#literally no idea what this is or was in reference to. I was just clearing out the files on my computer to delete sutff

[undead-moth]

I feel the need to point out here that “conspiracy theory” does not just mean “a theory that goes against the record.”

Conspiracy theories are theories that if true, would require widespread, invisible, seamless collaboration between many multiple parties that would not realistically choose to collaborate with each other, nor successfully do so. They’re theories that are contrary to extensive, consistent, widespread evidence from many multiple qualified sources. They’re theories that when examined further, if they were true, either have no obvious reason to warrant the near impossible collaboration, or rely heavily on bigotry to make sense.

Consider people who believe Covid was a worldwide scheme. Consider what it would take to fake something like that, behind the scenes (worldwide collaboration on all levels, from the most powerful of people to everyday citizens), how contrary it is to enormous amounts of evidence from many sources, and how, if that were true, what was the point? Why would any hypothetical parties suddenly decide to manufacture a pandemic? Especially when during the height of the pandemic so many of those hypothetical parties wanted to do nothing more than pretend the pandemic wasn’t happening?

The same is true with holocaust denial, for example. Not only is it acknowledged around the world and would have to have been faked by multiple countries, but there is so much evidence of every possible kind. And most the time, when someone poses the question, “Why fake the holocaust though?” to a holocaust denier, their response will ultimately boil down to “Because Jews run the world,” or whatever.

None of this applies to Luigi Mangione. We know exactly who the “parties” collaborating in question would be (The NYPD and the media), and I would not remotely argue that their collaboration is invisible or seamless or even without contradiction. There’s also limited, circumstantial evidence, from few sources (the person who called the police on Luigi, and the police’s evidence) and that evidence isn’t consistent, nor enormous, nor infallible or widespread. The sources are also dubious (the caller had a financial incentive to report anyone who looked like the blurry image of the shooter, and the NYPD was under enormous pressure to catch the shooter, and they’ve even been caught planting evidence before, multiple times. They’re a notoriously corrupt police department.)

And lastly, there’s a very clear reason why the police might frame Luigi: to nip resistance in the bud. To show anyone else who might have any ideas about challenging the status quo, or overthrowing the ruling class, that they will face immediate and extreme punishment for doing so - hence why they are aiming for the death penalty with Luigi, and why all Brianna Boston had to do was reference the shooting to be arrested and charged with making a terrorist threat.

To be honest, I don’t know if Luigi did it either, but that’s beside the point. Even if he did do it, it still makes perfect sense to question the “evidence” being used against him. It isn’t remotely conspiratorial to point out that things are just not adding up, especially when a notoriously corrupt police department is responsible for “finding” the “evidence.” As far as I’m concerned, it will be impossible to truly prove Luigi is the shooter beyond reasonable doubt because literally all of the evidence is reasonable to doubt.

I really try not to be a conspiracy theorist but I’m seriously flip flopping on whether or not I believe Luigi Mangione actually did it, on one hand this guy’s digital footprint is too vast to not be a real person with real motive, but on the other hand the circumstances of how they caught him are so odd that it just doesn’t add up, like, he wore very nondescript clothing and a mask the day of the shooting, suggesting he doesn’t want to be identified, despite this they were somehow able to identify him at a hostel in different clothing without a mask, he not only fled the scene but allegedly fled New York with a fake ID that the police recovered, several days later they found him in Pennsylvania carrying around all of the evidence in his backpack, including a manifesto, gun, and fake ID, the police also claim he had somewhere between $8,000-$12,000 in his bag, yet when asked about it Luigi claims he had no idea where the money came from and suggests it was planted (which raises several more alarm bells because if this “evidence” was planted then what else could they have fabricated to “catch” this guy?)

this not mentioning the fact that I find it really odd that this guy didn’t digitally publish his manifesto and instead chose to carry a physical copy of it around for days

this all could mean that he wanted to get caught but if that’s the case why go to Pennsylvania at all? why not just stay in New York?

I will say, though, that I think some of this can also be explained by this comment on Reddit:

regardless, the circumstances are suspicious as hell

edit: I realized I forgot to mention this part but it’s also so suspicious how everyone, the police, the media, whatever, are all 100% certain that Luigi Mangione did it, I’ve seen so many high profile cases where cops do press conferences and say “this is America, the suspect is innocent until proven guilty!” yet they’re not even calling Luigi a suspect, they’re outright saying he is the shooter and that he did do it, that’s just weird to me

[comikbook]

ur part of the reason I just played OFF and after finishing it, I thought you might have an interesting opinion of the game's narrative. I guess I'm asking to hear it or any other thoughts you have about it?

oh boy !! my favorite fun game for cute children !!!! this will be a long post but i have tried my best to condense everything as much as possible. i will say this is a wild, images connected by string on a corkboard type analysis but hey, thats what makes it fun !

so what do i think is the story being told here ? (under the cut)

off is such an interesting game to me, because of the mystery surrounding its story. theres no clear answer, mortis ghost himself has said the game itself is up to interpretation. however there are many many theories some deep some not, and at the end of the day it may just be a game meant to be vague and weird and thats it ! but this is the theory i think fits the best from my experience playing the game.

one thing that i believe is pretty straightforward about the story is the allegory for the effects of extreme illness and its effects on the lives of people, specifically our most important character- Hugo, the sickly child who we know as the creator of the world of off (which includes the queen and the batter himself)

I will get this out of the way now, i think the overall theme of off deals with the idea of eugenics as well as religion.

we know that hugo created this world, we know he is extremely ill, we know he is lonely and most likely using the creation of the zones as a coping mechanism to escape his reality. we can see that hugos mother is most likely his primary guardian but is not often around (as the queen has duties to attend to) and his father is not present up until the start of the game- meaning he has just only now started to have relevance in hugo’s life.

now where does religion come in ? its simple, the batter is here to purify the world (the world=hugo) and he will do do by force. with this we can assume that hugo’s real life father is a religious man, even further with the idea of the three rings, three zones, etc being a reference to the holy trinity.

so back to hugo, i believe he is a sick child, terminally ill. his mother might be working all the time to cover the medical bills and his father, a religious man refused to take care of a child who is destined to die. perhaps at the start of game hugo is quite literally on his deathbed, being kept alive by machines and pumped full of medication, causing his father to have to come into the picture for them to make a choice: pull the plug (or switch the world “off”) and let hugo rest, or continue to keep him alive.

i will also agree with the idea that each of the guardians of the zones represent some level of illness or disability as well, but i will not go into tje specifics of each as this is already going to be a long post.

anyways back to the batter. he needs to rid the world of “imperfections” (catch the implication ?) and bring about an era of holiness. i believe hugo’s father did not want him as the parents knew hugo was going to be born ill, and that is why he left. God damned his soul and hugo’s father believes that hugo is in some way paying for his sins. the mother has the child, wanting to give him a chance to survive, but now hugo is reaching the end of his life. his father wants to pull the plug, to rid the world of his “impure” son, the mother wants to keep him alive and give him a chance- but most likely for selfish purposes as i believe hugo’s brain is mostly gone already, what’s left is his mind’s attempt to cope with the pain by creating this world.

the elsen are also extremely sickly, working to death mindlessly, so while i am mostly talking about the story in relation to hugo himself, it can also be assumed that perhaps some type of epidemic is going on on a larger scale. of we consider that and branch out our view, we can see this:

there are people who are sick, and there are people who are using religion to push an idea of eradicating them. some may say this is an allegory for a genocide of sorts.

but back to the small scale with hugo. what is it that caused him to be sickly ? i believe he was born this way yes but with his environment it worsened. now we get into the elements in the world of off. smoke could be the reason for his terrible cough. ive seen people say metal could refer to the chrome sterile hard surfaces of a hospital. plastic which associates the toys we see him playing with as a distraction. and meat os essential to him to keep on living. with these things in mind i also assume that perhaps while born ill hugo’s condition is worsened by living in poverty- specifically in reference to the meat- as it flows thruout the world of off in abundance, the importance of being able to access food being something very important to hugo.

and then theres the secret element: sugar.

sugar to me is representative of drugs, medical or otherwise. the sugar is there to lessen the pain of living and is extremely addictive. these drugs could be im reference to the use of substances to escape the horrid reality of poverty by the working class as well as the medication being used to keep hugo alive in the hospital, or at the very least suppressing his symptoms.

so what is it i think off is about ? i believe off is a sickly child’s perception of illness in both himself and his community, worsened by the effects of poverty amidst a complicated relationship with his parents. his mother is active but neglectful, his father wants him dead, they are fighting bacl and forth on the decision of hugo’s life. on a larger scale i feel it has to do with how religion is often a big element of eugenics and the idea of a “pure” human being, and that is often a stance taken to defend mass destruction such as genocide, and hugo happens to be a victim of that.

now this could all be the ramblings of something that has no deep meaning by a person who likes to think too hard about media, as i said none of this is really confirmed, but out of all the theories ive read and playing the game myself this is the story i assign to off, and the complexities of it is why this is my absolute favorite game !

