hold on!"
Sydney and Fak awkwardly stood around, not knowing what to do or say, so Carmy insisted they go home, too; he was gonna wait just a little longer for you then head out. They believed him, or at least, enough to listen to their bodies and go home for some form of rest. Carmy twisted the locks on all doors after them, leaving only the front undone with his seat facing directly forward.
The invisible timer ticked louder, faster.
He waited with his elbows on bouncing knees. He waited and devised his nonnegotiable list. He waited with his feet in the booth. He waited while rearranging his ideal table setting. He waited and redid the tape in the walk-in. He waited on the sidewalk, chain smoking. He waited while scrubbing the kitchen, top-to-bottom. He waited and took liquor inventory.
He waited, replaying the events of your fight in his mind. He hated what he said, how he behaved, the expression on your face; praying you'd accept his olive branch - thinking a handwritten invitation was enough. Carmy just assumed you'd remember he was better at talking rather than writing or texting - hoping his script was enough for you to know he wanted to see you in person, not just send messages of apology. He wanted you to have space, he thought a couple of months was enough; so, hopefully you were still fluent in the words he never spoke or wrote.
This inspired Carmy to call Richie's phone to leave a voicemail of apology and love after reminiscing their own fight. It also made him want to call you, too - but this urge was resisted when the image of your heartbroken expression shot to mind.
The invisible timer ticked louder, faster.
Eventually, Carmy settled in the corner booth; arms crossed, feet up, still watching the door. He noted the sun was rising and the city waking up; cars buzzing by, commuters starting to crowd the sidewalk. His eyes burned with the yearn for sleep, yet his mind would not quell; unable to forget your tears, the devastation you showed, how he was the sole cause of it all.
Carmy repeated he was a failure, he let you down and betrayed any and all trust the pair of you had in one another. He should've told you the truth; that he could see himself loving you romantically, he just never thought it was an option, so it purely wasn't on his radar. In Carmy's mind, even trying to cross such an important friendzone could make you feel unsafe if you didn't feel the same way; so it was something he wrote off long ago. It was part of why Claire was so tempting to him, but he needed you - like a fish needed water.
He was able to comprehend (now) that his actions weighed on more than himself, but you, too; that given proximity, you were forever doomed - or destined - to be his collateral damage. Carmy also understood this wasn't a lease you could continue to cosign for any longer when he desecrated the house and home your friendship lived in. So, it was his job to prove he could be the man you fell in love with, that he could deserve you; all he needed was a chance, and it was better late than never.
Understandably, Carmy felt pitiful, purely ridiculous that this is what it took for him to realize nobody mattered to him more than you; nobody could ever compare, there would never be a competition. That he didn't care for Claire's thoughts, opinions, nor ideas like yours; how he found himself wanting to impress you, not her; hating when his phone rang with her ID and not yours. You had given Carmen exactly what he wanted, and yet, it was everything he hated and nothing he needed. Carmy prayed to an unspecified deity that your decade+ friendship was strong enough to withstand - or recover from - his insolence.
Yet when the front door opened, it revealed only Richie; a delight unto itself, but not the ray of sunshine the mournful Chef desired.
The invisible timer ticked louder, faster.
Carmy deflated with definitive defeat into the booth, tears falling in rapid finality. His lips parted just a fraction to let his breath escape in easier huffs, a buzzing whine filling his ears as icy realization washed over him: your friendship was truly well and over.
"Cooked," as the kids say. Your friendship was cooked.
Richie paused in the walkway, sighing deeply before slowly moseying over. He silently placed a twin cup of coffee to the table and dropped to the booth across from Carmy, both silent and stewing. Richie peaked up first, finding Carmen's attention locked on the door like a golden retriever; but the flooding tears halted any derisive comment he instinctively wanted to hurl. Richie asked before taking a sip of coffee, "She didn't show, did she?"
The invisible timer ticked louder, faster.
"Nah, she didn't," Carmy whispered, the tears flowing faster, "'cause I really fucked up this time, Cousin. She's really fuckin' done with me. Not that I blame her, but... But holy shit..." Carmy dissolved into lung-stuttering tears, bowing his head in shame as he obviously attempted to get a handle on his emotions; only ever used to having them freely around you.
