#lin codega

[monsterfactoryfanfic]

Lin Codega, Rowan Zeoli, and Chase Carter are launching their own independent TTRPG journalism site. I am SO thrilled these folks are going to take a stab at earnest, genuine RPG coverage that's not hampered by corporate interests. Please check out Rascal News!

[ca-suffit]

(ask is from a few days ago)

"Please keep this anon if you decide to post as this is more of a rant, but yet another fan (they’re a journalist as well but mostly a fan) was rewarded with a “random” opportunity to become a writer’s assistant for season 3 today. Idk much about them beyond fandom saying they’re trans and they’re a Devil’s Minion shipper/Daniel stan, so here we go again with yet another white person that’ll be allowed near Jacob and Delainey while giving zero fucks about them. But Naomi had to lose her podcast right? It’s all so tiring."

^^ those last tweets are deleted now, it seems (here's a post with the full thread from the time).

I looked into this person myself after getting this ask (my screenshots are below). It's someone who has talked about racial issues before (with DnD and that LotR show, I think??) but....never tweeted about it wrt IWTV, which is insane. Their article for the show that's mentioned in the tweets below also glosses over it in favor of focusing on queerness only. Their novel is about a white witch when it seems like it should prbly be an indigenous story?? I got the feeling this is someone who feels they're doing everything "right" wrt not being racist, but ends up not doing much at all bcuz they're too afraid to step outside a certain comfort zone about it and kinda feels like it's not their fight deep down. Their story about how they got hired too (under the cut) is also the most white privileged thing I've ever read. There's so many ppl in this fandom for the show to pick from if they want to include fandom ppl, yet most ppl picked / named are white ppl who are clueless about the majority of racial themes in the show or fans of color who align with white fandom ideals and won't rock the boat at all about racial things otherwise either. Like u said, we all know what happened with Naomi and the podcast by comparison.

idk. first impression anyway. looking forward to the anons I will get for posting this and calling me a bitch idiot for not being "nicer" and "ruining" fandom for ppl. whatever lol.

if this were me, I'd never have publicly announced this tbh. I get that it's a job account but idk how u can have a history interacting with the iwtv fandom and think this is gonna go well for u once u upgrade to getting a job. wouldn't fucking be me.

[la-femme-au-collier-vert]

Lin Codega posted this article to BlueSky here

[izzyeffinhands]

An article by Lin Codega just came out that I helped contribute to by way of contacting her and letting her know my personal feelings as she wanted to hear from the Izzy Canyon. This is so beautifully written. Justice for Izzy!!!

[ourflagmeansgayrights]

not only did izzy not compete for their hearts but he also didn’t do anything to mess with ed and stede’s dynamic like he literally gave them his blessing. everything lin codega wrote in this paragraph is just straight up wrong.

i am begging you guys, next time you read an ofmd article with an inflammatory headline or statements from the article writer, instead of freaking out, read the article and look for THE ACTUAL QUOTES and see if they actually say what the article is suggesting

"david jenkins didn't mean for the show to be a queer romance" and "david jenkins intended ed's love for stede to be unrequited up till they'd filmed half 1x06" are straight up not true. you can look up the article and while the writer makes those claims, the quotes from jenkins DO NOT ACTUALLY SAY THAT. (and frankly, if you think about how season one is constructed from a narrative perspective it simply does not actually make sense. it also contradicts pretty much everything else he's ever said about the initial concept and pitch process and storybreaking for the show in every other interview ever.) same applies to recent (and wildly different) comments by both rhys and taika about how they interpreted the end of s2 and how they see the story developing after.

if nothing else, this should have taught us all a lesson:

now that season 2 is over do you feel like this is something that happened at all? that the show was leaning into framing ed-stede-izzy as a love triangle? that it depicted izzy competing for their hearts? i sure don't think it did, and if you read the actual quotes in this article you'd have known it wasn't going to.

[hyohaehyuk]

They still need to release those interviews, WHY ARE THEY GATEKEEPING IT

via leiselbt and samchilles

edit: lesbiampirism just informed me that the 1st photo is from an interview with Lin Codega for Gizmodo and i found that the 2nd is from Hollywood Branded (TV Guide Magazine and TVInsider)

edit2: More about the 1st photo

Link of the photo and article (unfortunately don’t seem to have any interview or video)

They said they didn’t record but i also didn’t saw any transcripts of the interview so i will try to ask for it even tho they said they don’t work for io9 anymore

But probably not bc it seems “off the record” means that what was said cannot be published. Kinda weird that if you ask me bc they was there to promote the show so why cannot be published?