[nikalaeva]

So, SJM and mythology

For a start, ACOTAR series is a horrible mishmash of mythologies. Irish, Scottish and Welsh names are mixed with Latin, Greek, Hebrew and even French. We have the Scottish ballad "Tam Lin", and next to it the Slavic Koschei and the Firebird. Feyre is like Cinderella and Belle and Janet and probably Persephone at the same time. WTF?

If Prythian is Britain, then the map should be changed. For example, let the northern courts (Night, Winter and Autumn) be "Ireland", the southern ones (Day, Summer and Spring) - "Scotland", the Dawn Court - "Wales". Although it would be better to divide the Courts into western and eastern. Idk what would be correct, and may citizens of these countries forgive me if my ideas insulted them. But I think after ACOWAR any other idea would be better. Did everyone realize that Hybern is Ireland? Fuck 😡. This daft woman just shit on beautiful country and its history. We know nothing about Hybern, the king DOESN'T EVEN HAVE A NAME (dear publishers, are you fucking out of your mind releasing something like this?).

Sorry. Let's continue with cold blood. So, Britain was a part of the Roman Empire historically. The Romans conquered many countries. They called everyone who was not Roman "barbarians". Slavery was a big part of their economy and society. Just come up with a country like the Roman Empire. Change the damn map so Prythian was BETWEEN that empire and the continent with human kingdoms. Write that the Emperor offered High Lords to let him through or join him to enslave humans. High Lords refused - so the war began. Then it's clear where the characters got Latin names - they have ancestors from there. Amaranta is also a Latin word/name.

Prythian is an ugly chimera of different cultures molded into one. We see togas and leggings, Summer Court next to Winter Court, evil Ireland versus good Britain, a Slavic and a Greek creatures (for me, the Weaver is obviously an Arachne reference). It's literally a dump. Where the hell is Celtic mythology, paganism, fairy world? And I don't want to hear the excuse "it's just fairy porn". This is a published book, not a first grader's fucking essay about how he dreams of spending summer.

I only liked Calanmai. It's a Welsh festival marking the beginning of... summer? 🤨 If Tamlin is "Scottish", it must be Imbolc, the Gaelic festival of the beginning of spring on February 1st. Correct me if I'm wrong. Real Calanmai is definitely not an orgy, but in ACOTAR version it's so fae and weird. Let that Calanmai be celebrated in the Spring and Dawn Courts.

I'd like to see colorful Beltane in the Summer and Day Courts. If Calanmai is a fertility festival, let the faery version of Beltane be a more "social" festival, with costly, high-sounding, mass weddings. Let it be a symbol of family, no matter what kind of - unrelated, childless, polyamorous etc.

I'd like to see a creepy, otherworldly Samhain in the Autumn Court. The dead literally rise and wander around Prythian, reminding us of death, but thanks to the Autumn Court they do not bother anyone. Let the restless souls have a chance to confess, repent of their sins and receive forgiveness from any fairy who will listen to them. And at the end all of them return to the land, so the nature falls asleep for the winter.

I'd like to see, maybe, Yule in the Winter and Night Court. I know, it's a Germanic midwinter festival that the Christians replaced with Christmas. Okay, let there be a Solstice, but make it not like Christmas. Let this be the longest and snowiest night of the year. Let the snow literally cover the towns and villages, shining as brightly as the starry sky. No lights or bonfires, only night and winter - frighteningly beautiful, like the fairies, but cruel and deadly dangerous. Let this festival be a symbol of the ancient history of Prythian, its wars and victories. Citizens honor the warriors, heroes and rulers who led the people through the same darkness and cold into a bright, peaceful future.

But I've seen nothing. Except poor imagination of SJM, of course.

P.S.: you may think I'm being too picky, but that's my opinion - if you want to write about a fantasy world with non-human creatures, work with the lore. Or just write a contemporary romance novel and don't embarrass yourself.

[angeldeviloshi]

Inch resting Yoshida isn't clear on what happened bc Octopus is still erased.

Ok this was my impression when I was reading the JP version bc the hesitation/confusion in Yoshida's tone and lines was more apparent.

In JP his response about Asa's arms reads more like "Your arm's right there...?"

(He says "ude aru janai ka...")

The skeptical tone indicates that he doesn't get what Asa's so fussed about. When she isn't missing an arm despite her claim that he cut it off. Because how could he have cut it off if she still has her arms? Although he later apologises for it mainly to appease her for her co-operation.

This is noteworthy given Yoshida's reaction to cutting her arm off and his apology to her before doing so. He's simply perplexed about the idea of Asa missing an arm and that he was the cause of it. Not even a sombre acknowledgement that she grew her arms back. You can see it in his expressions too. The casual way he apologises for it adds to the dissonance.

And then he asks "What's going on...?" (Dou iu joukyou...?) In a more literal way it'd be like "What situation are you talking about/referring to...?" And given Octopus's involvement during that confrontation it's food for thought lmao.

Also the more cordial way he's acting here adds to the whole Octopus Devil as shorthand for Yoshida's isolationist inner demons as a state agent thoughts. (Takotsubo metaphor)

Just the way he's more proactive in "joining hands" working together here compared to how distant he initially was. It's a nice contrast, that he's extending hands in Octopus's absence.

[insomnya777]

goodtimeswithscar reputation board? *takes a drag of cigarette 🚬* heh... haven't heard that name in a while

[maliciousalice]

Hear me out (or don't... it's fine I'm just venting and mean) yeah um I don't believe Chakotay was saved in Prod*gy s2.

[bearenjoyers]

sorry im just thinking about bcs but like. why not add a few smaller scenes of gus interacting with his own men? why does it seem like, in comparison, mike is almost immediately elevated to a higher status than those two in bcs purely because we actually get to see him having normal conversations with gus? like i understand they might not keep the plot moving as well because of the fact obviously if victor is currently doing something it’s because gus told him to etc. but for the most part all of the smaller interactions gus does have with those two ends up being in a somewhat high stress situation where it feels very tense between everyone. and it’s just like damn! is it always like that?? why do those two even care that much about their jobs if their boss is a bit of a dick? etc. i think even an additional scene or two with those guys (either alone or the both of them) talking with gus in a more normal situation could’ve both added a bit more depth into how gus treats his employees (we got a lot with how he treats lyle and co., but not a whole lot with the illegal side of things), how comfortable vic and tyrus feel around him in a calmer setting, and exactly why they both feel the need to be as loyal as they are to the guy.