Richie sighed and leaned over the table to clap his hand to Carm's shoulder, muttering, "Hey, hey... For what it's worth, I'm really fuckin' sorry, Carmen... I am, I know you love her." His lips rolled between his teeth, letting Carm have his (several, long) moments before trying to sound lighter, "Look, of course, Honey didn't show up to open, but she doesn't have a malicious bone in her body. You haven't shown her you're sorry! She's still pissed off and worse, she's hurt, Cousin! Know what I mean?
"I know," Carmy whispered in despair.
The invisible timer ticked louder, faster.
"So, cut the fuckin' shit, man, time is of the essence! Maybe if you, like, stopped fuckin' cryin' and actually try fuckin' apologizin', Honey'll soften up - you know, like, feel safe enough to come around sometimes. Maybe be a li'l more receptive to you not being so much of a dickhead?"
This made Carmen perk up slowly, pinching the bridge of his nose, questioning, "The fuck are you talkin' 'bout?"
"The fuck did I just say? Get off your ass and apologize to that girl who's so sweet, she's literally called Honey. She's human, she just wants your remorse, dude, you owe it to her; so apologize and leave her be, and when she's ready, she'll let us know, maybe even come back 'round."
The invisible timer ticked slower, quieter.
After a pause, Carmy asked, "Think she'll come back?"
"Only time will tell. Apologize first, you inconsiderate jagoff."
"Way to kick a man."
"We're in this 'cause of you, you fuckin' pussy!"
"Oh, real nice, fuckin' jackass," Carm scoffed, wiping his cheeks and finally accepting the coffee.
"Now you sound like her," Richie smirked, sharing a secret snicker. The pair fell into contented silence, just mulling over each other's nights; either displaying signs of anxiety; where Richie bounced his leg, Carm picked at his fingers wrapped around the cup of coffee.
The invisible timer ticked slower, quieter.
After several too-long minutes, Richie started snickering.
"What're you laughing at?" Carm mumbled.
Richie had to control his giggles, wiping a finger in the corner of his eye, "Something that can only be explained later."
"What's that?"
"...Mikey would've owed Tina about $6k right now."
"The fuck - ?"
"I said later!"
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requesting rules and masterlist
The Bear masterlist
-> no part two planned!
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olderthannetfic · 4 months ago
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This isn't a complaint, just sort of a musing-- Yeah, if AO3 allowed monetization, it would cause the whole platform to become way shittier, not just for legal reasons. But this kind of reminds me of something I've thought about a lot.
I'm someone who's not a very strong or attentive reader, but the ease with which I can find thousands of appealing works on AO3 means I have ALSO found dozens of writers who grip me enough that I would read ANYTHING by them. I also find reviews and recs for popular book series' to be... very unreliable, but I can consistently find interesting works by looking at user bookmarks and by trawling tags. And I don't even mean in a "oh, this user doesn't want stories, they want tropes" way, because I'm with everyone else that reading the exact same enemies to lovers romance gets kind of boring after a while (no shade on people who enjoy that sort of thing). I mean that sometimes I find an idea and think 'oh, this is a VERY cool literary theme; I wonder how other writers have explored the same idea?' - and then find out that there's a canonical tag that sees very little use, and trawl through people exploring the same ideas about the nature of freedom when you have a duty to family (or whatever it is this time) until I find one that just NAILS it and sets my brain on fire.
In other words, AO3 is the only place I can get the same reading experience that I had in school where there were teachers and mentors who would not only do just about anything to help me find interesting stuff, but also knew me personally and would help me find extremely specific concepts like "I want a story that captures the feeling of being completely owned by another person and the oppressive surrendering of will that comes with it, but which isn't about slavery, religion, or marriage" or "I want a story that's just like Howl's Moving Castle but specifically in these three ways."
I don't wish AO3 was marketplace, but I wish there was marketplace that gave me the experience of AO3. The fact that there is SO MUCH free user generated content on AO3, and that it's so easy to explore with great specificity, means it's the only place I KNOW I'll find something fun. I wish it served as a platform to find professional artists doing silly stuff on their down time. (In fact, last time I fell in love with a fic, I got to talking to the author, who sent me a novel draft with all of the same themes but original characters and setting. That unpublished work is now one of my favorite books.)
