#lil foreshadowing here

[ask-the-critters-survival-au]

This phrase reminded me of them from my au a lot so have this silly lil ominous warm up doodle

[ghostyclay]

Currently OBSESSED with evil x, my favorite tropes are:

1. Hes not evil. Hes trying to be, but he really sucks at it

2. Hes the scapegoat. The forgotten brother. Hes the one who always got blamed for everything and never had a support system. He became the thing they were scared of out of self defense, out of desperation. He never had a choice. He never wanted this. But at least hes the one getting hurt and blamed for everything, not his brother. (or, alternatively: hes so angry at his brother for getting everything evil x ever wanted to have)

[chryblossomjjk]

just found out that jungkook interacts with people who aren’t me

[insekiwii]

just a wittle puppy🐶

[cryptid-kay]

January Piece #3

Another lil doodle of Emris for the Patreon <3

[taxidermythedreaming]

not to spn post but we need to return to the idea of cas as a unicorn

[stevie-petey]

episode eight: the battle of starcourt

He fights with it, tries desperately not to let it fall, all while his resume hangs from his mouth. “Shit! Oh, Fast Times! Ever heard of it? Top three for me, Keith.” Robin laughs and Steve turns the cardboard cutout to you, wiggling his eyebrows. “Own any red bikinis?” You flick his forehead, though you laugh as well. “In your dreams.” “I can sleep right now and find out–” “I will flick you again.” “A kiss is preferred, but whatever.”

Summary: jonathan becomes a certified surgeon, hopper returns and is oddly sentimental (wonder what that could mean !), you and dustin show off your musical theater talents, the mind flayer becomes a track star, fireworks become weapons, and really a lot just happens so suddenly it gives you whiplash. dont worry though, the rest of your summer involves painful goodbyes and the scary realization that youre growing up. absolutely disgusting. but at least steve gets to kiss you whenever now, so hooray for that ! side note: you keep making promises to people, surely there wont be narrative foreshadowing as a result !

Rating: general, violence and swearing

Warnings: blood, swearing, major character death, graphic depictions of violence, fem!reader, use of y/n

Words: 21.2k (ouch)

Before you swing in: this was my magnum opus. truly. so so so much happens in this chapter, this episode is INSANE. it took me a while, the scenes were hard and complex, but im happy with the final results :) ive been waiting a long time to write this ending, to set up the strings for later in season 4 <3 i sincerely hope this chapter is all yall have wanted. if theres any glaring typos, pls ignore because its 21.2k words and im weak from rereading it. anyways, i have a sneaky lil link right here that will make sense at the end of the chapter (spoiler alert: it's a mixtape jonathan makes for bug). enjoy !

-

El’s screams tear out of her body. She writhes in pain, sobs claw out of her throat. It’s unbearable to watch, the sight of her in immeasurable pain. It breaks your heart. 

No one knows what to do. 

Mike thrashes in your arms still. He tries to escape your hold so that he can cover his body with El’s. Take away her pain somehow. But you won’t let him. You know that it hurts him to see her this way, but his panic will only drive El’s panic further.

“What is that?” Disgust litters Erica’s face as she stares at the moving creature within El’s leg. Gently you push the girl away, not wanting to crowd El too much. She needs space to breathe. 

“There’s something in her leg,” Mike sneers into your face as he fights against you again. He’s furious, he’s overwhelmed, he just wants to help. “Let go!”

Your arms tighten around the boy. He isn’t in the right state of mind. Frantic, you look to your left and start forming a plan. “Jonathan, my switchblade is in my left back pocket. Grab it.” He stares at you, unsure what to do, and you raise your voice into a yell. “Grab it.”

Jonathan jumps at the command and his hand disappears behind you. You feel him find the weapon and pull it out. He holds it in front of you, offering it, but you don’t accept it. “Go and disinfect it. There’s a gas stove where you found us. Heat up the blades so that we can–” you swallow as nausea fills you. “We–we have to cut it out of her leg.”

The moment Jonathan is gone, you turn your attention to Mike and Steve. You try to keep your voice leveled, try to contain the blinding panic that screams in your head. El needs you right now. Swallowing again, you start to speak to them. “I need you guys to talk to El. Keep her awake.”

“Right, okay.” Mike nods, and you finally release him. He hovers over El, his voice is gentle as he tries to calm her. “Hey, stay awake, okay?”

You tug Steve towards El’s legs so that he can help you move her into a better position. “Get her onto her side. Mike, put her head in your lap.”

Both boys do as they’re told. Everyone watches, and Robin tries to make light of the situation. She rambles about a girl from her soccer team who once broke her leg. How the bone had ripped clean through her skin. The story makes you shiver, and Steve sees the discomfort. “Robin, hey. You’re not helping.”

“I’m sorry.”

Jonathan returns, out of breath. “Okay. Alright, El?” He looks down at the girl. Tries to steady his breathing. “This is gonna hurt like hell, okay?”

El whimpers out that she understands, and you take hold of her hand. “Sweetheart, you need to brace yourself. I promise it will be over soon.”

“I’ll be fast, but I need you to stay real still. Here,” Jonathan hands a wooden spoon to Mike. “You’re gonna want to bite down on this, okay?”

Teeth bared, El clenches her teeth around the spoon. Her body braces for what’s about to come. Kneeling next to her, you angle your body over hers and pin her arms down with your hands. You look at Mike, ordering him to do the same. “Hold her shoulders. Don’t let her go, no matter what.”

He pales, but swallows deeply and nods. When Mike is in position, you signal to Jonathan to start cutting. “Do it.”