and also on the other side of this i don't think it'd hurt to maybe elaborate on their pay just a bit..? i'm not saying to randomly put a number out into the atmosphere but i just mean some smaller things like. do they buy nicer things for themselves? what's their housing situation? what's their car situation? are the escalade / yukon their own vehicles or does gus just use those two for business situations? do they use them when they're doing their own stuff off the clock or do they have their own cars? etc. that can also help with understanding their motivations a bit. don't get me wrong i don't think they should be visibly rich or something because that's not what gus would want but just smaller things! cause it's easy to write their loyalty off as Well they probably get paid super well, which i'm sure is true, but if they don't show a single hint of that then what's the point. even something as simple as giving tyrus a nice watch, or maybe victor having a nicer looking gun, etc. something small like that. because as it stands right now the average 41 year old viewer who watched the show once only knows and will only ever know victor and tyrus as those two guys in the background who do random stuff for gus with no clear motivation. just the personification of "On it boss (salute emoji)". and to be honest this is true for a whole lot of fans who do watch the show multiple times and enjoy thinking about it more in depth, because on screen we barely have anything about the two.

and to be clear i'm not trying to say we should have an episode just for them or something like no i understand they're side characters. i understand we don't need all that. and i understand this is also primarily Jimmy's show. but it's not like these two are on the same level as like, arlo or paige and kevin etc. these guys have been around since brba. victor was literally introduced in the same episode gus was. and they are a huge part of gus's story, especially in brba. s4 wouldn't have been what it was without victor and tyrus. and in bcs, ignacio's situation wouldn't have been the same if it weren't for victor and tyrus as well. and i just personally believe that if their goal with gus in bcs was to go back and elaborate on how everything came to be and show what he was like a few years younger, they could've dragged victor and tyrus into that. and i think his character would've benefited from taking that extra step with those two.

[medicinemane]

I once was talking with my pharmacy manager about... democracy, about how while there's plenty of stupid people in the world we'd all probably prefer didn't vote, that it was very very hard to actually make a line that makes sure only wise people vote while keeping all the idiots out

And I basically said to him "think of all the doctors and pharmacists you know who are smart, well educated people, who you 100% don't think make good choices"

From the look and his face, I'd say that spoke to him (it's incredible how many smart idiots there are in the world, isn't it?)

Anyway, I make that point because it much more addresses the whole concept of... lets call it democracy of the fit

Like it sounds great till you actually take even one second to think about it. It's almost like trying to draw any line in the sand for who it's ok to disenfranchise is not only dumb and ineffective, but also super dangerous. Ah man, I'm sorry, you scored too low on this test which happens behind closed doors and is graded by my political ally... it's not like you disagreeing with me had anything to do with that

(I'd hope we don't even need to touch on why the idea that testosterone levels are a really stupid useless way to decide who gets to vote, cause if that's true then we don't even have to disenfranchise anyone, we can just give out steroids and have the best country in the world... or is it only naturally produced T that makes you a free thinker?)

oh hey just in case anyone who left twitter is wondering how things are going over there

last night elon tweeted a 4chan screenshot (with bonus antisemitic text in the OP image) advocating for only “high status males” in government and the implied repeal of women’s suffrage. Cool cool cool

[arts-and-drafts]

I decided to start compiling speech patterns and such for the Hermits I watch the most, because being a fic writer is hard sometimes 😭 then I thought “why not share it here?”

so here’s my very rough analysis of my most viewed Hermits, this is just what I’ve managed to gather so please don’t call me out for what I’m missing

-

Scar

Rarely stutters in normal speech. Maybe pauses if he’s started a sentence and doesn’t know where it’s going, but he doesn’t tend to trail off unless something interrupts his train of thought

Stutters a LOT when he’s startled. Also makes ‘hoo!’ noises repeatedly before he finds his words

Lays on the charm THICK when he’s trying to convince someone over literally anything; compliments their looks, their handiwork, and then pitches his proposition in smooth segue. Not one to entertain haggling though (however he DOES do a ‘look if you’ll pay full price I’ll throw in xyz’ thing). King of upselling even the most mundane things.

His tone is cheerful most of the time, no matter what he’s saying. He’ll actually often say very disturbing things with a light voice (ex. when discussing how to retaliate ie “what should we do about him?” “we could kill him! :)”)

Builds and locations somehow are always capitalized in his voice?? Like he says them differently. I can’t really explain it (when he talks about Aqua Town or Scarland or The Big Dig)

Literally has an evil laugh when he thinks of a way to prank someone or mess with people

Hums in thought quite often, and uses “huh!” quite often when confused or finding out something new (Mostly with redstone)

His farewell is almost always “Byeeee, have a great time!” even if the conversation he left was not a pleasant one. I’m almost certain he does this in tense situations just to get under other people’s skin and really push how unbothered he is

Doesn’t tend to insult people, the farthest he’ll take it is backhanded compliments

That said he is not afraid to outright threaten (“I will murder them.”)

References media a lot, both for concepts for builds and in speech (ie his greeting “Well hello there!” is from Star Wars)

Number one exclamation is “Sweet Baby Jellie!”

(More under the cut!)

Grian

Cold opens, both in videos and conversations (rarely says “hello, how are you, etc” when encountering someone, but he does say farewells/‘thank you’s)

Likes to sneak up on people and scare them if he realizes they haven’t noticed him yet, usually does so by getting real close and then yelling (“HEY!”/“HI!”/“WHAT’S THAT?”)

Uses the name of whoever he’s talking to pretty often while speaking to them (“Well, Mumbo, you never know”/“So, Scar, as you can see here-“), same goes for often addressing his audience (“you all”/“you lot”/“you guys”)

Usually pretty focused (when he wants to be) but oftentimes takes a minute to laugh at things he notices in the natural environment (An accidental face in a build, a mob in a strange place, etc)

Takes the lead in a conversation if nobody is the clear leader, but generally only speaks when spoken to if someone else has risen to that spot

Clarifies instructions after something is explained, both to his viewers and to anyone he’s grouped up with (most often seen in the Life Series)

Uses “Pardon?!”/“Beg your pardon?!” most often when surprised or startled (he’s very British), also sometimes uses “Sorry??”

Things are way more funny to him when he’s tired

Deadpans a lot in conversation ie “why not do xyz?” “Well because we’ll horrifically die 😑“

This man is allergic to committing to the bit unless he’s the one that initiated it

Not one to sugarcoat (“how is it?” “well to be honest it’s miserable”)

Number one exclamation is “WHAT?!” (though he often uses “oh my GOODNESS” quite a bit)

Mumbo

The start of nearly every episode is almost a pitch, does the same when bringing up an idea to others (“I have this idea”/“I was thinking”/“I noticed” etc)

Often laughs a little at himself when he speaks

Also often brings up how inexperienced/unqualified he thinks he is with literally any task he’s doing

Gets very distracted with the smallest things

Uses similes a lot when trying to describe a concept (“I’m thinking a this-type thing”/“Something like a [xyz]”/“Imagine like a [thing]”)

His voice gets higher when he’s startled or panicking

A very vocal thinker, which makes sense because he’s a MC Youtuber, but he also just. Seems to think out loud regardless

Comments a lot on the feel of things (“Oh this feels menacing”/“This looks like it’d mess you up”/“This makes it feel very intimidating”), often with building

Extremely modest. However will celebrate when he does something right in redstone/building (“YES! Oh my days, that took forever”)

Once and a while will have a rare banter moment with people he’s comfortable with (ie teasing and making fun)

Related to above, he gets very giggly when he’s hanging out with people he’s familiar with (Grian and Scar most often, but also Iskall)

Number one exclamation is “What on earth?!”

Joel

Greets people most often with “How you doing [name]?”/“How are ya [name]?”

He’s very northern. He often leaves out words in his sentences bc that’s just the way his dialect is (“What you doin’?” vs “What are you doing?”)