I can think of a bunch of platform ideas that would scratch this itch for me, but I can't imagine any of them working out as well since the fandom experience and culture is such an integral part of why fanfic is different from original fic. (And also since monetization makes platforms get shitty fast.)
--
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writingquestionsanswered · 3 months ago
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Hiii♡♡ so I recently completed my second novel and am looking to get it published. However, I’m unsure where to begin with the process. Should I focus on sending manuscripts to literary agencies, or is there another route I should consider? I’d prefer not to self-publish, as I’m concerned about the challenges of marketing. Any advice or guidance would be greatly appreciated. I hope you're having the loveliest day💌!
Seeking Traditional Publishing: Where to Begin
If you're planning to seek traditional publishing, querying literary agents is absolutely the best place to start. Here's why: there are lots of publishers out there, but of the legitimate ones, the vast majority do not accept unsolicited manuscripts. What that means is that they only accept manuscripts brought to them by literary agents. Now, there are definitely small and independent publishers who accept unsolicited manuscripts, but the problem is it can be tricky to differentiate the legitimate ones from the predatory ones. Literary agents can make sure your manuscript gets into the hands of the right publisher, whether that's one of the big ones, a small publisher, or an independent press.
And, the great thing about literary agents that a lot of people don't realize when they're starting out: you don't pay them upfront/out of pocket. They will take their chunk of change out of the sale of your manuscript to the publisher, so you don't have to worry about saving up for a literary agent.
There are lots of ways to find literary agents to query. The Publisher's Marketplace web site is a great place to start. Query Tracker is another good option. You can also look at comp titles (novels that are similar to yours) and see who represented the author at the time of publication. This information is often found in the acknowledgements, or sometimes you can find it on the author's web site. I would definitely spend some time reading up on the querying process, as well as how to polish your manuscript ahead of querying, and how to write a good query letter. You will also want to make sure you follow the submission guidelines specific to each agent when you do send your query.
Happy querying!
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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!
♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here
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drdemonprince · 4 months ago
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Almost none of Dunham’s characters are possible any more. Jessa, the sinister hipster: eradicated. There are still tightly wound control freaks like Marnie, but all the creative gracelessness that made her bearable has been optimised out by twelve years of the internet. The weird, intense, charismatic boys like Adam have all been irretrievably brain-damaged by some kind of psychotic incel ideology. Ray, the hypercritical slacker, sneering from on top of his unfinished PhD, hanging out with much younger women, essentially if not actually Jewish, with his beautiful hare lip—Ray was the object of five years of cultural terror. He’s back in Cincinnati now, cast out, pickling in his own resentment. The only type that’s survived is Shoshanna. Hard and dense, compact, virginal. Shoshanna is Hannah’s negative. They’re both narcissists, but Hannah’s is a primary narcissism; she’s obsessed with the raw sensuous experience of being herself, being jammed into the world at her particular awkward angle. Shoshanna’s is secondary narcissism, the narcissism of the image of the self, the self as an object, the only object, swallowing all object-cathexes… In front of her Sex and the City poster: ‘I think I’m definitely a Carrie at heart, but sometimes Samantha kind of comes out.’ She survived because her type is typification itself, the process of mutilating the self into categories. That’s how you get ahead in the marketplace, and every last vestige of social life is a marketplace now. Everyone has turned into Shoshanna, men and women alike.1 The Shoshanna-machine spits out holographic versions of Hannah (‘literary it girl,’ ‘thought daughter’) and Jessa (‘indie sleaze’), but it’s all just Shoshanna underneath, one planetary Shoshanna spinning autistically through predetermined space.
A brilliant essay about the progression of time, the stagnation of culture, and why so many people are rewatching the HBO series Girls lately, by Sam Kriss.
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catt-nuevenor · 1 year ago
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Location Change
Right, quick update on the stories. I'm currently on my final read through before submission on the fixed narrative story. Hopefully I'll be sending it off to literary agents within the month.