“Okay,” Jonathan inhales. The knife you’ve given him shakes as he holds it over El’s wound. He’s fucking terrified, but he knows it’s the only way. Exhaling, he cuts into her flesh. Blood pours from the wound and El’s screams tear from her chest. 

Everyone makes a sound of disgust and horror. Your own stomach lurches at the sight of Jonathan cutting into the leg. The image, the way El’s body convulses, the screams she releases, it’s all too much. You don’t feel yourself shaking until Steve guides your head into the nook of his shoulder, shielding you. 

“Thank you,” your breathing is shaky. You aren’t even sure if he’s heard you, but Steve nods and his hand rubs up and down your back. He’s doing whatever he can to help, being the solid surface you need to lean upon. Lending you the strength you need to hold El down and save her. 

You hear your knife glance against the ground, followed by El’s scream becoming deafening. Unable to stop yourself, you pull away from Steve to look at what’s happening. When you do, you almost gag. Jonathan’s fingers are now in El’s leg, digging underneath the flesh and muscle to find whatever the hell is in there. A horrible squelching sound fills the air. Faintly you think you can hear Will crying behind you. 

Jonathan struggles, digs deeper into the leg, but it only seems to be making everything worse. El twists and contorts beneath you, in agonizing pain. Her screams only intensify. A tear from your eye lands on her shirt, and you force yourself to hold her down despite how desperately you want to end it.

“Goddamn it!” Jonathan can’t find it. He can’t find whatever the hell is in El’s leg. It keeps moving the moment he thinks he has it. Everything is slick from blood. 

“No!” El spits out the wooden spoon, her voice raw from screaming. “Stop it!” 

You can’t stomach her pain any longer. The moment she pleads for it to stop, you move off of El and push Jonathan away from her. Nancy helps, touches his shoulder to alert him as well. The moment she has the room to, El sits herself up. “I can do it.

“Do what, El?” You ask, though you think you know anyways.

She breathes heavily. Tears flow freely down her face. She’s sitting down, one of her knees is pressed against her chest. The injured leg remains flat on the ground, her hand outstretched above it. Static, the one you always feel when El uses her powers, surrounds you. There’s a low hum, she grunts and screams, and yet her hand remains steady. You rub her back, offering her all the strength you can give her, in awe despite the poor timing of it. 

To have the strength to expel a foreign object from your body. You can’t imagine it. 

El releases one final long, harrowing scream. The lights flicker, the windows behind you rattle violently. You only just barely manage to cover Dustin and the kids from the shards of glass before they explode. At the same time, a small, writhing creature shoots from El’s leg. It stalls in the air, hovering in front of her face as she continues to scream. The creature is no bigger than the size Dart had been when Dustin first found him. The idea that it had been buried in El’s leg makes you feel ill. 

With the last of her energy, El flings the creature across the room. It lands with a sickening thud on the floor, before it starts to move. You watch in horror as it scurries away, releasing its own screech, until Hopper’s boot crashes down upon it, killing it. 

You’ve never been happier to see that cranky son of a bitch. 

Joyce stands behind him and you whimper pathetically when you see her. You miss your own mother. It’s been days since you’ve last seen her. You’re more homesick than you’ve ever been before. 

Alongside Joyce and Hopper is a man you’ve never seen before. He has glasses and a beard. As you study him, Jonathan makes a surprised sound. “Murray?”

“You know him?” 

Jonathan nods at you. “He’s the detective Nance and I visited last year.” 

“He’s insane.” Nancy says, though there’s a nostalgic smile on her face. 

Hopper steps forward, investigating the scene. Glass crunches beneath his boots. He stops in front of you and El. He looks down at you. “Always at the scene of the crime, huh?”

“Yeah,” you blow hair out of your face. “Can’t seem to ever stop myself.” Then, finally noticing his aggressively bright and floral shirt that he’s wearing, you tilt your head to the side. “Nice shirt, by the way. I like the color on you. You’ve been direly needing some color in your life.”

Dustin snorts and El manages a tired smile. Hopper rolls his eyes at you, though you can tell it’s more from fondness rather than annoyance like it usually is. You watch as his eyes drift towards Joyce, uncharacteristically shy. “Thanks, kid.”

“Anytime, old man.” 

– 

“The Mind Flayer, it built this monster in Hawkins, to stop El, to kill her and pave a way into our world.” 

You sit on the fountain’s edge. Dustin is next to you, Steve leans against you on the other side. Mike’s words surround you. 

He explains what he and the others have been dealing with while you’ve been gone. Innocent people have been getting possessed and turned into chemicalized substances. Their bodies melting together, conjoining to create a monster meant to kill El. With every detail Mike remembers, your stomach twists uncomfortably. It doesn’t sound real. It sounds like a thing from nightmares.

And somehow Billy has become the face of it. 

The last time you saw him, he had been a shell of who he used to be. He had been in pain. Obvious pain. Sweat had run down his flushed skin and his eyes had a frost in them unlike anything you had ever seen before. Instead of helping him, instead of telling anyone about this, you had abandoned Billy. 

“How big is this thing?” Hopper asks, shifting so that El can rest more comfortably against him. 

Jonathan sighs. “It’s… It’s big. Real big. Thirty feet, at least.”

“You’ve seen it?” Your eyes draw to the bruise on his forehead. The pained noise he made when you hugged him still rings in your ears. 

“We’ve had a rough night.” Nancy whispers, eyes downcast. 

“It sorta destroyed Hopper’s cabin.” Lucas looks up at the chief, a poorly feigned apologetic smile on his face. “Sorry.”

Steve interjects now. He asks questions, tries to make sure he understands. As he speaks with the group, your head falls onto his shoulder. Your head spins. Only hours ago you were dealing with Russians and national emergencies. Now, you and Steve try to wrap your heads around the idea of a giant human goo creature wreaking havoc on Hawkins.  