Says his th’s like f’s (“somefing”/“nofing”/“finking”) ((Stress also does this))

His jokes/teasing are very deadpan (“I made you this extra thing, because you’re trash at this”)

Actually gives gifts of resources very often, and always leaves it with a little note and signs his name

His voice gets higher pitched when he’s defensive/being extremely cheeky but other than that his tone rarely changes

This man. Flirts so much. If any other person initiates even the slightest of flirty banter he takes that and dials it to eleven I cannot believe this is a straight married man sometimes

Joel commits to the bit 100% of the time (slightly related to above), unless of course it’s jokes about his height

Makes a point to compliment himself if he gets the chance (words most often used are “handsome” “strong” and “humble”, as well as comments about his muscles and physique)

Insults his enemies diminutively (“look at you down there, tiny idiot”/“You’re wrong and also weak”) ((seen most often in Empires SMP)

His most often used insult is “idiot”

When he’s flustered/frustrated he uses “bloody” a lot (ie “bloody heck” or “this bloody thing” (loves to toe the PG line), also uses “blooming” (“bloomin’ heck”)

Most often used exclamation is also “WHAT?!”

Bdubs

Opens videos very jovially, talks almost like a radio host

Breaks down his builds down to the block, spends a lot of time discussing his block pallet choices and giving tips while he builds

Uses the affirmation “sure enough” a lot, and often addresses himself as “Ol’ Bdubs”

Talks affectionately about other hermits often (“[name], the absolute sweetheart, left me some materials”, “[name], you angel!”)

Adding to above, “angel” or “sweet angel” seems to be his most often used affectionate terms

Switches on a dime, though, if he gets offended (which of course causes others to poke fun at him even more)

Calls mobs “stupid” a lot when they don’t do what he wants (but takes it back if he says it to one of his horses ex. “Come here, stupid—wonderful, I mean, beautiful”)

THIS MAN IS THE #1 HORSE ENJOYER. He gets a horse first thing every season and rides it everywhere, and they’re always a focal point of his theme or builds in some regard

Pauses whatever he’s doing to sleep as soon as it’s possible, and gets very antsy if he can’t do it for some reason (“One moment, time to shreep!”)

Related to above, EVERYONE messes with him if he’s trying to sleep in their presence ie breaking his bed over and over, and he gets increasingly more frustrated when it happens

Rarely is soft spoken or quiet, he projects his voice and uses a lot of emphasis in his tone

Either straight up screams (and peaks the mic 😭) if he’s startled or scared, or yells “oh my GOODNESS!!”

Number one exclamation is “HEY!”

[wonderjanga]

Gender? Who Cares About That?

Billy’s never really been one to really care about gender. Look, if you wanna be a girl, you’re a girl, same if you wanna be a boy. Or at least that’s what he thinks. He just doesn’t get the hype about it. So, whenever he feels like it, he just turns into a girl. No one really cares and he’s been doing it since the sixties so he’ll keep doing it. Well, at least no one cared until nowadays.

Marvel: *in female form picking up some rubble to clear it after a villain attack*

Reporter: “Ma’am!” *trying to flag Marvel down*

Marvel: “Yes, miss?” *carefully puts rubble down*

Reporter: “Hello, ma’am. We at channel five news have been meaning to ask you a few questions. Are you related to Captain Marvel, and if so, are you blood related?”

Marvel: *visible confusion* “Uh… I guess.” *honestly thinks it’s a little funny* “But, miss, I am Captain Marvel.”

Reporter: “Huh…?”

Marvel: “Did you not ask any of the citizens?”

Reporter: *looks to the camera guy before looking back at Billy* “Yes- I’m sorry, I was under the impression Captain Marvel was a man.”

Marvel: “I am.”

Reporter: “Yet you’re a woman…?”

Marvel: “Yeah. Whenever I feel like it, I turn into a girl. Then, whenever I feel like it, I turn into a boy.”

Tourist: “So you’re gender-fluid?”

Marvel: “What is that?” *sounds confused*

Tourist: “Literally just what you described.”

Marvel: “Oh. Then I guess I am. I didn’t know there was a label for it.” *

For reference, female Marvel looks like Marilyn just with blue eyes and black hair. As for why he doesn’t know what gender-fluid means? Well apparently it originated in 1994, and in my AU he was trapped in a time bubble and got out in 2016. He’s an old man guys. He can’t work computers. They’re too overcomplicated. If you were to ask a random citizen from Fawcett, they wouldn’t know either.

Marvel: *back in male form, frosting some cookies at the Watchtower*

Supes: “Cap?”

Marvel: “Yes?”

Supes: “So… uh…” *awkward and looks the other JL members*

Other JL Members: *peaking from behind a corner*

Supes: “We just want you to know we support you.” *awkward smile and pat on shoulder*

Marvel: “Cool? What’re you supporting?”

Supes: “Well you know… Do you really not know why?”

Marvel: “No…?”

*silence*

Marvel: “Do you want a cookie?”

Supes: “Yes, please.”

Yeah, he doesn’t care. Like stated earlier, he doesn’t care, and neither did the Fawcett’s citizens. He didn’t even think this was something that people were supported for. That’s why he had no clue what Clark was talking about.

Marvel and GL: *have monitor duty together*

GL: “So, dude, are you going to the pride parade in Metropolis?”

Marvel: “Why would I go to one of those?”

GL: “Cause you’re gender fluid?”

Marvel: “What?” *already forgot what that meant*

GL: “You know how you switch between girl and boy all the time?”

Marvel: “Ohhhh that. I still don’t see what that has to do with the pride parade.”

GL: “Dude, that’s apart of pride.”

Marvel: “I thought pride was for queers?”

GL: “Yeah. You being gender fluid makes you queer.”

Marvel: “Really?”

GL: “Yup.”

Marvel: “Huh. I had no idea. I guess I could go, but I don’t really wanna go alone. Are you going?”

GL: *nods head* “Me and a couple others.”

Marvel: “ ‘kay, then can I go with you guys?”

GL: “Hell yeah, man!”

Bonus:

Mary does the same thing as Billy! Whenever she turns into a boy though, she looks like Billy because twin power.

[impyssadobsessions]

Here's a comic depicting a snippet of a story Idea I have. >w<

(Link to Reference Art I made of Danny) Danny comes across Clockwork's lair, see's some visions of a past he wasn't quite sure of whose, before being dropped down a hole where CW cryptically fills him in as to why he had summon him. Thus dropping Danny into this new world with only knowing he has to save a guy name Dante- and defeat Pariah again. He falls through a roof of a thrift store- fights some skeleton demons with the racks after learning something is weird with his powers as he cannot change into phantom and his body feels weird. His clothes get ripped and tatter thus him "borrowing" clothes and walking out to see the extent of what Pariah has already done.

Which causes him to run into a big bull demon and fights him one to one- while learning the new limitations on his powers/how they work in this world. Spoiled below more ideas that are very rough and not set in stone. That I copied and pasted from my word document- which was just hastily written down as to not forget.

Danny is summon for another favor for Clockwork- CW isnt in the tower but screens of timelines are playing around the room. Danny thinks some of them are cool- wondering when and where that is- until he see one of a woman running with a baby in her arms. Cut back to danny who falls through a hole in the ground and winds up falling into a thrift store. His form has changed and his powers don't really work how they were suppose to. Maybe instead following Pariah into the demon world- finding himself in same scenario. Maybe CW gives only cryptic word help dante. But dante supposedly still gone so meets nero instead. Nero over time realizes Danny might not be human- doesn't think ghost- but assume Danny might be Dante's son... for various reasoning. ---Maybe CW is split in two reason Danny was able to live on the other side. (because of legend of Pariah having been banished to in between because he was feared by demons- only for him to take over new world and being sealed there. Chronos was part of the reason he got banished. ) -Pariah Dark being big bad. But once Danny wins title of king the curse tries to bind him. Then Clockwork stabs him to the ground with his staff- essentially winning the title and being sealed away with Pariah. Danny is rescued by Dante, and he uses the staff to slow the closing of the portal. Everyone safe and rescued. Danny stands where the portal was and cries. Overwhelmed by information and also realizing he has no way back home.