That means more and more of my brain is tip-toeing its way back to Myrk Mire, and it's had some thoughts.
I don't really consider them spoilers, but treat this as a soft warning for story content.
As you may recall, I want the story of Myrk Mire to be 100% cannon with the fixed narrative story, this presents certain problems I didn't have to contemplate in the previous iteration of the story or characters. Previously you were able to pick the genders of the romantic interests and for those choices to have rather large implications for the continuing narrative. I still want to give folks that choice, but, it means I have eight characters to integrate instead of four.
Let's have a quick refresher:
Previously:
Peyton (M) or Peidyn (F)
Anadora (F) or Abelyn (M)
Louis (M) or Leila (F)
Kelda (F) or Keldan (M)
New Characters:
Plehtin (M) and Pursa (F) Starling, cousins.
Anadora (F) and Abjalin (M) Webja, siblings born roughly seven months apart.
Leiz (M) and Leila (F) Fyls, twins.
Cwylla (F) and Celd (M), friends.
Right, with that lot out in the open, don't you think the old setting of the lodging house would get a touch, cramped with all these folks crammed inside? Plus, of course, our protagonist and their offspring. Speaking of which, I have another post to write-up about the protagonist. Or rather protagonists...
Anywho, my thought is this: rather than setting the main events in the lodging house, I'd set them in the tavern/pub instead. Mawkin's Watch for those who need the prompt. Previously this was run by Myne (Myrna), cousin to the main character's landlord/lady. I'm now planning for it to be a joint Starling enterprise between Myne, Plehtin, and Pursa, with rooms attached for rent. The Fyl siblings, the main character and littlun, and our eventual swampy lurkers, can all pile into said rooms, while the Webja siblings can live with Erda just across the marketplace but spend all their free time with the folks in the tavern. Keeps the cosy atmosphere without the elbowing for space, and helps me explain why the Starlings are all under one roof all the time without contrivance.
More details on storylines and some pronunciation help on the new names can be found in this post:
Intertwining Fictions
Now to figure out the post about the MC... eeep.
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ancientrome · 2 years ago
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Marble statue of Eirene (the personification of peace). Roman copy of Greek original by Kephisodotos. ca. 14–68 CE x
Copy of a Greek bronze statue of 375/374–360/359 B.C. by Kephisodotos
Eirene, the daughter of Zeus and Themis, was one of the three Horai (Seasons), maidens closely associated with the fertility of the earth and the nurturing of children. The original bronze was erected in the Agora (marketplace) of Athens between 375/374 and 360/359 B.C. Rarely can an ancient monument be dated so exactly. We know from literary sources that the cult of Eirene was introduced to Athens in 375/374, and six recently found Panathenaic amphorae dated to 360/359 show an image of the statue. The Greek traveler Pausanius saw the work in the Agora in the second century A.D. and reported that it was by the sculptor Kephisodotos. Eirene was represented as a beautiful young woman wearing a peplos and himation (cloak), holding a scepter in her right hand, and carrying the young child Ploutos (the personification of wealth) and a cornucopia on her left arm. The figure brings to mind images of Demeter, the major goddess of agricultural plenty and the mother of Ploutos.
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azspot · 4 months ago
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On first opening a book I listen for the sound of the human voice. Instead of looking for signs, I form an impression of a tone, and if I can hear in that tone the harmonies of the human improvisation extended through 5,000 years of space and time, then I read the book. By this device I am absolved from reading most of what is published in a given year. I have found that few writers learn to speak in the human voice, that most of them make use of alien codes (academic, political, literary, bureaucratic, technical) in which they send messages already deteriorating into the half-life of yesterday’s news. Their transmissions seem to me incomprehensible, and unless I must decipher them for professional reasons, I am content to let them pass by. Too many subtle voices divert my attention, to the point that when I enter a bookstore I am besieged by the same sense of imminent discovery that follows me through seaports and capital cities. This restlessness never troubles me in libraries, probably because libraries are to me like museums. It is the guile of commerce that accounts for the foreboding in bookstores; I have a feeling of the marketplace, of ideas still current after 2,000 years, of old men earning passage money by telling tales of what once was the city of Antioch.
