#literary editors
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Submission Spotlight: Blackbird
A lot of literary journals have closed until fall. This gives us months to dust off old stories and see if we can whisk them up into something tasty. When that happens, the online journal Blackbird is a great place to send stuff. #writing #publishing
Okay, so the bad news is that a lot of literary magazines have closed their doors until fall. The good news? You’ve got a few months to pull up that piece you’d given up on, dust it off, and see what you can make of it. If it fluffs up into something pretty tasty, Blackbird might be the literary magazine for you. Since 2001 (or 2002—different places on their website name different founding…
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#Blackbird#classism in publishing#diversity in publishing#Gregory Donovan#literary editors#literary magazines#literary marketplace#M.A. Keller#Mary Flinn#New Virginia Review#online literary journals#Patricia García Luján#paying markets for short stories#publishing fiction#publishing short stories#submissions#Submittable#submitting fiction#Virginia Commonwealth University
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Instead of editor, literary agent might be better for Aziraphale! He would basically represent Crowley and be in charge of him like you want and could edit his stuff more closely in the developmental stage. If you want editor it might be even better to have Crowley be a self published author and he hires Aziraphale out of his own pocket. Also I love this whole idea so much!!!!
THAT IS INDEED THE WORD IVE BEEN LOOKING FOR THGFGThhph
my god it’s been a while since i researched agents but i should not have forgotten that so easily lmao thank you
#editor au#that’s what i’ve been picturing this whole time but just fckin calling him editor instead lmao#TBF HE DOES ALSO EDIT…… he’s my tessa#they’ve grown so close* over the years he’s more like a literary assistant at this point#*not that close bc crowley doesn’t even realise he’s gay until aziraphale tells him#but also crowley’s fuckin stupid? so#ask a rat
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Still stewing over how Riza watched Ed and Al swap sacrifices and probably learned some alchemy basics from her dad (and seems to have aptitude, given she's the one non-Xingese, non-chimera character to sense the homunculi), is willing to mutilate herself, and got pulled out of training to fight because she was just that good of a shot, so in the end she should've gone hey colonel I'm trading my dominant eye for one of yours. This works out for me too since I have to stay in the military for our Big Plan and would rather not be their star sniper anymore. Don't be dramatic about it.
Roy would not like that but what is he going to do, lie in his hospital bed and bitch about it? Ed couldn't refuse Al's sacrifice either. Second instance of someone forcing human transmutation on him but this time it's for his own good. Codependent bestie friendship bracelets partial blindness representing how uncomfortably far the other person will go even when you don't want them to. The Truth doesn't think they're quite grasping the lesson it wants them to learn but eh. Close enough. Leave the Ishvalans out of it.
#Roy using the stone is in character but idk if Arakawa meant it to reflect as poorly on him as I take it#but this is just more elegant and dramatic imo#creative writing professor told me to embrace the melodrama in college#I will editor of a prestigious literary journal.... I will#got the fifth opener stuck in my head this morning for some reason and got angry again#ok anyway I need to go exercise and then grade#fma
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[Santa Muerte, I ask you to remember]
Santa Muerte, I ask you to remember the wreckage of the streets. How did I escape it? How did I escape being swept from the gutters, one more marigold, one more skull crushed to confetti, one more guttering candle amongst the rest? All we had was those four rooms, up a flight
of stairs I stumbled on. Too steep, and so often too high to climb. These rooms, when I write myself back to them, refract the light. The way the blue, green, brown glass of emptied bottles of gin, whiskey, wine caught—then shattered—the late afternoon sun in that apartment, every apartment. The way
a crystal hung from a chandelier would, in a once-grand hotel turned flophouse. Dust-coated rainbows breaking across the flaking paint. The light of these remembered rooms, though, is more like the reverse—a chandelier in what was once a flophouse, now remade into a grand hotel. Nostalgia is gentrification.
I inhabit these memories and change them, the same way we changed the landscape of the neighborhoods we lived in. Without meaning to. Just by being there. Now I remember those rooms, those streets, and the people who inhabited them as exquisite, dazzling. Harder to recall the dirt, the lack
of money, the mattress on the floor stained purple with wine and vomit, the candles guttering ’til dawn, ’til wax covered the floor boards. Those rooms were squalid, and I wrecked myself in the pursuit of beauty. Before that, I lived in a different house, wretched in its own way. Crowded as it was with cats and stray
kids, sad queers and young junkies with their black-hole stares. I slept on a mattress there, alone in the hot, stuffy back room; I’d wake early and stare out into the small concrete yard, the black walnut tree dropping green fruit, staining everything brown. The pigeons with their oil-slick heads and beady black eyes; the shimmering
iridescence of the flies, those seraphs of death. When my partner in crime woke, we’d walk to the bodega for 32 oz. cups of cola, which we’d then dump half of. The rest, refilled with cheap Canadian whisky, so caustic and rotgut it stripped the wax coating from the paper. The stove in that house had a gas leak.