Which, according to Max, is still very much alive. 

But that doesn’t stop Will from trying to help. “But if we close the gate again–” 

“We cut the brain off from the body.”

“And kill it.” Lucas finishes for Max. “Theoretically.”

It sounds so simple, but you’ve been here before.

You’ve heard this conversation already; you were standing in the Byers’ dining room. Steve had been next to you, just like he is now, and Jonathan had been on your other side. The people surrounding you were the same, only now Robin and Will join. That November, the conversation had terrified you. Closing the gate. Killing the Mind Flayer and destroying its army. 

It had been the exact same conversation. And it terrifies you still, now. Only this time the fear is accompanied by an emptiness.

You’ve been here before. It hadn’t been enough. 

“How many more times are we going to kill it?” Your head remains pressed against Steve. Your eyes don’t lift from the ground. Exhaustion sags your body. “We thought we already killed the Mind Flayer. We went through hell and back to close the gate, only for it to be opened again not even a year later. By another country. I mean,” laughter crawls out of your throat. “Who’s to say that they won’t just open the gate again? They’ve already done it once–”

“Loverboy over here,” The bearded man from earlier, Murray, suddenly appears and slaps the back of Jonathan’s head. The man has a mad smile on his face, the kind that tells you he’s an insane genius. After Jonathan shoves him away, Murray stops in front of you. He looks down, a curious glint in his eyes. “He told me you were a ray of sunshine. Gotta be honest. I’m not really getting a real sunshine vibe from you.”

Steve subtly shifts your body so that he’s in front of you. His eyes are narrowed, body tense. “What’s that in your hands?”

Murray seems to now remember what he interrupted the group for. He clutches the pieces of paper in his hands, waves them in the air. “Ah. These, my perfectly coiffed haired friend, are blueprints.” 

“That’s just a poorly done drawing of squares and lines.” You squint at the papers. They’re no better than the map Mike had scribbled to navigate the tunnels last year.

“Seriously,” Murray turns back to Jonathan again. “I thought she was supposed to be the nice one.”

You open your mouth to argue, not at all liking whatever this random man is insinuating, but Hopper steps forward first. “Just start talking.”

He sighs, but agrees. Motioning everyone to follow, Murray guides the group to a nearby table so that he can lay his drawings out for everyone to see. “Okay, this is what Alexei called ‘the hub’.” Murray points to the center of the first drawing. “Now, the hub takes us to the vault room.”

“Okay, where’s the gate?” Hopper hovers over him, attentive. 

“Right here.” Murray now points to a random box, far from where you know the gate actually is. You bite your lip, unsure if you should speak up just yet. “I don’t know the scale on this, but I think it’s fairly close to the vault room. Maybe fifty feet or so.”

You snort obnoxiously loud, getting everyone’s attention. “You’re so wrong that it physically pains me.”

“I’m sorry?” Murray gives you an odd look. When Jonathan and Nancy showed up on his doorstep last year, the two of them had nothing but great things to say about you. Jonathan had waxed poetry about you while Nancy had sat at the dinner table, resentful. Now, meeting you, Murray is really struggling to understand where that all came from. 

“It’s more like five hundred feet.” Erica says. When she sees Murray’s exasperated expression, she can’t help but laugh at the old man. “What, you’re just gonna waltz in there like it’s commie Disneyland or something?” 

“And who are you?” 

“Erica Sinclair. And who are you?”

“Murray… Bauman.”

“Listen, Mr. Bunman.” You have to stifle a laugh into Steve’s shoulder. You love Erica, you really do. “I’m not trying to tell you how to do things, but I’ve been down in that shithole for twenty-four hours. And with all due respect, you do what this man tells you, you’re all gonna die.”

“I’m sorry, why is this four year old speaking to me?”

You slide off the fountain’s edge and stand. Whoever this guy is, you don’t like his snippy attitude. “She’s ten, actually, and she’s right.”

“Yeah, you bald bastard!” Lucas reprimands her, but she doubles down. “Just the facts!”

While you enjoy her quips, you gently grab Erica’s shoulders and place her behind you. There isn’t time for her to make a grown man cry. “We went through hell down there. It won’t be as easy as walking fifty feet. The place is huge.”

“They’re right.” Dustin speaks up. “You’re all gonna die, but you don’t have to. Excuse me, may I?” Even before Murray has consented, your brother is already grabbing the blueprints. He sits down and starts explaining. “See this room here? This is a storage facility. There’s a hatch in here that feeds into their underground ventilation system.”

“It’s how we accidentally got in.” You add, figuring any extra information could help.

“Wait, you accidentally broke into a secret Russian lair?” Mike tries to hide it, but you can see that he’s impressed. You know that once this is all over, he’ll grill you for details later.

“No, we thought it’d be fun to get tortured by commies on the fourth of July.” Steve points to his swollen eye. “Yes, Wheeler. It was an accident.”

“Guys!” Dustin shouts. When he has everyone’s attention again, he sighs. “Jesus. Anyways, these vents will lead you to the base of the weapon. It’s a bit of a maze down there, but between me, Y/N, and Erica, we can show you the way.” 

Hopper stares down at the three of you, unamused. “You can show us the way?”

Dustin is about to agree, but you cover his mouth with your hand. “Yes, I can show you the way. The kids can stay here, but I remember everything from when we were down there. If you want all the hero glory, then fine. Fight some Russians. But I can be your navigator.”

“No.” Hopper, Steve, Dustin, and Jonathan say at the same time. 