--- Also thought of an idea for a sequel idea- where Danny is in a comatose state but it is revealed after a seemingly heartwarming scene of Dante and Danny watching the sunset peacefully as father and son. Then Nero arrives to pick up Danny. Dante reveals that they know where the guy who did this to danny is and how to get Danny back to normal. (Vergil having scouted ahead) Dante leaves to help clear out the problem leaving Nero with literal dead weight as Nero has to take Danny's lifeless body to the lair- Danny slowly regaining some motion as he gets closer to his-self. Nero at first saying Danny owes him big time- but as it goes on Nero like- hey don't pay it back all in one go- I still need at least one favor so I could spend a nice night with kyrie. (Because Danny uses his blood to help Nero fight back the ghosts- and then him phasing them through a collapsed ceiling while still in a coma like state) Very Nero centric taking care of Danny- and whose been taking the most care of Danny. So very much him just talking one sided to Danny but seriously hoping for the best. And to clock the guy who did this. Which my idea that it be actually Dan ;3 who split Danny apart.

[eyivibyemi]

✧ I won’t really write descriptions for these, but see original post tags for explanation/commentary on the song snippet ✧    

[johnbrand]

Recycling

I watched as the next employee entered the chamber. He appeared a bit confused, probably having expected a conference room rather than the dark space with mirrored walls. By the look of it, he had no idea that any one of the panes were one-sided, hesitantly fidgeting with his tie as he announced his presence with a timid “Hello?”

I leaned into the microphone, “Good afternoon.” The nervous boy’s eyes dashed around the room, trying to identify the person speaking to him. His physical characteristics and mannerisms resembled a mouse, small and skittish.

“Am I supposed to be here?” he eventually replied, choosing the speaker above my viewpoint as his receptor.

“Yes, this is the meeting to discuss your annual review.” I replied. “You're in the right place, Mr. Donson. Would you like for me to refer to you by your given name?”

The boy shuffled anxiously, “Drayton is fine.”

Habitually, I continued. “I’m sure you're wondering why your annual review this year is different from those in the past. Don’t worry Drayton, you are still one of our top performers, and your review reflects your incredible performance.”

Feeling a delicate surge of confidence, Drayton let a smile sneak up onto his lips. Being clean shaven and still holding some baby fat, it frankly was quite endearing. Cute even.

“As you are already aware, our company has been having some financial issues recently. And as a high-ranking official in our accounting department, I am sure that you are more than knowledgeable on the details of this subject.”

Drayton’s youthful glee faltered for a moment.

“Unfortunately, we do not have the funds available to keep you on board and give you a raise,” I started. “The company would like to offer you a deal: in exchange for accepting a substandard review and a 19% decrease in pay, we will offer you external benefits.”

Shock emerged from Drayton’s face, “What benefits would be worth a fifth of my paycheck?”

“Unfortunately I am liable to disclose that information,” I robotically replied. “You can either accept or tender a resignation.” 

Drayton took a moment to decide, just like all the other employees typically did. But eventually, they all convinced themselves that losing employment at the company was the worse of the two options.

“I’ll accept.”

“Stand by.” I followed procedure, locking the exits and airways into the chamber. Once that was done, I began flipping the switches. Steam mechanisms, followed by audio machines, followed by visual projectors. I did not even pay attention to the squabbling accountant, panicking as his chamber was bombarded with smoke, abrasive phonics, and commands that flashed against the walls and reflected into every corner of the room. 

Thanks to the padding in my control room, I absorbed none of it. I simply ignored Drayton’s screams and opened my laptop, getting back to my own duties as the process did its work. With all the vapors, I typically could not witness any of the changes that happened anyway–which also meant I could never attest to possible allegations if our company did ever come under some sort of legal fire in the future. But sometimes I did spot little things, flashes of commands that were being ingrained into the employee. MASCULINE, TRADITIONAL, ATTENTIVE. The small letters would pulse by an instant, although they were meaningless to me within my enclosed accommodations.

Eventually, my timer went off, and I closed out of the procedure. I exited the program and flipped the switches back over, shutting off all stimulatory mechanisms. It took a moment for the smoke to clear, presenting me with a new version of the employee. More muscular, more masculine, and more virile.

“How are you feeling, Mr. Donovan?”

"It’s Donson, boss." The man stood tall, stoic. His voice now held much more depth and presence.

"It’s Donovan, Drake Donovan,” I affirmed. “That's what's in our system."

I watched the man process this, the command’s installation literally visible behind his now less-intelligent eyes. 

“I see you were able to find part of your new uniform already.” I was referring to the briefs and sweatshorts that were covering the lower half of Drake’s much larger body. The remnants of the former business casual outfit were scattered across his large feet. “The closet behind you will contain the rest of your attire. Company fitness uniforms and approved footwear that will better fit your size and new position.”

“New position?” Drake inquired, his question curious rather than interrogative.

“The company has decided to reassign you as a security liaison, seeing as that will be a better fit for your paygrade.” I typed away at my reviewal report, adding in details of Drake’s benefits package. Increase in height, dramatic increase in musculature, increase in hair, increase in virility…

To save money, the company liked to recycle its employees. We would bring in fresh graduates to run our corporate operations, and then once they hit their pay ceiling, recycled them into more manual, less intellectually-driven roles. Naturally, no one ever filed any complaints about this procedure as no one realized it existed. And even if they did, they would no longer have the brains capable to file such a complaint.

“Sounds good, boss,” Drake replied, even though I had already known what his answer was going to be. With his dominating size and brutish stature, Drake had been remodeled into the standard male form that we needed for our team. And with this mind simplified to only focusing on traditional objectives (upholding masculinity, working out, fulfilling his role), Drake was now bound to solely focus on the company’s objectives. Thanks to the recycling process, our company would keep the profits high and the employee turnover low. And now, Drake would remain entertained without the extra money by merely following orders and enjoying the simpler things in life, like flexing his muscles.

[viinchester]

Shape Of You

Warnings: Mentions of an injury and that it's being taken care of (nothing too graphic), Depictions of Sexual Content (Minors DNI!), Rough/Intense Sexual Content, could be considered Dubcon by coercion (not really imo, but just to be on the safe side), Themes of Possession and Objectification

Fandom: Dexter (TV Show/Series)

Pairing: Brian Moser/Rudy Cooper x F!Reader

Request: by Anon

Summary: Brian takes care of your injury after you've taken a nasty fall, however you can't help but feel like something's off about the situation. Unaware of his dark thoughts and oblivious to the deeper manipulation at play, you clear your mind by focussing on his comforting presence, and things quickly get heated.

Word Count: 3.271

My Masterlist

A/N: For some reason, I really struggled with this.😬 I rewrote it like 3 or 4 different times entirely, I hope it's not too noticable.😅 I was also unsure when exactly to refer to Brian as "Rudy" so I tried to only do it whenever the writing directly represents the Readers thoughts about him.💕 I still had a ton of fun writing this and I hope I could do the idea that anon had justice and that you guys like it!🙏🏼 I would really appreciate reposts/comments with feedback.👀 Feel free to request stuff, I always enjoy getting some inspiration to keep the writing going.💙

Brian knelt beside you, his touch gentle as he pressed the damp cloth to your leg. The sharp sting of the cut made you wince, but it wasn’t nearly as bad as the embarrassment of how it had happened.

You had tripped, just like you seemed to always do. This time, it had been over something small, a simple crack in the sidewalk, causing you to suddenly lie on the ground, blood welling up and staining your skin.

Heat rose in your cheeks in frustration at yourself and the fact that Brian now had to take care of you, but he was ever calm and didn't seem the least bit bothered.

Not saying much, he offered you a soft smile and then continued tending to your cut, his focus entirely on the injury itself.

He’d always been good at this type of stuff, fixing things while being composed and so in control — qualities you usually greatly admired in him.

But as you sat there in that moment, feeling the warmth of his touch, something didn’t seem right.

You knew you should be glad.

Here was your boyfriend, cleaning up your mess, like he so often did. You were fortunate, really, to have someone like him — patient and ready to swoop in when you inevitably fell again. So though you couldn’t quite shake the feeling that something was off, you did your best to simply brush it aside.