The Pleasures of Reading
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m-c-easton · 2 years ago
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Submission Spotlight: Guernica
If you're looking for a lit mag to place short fiction with a slant towards originality (or even weirdness) and a lot of interiority, may I suggest Guernica? They're open now, and there's no fee. Competition is a tough, so send your best! #publishing
As of May 2023, Guernica is currently open for no-fee submissions here (follow their link to create a free Submittable account). Founded in 2004, Guernica publishes poetry, essays, fiction, criticism, and journalism online. Unlike most magazines, it pays contributors rather than staff; in fact, its staff are entirely volunteers. Rather than a university affiliation, the magazine is partnered with…
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capesandshapes · 2 months ago
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Thinking about the invisible barriers to entry for publishing and how people who grew up in an upper to middle class background with supportive parents will start trickling into writing spaces for the next three months complaining about agents and publishers allowing additional consideration to people, members of the lgbtq+, and the disabled as a result of inclusive pitmads and open calls.
To query in the 2020s means having access to reliable technology in order to type out your novel, internet to query (and I was told in 2019 to send out 80 queries in my first round and expect to receive a form filled rejection letter like once-- the rest would never so much as acknowledge seeing your query), social media so you can be a part of all of the pitching events and jump on whatever opportunities you can (while being expected by some publishers to build your own following at the same time), and not only time but the emotional energy to write.
And I'm not even touching on the educational elitism that runs rampant through the arts, or the fact that many publishers and agents now expect you to query when a highly edited manuscript following their formatting guidelines in an approved file type (and no, it's not an imagined thing, converting Google drive documents to word does effect the formatting).
All of this is just to get your foot in the door. And half the time, the people who will tell you that it's easier to get a book deal if you're a marginalized person willfully ignore the fact that there are millions of people out there who couldn't get into the gated community that is access and stability to start walking towards the door. They don't want to talk about the people who were given additional consideration, but weren't accepted because an agent or publisher didn't feel that they were educated enough, or that they edited their manuscript enough, or their drive to word conversion turned all paragraph indentation into the dreaded five spaces instead of the much revered tabbing.
"You're more likely to get a book deal if you're a person of color, gay, or disabled," even once we move past how ungodly untrue that is, no one who bitches about agency and publisher calls for diverse writers wants to talk about the hundreds of people who were given additional consideration through those calls and didn't receive adequate marketing from their publisher or ended up grossly underperforming for reasons they cannot control. They don't see the people who will see the name on a book or flip to the back cover and put it down. Or that queer and non anglo Christian stories are going to be at a disadvantage in a marketplace dominated by white, straight, Christian culture.
Traditionally published people also aren't likely to be making bank to start off with, considering the fact that the majority of them fail even with all things working for them, and you don't get royalties until your advance is paid out by book sales. Publishers don't tend to give you another book deal or beg for a sequel if you aren't selling well, regardless of who you are.
There's about a dozen poc/lgbtq+/disabled authors from every publishing class (debut year), but everyone who bitches that it's definitely easier to get a publishing deal if you're a minority can only name like three successful POC authors, one disabled, and like if they try really hard like a single gay person in their genre-- like ignore the expanding literary canon that has introduced Toni Morrison and Walt Whitman to English programs across America, who in the genre that they write can they name off the top of their head that is not straight, white, neurotypical, and able bodied. Like, don't get me wrong, they've probably read a few more than just those people but can't remember off the top of their heads... Just like they can't remember the hundreds of books by white straight authors that they have read in their genre. Everyone knows the names of their favorite authors and the people that they consider themselves ~inspired~ by, but there are genuinely so many books by people of privilege that we don't really 'see' half of them.
But sure, whatever, it's unfair that you don't get as many publishing calls for you to submit your literary masterpiece, and you're surely being discriminated against. How will the world live without the new Shakespeare written by yet another monkey on a typewriter-- we even gave it internet.
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dansantat · 1 year ago
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48
I’ll let you in on one of my biggest fears.
When I was a kid I was worried I would be completely useless to society and end up homeless.
