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alrightberries · 4 years ago

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strawberries and cigarettes (always taste like you)

❈ pairing: levi ackerman x reader

❈ genre: angst ❈ word count: 4k

❈ summary: Levi celebrates Christmas Eve the only way he knew how: getting drunk and high on a rooftop while thinking about you.

❈ trigger warnings: drinking and smoking. mentions of violence, gore, blood and death. brief mention of sex. profanity.

a/n: canon compliant but also kinda not? idk if they have cigarettes in the aot/snk universe or if they celebrate christmas so just roll with it.

Smoke puffed out of Levi’s lips, slowly dissipating in the chilly December night. The breeze that passed by caused goosebumps to rise on his skin, a product of the winter’s unforgiving coldness, and the thought of getting off the rooftop where he sat in silence briefly crossed his mind. His office wasn’t that far and it wouldn’t take that long to quickly grab his coat, but the longer he stayed and stared at the dark sky, the more he found himself not caring about the cold breeze or the below zero temperatures.

He took another puff from the cigarette in his hand, eyes drifting towards the barracks where the rest of the regiment most likely was at this hour. The torches and lamps scattered around the base glowed a warm orange-y yellow, a contrast to the whites and blues of the snow and darkness. It looked gorgeous, almost, and Levi silently chuckled to himself at the sickening thought of finding anything beautiful at this fucked up time of year.

Christmas Eve.

A time for friends. A time for family. A time for people to gather around the fireplace and drink warm beverages as they sang songs, told stories, and eagerly waited for the stroke of midnight to open and exchange their gifts.

What a load of bullshit.

Christmas Eve was Levi’s version of a pain in the ass. It was a holiday filled with a bunch of cadets greeting him with a warm and cheery ‘Merry Christmas, Captain’ every time he passed them in the halls, and he would only respond with either silence or a brief nod of acknowledgement. Not to mention, it was also the time where Hanji would try to get him to celebrate different festivities in an attempt to cheer him up.

It was technically a week-long headache for Levi, with the eccentric soldier- for an entire seven days prior to Christmas- trying just about everything in the book in attempts to get him to sit around the fire with the other squad leaders or even do something as small as switch out tea for hot chocolate to match the holiday spirit. It seemed like Hanji’s excessive invitations would always get worse around Christmas Eve, but of course, it never worked.

Levi took a swig of the whiskey he’d brought with him onto the rooftop, extinguishing the cigarette he was holding and lighting a new one once it had reached its end, before taking another deep inhale of the stick of nicotine.

Indeed, Christmas Eve was nothing but a pain for Levi.

Perhaps Hanji thought of him as lonely. Maybe Erwin had even just half a mind to worry about his well-being. But truth be told, Levi did celebrate Christmas Eve in his own little way: at around 10 o’clock at night, without fail, Levi would make his way onto the highest rooftop of their current base carrying nothing but whiskey, nicotine, and strawberries. From there, he would drink and smoke until midnight came, at which point he would start to eat the strawberries he’d brought. Then he would drink and smoke some more until he felt like his liver couldn’t handle it anymore, before eventually making his way back to his quarters at 4 o’clock in the morning and attempt to get his drunk and high mind to rest.

It was his fucked up little Christmas Eve tradition.

The first year Hanji had noticed that Levi wasn’t around the base for their Christmas Eve celebration, they went around asking people if anyone had seen him, to which everyone would reply with ‘No, I haven’t seen him, sorry.’ When the second year came around, Hanji once again noticed that Levi was gone and no one had seemed to know where he was. So when the third year came around, they waited for him to leave his office and stealthily followed him around the base to find out exactly where Levi runs off to during the holidays. Hanji got caught, of course, and by the third time they’d gotten caught (and almost strangled each time) they knew it was best to stick to pestering him rather than following him.

Levi grimaced at the memories of Hanji trying to follow him around, him sensing it immediately and going around the base in an attempt to shake them off his tail, failing, and eventually just resorting to telling them off (Oi, four-eyes, how much longer do you plan to stalk me like a creepy old pervert?)

He sighed.

He wasn’t always like this. He used to enjoy Christmas Eve and doing all the cliche holiday traditions that came with it; sitting around the fireplace with Isabel and Farlan and playing the guitar, pretending not to care about their tone-deaf voices as they sang their own version of holiday songs, never really knowing the lyrics but knowing the tune and making up words to accompany the melody as they go.

Where did he go wrong?

It was around his second bottle of whiskey and his second (or third? He couldn’t remember but didn’t really care at this point) packet of cigarettes when Levi’s fuzzy mind would finally unlock the memories he’d kept at the very back of his mind- a place where he couldn’t reach them and they couldn’t reach him. Memories he’d repressed years ago, never to be thought of, never to see the light of day. Except on Christmas Eve.

He closed eyes as he exhaled, lying down on the rooftop’s snow-covered shingles as he carefully set down the bottle of whiskey next to him, just within his reach. He went through cherry-picked memories of his life Underground once again, relishing in the warmth and happiness he once felt when he was with Isabel and Farlan. But at the very corner of each memory, always within his peripheral vision, was a fuzzy character- a person, no doubt- laughing. Smiling. Holding his hand. Playing with his hair. Kissing him good night. Bandaging his wounds. Showing him tricks with a knife. Making tea. Talking with Isabel and Farlan.

He took another swig of the bottle of whiskey, eager to make the fuzzy memory vivid in a way that only the drink that burned his throat could do. His heart skipped a beat as the blurry edges and lines he’d superimposed into his own mind cleared and revealed the one person that made this living hell a bit less terrible, and the only reason why he ever did his little Christmas Eve tradition.

For a moment, it felt like he was floating on air as he finally got a good look at the character that he’d tried so hard to erase from his mind but never could. His mind may have forgotten but his body still remembered, and he felt the tips of his fingers tingle not from the cold but from the memories of a touch, a touch so endearing, a touch so warm, a touch that felt like home. A touch that was unmistakably you.

Mind fuzzy from the alcohol and head just a little light from the nicotine, Levi can faintly remember the moments he’d shared with you during his time in the Underground.

He remembers being homeless after Kenny had left him, then meeting you as you both ran into each other- quite literally, at that- when you stole bread from a bakery and made a run for it as two angry adults chased after you, cutting him a deal that if he helped you get out of it alive then you would share your measly loaf of bread with him. He remembers teaming up with you from that day onward and watching each others’ backs, sleeping in alleyways and taking shifts for safety, rummaging through garbage cans for food before Levi decided that enough was enough and robbing a stall so you both could eat that day.

Faintly, he also remembers the day he joined a gang that promised him food, shelter, and a steady paying job if he could prove how strong he was by beating up a rival gang member. He remembers getting jumped by three other people as he beat up the man he was told to pummel, fighting them off and winning without so much as a sweat. He remembers the gang he wanted to join eagerly inviting him after the fact, and he agreed on the condition that you came along too.

He remembers the first time he’d taken a shower after years of being filthy, and how clean and fresh he felt without the dirt and grime caking his clothes and his skin. He remembers hearing the door to his small room open- knowing that it was you- and turning around so he could marvel at how clean he felt. But his words died on his tongue as he took a look at you, hair clean, face visible, dirt free, and looking ever-gorgeous in the clothes he’d bought you the day before using his blood money. The clothes weren’t fancy in any way at all, just simple clothes that he bought on a whim when he realized that you’d been wearing the same unwashed garments for years, but he remembers it was enough for him to decide that, even though he didn’t understand what it meant when his heart sped up and the tips of his ears started to burn whenever he was around you, he liked looking at you when were clean. He liked being clean.

He remembers the first time you kissed him. He was sat on the bed of your shared room, gritting his teeth as you stitched up a cut on his forehead and berated him for being so careless, being too confident, on one of the jobs his boss had assigned him. He finished the job, of course, his ability to get the job done without fail being the main reason why he was assigned so many assignments in the first place, but it didn’t make you less angry when he walked into the room with bruised knuckles and a large gash on his forehead. He remembers staying silent, breathing through the pain of what was essentially surgery with no anesthesia as your berating slowly died down and he could finally see in your eyes the worry you tried to conceal with anger. He remembers taking your hand in his after you’d finished cleaning up the materials you used to administer first aid, gently pulling you down to sit next to him as your hands reached out and cradled his face, careful not to touch the freshly sewn skin as he slowly leaned in until his lips met yours.

He remembers the first time he had sex with you, how it was nothing short of awkward and clumsy as two teenagers tried to figure out what goes where and how to do this and that. You were both each others’ first, that much he knew, and though the first time wasn’t as hot and steamy as everyone had worked it out to be, he still enjoyed it because it was you. He remembers cradling you in his arms that night as you fell asleep, a small smile on your peaceful face, and he made his first silent promise that night: that he’d do anything within his power to keep you safe and happy.

He remembers Farlan and the support he gave as Levi worked his way up to a higher position in the gang’s ranks, inevitably becoming the leader through his skills and hard work (a result of the second silent promise he’d made to himself: that he would work hard and become successful enough that you wouldn’t have to lift a finger to live a decent life.) He remembers taking you out of your small shared bedroom and moving you to an actual house that you could call your own; it was barren and filthy and needed a lot of tender love and care, but it didn’t matter- as long as you were with him, he was home.

He remembers getting his hands on some ODM gear through the black market, training Farlan to become his right-hand man as you stayed within the base and administered first-aid to any member of his gang that needed it. He refused to let you learn how to use the gear, fearing that if you were to be seen doing his dirty work with him then you would become a target of both rival gangs and the Military Police. You didn’t mind, perfectly comfortable with staying at home and handling the more business side of things that involved pay distributions and document blackmails.

He remembers meeting Isabel that fateful day she barged into your home, scaring away the thugs who chased after her and accepting her into the group, your odd little family of dysfunctional orphans now complete.

He remembers spending Christmas Eve with his little family, sitting around the fireplace as you laughed at one of Farlan and Isabel’s stories, hand tightly clutching his as he silently reveled in the peace and happiness he managed to find in the least happy and least peaceful city within the walls. He remembers you telling him to close his eyes as the clock struck midnight, eagerly placing a cardboard box on his hands and apologizing for not wrapping it because you couldn’t afford the wrapping paper anymore, money already spent on the gift itself. He remembers his heart swelling as he opened the box, a beautiful porcelain tea set staring back at him as Isabel and Farlan proudly proclaimed that they also got him a copper kettle and some quality tea leaves to match your gift. He remembers scolding the three of you for spending so much money on such lavish gifts, but you dismissed him and said that it was alright, the little extravagance and months of saving being well worth his present for Christmas and his birthday (which were, coincidentally, the same day).

He remembers the Christmas Eve after that. He remembers the three of you shyly apologizing for not getting him a gift, still recovering from your lavish spending the year before, and he said it didn’t matter because he bought whiskey and cigarettes to share. Faintly, he could still hear Farlan asking him what the hell cigarettes were, and he explained that since the whiskey itself was expensive, he couldn’t afford cigars and instead opted for the cheaper synthetic version of it. He remembers being sat on the roof as you laughed and drank and smoked until sunlight peeked through the gutters on the ceiling of the Underground, clumsily making your way back inside your home to sleep (really, it was mostly you, Isabel, and Farlan who were clumsy. Levi had a high alcohol tolerance and though he grumbled about having to always babysit the three of you when you drank, he always made sure that you were all tucked into bed and snoring away before he himself went to sleep.) He remembers it becoming a tradition for your little family, something that you did every Christmas Eve after that.

He remembers the mysterious nobleman who sat in his little carriage, offering a job to Isabel, Farlan, and himself in return for a generous fee and citizenship to Wall Sina. He remembers rushing home and relaying the news to you as you held his hand, happy that they would be able to go above ground, a privilege that few had. He remembers kissing your forehead and promising to use the money that came with the job to buy you citizenship as well, promising that he would take you above ground and show you the sky. He remembers you crying, tears of joy falling down your face as you kissed him, silently thanking whatever higher being there was that you met Levi.

He remembers his last day in the Underground, gearing up with Isabel and Farlan as they prepared to execute their plan of getting “arrested” by the Survey Corps and taken above ground to finish the job. He remembers your sad eyes and the way you tried to conceal them with a smile, yet he saw right through your act and promised he’d be back for you. He remembers sarcastically asking what souvenir you wanted for him to bring back after the job was done, and you kissed his nose before saying you wanted strawberries, a rare delicacy in the Underground but commonly found above. He remembers agreeing, giving you one last kiss farewell before they set out to do the job.

He remembers sitting on the barracks’ rooftop with Isabel and Farlan, admiring the heavens. He remembers being in awe of how beautiful the moon and stars were, the way they twinkled and shined in the darkness of the night. It was the first time any of them had ever seen the sky. He remembers smiling as he sat between his two closest friends, a feeling of wonder and serenity washing over him as he made another silent promise to himself that night: that he would show you the sky the way he sees it now, with your little family.

He remembers the horror he felt the day after when he rushed back to Isabel and Farlan in the battlefield, finding nothing but Isabel’s severed head and Farlan’s torso on the ground. He remembers the pain, the anguish, the despair that ran through him as he yelled and cried, killing the titan that murdered his friends and ripped away half of his family before collapsing on the ground, realizing that there was no point because he was too late. He remembers Erwin telling him that he knew what he was up to all along, but he was more than welcome to stay in the Survey Corps if he so desired. He remembers agreeing numbly, mind still reeling at his loss. He remembers realizing it had almost been an entire year since he last saw you, but he was too ashamed and in too much grief to come back empty-handed. He had failed the job. He had no money. He had no citizenship for you. And he didn’t have Isabel and Farlan anymore.

He remembers working hard for the next couple of months, realizing that the longer he stayed alive the more money they would pay him. He remembers the day he realized he finally had enough money to buy you citizenship, immediately requesting for time off on Christmas Eve, planning to finally come back to you and fulfill his silent promises. He remembers stopping by the local market, buying a fresh basket of strawberries as an apology for making you wait so long (and also because he still remembered your request), before heading to the Underground the day before Christmas to surprise you.

He remembers feeling nervous yet giddy as he walked to the location of your home, thoughts of finally seeing you for the first time in so long filling up his mind. Nervousness was replaced with worry the closer he got to your home, and he realized that something was horribly wrong. He rushed to the house, fresh bodies littering the front steps as he tried not to step on them. Blood dripped around him, and he knew that whatever happened, happened recently. The door was already open, and Levi wasn’t sure what he was expecting as he cautiously stepped inside but he already feared the worst. Just then, he heard a loud thump followed by a groan coming from your shared bedroom, and Levi rushed inside. He remembers the way his heart stopped at the sight he saw: you, bleeding out on the floor, multiple stab wounds on your abdomen and struggling to breathe. He remembers dropping the basket he held, strawberries scattering around the floor as he rushed to your side, fear turning into panic as he clutched you in his arms.

“Levi,” he remembered you whispering with a weak smile. Your hand reached out to brush a stray strand of hair away from his face. “You came back.”

He remembers scoffing because of course he came back. He promised you he would.

He remembers trying to put pressure on your wounds but not knowing where to start because you had been stabbed so many times and there was only so much he could do since he only had two hands. He remembers you trying to stop him, telling him it was no use. He remembers yelling at you to shut up, okay? You’re not fucking dying on me. Not now. Not ever.

He doesn’t remember crying, however. But he does remember you reaching out once more to wipe at his cheeks, and he was briefly aware that somehow his cheeks had gotten wet. He remembers you holding his hands that were still trying to put pressure on the wounds, begging him to stop, Levi, please. You and I both know it’s no use.

He remembers the unmistakable sound of a grandfather clock’s bell, signaling the strike of midnight. He remembers holding your hand as you weakly looked up at his face, a small smile on your lips as you whispered “Merry Christmas and a happy birthday to you, Levi. I love you.” before your hands fell limp in his.

He remembers collapsing, yelling out your name as he held your corpse in his arms. He remembers shifting, feeling an empty basket bumping against his leg, and he’s suddenly reminded of the strawberries he’d brought as he rushed to gather them all up with shaky hands and put them in the basket once more. “I brought you strawberries, just like you asked.” He remembered saying, pathetically placing it down next to your head. But it was too late. He was too late.

It was gang activity, most likely retaliation. He remembered the Military Police saying. You’re lucky, actually. They left just a couple minutes before you arrived.

He doesn’t remember what happened after that.

But he does remember that he broke all of his promises to you. He remembers that you never even knew that Isabel and Farlan were dead. He remembers that you never even got to see the sky or breathe in the fresh air. He remembers that you never even got to know what strawberries taste like. He remembers that he was too late. For you. For Farlan. For Isabel.

He was always too late.

The feeling of something cold and wet on his cheeks snapped Levi from his reverie. He sat up, silently cursing the snow that fell on his face as his hands wiped at his cheeks, letting go of the bottle of whiskey in favor of blindly looking for the strawberries he’d brought up with him onto the roof. He felt numb. He wasn’t sure if it was due to the cold, the alcohol, the nicotine, or his own heartbreak at the memories he tried to suppress. He never allowed himself any time to mourn, instead choosing to keep all those memories under lock and key somewhere within the dark crevices of his mind, only to be opened on Christmas Eve, the day he lost it all.

The day he lost his entire family.

He shifts, suddenly aware of the small box in his pocket. As he took out and opened the small black velvety box, he noticed more snowflakes had melted on his cheeks, the gold ring staring back at his face for a few moments before he angrily closed it once more and shoved it back inside his pockets, its weight feeling as heavy as his heart.

He was too late.

Silently, Levi realizes that snow wasn’t falling. He realizes that the wet on his cheeks isn’t from the snow melting on his face, but rather, from his own tears as they slowly came down in gentle streams.

The bell tower rang throughout the base, signaling the stroke of midnight. Bitterly, he took a bite of the strawberries as he lied down once more, reaching for the bottle of whiskey.

Merry Christmas and a happy fucking birthday to me.

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#this was supposed to be fLUFF believe it or not #writing #aot x reader #attack on titan x reader #levi ackerman x reader #levi x reader #snk x reader

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rosethornewrites · 3 years ago

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Fic: 拨云见日

Additional Tags: Justice, Anger, Sect Leader Yáo Bashing, Cultivation Discussion Conferences, Restitution, Self-Indulgent, POV Third Person, POV Wei Wuxian

Summary: When Wei Wuxian attends the first cultivation conference since Lan Xichen left seclusion, he doesn't expect a demand he stand trial. Apparently others planned for that contingency.

Notes: This started as a flash fiction exercise I was doing with my class. I know it’s super self-indulgent but that’s what I wanted to write. The title is an idiom. Literally, to dispel the clouds and see the sun, but figuratively to restore justice.

AO3 link

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“You think I should what?”

Wei Wuxian didn’t think he could be hearing that right. He’d come to this discussion conference to lend moral support to his husband, not to become a topic himself.

“Be put on trial, of course,” Sect Leader Yao said, his tone indicating that he felt it was obvious.

“For what?”

Zidian sparked as Jiang Cheng spat the question, surprising Wei Wuxian.

“All his sins, of course! The Bloodbath of Nightless City, for instance… He should face justice!”

He wanted to say this didn’t surprise him, that the inept and ridiculous politics of the cultivation world and their idiotic demands were rote to him, but this made him want to both laugh and cry.

“I died, Sect Leader Yao. Is that not punishment enough?”

“And yet you’re here now, permitted to sit amongst the gentry you terrorized as Yiling Laozu!”

Wei Wuxian could feel the tension in his husband beside him, knew Lan Zhan was absolutely livid and that this could come to blood, and it wouldn’t likely be his. The only option was to try to diffuse the situation using a logic that would likely fly far over the heads of most of these morons.

“Yes, I somehow terrorized them while confining myself to the Burial Mounds and protecting a bunch of innocent civilians who were unjustly executed. As I recall, one of your disciples shot me with an arrow while I was speaking my case, and another killed Jiang Yanli with a sloppy blow meant for me. And now, having killed me and those I was protecting once without any trial, you expect to do so again?”

Predictably, Sect Leader Yao turned red with rage, sputtering at the accusation. But Wei Wuxian kept speaking.

“And then, when you came to kill me again while I was revealing the actual culprit who led you by the nose for over a decade, I instead saved your life. But now you speak of justice, as though you have any understanding of it whatsoever.”

He was angry now, on behalf of those who hadn’t had to die, those who died in part because of his choices, but also because of the hubris of the cultivation world. He could feel tendrils of resentful energy responding to that rage, coiling around his fingers.

“Perhaps you would like to see the Yiling Laozu again? It can be arranged.”

He let the resentful energy teem, let it turn his eyes red, and was vaguely satisfied when Sect Leader Yao fell over himself in terror, babbling about being threatened. He hoped he’d pissed himself.

Wei Wuxian let the energy dissipate.

“But I would much prefer to be Hanguang-Jun’s husband,” he said, leaning into his side. “And be left alone.”

Several minor sect leaders began muttering about justice, but the crackle of Zidian on Jiang Cheng’s wrist left silence in its wake.

“Yunmeng Jiang will not support a trial, or any movement against Sect Heir Wei Wuxian,” he intoned, glaring around him as though daring anyone to challenge him.

Wei Wuxian nearly choked. He wasn’t even in the Jiang sect, so how could he be Sect Heir.

“Lanling Jin will also not support any trial or movement against my dajiu,” Jin Ling interjected, cutting off any potential exploration, his voice commanding and angry.

Now he did choke, but on a different emotion. He’d never expected Jin Ling to refer to him as dajiu, even in private, but here he was announcing it to the entire cultivation world, laying claim to him as family.

“Qinghe Nie will not support any trial or movement against Wei Wuxian, as well,” Nie Huaisan added, his fluttering fan hiding his expression, but his eyes shrewd.

“Gusu Lan will also not support any trial or movement against the husband of the Chief Cultivator,” Lan Xichen said.

It was the first discussion conference he had attended since he had ended his seclusion, and the pronouncement wasn’t unexpected at this point, but then he stood.

“In fact, I believe the cultivation world owes Wei Wuxian compensation for the ills he has suffered at its hands, including spreading vicious rumors about his character following his heroism during the Sunshot Campaign and his righteousness in protecting the innocents afterward.”

Wei Wuxian gaped—how had the conversation turned from likely executing him to compensating him?

“Wei Wuxian is due everything a sect heir should have. Sixteen years’ worth, actually. Yunmeng Jiang agrees with paying restitution.”

He wondered if this had somehow been planned, but who would have known Sect Leader Yao would be an idiot.

Oh, right. Everyone.

Wei Wuxian was reeling and was grateful for the grounding arm Lan Zhan snaked around his waist.

“Lanling Jin spread many of the vicious rumors in its quest for the Stygian Tiger Amulet, and for the execution of dajiu’s refugee family,” Jin Ling announced. “We will provide blood money as restitution for that wrong.”

Muttering filled the room, sect leaders reacting to two main sects paying the Yiling Laozu restitution.

“Qinghe Nie participated in the Siege of Burial Mounds,” Nie Huaisang said. “We were at Nightless City and went along with the injustices perpetrated against civilians, failing to investigate. Qinghe Nie will also pay restitution.”

The murmurs seemed like a roar, and Wei Wuxian felt lost.

“Gusu Lan owes Wei Wuxian a debt,” Lan Xichen added. “Only Hanguang-Jun spoke up against the slander. He was robbed of sixteen years with his husband and son. We will pay restitution as well.”

Lan Xichen stood, silencing sect leaders that were openly questioning who Wei Wuxian’s son could be.

“All sects owe Wei Wuxian a debt, particularly those who helped spread malicious rumors,” he said, looking at Sect Leader Yao. “Perhaps your suggestion of a trial is sound, Sect Leader Yao—but not for Wei Wuxian. For us, if you insist on a trial and on justice.”

Sect Leader Yao shook his head, for once silent.

“I don’t think that’s necessary,” Sect Leader Ouyang said quickly. “Baling Ouyang will not support a trial or any movement against Wei Wuxian.”

Other minor sect leaders, even those who had previously been in support of Sect Leader Yao’s suggestion, hastily agreed.

“So agreed, by majority.”

Lan Zhan stood, pulling Wei Wuxian up with him.

“Perhaps we should break for today and use the time to reflect.”

His voice was icy, his tone more clipped than usual, and he didn’t bother to wait for agreement from the sect leaders, simply swept from the banquet hall, pulling Wei Wuxian with him.

Wei Wuxian was glad for the reprieve, glad to be whisked away, glad to be able to reflect in a more private setting.

He had some people to confront once he was capable of speech again.