After all, this was Rudy. Sweet, dependable Rudy, who always seemed to know exactly what to do and was there for you whenever you stumbled — literally and figuratively.

And even if his fingers lingered just a little longer than necessary on your skin right now, it likely didn't mean anything. The way in which he inspected your bloodstained leg with a look of concentration reassured you further.

“You really should be more careful,” Brian suddenly said, his voice low and soothing. His gentle words and focused demeanor helped ease your nerves.

You chastised yourself for ever thinking twice about his actions. Your boyfriend was simply trying to watch out for you, that's all. Why were you even doubting him in the first place? Maybe it was just the pain from the cut or the embarrassment of tripping again. Or maybe it was the whole thing with the Ice Truck Killer going on at the moment.

Yes, that had to be it. It had probably made you more paranoid than you'd initially thought.

But you had absolutely nothing to worry about, because the sweet man kneeling in front of you was nothing like that monster.

Forcing yourself to relax a little, you sighed.

"I know," you mumbled, as he expertly bandaged your leg, secretly marveling at how steady his hands were.

It was easy to forget how awkward you felt in moments like this, with him so effortlessly tending to you. You crooked a smile at him then, but Brian didn’t meet your eyes right away. He was too busy inspecting his work, a subtle smirk of his own tugging at the corner of his mouth as he secured the bandage.

To you, he seemed satisfied with his patch job, but inside, something else simmered. He felt an almost childlike joy about the way you sat there, so vulnerable, your leg limp in his hands.

He liked seeing you this way — hurt, but not too hurt. Just enough to need him, to be reliable on him.

It stirred something deep inside of him.

“There,” he said, leaning back a little to admire the bandage. His eyes flickered up to meet yours, and for a split second, something unreadable passed between you, but it was gone almost as quickly as it came. “Does that feel better?”

You looked down at your leg and inspected the professionally wrapped bandage. It was not too tight and not too loose. It was perfect. Just like him.

Tension oozing from your body, you nodded and looked up at your boyfriend again, smiling earnestly. “Yeah, much better. Thank you.”

His smile widened just a fraction, not quite reaching his eyes. “You’re lucky I’m here to patch you up,” he said with a lightness in his voice that made you feel a little better. “I’d never let anything happen to you.”

The way he said it — his voice smooth and promising — made you smile, comforted by his presence.

Rudy really loved you, didn't he? He was always right there when you needed him.

He stood up and offered you his hand, and despite the slight apprehension earlier, you eagerly took it. His grip was firm and steady as he helped you to your feet, making sure that you avoided putting too much weight on your injured leg.

You pushed past any lingering odd emotions and focused on the fact that you were grateful for him. You had nothing to worry about — not with Rudy, not with the man who never made you feel stupid for being clumsy, who was always kind to you, the calm in your storm.

“I don’t know what I’d do without you,” you said softly, your voice carrying gratitude.

Brian's eyes flicked to yours, a faint twinkle in them. He felt content.

As he held your gaze for a moment longer, he could clearly see the relief and appreciation in you. It had him suppressing a grin, the way you were so easily fooled.

To him, you were perfect in your vulnerability, of course. A doll. Beautiful, delicate, and breakable. He liked you that way — liked the way your clumsiness brought you to him, having to be fixed, to be held together. Every scrape, every fall, was a small gift, an opportunity for him to touch you, to take care of you. To make you his again, piece by fragile piece. You were his creation, something he had molded with care and patience, and he was the only one who could keep you whole.

Or take you further apart, if he chose.

But for now, he was content to play the role you expected — your Rudy, the one who would always keep you safe.

He watched you as your eyes briefly flickered to his mouth and up again, and knew what you were going to do before you had even fully decided on it.

Slowly, you leaned in and brushed your lips against his, wanting to show him just how much you appreciated him.

Letting you take control for a moment, Brian allowed you to believe that you were doing something for him, even though he knew better. You were in his hands, for as long as you lived. The thought thrilled him in a way you could never know, in a way he would never let you see.

Keeping his lips perfectly still, Brian decided to act surprised by your sudden gesture, pausing for a few seconds, until he could just about feel you starting to pull away.

He kissed you back then, using every bit of his self-restraint to start softly, and his hand came up to cradle the back of your neck in a tender movement. Slowly, he deepened the kiss, daring to go further by tightening his grip on you slightly, almost imperceptibly.

After a few moments, you pulled back just enough to catch your breath, your heart beating faster. When you looked up at him, his smile was still there, and he looked as warm as ever to you. As you lost yourself inside his eyes, Brian felt that familiar pulse of satisfaction.

You didn’t know it, but you were already his, caught in the delicate web he had woven around you. He could see how much you trusted him and the unguarded naivety you held had been obvious to him from the very first moment that you two had met.

You were simply too brittle for this world. Too easily shattered by its sharp edges, too flimsy to protect yourself from the falls you constantly took. That’s why you needed him. That’s why you would always need him.

As his thumb stroked the pulse point along your neck, feeling the quickened beat beneath your skin, he smiled at you. It was a soft and loving smile, one he had perfected for you.

“You don’t have to worry about that,” Brian now addressed your last sentence, his voice calm and encouraging, with only a tiny hint of something darker that you didn't seem to notice. “No matter how clumsy you are, I’ll always be there to fix you when you break.”

The words, meant to comfort you, immediately had their desired effect. You happily beamed up at him while blushing furiously.

“I’m really lucky to have you,” you told him and then leaned in again, kissing him softly and embracing the moment.

Wallowing in the comfort and warmth he provided you with, you slid your hands up his chest, deepening the kiss. You didn’t want to think or talk anymore, just enjoy the feeling of being with him.

Brian watched you through half-lidded eyes, noticing your movements growing more desperate with every passing second. He could feel the tension in your body — the way you were almost pleading for his control — and it amused him, in a way.

You didn’t even realize how effortlessly you fell into this role, how naturally you let yourself be pulled into his world.

Moving his hands down to your waist, he squeezed them a little tighter than usual, but you didn’t seem to notice the extra strength in his grip, too absorbed in your need.

When you grasped the hem of his shirt and tugged it up to pull over his head, he lifted his arms and let you, suppressing a smirk.

It was obvious to him that you needed this physical closeness. Your skin pressing against his, fingers now fumbling with his belt in a frenzy — you were letting go of any lingering doubts and focusing solely on him.

Feeling a sense of smugness, he guided you with quick, assertive movements, prying your clothes away with a roughness that seemed to match your urgency. You gasped as he yanked off your shirt and then dug his fingers into your skin, his touch simultaneously gentle and commanding. Leaning further into him, you longed for release already and how he always made everything else seem insignificant when you were together like this.

Brian’s lips determinedly traveled to your throat, kissing you with an insistent fervor now. You shuddered under the ferocity, but didn’t stop him. Didn’t want to stop him. His teeth grazed your skin, causing your head to fall back in an open-mouthed moan, arching your body against him, desperate for more. The heat of his passion overwhelmed you, pushing any thoughts of discomfort aside. Hands roamed your body, his traces both prodding and tranquilizing.

He could feel the way you were giving in to him and letting him take over, allowing him to guide you, and that’s exactly how he liked it. His grip on your waist tightened, his fingers digging in even more, and when you winced, he knew you felt it — though you never pulled away.

You wanted this. You needed him to be in charge.

When he led you into the bedroom, your discarded clothes left in the wake of his deliberate actions, his movements were filled with a raw intensity.

You shortly cringed at the sudden pain shooting through your injured leg when his weight pressed down on you as he pushed you onto the bed, but his lips crashing against yours with hunger made you almost immediately forget about any hurt. Kissing him back just as frantically, you wrapped your arms around his neck to cling onto him. He slipped his tongue between your lips almost forcefully, licking over every hidden crevice in your mouth with purpose. His hands roamed over your body and you moaned into Brian's mouth, his touch both a source of solace and pleasure for you.