The only videos io9 posted are this ones (x) (x) (x) that are not from the same set bc in the photo they are sitted in separate couches and in those 3 videos they are sitted next to each other.

Photo

You know what is the funniest thing? is that this OP recently was invited by Rollin to the writing room as his assistant

[nalyra-dreaming]

Since Lin Codega said it's too early for the writers to write actual scripts, people are now convinced we won't get a late 2025 release. If the rumor about production starting on 11/30/2024 is true, it means they would have at least two months to write some scenes. Do you think there is still hope for 2025?

Yes… iirc the last writing rooms were only a few months as well. And Sam said s1 started filming with only 3(?) scripts ready.

In any case I wished people would always stop jumping into panic mode.

[sassylich]

y'all, we're overtime on the between backerkit, and if we meet the final stretch goal you'll get the old gods of appalachia inspired setting BLOOD & COAL!!!

https://www.backerkit.com/c/projects/the-gauntlet/the-between

GO BACK IT!! it's gonna be written by alex rybitski, @carrionxcomfort (wes franks), lin codega, and myself!!

[4th-make-quail]

I don't understand why some people can't even entertain the possibility of Eric being not 100% straight when we have stuff like:

The young Daniel Molloy who we see in the show isn't that different from the young Eric Bogosian hitting New York in the mid 70s and also on one level kind of is willing to do anything, take anything, walk in any door -- I was always up for-- different stuff.

from the RT interview or

Much like Jones took the clear gay subtext of the books and made it explicit, the unreliability of Louis’ narration was always there to begin with. “Rolin takes the things in the books and presses them in higher relief,” Bogosian explained, before immediately diving into the queer layering without any prompting from me whatsoever. “The part that’s very interesting to me is Molloy. His subtext is there, but you can barely see the outlines of it in the original writing.” Bogosian compared the journey that this character goes on—recontextualizing and questioning his own experiences as a young journalist—to his own journey. “I’m at that point in my life where I am intrigued by my younger self. What the fuck did I think I was doing in 1975? That’s when I got to New York, and there were a lot of adventures to be had. There were a lot of seedy places just like that San Francisco scene in the book.” Bogosian was on a tear at this point, and I was just along for the ride. “I didn’t give a shit. I didn’t care if it was a gay club or a straight club. I didn’t care if it was heroin, cocaine, or what the hell it was. I just wanted to try everything out.”

From Lin Codega interview https://gizmodo.com/interview-with-the-vampire-eric-bogosian-assad-zaman-1849792499

YEAH honestly, I feel much the same about this!! I don't like speculating about people's sexualities and personal lives so much, but I can say I'd honestly be shocked if Eric isn't queer of some variety.

[cloudsofbespin]

remember when lin codega did this

what a legend

[monsterfactoryfanfic]

Games journalism is a fucking road to Golgatha. Lin Codega deserved better. Renata Price deserved better. Jenna Steober deserved better. Ashley Oh deserved better. I could go on and on and on and it wouldn’t come close to bearing witness to the hundreds of brilliant people who were shafted by a wretched industry

[queerpg]

New Press Pause: Let’s Chat where @just-trying-togetby sat down with co-founder, Lin Codega, to chat about the new, independent TTRPG outlet, Rascal News You can check out the full interview here!

[ca-suffit]

Do people know that writers assistants don’t write anything? The most that person will do is to photocopy stuff.

Ppl know that, but it's still the fact they wanted so much special attention for this, the way they got the job, and now showing how much disdain they feel for the fandom on serious topics. I guess real journalists only care about Daniel Molloy's sex life. It's all such a joke.

[nerdyqueerandjewish]

About to beat the Backerkit’s record for longest in Overtime (overtime ends when there hasn’t been funding in 10 minutes)

They are $10k away from unlocking Blood and Coal setting, which I would be soooo stoked to get. It seemed impossible but now it’s getting so close. Here’s their blurb about it:

Blood & Coal takes place in the town of Thurmond, West Virginia in the early 20th century, during the first years of the Great Depression. The player characters—the hunters—belong to a secret club known as the Bushburners' Lodge who, while posing as Thurmond's volunteer fire brigade, investigate and neutralize demonic threats that appear around the areas of the New River Gorge and surrounding Fayette County. Over time, they become aware of the plans of a sinister mastermind who seeks to unleash an all-consuming evil from its imprisoned slumber beneath the ancient hills. The hunters will eventually be forced to confront this mastermind in an attempt to halt the End of All Things and save their community. Blood & Coal is directly inspired by the audio drama series Old Gods of Appalachia and the 1987 film Matewan. It also takes inspiration from cosmic horror fiction, as well as real-life Appalachian history, music, and folklore. Blood & Coal is by Alex Rybitski, with contributions from an all-star cast of writers, including Lin Codega, Wesley Franks, and B Narr!