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todd--chavez · 3 years ago

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4/2

yesterday while getting dinner with shar and won, we planned out a a sunrise hike. so i got up at 5:30 today and we hiked up to hunters point. we sat on my mv senior all night party blanket there and did won’s guided meditation until a bunch more people came up and it was too chattery to focus. then we went to the farmers market and had some rotisserie chicken.

came back home for dinner and then went back out to check out the used book sale. it wasn’t as good as pre-pandemic. and then i picked up shar and we went to an open house. it’s up in the hills past picchetti winery. it was pretty nice. 5 bedroom 4 bathroom a bar a view of the bay from the kitchen and a plot of land with a bunch of fruit trees. after we went to philz coffee. shar was doing work and i was just finishing my book “what is the what”.

it was a good book. it’s about the Lost Boys of Sudan. it’s insane the things they went through. its unreal that these things were happening in the 1990s. if you don’t know anything about the lost boys of sudan you can google it. but basically thousands of literal kids had nothing and walked across the country to escape war. lots of them died of disease or hunger or predators or war. one anecdote he mentioned basically seeing his friend die of hunger before his eyes. which was interesting to me because usually there’s like some thing that kills people. but dying of hunger is like i don’t know. i’m just imagining your cells one by one shutting down. or like your heart just pumps slower and slower until it stops and your body is just turned off. this books actually reminds me a lot of the alchemist because it’s so much traveling to what the main character doesn’t even know the destination. and there is this theme of discovery or growth in the journey although it didn’t present itself to me until the very end. the book is called “what is the what” and in the beginning he says its from some parable his dad would tell him about like adam and eve(i think?) and god saying like i have this garden of eden for you you can have all this, OR you can have the “what”. and so its like you can have all this good stuff that satiates you, or you can have the “what” which you don’t know what it is. it could be very good or very bad. but at least if you choose it you’ll get to know what it is vs if you choose the garden you’ll never know. and at the end when he finds out he’s one of the refugees excepted by america, he has a debate on whether he should go back to his hometown where he learned his family is actually still alive, or if he should go the “promised land” of america. and when he’s on the phone with his dad, his dad was like “america is the what!”. which i think is very interesting because the dad would probably think america is like the good place, but the main character talks thru his experience in america parallel to the journey he had back in sudan, and it is very clear that america is not the land of milk and honey. he makes minimum wage, he gets robbed, he cant get into college, the healthcare system is bad. which i guess you can argue is better than living in some war torn state but i guess he had to sacrifice friends and family for this. he left behind his entire world, bad and good, for this new opportunity.

i have more notes about the book on my phone. but overall i would give the book an 8/10. I actually read another book about the lost boys in sophomore year lit class. it was called they poured fire on us from the sky. I would recommend this book, it was very eye opening.

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obsidianfr3sk · 4 years ago

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five valentine’s day that went wrong and one that (almost) didn’t

@queercreators event 02: romance — [ five valentine’s day that went wrong and one the (almost) didn’t ] [ “Five Things” Fic ] “

dedicated to my dear Reneweys [ @nodrianbcyes @honey-hippie-harper @healing-winston-pratt @alecjamesartino @bluenoctuary-art @everyone-has-a-nightmare ] ♡

Summary: They always managed to ruin their Valentine's Days one way or another, but it didn't matter. Because there was no way they could ruin what the two of them had.Boy, he would like to see someone try.

AO3

Well, hello there!!! It’s been a while since the last time I posted something x’d I know I always say the same thing but it’s true skjdfhkjdfs I started this fic during the first week of febreary when I had this shot of adrenaline and started to do a lot of creative stuff, and originally I wanted to post this during Valentine’s Day, but... the shot of adrenaline passed x’d and let me to deal with this alone.

As you can see for the description, this a “Five Thing” fic. At first I wanted to post each chapter seperately, but idk, it seem a little bit... weird x’d so, here in Tumblr, the six chapters are all in one post. If you don’t like the format, but want to read the fic, you can find it on AO3! Don’t forget to leave kudos and a comment if you liked it:’)

Now... I’m not used to write happy sttuf in general x’d AND I’M LESS USED TO WRITE HAPPY STUFF ABOUT HUGH AND SIMON BECAUSE SKJDFHKJDSF the angst, dudes:))) but I think I did. Like... I actually wrote a fluffy fic:’) I’m so proud of myself dkjfhkfdshjk

Tag list: @the-lady-with-the-pen @chiyuki-hiro @all-weather-is-bad @styeenza

First try

Year 2

It was the second Valentine's Day after the beginning of the Age of Anarchy, and the capacity that the human being had to adapt themselves to the most terrible of conditions never ceased to amaze him. The economy had collapsed, the government had fallen, his school was practically one of the last ones still in open, and there was a “fucking junkie” ruling the city...

But the world celebrated Valentine's Day anyway.

Or at least in his class did.

The teacher had brought a bunch of cardboard boxes, that looked like she had fought with some tramps to get them (which she probably did, they were too many boxes for one person to generate) (unless she was a crazy person who collected boxes). She gave one to each one of her students, took out the last bottles of paint, pieces of colored cardboard, and rusty scissors, and then told them that today they were going to learn how to make a mailbox.

At first, Hugh had no idea what turning a box into a mailbox had to do with the curriculum the school was supposed to follow. It's not like people sent a lot of letters anyway. But when the girls got excited, he remembered that February 14 was something like an important date. And then, he remembered an activity that they did during his first year, when everyone decorated a box for their classmates to put letters and sweets in it.

First year… And now he was in his third year.

Time flies by.

After telling them which parts to cut into (Hugh had to share his scissors with other three classmates because there weren't enough for everyone), she invited them to pick the decorations they wanted to put on their mailboxes. The girls pounced on the pink, red, and even white paint, while most of the boys laughed, saying it was a stupid activity and they didn't want to do it. Hugh felt the urge to agree, but he didn't

He had already tried to make them like him. It hadn't worked for him.

So he grabbed a bottle of navy blue paint, some cartoon bear stickers, some notebook paper, and a bitten pencil. That would be enough to make his mailbox and his cards.

After a while, he started to have a good time. Crafts had never been his strong suit, but he was proud of how it ended up looking. One couldn’t tell his mailbox used to be a cereal box because the paint he used was so dark, that it only needed two coats of it and it dried much faster than Abernathy’s, who had practically finished the pink paint trying to hide the face of that missing child in the milk carton box the teacher gave to her. Hugh realized that she was holding her tears back, and as the good classmate that he was, he told her not to worry, that the missing child could be decoration if she painted him a mustache or something, and it would look very funny. Abernathy, far from finding it funny, acted super offended, assuring she had never met a child as rude and insensitive as Hugh Everhart, and she ran out of the classroom, hiding her face in her hands and screaming like a baby.

Unfortunately, the rest of his class agreed with her, and when it came time to deliver the cards, Hugh did not receive a single one. Although he doubted it had anything to do with that missing boy thing.

They wouldn't have given him anything anyway.

He wasn't sure if they knew he was a prodigy. Maybe they had noticed that it wasn't normal that Hugh had practically broken a chair in two when he placed his backpack on it to get something out, or that he had left the PE teacher unconscious when he accidentally threw a ball at his face while they were playing soccer. The teachers, if they noticed, didn't say anything. After all, that school was supposed to be only for normal kids.

Not prodigies.

But children could be very insightful. Most likely, they did notice and therefore did not want to be associate with him.

Or maybe—

Maybe they just didn't want to hang out with Hugh, because of… that.

Because he was Hugh.

He decided to wait for everyone else to leave before starting to cry (or before breaking another chair, whichever came first). Or at least that was what he was about to do when he heard that someone had come up with the same idea as him and started crying first.

Simon Westwood had never been too talkative. Even before his older sister and mother died, he liked to sit at the last table, not speaking to anyone, and some older kids were constantly picking on him, without any teacher trying to do anything to stop them.

Not that Hugh was paying much attention to him or something.

The teacher practically ran to see what was going on with Simon Westwood, asking him what happened and why hadn’t he finished decorating his mailbox. Simon Westwood tried to explain it to her, but he was mumbling his words so neither the teacher nor Hugh could understand what he was saying.

Hugh didn’t get mad with him though. His mom had died. His sister died too, a couple of weeks later. He wouldn’t be in the mood for doing cheesy crafts if the same had happened to him. But the teacher wasn’t as benevolent as him, and started to say things like she was trying really hard to bring joy to her students, and that she was sure that if he tried a little bit harder, he would be able to enjoy Valentine’s Day, like the rest of them.

“Let’s see what nice things your classmates have said about you,” she exclaimed. But that only made Simon Westwood start crying again.

No one had given him a card.

Like… no one.

And Hugh was listening to all of this conversation, just sitting there, trying to stay as stiff as he could so they wouldn’t notice he was there (as if he weren’t literally right in front of them). Seeing Simon cried like that made him think that maybe he was just acting though when the other kids laugh at him because of his looks, his ratty old clothes (older and rattier than theirs), or just—

His mind exploded.

He suddenly understood why the other kids didn't like Simon Westwood. It was before he was him.

Just like how they didn’t like Hugh Everhart because he was Hugh Everhart.

When the teacher went out of the classroom with Simon, saying something about calling his dad (although he knew they wouldn’t be able to do that, since no one had a functioning phone those days), he took one of the cards he did for his classmates, cards that he never gave to them, and put one inside Simon Westwood’s mailbox/cereal box. He had left his backpack and his things there. When he came back to take them home, he would see the card too.

A voice in his head told him to get out of there before he came back, but another one told him to stay. Maybe Simon Westwood and he could be friends. Maybe he would understand what it felt like to be hated just for the way you were born. Maybe he was a prodigy too.

Or maybe he wasn’t.

He couldn’t take that chance.

So Hugh went home, but promised Simon Westwood (and himself) he would keep an eye on him.

After all, friends were there to have each other’s back.

Because they were friends, even if Simon didn't know it yet.

Second try

Year 9

They were friends.

He had never seen Hugh before meeting him on that alley where Simon got his powers. Like— he had seen him because he was in the same class as him, but he hadn't really seen him. During his childhood years, Simon was more focused on other things. Like being a little depressed and anxious ball with skinny legs and skinny arms, for example.

It wasn’t like he wasn’t depressed or anxious now. Nor it was he had gotten super muscular all of the sudden, like Hugh (he had always been bigger than the other kids, but he practically turned twelve and already looked like a teenager, except for the voice and the face).

But at that moment, he wasn’t depressed or anxious. He felt weirdly at peace.

He and Hugh were walking down the street, thinking about which store were they going to rob that day to get dinner for them and their families, when Simon noticed a couple holding hands in front of an abandoned café. She had dark hair and he had blue eyes, which looked at his girlfriend as if she was the Virgin Mary or something. Then, she kissed him and gave him a small blue flower and a heart-shaped card. The guy looked so moved by the gesture that he kissed her on the lips again, with so much more passion than before.

Simon looked away before they realized he was looking at them, not only because he didn’t want to come off as creepy, but also because he knew how awkward he would feel if they started to make out or something.

“Love is in the air,” Hugh sang.

Simon chuckled. “You noticed them too?”

“I noticed them when she gave him the flower,” he told him. “I had never seen a girl giving flowers to a guy before.”

“Times have changed, I guess. That’s why they don’t feel uncomfortable giving such public displays of affection. Kids in our day weren’t like that.”

“I know, right?” said Hugh continuing with the joke. “They are so perverted. There are children present, for God’s sake.”

Simon chuckled again and Hugh stopped to tie his shoe. While he was there, Simon noticed he was throwing glances at them.

“You know, giving them the death stare isn’t gonna prevent them from being in love,” Simon told him.

“I can try,” Hugh joked. Then, he shook his head. “It’s not that. I just—”

He waited for him a couple of seconds before asking, “Just what?”

He finally answered, “Someday we’ll have something like that.”

Simon frowned. “Huh?”

“You know,” Hugh mumbled. “We’ll have girlfriends and— and all of that.”

“Oh!” Simon exclaimed. “Yeah, someday, yeah.”

But before Simon could keep talking about it (or just develop some opinion on the topic) Hugh shrugged and urged him to keep walking. “I guess. I didn’t even remember today was Valentine’s Day though. They were my reminder—” he turned around and waved at them “—Thank you, exhibitionists, you reminded me what day is it!”

Now, Hugh probably didn’t mean for them to hear him say that. Simon knew him well enough to know Hugh thought he wasn’t being loud, but the thing was… Hugh was always loud. He could be “whispering” and the whole neighborhood would hear him ask Simon if he knew how bars with strippers worked because he did know, and wanted to brag about it. Then, Simon would feel embarrassed, because, in fact, he didn’t know how bars with strippers work.

Simon immediately turned around and realized the girl was looking at them with an expression he couldn’t read. He turned invisible and pushed Hugh inside of an alley, hoping those trashcans hid them well enough in case the guy turned out to be a freaking animal and wanted to kick their flat asses for calling them exhibitionists.

Simon felt the anxiety kicking in, when Hugh started laughing so loud, that said anxiety turn into the need of punching him really hard on the arm.

So he did it. Multiple times.

“Dude, dude, shut the fuck up, dude,” Simon said keeping his voice low (because he could keep his voice down, unlike others), “that guy’s gonna kick our asses, for real. Dudeeee—”

But his voice kinda cracked when he said that “Dudeee—” and that made Hugh laugh even more, so Simon kept punching him, using a vocabulary that would make the most dangerous of gangster blush. And he probably would have kept hitting him, if the anxiety of being discovered hadn't been overshadowed by how weird it made him feel to see his best friend laugh.

When Hugh laughed, his cheeks would turn red and his eyes would water. They could be in the most embarrassing situation ever, one where no one was laughing, and if he found it funny, he was going to do it, because he wasn't going to be able to help it. And it wasn't like Simon would stop him, either. Not at all. He liked it when he laughed.

Even though he ended up making him laugh too. Like at that moment.

Most of the garbage ended up in the drains, the sidewalk, or anywhere else except where it belonged, the trash can. Generally, Hugh always refused when someone hinted at sitting on the floor, precisely for that reason. However, on that occasion, the two were sitting in that stinking alley, throwing pebbles at each other, playing with some bottle caps they found on the ground, and arguing about who would win a bare-handed fight, Wonder Man or Phantom Feline.

They decided it was time to go home when a cat-sized rat appeared out of nowhere, and the two of them came out screaming like idiots, even faster than they would have run if that guy with the girlfriend would have chased them. They ran until they reached Simon's house, all sweaty and tired, their hands on their bent knees and breathing heavily.

Then Hugh laughed again. And his cheeks were flushed again, and his eyes were watery again, and he made Simon laugh again until Mr. Westwood came home from work and told him to go inside, that it was too late to be outside.

Once he was locked in his room, with his younger sister playing in the living room and his father in the kitchen, the image of that guy kissing his girlfriend did not make him feel anything. So, he tried to imagine kissing a lot of girls that he considered a thousand times more attractive, but just when it seemed that the idea was beginning to be something desirable, Hugh came back, with his laugh, his screams, and his eyes, like one of those freaking trains that he dreamed of having the opportunity to stop one day and that never missed a single chance to tell Simon all about it.

The truth was that Simon did believe that Hugh might be able to stop a train with his bare hands, but he doubted he would be able to stop the train of thought that Simon hopped on whenever he thought of him. And he was so ashamed to know that not even the strongest prodigy on the planet was capable of doing that, that he decided to take those memories from the collar of the old blue hoodie that each one of them wore and bury them alive in the backyard of his memory.

Forever and ever.

Thrid try

Year 12

Two months ago, after their first date, Simon told Hugh he would never plan another important date, forever and ever. But now, Simon had let him plan their first Valentine's Day together without putting any objections, proving that he trusted him. And he was happy for him; Simon had always had problems when it came to trusting other people. It was nice to see the other grow to become a better person.

And it was even nicer when you were no longer only friends, but a couple.

So yeah, he wanted to make Valentine's Day special. It was kind of a big deal.

Georgia and Tamaya brainstormed with him places he could take Simon to. They all agreed that it had to be a place safe enough and that it wouldn't put them in a situation where they had to reveal their powers, and by consequence, their secret identities. But then, everything started going downhill, especially because Georgia had some very odd ideas (like something about flowers, a choreographed dance, and poetry) and Tamaya was as romantic as a rock (“Just don't end up nearly killing yourself in front of him, that should be enough.”)

It was February 13th, and Hugh was on his cot, a bit angry at Georgia and Tamaya, not only because they couldn't help him on such an important mission as they promised, but also because they blamed him for their failure, telling him that he "had no imagination" and that he "thought with his dick", just because he thought all their ideas were horrible.

Maybe he should have phrased that better...

Simon and Evander slept on the bunk bed Simon used to share with his younger sister. Simon was taking a shower, so he was all alone with Evander and Kasumi, who sometimes went there to visit her best friend, even if Tamaya told her not to do it because it smelled horrible in there and she would bring the odor to the girl’s bedroom (Hugh thought the room didn't smell bad at all, and if it did, it was because Evander acted like he was living in the street yesterday and had no sense of personal hygiene). But Kasumi didn’t seem to mind, and she spent most of her afternoons cuddling with Evander on the top bunk, while she read an old book and Evander read one of Simon’s comics (because Hugh would join the Anarchists before letting Evander touch his comics).

They started whispering at each other about who knows what, and even though he kind of wanted to know what they were talking about, he was just too tired, so he decided to put a pillow on his face and try to fall asleep. But then, he heard, quite clearly, that they said his name.

And he couldn’t let slip that.

He pulled the pillow off his face, and said, “What are you saying about me?”

They both peered over the edge of the bunk. “We were talking about how you're not good at romance,” Evander replied.

The audacity of that b— boy.

“You are eleven years old," he told him. “What are you going to know about romance?”

“No more than you,” Kasumi acknowledged, very solemnly.

Hugh made his “See?” face and he looked away.

Then, Evander asked, “Why don’t you take him to Cosmopolis Park?”

Oh, stars. He couldn’t be serious.

Cosmopolis Park.

A freaking theme park.

Evander was eleven, all right. His idea of a date was probably something out of a princess movie he and Kasumi watched from time to time (sometimes Tamaya joined them too and she always acted like she was just watching it to make fun of it, even though everyone in the house knew she had a weird soft spot for cheesy princess movies). But Hugh was technically an adult now. He should know better, and knowing better was not taking your boyfriend to a theme park for Valentine’s Day. That wasn’t very romantic.

“What a stupid idea.”

Kasumi got red all of the sudden. For the look at Evander’s face, Hugh knew he had fucked up even before she said, “It was my idea…”

“Oh— no, Zoomie, I… what I meant was that—”

“Don’t fix it, bro,” Evander interrupted him. “You’re gonna make me want to punch you more.”

He wasn’t afraid of Evander punching him because he couldn’t compare a kid’s strength to his, but he obeyed him and mumbled a small, “Sorry.”

The “sorry” was for Kasumi though, not for Evander. If Kasumi hadn’t been there, he probably would have told Evander something like “Oh, yeah? You’re gonna punch me, little punk? Come on, punch me, don’t be a pussy” (and then Georgia would have stormed into the room, telling him not to use the word “pussy”, and they would have pointed at each other saying “He started it!”)

After giving him a goodnight kiss, Kasumi got off Evander’s bed, with the book under her arm. Before leaving the room, she knelt beside Hugh to kiss him goodnight, as to show his comment didn’t cause her to feel any kind of resentment towards him.

Because of course it didn’t. Kasumi was like that.

“I was just saying— Valentine’s Day is also a day to be with friends,” she whispered. “And you and Simon are not only boyfriends but also... you know, friends. I bet that wherever you take him, it'd be magical for both of you. Because you find magic in each other's company, even before you knew you were in love. So... why not?”

She turned off the lights on her way out.

He never thought Kasumi’s tendency to romanticize everything was odd or weird. It was something that he expected from a teenage girl, especially one who has such a vivid imagination. But he also never expected that imagination would help him in some way. And he never expected for her to say the exact words he wanted to hear, even before he knew he wanted to hear them.

She was so wise.

Cosmopolis Park didn’t sound like a bad idea anymore when Simon entered just after Kasumi, wearing his pajamas, and asked him with a teasing voice, “So… where are you gonna take me tomorrow?”

Hugh didn’t know if Evander was already asleep, so he just smiled at him and told him it was a surprise. Simon rolled his eyes and gave him a soft kiss on the nose before getting into his own bed.

It was his way of telling him he trusted him. And relationships were supposed to be built upon trust. He didn't need anyone to tell him that.

As far as he knew, Simon hadn't been to Cosmopolis Park in years, probably before the Age of Anarchy began. It was no secret that the park was currently full of gangs and drug addicts but it was still a relatively peaceful place. At least peaceful enough that the park was full of families, groups of friends, and tons of couples.

Although there weren’t any couples...

Well, there weren’t any couples like them.

He wondered if Simon noticed that small detail too, but when he turned to ask him that, he knew it would be better if he just kept his comments to himself. Because he wasn't an expert reading other people's emotions, but Simon...

Simon looked so happy at the moment.

The two walked side by side, their shoulders brushing against each other's, but their hands tucked deep into their pockets. Hugh was trying to keep his eyes fixed forward to avoid bumping into anyone, but the small chuckles Simon let out every time he saw something that surprised him, made said task impossible. Suddenly, he no longer wanted to avoid the embarrassment that would cause him to bother someone by bumping into them; he wanted to look at him.

He wanted to look at him trying to hide his laughter by covering his mouth with his hand, as if he wanted to suppress some kind of dark feeling, without realizing that his joy was so full of light that it was practically impossible. He wanted to continue to see how his dark eyes, with very long lashes and deep bags under the eyes, perfectly captured the lights of the Ferris wheel and the food trucks. He wanted to see the tiny smile he had the entire time they were at the park because even if Simon didn't smile like that very often, when he did, Hugh felt as if he was witnessing the most wonderful of miracles.

Hugh took his hands out of his pocket, and when he turned his attention back to Simon, he was looking at him too. They stopped in their tracks, not caring that people passed around them, sometimes unintentionally pushing them a bit or stepping on their shoelaces.

Hugh took a step forward and Simon did too.

Then Simon pulled a hand out of his grey jacket's pocket, making him wonder if he was dreaming or if it was really going to happen.

Hugh held his breath and felt the blood rush to his face, along with the overwhelming feeling that everyone around him was staring at them, with the newly acquired gift of recognizing those two faces that always hid behind pair of colorful masks and now were gazing at each other with true devotion. He desperately wanted to know what was going through their heads, he wanted to know if they still considered them worthy of their admiration and respect, and he wanted to know if he had been right when he assured Simon that, someday, the two of them would hold each other in public without thinking it twice.

But then, just as Simon's fingers brushed his cheek, his attention was completely diverted to someone behind Hugh.

“Are you talking to me?” he asked awkwardly.

Hugh turned to see who his boyfriend was talking to. He was a slightly older man, juggling three balls and standing on the table of his own stand. He was smiling at Simon and he had a mustache that quite frankly made him look like a ridiculous comic villain.

“Yes, you!” and he threw a ball at Simon.

Simon covered his face with his hands, but Hugh caught the ball before it hit him.

Who did this guys think he was?

The guy, far from mocking Simon's reaction, seemed intrigued. “Do you want to win a prize, big guy?” he asked Hugh.

Hugh was ready to say no to him in the kindest way he could, when the guy pulled out a laundry basket, like the one Georgia put on his head every Sunday, saying "Laundry time!" in a voice so high that made birds explode.

“You just have to throw that ball you have in your hand—” he raised the basket “—here. And you can win a prize.”

He finally gave him a chance to reply. “No, thank you, we’re fine.”

He shoved his hands into his pockets again and told Simon to keep going. But the guy did not give up.

“I see,” he crooned from afar. “Your dad didn't play ball with you and that's why you don't think you're capable of throwing it correctly. It’s fine.”

Simon put his hand to his mouth as if thinking "Oh, stars, he did not."

And Hugh looked at him as if thinking "Oh, but he did."

If that guy knew who he was talking to, he would probably think it twice before making comments to strangers mocking their lack of a father figure.

So he turned abruptly and threw the ball into the basket.

If Hugh had been a little calmer, he probably would have been able to remember that, before leaving the house, Tamaya had told him that theme parks were full of games that had the sole purpose of scamming people and that one of them was that game in particular. The balls bounced so much that even if they made contact with the bottom of the basket they would jump back to whoever threw it, making them technically lose.

He would also have listened to himself, to Hugh, who told him that it would be best to turn around and get on with their lives, and not to Captain Chromium, who was determined to win that freaking game because he won every single game the world put in his way.

After three balls, the guy turned to Simon, extended his hand at him, and told him, “It's fifteen dollars.”

That was enough to make him lose his mind. Hugh told him that it was not worth arguing with him, but Captain Chromium did not tolerate that people tried to take advantage of him, and he spent about ten minutes screaming with the mustachioed man, until Simon panicked (or lost his mind), grabbed one of the balls and threw it right in the man’s eye.

Then, he did take Hugh by the hand.

But just to be sure they both got out of there before someone tried to stop them.

They ended the evening at a hamburger stand several blocks away from Cosmopolis Park (because obviously, they weren't going to stay there after the show they had put on). They did not have enough money to buy two sodas, but they bought a strawberry juice carton to share and sat on the sidewalk to eat their hamburgers of doubtful provenance, ranting against the man, against the park, and, especially, against those damn balls.

“I can't believe there are people like him breathing the same oxygen I breathe,” Simon commented, before taking a bite out of his burger ravenously. “He had no right to make that joke.”

But Hugh was so distracted by how attractive Simon looked when he bit his hamburger like that all he could say was:

“If my dad knew I couldn't win that stupid game, he would abandon me again.”

Simon frowned a little bit, repeating the sentence in his head until he finally understood the joke, and laughed so hard he began to choke with his food. Hugh started to panic and told Simon he would give him five back blows like he read he should do when someone started to choke. That was enough for Simon to spit his food on a napkin. Both were so grossed out by it, that they started laughing again. Simon hid his face on Hugh's shoulder, practically using his fit of laughter as an excuse to snuggle against him, and Hugh used his own angriness as an excuse to stay right there, telling the entire world to go to hell, and willing to keep doing it forever, just as long as the conversation didn't end and they had to go home.

Georgia and Tamaya would kill them. It was already late at night.

Fourth try

Year 17

It was already late night when they arrived at the motel.

Simon had stayed invisible the entire time they were at the reception like he always did when they had one of those more… private nights out. Hugh was the one who was in charge of booking the room because Simon got too anxious anyway at the mere idea of having to interact with one of the receptionists.