Deep down on the inside a part of you noticed a subtle shift — Rudy was not being as gentle and careful as he normally was — but that part was swiftly drowned out by the sensations of everything else going on. All you could truly acknowledge in that moment was the incredible desire for him to make you forget everything but the feeling of him against you.

As if he somehow knew about what you’d felt, Brian interrupted the sloppy kiss and moved once more with intention and a vigor that sent your heart racing. His hands, bruising but controlled, pushed down the last bit of garment left between the two of you and you gasped as fresh air hit your intimate zone. You hadn't even realized how wet you'd gotten and now felt slightly ashamed at the way your body obviously liked the way he handled you and the way he'd been — and still was — pushing you and testing your limits, teetering the edges of breaking them.

He was still Rudy though, still the man who you trusted most in the world, so you didn't give it much more than a passing thought and decided to just roll with it.

Even though it would probably give you pause if you properly questioned it — the fact that he didn't usually act this way and only when you were injured or reliant on him in some way — for more than two seconds. But you didn’t question it for more than two seconds, couldn't, as your body deliciously responded and distracted you instead.

When Brian finally pushed into you, you cried out, your fingernails digging into his shoulders and leaving half-crescent-shaped moon indentions in his skin. He allowed you to adjust to his size for a short while, pushing his forehead against yours with his mouth hanging open in a silent groan as he relished in the feeling of being inside you.

After enough time passed for you to become used to him, you patted his shoulder and nodded ever so slightly, not capable of words.

Brian understood though, and immediately began to move, quickly setting a pace that was fast and demanding.

Pressing your eyes shut, you clung to him, wrapping your legs around him and pulling him impossibly closer — entirely missing the way his eyes were filled with something completely wild and dark. Focussing on the feeling of your boyfriend pushing and pulling inside of you, he soon began to hit that delicious spot deep in you, and you moaned loudly.

Brian leaned down then and you could feel his hot breath against your ear, his voice low and rough.

“You need me, don’t you?” he whispered, the words sending a shiver down your spine. You frantically nodded while gasping for air, unable to answer anything. “Whenever you need me, I am — and will — be there, every. single. time.”

He punctuated each word with a sharper and deeper thrust, angled directly at your sweet spot, leaving you choking for breath with tears in your eyes at one point. His words, though assertive, felt like a promise of security and care to you.

The room was heavy with heat, your breaths mingling, the sound of your bodies crashing together filling the space. Each push sent a jolt through you that made your head spin. You lost yourself in it all, in these repetitive motions, his touch, the feeling of his skin against yours.

One of his hands now moved to your clit and his movements became even more resolved and driven. He was controlling the moment, steering it exactly where he wanted, and your body responded accordingly. You could feel yourself being pulled in by the sensation, as he pushed you towards the edge.

“God, you’re so perfect like this,” Brian grunted, his voice a mix of command and encouragement. “Come on, it's alright. You’re mine, aren’t you? Just let go.”

Tears rose in your eyes as you felt your body react to both his words and actions, the increasing intensity overtaking everything else and throwing you into a rush of pure ecstasy.

Your fingers dug into his back, your breath ragged, and all at once you fell into the waves, pulled underneath by their impact. You couldn't breathe for a moment, until finally, with a twist from Brian's fingers and a sharp cry from you, you reached the surface again.

The release hit you hard, sending rows of pleasure crashing through your body, and all you could do was lie there and take it, face screwed up in the pleasure of it.

Brian followed soon after, his movements rough and forceful as he found his own release, breath hot against your neck as he groaned, low and deep.

For a moment, the world stilled as the both of you tried to calm your breathing, the overwhelming physical connection between the two of you leaving you in a daze. Your heart pounded in your chest, your body trembling beneath the weight of his body on you.

After what felt like ages, but was likely only seconds, Brian lifted himself up and out of you, leaving you feeling strangely empty at the loss of him.

He collapsed beside you then and the room fell into a heavy silence in the aftermath of what you'd done.

As he lay beside you, Brian's mind was a whirlpool of satisfaction and dark pleasure. He reveled in the way you’d clung to him, completely oblivious to the extent of his control. The contrast between your dependence on him and his calculated dominance over you joyed him immensely.

Lifting his head, he turned to you, his hand reaching out to gently brush your hair back from your face, his caress tender again and a stark difference from the intensity of the moments you’d shared just before. His fingers grazed over your skin, his touch so feather-light and soft, it immediately erased any lingering concerns in you.

It was an act, of course. A way to further embed his influence. The compassion was a calculated gesture, a way to reinforce the illusion of care while keeping you bound to him.

“Are you alright?” he asked carefully, his voice carrying a tone of worry that felt comforting, and you nodded, reassured by his touch.

He always knew how to make you feel cherished, and you clung to that sense of security.

He noted the way your body relaxed against his, your breathing steady and calm. The pretense of concern came naturally to him, a mask he wore so well.

His hand now rested on your cheek, his thumb brushing softly as he leaned in closer.

“I love you,” he whispered, the final nail in the coffin, as always, his gaze lingering on you and studying your relaxed and smitten features. To him, you were more than just a partner; you were a project, a creation he had formed. The sweetness in his voice was a facade that masked his true intentions.

He pressed a gentle kiss to your forehead, and you felt another wave of affection and safety. Any fleeting worries were overshadowed by his sedative presence. You knew he was there for you, providing the care and support you needed.

“I love you too,” you responded, wrapping your arms around him and drawing him closer, feeling his warmth envelop you.

And as you nestled closer, Brian’s thoughts were filled with a dark fulfillment. The control he wielded was subtle, deeply woven into the fabric of his relationship with you.

And you, in your innocent trust, had made it all too easy.

With the quiet settling in, you allowed yourself to sink into the comfort of his presence and fell asleep.

[brucewaynehater101]

your posts about Tim being the parent in his time with Bruce+ Richard's parentification + Tim always planning of being a placeholder, got me thinking

What if Tim started off like that, playing parent for Bruce, ensuring he doesn't cross any lines or overworks himself

And just never stop?

His civilian life is starting to crack, and he's doing worse than he could be, but Batman has to be taken care off

In comes Jason who tries to kill him (great another Bruce) so his workload is doubled, and also Damian who has to be untaught murder

Well it's an escalation of what he's used to, but if he can deal with Batman, he can deal with his kids, time to bust out the books on therapy and deprogramming cult teachings

Besides, he's a placeholding for the two of them until they're better like Batman, so who better to teach them the ropes than him?

Let's toss in comments here and there that will clear misunderstandings between the Bats (excluding himself— he's temporary) and what about their interactions keeps the family apart

Like boy is neglecting himself to high hell, only stopping when it's literally impossible, and barely has a civilian life, but it's worth it for Gotham's betterment and the Batfamily's stabilization

Timestream? Well shit, he has to get Bruce back as per his job of keeping the family in order but the family is either not getting better or worse,

Let him just leave a bunch of personalized self-help guides and programmed schedules that'll ensure the bats are getting better while he's away

Oh hey Ra's, midn if I secretly learn everything about how Damian grew up in this fine League of yours so I can teach Damian what is so wrong about his childhood once I'm home?

So everything is getting better post BruceQuest, Richard can be a brother more (because Tim took on his job as parent-brother), Damian and his family are able to bond and understand each other (because Tim untaught an awful upbringing) and Jason feels like a member of the family (because Tim got Jason up to speed with how much he has always been loved) plus Bruce gets to be a father with his kids (because Tim kept the man out of his otherside inevitable self-made grave)

And say Batfamily, in a miracle of communication, realize that Tim has subsumed Bruce's role as caretaker and father

Not to the entire family of course, but even parenting for one sibling or parent as a kid yourself is one too many

And they remember all the comments Tim said to help the family get better subtly suggesting everybody but Tim is family

Like he's said "Your family," never "Our"

He says "You're a Wayne, a member of their family,"

He has to be referred to as Tim and Drake, never Wayne to catch his attention

And also imagine Richard saying "You can't keep being a parent to your brothers and father" and Tim going "glass houses, *tires to parent Rich*"

"NO—"

The shit storm that would happen if the batfamily realized that Tim donned Robin with the intention of always playing parent for Bruce, and then leaving once his intervention isn't need anymore

Yes! I absolutely love the ideas you incorporated with this. I didn't manage to hit all of them in my post, but I tried to expand upon them a bit:

At first, Tim wouldn't realize that's what he's doing. He just wants to help Bruce (even if that includes taking away the Batmobile keys, locking him out of the batcomputer, and using a rewards system when the man successfully takes care of his wounds).