I used to fear the future.
I’m not joking.
When I was growing up, one of my biggest fears was becoming an adult and trusting in my own abilities to provide for myself. As a little kid I would stay up at night staring at the ceiling worried about what I was going to do with my life. In my mind I had no idea what work was. I imagined wearing a suit and carrying a briefcase filled with only God knows what and going off to an office doing random grown-up stuff and getting paid for it. The worry was wondering what that grown-up works as. What was I going to do with my life? What was my purpose?
True story, when I got my first job at a video game company and got the phone call telling me what my first salary would be I breathed a sigh of relief over the phone saying, “Thank God someone in this world thinks I’m useful.”
Thank you, Christian Busic, for my first job.
My oldest son is graduating from high school this year and I can sense a little bit of that anxiety from him wondering what he will be doing with the rest of his life. I can relate and I don’t give him any pressure to rush to any conclusions. I find it unsettling that some of us bust our humps trying to get into college and then suddenly a university asks you what major you want to do which will decide your path in the future.
Statistically, about 85% of graduating college students don’t do anything with their college degree.
“Find your passion,” I tell him. “It was what you were meant to do.”
Now, I’m at a point in my life where a few of my friends and folks around me are looking into the near future (maybe the next five to eight years) towards retirement. That golden ticket. The moment they can finally get off that train and spend the rest of their lives doing what they REALLY want to do with their lives. This all came as a shock to me. Not about about whether or not some of us can actually retire, but the fact that that time has flown and suddenly I’m nearing the other side of work life. I’ve been adulting for roughly 22 years now, which feels like nothing, and as I reflect on the past years I find myself rather fortunate that I happen to do have had the honor and privilege to do exactly what I wanted and was born to do. I understand that not many people get that in their life. I’m lucky. So, while folks around me are looking to get off the work force train, or at least dream about it, I realize that I have absolutely no interest in stopping, and that’s a good thing.
I think I did something right?
I’ve spent the last 48 years of my life worrying all these years if I’m going to be okay only to stand on the last third of a marathon called "the working life" and realizing that things just might work out fine.
When my father died a few years ago I remember him eating a hot dog as his last meal, which was odd because he was obsessed with his health to the point that he never took pleasure in indulging in fun things so this was something he would never do. All his life he just kept obsessing about eating right and exercising convinced he was going to die of cardiovascular disease when suddenly it was liver cancer. He just sat there eating his hot dog and saying to himself, “What was the point of worrying all those those years?”
He didn’t know I was listening. The best piece of life advice he gave me was something he didn't intend for me to hear, but that moment spoke volumes to me.
Now, here’s where it gets a little interesting.
I realized something recently about myself while attending a few literary conferences and festivals in the past few years.
I’m suddenly the old guy.
While 48 isn’t particularly old I’m finding myself to be the veteran on panels filled with twenty somethings. I see fewer and fewer of the peers that I came up with at conferences. The Publisher’s Weekly Marketplace is filled with young new people I’ve never heard of before. The output of some folks I had admired for years seem to have dropped off a bit and I pray it’s because they’ve willingly chosen to slow their lives down. The scariest part is that I’ve finally reached a point in my life where I question if I have enough years in my life to create all the ideas that I have in my head. It feels like only yesterday that I started out in this business and I was hustling to try to get my foot firmly planted in this literary industry hoping to be recognized by editors and art directors, and you, the readers. Now, I find myself hustling for a slightly different reason. I feel Iike I’m trying to keep up with the younger new voices. As younger generations plant their foot into the cultural zeitgeist I’ve noticed an extremely talented pool of young new literary voices who seem to effortlessly dispense this perfect voice suited to our current youth, but they do it in a slightly different way from me. Their perception of the world is slightly different than mine. To put it kindly, I’ve wondered if the perception of how I view the world has become a little dated?
Call this a self-reflecting form of ageism.