It was one thing for his entire family (or the Council, as they had been calling themselves lately, as a joke) to know that tonight he was going to have sex. Strangers knowing it was a completely different thing.

He still wasn't quite sure which one was more embarrassing, but yeah. It was different.

He only became visible again when Hugh closed the door behind him.

Simon looked at the huge sports bag that Hugh carried with him. “What you got there?”

“Nothing important,” he assured with a shrug. He was smiling like he was a kid getting a bunch of presents at Christmas, and Simon was extremely happy too, so, without asking any more questions, he kissed him on the lips and went to the bathroom to give both of them time to get ready.

Not that they hadn't done that before. They didn't like having such intimate moments in the house. And even if they had wanted to, it was practically impossible to have even a minute of privacy there. The last time he had slept in a room by himself had probably been… never. And the number of occasions someone had opened the bathroom door while he was there were more than he could count. The door lock had been broken for a few weeks but nobody knew how to solve the problem because they had no idea how doors worked. Georgia had tried to implement a serious policy of knocking before entering any room with the door closed, but the only one who paid attention to her was Adrian because the rest of them were simply too used to walk around the house as if they were in their own houses. (That they were their house, but it was more Simon's house than theirs.)

In fact, it was the first time in forever that he was in a bathroom and he didn't have to put his hand on the door, to stop whoever tried to open the door before they ended up seeing him in the most vulnerable of positions, so Simon took off his T-shirt, his jeans, and sat on the toilet, wearing his underwear and his jacket, trying to enjoy his first moment of privacy in a long time.

At least until his legs started to feel cold and Hugh told him that he could go out now.

When he came out of the room, Hugh, who was lying on the bed, widened his eyes. Simon was already ready to hear a flattering comment, but instead, he frowned and asked, “Are you going to leave your socks on?”

Simon looked at his feet automatically. He had indeed left his socks on.

He didn't see anything wrong with it.

“The carpet is filthy,” he replied. “I don't want to get fungus or something like that.”

Hugh found no fault with his logic. “Okay, but take them off when you get on the bed,” he asked.

Then Simon realized that Hugh, not only never stopped doing that ridiculous pose that pretended to be sexy throughout the entire conversation, but he also had thrown out the (probably dirty) bedsheets from the motel bed and put instead one of the blankets they took out of the closet to cover themselves during winter.

So that's what he carried in his sports backpack.

Hugh seemed to realize that Simon was looking at the blanket and not at him, because he immediately said, “Oh, I hate motel bedsheets.”

Simon couldn't help but laugh. “You hate them?”

Hugh finally stopped doing that ridiculous pose and sat down. “You just never know who sleep in them before us, Simon,” he replied, “and you never know when was the last time they washed them. Maybe they— ” he pointed to the pile of blankets thrown away “—are covered on the… bodily fluids of twenty other people, and you want me to lie on them? Is that how you want us to make love? Like animals?”

Simon kept laughing, but Hugh wasn’t laughing. “Simon, stop it!” he exclaimed. “A new class of bacteria could be there, ‘cause— oh, I am convinced that those things have a new kind of bacteria no one has discovered yet, and— ”

And he went silent when Simon put his hands on his shoulders, still with a smile on his lips.

“What?”

“Hugh, have I ever told you I think you're really sexy when you out crazy me?” Simon asked, running his fingers through his hair.

Hugh stood still, looking directly into his eyes. “No, I think you haven’t.”

Simon shrugged. “Well— I think you're really, really, sexy when you out crazy me.”

“Well, I think… I think—“

Hugh could no longer continue his sentence. Even though Simon wasn't doing anything to stop him from speaking.

He was literally just standing in front of him, one knee leaning on the mattress and one hand on Hugh's head.

“You think?” he asked him. “That’s new.”

“Simon, wait, I'm trying to seduce you,” Hugh said.

Simon took a step back, pointing to the bathroom door. “I think I’d wait over there.”

“No, wait—” he gently grabbed his wrist before he could move further away “—I’m starting to… Let me think of something.”

Simon chuckled. He put his knee on the mattress again and Hugh grabbed him around his waist, pulling him close to him and resting his head on his chest, while Simon rested his chin on his head. He had just taken a bath when they came out of the house, so Hugh’s hair smelled of him and lemon zest because they have been using dish soap as shampoo the last week.

That was the kind of privacy that they sometimes lacked at home. He was no longer talking about sex. Simon craved to have him like this, so close to him. Both in their underwear, both in a practically unknown place, and both completely vulnerable, but together. Feeling at home, even if technically they weren't.

Because Hugh was his home.

He was sure he saw him that way too.

Simon was so focused on trying to capture that moment in his memory so that he could repeat it over and over again for the rest of his life, that he was totally thrown when Hugh blurted out:

“I think you have a nice dick, dude.”

Simon broke the hug ... “What?”

Hugh’s cheeks turned even redder. “Tell me I didn't say that.”

He put a hand up to try to hide his laughter. “No, I think you did.”

He still couldn’t believe that was Hugh’s best try to seduce him. And apparently, Hugh couldn't believe it either.

“Then— forget about it,” he stammered. “Let's all of us forget about it.”

Simon realized that he tried to grab him by the waist again, but he moved away just in time, pretending to be extremely offended. “So I don't have a nice dick.”

“Let's just stop saying the word dick, please.”

“You started it.”

“I PANICKED, ALL RIGHT?”

“PANICKING IS MY JOB!”

“I’M TAKING YOUR JOB THEN. AND I’M GONNA STEAL YOUR BOYFRIEND TOO IF YOU KEEP LAUGHING!”

Simon didn't try to pretend that he wasn't laughing, because he was more than aware that it was already too obvious at this point.

So he decided it was better to play along.

“No, don't take my boyfriend!” he exclaimed dramatically, putting his hands on his shoulders. “Take me instead.”

Hugh took him by the waist and pulled him close. Simon didn't try to walk away this time. “Deal.”

But when Simon was about to start kissing him, he diverted his attention from Hugh for a split second, making him realize the curtains were wide open. “Oh, shoot, wait— the curtains.”

Luckily he hadn’t taken off his socks yet.

With quick steps, he headed to the window. He put a hand on each curtain and was about to close it completely when the lights of a car approaching from the end of the street caught his attention. It was a yellow sports car that looked more like a ripe banana than a vehicle.

Shit.

It stopped a few feet past the motel they were at. Out of it came a short man, with scars on his face and thin hair, and a tall blonde woman in a yellow dress, very inappropriate for the occasion. Not because it was provocative thought. It’s just that no one would wear such an expensive-looking dress in such a dangerous neighborhood unless they wanted to be robbed.

Or that they had enough status not to be.

Simon turned to see Hugh. “Hey—” Hugh looked up slightly. “—Come here.”

Hugh obeyed, a little bit confused, after putting his socks on (obviously). Simon had closed the curtains just enough for them not to be noticed but also not so much that they couldn’t see what was happening on the street.

Hugh gasped. “Are those—“

Simon swallowed hard. “Cyanide and Queen Bee in person.”

“What are they doing here?”

Simon had as much an idea of what Queen Bee and Cyanide were doing there as Hugh had, but he responded with the first thing that came to his mind anyway.

“Probably celebrating Valentine's Day,” he replied. “What a shitty place to take your girlfriend during Valentine’s Day though.”

At least take her to a motel. Like I did with Hugh.

“Do you think Queen Bee and Cyanide are together?” Hugh asked Simon.

Simon shrugged. “I don't know, but I know Queen Bee has a thing for Ace Anarchy.”

He had the slight hope that Hugh would take the bait and give him a chance to discuss his theories about Queen Bee's fixation with Ace Anarchy (which he always talked about with Tamaya), but Hugh, despite being very nosy, just kept quiet, watching Queen Bee and Cyanide argue outside the car.

How could that woman walk in such big heels?

“Or maybe Cyanide is the one who has a thing for Ace Anarchy,” Hugh blurted out suddenly.

Simon turned to see him. “Wait, really?”

“Don't be so heteronormative, Simon,” he scolded him. “Plus, I've never been in the cathedral, but I bet that when you enter there, it reeks homosexuality.”

“Dude—”

“I just know.”

And they kept watching.

There was something very personal about seeing two people arguing from a distance, like old ladies peering out of their home windows whenever the neighbors had a particularly loud fight. Simon almost considered it romantic.

Then, Queen Bee tried to turn around to turn her back on Cyanide, but something went wrong with her heel and she went face first towards the sidewalk, letting out a scream that could make someone think she was being murdered, and causing Cyanide (and the two of them) to laugh out loud.

How could that woman walk with those heels? Well, apparently, she couldn't.

The tension he felt when Cyanide interrupted his laughter and turned around as if he knew someone was watching them, made him remember that they were not gossiping old ladies peeking out of the window of their house and that those two were not some neighbors having a little fight. No, they were Dread Warden and Captain Chromium, stuffed into a hotel room like they were fugitives from the law or something, and those two little people in the middle of the street were two of the most feared and powerful villains in the world.

There was nothing romantic about that.

So Simon immediately closed the curtains.

But now neither of them was in the mood to have sex anymore, really.

“We should do something.”

“I'm on it.”

Hugh was already crouched slightly by the bedside, pulling his unmistakable superhero suits out of his sports bag.

Simon was so puzzled that he couldn't even stop to enjoy the… image that Hugh was inadvertently giving him by bending down like that.

“Wait, did you actually bring our supersuits to our date?” he asked him.

“Yeah,” he replied without looking up.

Who knows what kind of demon got into Simon at the time, but a not very family-friendly thought crossed his mind, and that thought was the one that made him ask, “Why?”

Hugh, completely unaware of what he was thinking, handed Simon his clothes and dropped the two pairs of boots on the floor as he sat in the bed.

Only the stars knew how he had managed to fit a blanket, their shoes, and their suits in that sports backpack.

“Because I thought something like this was gonna happen,” he explained while putting on his leggings. “You know, crime doesn’t celebrate Valentine’s Day the same way we do.”

Oh.

The little not very family-friendly thought hadn't been right then.

Simon felt a bit sick admitting that he wasn't sure if he was relieved or disappointed.

“Oh. I thought...”

Hugh looked at him, intrigued, and a second later, he understood what Simon was thinking. “Oh, stars, no. I was not thinking about that.”

“All right then.”

Now it was Hugh's turn to watch him change. Simon knew that was what he was doing.

Because he knew his look better than he knew anyone else's.

When he was fully dressed, Simon reached out to reach for his shoes, and Hugh put his own hand over his', to get his attention.

He already had the mask on, but he could see that he had turned red. If Simon had been white too, he probably would be redder than him.

He swallowed. “Unless— unless you're into it?”

Simon swallowed too. But he didn’t plan to answer him right now.

It had been hard enough to put on their suits. They didn’t need to start taking them off.

So he pulled his hand away and started putting on his shoes.

“Hugh, the villains—” he reminded him.

“Right, right.” Hugh brushed off his knees. “The villains. That’s important.”

After making sure the door had the lock on (and that said lock worked), they turned off the lights, Simon turned invisible, and Hugh climbed onto the roof, pushing himself off the window frame as fast as possible so that Queen Bee and Cyanide, who were turning their backs on them, standing in front of the door of an apparently abandoned building as if waiting for someone, did not see him. Afterward, Simon followed him, assuring him that he could climb on his own.

The two remained hiding behind the building's water tank. Well, Hugh was behind the building's water tank, and Simon was in plain sight, invisible, with his hood on and his cape fluttering behind him, making him feel…

He wanted to say that it made him feel heroic, but the truth was that Simon also felt very sexy when he got into this mysterious and threatening mode.

Simon turned his hand visible and pointed at them as if to say "Are we going or what?"

Hugh turned to see them with a frown, analyzing the situation. But when Simon was about to ask him what they were waiting for, Hugh turned to see him, with the same smile he had on his face when he was about to let the world know the coolest plan of all the plans, completely ignorant that in reality, it was the dumbest thing he had ever came up with.

“Wait, I have an idea.”

And in that situation, Simon had to take the role of being the one to tell him that his idea was bullshit and that it wasn't going to work, but he used to listen to his idea before expressing his comments about it. Not only because he didn't like talking without knowing all the facts first, but because may he could go to Tamaya the next day and tell her what had happened in the last episode of Hugh Had an Idea And It Went Wrong.

(They also enjoy episodes of Evander Acted Like An Animal Again and Queen, Realize That Junkie Doesn’t Care About You, Please.)

“Do you remember that song Evander used to sing to us?” he asked him.

Oh, Simon remembered it and cringed every time he thought about it.

But the cringe wasn't enough to stop him from singing the song.

“The Warden and the Captain are sitting in a tree—”

Hugh cringed too. “That one, yes. Stars, I hate it so much—” and he pointed to Queen Bee and Cyanide “—Let's make them hate it too. ”

Simon seriously tried to take his role as the voice of reason in that situation. He let his imagination (or rather, his anxiety) run wild, making him imagine the thousand and one scenarios in which that specific fight could turn out worse than they usually did if Hugh made that comment. Queen Bee would probably call Hugh a "lesbian" (“You have a lesbian haircut, honeybun, accept it”), Cyanide would go crazy trying to find Dread Warden to melt his skin slowly and painfully, everyone would wish death upon everyone, and the only reason the fight would end would be because either Cyanide would finally manage to injure Simon or because Queen Bee’s stilettos would break.

He didn't see how teasing them with an attack worthy of elementary school kids would make the situation worst.

Besides… it was going to be hilarious to see that.

He didn't see why he couldn't co-star in Hugh Had Idea and It Went Wrong.

“I'm in,” he replied, trying not to raise his voice too much. “I'm super in.”

Hugh rose his hand and Simon high-fived him quietly. But Hugh seized the opportunity to take his hand, running his finger across his knuckles. “Okay, but you sing the spelling part, because—”

“You don't know how to spell,” Simon interrupted.

Hugh let go of his hand. “Well, when you said it in that tone, it sounds a little mean.”

Simon rolled his eyes and took his hand again. Then the logical part of his brain (yes, the same one that always insisted on being the voice of reason in situations like that) began to yell at him that he should convince Hugh to let Cyanide and Queen Bee did whatever they wanted, while the two of them did whatever they wanted.

But that the logical part of him had no voice in that situation because the logical part of his brain was not the part that loved Hugh. After all, there was nothing logical in loving the way he made a kind of mini-horn with both hands, took a deep breath, and yelled with all his might:

“CYANIDE AND THE QUEEN BEE SITTING IN A TREE—”

Fifth try

Year 20

K-i-s-s-i-n-g.

That was what he wanted to be doing. He wanted to be kissing Simon. He wanted to be with him, walking in the park and watching life go by in front of them. The birds singing from the trees, the children chasing each other, and the wind ruffling their hair. The day was going to be so perfect that he was going to be able to ignore homeless people getting high on corners or young people dealing drugs (that should be) illegal, focusing all his attention on Simon and how happy he felt that this time, everything he was going well.

He didn't want to be crammed into the living room with the rest of his family, listening to the thunder and the rain crashing down on the ceiling.

But apparently, that's what he was doing.

Tamaya was sitting on the floor, covering herself with her wings. Simon had sat on the other end of the three-seater couch, looking out the living room window with a thoughtful expression, worthy of a character in a Shakespearean play or something. Evander was leaning over him and had Kasumi on his lap. She was watching him play (or rather trying to play) a Tetris game that he had on his phone, putting her icy feet on Hugh's arm, probably without realizing it, and Hugh was on the other end of the couch, first starting at Simon, thinking of how handsome he looked when he was thinking, and then at Georgie. She had been smart enough to sit on the reclining sofa, which gave her the space she needed to cuddle with an inconsolable six-year-old Adrian.

“The storm will end soon,” she was telling him. “The storm will end soon.”

But that was not enough to comfort Adrian. His mother had already been telling him for about an hour that “the storm will end soon”, but the storm just ... did not end. And each time they heard a new thunder, Adrian let out a howl and clung to his mother with more force, asking her to please not go away.

Everyone knew that when Adrian asked Georgie not to go away, he was actually asking everyone not to go away. If any of them left the room, he would probably lose his mind.

He felt the urge to tell him that she wasn't going anywhere. That wasn’t very Georgie. Georgie didn't leave people who needed her like that, scared, crying, and begging her to stay. So since Georgie didn't do it, neither did the others.

It is not like they could have gone anywhere though.

Georgie realized that Simon hadn't stopped staring out the window.

“I'm sorry you couldn't do anything special this Valentine’s Day,” she whispered. Simon blinked as if he were waking up from a dream. “What did you have planned for this evening?”

Simon turned to see him, disappointed. Hugh decided to answer for him.

“We were going to have a picnic at the park,” he replied.

Georgie blurted out something that sounded like “Awww”, and Evander scoffed.

“That’s gay.” Hugh put his arm behind Kasumi and smacked Evander on the back of his head. “BRO, YOU LITERALLY MADE LOSE ME.”

Tamaya laughed and Kasumi shook her head. “I want to play too—” she tried to take the cellphone and Evander pressed it closer to his chest “—Vandy.”

Georgie intervened (without letting go of Adrian). “Vandy, give Kasumi the phone. It’s her turn. And then it's mine.”

But Evander didn’t want to.

“But it only has ten percent of battery left,” he exclaimed.

“Perfect, it's more than enough for Tamaya, Kasumi, Simon, Hugh, and I to get a turn too.”

“Hugh punched me! He does not deserves a turn.”

“I didn't punch him,” Hugh said. “I just hit him very slightly.”

“My brain almost felt out of my head.”

“Do you still have a brain?” Tamaya asked. Hugh high-fived her. “I've been thinking about that joke for weeks, dude.”

“Evander Wade, share the phone,” Georgia said. “I'm no longer asking.”

“No! It's my phone.”

Desperate, Tamaya reached out to take Evander's cell phone, and he stood up so fast that Kasumi ended up falling on Tamaya.

“MOTHERFU—”

A thunder. Again.

Adrian started crying. Again.

And they all went silent. Again.

Hugh took advantage of the fact that Evander got out of the coach to move closer to Simon. Evander didn't say anything to him because he was too busy handing the cell phone to Tamaya, who then gave it to Kasumi. Kasumi refused to sit down with Evander again and stayed on the floor with Tamaya (although resting her head on his knees, as if they were a pillow).

Simon rested his head on Hugh's shoulder.

“Next year will be better,” he whispered in his ear. Simon didn't answer him; he only put his hand on the window, leaving the trace of his fingers on it. “Are you all right?”

Simon put his hand on Hugh’s waist and pulled him closer to him, closing his eyes for a while. “I'm tired…”

“Rest then.”

After all…

Hugh was tried too.

There had never been a day when they didn't have to face a new threat. It seemed that the Anarchists, instead of getting weaker, were getting stronger. Even with the many new allies the Renegades had, no one seemed to have a second of the day to rest. Adrian got more and more nervous when they went out as days passed by, and it was becoming more difficult to calm down him during his tantrums. Even he, who was a child, could feel the tension in the city.

But precisely because of that, because he was a child, he could not understand the enormous responsibility that the Renegades had on his shoulders and that they could not stay with him, no matter how much they wanted to.

Maybe that was why no one had tried to leave the room. It was their way of telling Adrian that they were still there for him.

He was about to fall asleep when Simon pulled him away. His first instinct was to pull him closer, but as soon as he realized that Simon was just standing up, he let go of him.

Suddenly, he looked happier. Much happier than anyone else in that room.

Everyone noticed that change.

“Are you still too tired to celebrate Valentine’s Day?”

Even Hugh didn't understand what he meant.

Evander turned to see Georgie. “Georgie, you told them no hanky-panky in the house.”

“Vandy—” Kasumi intervened.

“Zoomie.”

“Don't say hanky-panky.”

“Yeah, you sound like a grandma,” Tamaya told him slightly punching him on the leg.

Hugh shushed them. “Shhh, guys, let Si talk.”

“No, go on, guys—” Simon told them “—Let us show you.”

And he held out his hand.

Obviously, Hugh accepted it.

He had no idea what Simon was planning to do, but he wasn't too tired not to celebrate Valentine's.

He was never too tired of him.

Adrian immediately reacted to this. “Hey, no, don't go...” he cried, stretching his little arms towards them.

Luckily, Simon looked like he already had that covered.

“We're not going anywhere, Adrian,” Simon assured him. “You are coming with us.”

Adrian and Georgie's eyes widened at the same time.

“Me?” Adrian asked pointing to himself.

“You,” Simon replied, confidently. “But it's a very special mission,” he added in a lower voice, putting a hand on his shoulder. “You can't tell anyone.”

Adrian rubbed his eyes and Georgie looked up at the ceiling as if she were making sure a new leak hadn't magically appeared. Tamaya, on the contrary, didn't understand, and she stared at the scene, very intrigued by Simon's plan too. Luckily, Georgie noticed it, and with a frantic movement of her hand, told her to stop staring. Hugh made the same move, but this time, directed at Kasumi and Evander.

When Adrian opened his eyes again, everyone but the two of them was pretending they weren't listening to the conversation.

“What mission is it?” Adrian asked in a thin voice.

“Look, we can't go out to celebrate Valentine's Day,” Simon explained, “but what we can do is bring Valentine's Day here with us.”

Adrian looked puzzled.

“Hey, but you're going to need a superhero name to be able to participate in the mission,” Hugh commented, trying to get Adrian more interested. “Do you have any ideas?”

Simon scratched his beard, thinking. “Hmm, very good question, my dear Captain,” he commented. “Maybe—”

“Oh, I know what superhero name I'll have,” Adrian exclaimed, grabbing Simon by the cheeks. “Hey, your beard feels funny.”

Simon grabbed him by the cheeks too. “What’s your superhero name, then?”

Adrian whispered it in his ear and Simon's face lit up. “It's a perfect name, Adrian.”

Adrian shushed him. “Shh, don't say my real name! I have to use my superhero name, remember? It's a mission.”

Evander scoffed again and Kasumi shushed him immediately.

“And can he tell me your superhero name?” Hugh asked Adrian.

Adrian stopped to think about it. “Yes, why not?” he finally replied.

Then, Simon stood slightly on tiptoe to reach him and whispered in his ear the most perfect superhero name he had ever heard.

Sketch.

Hugh took Adrian by surprise when he graved him and carried him in his arms, making him gasp in shock and excitement. Even Georgie started to laugh out loud at her son's reaction.

“Ready for the mission, Sketch?” he asked him making his voice lower than it actually was.

Adrian gave a military salute. “I was born ready, Captain!” he exclaimed, moving his feet in the air.

Georgie stood up too. “Where you taking my son, guys?” she asked dramatically.

Hugh placed Adrian on his shoulders.

“Don’t worry, mom,” Adrian told her, “I’ll be fine. I need to accomplish this mission.”

Georgie pretended to start sobbing. “No, but you don't have to, son of mine, you're too young!”

“Listen to your mother, kid,” Tamaya intervened. “Stay with us, stay safe with your family—“ and she passed her wings over Kasumi's shoulders.

“Tamaya has two wings,” Kasumi pointed out. “And they're warm.”

“Really?” Evander asked.

But Tamaya’s face changed immediately. “It's not for you, it's for Adrian.”

“GO WITH THEM, LITTLE SKETCH, GO!” Evander yelled standing up on the sofa. “GO SAVE VALENTINE’S DAY!”

That was enough for Adrian. He kissed his mother on the cheek and told her that he would be back soon. Then the three of them began their journey to the kitchen while the others stayed in the living room.

Simon pulled out a bag of bread from the refrigerator and asked Hugh to pass him the peanut and hazelnut butter jars from the cupboard. Adrian took it upon himself to count the remaining loaves of bread and separate them into pairs, spreading them on the table. Simon encouraged him to count how many pairs there were and Hugh had no problem helping him when he got stuck at number five. Then Simon toasted them on the stove, and he allowed Adrian to pile them up like a tower on a red ceramic plate.

When it was time to make the sandwiches, Simon and Hugh sat at different ends of the table, each holding a butter knife. Simon would spread peanut butter on one of the loaves, Hugh would spread hazelnut on the other, and Adrian would gather them together and wrap them the best he could in a napkin, before putting them in a makeshift basket that Kasumi had made long ago.

“Mommy, no!” yelled Adrian when Georgie dared to enter the kitchen. “It's a secret mission!”

“Don’t worry, don’t mind me,” she told them pretending not to notice what they were doing. “I'm just gonna prepare myself some strawberry milk.”

As soon as Adrian looked away, Georgie winked at Hugh. And Hugh winked back.

“I think we're done with this mission now,” he replied using that ridiculously deep voice again. “You have to break the news to the rest of the team, Sketch.”

Adrian jumped out of his chair and practically ran into the living room, holding the basket with sandwiches in his hand.

The three of them had been so into their mission, they didn't realize that the others had put several blankets on the floor and Tamaya was cursing under her breath for being unable to use a lighter to turn on the candles. Kasumi approached Adrian, with a VHS in each of her hands, asking him which movie he would like to see, and Evander came over too, but to try and tell Adrian to pick the action movie, not the romance movie the girls wanted to see.

Simon seemed like he wanted to join the conversation too, but Hugh thought he had done enough. And he meant it in a good way. So he took him by the hand and they lied down on the couch, not caring that perhaps one of the others wanted to sit on it.

Adrian had already chosen the movie (he chose the period drama over the action movie, thankfully) when Georgie walked into the living room with a stack of plastic cups under her arm and a jug half full of strawberry milk, carrying it as it were a trophy. During her birthday, everyone in the house had raised money to buy her a huge pot of strawberry milk powder, which they made her promise that she would not share.

Some promises could not be kept.