Tim only comes to the realization that he's Bruce's parent when the YJ are being lectured by their mentors. At this point, the team has done far more dangerous stunts and missions than whatever the JL was lecturing them about. When the mentors come, Robin allows Batman to lecture him in front of the others. Tim knows they have to keep up appearances and can listen to a hypocritical discussion from Bruce to maintain the image of Batman Tim has spent so much time propping up.

After the other mentors leave, Tim pulls Batman into a private room for a chat. Bart, fearing that Robin is getting a second lecture, almost bursts in to save Tim. He's slowed down by the glare Tim sends his way. He's stopped by the conversation he overhears.

Tim, with his hands on his hips as he glares up into the cowl, lectures Bruce on all the behavior issues the man displayed the month that the YJ were away.

Bruce is just standing there, head slightly hung, as Tim goes on.

"This is why I feel I can never get away, B. I can't even leave you for a month before your excessive force statistics skyrocket! What am I supposed to do with you?"

Bart quickly leaves as he has a mental breakdown at this discovery. Two hours later, when Batman leaves, Bart asks Robin if he's Batman's father. Tim laughs it off at first, but after Bart lays out the evidence, Tim spirals for a few days at this discovery.

Once Tim accepts that he *is* like Bruce's dad, he decides to just embrace it. He and Alfred can share custody of the man-child (and this is also why Tim has the view of family that he does. His three examples of being a father are his own dad who constantly leaves, Alfred who maintains a professional distance, and Bruce who's his grieving son). Tim sees Dick as his brother, but he sees Bruce as his kid. It's confusing as hell, complicated, and Tim also doesn't see himself as part of the family at the same time.

While the teen is finally settling into his role as Bruce's parent, Jason comes back and tries to kill him. He doesn't know whether or not to laugh that Jason becomes his new responsibility at the same place Bruce officially (in Tim's mind) became Tim's.

The teen treats Jason similar to a grandson and son. He parents Bruce on how to interact with Jason, takes a few college classes and reads a few textbooks on PTSD, and interrogates LoA agents on the Pit. He slowly starts to feed them both phrases and perspectives so that they understand and interact with each other better. He almost wants to hit them both upside the head for their miscommunication.

It's not great, and Tim is so fucking tired, but they are getting closer to being a family. Tim can almost taste his retirement.

Then Damian comes into the family and tries to kill him. Tim wants to scream.

Damian isn't exactly friendly to Tim, but the teen spots a breakthrough when he catches how Dick and Damian interact. He, in what he later calls foolishly, drops some of the weight onto Dick's shoulders. Tim's tired trying to wrangle both Jason and Bruce into somewhat, even unhealthily, communicating with each other.

Then Bruce dies. It's unfair because Tim has lost someone who's both his son and his father to him. No one except Cassie could know about the amount of grief Tim is under because of that. Cassie, who Tim isn't talking to after the whole basement scientist cloning thing.

So, Tim finds evidence that Bruce is alive. He watches as Dick cracks under the weight of Batman and being a father to Damian. He's hurt (oh gods does it burn to lose his self-made but suffocating role that ties him to Bruce), but he understands why Dick gives Damian Robin.

Tim leaves, and he starts to discover himself. He became an adoptive father at thirteen. For once, even though he's heavily lost in the thralls of grief, he's free of that responsibility. He only has to take care of himself (an exhausting task he's never quite accomplished before) and he doesn't rely on anyone.

Still, despite his freedom, he sees Ra's offer for what it is. It's an opportunity to learn more about Damian. Bruce will need Tim's support when he returns, after all. If he takes down Ra's both for himself and Damian, that's neither here nor there.

When Bruce finally returns home, Tim starts to see his retirement again. He sees the progress he's enacting out of the family in all of their relationships. Like Tim's messy relationship with Bruce, Dick is both a father and brother to Damian. Jason and Bruce will occasionally meet at a diner. Damian and Bruce will have father-child outings outside of Batman and Robin. Cass returns home more often. Steph barges into the Manor for food or bugs different Bats on patrol. Babs is able to take time for herself outside of wrangling the Bats together. Duke is starting to join the family, but Tim doesn't imagine too much tension or difficulty with that transition. They'll be fine without him.

It's looking up. Tim can leave behind his the Wayne family.

Then Damian points out how Tim often uses "your" or "their" instead of "our" family.

Godsdamnit.

[janmisali]

what do you think of tone indicators in general?

unfortunately my thoughts on tone indicators are somewhat nuanced. fortunately, this is tumblr not twitter, so I can just write out my full thoughts in one post and be as verbose about it as feels necessary.

speaking as an autistic person (and I know there are other autistic people who don't hold this same view, this is just my perspective), I think as an accessibility tool, the extended set tone indicators in current popular use is fundamentally misguided.

the oldest ones, /s for sarcasm and /j for jokes, make sense. their notation isn't the most intuitive thing ("does /s mean sarcastic or serious?") but it's not too difficult to explain what they mean. I've had to spend my whole life learning by brute force what different tones of voice mean and what they change about how I'm supposed to interpret something, so I already know what "read this in a sarcastic voice" and "read this as a joke" are supposed to mean. my existing skills can be translated into the new form without too much effort.

the same thing applies to emoji and emoticons. I know what facial expressions mean, because I had to learn what they mean. figuring out if :) is sincere or not from context is a skill I've already needed to develop. it doesn't come naturally for me, but it's something I already at least somewhat know how to do.

most of the tone indicators in current use uh. don't work like this.

tone indicators like /ref or /nbh don't correspond to specific tones of voice. I don't have a "I'm making a reference" voice or a "I'm not talking about a person who's here" voice that I can picture the sentence being read in. these do not indicate tones, they're purely disambiguators. they clarify what something means without necessarily changing how it would be read out loud.

and on paper, that's fine, right? like, it's theoretically a good thing to take an otherwise ambiguous statement and add something to it that clarifies what you meant by it. the problem is that these non-tone tone indicators are not even remotely self-explanatory. it's up to me, the person who is being clarified to, to know what all these acronyms are supposed to mean, and how they change the way I'm supposed to interpret what something means.

it's, quite literally, a newly-invented second set of social cues that I'm expected to learn separately from the set that I've already spent my whole life figuring out, and it works completely differently.

sure, these rules are (in principle) less arbitrary than the rules of facial expressions and tones of voice and how long you're supposed to wait before it's your turn to speak, but they're also fully artificial and recently invented, which means they're currently in a constant state of flux. tone indicators go in and out of fashion all the time, and the "comprehensive lists" are never helpful.

in theory, I appreciate the idea of people going out of their way to clarify what they mean by potentially ambiguous things they post online. if it worked, that would be a really nice thing to do.

however, sometimes I imagine what the internet would be like without them. what if instead of using /s, the expectation was that if you're sarcastic online there's no guarantee that strangers reading your post will know what you meant? what if instead of inventing more and more acronyms to cover every possible potentially confusing situation, we just... expected one another to speak less ambiguously in the first place?

so, I on paper like the idea of tone indicators. I think it's good that some people are trying to be considerate by being extra clear about what they mean by things. but if tone indicators didn't exist, and people who wanted to be considerate in this way instead just made a point of phrasing things more clearly to begin with, I think that would be vastly preferable to even the most well-implemented tone indicator system.

also /pos sucks because there's something deeply and profoundly wrong for an abbreviation that means "I don't mean this as an insult, don't worry" to be spelled the same way as an acronym that's an insult