You roll your eyes at all of them. “Okay, I was only talking to Hopper. The rest of you,” you glare at your brother and the two teens next to him. “Aren’t a part of this conversation.”

“There isn’t a conversation to be had, kid.” Hopper scoffs at you. He doesn’t want to hear whatever you’re about to say. He won’t let you back down there again. From the state Steve is in, Hopper doesn’t even want Joyce coming with him. “You’re not going. End of discussion.”

“You don’t seriously expect me to let you walk into a death trap, right? I mean, I know we argue a lot, but you can’t be that dumb.” Hopper has started to walk away now, trying to put an end to the conversation, but you follow him anyways. “Listen to me!” He ignores you, doesn’t turn around. Instead, Hopper starts gathering bullets as he picks up a shotgun from one of the guards on the ground. Groaning, you continue to chase him. 

You don’t care how annoying you’re being. You’ll nag him until your last dying breath. If he doesn’t want you getting hurt, then he has to understand that you don’t want him getting hurt either. “Hopper, I’m serious. El…” You look at the girl, who is far behind the two of you now as she rests near the fountain. Your voice grows thick. A wave of emotions rush over you, seeing her. She’s so small. She’s still just a kid, despite the power that lies within her. “She needs you. You–you can’t get hurt.”

“And I won’t.” 

“You don’t know that,” you grab the man’s shirt, but he tries to walk anyways. You plant your feet on the ground and grit your teeth. He’s frustratingly strong. “Please, just–you’re her father. You–you can’t leave her–” You stumble over your words, try to think of how to convince him. There has to be a way, a middle ground. Isn’t he the one who taught El what compromise means? 

In your nagging midst, you overhear Dustin and the party all catch up. Talk about how they missed one another. It’s a sweet reunion, seeing them come together again after being separated for so long; your boys are together again. It feels like a lifetime ago where they were all together on Weathertop hill. Seeing them together again, it hits you. 

The walkies. Cerebro.

“What if I could still communicate with you from above?” You shout, frantic. Hopper stops walking. He still doesn’t look at you, but he indicates that you have his attention. Taking a deep breath, you don’t waste any time. “We have walkies. Dustin, all the kids. It’s how they communicate with one another. Always have. What if… what if I give you directions using them? That way, you’ll fulfill your annoying need to be a hero while I fulfill my annoying need to protect everyone.”

Your words come rushing out, messy and jumbled, but Hopper seems to understand. He’s quiet, mulls what you’ve said over and over again in his head. He inhales, closes his eyes, and then exhales agonizingly slow. When he opens his eyes to look at you, he’s resolved. “You’re really annoying, you know that?”

A relieved smile graces your face. Knowing you’ve gotten through to Hopper, you finally release his shirt. You straighten it back out, wipe some dirt off of it. It really is a good shirt, one you know was almost definitely purchased for a woman named Joyce Byers. “It adds to my charm.”

Hopper chuckles, shakes his head, before walking over to where your brother stands with the others. He fishes a walkie from his back pocket, tosses a spare one to Dustin. “Hey, heads up. Your sister came up with a shockingly genius compromise. You guys can navigate, just from someplace safe.”

Dustin sighs. “It’s not that simple.”

“The signal won’t reach.” Erica clarifies for him. 

You motion at them to explain faster. “But…”

“But,” Dustin quickly explains your idea. “We’d need something with a high enough frequency band to relay with the Russians’ radio tower. But for that to work, you need someone who has both seen their comms room and has access to a super-powered handcrafted radio–”

“Dustin,” you hit his shoulder, urging him to get to the point already. “Just tell him about Cerebro.”

“I was getting there! Look, we have one already situated at the highest point in Hawkins.” Your brother shakes his head. “If you need us to navigate, we got you. But we need a head start… and a car.”

“Hey, chief.” You stand beside Hopper now, grinning ear to ear. “Don’t you have a car?”

He stares past you, and the rage in his eyes amuses you immensely. It’s taking everything within him not to start yelling, which only causes your shit eating grin to grow. You extend your arm, hold your hand out palm-facing upwards. This is the best day of your life. “Come on, give me the car keys, Hopper.” 

Sucking his teeth, Hopper drops the car keys into your hand. “I hate you.”

Hopper stands in front of you, annoyance and irritability in his eyes as he stares at you, but you don’t care. A surge of warmth cascades through you instead. He listened. It means more to you than the man could ever know. Your arms find their way around him, surprising both you and Hopper, as you pull him into a hug. “Thank you for listening to me.”

“Yeah, well. Don’t make me regret it.” Hopper says, his voice rough. He clears his throat, allows his hand to pat your shoulder. He may not know what you’ve gone through, but he thinks he can understand the weight the history has left you. It’s the same weight that he carries every day. The guilt, the anger that follows it. He clears his throat again and pulls you off of him, keeping you at arm’s length. “Do me a favor, will you? Make sure El and the others are safe.”

You sniff, wipe away tears. You’re not sure why you’re crying. “I will, I promise. Good luck, old man.”

“Good luck, kid.” He hesitates, still holding your shoulders. His breath hitches and his eyes don’t leave yours. There’s something in them, almost a certain kindness that once reflected in your father’s eyes when you were younger. The gaze burns you at first, but you stare back at Hopper through it. After he seems to find what he’s looking for, Hopper swallows. He says what Joyce has always said about you; from his conversation with the woman back at Melvald’s. “You’re the best of them.”

More tears well in your eyes, but you wipe them away before he can tease you. Hopper releases you, shoves you in a playful manner, and you can’t help but laugh. It’s a warm moment. His words simmer on your skin. You’ve heard them before, you know what people say about you, but the words are different coming from Hopper. 