Even through the miasma of wax and syrupy whisky I could smell it; the sharp, eggy rot, but no one else seemed to notice, or they were too high, too low to care. It was the next place which was haunted. No gas leak there—our gas shut off a few months after we’d moved in and I too broke
and careless to get it turned back on—but those four rooms were crowded with the dead, restlessly clattering through the kitchen, perching on the edges of our mattress-beds, whispering their forlorn secrets. In those rooms, it was always the Day of the Dead. In spring, when the callery pear bloomed, their scent of tainted semen heavy on the air. In summer,
when the black walnuts cracked open on the streets, leaking, brown and green, their boozy-bitter juglone. And yes, in autumn, when the cold and haunted rooms smelled of dust, votive-wax, and the clingy, vegetal scent of just-carved pumpkins—and when all the neighborhood bakeries were making pan de muerto, the air above the autumn streets was heavy
with sugar, yeast, and orange zest. We were haunted, not only by the restless dead. Haunted by poverty, addiction, our own recklessness. The twisted shapes our longing for beauty hammered us into. We’re all doomed. My partner, my crime, scrawled that on a piece of paper which she hung, facing street-ward, in her bedroom window. And the landlord, who said she agreed,
kept trying to evict us. And the men who sang drunkenly below our window scrawled graffiti on the bricks above the alley. Gringos out. I did not blame them. I was an interloper, my ghost-white self settling there after running from—what was I running from?—the other streets, other rooms which had already finished with me. I was trespassing. Still, I learned to pray in their languages. Lit
novena candles, asked for benedictions from Santa María, Madre de Dios, and you, Gloria sea la Santa Muerte, la bendita muerte. My altar laden with ofrendas—cempazúchitl, cakes and sweetbreads, coffee and whiskey, the favorite food and drinks of our restless dead. We drank. A shot left on the altar, for the ghosts, a shot for us. Another. Offerings for them, for us
because we were dead now, or so the suburban boys said. We drank, whiskey in our coffee, beer from the bodega, spiced rum or gin the northwoods boys brought us as offerings. We drank because we woke twisted, shaking, still running from nine-day benders, we drank. To beauty, to death. How did I escape? Santa Muerte, I left those streets, those rooms, half a life ago. Tonight
they return, slow then sudden; sneak up like the creeper weed the ambulance driver gave us, nothing and nothing then I’m too high to move. I watch them flicker and refract, these shades of the past, these scenes altered by the trespass of memory. The altar of memory. And then the ghosts arrive. They fall
like the robes of a skeletal saint, like confetti from a Day of the Dead parade float; float like squid, like semen, like flower petals. Black walnut, callery pear; they smell of spice, tobacco, a gas leak, the early dark. They descend as flies, pigeons; come on as scrawls of graffiti, as thunder snow, the blued flash of light, the roar, then white. White. They fall and fall and cover it all, the squalid rooms, the wreckage of the streets, my whole wasted life, until everything
is just layers and layers of ghosts.
—Jessie Lynn McMains, from Paterson Literary Review #52 (2024)
#jessie lynn mcmains#poetry#paterson literary review#allen ginsberg poetry awards#day of the dead#my writing#two years ago on día de los muertos i wrote the first draft of this poem#in 2023 it received an editor’s choice commendation in the allen ginsberg poetry awards#now i am sharing it with you
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officially published 🥳
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why is it that reading is one of the hardest things to do when your personhood is being semi-subsumed by your mental illness, yet also one of the easiest fucking ways to keep your personhood from being semi-subsumed by your mental illness in the first place? what the fuck is up with that? who decided that this would be the way things work, & where do i go to find them?