The adults got two sandwiches each, but Adrian had practically all of the strawberry milk. Throughout the movie, Kasumi was sighing and muttering how much she wanted to wear a dress like the one the main character wore in the movie during that elegant dinner. From to time, Tamaya frowned and muttered something about how problematic she found a line or scene. Georgie braided their hair and when she finished, she would undo the braid and start over, laughing out loud at Evander's comments about how horrible the romantic interest looked and that he did not understand how that was the ideal of beauty that women had. Adrian fell asleep in Simon's arms about halfway through, and about that exact time, Hugh began to notice that Simon was starting to have a hard time trying to stay awake.

He looked adorable when he was thinking, but he liked it even more how he looked when he was falling asleep.

He kissed the back of his head. “Are you tired?”

He nodded slightly. “Yes… but never of you.”

Hugh kissed him again. “I was thinking the same thing.”

“What thing?”

Georgie turned around for a second and realized that Adrian had fallen asleep. She stopped braiding Evander’s short hair (for some reason, Evander had let her braid his hair) and sat on the recliner chair, hugging Adrian like a stuffed animal.

She winked at him once more. And Hugh winked back, one more time.

“Nothing— ” he laid himself more comfortably on the couch and allowed Simon to get on top of him, resting his head on his chest. “—Sleep for a while.”

Simon made no further objection. “You too.”

Hugh did not fall asleep. In fact, he stayed awake for the three hours the movie lasted, even though by the time the credits started, Tamaya was snoring and Kasumi and Evander were under her wings, rolled up, and cuddled up to her. Georgie ended up falling asleep on the couch, covered in the same blanket Simon used to cover himself a few hours ago.

When the clock told him it was 7 PM, Hugh knew it was time for them to go patrol. However, the rain had gotten even worse, and Simon...

Simon looked so peaceful.

He hadn't realized how deep the bags under his eyes had gotten, nor that his face hadn't looked as relaxed as it looked right now for weeks, because he frowned most of the time. He hadn't held him that close either or had the opportunity to give him as many kisses as he had been doing in that time. Not because he didn't want to, it was just ... well, they had been busy trying not to die.

How tiring it was to try not to die.

He knew Simon was tired because, again, he was tired too, and he bet that the rest of their family felt the same as them. But Simon was the only one who had overcome his tiredness and his moodiness to just... make them forget their sorrows for a moment.

He was like that.

Hugh gave him one more kiss on the cheek.

Thank you.

If Simon had been awake, he would have asked him "Thanks for what?"

And Hugh would have answered him, "For just being you."

Someday they would get their happy ending. But for the moment, all he wanted was to be crammed into the living room with the rest of his family, listening to the thunder and the rain crashing down on the ceiling.

He doubted that happiness would ever end.

Sixth (but not last) try

Two years after the Day of Triumph.

Just over a year ago, Simon had been on the roof of the same building he was currently in. Of course, it looked very different from how it looked now. It didn’t have any windows, no furniture, and, obviously, no electricity. It was the vile shell of what had once been one of the most beautiful skyscrapers in the city. Simon was thinking about that when he realized that he did not have a single memory of having seen that place when it was in its maximum splendor and that the only proof he had of it was the stories of those adults who arrived before him.

That sooner or later, he would become one of those adults. Those who told stories of the past to the generations that came after them.

He thought of Adrian. He thought that there would come a time when he would be curious to know certain things that happened and would ask questions that Simon would not be too sure how to answer. Not precisely because he didn't want to or because he thought he wasn't ready to hear the truth; he just didn’t know those truths at all.

Why did people change for the worst? How did the world use to be when prodigies weren’t divided by heroes or villains?

What happened to Lady Indomitable?

How did the world use to be before she was gone?

Then Simon, with tears in his eyes, looked up at the crescent moon and the six stars lined up in such a way that they seemed to form a smile. He hadn’t seen anyone in his family smile for… a very long time.

Because when Georgia Rawles left, she took with her their capacity to smile.

Yet, at that moment, Simon could feel her. He could feel her when he was crying, asking her to please fly again and to help him get down from that skyscraper. He felt her hugging him, keeping him from falling to his knees and cutting his skin with the shattered glass that was on the floor. She promised him that she would never give up on him and assured him that every time he saw the sky, he would find those six stars forming that smile, which from that moment on, would be hers.

Simon didn't want her to make promises, but… it was Georgie. His Georgie. The Georgie who made pinky promises even though she was about to turn thirty because you were never too old for pinky promises. The Georgie who always protected him and never gave up on him, even though there were times when Simon thought she should.

So since she was his Georgie, Simon accepted the promise. As she turned around and rose again to the sky, he wondered what would happen when the city was so full of light, that the stars (Georgie’s smile) faded away and everyone, including them, forgot about them (about her).

But, after all this time, Simon was looking at the stars, on the roof of that same skyscraper that had now been turned into a fancy restaurant, holding Hugh's hand across the table, and noticing that Georgie was still smiling at him from above.

As it always should be.

“Did you ever expect things to turn out like this when you were little?”

He turned to see Hugh again. “What things?”

But Hugh kept staring at the stars. Simon didn't care. He liked to think that the sparkle in his blue eyes was due to them. “Us.”

Simon shook his head, “No,” he answered when he remembered Hugh couldn’t look at him. “Did you?”

Finally, Hugh saw him again. “I think that when I was little, I didn’t know one could be as happy as I am with you right now.”

Simon rolled his eyes.

“I'm serious,” Hugh insisted, taking him just a little tighter by the hand. “I'm so glad we finally made it out.”

Simon leaned forward slightly. “We really did, huh?”

Then, Hugh gently pulled him closer to him, making their foreheads bump and closing his eyes. “And I'm so glad that now, nothing bad is gonna happen to you, to us, and to what we have.”

Simon closed his eyes too. He would have liked to promise Hugh that it would be like that. That this new chapter of their lives, the chapter of getting married, having kids, and rebuilding a city together, was would turn out as well as the last one, when they fought crime, defeated the bad guys, and held hands only when they were not wearing the armors that protected them from the outside world.

But he could not promise that. And anyways, Hugh was not very fond of promises. He said they were very easy to break.

So he grabbed his chin and gave him a quick kiss on the lips before saying, “It's getting late. We should ask for the check.”

Hugh nodded and called a waiter. He noticed that Simon was reaching into his pocket and quickly told him not to do it, that he got it. Simon knew there was nothing he could do to make him change his mind, so he instead just asked if he could get a slice of chocolate cake to go. Adrian would love to have chocolate cake for breakfast.

The waiter returned a few moments later with the bill (and Adrian’s chocolate cake). Simon almost winced when he saw the amount of money they had spent on a meal that hadn’t been that good in the first place (although he did not know if it was because of the lack of ingredients or because gourmet food kind of sucked). However, Hugh didn't seem at all concerned and reached into his pockets to get his wallet.

Suddenly, he leaned his elbows on the table. “Simon.”

Simon leaned his elbows on the table too. “Yes?”

“Have I mentioned you look very handsome tonight?”

He tried to remember. “No,” he replied. “But thank you for noticing. I even took a shower.”

“Wow,” Hugh exclaimed with too much enthusiasm. “Feeling fancy today.”

“I do feel fancy today,” Simon replied, adjusting the jacket he had put on over his pink button-up shirt at the last moment because Hugh had told him that the restaurant had a pretty rigid dress code.

Simon almost didn’t put on the jacket out of pure spite. In fact, he spent all the way ranting about how it was stupid to have such a specific dress code in a place like Gatlon City, and that he bet that the owners of that restaurant, who now were acting like total snobs, had spent most of their lives wearing only a t-shirt and old jeans, like the rest of them.

Hugh, who had been wearing the jacket from the beginning (a blue one), was quiet, listening carefully to what Simon was saying until he blurted out:

“We can do something else if you want to.”

He didn't say it in an “I’m hurt by your comment” tone. Instead, he said it the same way he would tell him that they could watch another movie or that they could get take out instead of cooking dinner. He said it as if the reservation he made was not at stake, or as if he hadn’t been sending him hints of wanting to go to that specific restaurant since New Year.

Simon knew that if he had said yes, Hugh would have taken him wherever he wanted. However, Simon also knew that it didn't matter where they went. They had spent Valentine's in an alley, at a fair, fighting villains, and in a house too small for seven people. And in all those places, he had a great time.

Surely that place was… snobbish, but he could have a great time there too.

After all, they were together.

He was sure Hugh knew that too.

Hugh nodded, agreeing with him. He hardly ever agreed with someone other than himself anymore.

“Is this your strange way of making me say you look good too?” he asked him then.

And Hugh’s smile grew bigger. “Simon Westwood, you are the love of my life,” he replied taking his hand, “and this is my strange way of telling you I forgot my wallet at home.”

Simon laughed so loudly that the other customers turned to see him. But he couldn't care less. He kind of wanted them to saw them. He wanted them to notice how much he was laughing and he wanted them to see him kiss Hugh as he reached for his pockets…

Oh, no.

“Hugh.”

He tensed. “Yes, dear husband of mine who’s going to pay for this dinner?”

“You look good too.”

That was enough for Hugh to realize that Simon had also left his wallet at the house.

The two remained serious for a long time. But then, Simon could see how Hugh's brain clicked in a very strange way, which made him see this whole situation as the funniest thing that had ever happen to him.

He kissed him once more.

They always managed to ruin their Valentine's Days one way or another, but it didn't matter. Because there was no way they could ruin what the two of them had.

Boy, he would like to see someone try.

#queercreators #queercreators02 #renegades #archenemies #supernova #renegades trilogy #hugh everhart #simon westwood #humon #obsi's writs

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holyhellpod · 4 years ago

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Holy Hell: 3. Metanarrativity: Who’s the Deleuze and who’s the Guattari in your relationship? aka the analysis no one asked for.

In this ep, we delve into authorship, narrative, fandom and narrative meaning. And somehow, as always, bring it back to Cas and Misha Collins.

(Note: the reason I didn’t talk about Billie’s authorship and library is because I completely forgot it existed until I watched season 13 “Advanced Thanatology” again, while waiting for this episode to upload. I’ll find a way to work her into later episodes tho!)

I had to upload it as a new podcast to Spotify so if you could just re-subscribe that would be great! Or listen to it at these other links.

Please listen to the bit at the beginning about monetisation and if you have any questions don’t hesitate to message me here.

Apple | Spotify | Google

Transcript under the cut!

Warnings: discussions of incest, date rape, rpf, war, 9/11, the bush administration, abuse, mental health, addiction, homelessness. Most of these are just one off comments, they’re not full discussions.

Meta-Textuality: Who’s the Deleuze and who’s the Guattari in your relationship?

In the third episode of Season 6, “The Third Man,” Balthazar says to Cas, “you tore up the whole script and burned the pages.” That is the fundamental idea the writers of the first five seasons were trying to sell us: whatever grand plan the biblical God had cooking up is worth nothing in face of the love these men have—for each other and the world. Sam, Bobby, Cas and Dean will go to any lengths to protect one another and keep people safe. What’s real? What’s worth saving? People are real. Families are worth saving.

This show plugs free will as the most important thing a person, angel, demon or otherwise can have. The fact of the matter is that Dean was always going to fight against the status quo, Sam was always going to go his own way, and Bobby was always going to do his best for his boys. The only uncertainty in the entire narrative is Cas. He was never meant to rebel. He was never meant to fall from Heaven. He was supposed to fall in line, be a good soldier, and help bring on the apocalypse, but Cas was the first agent of free will in the show’s timeline. Sam followed Lucifer, Dean followed Michael, and John gave himself up for the sins of his children, at once both a God and Jesus figure. But Cas wasn’t modelled off anyone else. He is original. There are definitely some parallels to Ruby, but I would argue those are largely unintentional. Cas broke the mold.

That’s to say nothing of the impact he’s had on the fanbase, and the show itself, which would not have reached 15 seasons and be able to end the way they wanted it to without Cas and Misha Collins. His back must be breaking from carrying the entire show.

But what the holy hell are we doing here today? Not just talking about Cas. We’re talking about metanarrativity: as I define it, and for purposes of this episode, the story within a story, and the act of storytelling. We’re going to go through a select few episodes which I think exemplify the best of what this show has to offer in terms of framing the narrative. We’ll talk about characters like Chuck and Becky and the baby dykes in season 10. And most importantly we’ll talk about the audience’s role, our role, in the reciprocal relationship of storytelling. After all, a tv show is nothing without the viewer.

I was in fact introduced to the concept of metanarrativity by Supernatural, so the fact that I’m revisiting it six years after I finished my degree to talk about the show is one of life’s little jokes.

I’m brushing off my degree and bringing out the big guns (aka literary theorists) to examine this concept. This will be yet another piece of analysis that would’ve gone well in my English Lit degree, but I’ll try not to make it dry as dog shit.

First off, I’m going to argue that the relationship between the creators of Supernatural and the fans has always been a dialogue, albeit with a power imbalance. Throughout the series, even before explicitly metanarrative episodes like season 10 “Fan Fiction” and season 4 “the monster at the end of this book,” the creators have always engaged in conversations with the fans through the show. This includes but is not limited to fan conventions, where the creators have actual, live conversations with the fans. Misha Collins admitted at a con that he’d read fanfiction of Cas while he was filming season 4, but it’s pretty clear even from the first season that the creators, at the very least Eric Kripke, were engaging with fans. The show aired around the same time as Twitter and Tumblr were created, both of which opened up new passageways for fans to interact with each other, and for Twitter and Facebook especially, new passageways for fans to interact with creators and celebrities.

But being the creators, they have ultimate control over what is written, filmed and aired, while we can only speculate and make our own transformative interpretations. But at least since s4, they have engaged in meta narrative construction that at once speaks to fans as well as expands the universe in fun and creative ways. My favourite episodes are the ones where we see the Winchesters through the lens of other characters, such as the season 3 episode “Jus In Bello,” in which Sam and Dean are arrested by Victor Henriksen, and the season 7 episode “Slash Fiction” in which Dean and Sam’s dopplegangers rob banks and kill a bunch of people, loathe as I am to admit that season 7 had an effect on any part of me except my upchuck reflex. My second favourite episodes are the meta episodes, and for this episode of Holy Hell, we’ll be discussing a few: The French Mistake, he Monster at the end of this book, the real ghostbusters, Fan Fiction, Metafiction, and Don’t Call Me Shurley. I’ll also discuss Becky more broadly, because, like, of course I’ll be discussing Becky, she died for our sins.

Let’s take it back. The Monster At The End Of This Book — written by Julie Siege and Nancy Weiner and directed by Mike Rohl. Inarguably one of the better episodes in the first five seasons. Not only is Cas in it, looking so beautiful, but Sam gets something to do, thank god, and it introduces the character of Chuck, who becomes a source of comic relief over the next two seasons. The episode starts with Chuck Shurley, pen named Carver Edlund after my besties, having a vision while passed out drunk. He dreams of Sam and Dean larping as Feds and finding a series of books based on their lives that Chuck has written. They eventually track Chuck down, interrogate him, and realise that he’s a prophet of the lord, tasked with writing the Winchester Gospels. The B plot is Sam plotting to kill Lilith while Dean fails to get them out of the town to escape her. The C plot is Dean and Cas having a moment that strengthens their friendship and leads further into Cas’s eventual disobedience for Dean. Like the movie Disobedience. Exactly like the movie Disobedience. Cas definitely spits in Dean’s mouth, it’s kinda gross to be honest. Maybe I’m just not allo enough to appreciate art.

When Eric Kripke was showrunner of the first five seasons of Supernatural, he conceptualised the character of Chuck. Kripke as the author-god introduced the character of the author-prophet who would later become in Jeremy Carver’s showrun seasons the biblical God. Judith May Fathallah writes in “I’m A God: The Author and the Writing Fan in Supernatural” that Kripke writes himself both into and out of the text, ending his era with Chuck winking at the camera, saying, “nothing really ends,” and disappearing. Kripke stayed on as producer, continuing to write episodes through Sera Gamble’s era, and was even inserted in text in the season 6 episode “The French Mistake”. So nothing really does end, not Kripke’s grip on the show he created, not even the show itself, which fans have jokingly referred to as continuing into its 16th season. Except we’re not joking. It will die when all of us are dead, when there is no one left to remember it. According to W R Fisher, humans are homo narrans, natural storytellers. The Supernatural fandom is telling a fidelitous narrative, one which matches our own beliefs, values and experiences instead of that of canon. Instead of, at Fathallah says, “the Greek tradition, that we should struggle to do the right thing simply because it is right, though we will suffer and be punished anyway,” the fans have created an ending for the characters that satisfies each and every one of our desires, because we each create our own endings. It’s better because we get to share them with each other, in the tradition of campfire stories, each telling our own version and building upon the others. If that’s not the epitome of mythmaking then I don’t know. It’s just great. Dean and Cas are married, Eileen and Sam are married, Jack is sometimes a baby who Claire and Kaia are forced to babysit, Jody and Donna are gonna get hitched soon. It’s season 17, time for many weddings, and Kevin Tran is alive. Kripke, you have no control over this anymore, you crusty hag.

Chuck is introduced as someone with power, but not influence over the story, only how the story is told through the medium of the novels. It’s basically a very badly written, non authorised biography, and Charlie reading literally every book and referencing things she should have no knowledge of is so damn creepy and funny. At first Chuck is surprised by his characters coming to life, despite having written it already, and when shown the intimidating array of weapons in Baby’s trunk he gets real scared. Which is the appropriate response for a skinny 5-foot-8 white guy in a bathrobe who writes terrible fantasy novels for a living.

As far as I can remember, this is the first explicitly metanarrative episode in the series, or at least the first one with in world consequences. It builds upon the lore of Christianity, angels, and God, while teasing what’s to come. Chuck and Sam have a conversation about how the rest of the season is going to play out, and Sam comes away with the impression that he’ll go down with the ship. They touch on Sam’s addiction to demon blood, which Chuck admits he didn’t write into the books, because in the world of supernatural, addiction should be demonised ha ha at every opportunity, except for Dean’s alcoholism which is cool and manly and should never be analysed as an unhealthy trauma coping mechanism.

Chuck is mostly impotent in the story of Sam and Dean, but his very presence presents an element of good luck that turns quickly into a force of antagonism in the series four finale, “Lucifer Rising”, when the archangel Raphael who defeats Lilith in this episode also kills Cas in the finale. It’s Cas’s quick thinking and Dean’s quick doing that resolve the episode and save them from Lilith, once again proving that free will is the greatest force in the universe. Cas is already tearing up pages and burning scripts. The fandom does the same, acting as gods of their own making in taking canon and transforming it into fan art. The fans aren’t impotent like Chuck, but neither do we have sway over the story in the way that Cas and Dean do. Sam isn’t interested in changing the story in the same way—he wants to kill Lilith and save the world, but in doing so continues the story in the way it was always supposed to go, the way the angels and the demons and even God wanted him to.

Neither of them are author-gods in the way that God is. We find out later that Chuck is in fact the real biblical god, and he engineers everything. The one thing he doesn’t engineer, however, is Castiel, and I’ll get to that in a minute.

The Real Ghostbusters

Season 5’s “The real ghostbusters,” written by Nancy Weiner and Erik Kripke, and directed by James L Conway, situates the Winchesters at a fan convention for the Supernatural books. While there, they are confronted by a slew of fans cosplaying as Sam, Dean, Bobby, the scarecrow, Azazel, and more. They happen to stumble upon a case, in the midst of the game where the fans pretend to be on a case, and with the help of two fans cosplaying as Sam and Dean, they put to rest a group of homicidal ghost children and save the day. Chuck as the special guest of the con has a hero moment that spurs Becky on to return his affections. And at the end, we learn that the Colt, which they’ve been hunting down to kill the devil, was given to a demon named Crowley. It’s a fun episode, but ultimately skippable. This episode isn’t so much metanarrative as it is metatextual—metatextual meaning more than one layer of text but not necessarily about the storytelling in those texts—but let’s take a look at it anyway.

The metanarrative element of a show about a series of books about the brothers the show is based on is dope and expands upon what we saw in “the monster at the end of this book”. But the episode tells a tale about about the show itself, and the fandom that surrounds it.

Where “The Monster At The End Of This Book” and the season 5 premiere “Sympathy For The Devil” poked at the coiled snake of fans and the concept of fandom, “the real ghostbusters” drags them into the harsh light of an enclosure and antagonises them in front of an audience. The metanarrative element revolves around not only the books themselves, but the stories concocted within the episode: namely Barnes and Demian the cosplayers and the story of the ghosts. The Winchester brothers’s history that we’ve seen throughout the first five seasons of the show is bared in a tongue in cheek way: while we cried with them when Sam and Dean fought with John, now the story is thrown out in such a way as to mock both the story and the fans’ relationship to it. Let me tell you, there is a lot to be made fun of on this show, but the fans’ relationship to the story of Sam, Dean and everyone they encounter along the way isn’t part of it. I don’t mean to be like, wow you can’t make fun of us ever because we’re special little snowflakes and we take everything so seriously, because you are welcome to make fun of us, but when the creators do it, I can’t help but notice a hint of malice. And I think that’s understandable in a way. Like The relationship between creator and fan is both layered and symbiotic. While Kripke and co no doubt owe the show’s popularity to the fans, especially as the fandom has grown and evolved over time, we’re not exactly free of sin. And don’t get me wrong, no fandom is. But the bad apples always seem to outweigh the good ones, and bad experiences can stick with us long past their due.

However, portraying us as losers with no lives who get too obsessed with this show — well, you know, actually, maybe they’re right. I am a loser with no life and I am too obsessed with this show. So maybe they have a point. But they’re so harsh about it. From wincestie Becky who they paint as a desperate shrew to these cosplayers who threaten Dean’s very perception of himself, we’re not painted in a very good light.

Dean says to Demian and Barnes, “It must be nice to get out of your mom’s basement.” He’s judging them for deriving pleasure from dressing up and pretending to be someone else for a night. He doesn’t seem to get the irony that he does that for a living. As the seasons wore on, the creators made sure to include episodes where Dean’s inner geek could run rampant, often in the form of dressing up like a cowboy, such as season six “Frontierland” and season 13 “Tombstone”. I had to take a break from writing this to laugh for five minutes because Dean is so funny. He’s a car gay but he only likes one car. He doesn’t follow sports. His echolalia causes him to blurt out lines from his favourite movies. He’s a posse magnet. And he loves cosplay. But he will continually degrade and insult anyone who expresses interest in role play, fandom, or interests in general. Maybe that’s why Sam is such a boring person, because Dean as his mother didn’t allow him to have any interests outside of hunting. And when Sam does express interests, Dean insults him too. What a dick. He’s my soulmate, but I am not going to stop listening to hair metal for him. That’s where I draw the line.

Where “the monster at the end of this book” is concerned with narrative and authorship, “the real ghostbusters” is concerned with fandom and fan reactions to the show. It’s not really the best example to talk about in an episode about metanarrativity, but I wanted to include it anyway. It veers from talk of narrative by focusing on the people in the periphery of the narrative—the fans and the author. In season 9 “Metafiction,” Metatron asks the question, who gives the story meaning? The text would have you believe it’s the characters. The angels think it’s God. The fandom think it’s us. The creators think it’s them. Perhaps we will never come to a consensus or even a satisfactory answer to this question. Perhaps that’s the point.

The ultimate takeaway from this episode is that ordinary people, the people Sam and Dean save, the people they save the world for, the people they die for again and again, are what give their story meaning. Chuck defeats a ghost and saves the people in the conference room from being murdered. Demian and Barnes, don’t ask me which is which, burn the bodies of the ghost children and lay their spirits to rest. The text says that ordinary, every day people can rise to the challenge of becoming extraordinary. It’s not a bad note to end on, by any means. And then we find out that Demian and Barnes are a couple, which of course Dean is surprised at, because he lacks object permanence.

This is no doubt influenced by how a good portion of the transformative fandom are queer, and also a nod to the wincesties and RPF writers like Becky who continue to bottom feed off the wrong message of this show. But then, the creators encourage that sort of thing, so who are the real clowns here? Everyone. Everyone involved with this show in any way is a clown, except for the crew, who were able to feed their families for more than a decade.

Okay side note… over the past year or so I’ve been in process of realising that even in fandom queers are in the minority. I know the statistic is that 10% of the world population is queer, but that doesn’t seem right to me? Maybe because 4/5 closest friends are queer and I hang around queers online, but I also think I lack object permanence when it comes to straight people. Like I just do not interact with straight people on a regular basis outside of my best friend and parents and school. So when I hear that someone in fandom is straight I’m like, what the fuck… can you keep that to yourself please? Like if I saw Misha Collins coming out as straight I would be like, I didn’t ask and you didn’t have to tell. Okay I’m mostly joking, but I do forget straight people exist. Mostly I don’t think about whether people are gay or trans or cis or straight unless they’ve explicitly said it and then yes it does colour my perception of them, because of course it would. If they’re part of the queer community, they’re my people. And if they’re straight and cis, then they could very well pose a threat to me and my wellbeing. But I never ask people because it’s not my business to ask. If they feel comfortable enough to tell me, that’s awesome. I think Dean feels the same way. Towards the later seasons at least, he has a good reaction when it’s revealed that someone is queer, even if it is mostly played off as a joke. It’s just that he doesn’t have a frame of reference in his own life to having a gay relationship, either his or someone he’s close to. He says to Cesar and Jesse in season 11 “The Critters” that they fight like brothers, because that’s the only way he knows how to conceptualise it. He doesn’t have a way to categorise his and Cas’s relationship, which is in many ways, long before season 15 “Despair,” harking back even to the parallels between Ruby and Cas in season 3 and 4, a romantic one, aside from that Cas is like a brother to him. Because he’s never had anyone in his life care for him the way Cas does that wasn’t Sam and Bobby, and he doesn’t recognise the romantic element of their relationship until literally Cas says it to him in the third last episode, he just—doesn’t know what his and Cas’s relationship is. He just really doesn’t know. And he grew up with a father who despised him for taking the mom and wife role in their family, the role that John placed him in, for being subservient to John’s wishes where Sam was more rebellious, so of course he wouldn’t understand either his own desires or those of anyone around him who isn’t explicitly shoving their tits in his face. He moulded his entire personality around what he thought John wanted of him, and John says to him explicitly in season 14 “Lebanon”, “I thought you’d have a family,” meaning, like him, wife and two rugrats. And then, dear god, Dean says, thinking of Sam, Cas, Jack, Claire, and Mary, “I have a family.” God that hurts so much. But since for most of his life he hasn’t been himself, he’s been the man he thought his father wanted him to be, he’s never been able to examine his own desires, wants and goals. So even though he’s really good at reading people, he is not good at reading other people’s desires unless they have nefarious intentions. Because he doesn’t recognise what he feels is attraction to men, he doesn’t recognise that in anyone else.