Playbooks

The Canary is a beautiful innocent stuck in a bad situation. They were born with the gift of foresight and the ability to sense malevolent entities in their presence. They are also the ward of another hunter, who has conscripted them into the dangerous work of the Bushburners' Lodge against their wishes. Play the Canary if you want to use miraculous powers to illuminate even the darkest places, or if you'd like to explore the relationship with the one who forces your hand.

The Runner is a bootlegger, hockin' hooch to the good people of Fayette County from the back of their trusty automobile. They fled their past life in the big city, leaving behind more than a few burned bridges with people both powerful and dangerous. Play the Runner if you want to be a noble renegade that outsmarts their opposition, or if you just want to go careening down backcountry roads at hazardous speeds.

The Scab is a detestable coward with a damned soul. They were a labor spy for the Baldwin-Felts Detective Agency during the coal wars, using dirty tricks and goading words that lead striking miners to their deaths. They are literally haunted by the spirits of those they betrayed, and it's only a matter of time until their vile soul is dragged to Hell. Play the Scab if you want to be a manipulative, two-faced, lily-livered snake, or if you're interested in exploring how an irredeemable piece of shit gets what they deserve.

The Balladeer is a folk singer, entrusted with the preservation of a precious musical legacy. They've traveled all over these hills, gathering generations of nigh-forgotten songs and stories. During the game, they will pursue truth and tradition with fiery zeal, singing songs that rouse the heart and stir those around them to action. Play the Balladeer if you want to be the most charming person in the room, or if you're interested in exploring your role in the living history of Appalachia and its people.

The Revenant is a vengeful soul. They were recently killed by someone they knew, perhaps even trusted, and left to rot—only, they didn't stay dead; something dark, twisted, and hungry brought them back. During the game, they will have to contend not only with their undead nature and the pursuit of revenge, but also a gnawing corruption that's taking root deep within. Play the Revenant if you want to face having a tenuous and fading grip on humanity, or if you're interested in being an unkillable force out for blood.

The Daughter is the last true witch of Appalachia. She comes from a long line of proud women just like her, but is now alone. She is the chosen guardian of the natural order, the only thing that the forces of darkness may come to fear—if they don't manage to corrupt her, first. During the game, you'll explore her connections to those that came before her and the wisdom they left behind. Play the Daughter if you want to use holler medicine and granny magic to protect others, even if they're scared of what you are.

Threats & Mastermind

Blood & Coal is still in development, but will feature a variety of Threats, including: The Bad Death of Dolores Fink, in which a recently deceased homemaker miraculously revives, only to terrorize her family; The Snarly Yow, in which a monstrous wolf has been scaring travelers along the old roads outside of town; and The Blue Devil of Ratliff Holler, in which the hunters investigate a folk tale, a blue-skinned family of moonshiners, and their criminal clientele. In addition to the other 5 planned Threats, there will be two secret Threats associated with Playbooks. We will have more to reveal in the coming weeks!

The Mastermind in Blood & Coal is Father Tate, a mysterious and charismatic preacher with a dark secret—he is in direct communion with the malevolent forces at work, and will eagerly see Thurmond burn to bring about the return of the God Beneath.

The $30 tier, which has digital copies of all 3 books, would include the Blood and Coal campaign and setting. Across all settings, there’s enough information for several campaigns. If you’re on the fence and can swing it, I highly recommend! The community is also awesome and super encouraging of new game designers / homebrewers.

[partyofonepod]

The relationship between a mortal and a being of immense power, and make it homoerotically charged. whatcha got for us god fuckers out there, eldritch or otherwise?

A QUEER STORY OF FALLING IN LOVE WITH ELDRITCH BEINGS? I JUST GOT THE ONE FOR YOU:

[ourflagmeansgayrights]

if it’s not in the quotations i always assume it’s the author of the article editorializing. and pretty much every ofmd article during and after s2 reads differently when you only pay attention to the specific quotes from the writers and actors

thinking here about the father figure angle

and how many abusive parents - how many specifically homophobic and transphobic parents - justify what they're doing exactly by telling themselves that it's their job to keep their child safe, so they have to teach them that acting publicly queer will put them in danger

thinking also about how david jenkins had one of the last things izzy did be finally admitting that the reason he tried to force ed to keep being blackbeard was actually for his own selfish benefit