#sol chats#i think the tag was different before but it is that now sorry guys.#anyway in TOTALLY unrelated news i’m about a third of the way through the motorcycle diaries & it is very good thus far.#like obviously it is just super compelling to be granted insight into the personal & experiential development of such a major and#impactful political figure and to get to see the influences and the insights that built themselves into the man & revolutionary he later#became and the ways in which his sense of romance acts as a through line therein in many ways. but also it is just wonderful as a work of#literature honestly. like the way guevara chooses to honestly & humorously approach the subject of identity- both as it pertains to his#view of his own & the way identity is prescribed- is both very thoughtfully done & somewhat atypical within this style#of memoir which makes it all the more refreshing. & there’s this very clear almost brazen intentionality to the way he approaches atmosphe#-e. it’s unflinching without being jarring or abrasive. it simply is. and as such it leads to these incredibly vivid depictions of event#in which the image of them is enhanced by their recreation rather than marred by what could not be recaptured. and like he’s very clearly#self-aware & very very considerate of how and what it is he says in relation to that which he is trying to relay.#like cintio vitier says in the introduction that “it isn’t literary skill but fidelity to experience and narrative effectiveness that is#sought. when both are attained skill follows naturally taking its allotted place neither blinding nor disturbing but making its#contribution. here with little fumbling or hesitation che’s style is already formed. the years would polish it just as he himself polishe#his will with the pleasure of an artist though not a wordsmith: a quiet shyness forced him not to dwell too much but to push on with the#words howard the poetry of the naked image which his minimal touch turned into reality. his “i—it-in-me” circle opens and closes continual#-without ever becoming dense accommodating a style that prefers to remain hidden. The prose on the page sheds light though it does not dra#on the imperceptible lightness of the narrative. it flows between description of feeling and narrative accounts in which he searches for#himself and sometimes even seems to be watching us.” & just like yeah. Yeah! that is really the most apt way to put it!#cintio vitier that was so fucking real. like there’s something both clawingly forward & very intimately retrospective about it & guevara#very much uses this contradiction to his advantage. there’s something almost prescient about it due to the framing of the perspective bein#that we are listening equally to guevara as experiencer & editor that deeply grounds the reader in the narrative’s present. like it’s just#an interestingly written piece of literature.
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#SHUT UP CHERNOW#THIS IS A LITERARY CRIME#WHY DIDN'T THE EDITOR CHOOSE A BETTER WORD#american reconstruction#ulysses s grant#us grant#andrew johnson#william t sherman
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Vial of Bones wants your bones!! Join our crew with an array of options. All positions except zine-related ones are “as available” commitments.
https://docs.google.com/forms/d/1bhOiXDMq-FN_350AJE-q5tMMi7wFX3Tlnv3Z5qK4JRM/viewform?edit_requested=true
#submit#volunteering#students#mfa#photography#editors on tumblr#literary quotes#literary magazine#fanart#fanfic#fandom
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still thinking about my dead poets society moment the other day. my friends and I in a dimly lit pub with our ex writing tutor who left our school due to being treated like shit. he's giving each and every one of us personal words of affirmation. this is what creative writing courses are all about.
#he told me to be more optimistic about myself#AND that im a better writer that he'll ever be#but that im an editor at heart#he said he'd help me start my own literary agency#im so pumped for the future now#any success i have will be due to him#carpe diem WHOOOO#oh captain my captain#dead poets society#dps#creative writing#university life#student life#college
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Submission Spotlight: Guernica
If you're looking for a lit mag to place short fiction with a slant towards originality (or even weirdness) and a lot of interiority, may I suggest Guernica? They're open now, and there's no fee. Competition is a tough, so send your best! #publishing
As of May 2023, Guernica is currently open for no-fee submissions here (follow their link to create a free Submittable account). Founded in 2004, Guernica publishes poetry, essays, fiction, criticism, and journalism online. Unlike most magazines, it pays contributors rather than staff; in fact, its staff are entirely volunteers. Rather than a university affiliation, the magazine is partnered with…
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#Guernica#literary editors#literary journals#literary magazines#literary marketplace#no submission fee journal#paying markets for short stories#publishing fiction#publishing short stories#Rachel Khong#Sarmista Das#submissions#Submittable for writers#submitting fiction#The Los Angeles Review of Books#Yorgos Lanthimos
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men love to act like they're god's gift to prose fiction, like their workshop advice is the sole thing needed to Fix Your Story, and then not even be good writers.
#writing#sorry. being a hater.#I volunteer as an editor for my college's literary magazine and this guy sent us a REALLY pissy email because we rejected his work#even though we went out of our way to say he could submit a different piece we'd read of his for class that was more polished#AND he was like ummm. why didn't you give me useful feedback for my piece? buddy we rejected it. it's not our job to workshop you#ESPECIALLY because we're giving people like. only three days to make edits. either your piece is basically ready or we can't take it#and let me tell you. the piece he sent in was NOT basically ready. some would say it was not even good.#and it's like. again this guy is SOOOOO authoritative. He acts like he is RIGHT and so smart and he's not even a good writer. lol.