Okay that’s completely off topic, wow. Getting back to metanarrativity in “The Real Ghostbusters,” I’ll just cap it off by saying that the books in this episode are more a frame for the events than the events themselves. However, there are some good outtakes where Chuck answers some questions, and I’m not sure how much of that is scripted and how much is Rob Benedict just going for it, but it lends another element to the idea of Kripke as author-god. The idea of a fan convention is really cool, because at this point Supernatural conventions had been running for about 4 years, since 2006. It’s definitely a tribute to the fans, but also to their own self importance. So it’s a mixed bag, considering there were plenty of elements in there that show the good side of fandom and fans, but ultimately the Winchesters want nothing to do with it, consider it weird, and threaten Chuck when he says he’ll start releasing books again, which as far as they know is his only source of income. But it’s a fun episode and Dean is a grouchy bitch, so who the holy hell cares?

Season 10 episode “fanfiction” written by my close personal friend Robbie Thompson and directed by Phil Sgriccia is one of the funniest episodes this show has ever done. Not only is it full of metatextual and metanarrative jokes, the entire premise revolves around fanservice, but in like a fun and interesting way, not fanservice like killing the band Kansas so that Dean can listen to “Carry On My Wayward Son” in heaven twice. Twice. One version after another. Like I would watch this musical seven times in theatre, I would buy the soundtrack, I would listen to it on repeat and make all my friends listen to it when they attend my online Jitsi birthday party. This musical is my Hamilton. Top ten episodes of this show for sure. The only way it could be better is if Cas was there. And he deserved to be there. He deserved to watch little dyke Castiel make out with her girlfriend with her cute little wings, after which he and Dean share uncomfortable eye contact. Dean himself is forever coming to terms with the fact that gay people exist, but Cas should get every opportunity he can to hear that it’s super cool and great and awesome to be queer. But really he should be in every episode, all of them, all 300 plus episodes including the ones before angels were introduced. I’m going to commission the guy who edits Paddington into every movie to superimpose Cas standing on the highway into every episode at least once.

“Fan Fiction” starts with a tv script and the words “Supernatural pilot created by Eric Kripke”. This Immediately sets up the idea that it’s toying with narrative. Blah blah blah, some people go missing, they stumble into a scene from their worst nightmares: the school is putting on a musical production of a show inspired by the Supernatural books. It’s a comedy of errors. When people continue to go missing, Sam and Dean have to convince the girls that something supernatural is happening, while retaining their dignity and respect. They reveal that they are the real Sam and Dean, and Dean gives the director Marie a summary of their lives over the last five seasons, but they aren’t taken seriously. Because, like, of course they aren’t. Even when the girls realise that something supernatural is happening, they don’t actually believe that the musical they’ve made and the series of books they’re basing it on are real. Despite how Sam and Dean Winchester were literal fugitives for many years at many different times, and this was on the news, and they were wanted by the FBI, despite how they pretend to be FBI, and no one mentions it??? Did any of the staffwriters do the required reading or just do what I used to do for my 40 plus page readings of Baudrillard and just skim the first sentence of every paragraph? Neat hack for you: paragraphs are set up in a logical order of Topic, Example, Elaboration, Linking sentence. Do you have to read 60 pages of some crusty French dude waxing poetic about how his best friend Pierre wants to shag his wife and making that your problem? Read the first and last sentence of every paragraph. Boom, done. Just cut your work in half.

The musical highlights a lot of the important moments of the show so far. The brothers have, as Charlie Bradbury says, their “broment,” and as Marie says, their “boy melodrama scene,” while she insinuates that there is a sexual element to their relationship. This show never passed up an opportunity to mention incest. It’s like: mentioning incest 5000 km, not being disgusting 1 km, what a hard decision. Actually, they do have to walk on their knees for 100 miles through the desert repenting. But there are other moments—such as Mary burning on the ceiling, a classic, Castiel waiting for Dean at the side of the highway, and Azazel poisoning Sam. With the help of the high schoolers, Sam and Dean overcome Calliope, the muse and bad guy of the episode, and save the day. What began as their lives reinterpreted and told back to them turns into a story they have some agency over.

In this episode, as opposed to “The Monster At The End Of This Book,” The storytelling has transferred from an alcoholic in a bathrobe into the hands of an overbearing and overachieving teenage girl, and honestly why not. Transformative fiction is by and large run by women, and queer women, so Marie and her stage manager slash Jody Mills’s understudy Maeve are just following in the footsteps of legends. This kind of really succinctly summarises the difference between curative fandom and transformative fandom, the former of which is populated mostly by men, and the latter mostly by women. As defined by LordByronic in 2015, Curative fandom is more like enjoying the text, collecting the merchandise, organising the knowledge — basically Reddit in terms of fandom curation. Transformative fandom is transforming the source text in some way — making fanart, fanfic, mvs, or a musical — basically Tumblr in general, and Archive of our own specifically. Like what do non fandom people even do on Tumblr? It is a complete mystery to me. Whereas Chuck literally writes himself into the narrative he receives through visions, Marie and co have agency and control over the narrative by writing it themselves.

Chuck does appear in the episode towards the end, his first appearance after five seasons. The theory that he killed those lesbian theatre girls makes me wanna curl up and die, so I don’t subscribe to it. Chuck watched the musical and he liked it and he gave unwarranted notes and then he left, the end.

The Supernatural creative team is explicitly acknowledging the fandom’s efforts by making this episode. They’re writing us in again, with more obsessive fans, but with lethbians this time, which makes it infinitely better. And instead of showing us as potential date rapists, we’re just cool chicks who like to make art. And that’s fucken awesome.

I just have to note that the characters literally say the word Destiel after Dean sees the actors playing Dean and Cas making out. He storms off and tells Sam to shut the fuck up when Sam makes fun of him, because Dean’s sexuality is NOT threatened he just needs to assert his dominance as a straight hetero man who has NEVER looked at another man’s lips and licked his own. He just… forgets that gay people exist until someone reminds him. BUT THEN, after a rousing speech that is stolen from Rent or Wicked or something, he echoes Marie’s words back, saying “put as much sub into that text as you possibly can.” What does Dean know about subbing, I wonder. Okay I’m suddenly reminded that he did literally go to a kink bar and get hit on by a leather daddy. Oh Dean, the experiences you have as a broad-shouldered, pixie-faced man with cowboy legs. You were born for this role.

Metatron is my favourite villain. As one tumblr user pointed out, he is an evil English literature major, which is just a normal English literature major. The season nine episode “Meta Fiction” written by my main man robbie thompson and directed by thomas j wright, happens within a curious season. Castiel, once again, becomes the leader of a portion of the heavenly host to take down Metatron, and Dean is affected by the Mark Of Cain. Sam was recently possessed by Gadreel, who killed Kevin in Sam’s body and then decided to run off with Metatron. Metatron himself is recruiting angels to join him, in the hopes that he can become the new God. It’s the first introduction of Hannah, who encourages Cas to recruit angels himself to take on Metatron. Also, we get to see Gabriel again, who is always a delight.

This episode is a lot of fun. Metatron poses questions like, who tells a story and who is the most important person in the telling? Is it the writer? The audience? He starts off staring over his typewriter to address the camera, like a pompous dickhead. No longer content with consuming stories, he’s started to write his own. And they are hubristic ones about becoming God, a better god than Chuck ever was, but to do it he needs to kill a bunch of people and blame it on Cas. So really, he’s actually exactly like Chuck who blamed everything on Lucifer.

But I think the most apt analogy we can use for this in terms of who is the creator is to think of Metatron as a fanfiction writer. He consumes the media—the Winchester Gospels—and starts to write his own version of events—leading an army to become God and kill Cas. Nevermind that no one has been able to kill Cas in a way that matters or a way that sticks. Which is canon, and what Metatron is trying to do is—well not fanon because it actually does impact the Winchesters’ storyline. It would be like if one of the writers of Supernatural began writing Supernatural fanfiction before they got a job on the show. Which as my generation and the generations coming after me get more comfortable with fanfiction and fandom, is going to be the case for a lot of shows. I think it’s already the case for Riverdale. Correct me if I’m wrong, but didn’t the woman who wrote the bi Dean essay go to work on Riverdale? Or something? I dunno, I have the post saved in my tumblr likes but that is quagmire of epic proportions that I will easily get lost in if I try to find it.

Okay let me flex my literary degree. As Englund and Leach say in “Ethnography and the metanarratives of modernity,” “The influential “literary turn,” in which the problems of ethnography were seen as largely textual and their solutions as lying in experimental writing seems to have lost its impetus.” This can be taken to mean, in the context of Supernatural, that while Metatron’s writings seek to forge a new path in history, forgoing fate for a new kind of divine intervention, the problem with Metatron is that he’s too caught up in the textual, too caught up in the writing, to be effectual. And this as we see throughout seasons 9, 10 and 11, has no lasting effect. Cas gets his grace back, Dean survives, and Metatron becomes a powerless human. In this case, the impetus is his grace, which he loses when Cas cuts it out of him, a mirror to Metatron cutting out Cas’s grace.

However, I realise that the concept of ethnography in Supernatural is a flawed one, ethnography being the observation of another culture: a lot of the angels observe humanity and seem to fit in. However, Cas has to slowly acclimatise to the Winchesters as they tame him, but he never quite fit in—missing cues, not understanding jokes or Dean’s personal space, the scene where he says, “We have a guinea pig? Where?” Show him the guinea pig Sam!!! He wants to see it!!! At most he passes as a human with autism. Cas doesn’t really observe humanity—he observes nature, as seen in season 7 “reading is fundamental” and “survival of the fittest”. Even the human acts he talks about in season 6 “the man who would be king” are from hundreds or thousands of years ago. He certainly doesn’t observe popular culture, which puts him at odds with Dean, who is made up of 90 per cent pop culture references and 10 per cent flannel. Metatron doesn’t seek to blend in with humanity so much as control it, which actually is the most apt example of ethnography for white people in the last—you know, forever. But of course the writers didn’t seek to make this analogy. It is purely by chance, and maybe I’m the only person insane enough to realise it. But probably not. There are a lot of cookies much smarter than me in the Supernatural fandom and they’ve like me have grown up and gone to university and gotten real jobs in the real world and real haircuts. I’m probably the only person to apply Englund and Leach to it though.

And yes, as I read this paper I did need to have one tab open on Google, with the word “define” in the search bar.

Metatron has a few lines in this that I really like. He says:

“The universe is made up of stories, not atoms.”

“You’re going to have to follow my script.”

“I’m an entity of my word.”

It’s really obvious, but they’re pushing the idea that Metatron has become an agent of authorship instead of just a consumer of media. He even throws a Supernatural book into his fire — a symbolic act of burning the script and flipping the writer off, much like Cas did to God and the angels in season 5. He’s not a Kripke figure so much as maybe a Gamble, Carver or Dabb figure, in that he usurps Chuck and becomes the author-god. This would be extremely postmodern of him if he didn’t just do exactly what Chuck was doing, except worse somehow. In fact, it’s postmodern of Cas to reject heaven’s narrative and fall for Dean. As one tumblr user points out, Cas really said “What’s fate compared to Dean Winchester?”

Okay this transcript is almost 8000 words already, and I still have two more episodes to review, and more things to say, so I’ll leave you with this. Metatron says to Cas, “Out of all of God’s wind up toys, you’re the only one with any spunk.” Why Cas has captured his attention comes down more than anything to a process of elimination. Most angels fucking suck. They follow the rules of whoever puts themselves in charge, and they either love Cas or hate him, or just plainly wanna fuck him, and there have been few angels who stood out. Balthazar was awesome, even though I hated him the first time I watched season 6. He UNSUNK the Titanic. Legend status. And Gabriel was of course the OG who loves to fuck shit up. But they’re gone at this stage in the narrative, and Cas survives. Cas always survives. He does have spunk. And everyone wants to fuck him.

Season 11 episode 20 “Don’t Call Me Shurley,” the last episode written by the Christ like figure of Robbie Thompson — are we sensing a theme here? — and directed by my divine enemy Robert Singer, starts with Metatron dumpster diving for food. I’m not even going to bother commenting on this because like… it’s supernatural and it treats complex issues like homelessness and poverty with zero nuance. Like the Winchesters live in poverty but it’s fun and cool because they always scrape by but Metatron lives in poverty and it’s funny. Cas was homeless and it was hard but he needed to do it to atone for his sins, and Metatron is homeless and it’s funny because he brought it on himself by being a murderous dick. Fucking hell. Robbie, come on. The plot focuses on God, also known as Chuck Shurley, making himself known to Metatron and asking for Metatron’s opinion on his memoir. Meanwhile, the Winchesters battle another bout of infectious serial killer fog sent by Amara. At the end of the episode, Chuck heals everyone affected by the fog and reveals himself to Sam and Dean.

Chuck says that he didn’t foresee Metatron trying to become god, but the idea of Season 15 is that Chuck has been writing the Winchesters’ story all their lives. When Metatron tries, he fails miserably, is locked up in prison, tortured by Dean, then rendered useless as a human and thrown into the world without a safety net. His authorship is reduced to nothing, and he is reduced to dumpster diving for food. He does actually attempt to live his life as someone who records tragedies as they happen and sells the footage to news stations, which is honestly hilarious and amazing and completely unsurprising because Metatron is, at the heart of it, an English Literature major. In true bastard style, he insults Chuck’s work and complains about the bar, but slips into his old role of editor when Chuck asks him to.

The theory I’m consulting for this uses the term metanarrative in a different way than I am. They consider it an overarching narrative, a grand narrative like religion. Chuck’s biography is in a sense most loyal to Middleton and Walsh’s view of metanarrative: “the universal story of the world from arche to telos, a grand narrative encompassing world history from beginning to end.” Except instead of world history, it’s God’s history, and since God is construed in Supernatural as just some guy with some powers who is as fallible as the next some guy with some powers, his story has biases and agendas. Okay so in the analysis I’m getting Middleton and Walsh’s quotes from, James K A Smith’s “A little story about metanarratives,” Smith dunks on them pretty bad, but for Supernatural purposes their words ring true. Think of them as the BuckLeming of Lyotard’s postmodern metanarrative analysis: a stopped clock right twice a day. Is anyone except me understanding the sequence of words I’m saying right now. Do I just have the most specific case of brain worms ever found in human history. I’m currently wearing my oversized Keith Haring shirt and dipping pretzels into peanut butter because it’s 3.18 in the morning and the homosexuals got to me. The total claims a comprehensive metanarrative of world history make do indeed, as Middleton and Walsh claim, lead to violence, stay with me here, because Chuck’s legacy is violence, and so is Metatron’s, and in trying to reject the metanarrative, Sam and Dean enact violence. Mostly Dean, because in season 15 he sacrifices his own son twice to defeat Chuck. But that means literally fighting violence with violence. Violence is, after all, all they know. Violence is the lens through which they interact with the world. If the writers wanted to do literally anything else, they could have continued Dean’s natural character progression into someone who eschews the violence that stems from intergeneration trauma — yes I will continue to use the phrase intergenerational trauma whenever I refer to Dean — and becomes a loving father and husband. Sam could eschew violence and start a monster rehabilitation centre with Eileen.

This episode of Holy Hell is me frantically grabbing at straws to make sense of a narrative that actively hates me and wants to kick me to death. But the violence Sam and Dean enact is not at a metanarrative level, because they are not author-gods of their own narrative. In season 15 “Atomic Monsters,” Becky points out that the ending of the Supernatural book series is bad because the brothers die, and then, in a shocking twist of fate, Dean does die, and the narrative is bad. The writers set themselves a goal post to kick through and instead just slammed their heat into the bars. They set up the dartboard and were like, let’s aim the darts at ourselves. Wouldn’t that be fun. Season 15’s writing is so grossly incompetent that I believe every single conspiracy theory that’s come out of the finale since November, because it’s so much more compelling than whatever the fuck happened on the road so far. Carry on? Why yes, I think I will carry on, carry on like a pork chop, screaming at the bars of my enclosure until I crack my voice open like an egg and spill out all my rage and frustration. The world will never know peace again. It’s now 3.29 and I’ve written over 9000 words of this transcript. And I’m not done.

Middleton and Walsh claim that metanarratives are merely social constructions masquerading as universal truths. Which is, exactly, Supernatural. The creators have constructed this elaborate web of narrative that they want to sell us as the be all and end all. They won’t let the actors discuss how they really feel about the finale. They won’t let Misha Collins talk about Destiel. They want us to believe it was good, actually, that Dean, a recovering alcoholic with a 30 year old infant son and a husband who loves him, deserved to die by getting NAILED, while Sam, who spent the last four seasons, the entirety of Andrew Dabb’s run as showrunner, excelling at creating a hunter network and romancing both the queen of hell and his deaf hunter girlfriend, should have lived a normie life with a normie faceless wife. Am I done? Not even close. I started this episode and I’m going to finish it.

When we find out that Chuck is God in the episode of season 11, it turns everything we knew about Chuck on its head. We find out in Season 15 that Chuck has been writing the Winchesters’ story all along, that everything that happened to them is his doing. The one thing he couldn’t control was Cas’s choice to rebel. If we take him at his word, Cas is the only true force of free will in the entire universe, and more specifically, the love that Cas had for Dean which caused him to rebel and fall from heaven. — This theory has holes of course. Why would Lucifer torture Lilith into becoming the first demon if he didn’t have free will? Did Chuck make him do that? And why? So that Chuck could be the hero and Lucifer the bad guy, like Lucifer claimed all along? That’s to say nothing of Adam and Eve, both characters the show introduced in different ways, one as an antagonist and the other as the narrative foil to Dean and Cas’s romance. Thinking about it makes my head hurt, so I’m just not gunna.

So Chuck was doing the writing all along. And as Becky claims in “Atomic Monsters,” it’s bad writing. The writers explicitly said, the ending Chuck wrote is bad because there’s no Cas and everyone dies, and then they wrote an ending where there is no Cas and everyone dies. So talk about self-fulfilling prophecies. Talk about giant craters in the earth you could see from 800 kilometres away but you still fell into. Meanwhile fan writers have the opportunity to write a million different endings, all of which satisfy at least one person. The fandom is a hydra, prolific and unstoppable, and we’ll keep rewriting the ending a million more times.

And all this is not even talking about the fact that Chuck is a man, Metatron is a man, Sam and Dean and Cas are men, and the writers and directors of the show are, by an overwhelming majority, men. Most of them are white, straight, cis men. Feminist scholarship has done a lot to unpack the damage done by paternalistic approaches to theory, sociology, ethnography, all the -ys, but I propose we go a step further with these men. Kill them. Metanarratively, of course. Amara, the Darkness, God’s sister, had a chance to write her own story without Chuck, after killing everything in the universe, and I think she had the right idea. Knock it all down to build it from the ground up. Billie also had the opportunity to write a narrative, but her folly was, of course, putting any kind of faith in the Winchesters who are also grossly incompetent and often fail up. She is, as all author-gods on this show are, undone by Castiel. The only one with any spunk, the only one who exists outside of his own narrative confines, the only one the author-gods don’t have any control over. The one who died for love, and in dying, gave life.

The French Mistake

Let’s change the channel. Let’s calm ourselves and cleanse our libras. Let’s commune with nature and chug some sage bongs.

“The French Mistake” is a song from the Mel Brooks film Blazing Saddles. In the iconic second last scene of the film, as the cowboys fight amongst themselves, the camera pans back to reveal a studio lot and a door through which a chorus of gay dancersingers perform “the French Mistake”. The lyrics go, “Throw out your hands, stick out your tush, hands on your hips, give ‘em a push. You’ll be surprised you’re doing the French Mistake.”

I’m not sure what went through the heads of the Supernatural creators when they came up with the season 6 episode, “The French Mistake,” written by the love of my life Ben Edlund and directed by some guy Charles Beeson. Just reading the Wikipedia summary is so batshit incomprehensible. In short: Balthazar sends Sam and Dean to an alternate universe where they are the actors Jared Padalecki and Jensen Ackles, who play Sam and Dean on the tv show Supernatural. I don’t think this had ever been done in television history before. The first seven seasons of this show are certifiable. Like this was ten years ago. Think about the things that have happened in the last 10 slutty, slutty years. We have lived through atrocities and upheaval and the entire world stopping to mourn, but also we had twitter throughout that entire time, which makes it infinitely worse.

In this universe, Sam and Dean wear makeup, Cas is played by attractive crying man Misha Collins, and Genevieve Padalecki nee Cortese makes an appearance. Magic doesn’t exist, Serge has good ideas, and the two leads have to act in order to get through the day. Sorry man I do not know how to pronounce your name.

Sidenote: I don’t know if me being attracted aesthetically to Misha Collins is because he’s attractive, because this show has gaslighted me into thinking he’s attractive, or because Castiel’s iconic entrance in 2008 hit my developing mind like a torpedo full of spaghetti and blew my fucking brains all over the place. It’s one of life’s little mysteries and God’s little gifts.

Let’s talk about therapy. More specifically, “Agency and purpose in narrative therapy: questioning the postmodern rejection of metanarrative” by Cameron Lee. In this paper, Lee outlines four key ideas as proposed by Freedman and Combs:

Realities are socially constructed

Realities are constituted through language

Realities are organised and maintained through narrative

And there are no essential truths.

Let’s break this down in the case of this episode. Realities are socially constructed: the reality of Sam and Dean arose from the Bush era. Do I even need to elaborate? From what I understand with my limited Australian perception, and being a child at the time, 9/11 really was a prominent shifting point in the last twenty years. As Americans describe it, sometimes jokingly, it was the last time they were really truly innocent. That means to me that until they saw the repercussions of their government’s actions in funding turf wars throughout the middle east for a good chunk of the 20th Century, they allowed themselves to be hindered by their own ignorance. The threat of terrorism ran rampant throughout the States, spurred on by right wing nationalists and gun-toting NRA supporters, so it’s really no surprise that the show Supernatural started with the premise of killing everything in sight and driving around with only your closest kin and a trunk full of guns. Kripke constructed that reality from the social-political climate of the time, and it has wrought untold horrors on the minds of lesbians who lived through the noughties, in that we are now attracted to Misha Collins.

Number two: Realities are constituted through language. Before a show can become a show, it needs to be a script. It’s written down, typed up, and given to actors who say the lines out loud. In this respect, they are using the language of speech and words to convey meaning. But tv shows are not all about words, and they’re barely about scripts. From what I understand of being raised by television, they are about action, visuals, imagery, and behaviours. All of the work that goes into them—the scripts, the lighting, the audio, the sound mixing, the cameras, the extras, the ADs, the gaffing, the props, the stunts, everything—is about conveying a story through the medium of images. In that way, images are the language. The reality of the show Supernatural, inside the show Supernatural, is constituted through words: the script, the journalists talking to Sam, the makeup artist taking off Dean’s makeup, the conversations between the creators, the tweets Misha sends. But also through imagery: the fish tank in Jensen’s trailer, the model poses on the front cover of the magazine, the opulence of Jared’s house, Misha’s iconic sweater. Words and images are the language that constitutes both of these realities. Okay for real, I feel like I’ve only seen this episode max three times, including when I watched it for research for this episode, but I remember so much about it.

Number three: realities are organised and maintained through narrative. In this universe of the French Mistake, their lives are structured around two narratives: the internal narrative of the show within the show, in which they are two actors on a tv set; and the episode narrative in which they need to keep the key safe and return to their own universe. This is made difficult by the revelation that magic doesn’t work in this universe, however, they find a way. Before they can get back, though, an avenging angel by the name of Virgil guns down author-god Eric Kripke and tries to kill the Winchesters. However, they are saved by Balthazar and the freeze frame and brought back into their own world, the world of Supernatural the show, not Supernatural the show within the show within the nesting doll. And then that reality is done with, never to be revisited or even mentioned, but with an impact that has lasted longer than the second Bush administration.

And number four: there are no essential truths. This one is a bit tricky because I can’t find what Lee means by essential truths, so I’m just going to interpret that. To me, essential truths means what lies beneath the narratives we tell ourselves. Supernatural was a show that ran for 15 years. Supernatural had actors. Supernatural was showrun by four different writers. In the show within a show, there is nothing, because that ceases to exist for longer than the forty two minute episode “The French Mistake”. And since Supernatural no longer exists except in our computers, it is nothing too. It is only the narratives we tell ourselves to sleep better at night, to wake up in the morning with a smile, to get through the day, to connect with other people, to understand ourselves better. It’s not even the narrative that the showrunners told, because they have no agency over it as soon as it shows up on our screens. The essential truth of the show is lost in the translation from creating to consuming. Who gives the story meaning? The people watching it and the people creating it. We all do.

