#listen this is pretty much canon

[uncleshits]

Tango

[lotus-pear]

saw the labru trend and IMMEDIATELY thought of them

[zuppizup]

My angsty brain: So… Callum’s Dad died of some kind lung condition, eh? Sure would be a shame if that was hereditary

[the-orion-inexpirience]

I always say book 4 devolves into a comedy as soon as the octotrio step a foot into the narrative

[obx-incorrect-quotes]

JJ: Rules were made to be broken.

Pope: They were made to be followed. Nothing is made to be broken.

John B: Uh, piñatas.

Kiara: Glow sticks.

Cleo: Karate boards.

Sarah : Spaghetti when you have a small pot.

JJ: Rules.

[offorestsongs]

and someone buy me roses and someone burned the church we're hanging out with corpses and driving in this hearse and someone save my soul tonight please save my soul

[nattikay]

the sheer amount of absolute adoration Jake has for his family (based on what we’ve seen so far) is just so heckin wholesome 😭

[starswirly]

[ * headache and some stories :] full page all together below the cut ]

(Nightmare -> Jokublog)

[ * ignore the weird blank space I didn’t plan the spacing out well (there was no plan at all) ]

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[blueblurseptember]

what i absolutely love about having two characters who are narrative foils in a story is that, aside from the fact that together they tend to make an interesting ship, it's also almost always true that all the other characters these foils have great chemistry with have the potential to also work well with their narrative half.

and eerily enough, the appeal or dynamic of the offshoot pairs would turn out to be mind-blowingly similar at core. it's literally like algebra. i have no words.

[sevvrael]

More of the German philosophy blorbos... Ik the reason Demian calls Sinclair "little Sinclair" is probably that he is in fact a little taller than him, but I have a hc that he started calling him that while being taller as a child, but then Sinclair actually grows taller as an adult. Yet, Demian still continues to call him that and Sinclair just never says anything to correct him. It tickles my brain.

[lavendernhoney]

What’s your favorite “extremely angsty 16 year old boy” thing that Zuko did?

My favorites are scream at god to just strike him with lighting already, and “WHAT ARE YOU OLD GASBAGS TALKING ABOUT?”

[disastercit]

quick sketchbook oc drawing before I have to go to work 😮‍💨

and then they became besties 👍

[trentcrimminallybeautiful]

you know if we do accept the last epilogue-esque sequence as a sort of dream/wish of ted's and therefore not necessarily canon, very funny if we then simply go "yeah, trent's book is called 'the lasso way' actually. he didn't change that. nope."

[dirt-str1der]

Theres no season 4 because theyre too scared to animate the canon gay couple. They know its going to change the dr stone mrm ecosystem forever

[quirkle2]

I was wondering if there are any rare happy ritsu moments in ur zombie au since hes always miserable I think,, like is he always miserable or is he happy/not miserable and feeling kinda good sometimes?

VWHDGDGD NO YEAH OFC HE'S HAPPY SOMETIMES im just horrible and enjoy putting him through misery

ive never been able to get a genuine smile to look right on his face in my art style either i think thats part of it. as ive said his face is just built to be mildly uncomfortable and bothered and i lean into it sm it's starting to get kinda funny

but yes ritsu is happy plenty! i think, canonically, he just seems like the type of person to me that tends to turn lemonade back into lemons. he's easy to scare and his first reaction to things is often Dread and Anxiety. he dwells on the negatives a lot and seems to be a "hope for the best, expect the worst," kinda guy, but there's a section in this post abt shigeo always loving the little things in life, and ritsu steadily learns throughout the journey on how to do that and how healing it can rly be. even if he had to grow up too fast during this whole thing and learn things a kid should never have to, the journey also gave him some good insight and lessons in other places! ritsu is smart, he figures it all out

in terms of little things here n there he's the happiest lil guy on the planet when he finds one of his favorite foods—swings his legs while he sits and munches on a kitkat bar like he's got absolutely nothin in the world to worry abt. sometimes mob does smth funny that he laughs at; for the longest time i've had this silly image in my head of mob accidentally knocking down a bucket from a store shelf and it lands on his head and he just kinda stands there and makes noises.when the noises continue out of pure curiosity about the weird echoey quality it's giving them ritsu cannot help but lose it

besides tiny things tho, when tome comes around ritsu in general is a lot happier, just cuz he has somebody to talk to that will actually respond in some way. they're sorta reluctant partners in crime at first (at least on ritsu's end) but over time and over bonding they grow to rly like each other's presence. they bicker constantly but it's almost always fond eventually, and they shove each other and playfight until mob gets antsy enough to get worked up about it. rly, tome is a godsend to ritsu's mental health—after months and months of being effectively alone with his thoughts, he finally has another person to converse with. a person His Age, too!

tome is rly good at knowing when ritsu is thinkin himself into oblivion and she's Also rly good at being the most annoying girl on the planet to yank him outta that and replace any misery with Oh My God Get Off Me You Freak. she doesn't even do this on purpose at first, but over time she learns how to tell when he's thinking too hard and, ofc, she's grown attached and she cares, so she's as obnoxious as possible to lighten the mood

when they find reigen n teru, ritsu gradually gets Much happier still. now that he knows they're safe and the gang is finally back together (and now that there's an Adult present and he can relax a lil and let himself be taken care of) his stress levels r exponentially lowered. having teru back is another instant lift to his mood—im always a big fan of teru and ritsu friendship, and i think adding tome to their dynamic simply makes it more chaotic. truly a trio of the 3 most normal teenagers in existence which will surely bring nothing but good (reigen sweats offscreen)

actually this makes me feel bad for forever torturing him im gonna go draw happy zau ritsus brb ,.,.ok imback <3