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revoking people’s right to talk about the tolstoy marriage until they write and turn in to me a ten page essay on complex relationships
#‘tolstoy STOLE from sophia’s diary’ almost certainly not true.#at least not in the usual vein - sophia was (and should be credited as!) at the very least his editor and collaborator#with w&p at times i want to say co author but i also dont think we should diminish the importance of editing#they worked as a team! and in the later years when thier relationship was increasingly frought they were BOTH reading each others diaries.#the problem is there is genuinely an avenue to talk about how tolstoy drew from real life in less than ethical ways#tanya bhers/natasha rostova for instance. THE KREUTZER SONATA! FOR INSTANCE!#but diminishing it down to oh he stole from her is. a disservice to both of them.#sophia confessed her love by writing a story that blatantly copied real life and lev’s personal insecurities confessed in confidence#and honestly that isnt even BAD like there is a reason they were happily married for 25 years! they’re work is similar they were a team!#we dint need to flatten it out to sophia-wife-victim lev-husband-abuser.#nor do we need to ignore the many ways sophia suffered!#it’s just theyve been reduced to a famous literary disaster marriage when they really… werent that.#gabby.txt#genuinely tanya as the inspiration for natasha is far more upsetting to me than giving his diary to sophia before the wedding.#idk. idk! its like on one hand im so fully on sophia's side and im so happy that her diaries and writing are being translated#and. not even on the other hand these ideas arent in opposition to each other. reducing her marriage to a flat picture of suffering is. bad#actually i think in many ways the problem is solved by looking at sophia as an author instead of a wife.#which like. she was very much both. but if we afford her the agency afforded to an author i think the conversation immediately gains nuance#and that also comes with the caveat of female authors being far less respected - look at nadezhda khvoshchinskaya - but still#anyway GOOOOD morning
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Actually I must resign to the fact that The Country Wife (1675) by William Wycherley is unfortunately hilarious
#ive read almost all of it since noon#it's a quick read. i only have act v left#first i must say. harry horner is a bisexual icon#secondly i am upset that a man who trashed the legacy of aphra behn could almost equal her in wit#at least just judging by this one play. now this shit is raunchy#im still not as familiar with restoration theater as i am the elizabethan/jacobean eras but like? how is it that plays by women seemed#to get the greater criticism for being bawdy in the restoration era. oh my GOD wycherley#no but it is funny it is really really funny#tales from diana#the editor of this 1959 riverside edition of restoration plays. john harold wilson. he's kind of hilarious#i mentioned him in the tags of a post i reblogged about aphra behn the other day. how he called mary pix and delarivier manley#poetasters of the post-restoration decline in theater... that guy#in his introduction to the country wife he holds no punches for wycherley sdlfasdf#after talking about his four successful plays he says:#'he married unwisely; fell out of favor at court; spent seven years in prison for debt; and wasted the remainder#of his life writing bad verse.' SLDIFSDJIFLDIFSL#if someone said that about me. even though i was already dead. i would somehow find a way to kill myself#maybe 20th century literary academic snobs were funnyyyyy#misogynists granted. but when they attacked each other? funny#also even though i am praising the country wife this play is definitely definitely misogynistic like holy shit#k. ive said enough
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so help me god I will write something this month and post it
#life update:#I have joined my uni's literary journal as an editor#and have begun to write my own submissions#which I am taking very seriously#which is making me realize why I haven't posted any fanfic yet#it's bc I'm taking it very seriously also#but it rlly doesn't need to be#I can be silly and I can experiment and I can be bad bc my real name isn't attached#and unfortunately many people don't take fanfic very seriously#even tho I've read some that were better than published novels I've read#but I'm gonna write something dumb and I'm gonna post it and I'm gonna get this goddamn ball rolling
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I literally did this to this myself but 18 credit hrs + two jobs + undergrad research assistant is actually going to kill me this semester
#I WAS working three jobs but I dropped one for this semmie.#and I’m also on the exec boards for three organizations like girl.#just signed up to be an editor for my school’s literary journal too but I had to my fav prof asked me#anatomy also counts as like. 3 classes rolled into one the amnt of hw is insane
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Those funny bursts of inspiration and motivation that are just like “yes! It’s brilliant! The solution was there all along! JUST WRITE! If I sit down and Just Write and finish my stories I can send them to agents and try and get them published!
And then I look at my laptop like “now what the fuck are words and how do I use them”
#ryan’s ramblings#no seriously why are my biggest bursts of inspiration paired with utter bouts of writer’s block#sometimes it makes me frustrated knowing that making a legit living off my writing will be near impossible#but books that are NYT bestsellers and widely adored are legitimately terrible#not in a mean way just like. I’m sorry Lucy Foley but the Guest List was full of so many embarrassing errors#and then you admit you were an editor for a big publisher???#a silk dress that can’t be touched by ungloved hands because it’s so delicate?#that the bride will simply cut above the knees and dye it for casual use????#A TIERED RED VELVET SPONGE WEDDING CAKE#TRAVELING ON A BOAT?!?#man I know you only made it red velvet to draw a comparison to the color of blood didn’t you#but then to act like red velvet is the fanciest cake flavor is probably funnier than anything else#not to mention the Colleen Hoover obsession rn.#I’m more worried about the fact that my novel genres go from Literary to Sci Fi to Paranormal to Fantasy to whatever. even a romance#not gonna manage to hold an audience through every book at that point#but maybe I’ll have a little bit of something for everyone at the table
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