Lee says that humans are predisposed to construct narratives in order to make sense of the world. We see this in cultures from all over the world: from cave paintings to vases, from The Dreaming to Beowulf, humans have always constructed stories. The way you think about yourself is a story that you’ve constructed. The way you interact with your loved ones and the furries you rightfully cyberbully on Twitter is influenced by the narratives you tell yourself about them. And these narratives are intricate, expansive, personalised, and can colour our perceptions completely, so that we turn into a different person when we interact with one person as opposed to another.

Whatever happened in season 6, most of which I want to forget, doesn’t interest me in the way I’m telling myself the writers intended. For me, the entirety of season 6 was based around the premise of Cas being in love with Dean, and the complete impotence of this love. He turns up when Dean calls, he agonises as he watches Dean rake leaves and live his apple pie life with Lisa, and Dean is the person he feels most horribly about betraying. He says, verbatim, to Sam, “Dean and I do share a more profound bond.” And Balthazar says, “You’re confusing me with the other angel, the one in the dirty trenchcoat who’s in love with you.” He says this in season 6, and we couldn’t do a fucken thing about it.

The song “The French Mistake” shines a light on the hidden scene of gay men performing a gay narrative, in the midst of a scene about the manliest profession you can have: professional horse wrangler, poncho wearer, and rodeo meister, the cowboy. If this isn’t a perfect encapsulation of the lovestory between Dean and Cas, which Ben Edlund has been championing from day fucking one of Misha Collins walking onto that set with his sex hair and chapped lips, then I don’t know what the fuck we’re even doing here. What in the hell else could it possibly mean. The layers to this. The intricacy. The agendas. The subtextual AND blatant queerness. The micro aggressions Crowley aimed at Car in “The Man Who Would Be King,” another Bedlund special. Bed Edlund is a fucking genius. Bed Edlund is cool girl. Ben Edlund is the missing link. Bed Edlund IS wikileaks. Ben Edlund is a cool breeze on a humid summer day. Ben Edlund is the stop loading button on a browser tab. Ben Edlund is the perfect cross between Spotify and Apple Music, in which you can search for good playlists, but without having to be on Spotify. He can take my keys and fuck my wife. You best believe I’m doing an entire episode of Holy Hell on Bedlund’s top five. He is the reason I want to get into staffwriting on a tv show. I saw season 4 episode “On the head of a pin” when my brain was still torpedoed spaghetti mush from the premiere, and it nestled its way deep into my exposed bones, so that when I finally recovered from that, I was a changed person. My god, this transcript is 11,000 words, and I haven’t even finished the Becky section. Which is a good transition.

Oh, Becky. She is an incarnation of how the writers, or at least Kripke, view the fans. Watching season 5 “Sympathy for the Devil” live in 2009 was a whole fucking trip that I as a baby gay was not prepared for. Figuring out my sexuality was a journey that started with the Supernatural fandom and is in some aspects still raging against the dying of the light today. Add to that, this conception of the audience was this, like, personification of the librarian cellist from Juno, but also completely without boundaries, common sense, or shame. It made me wonder about my position in the narrative as a consumer consuming. Is that how Kripke saw me, specifically? Was I like Becky? Did my forays into DeanCasNatural on El Jay dot com make me a fucking loser whose only claim to fame is writing some nasty fanfiction that I’ve since deleted all traces of? Don’t get me wrong, me and my unhinged Casgirl friends loved Becky. I can’t remember if I ever wrote any fanfiction with her in it because I was mostly writing smut, which is extremely Becky coded of me, but I read some and my friends and I would always chat about her when she came up. She was great entertainment value before season 7. But in the eyes of the powers that be, Becky, like the fans themselves, are expendable. First they turned her into a desperate bride wannabe who drugs Sam so that he’ll be with her, then Chuck waves his hand and she disappears. We’re seeing now with regards to Destiel, Cas, and Misha Collins this erasure of them from the narrative. Becky says in season 15 “Atomic Monsters” that the ending Chuck writes is bad because, for one, there’s no Cas, and that’s exactly what’s happening to the text post-finale. It literally makes me insane akin to the throes of mania to think about the layers of this. They literally said, “No Cas = bad” and now Misha isn’t even allowed to talk in his Cassona voice—at least at the time I wrote that—to the detriment of the fans who care about him. It’s the same shit over and over. They introduce something we like, they realise they have no control over how much we like it, and then they pretend they never introduced it in the first place. Season 7, my god. The only reason Gamble brought back Cas was because the ratings were tanking the show. I didn’t even bother watching most of it live, and would just hear from my friends whether Cas was in the episodes or not. And then Sera, dear Sera, had the gall to say it was a Homer’s Odyssey narrative. I’m rusty on Homer aka I’ve never read it but apparently Odysseus goes away, ends up with a wife on an island somewhere, and then comes back to Terabithia like it never happened. How convenient. But since Sera Gamble loves to bury her gays, we can all guess why Cas was written out of the show: Cas being gay is a threat to the toxic heteronormativity spouted by both the show and the characters themselves. In season 15, after Becky gets her life together, has kids, gets married, and starts a business, she is outgrowing the narrative and Chuck kills her. The fans got Destiel Wedding trending on Twitter, and now the creators are acting like he doesn’t exist. New liver, same eagles.

I have to add an adendum: as of this morning, Sunday 11th, don’t ask me what time that is in Americaland, Misha Collins did an online con/Q&A thing and answered a bunch of questions about Cas and Dean, which goes to show that he cannot be silenced. So the narrative wants to be told. It’s continuing well into it’s 16th or 17th season. It’s going to keep happening and they have no recourse to stop it. So fuck you, Supernatural.

I did write the start of a speech about representation but, who the holy hell cares. I also read some disappointing Masters theses that I hope didn’t take them longer to research and write than this episode of a podcast I’m making for funsies took me, considering it’s the same number of pages. Then again I have the last four months and another 8 years of fandom fuelling my obsession, and when I don’t sleep I write, hence the 4,000 words I knocked out in the last 12 hours.

Some final words. Lyotard defines postmodernism, the age we live in, as an incredulity towards metanarratives. Modernism was obsessed with order and meaning, but postmodernism seeks to disrupt that. Modernists lived within the frame of the narrative of their society, but postmodernists seek to destroy the frame and live within our own self-written contexts. Okay I love postmodernist theory so this has been a real treat for me. Yoghurt, Sam? Postmodernist theory? Could I BE more gay?

Middleton and Walsh in their analysis of postmodernism claim that biblical faith is grounded in metanarrative, and explore how this intersects with an era that rejects metanarrative. This is one of the fundamental ideas Supernatural is getting at throughout definitely the last season, but other seasons as well. The narratives of Good vs Evil, Michael vs Lucifer, Dean vs Sam, were encoded into the overarching story of the show from season 1, and since then Sam and Dean have sought to break free of them. Sam broke free of John’s narrative, which was the hunting life, and revenge, and this moralistic machismo that they wrapped themselves up in. If they’re killing the evil, then they’re not the evil. That’s the story they told, and the impetus of the show that Sam was sucked back into. But this thread unravelled in later seasons when Dean became friends with Benny and the idea that all supernatural creatures are inherently evil unravelled as well. While they never completely broke free of John’s hold over them, welcoming Jack into their lives meant confronting a bias that had been ingrained in them since Dean was 4 years old and Sam 6 months. In the face of the question, “are all monsters monstrous?” the narrative loosens its control. Even by questioning it, it throws into doubt the overarching narrative of John’s plan, which is usurped at the end of season 2 when they kill Azazel by Dean’s demon deal and a new narrative unfolds. John as author-god is usurped by the actual God in season 4, who has his own narrative that controls the lives of Sam, Dean and Cas.

Okay like for real, I do actually think the metanarrativity in Supernatural is something that should be studied by someone other than me, unless you wanna pay me for it and then shit yeah. It is extremely cool to introduce a biographical narrative about the fictional narrative it’s in. It’s cool that the characters are constantly calling this narrative into focus by fighting against it, struggling to break free from their textual confines to live a life outside of the external forces that control them. And the thing is? The really real, honest thing? They have. Sam, Dean and Cas have broken free of the narrative that Kripke, Carver, Gamble and Dabb wrote for them. The very fact that the textual confession of love that Cas has for Dean ushered in a resurgence of fans, fandom and activity that has kept the show trending for five months after it ended, is just phenomenal. People have pointed out that fans stopped caring about Game of Thrones as soon as it ended. Despite the hold they had over tv watchers everywhere, their cultural currency has been spent. The opposite is true for Supernatural. Despite how the finale of the show angered and confused people, it gains more momentum every day. More fanworks, more videos, more fics, more art, more ire, more merch is being generated by the fans still. The Supernatural subreddit, which was averaging a few posts a week by season 15, has been incensed by the finale. And yours truly happily traipsed back into the fandom snake pit after 8 years with a smile on my face and a skip in my step ready to pump that dopamine straight into my veins babeeeeeeyyyyy. It’s been WILD. I recently reconnected with one of my mutuals from 2010 and it’s like nothing’s changed. We’re both still unhinged and we both still simp for Supernatural. Even before season 15, I was obsessed with the podcast Ride Or Die, which I started listening to in late 2019, and Supernatural was always in the back of my mind. You just don’t get over your first fandom. Actually, Danny Phantom was my first fandom, and I remember being 12 talking on Danny Phantom forums to people much too old to be the target audience of the show. So I guess that hasn’t left me either. And the fondest memories I have of Supernatural is how the characters have usurped their creators to become mythic, long past the point they were supposed to die a quiet death. The myth weaving that the Supernatural fandom is doing right now is the legacy that will endure.

References

I got all of these for free from Google Scholar!

Judith May Fathallah, “I’m A God: The Author and the Writing Fan in Supernatural.”

James K A Smith, “A Little Story About Metanarratives: Lyotard, Religion and Postmodernism Revisited.” 2001.

Cameron Lee, “Agency and Purpose in Narrative Therapy: Questioning the Postmodern Rejection of Metanarrative.” 2004.

Harri Englund and James Leach, “Ethnography and the Meta Narratives of Modernity.” 2000.

https://uproxx.com/filmdrunk/mel-brooks-explains-french-mistake-blazing-saddles-blu-ray/

#transcripts #supernatural #supernatural podcast #<60mins #this is first and foremost a podcast about cas and misha collins

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dontasktheradiodemon · 4 years ago

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Egg Meeting 3/14/2021

Alastor visits Valera on Okkylk to “meet” an egg! An egg which hasn’t been laid yet, but like, it buzzes in magic static that Radio Demons can detect, so it’s still an interesting thing to meet if you’re an Alastor.

Alastor and Valera spend way too much time talking about the weird magical interdimensional tricks that Valera’s species can do because at one point Valera went “Alastor mentioned some of his occult experiences and I have decided I will be polite and NOT ask him about them” while Alastor went “Valera mentioned some of their occult experiences and they’re absolutely fascinating so I’m going to crack open my little grimoire and ASK A HUNDRED QUESTIONS and TAKE LOTS OF NOTES.”

He also somehow finagles himself into maybe being a fake-uncle, making the short list for a hypothetical godparent position, and definitely being the official Nightmare PTA Representative at any future school functions.

They also ended up following up on this conversation and it was awful and nobody enjoyed it.

(Starts as semi-OOC chatter and then segues into fully IC)

Alastor

SHOW HIM HIS FUTURE FAUX-NIBLING

Valera

He can meet Eelizzy the spectacular staticy egg

dazzler of, as of now, 100% of the people who've met this literal fetus in an egg in someone's goddamn stomach

Alastor

It’s definitely a lot louder than he generally expects eggs to be. Not, like, *audibly* loud. But still loud.

Valera

it is the sensation of like. those old tvs. the kind of fuzzy when you run your hands in the air right over the glass

Alastor

That’s a good stim

Valera

It's a GOOD STIM and now Val has just accepted that people are going to want to skim their hands over her stomach every time Egg goes brrrr

Alastor

He only does it for a couple of seconds before he’s like what the *fuck* am I doing that is somebody’s belly and stops himself and apologizes, how very rude of him

(But once the egg is laid all bets are off)

Valera

That egg is gonna get so much touching.

Alastor

Everyone with their hands over this egg like it’s the dead of winter and the egg is the only fireplace for miles

Valera

If eelizzy didn't want that she should have thought about it before she decided to be a stim

Egg buzzes rhythmically to music, and the lil beanie baby of A Child inside will kinda wiggle to the beat, which right now Val feels as a vague shifting of weight.

This thing has been exposed to music since it was conceived, it's too late for her

Alastor

Alastor will absolutely play some music for this egg to hear it buzz along

He’s like “You know my mother told me that when she was carrying me, a ghost would come to her and sing for me! She stopped hearing him when I was born. I don’t think I buzzed, though.” And then goes back to playing music like this is a totally normal fact to share out of the blue.

Valera

That's a very normal and not at all weird thing to tell someone. Yep. Fun little factoid to share with a friend.

Val just has to accept this as a new thing they know!!! "Well, hopefully I won't stop hearing you when Elizzy is born! I'm not too bad at charades, but it *would* complicate things."

Alastor

“Well, you could hear me just fine before then, so it’s probably fine!

Valera

Alastor sure had a WEIRD LIFE and Val is NOT SURE what to make of the snippets they heard. Humans aren't usually so Aware

Alastor

:) a special boy

Valera

On one hand, they almost want to *congratulate* him, on the other, did he get robbed of a normal childhood??? Should they offer condolences??? Help.

Alastor

:) :)

Valera

It worked out for him at least but at what cost....

Val doesn't actually know anything about his home life growing up! Like did he have a dad in the picture? Match and Leal didn't, but This guy has Surprised Her Before

Alastor

:) :) :)

Does Val ask or just Wonder?

Valera

They're still anxious about Alastor getting the wrong idea from them asking questions so they would Not ask.

They kept scwunching at the rehearsal because Leal was sitting with their main body patting them and singing in french to Soothe Their Dumb Ass

Alastor

So he just shares a weird-ass anecdote and then they marinate in the moment. Delightfully awkward

Valera

YEP

A little quip and then several seconds of dead air while Val goes on a face journey.

valera, wildly overthinking the second she doesn't have someone literally or figuratively holding her hand through a Social Interaction With Someone She Is Unsure Of Boundaries With

alastor: I was a haunted baby.

val: ..................... cool

Alastor

Alastor: and now I’m haunting YOUR baby! Haha isn’t that fun

Valera

Valera: A proud and noble tradition of baby haunting. Can't wait to see who she decides to haunt later in life.

Alastor

Alastor: ......... Do Veci have ghosts when they die?

He doesn’t know how Veci work, just that afterlives are something that happens to other people

Valera

Val: Nope, when we die for good our gods destroy our souls and recycle them. Unless you're an Autocrat, then you're turned into one of their little puppets used to enact their divine will and guide the next Autocrat. She'll have to find a mortal soul to haunt as a spirit.

Veci who die get put into the soul blender to get recycled for fresh soul meat

Alastor

Alastor: Pity. Environmentally friendly, I suppose.

Alastor: We just get thrown in the landfill and once a year a bunch of us get scooped into the trash compactor.

Valera

val: It's efficient! Kinda gross though, being made of the ground meat of souls. At least I get to look forward to a continued existence as some fucked up angel analog when someone makes me bite it someday. Wonder if I'll still recognize my kids?

Pat pat belly.

Alastor

Alastor: Can you ask your puppet predecessor?

Valera

val: I could try! He did have a daughter who's still alive, maybe if I made him manifest around her I'd get a reaction.

Alastor

Alastor: For her sake, I hope he does! Can’t imagine how awful it’d be if he didn’t! Although I don’t know how close you folks are to your ancestors. Even on Earth it varies.

Valera

val: Oh, very close! There are rooms in the Reppetto Compound still left exactly as the old owners left them when they died *hundreds* of years ago. There's never been a reason to clear them out, so we don't. I visit them occasionally, pay my respects. That's just the Veci though, I think the other species are much more practical.

Alastor

Alastor: ... And yet most of your ancestors get... “recycled.” They’re no longer around to visit the rooms left for them. That *is* a pity.

Alastor: Do Veci ever recognize shreds of their loved ones in their reincarnations?

Valera

val: Yes! It isn't unheard of for lovers to find each other again through old fragments, or a son to find that his child tugs at his soul to remind him of a dearly departed mother. Plenty of people recognize parts of me, some more strongly than others. Shreds tend to find their way back to their families. Sons, daughters, if you've experienced a loss you may find some glimmer of that person again in a generation or two.

Alastor

Alastor: Hm. Not quite gone forever, then. That’s good—the alternative is just too depressing, isn’t it!

Valera

val: Indeed! Full on reincarnation has even happened a few times, though the odds are, obviously, *incredibly* slim. We did have one guy though, who got reincarnated *three times in a row*. He's still alive, I've met him. Absolutely off the shits, never met someone less sane.

Alastor

Alastor: Hah! Is madness a prerequisite or side-effect to full blown reincarnation?

Valera

val: A side effect, I imagine! That would probably mean remembering getting your essence shredded and then falling back together. He likes to say he's "all there but the mind". What about you though? Was your culture close to your ancestors?

Alastor

Alastor: One side closer than the other. Some humans reincarnate, I’m given to understand, but where I’m from once you’re ejected from your body you tend not to get a replacement. Some stick around, most move on to one afterlife or another—and at that point you mainly reach them through long-distance calls, spiritually speaking. They’re still *there,* but... not on the same *level* that we are.

Alastor: It’s a trade off, I suppose—no reincarnation means no way to see them in the flesh again, but on the other hand they’re always *themselves*—they never become somebody different.

Valera

val: That.. Is very alien, to me. But I don't dislike the concept. Preserved in time, an individual forever, able to be reached but not touched. I guess, for us, since we live such a long time... We get a lot of time with people. By the time they leave us, they've usually said all they'd ever want to. If they pop up again it's just a nice surprise.

Alastor

Alastor: We seem to only get enough time to figure out what we're doing and pass on a fraction of our tricks to the next generation or two, and then we're gone and our descendants have to bumble around just like we did! Maybe we need ghosts more.

Valera

val: Sounds like you need more haunted babies to me, Alastor.

Alastor

Alastor: Why, are there any others around for me to haunt?

Alastor: anyway, I wouldn't make a very good ancestor, considering my distinct lack of descendants.

Valera

val: Just pick a baby and declare yourself part of their life! Step-Ancestor them before they can blink!

val: In all seriousness, Leal's already conceded the title of uncle to you despite you not even asking for it, I think you can figure something out.

Alastor

Alastor: I— Has he?

Alastor: Well—I was about to get all presumptuous and commandeer it myself, but—er. Good. Thank you. Him.

Valera

Val: He has indeed. As he puts it, you were here first, and you're Penny's best friend so *obviously* the role of honorary uncle should be yours. If sinners did godparents, I'm sure he'd ask you to be hers. Or I assume as much!

Alastor

Alastor: ... oh. Well. I'd hoped, actually...

Awkward shuffle.

Alastor: ... I mean, a child can have more than one uncle.

Valera

val: What had you hoped, Alastor? I won't laugh or anything, I just need you to be clear with me.

Alastor

Alastor: ... to be that.

Valera

val: What, to be an uncle? Or a godparent?

Alastor

Alastor: I'm not picky about the term. Someone close enough to matter. Uncle, probably, I suppose. I don't know what a damned sinner would do as a godparent—but I wouldn't turn it down.

Valera

A thoughtful look.

val: I'd love to have you be an important part of my child's life, Alastor. Though, from what I *understand* of modern human customs, a non-religious godparent usually just means that if the parents die, the godparent steps in to either raise the kid or find them a home that would raise them the way the parents would want. Largely symbolic, but important nonetheless.

Alastor

Alastor: It's hard to be non-religious within a religious afterlife. But—just for the record, if anything happened to you two and you *didn't* have a plan in place, I'd probably be charging in to do that myself anyway. I'm not about to leave that child in the hands of somebody who's going to be halfhearted about it.

Valera

Val: Well there you go! Already ready to do your job, and you haven't even been handed the paperwork or negotiated a salary.

Alastor

Alastor: IS there paperwork?

He's giving a Skeptical Look

Valera

Val: What, you think they'd hand over an orphan child to any guy who showed up claiming to be a family friend? They like seeing some documents saying "if I die this guy is who I want protecting my kids while they're vulnerable".

Alastor

Alastor: ... All right, fair enough! I was just going to kidnap her and flee into the night, but I suppose a paper or two would keep law enforcement off my back.

Valera

Val: I'm flattered that you'd get in trouble with the interdimensional magic fish police for Eelizzy's sake, but let's spare everyone the hassle. I'll talk to Penny, see if he wants to do the godparents thing at all, but I know what name I'd be floating.

Alastor

Alastor: Well—that's fine, then. Thank you. It's an honor to be considered either way.

He's all self-conscious now, look at this awkward man

Valera

Val: Of course! And at the VERY least I want you to be close to her when she hatches. Good old _Uncle Alastor_ to spoil her when Penny and I are busy.

Look what happens when you actually tell Valera what you want. Blurses. Blessings and curses.

Alastor

Look at him he's got heart eyes

Alastor: Fortunately, I'm an expert at spoiling other people's children! Don't you worry, I'll be loading her up with penny candy and letting her get in all the trouble she wants. Maybe even nickel candy if I'm feeling generous.

Valera

Val: How generous! And speaking of candy, that reminds me. I visited New Orleans recently on business and picked up a few treats while I was there. Do you want some roman candy? I know you don't have a sweet tooth, but it seems like something one should offer regardless.

Alastor

Alastor: ... They're still making that? Is it the real deal or did the family sell the franchise to some big candy company?

Valera

Val: I bought it from the same old wagon as always, so I believe it's authentic! Wax paper and all!

Alastor

Alastor: Well... sure, I'll have some. Doubt I have the right teeth for taffy anymore, but...

Valera

Val: You'll muddle through somehow, I'm sure. What flavor does it for you, chocolate, vanilla, or strawberry?

She will whip out a few familiar looking wax paper rolled tubes to offer him. Crinkly!

Alastor

Takes a strawberry one!!

Valera

Val: I'll be sure to let you be the first one to take her to buy this _particular_ candy, when she's old enough to actually enjoy taffy.

Alastor

Give him a second, he managed to bite off a bit and now he's doing the whole dog-with-peanut-butter routine

Valera

Oh no, that's funny. She is LOOKING and SNICKERING at this man. Who knew the secret to silencing the radio demon was _chewy food?_

Alastor

Alastor: ... You know I don't remember this stuff being so hazardous.

He was expecting a RUSH OF NOSTALGIA but then he was like oh right I didn't eat this stuff more than like twice when I was alive, I just saw at the cart.

Valera

The wax paper is more nostalgic than the candy, understandable.

Val: Not having good molars does that, I only ate the stuff the one time to experience it. I like the paper though, it's a very unique experience.

Alastor

HOLD ON LET HIM GET THE LAST OF IT OUT OF HIS MOUTH, he thinks he'll attempt to eat the rest later.

Alastor: We'll see when she's old enough to attempt to eat these things, but—I don't see much point in holding off on letting her try taffy just for ME to do the honors. Seems like a very little thing to make a whole trip for.

Valera

Val: Okkylk doesn't really have much in the way of taffy, I doubt it would come up.. and it would be funny to see her suddenly be faced with a chewy candy to struggle against. This is _guaranteed_ entrainment.

Alastor

Alastor: Hah! I like your parenting philosophy. All the same—no need to wait on me to go get the taffy. I'm sure you'll have more opportunities to pick some up than I will.

Valera

Val: Nothing wrong with a little light torment, she gets candy out of it! Builds character! But yes yes, I get the picture. We'll see how it shakes out, play it by ear.

Alastor

Alastor: As long as she's being duly compensated for providing entertainment! :)

Valera

Val: Of course! She's still my _daughter_, if anything actually upset her that would be a whole different story. Penny would be _inconsolable._

She would also be inconsolable but let's ignore the wibbly sad eyes Val gets at the very thought

Alastor

Alastor: I'm sure we'd be taking turns supporting him through the grief. One person alone wouldn't be able to support that weight.

He's got no doubt Valera would be duly distressed but somehow, somehow he feels like Sir Pentious would be more dramatic about it. Just a hunch.

Valera

There is a distinct possibility that one of the parents may be A HAIR more dramatic, and it MIGHT not be the one with a degree in musical theater. Possibly.

Val: It's true, he's pretty heavy. Like a weighted blanket of emotion.

Alastor

HUFF.

Alastor: I’m going to be thinking of that the next time he flops on top of me.

Valera

Val: Good, you can share my curse. Every Pentious is full of emotion, genius, and, honestly, horny.

Alastor

Opens mouth. Shuts it. Opens it. Shrugs and makes noncommittal radio noises.

Alastor: ... Frankly I don’t know what a normal quantity of horny is.

Valera

Val: I did research, but I don't know how sound it is. We're outsiders trying to look in to a very strange world.

Alastor

Vaguely nods, yeah, that’s true

Alastor: ... What’s the research say?

Valera

Val: Once a week seems like normal horny, in a relationship? A heightened few weeks or months of activity at the start before it levels out seems normal too.

Alastor

Alastor: Weekly?? For the same activity? That’s not as bad as I’d thought, but doesn’t that get boring?

Alastor: ... No, okay, I could schedule a weekly dinner date and never get tired of it, I’ve got no room to talk.