Praise doesn’t come naturally to him. Words have always plagued him; the ones he has just told you hold a weight that’s even heavier than the guilt the two of you carry within yourselves. You’ve known Jim Hopper for three years now, but as you watch him walk over to El, soft smile still on his face from his conversation with you, you finally understand him. 

–

Steve is waiting for you at the fountain, whispering quietly with Robin. The two of them stand off to the side, away from the others. He’s nervous, uncomfortable. He stands with his back away from Jonathan and Nancy, who are a few feet away talking to Murray. His arms are crossed over his chest and his fingers tap together in an anxious tick you’ve become familiar with. 

The moment he sees you approaching, all the tension in Steve’s body melts away. 

He grabs your hand the second you’re within reach. Pulling you into his chest, he kisses the top of your head. “Any updates, angel?”

You hum against him, allowing yourself a moment to bask in his warmth. It’s been a long day. It’ll be an even longer night. “You know Weathertop hill?”

“Yeah, why?”

“Good.” You place Hopper’s keys into Steve’s hand. “You’re driving us, then.”

Robin points at Jonathan, who sneaks glances at the three of you. “Define ‘us’. Because, no offense, he seems nice and all, but he keeps looking over at you like a lost puppy and it’s making me uncomfortable.”

“Be nice, he’s still my best friend.” Flicking her forehead, you silently scold Robin. “And it’s just going to be the three of us with Dustin and Erica. Jonathan and Nancy are taking the rest of the kids to Murray’s bunker. He’s just… He’s worried. Probably wants to make sure he says goodbye to me before we leave.”

Robin makes a confused face, reminding you that she’s new to all of this. That she hasn’t had to say goodbye to her loved ones every year with the fear of them not returning. You sigh. “It’s… Kinda a tradition, at this point. A final goodbye before all hell breaks loose.”

“How many times do you guys almost die on a weekly basis?”

Steve snorts. “Depends on the month. November seems to be our worst one, though.”

“Astounding…”

You leave Steve to deal with Robin’s amazement on his own, though you laugh as you walk away. Ever since the events of Will’s disappearance, you’ve done everything you can to not think about what you’ve all been through. However, seeing the bewildered amazement on Robin’s face the more you reveal to her, you can’t help but laugh. 

Jonathan sees you approaching him and Nancy and steps aside to make room for you. They’re still talking to Murray, although the man is more lecturing them than anything. He holds up a bunch of keys, explaining in great detail which one goes into specific locks. It’s dizzying trying to keep track of it all. 

Secretly, you’re grateful that you’re going with Steve and the others. Easier key instructions. 

“This one is for the second to last bottom lock–”

“Murray, can I cut in real quick?” You try to be polite about it, but truly you don’t care whether or not you have the man’s permission. 

He glares at you. “Aren’t you already?”

“Good point!” You grab Nancy’s and Jonathan’s arms and pull them away with a wicked smile on your face. When you’ve dragged them far enough away from Murray, you wrap your arms around them both. Jonathan sinks into the unexpected embrace. Nancy stiffens. You try to ignore it. “Get to that old man’s bunker safely, please?”

“Of course, bug.” Jonathan has wrapped an arm around you. He closes his eyes, his fingers span across your back. “Stay at Weathertop, get to safety. Maybe even get some rest while you can.”

“I’ll try, bee.” Your laugh is wet. This will never get any easier. 

Nancy shifts in your embrace, and for a moment you’re afraid she’ll pull away entirely, but instead she surprises you by wrapping an arm around you as well. Her chin is tucked against your neck, she still hasn’t melted into the embrace like Jonathan has, but she’s trying. Lips close to your ear, she whispers, “I’ll keep him safe.”

You suck in a breath. You hadn’t known how desperately you needed to hear Nancy’s reassurance, to hear her silent apology. Pulling away from them, you look at Jonathan and Nancy. “I love you. I love you both.”

Jonathan smiles, the same way he did the night you met him on the Wheeler’s porch. Nancy ducks her head down shyly, the same way she did the night she opened the door to let you into her home. 

You squeeze their hands one last time before leaving to say goodbye to the others. 

Lucas wishes you luck, Will hugs you as tight as ever, and El offers you a partial smile. She’s still recovering from whatever the monster did to her leg, so you brush some hair out of her face and kiss her head.

“Sucks you were down in hell this whole time. Could really go for a brownie right now.” Mike says, a light in his eyes as El’s head rests in his lap.

You stick your tongue out at him. “Sorry, couldn’t find a way to bake while getting chased by Russians with guns.”

“Lame.”

“Goodbye, Wheeler.”

Then you turn to Max, who has been silent this entire time. She hugs you tightly when she sees you. “He’ll be okay, right?”

Your body goes stiff. Somehow, in the midst of Hopper and the others, you had forgotten about Billy. How he’s infected. Flayed. It hasn’t escaped your notice that no one seems to want to bring the matter up, either. When it had been Will, everyone had wanted to make sure he wouldn’t die if the gate closed. 

But no one has asked the same question for Billy. 

Swallowing, you slowly reciprocate Max’s embrace. “We’ll… We’ll find a way. We always do.”

Though the words aren’t meant to be a lie, you can’t help but feel that you’re breaking an oath when you say them. 

– 

Steve hadn’t noticed what brand of car the keys belonged to at first. However, the moment his brain recognizes the iconic Cadillac logo on its keychain, he practically starts to drool. A fucking Cadillac.

It doesn’t take him long to round everyone up and drag you outside.

“I was saying goodbye to Joyce,” you grumble, struggling to keep up with Steve’s quick footsteps.