When you write a memoir about yourself you are left generally spending a lot of time reflecting on your entire life and you are left with this inner need to understand every facet about yourself. You need to understand how all the gears work and you constantly ask yourself why you are the way you are. This self-awareness has been quite useful to me. I think it’s important to stand outside of yourself and be completely unbiased as you reflect about who you are. The brutal honestly of my world is that I need to constantly be aware of how the world is changing and ask myself if I’m changing with it. This is not to say that I don’t think I have anything worthwhile to say or write, but I wonder if I’m delivering that message in the right way? In order to speak to people you need to know HOW to say something as well as WHAT you’re going to say. My childhood was filled with toys, tv shows, riding bikes into the night, and building junk forts in some far uncharted corner of town. Today’s youth is filled with the internet, Netflix streaming, texting, and Tik Tok memes.
It’s apples and oranges.
I know folks who use old vaudeville gags in their work. Pies in the face, double takes, and old puns. Tools of an old era that kids are left scratching their heads wondering, “What did the author mean my that? And what’s an anvil?” There’s a lack of self-awareness where they feed their own personal interests not realizing that the audience they serve is completely left in the dark. You suddenly look around and realize that you’re completely out of the loop and if you try to fake it then it will all just come off as awkward because everyone can see that you’re simply trying too hard.
There comes a point in life when you suddenly realize that you aren’t up with all the gossip and trends and the who’s who of social media celebrities but I think the kiss of death to any person’s personal growth is when they say, “I miss the good old days…”
The cruel truth about the world is that if you long for the “good old days” you’re suddenly going to find yourself surrounded by a world you no longer understand because the world doesn’t care if you change with it or not.
I know people decades older than me who feared computers and refused to ever touch one and now they are surrounded by a digital world and they curse it for being fully automated and they can no longer use cash. I know folks who miss old school rap while scratching their heads over what new rappers are playing these days. Do you fear self-driving cars? Too bad, because capitalism says it’s coming whether you like it or not. Does AI terrify you? I mean, yes, it ABSOLUTELY SHOULD, but it’s coming.
My attitude isn’t that I’m being forced to adapt. Now, my view is that I’m eager to see what lies down the road and where my place is in it. I see that the world is changing rapidly and I don’t want to get off this train because the moment I stop looking towards the future and spend more time reflecting on my past is when I stop growing as a person.
I don’t know how well I’ll adapt to the future but I no longer fear it. All I know is that I've done fine for most of my life and I should have confidence that my desire to grow will help me carry on.
There’s no point in worrying.
Take life one day at a time, and just savor the precious moments life gives you...
And eat the hot dog.
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fourswords · 4 months ago
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talking about the silly au again!
i mentioned it on my site but not here iirc but i don't think four is very good at reading. like because his story in the manual mentions him being young and on his own and traveling around i just don't think he ever really got good at reading outside of the basics that kids learn (since. y'know. no adults around to teach him. obviously not in school like some other links in the general loz series are. etc.) and naturally his reading speed is really slow and his writing speed is even slower. the only things he really reads are marketplace signs and directional signposts and that's pretty much it, and he has very little interest in getting better at it because he just doesn't care. he doesn't see himself ever being in a position that'll require him to read a lot because all he does is wander around. BUT! in the context of this au, if he WERE to come across a word he was struggling to pronounce or had plain just never seen in writing or something, i think he'd try to work it out in his head long enough to get a headache about it and then just ask knight to pronounce it for him/tell him its meaning if it's a word he hasn't heard at all before (like something that'd only be used in a literary context or smth) because he figured out that knight will just answer something like that for him with no questions asked. which four appreciates because his whole thing is "not making a big deal over anything" and if someone DID try to make a big deal about it he would literally just one-liner his way out of the conversation and slip away the first chance he gets
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dollshobby · 4 months ago
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Barbie Inspiring Women Isabel Allende: A Celebration of a Literary Icon
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The Barbie Inspiring Women line is proud to introduce a new addition: the Isabel Allende Barbie doll, a tribute to one of the world's most widely read and celebrated authors.
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Known for her powerful storytelling, Allende's influence extends far beyond literature. As an activist and voice for women's rights, her work has influenced countless people around the world. This new Barbie doll is a tribute to her journey, resilience and unwavering spirit.
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The Isabel Allende Barbie doll can now be ordered on the official website of Mattel Creations and on various marketplaces around the world!
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