Valera

Val: I was going to say! I do all kinds of stuff on a weekly basis without it getting dull. Plus it does wonders for relieving tension, which I can appreciate from a medical standpoint.

Alastor

SKEPTICAL LOOK

Alastor: You find it RELAXING?

Valera

Val: Well sure! It's only nerve wracking if you aren't at ease, and after almost an entire _year,_ Penny and I have figured out what we like. Plus.. Neither of us sweat, there's no cleanup to worry about, and after the fact the brain gets flooded with feel good chemicals.

Alastor

Alastor: Oh, right, the feel good chemicals, right.

Valera

Val: Not familiar with them, Alastor?

Alastor

Alastor: ......... We’re passingly acquainted

Alastor struggling to figure out how to answer without Discussing Specific Sex Acts

Valera

The STRUGGLE.

Val: Only passingly, interesting. Well, you get a lot more of them with a partner, suffice to say.

Alastor

He's just 8)

Alastor: I would prefer not to!

Valera

Val: You don't have to! I'm telling you why the allosexuals like it so much. Or why I assume they do.

Sex talk with two aces this can only go well!!

Alastor

It sounded like Valera was speaking from a little more than secondhand experience there for a bit but you know what? Alastor isn’t going to ask for clarification. It’s fine. Doesn’t need to know.

Alastor: ... To be quite frank, I prefer far less to be a co-star and more to be a fluffer. I’m sure that’s going to disappoint him sooner or later, but...

Valera

What? The visibly pregnant fish might have firsthand knowledge about sex? Perish the thought.

Alastor

You never know. Mary made it work.

Valera

Immaculate conception of her husband's child, sell that story to the news!

Val: I'm sure you two discussed that before getting together, no?

Alastor

Alastor: ... *As* we were getting together, yes.

Valera

Val: Well then! He knows what he signed up for, and unless he says it's a problem, it shouldn't be treated like one.

Dismissive little hand wave.

Alastor

Alastor: Yes, yes. I don’t intend to treat it like one. Just... making conversation about the whole ‘get more with a partner’ concept.

A similarly dismissive little gesture.

Valera

Val: Ah! Yes, I see, that was perhaps too blanket a statement. Well, he has his other partner, I assume?

Alastor

Alastor: I assume. He hasn’t talked about their sex life. None of my business, I’m sure.

Valera

Wiggly hand gesture.

Val: Yes and no. You ARE his partner.

Val: I tell Penny what Leal and I get up to.

Alastor

Alastor: But do you tell my alternate about how often you have sex with Sir Pentious?

Valera

Val: If he asks! Which he doesn't, really, but we did talk about the finer points of eating pussy.

Alastor

RAISED EYEBROW.

Alastor: ... I don’t think the man I’ve been dating for under a month owes me the details of a near stranger’s sex life. I’ve only met his other partner a couple of times, what business is it of mine what she gets up to?

Alastor: I wouldn’t mind knowing what HE gets up to, but sex is a group sport.

Valera

Val: It isn't like he owes you her life story in hardback, but a frank discussion isn't going to breach confidentiality.

Val: Dating someone who is dating someone else means you're entitled to know what you're consenting to, Alastor.

Alastor

Alastor: I’ve already consented to be with a man who’s probably sleeping with someone else, I can’t think of anything else they could be getting up to that would possibly affect me.

Alastor: Unless their bedroom activities happen to include calling up all my worst enemies and telling them everything they know about me—but if it did, I doubt he’d admit so if I asked about it, would he?

Valera

Her turn to raise an eyebrow.

Alastor

Alastor: ... I don’t think they ARE, I’m trying to think of the most out-there hypothetical possibility.

Valera

Val: Good, I was about to be worried. But really, if those are the boundaries you're comfortable with, that's fine. But I don't think you'd be out of line to ask for more information. Either you'll learn, or he'll tell you it isn't something he wants to discuss.

Alastor

Alastor: Honestly, it... doesn’t cross my mind.

Man has no object permanence when it comes to sex

Valera

Val: Dare I say it, mood. But really, if that's how you like it, good for you, keep on keeping on.

Alastor

Alastor: I intend to!

Unless Telly doesn’t like it, but they’ll cross that bridge when they reach it.

Valera

Val: Then there's no issue, I hope!

Alastor

Alastor: One hopes! ... How did we get on this?

Valera

Val: I... Think it started when I called Pentious horny? And then you got worried about not being an active enough participant?

Alastor

Alastor: Oh, yes, right! But worried, no. Just a passing thought.

Valera

Val: Well, based on my knowledge, as long as the partner gets off they don't often care about the methods.

Shrug! Don't ask where the knowledge came from.

Alastor

Alastor: Ha! If it was that easy, I doubt so many people would be so distressed when the have to make do with their own hands!

Valera

Val: Did you know there's an entire subset of men that intentionally make their hands fall asleep so they can pretend someone else is getting them off?

Alastor

Alastor: You know, it just so happens I did. And I do not understand the appeal. It combines all the worst parts of getting your mouth numbed for a dental procedure with something half-dead and dangerously uncoordinated fumbling with your delicate bits.

Valera

WHEEZE... Oh that caught her off guard, give her a second to collect herself.

Alastor

He’ll wait. Smugly basking in his comedic genius.

Valera

Val: You said it yourself, sex is a group activity for a lot of people. Lonely people want someone else to make them feel good.

Alastor

Alastor: But if that’s all it takes, then why for so many people is a hand inferior to a mouth, and a mouth inferior to a more intimate part? No, I’m sure that there’s more to it than simply a desire for company when cleaning one’s pipes. The methods don’t trump the company, but they do matter.

Valera

Val: I could say more, but then I'd have to start talking about my own _alleged_ experiences.

Alastor

Alastor: ... Is the answer going to be something to the effect of “that particular bit of anatomy feels nicer against one’s equipment than other bits of anatomy?”

Valera

Val: Kind of. I'm sure some people prefer various bits, and they certainly feel _different._ I wouldn't say better though, just on physical contact alone.

Alastor

Alastor: ..."Kind of"?

You know what they say about cats and curiosity

Valera

Val: Yes, kind of. A hand can do things a mouth can't, and vice versa.

Alastor

Alastor: All right! That’s more or less where I thought you were going with that.

Valera

Val: Yes! Though there's a lot to be said for the varying degrees of intimacy.

Alastor

Alastor: I’m sure there is! No doubt there’s something special about the moment you finally get to show your loved one the parts of yourself you previously only shared with your toilet. ... So sorry, I don’t mean to be *dismissive* of the whole thing—I can just never quite get over that association, you know?

Valera

Val: Oh, no, I agree _completely._ Not that I'd tell that to Penny, of course. That would be cruel. But if my husband wants to mutually stimulate nerve endings a few times a week I'm happy to make him happy.

Alastor

SNORT. Mutually stimulate nerve endings.

Alastor: Well, what couples are equally interested in ALL their hobbies?

Valera

Val: None, unless it's two alternates of the same person, I guess!

Alastor

Alastor: Oh, you’d be surprised.

Valera

Val: Oh?? That sounds ominous. You know something I don't?

Alastor

Alastor: I know a lot of my own alternates, primarily!

Valera

Val: Yes, and I suppose even they have varying levels of interest in things?

Alastor

Alastor: Wildly varying! Why, sometimes you can meet yourself and wonder where you have anything in common at all! It’s fascinating, really.

Valera

Val: Goodness, that DOES sound fascinating. I can't imagine.. There's only one me, the idea of a me who isn't like me at all is just bizarre!

Alastor

Alastor: Only one? Or only one that you’ve found so far?

Valera

Val: By virtue of what I am, the only one! Unless something goes VERY Wrong.

Alastor

Alastor: Really! Do elaborate?

Valera

Val: I'm a singularity! There is one me, just in a lot of places!

Alastor

Slow blink.

Alastor: ... Like a god?

Valera

Val: Is... Is that a god thing?

Squint.

Alastor

Alastor: I don’t know many other things that can be in multiple places at once and yet remain an undivided entity with a singular source. Either a god or a radio signal—and signals can get distorted.

Valera

Val: ..... I'd rather be a radio signal than a god, honestly, but. Yeah, I guess? I didn't think it was so uncommon!

Alastor

Alastor: I’ve seen people so rare that even when they go looking, they can only find themselves in one universe—but that’s usually a trick of the universe itself, some little chain of cause-and-effect that only worked out once! Move a dimension to the left and their parents never met, move a dimension to the right and their grandmother died in infancy, and so on. But what *you’re* talking about—one person with a simultaneous singular presence in many realities? That sounds to me like something operating a step higher than your run-of-the-mill monodimensional mortals.

Valera

Val: I could turn on the TV right now and show you what the me in another reality is doing right now, I'm fully aware of myself. Are you saying you _don't_ have that?

_When you are suddenly hit over the head with the fact that you're actually an outlier and not the standard_

Alastor

Alastor: If I want to know what another me is doing, I have to call him up and ask! And sometimes I’ll find out he’s been hearing salacious details about my best friend’s oral skills. I can assure you I wasn’t fully aware of THAT, hah! I’ve heard of people with psychic sensitivities to their alternate selves—a sudden sense of disembodied alarm when something goes wrong elsewhere, emotions without a source, that sort of thing—but that particular sensitivity doesn’t come naturally to me. As far as psychic abilities go, I’d say that one in particular is notably rare.

Valera

Blink.

Val: Oh. Uh. Well. All of my species is like this. _All_ of us are singular individuals.

Alastor

Alastor: ARE you singular individuals? Or do you have alternates just like any other species, but because all of your alternates are... psychically linked, as it were, your thoughts are so inextricably intermingled that the whole lot of you consider yourself one person with one identity?

Valera

Val: At that point, what's the difference?

Alastor

Alastor: It’s the difference between a radio transmitter broadcasting the same song to a dozen different radio receivers, versus a dozen individual radio transceivers that play the same songs because they’re directly broadcasting to each other. Is it one singular thing that’s being witnessed in many places, or is it many separate things that have synchronized and homogenized with each other? In day-to-day life the difference might not matter; but philosophically, spiritually, magically, I think it all makes a great difference!

Valera

Val: Fair enough! But I still believe it's the former. The me you see now is the me that all the information goes back to. We've never cared enough to investigate it in depth.

Alastor

Alastor: ... Do you mean information *doesn’t* go back to the other versions of you?

He’s fascinated, he’s taking mental notes, he’s going all metaphysical occultist on this.

Valera

Val: Of course it does, if I don't intentionally restrict it, which is not something I'd be inclined to do. I'm simply aware of them the way you are aware of your arm.

Alastor

Alastor: So all versions of you get all the information from all versions of you.

Valera

Val: Yes! Unless I'm playing one of my games. Sometimes I'll make myself think I'm a normal mortal for a while. It's fun!

Alastor

Alastor: ......... Let’s unpack that a little.

Valera

Val: Sure! Where do we start?

Alastor

Alastor: Your “games”?

Valera

Val: Yes! A lot of Veci do it as they get older. They'll go to a universe and have one of themselves live a very normal mortal life, unaware of what they actually are.

Val: It's a fascinating perspective.

Alastor

Alastor: So, you cut off one version of yourself from the hive mind. And this version, I take it, then forgets for the duration of the game that they were once a part of a hive mind? Their memories only consist of what they experienced in their own home universe, and anything that they thought or did due to the influence of their other selves, they... what, make up a new false memory to explain away, something like that? And they aren’t receiving information, but they’re still sending out information for the rest of you to receive?

Valera

Val: Yes! Exactly so. A one way broadcast back to home base.

Alastor

Alastor: Huh! What about the people around the game piece who know they ought to be connected to other dimensions—or do you disguise yourself and drop yourself on some alien planet before you start the game?

Valera

Val: The latter! It's no fun if other people know things you don't, they could ruin the game for you. Unless you're going somewhere dangerous, then a lot of people will ask someone to send in an aware variant of themselves to help keep them in the game longer. Istoph does that for me in some places!

Alastor

Alastor: Does your game piece go in cold, wandering around like an amnesiac? Or are they given some sort of... of false set of memories, to blend in with the locals?

Valera

Val: Depends which is more interesting. Usually the latter, unless I can think of a reason that an amnesia story would work better.

Alastor

Alastor: And when does the game end? Death? Discovery? Is there a way for your game piece to "win" or is the game only supposed to be watched?

Valera

Val: It's usually for a set amount of time! A year or two, a decade at most. I don't let them Reproduce or anything, I don't want to go sowing any wild oats. That's how you get overly sensitive humans half the damn time.

A shake of her head.

Alastor

Alastor: ... Yes, that *would* do it.

Valera

Val: ... I don't.. I don't mean to imply _you_ were a result of that or anything. There is more than one way that could happen.

Alastor

Although he doesn't much like the thought that someone somewhere could use that information to dismiss particularly psychic humans as partially inhuman.

Alastor: I should hope I wasn't! I come from a long line of magically gifted people—we don't need the outside help!

Valera

Val: Hah! I know, I could practically smell it on you. If I turned you loose on Okkylk you'd get swarmed.

Alastor

Alastor: ... Swarmed like a dog in heat, or swarmed like a bleeder amidst sharks?

Valera

Val: .... Considering how violent Veci are in the act, uh. Both.

Alastor

A slow, slow nod.

Alastor: ... To steal my traits.

Valera

FACE JOURNEY

Val: I take it he told you about that one, eh? Not his finest moment

Alastor

Alastor: It will be my most carefully-guarded secret. ... But you knew about it already, so.

Valera

Val: To be fair, it's hilarious. I was minding my own business and then the guy I just started dating calls me to accuse me of stealing his traits like some kind of succubus.

Alastor

Alastor: ... I think succubi reproduce with humans because it’s easier, rather than because they want human traits. But don’t quote me on that, I don’t talk to many succubi.

Valera

Val: Neither do I, honestly. Plus, come on. Really? I could have just seduced him, I'm the one that insisted on a relationship.

Alastor

Alastor: Well, how many traits did you *want?* It could take a while!

Valera

Val: Oh yes, of course. If I'm going to get traits I may as well get a full set out of him! However many that is!

Alastor

Alastor: Only one way to find out!

Valera

Val: You're just saying that so you can flex on your alts with all the kids who'd call you uncle.

Alastor

Alastor: I’m willing to share unclehood with as many of my alternates who care to claim it!

Hand over heart, how magnanimous.

Alastor: ... So, are you only pregnant in this universe or all of them?

Valera

Val: Only this one. This is the only body that's gotten plowed by anyone and that's how I'm keeping it.

Snrk.

Alastor

Alastor: Then which universe any given Veci has... copies, facets, whatever—of themself in will vary wildly, depending on whether or not their parents happened to have synchronized date nights across those universes? I suppose it would be *easier* to synchronize up, if every version of you is connected—just like a whole line of dancers doing the can-can together—but what if one body sneezes and an egg doesn’t get filled, does that Veci just have one less version of themself than everyone else? Will Eelizzy have no other selves across the universe?

Valera

val: ..Do you think I'm going to sneeze too hard and shoot this egg across the-- Nevermind. Veci children aren't stable enough to exist in multiple realities, they have to grow up and get more control of their magic before they can manifest across realms.

Alastor

Eyebrows shoot up.

Alastor: No, I was talking about the conception, splash one or two drops the other way and... never mind, that’s the boring part! You’re telling me you start off as one singular entity in a singular universe—and *then* you split off into separate versions of yourself... deliberately?

Valera

Val: Well of course! There's only one Pelagios right now, he won't split off until he's fifteen for his first practice run, and then in earnest in his twenties. Rite of passage and all that!

Alastor

AMAZED BLINK. And then he’s opening a portal and hauling out his grimoire, ‘scuse him, don’t mind him.

Valera

She watches, slow blinking. What, did THAT catch his attention?

Alastor

Alastor: I should have been taking notes all along—I apologize, I do believe you were right, you *are* a lone tower transmitting to many receivers—or at the very least you do start off as one tower! How do you split, does it follow the natural branching of timelines—when two paths of history split over somebody’s decision, you just keep conscious contact with the two versions of you formed at that fork? Or do you create your duplicate self and then assign it to some pre-chosen timeline?

Scribble scribble SCRIBBLE scribble.

Valera

Val: The latter at first, I see a reality that interests me and drop in, and then as it progresses, it becomes the former. As the timeline I chose to investigate develops and changes, I follow the branching paths and observe the varying realities. It is *fascinating* stuff. Though sometimes a branch seems doomed, in which case I'll usually withdraw and send that variant elsewhere instead. Start the whole process over.

Alastor

Alastor: So you can pick and choose which path you follow—but you don’t AUTOMATICALLY form another version of yourself, only when you want to? That means that more versions of you AREN’T forming every single time a timeline you’re in branches, correct? But a single timeline can branch countless times, a hundred times an hour—I’m pulling that number out of my you-know, just as an example—if a timeline branches a hundred times an hour, then that means that in ninety-nine percent of all those timelines, a Veci living in it will suddenly... vanish into thin air? Is that right?

Valera

Val: Close enough, which is *generally* why we try to live very lowkey lives. Making new branches of yourself isn't.. *energy consuming* or anything, but you have to be able to process that amount of information. We don't vanish into thin air, but we'll often arrange a swift withdrawal. A sudden move, a staged home invasion, or, in a pinch, just erase ourselves from people's memories. Though that one is imprecise and often leaves lingering traces. Not ideal.

Alastor

Alastor: I imagine it explains an encounter with the fae or two.

Valera

Val: Probably? That's my theory.

Alastor

Alastor: And how often DO timelines branch around you, would you estimate? Are you abandoning thousands of iterations of the same place a day or... Well, I sort of *imagine* that time branches at ridiculously high rates, but I don’t actually know.

Valera

val: Not as often as you think honestly. Obviously it happens, but most people aren't wildly changing reality with every move. The butterfly effect is not as impactful as people believe it is.

Alastor

Alastor gratefully waves away the nightmarish thought of a million sad snakes wondering where his wife went.

Valera

Thoughtful hum....

Val: *You* probably caused a split, back in the day. There's a reality out there where you're dating the Pentious of your Hell. That was a fairly significant moment with pretty obvious impact on the rest of the population.

Alastor

Alastor: I’d always wondered about that! The whole ‘butterfly’ effect thing—particularly considering how often universes seem to CONVERGE on each other. Those of us who have more conventional alternates—it’s *amazing* how often I can talk to myself and think “why, you and I are so similar—our realities must have split no more than ten minutes ago!” and then I find out my other self has completely different parents and a big sister to boot. If two universes that started out in utterly different places can drift back together—

Oh. He stops talking with a noise like a motor dying.

Valera

Slow nod.

Val: It's not like every breakup causes a split in realities. But a drastic choice that results in explosions? Yeah.

Alastor

From 100 to 0 with one sentence.

Valera

Shoulder pat.

Val: It's weird to think about.

Alastor

Alastor: ... I hope he’s doing better.

Valera

Val: ... You're doing better too, Alastor. Better than you were.

Alastor

Alastor: I didn’t mean my alternate.

Valera

Squint.

Val: Your Pentious.

Alastor

Alastor: The one over there isn’t “my” Pentious. ... Sir Pentious. He’s just an alternate of my Sir Pentious, just like the one I’m seeing is an alternate of my Sir Pentious, and the one you’re married to is an alternate of my Sir Pentious. He just branched off a little more recently, that’s all.

Alastor: “My” Sir Pentious will always be the one that I backstabbed.

Valera

Val: He's fine. And *yours* will be okay too. We both know Sir Pentious is stubborn and unstoppable.

Alastor

Alastor: Stubborn, yes. ... We’re going to fix all that, though. So that this never happened.

Alastor: The original plan was to... to wrench the course of this timeline off its current path and onto the path it *would* have had if that decision had been different. But if you think the timeline *already* split there—then it’s not so much a matter of relocating this timeline as it is—just erasing it entirely, so that the other one is the only one left. Right?

Valera

She grimaces. That's a *lot* of people she'd be killing. Erasing from existence. Whatever.

Alastor

She agreed to it once before.

Valera

Val: Yeah, essentially. Not pleasant to think about, but... Yeah. And it's theoretically possible, but. Again. Fifty fifty shot.

Val: I'm... Surprised you'd still want to do it, though. You've got a boyfriend now. What about him?

Alastor

He squeezes his eyes shut and looks pained a second. That’s the same thought that he had. And that he HAS had about a thousand times.

Alastor: This was never about what I want, it was about him. Putting him back on track. Where he deserves to be.

Valera

Val: .... Not to... Okay, you know what, *yes* to be that person. But you want to help one Pentious by hurting another? If you wanted to spare the man you backstabbed, you shouldn't have started dating Telly. You *know* losing you is going to hurt him, *if* it works.

Alastor

Another pained wince.

Alastor: No, you’re right, I shouldn’t have. I didn’t mean to, but I did, and I shouldn’t have. And I knew I shouldn’t have, and... well. Here we are. But I can’t just—just change my mind, not when I have my first chance to make this right!

Valera

Val: I know. I understand. I—I wish I didn't but I *do* and I hate it. And I'm still going to try and help you. If you're sure you want to try. Even though this is. *Awful.* And only going to hurt people. Penny. Telly. Gods only know what will happen if we succeed. If we don't.. You'll hurt him anyway. You know this isn't something you should keep secret from him.

Alastor

And we’ve got a triple pained wince combo!

Alastor: How can I *not?* How can I just—just... happily go about my days, having picnics with one version of him and cuddling up to sleep with another, merrily getting ready for my big Broadway debut, dreaming about infernal conquest like I haven’t been able to dream in half a century—when he’s Hell’s laughingstock because of me?! Everything’s finally coming together for me, but the man I loved first and longest is a joke! How can I live out his dreams with an echo of him? What the Hell gives me the right to let a world like that exist?

Valera

Val: I know we've discussed this before, but. Tell me. Why haven't you tried to make amends? You'll never be friends again, obviously, but surely you could take out some overlords, or anonymously provide supplies... Do some networking, find allies to thrust his way without your name ever crossing his mind?

Frown...

Alastor

Alastor: ... I’ve done a bit. Taken out some of his rivals, that sort of thing.

Valera

Val: That's good! If your major grievance is that you've ruined his life, isn't it right to fix the damage you've caused, even if it's hard?

Alastor

Alastor: And then I heard him whining about how somebody else took down his foes before he had a chance to.

Wan smile.

Valera

.... Somehow, she doesn't look surprised. She just rolls her eyes.

Val: Okay, yeah that sounds like Every Pentious I Know.

Alastor

Smiles a little wider for a second

Alastor: Doesn’t it?

Valera

Val: I love my Penny, truly, but he's a _brat_ and so are his alts. You're damned if you do and damned if you don't, Alastor. Literally. You might as well be damned handing the man an overlord on a platter. Even if he complains, at least he's getting a chance to rebuild.

Alastor

Alastor: ... I—*hm*—but—It isn’t *right.* It shouldn’t be just, just... He’s had half a century wasted. All that should be gone. Not just made up for after the fact, but—GONE. Shouldn’t it? Throwing him favors after the fact is, it’s... it’s...

Gestures vaguely and throws out meaningless sound effects. You know!!!

Valera

A sympathetic nod.

Val: I know. Erasing it seems like the kindest option, but is it? Would that be what _he'd_ want? To simply undo everything? Or would he want to claw his way back to the top and spit in the face of every overlord who tried to keep him down? You know him better than I do, so this is not rhetorical. It's a genuine question.

Alastor

He’s gotta stop and stare into space while he thinks about that.

Alastor: ... If somebody asked the Sir Pentious of today if he’d want the last century of troubles retroactively wiped away... I don’t know. I don’t know if he’d rather *have* the throne or *earn* the throne. He’s never had any shame about using an unfair advantage, the only reason he was able to conquer half the States was because he was filthy rich for no good reason and he’ll tell you so himself, but... he wouldn’t want somebody else to do his conquering *for* him, but I don’t know if that’s what he’d consider somebody changing history for him. But if I asked the Sir Pentious of ‘66 which route he’d like to go on, the one where he’s got a loyal ally and can get on with the business of conquest or the one where he’s betrayed and has to start at square one just for a fun extra challenge, he’d ask me if I’m crazy and say he’d rather have the first route. No question.

Alastor: ... But he already HAS that route, if you’re right. If it split then. If it *did* split then, then I’m not... I’m not giving the one I know a little mind wipe and transplanting him sideways into a better reality. That reality is already there and populated. I’m just... destroying him. Right?

Valera

Val: Correct. Is that mercy? Is that making amends?

Val: Wouldn't it be better to improve his life, rather than erase him entirely?

She almost reaches for Alastor's hand, but thinks better of it. Fiddle with her necklace it is.

Alastor

Alastor: ... Is there a way to see? If that universe already exists? If it doesn’t then we can proceed as planned.

Valera

Val: Oh, yes of course there is. I could try to find it, put myself in it the way I do any other universe. Would you like me to?

Alastor

Alastor: It could settle things.

Valera

Val: True. Do I have permission to peek under the hood of your reality?

Alastor

Alastor: ... What, right now?? You can just do it on the spot?

Valera

Val: I could, but I'm not going to. I'm _heavily_ pregnant and my baby is liable to start spitting static that could mess with my spells. I'll have to wait until she's tuckered out, play something energetic until the little thing wiggles herself senseless.

She pats her belly affectionately, but with a roll of the eyes.

Alastor

Alastor: Ha! Right. Of course.

... Plays something energetic.

Valera

The egg, predictably, seems very excited about this sudden turn of events and starts throwing hissing nonsense static fuzz into the air with a sensation not unlike static electricity.