“It’s a Cadillac, Y/N!” Steve can almost feel the foam pooling around his mouth. His footsteps increase even more, his body vibrating at the knowledge that he gets to drive his dream car. His dad hadn’t wanted to buy him one, said that the BMW was more practical. Reliable. When Steve pushes the mall’s front door open and sees the beautiful, timeless car parked perfectly in front of him, he almost collapses. “Oh, man, now this…This is what I’m talkin’ about!”

“‘Toddfather’?” Robin points out the license plate and its horrible name.

You make a face, but Steve doesn’t let her ruin his moment. He’s ecstatic. This is arguably the best thing that has happened to him all day (besides maybe kissing you). For fuck’s sake, it’s a goddamn Cadillac. “Oh, screw Todd! Steve’s her daddy now.”

Steve hops into the car’s front seat like a little kid with a toy car. Meanwhile you, Robin, Dustin, and Erica retract your heads in disgust at what he’s just said. Robin looks at you, repulsed. “Did he just talk about himself in the third person?”

Erica follows up with her own creeped out question. “Did he just call himself daddy?” 

“I’m choosing to ignore him right now.” You say to both of the girls, pressing a hand to your forehead as you walk to the car. There’s so much you don’t want to unpack with what Steve has said. 

“You can’t ignore me, Y/N.” Steve leans over the center counsel and opens the passenger door for you. “We already established that I’m really annoying.” 

“Just take us to Weathertop, please.” You buckle yourself in and make sure the kids have their seatbelts on as well. When you see that Robin has found herself in the middle seat, you snicker at her. She’s squished between Dustin and Erica, her knees are pressed uncomfortably to her chest.

“Why did I get stuck in the middle?” She complains.

Steve fixes one of the mirrors before revving the engine. As he pulls out of the mall’s parking lot, he offhandedly responds, “Passenger seat is reserved for girls I’m dating.”

Everyone in the backseat gags, and you blush furiously. You and Steve haven’t had the time to talk about your relationship. Or if there even is a relationship. But he’s just referred to you as the girl he’s dating. He kissed you yesterday, or was it today?

Time has blurred together, but Steve’s hand rests on your thigh as he drives and you’re his girl. 

There will be time to talk about all of it later. You’ll make sure of it this time. 

Steve’s foot presses on the gas, speeding through Hawkins. Neither of you were given an exact time frame from Hopper, but he presses down harder on the pedal and sends the car flying. There’s music on the radio, doing its best to distract everyone, but your hands are still antsy. You’re nervous, there’s still so much left unspecified within the plan. Steve notices your fidgeting fingers and removes his hand from your thigh to play with them; he’s trying to soothe you. 

You intertwine your fingers through his and smile at him. Steve winks back at you, and you admire how lovely he looks as he drives. The moment is broken when Robin shoves her head between the two of you. “What the hell is a Cerebro?”

“It’s basically a radio tower that Dustin built for his girlfriend, Suzie.” You explain to her, voice raised to be heard over the music and wind. “She lives in Utah.”

Robin raises an eyebrow, intrigued. She leans back in her seat and pokes Dustin’s shoulder. “Suzie must be really special, huh? I mean, if you built this thing and lugged it all the way to the middle of nowhere just to talk to her.” 

Your brother preens at this, pleased someone has recognized his romantic efforts. “I mean, nobody’s scientifically perfect, but Suzie’s about as close to being perfect as any human could possibly be.”

“She sounds made up to me.” Erica snarks from the backseat. She looks over at Steve, tries to get his opinion. “She sound made up to you?”

Steve hesitates for just a fraction of a second too long, and you sigh. Dustin notices it, too. “Why are you hesitating, Steve?”

“I–I’m not!” He looks to you for help, but you only shake your head at him. All he had to do was respond promptly. This is his own fault. “I’m not hesitating! I–I think she sounds real. You know, totally, absolutely real.”

“Not really loving your uncertain tone, Steve.” You say, and Dustin nods in agreement. “Suzie is real. I mean, I’m almost positive that she is.”

Dustin does a double take at your use of the word “almost”. He’s about to say something, demand to know why you’re not certain Suzie is real, before he notices that Steve is about to miss the Weathertop turn. “Left, turn left!”

“There’s not a road here?” Steve argues, squinting his eyes in the dark to see whatever the hell the kid is seeing.

Dustin screams at him again to turn, and you only have a second to brace yourself before Steve jerks the wheel. The car’s tires screech on the asphalt as your body gets thrown forward. You scream, getting war flashbacks to when you’d been in the back of Billy’s car as Max had very recklessly driven you and Steve to the tunnels. Somehow, this is so much worse. 

The car breaks through a fence and your screaming only intensifies. “What the fuck?”

“Hendersons, where are we going?” Steve screams to you and your brother. He’s desperately trying to keep hold of the steering wheel as the car struggles against the hillside’s grass. 

“Up!” You and Dustin exclaim. One hand clutches the door, the other clutches the seat. The entire car is practically at a ninety degree angle as Steve continues to drive up the hill. It’s bumpy, your head hits the back of the seat more times than you would like, and your heart races. 

The car makes a concerning amount of strange noises the further up the hill you drive. Robin clutches her stomach. “We’re not going to make it!” 

“Yes we are!” Steve does everything he can. His foot never leaves the gas. “C’mon, baby. C’mon!” 

“Sweet talking the car won’t help!” You shriek after a particularly rough bump leaves you nauseous. The poor car strains against the giant hill. The tires, not at all made for off-roading, get caught in the grass. 

Steve hits the wheel and curses. “C’mon! Please!” He presses harder on the gas, but the car comes to a stop. The tires move uselessly against the slick mud underneath.