Valera raises an eyebrow at Alastor.

Alastor

Valera

Val: Spoiling her already, are we? She's getting big enough to actually feel her moving, you know.

Alastor

Alastor: It was your idea. :) But really? Through the egg and all?

Valera

Val: Yes! Soft shelled eggs are a lot easier to feel through than hard shells, and she is _wiggling_. It's not obvious like a human baby kicking, but there's definitely weight shifting.

Alastor

Alastor: Oh, right—they WERE soft, weren’t they! I was trying to be polite and not look too closely.

Valera

Val: Understandable! Amusingly similar to snake eggs, really. Which means by the time May rolls around I'm going to be strangling any radio demon brave enough to try and get this baby active.

She's grinning, but not in a way that says she's joking.

Alastor

Alastor: You were the one who suggested getting her to wiggle herself senseless, I’m only following your sage advice.

Valera

Val: You're evil. How _dare_ you listen to me. If my daughter wants to learn the trumpet when she's older it's your fault. She's being seduced by _Jazz music_.

Alastor

Alastor: I’m setting her up for a life of vice and villainy, EXACTLY as I’m sure her father would want.

Valera

Val: He'll want her learning the pipe organ and how to cackle maniacally. That classic Romantic ideal of brooding and fits of murderous passion. You'll have her _flashing ankles_ on the dance floor!!

A mock gasp!! Perish the thought!

Alastor

Alastor: All the better to shock and scandalize her enemies, right before eliminating them! If they’re staring at her ankles, they’ll never see her gun.

Valera

Val: Bold, I like it. But you'll have to explain that one to Penny, I can already tell he's going to be one of those dads who fawn over their daughter. Leal too, even if he insists he's not attached.

A VERY dramatic roll of the eyes.

Alastor

Alastor: Ha! Then I can do one better—I’ll get *her* to explain it to Sir Pentious.

Valera

Val: Oh that can _only_ go well. I'm holding you to that one, Alastor.

Alastor

A wink.

Alastor: My alternate can fawn over her—I think instead I’ll conspire with her. I just hope she’s a rascal.

Valera

Val: Well I don't know about _Penny_, but I was a rascal without equal in my youth! I knocked over half the shelves in a library and pinned it on another kid. I'm sure she'll give me as many headaches as I gave my caretakers.

Alastor

Alastor: Never you fear, I'll do my best to make sure she lives up to the precedent you've set!

Valera

Val: I appreciate that, Alastor! I'm sure I'll be much too busy doing boring parent stuff. Not sure what, but it'll catch me. Maybe I'll go to a PTA meeting.

Alastor

Alastor: A... what meeting?

The man hasn't been around children in almost nine decades, he'd forgotten such esoteric acronyms. It sounds like a military thing.

Valera

Val: A PTA meeting! A parent teacher... SOMETHING meeting. I don't know what the A is for.

Alastor

Snaps fingers! Now it’s familiar.

Alastor: Assassination.

Alastor: ... Wait.

Valera

Val: I don't think I'm supposed to assassinate the teachers. Although, if they're doing a bad job...

Kombucha girl face journey.

Val: No. No. It's probably association or something stupid like that.

Alastor

SNAPS FINGERS AGAIN.

Alastor: THAT was it! Association! Pity, “Parent Teacher Assassination” sounded far more fun.

Valera

Val: It DOES sound more fun. Now I'm disappointed.

Alastor

Alastor: Sounds like a fantastic parent-child bonding activity, too!

Valera

Val: Take the teacher with the lowest reviews and hunt them for sport? Sounds like something you'd enjoy.

Alastor

He’s got to pause and think about that for a moment.

Alastor: Who’s reviewing them?

Valera

Val: Not sure. The students, I imagine?

Alastor

Alastor: All right, seems fair! I’m for it!

Valera

Val: Good! You'll be handling the PTA meetings then, that's _one_ less thing for me to worry about.

Snrk snrk. She's kidding. Probably.

Alastor

Alastor: Oh, CAN I? I’ve always wanted to be a problem at school events! An *adult* problem, I mean. I imagine it’s a somewhat different experience from being a student problem.

Valera

Val: What, you want to get saddled with my kid for an evening to go to a school and scare the hell out of the staff?

Alastor

Alastor: Scare them, annoy the hell out of them, say wildly inaccurate things that they’re forced to agree with because they know I’m there on behalf of the autocrat... any of the above, really!

Valera

Val: Well damn! Alright, I'll make sure you go to at least a couple of them. If I send you and one of your alts we can _really_ get a show.

Alastor

Oh look at him he’s ecstatic. This just opened up a whole new world of pranks.

Valera

Val: I've never seen someone so excited about going to a PTA meeting. But hey, who am I to deny you fresh victims? Congratulations on your upcoming career in school harassment.

Alastor

Alastor: Thank you, I eagerly anticipate it!

Valera

Egg probably wore herself out while they were discussing the finer points of PTA sabotage

Alastor

yeah there IS a secondary timeline where Sir Pent and Al are Hell's most feared power couple. Airships are everywhere. Lucifer is going "oh shit the prisoners are unionizing." Alastor and Sir Pent wear matching outfits. They have a kid, where did they get a kid, did they adopt a baby imp or something??? what the fuck

Valera

Oh my god

Val takes one look at that timeline, looks at that Alastor, looks at this one. Looks back. "Well you're a dad in this one." And does not provide context

Alastor

Alastor just. Sits on the floor.

Valera

Well she can't exactly pat his head so they just have to sit there. Timeline confirmed welcome to die

Alastor

"What's their name?"

Valera

"What, the kid? I didn't think to ask. Does it matter?"

Alastor

"Just wondered." He's gotta lay down.

Valera

Guess she's gotta go try to learn the kids name now if Alastor is gonna be a sad floppy man. Feels bad.

Alastor

He was gonna be a sad floppy man regardless.

Valera

It is in the nature of Alastors to be sad and floppy men

Valera

But only under SPECIFIC circumstances

Alastor

Selectively sad and floppy

Valera

"...... Alternate timeline you's kid is named Codie Grace." Alright that is enough telling Alastor things about the future he doesn't have

Alastor

In one universe The Alastor That Didn't Fuck Up is probably giving Valera this c: look like do you get it. do you. do you get it. And in this universe The Fuckup Alastor is squinting at the ceiling and then suddenly goes "WE NAMED OUR KID *COUP DE GRÂCE*?!"

Valera

VAL GETS IT AND SHE ISN'T SURE IF SHE LOVES IT OR HATES IT

But it is VERY like them, the bastards

Alastor

Alastor just covers his face and laughs. It is the laugh of a broken man. Yeah. Yeah that's what he would name a kid, dammit. It's true.

Valera

Poor Fuckup Alastor

Alastor

"... Are they successful, over there? Are they happy?"

Valera

"They wear matching outfits and have airships all over the place so yes and yes."

She's gonna need a broom to pet this man with. There there.

Alastor

It's just a high pitched static whine noise. *Matching outfits...*

That's BASICALLY the exact same thing as marriage. You're married when you wear the same outfits.

Valera

What is marriage if not an elaborate excuse to wear matching outfits? Just keep doing it, forever.

Pat. Pat. "And now you know. There's a reality out there where you and your local Pentious are basically married with a kid and have airships over like, half of Hell."

Alastor

He's gonna. Lay there for a second. And process that.

And then sit up and cradle his head in his hands and process that some more.

Valera

Would he like.... Well. Not tea but she can get him some water. Maybe a coffee.

Alastor

Coffee would be nice

Valera

She can do coffee. Does he want any cream or sugar?

Alastor

Black as his soul. Like an edgy hottopic goth kid.

Valera

She'll get him some pourover, let him have a good coffee while his brain wheezes and stalls.

Alastor

He eventually gets himself up in a chair with his coffee. Look at that, he's almost human again. "So there's already a place where it all worked out."

Valera

"That seems to be the case, yes." The power of coffee, clearly. If only sitting upright really fixed your problems.

Alastor

A nod, and then he’s silent again a moment as he processes this. “So there’s—I wouldn’t be helping him. I can’t help him like this.”

Valera

"You cannot. You can't just wave away what you did to him. Not without ruining another Pentious' life."

Alastor

“It’s not just ‘waving away’! Don’t forget that doing this would erase me, too! It’s not *running* from the consequences of my actions, it’s *paying* for them!” He’s gotta hop up and pace. “‘Waving away’ what I did is what I’m doing right NOW—getting to—to move on and be happy like it never happened! How is that fair?!”

Valera

"How is it fair? Good question, let me counter with another." She sips the tea she got for herself, watching him pace. "Have you forgiven yourself?"

Alastor

He pauses for half a second, and then continues pacing. “Now, why would I go and do a damn fool thing like that?” He laughs wryly. “I don’t see how it matters.”

Valera

"Because you're in Hell, and why would Hell ever _really_ let you win?"

Alastor

“*Hell* wouldn’t—and that’s why I’m outsourcing the job. I don’t see what that has to do with forgiveness and fairness.”

Valera

"Didn't you think Hell has some measure of control over you, or am I misremembering?"

A stretch, and a hand lays over her belly. Rub rub. "Now. I am loathe to admit I could still try to break your timeline like a bone and forcefully reset it into a shape similar to the one I saw, but. I could. Though THAT is something I've never tried at all, I've got no idea if it would work."

Alastor “‘It’s not my fault, the devil made me do it’?” Alastor shook his head. “It’s my fault. Hell is pulling some strings, sure—it can, say, nudge things around to prey on your worst character flaws—but it doesn’t give you those character flaws.”

He stops pacing again. “What would that involve?”

Valera

She opens her mouth, closes it. Clicks her tongue. "That's what I'm figuring out. It *can* be done. I've never done it. But I said I would help you, so I have to offer it as a possibility. It would probably take something fairly drastic. There was a window between you making your decision and actually betraying Pentious, right?"

Alastor

A slow nod. “Ten or fifteen minutes.”

Valera

"There are... A few options. I don't know how *viable* they actually are, right now. I'll have to do research. But I *think* I could try to remove you *entirely* from the timeline at that point. Most likely through a faked assassination or kidnapping. That would break the timeline off the track that was set, an outlier that was not within reasonable bounds. Then give the timeline a few hours, maybe days as it tries to course correct and *cannot*, and then I... Drop *you* back in. Let you run back to Sir Pentious, alive, if not unharmed. At the very least, I'm sure he'd be too busy being glad you were alive to be angry that whatever scheme he was currently enacting got thrown off."

Alastor

He stops breathing for a moment as he thinks about Sir Pentious having to deal with Alastor so suddenly disappearing.

And he tries not to too deeply analyze his disappointment when Valera says they’d put him back. He starts pacing again. “And that would be—like we discussed before? This version of the timeline disappears completely?”

Valera

"It would be impossible for the timeline to continue as it was, so. Yes. You cannot betray Pentious if you aren't there. Everything would get thrown off the rails entirely. Timelines account for a reasonable margin of circumstances with everything people do. Most people rarely do things outside of their norm, so even small changes rarely mean anything and that's why they don't branch as much as people think."

She taps her stomach, lips pursing. "Again. Remember, I can't guarantee it would work. But it does seem the most *likely* to work out of all the options. The first obstacle would be me taking down the Radio Demon. I don't know if you're aware, Alastor, but I don't actually relish the thought of fighting you to what you'd believe to be your death."

Alastor

He laughs humorlessly. “You won’t need to fight. I can tell you exactly what to say to make me come willingly.”

Valera

Blink. Wait, what? She looks back up at him, eyebrows raising. "What, really?"

Alastor

“You think I don’t know myself well enough to know exactly what would make me shut up and listen? Don’t you have secret things that would immediately catch your attention if a stranger said them to you?” A shrug. “Anyway, I wasn’t exactly hard to persuade at that point! I’d just decided to escape a relationship by destroying everything he owned and running—if a stranger magically appeared in front of me and said ‘come with me, we need to fake your assassination,’ I’d consider it a miracle.”

Valera

Valera raises a finger. "Alastor, I am a stubborn, paranoid bitch of a politician. My own parents could miraculously spring back into existence and promise me anything I wanted and I would probably try to bite them. I can't be blackmailed because any time someone tries, I get my PR team to leak it themselves to control the narrative. I am TRULY the most contrary piece of work to get dragged into existence."

A pause.. Then she grins. "Lucky for us, you're not me. If you think that would work? *Good*. That's one of many obstacles down. A question, though, and possibly a dumb one. Would you even *want* to go back? If I ripped you from the timeline, that is."

Alastor

“Does what I’d want matter? Either you put me back, you exterminate me, or you drop me somewhere outside of Hell and I end up having to go back eventually. A disembodied soul can’t last forever outside of Hell, and I can’t move into a neighboring Hell without stepping on an alternate’s hooves.”

Valera

She rolls her eyes, sighing noisily. "Yes, it matters. Even if we can't figure out something better, I want to *try* and help you get a happier ending. Because right now, it's sounding like you're about to give up Telly to go run into your Pentious' arms. Which I don't think Telly would like much."

Alastor

“No! That’s not what I want! I keep double checking that this will delete the current timeline for a reason! If some different Alastor *just slightly* removed from me ends up with him, dandy, but it had damn well better not be me! I’m not trying to get back with him, I’m trying to get ERASED!”

Well. That’s sure something he said and can’t unsay.

Valera

She freezes, her eyes locked on Alastor's face. So, the truth comes out, does it? But is this the eye of the storm, or a defeated gasp? This may require some care.

A slow inhale. A shift of her weight as she sits more upright, face neutral. "I *see*."

Alastor

Those weren’t quite the words he expected out of himself, either. But he’s nothing if not impossible to shut up, so he swallows hard and soldiers on. “Didn’t I say, the very first time we discussed this, that when you made that other timeline, I didn’t want you to combine my memories with my past self—I wanted you to let me get deleted with the rest of this timeline? *This isn’t for me.* I don’t want to get him back—I want him to win. How isn’t that clear? If I wasn’t worried about what it would do to Sir Pentious’s psyche if his lover is assassinated on his airship the morning after they hooked up, I’d tell you to put a bullet through my head the moment you see me!”

Valera

She nods, chewing her lip thoughtfully as she watches him dig his hole deeper with every word he rattles out. She'd known this, really. He'd said it. But she didn't realize..

Well. Better late than never, one supposes. "And what about Telly, Alastor? What are you going to do about *him?* What of *his* psyche?"

Alastor

His face almost cracks completely, brows drawing and smile half wilting. He slumps down onto a seat again. “I shouldn’t have gotten him involved.” It’s not really an answer.

Valera

"No, you shouldn't have! But you did, and now you have another problem to solve. Because Alastor? I do NOT want to explain to that poor man that I helped his boyfriend erase himself from existence for the sake of the man he betrayed, and had planned on doing so before you two even met. You may not have to deal with the fallout, but *I will.*"

Alastor

He inhales sharply at the thought of it. “Isn’t there a way to... As long as we’re altering timelines, can’t we just... make it so he never met me? It was under three months ago, all it would take...” He can’t even finish. It feels like knives just to think about.

Valera

"I already find the idea of breaking your timeline dubious at best, and now you want me to alter the reality of my friend? An innocent party in all this? You *know* he wouldn't want that, Alastor. I agreed to help you with one very specific problem, it isn't my fault that you decided to dally with another snake and complicate matters when you knew your time was potentially limited to months. I wont help you fix that."

She struggles to her feet, empty mug in hand. "I am going to get a refill on my tea. Do you want more coffee, Alastor?"

Alastor

He glances at his cup. He still hasn’t quite emptied it. He shakes his head.

Valera

A nod. "I will be clear. I am not angry, I am not saying I wont help you. But I cannot fix all of your problems so easily. Your actions have consequences, and erasing yourself wont leave everyone happy and everything tied up with a bow." Her thumbs rub over the smooth finish of her mug, brow furrowing in thought.

"I am sorry, Alastor. If I could guarantee, one hundred percent, that I could erase you from Telly's life, take you back to your timeline, and wipe you out before you ever hurt your Pentious.. I would. I would obliterate your mind on the spot and let whatever version of you sprang forth, happy and in love, carry on with your day like it never happened. And I'd take that to my grave. But I can't make that promise." Okay she'd better actually leave, standing around holding an empty cup to rant at someone is stupid. Give her a bit.

Alastor

He nods vaguely, but although he absorbs what Valera says, most of his focus is on his own thoughts.

Telly. If he leaves, who’s there for Telly? Who’s the one who will bargain, threaten, or assassinate whoever it takes to get Telly the supplies he needs for his ship? When all his machines are broken, who’s going to be the one to fill the gaps with magic until they’re repaired? Who will tell him that he’s beautiful, brilliant, unstoppable, every day until he believes it himself? Who’s going to *feed* him?

Every single day, Alastor sees more of Telly’s real self—the person Alastor met just shy of three months ago is hardly a ghost compared to the person Telly is now. It doesn’t matter how Alastor leaves. If he just vanishes, then everything he’s tried to give Telly will be lost. If they never met, then Alastor never gave him those things at all.

He’s still brooding on these thoughts when Valera gets back.

Valera

Valera lets him have some silence, settling back down with her tea as she observes Alastor's stewing. Good. He's thinking. Maybe he'll think his way *out* of this idiocy.

Alastor

He’s working on it.

His Sir Pentious, though—the one he *betrayed*—nothing is fixed for him if Alastor *doesn’t* follow through. He’s still stuck where he is. So which is worse? Which weighs heavier? Never paying the price and making amends for the sin he committed before, or committing a fresh sin now? If no matter what he does, he’s got to knowingly and deliberately doom one of them to an afterlife of broken hopes and unfulfilled aspirations, which one of them is worse?

“... I made a deal with him.” Instead of trying to repeat it, he just plays it back, his own voice slightly cracklier than usual as if it’s playing back from a phonograph record: “*I swear I will never knowingly and deliberately or callously break your heart; and I swear that if I do ever leave, I’ll leave with kindness and honesty; and I swear I’ll never betray you like I did the Sir Pentious of my universe; or I forfeit my soul and all those I have to you.*”

He looks at Valera. “As far as you can think of—is there no possible way for me to do this without violating all three of those?”

Valera

Valera pauses, rolling the terms over in her mind. "You could tell him you can't be with him anymore because you realized your goals are incompatible. That would be a _kindness._ You would be leaving with honesty. Your goals _are_ incompatible."

Alastor

Nods, he accepts that. There are ways he could be honest without telling too much of the truth. Debatable on the idea that he’d be leaving with kindness, but he’s willing to let that sit for the moment. “The other two, then. I wouldn’t be knowingly and *deliberately* breaking his heart, since breaking it is just a side effect instead of my goal; but it would be knowingly and *callously.*”

Valera

"Is it callous, to try and spare him from further harm by stepping away? Because that's what you'd be doing, I imagine."

She leans back into the cushions of the couch, tapping her chin. "_Knowingly_ breaking his heart is the real issue. You've essentially _trapped_ yourself in the relationship. You can't leave while he has feelings for you, no matter how kind and honest you are, because you'll break his heart doing it."

Alastor

“I was damn careful with my wording to make sure I wouldn’t be trapped.” He shakes his head. “That’s why it has to be both. Knowingly-*and*-deliberately or knowingly-*and*-callously. If I know it will break his heart, but the heartbreak isn’t deliberate or callous, it’s legal.” He takes a deep breath. “But I’m *not* trying to spare him harm by stepping away. I’m trying to... disappear, to undo a prior betrayal; and, in the process, I’d be knowingly adding to the parade of people who have promised him the world and then ripped it away—and—and I’d be doing untold damage to his ability to follow his ambitions.” He clears his throat, his voice is starting to sound a little hoarse. “He wouldn’t be spared harm. Knowing the extent of the damage, I—there’s—there’d be no way to proceed without callousness. Would there.”

Valera

Valera has an argument already half formed, but stops. Cocks her head to one side. Why the FUCK would she try to convince him around to her side. This was basically a get out of jail free card. Her perspective didn't matter here, it was *his* contract.

"Y-yeah. If that's the way you interpret your contract, you're well and truly stuck."

Alastor

His shoulders slump, the tension draining out of them all at once. "So that's that? It's undoable." If he can't think of a way and Valera can't think of a way...

Valera

She lifts a shaky mug to her lips, squeaking out what MIGHT be the affirmative. "Mm-Mm!"

Alastor

“All right. That’s that.”

He expects to feel... maybe relieved. Maybe resigned. Instead, what hits first is an unexpected wave of grief. He tries to disguise it by rubbing his eyes with his forefinger and thumb, as though he’s just tired. “So—“ Ahem. “So. You and I shook. If we can’t proceed, then what’s... How do we dissolve that?”

Valera

Valera frowns, fins drooping as she wavers. But no. This is for the best. "Well, how do *you* negate a deal that is no longer viable? All you need to do is say you've released me from the contract, on my end."

Alastor

“You’re released from the contract if I’m released from the contract.” He’s not *unilaterally* releasing somebody else from a contract, that’s just common sense.

Valera

Her eyes are ROLLING. Of course, even now he's being difficult. "Well we shook on it. What does your magic need to terminate the agreement? Blood? Another handshake?"

Alastor

"For you to agree to the same out loud." It's not THAT complicated; but a release from a contract has to be mutual. Otherwise anyone could cancel a contract at any time, and then where would the exploitative dealmakers of the world be?

Valera

"Alright. I release you from our contract under the same terms."

... She doesn't know why she always expects something dramatic to happen, it never does. At least she can lean back and sigh, now.

Alastor

If it helps, Alastor plays a little *ta-daaa* trumpet fanfare.

Valera

It helps, but also makes her primary heart clench. She didn't lie, but she wasn't honest. And it digs into her like a splinter.

A sigh. "Are you okay, Alastor? I know you wanted _very_ badly to help the Pentious of your Hell." That came out more gently than she'd intended, but she's too tired to try and force a casual demeanor right now. Deal with her concern.

Alastor

He's silent for a moment, then sighs and sort of shrugs and shakes his head at the same time. "It just puts me back where I was a few months ago. No great loss."

Valera

"Sure, but you got your hopes up, only for them to be dashed by a contract of your own design." She isn't going to comment on that being incredibly dumb. She isn't. But she's thinking it. Even though it worked out for her.

"I suppose that means you'll have to do things the old fashioned way if you want to make amends."

Alastor

"If the contract wasn't there, I would have had to *decide* which one of them I want to hurt. At least this way the choice is out of my hands. And it means the contract did its job, didn't it?"

He rubs his eyes. "Still. Having the end in sight, and then watching it disappear..."

Valera

Most people would be happy to live another day, but a man craving oblivion? Maybe not so much. She frowns.

"At least you've got Telly. That leaves your local Pentious still suffering. And lest we forget, I entered that contract wanting to help _him_. Still do."

Alastor

And there is nothing he wants more than to go home, curl up in Telly's coils, and not come out for a week. He nods. "I know."

Valera

A low sigh. She could WANT to help, but she couldn't really *do* much. "Well. I suppose there's nothing to be done, at least not now."

Alastor

"I suppose not. Maybe another time." It's hard to even think about an alternative plan right now. How can he even consider a plan that doesn't involve completely erasing all of his mistakes in one fell swoop? What's the *point*?

Valera

"Another time? Yes, absolutely. The politician in me already has five concepts to workshop with my imaginary team. But I am tired, and nauseous, and I want to go hide against either Leal or Penny, whichever lucky man I find first."

Alastor

"Cheers to *that.*" He limply picks up his almost-empty coffee mug. "I think I'll be following your lead." Now that for the first time he HAS someone to hide against.

Valera

She waves her tea at him in what could pass as a pale imitation of a toast, slamming back the rest of her drink like a shot. "At least that's one thing we get out of *love*. Somebody willing to let us use them as *emotional support*."

Alastor

That feels like an attack. Why does that feel like an attack? "Or a warm pillow." He finishes his coffee and stands. "Well, that didn't quite go the way I wanted it to. But thank you for the introduction." He nods toward the egg. "And I suppose I'll see you at work tomorrow?" Remember that part? After all this, they've got JOBS they've gotta go to tomorrow? Harrowing.

Valera

She opens her mouth to remind him that she and Penny are both coldblooded, but then remembers that Leal is a furnace on legs, and just nods instead. "It was... Well. Parts of this visit were fun. I'll see you tomorrow, Alastor. And I'll remember to talk to my beau about your role in Eelizzy's life." Thumbs up.

Alastor

Listen, Alastor's spent the past few decades crying himself to sleep on a pillow with a faux snakeskin pillowcase. Who wants to argue with him if he says he feels warmer when he's wrapped around Telly.

His expression brightens a little bit. "I'd appreciate it."

Valera

She wheezes out a breathy laugh as she stands, smoothing her dress over her stomach. "Hey. I know this was rough, and I wish our talks didn't always end so stressfully, but I do think you'll be a fantastic uncle. With allowances for Penny and Leal, there's nobody I'd trust more to make sure my daughter was cared for if something happened to me. And I mean it."

A flick of a wrist, and a familiar portal opens in the wall, the Hotel's lobby visible through a shimmery haze. It could have gone worse, all things considered.

Alastor

"I doubt we'll need to have any other conversations on this. It's not like we have anything else to discuss on the topic." A crooked smile, but a slightly pained one. "Just let me know when the first PTA meeting is!" And out he goes.

Valera

[[ NOT LIKE SHE CAN DUMP HIM ON TELLY'S SHIP BUT SHE *WISHES*

Alastor

((He's gonna be teleporting himself STRAIGHT to Telly's ship anyway))

#((warning for suicidal ideation. ... this thread went some places ok))#autokrates #chat log

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