Ill and desperately wanting to get out of the car, you unbuckle your seatbelt. “We can walk the rest of the way, Steve.” He gives you a despaired look, pleading with you to let him continue playing with his new car, but you roll your eyes at him. You’re five seconds away from vomiting, he can deal with abandoning the car. “The Toddfather is dead. We can mourn her later.”

Steve groans but turns the car off as everyone gets out, preparing for the walk ahead. The hill is just as steep as it had been earlier this week when you were with the party. While you’re annoyed you have to walk it again, at least this time it’s night and the heat isn’t as suffocating. 

When you reach the crest of the hill, Dustin immediately runs to Cerebro. He crouches next to the radio and turns it on. “Bald Eagle, do you copy? Bald Eagle, I repeat, this is Scoops Troop, do you copy?”

Bald Eagle had been your idea. 

“Scoops Troop?” You ask your brother.

He nods, proud. “Thought of it myself.”

“Not bad, buddy.”

Murray’s voice crackles over the walkie. “Yes, I copy.”

Everyone lets out a breath of relief when you hear him. So far, the first phase of the plan seems to be working. Cerebro can reach all the way down to the lair; you can communicate with Hopper and Joyce. So far, so good.

Dustin starts to give Murray the directions he’ll need for the vents. You and Steve roam the perimeter of the hill, weary and needing something to do. While you’re far from the Russians below you, you still don’t necessarily feel like you’re out of harm’s reach. Robin stays with the kids, figuring it’s best to give the two of you some time alone. 

You stare out into the view of Hawkins from so high above. Weathertop has always been your favorite spot in the small town. Your first summer in Hawkins, Jonathan had introduced you to the hill; you used to spend all your time up here with him. You’d spend hours running up and down the length of it, giggling and sunkissed. If you stand still enough, you can still hear the laughter in the breeze. You miss Jonathan and being kids with him. 

“I haven’t been up here in years.” Steve stands next to you, voice soft. He stares out into the field as well, admires its beauty the way you are, though really he just wants the excuse to look at you. “Forgot how peaceful it was.”

“I love it here,” you tell him. “Late in the summer, dandelions appear. They scatter the entire hilltop. I like running through them.”

“Well, when they start to bloom,” Steve wraps his arms around your waist, pulls you back into his chest. He presses a soft kiss to your cheek, lingers. He hasn’t held you in so long, his body aches with the weight of yours against it. “We can run through them together.”

You smile into the embrace, lean into the kiss, tremble into the words. He will always make you weak. It’s an exhilarating feeling, knowing someone can dismantle every bone in your body with less than six words. “I think I’d like that–”

From the corner of your eye, you see lights flickering in the distance. They catch your attention, standing out against the black backdrop of the night sky. You shrug Steve off, feeling a tug in your chest to walk closer to the hill’s edge. You need to figure out what you’re seeing. With every step you take, the more your vision focuses in on the lights, the more dread fills your body.

It’s the mall. The lights are coming from the mall. 

You freeze. 

The lights are going haywire, flickering wildly. It’s supposed to be deserted. Jonathan and the others were supposed to have left already, but still your stomach sinks. Something isn’t right. 

Steve stumbles after you, confused as to why you pulled away, but when he sees the mall as well, he stills. “What the…?”

“They left. They said they would be gone by now.” You try to calm yourself down, try to focus on the reasoning. The mall is empty. It’s supposed to be empty. Jonathan promised you he would make it to Murray’s safely. He wouldn’t lie, he would never lie to you. 

Robin, Dustin, and Erica come up behind you and Steve. You all stand there at the crest. No one moves, transfixed by what they see. The lights continue to flicker, miles below, impossibly too far away from help.

Someone has to help.

Your feet move, twisting your body to run back to the radio. You need answers. You need to know what the hell is going on, if everyone is safe, and Dustin is right behind you. He falls to the grass in front of the radio and frantically brings it to his lips. “Griswold Family, this is Scoops Troop. Do you copy? Over!”

He repeats the call over and over, but no one responds. With each passing moment of silence, your panic turns into blind fear. “I repeat, do you copy–” A sudden, horrifyingly familiar screech, one that has haunted your nightmares for years now, rips through the radio’s speaker. It’s loud and gruesome and sends ice into your body. Your brother’s concern rivals your own. “Griswold Family, please confirm your safety. Are you enroute to Bald Eagle’s nest?”

Dustin is screaming into the radio at this point, demanding answers, but there’s only snarling on the other side. Your breathing quickens, the edges of your vision blur. Sweat trickles down your neck. You can’t breathe. Jonathan is still at the mall. Mike and Will. Nancy, Max and Lucas. 

El.

The Mind Flayer has them. 

Steve tries to grab your hand, but you’re blind to it all. In raw desperation, you tear the radio out of Dustin’s hands and bring it to your own lips. “Jonathan! Nancy! Mike, anyone.”

Your pleads fill the void of a response in the night air. Steve sits next to you, all he can do is watch as your pleading turns into begging. Your voice cracks, the words scratch your throat. Seeing your white-knuckled grip on the radio, Steve can’t take it anymore. 

“C’mon,” he takes your hand and pulls you up. Numb with fear, your body is limp. You try to fight him, you don’t know why he’s pulling you away from the radio when your friends need help, but Steve has made up his mind. He takes the device out of your hands and makes you look at him. “They need our help.”

“That’s what I’m trying to do!”

“Y/N, look at me.” Steve motions to the car, and finally you understand. “We’re going.”

Relief threatens to make your knees weak. Too wired from the debilitating combination of fear and helplessness, all you can do is nod at Steve and allow him to guide you down the hill. Dustin and Erica see that you’re leaving and try to stop you. “Where are you going?”

“To get them the hell outta there!” Steve calls over his shoulder, fumbling through his pocket to retrieve the keys. “Stay here, contact the others!”

Dustin calls out your name, anxious. He doesn’t want you to leave, and you hate that you have to leave him. But right now, he and Erica are as far from danger as physically possible. Weathertop hill is miles away from Starcourt. Right now, Jonathan needs you, and so do the others. Breaking out of Steve’s grasp, you run back to your brother and kiss his forehead. “I’ll be back, I promise.”

You run back to the car where Steve awaits, and Robin is quick to follow. She runs after the two of you and catches the walkie that Dustin tosses her. “Stay in touch,” he orders the three of you, still entirely against the whole thing. 

“We will!” You shout back at him, already crawling into the car. “Stay safe, don’t do anything stupid, and stay here.”

The backdoor closes, Robin’s seatbelt clicks into place, then the Cadillac’s engine roars to life.

–

Your hands won't stop shaking as Steve drives. Nothing he says can reassure you. The car hasn’t gone below seventy miles an hour despite the narrow road, and still it doesn’t feel like it will be enough. 

“I’m sure they’re okay.” Steve tries again to sound convincing, like his hands also don’t shake as he grips the steering wheel. “I mean, they have El. She’s a superhero.”

“Total superhero.” Robin unhelpfully chimes in. Her own nervousness is on display as she twists her fingers together. 

You draw your knees into your chest, trying desperately to make yourself smaller. You’re terrified for your friends, you should’ve never split up. The party always does better when it’s together. Forcing air into your lungs, you stare out the windshield. “How much farther?”

“A minute, maybe even less.” Steve promises, pressing down even harder on the gas pedal. The engine’s roar deafens your ears, and you welcome the distraction. 

In the distance you see Starcourt’s blinding neon lights. They grow bigger and bigger with every passing second, and you release the breath you had been holding when you see that you’re close. The moment of relief is short lived, however, when you hear gunshots pierce through the night. The sound rings in your eyes and the sight of Nancy firing the gun chokes you. 

“There!” You point towards where she stands and Steve changes the direction of the car. The tires screech and your body thuds against the door but you don’t care. All you can focus on is Nancy standing in front of Jonathan’s car, unmoving as she fires bullet after bullet. Something seems to be wrong with his car, you can hear the engine fail each time he turns the key.

You squint your eyes. At first, you can’t see what Nancy is firing at, but within seconds you see the third car barreling straight towards her at a terrifying speed. In the driver’s seat is Billy. “Steve!”

“I see him!” He floors it. 

The impact knocks all the air out of your body. It all happens so fast. Glass shatters. Metal hits metal. Your body gets thrown, your head roughly hits Steve’s shoulder as the car spins out. Your eyes squeeze shut at the momentum. You can’t remember if you scream. 

“Are you guys okay?” Steve asks, panting, as soon as he car comes to a stop. His head is spinning yet the first thing he does is look to see if you’re hurt. There’s some glass in your hair, but for the most part there isn’t a scratch on you, which he’s thankful for. 

“Ask me tomorrow?” Robin stares blankly ahead, still trying to process what���s just happened. 

It takes a few moments for you to come to. Your ears are ringing. Your neck aches from being thrown so suddenly to the left. “Let’s never do that again.”

“Agreed…” Robin swallows, but quickly her mouth goes dry. “Oh, shit.”

You follow her line of sight and nearly throw up. The Mind Flayer crawls over the mall and releases a thundering screech, and the size of it alone makes you want to cry. It’s huge, bigger than anything you’ve ever seen before. 

A car honks behind you, breaking you from your terror. Your head whips around, finding Nancy in the passenger seat of Jonathan’s car. “Get in!”

Quickly the three of you scramble out of the wrecked car. There isn’t room in any of the passenger seats, so you yank the trunk door open and scream at Robin and Steve to crawl in. It’s a tight fit, you have to press your back against Steve’s chest, but it’ll have to do. 

As soon as the trunk is closed, Jonathan steps on the gas. You’re thrown further into Steve’s chest and Robin, who sits in front of you, lets out a quiet yelp when she sees the Mind Flayer chasing after the car, not far behind. Seeing this as well, Jonathan takes a rough turn and everyone in the car tries to brace for the rest of the ride. 

“Are you okay, bug?” Jonathan shouts over his shoulder, eyes still on the road.

“Fine and dandy,” you pick a piece of glass out of your hair. Steve helps, carefully combing through your hair as well. The Mind Flayer screams, tries to lunge at the car, and your heart skips a beat. You try to distract yourself. “I crash cars every day. How about you guys, what brought y’all out here tonight?”

“Billy.” Everyone in the car says in unison.

You wince. “It’s always him, isn’t it?”

No one answers. Your quips don’t land. Robin hasn’t looked away from the Mind Flayer yet, Steve doesn’t want to look at it. Jonathan stares at the road ahead of him and Nancy flinches every time the Mind Flayer’s body thuds against the earth. The rest of the kids are silent, the echoes of its footfalls pounding against their eardrums. 

It’s grim in the car. Really fucking grim. 

“Dusty-bun, you copy?” A girl’s voice comes through over the radio. It’s not a voice you recognize; never in your life have you heard anyone besides your own mother refer to your brother as Dusty-bun.

Steve’s bewildered expression matches your own. Then Dustin’s voice crackles through the radio, and your bewilderment turns into relief. At least your brother is far away from whatever the hell is chasing you right now. “I copy, Suzie-poo. It sounds much better now, thanks.” 

“Suzie,” Steve and Robin breathe out at the same time. You smile at them, smug. They had their doubts, but you were almost certain she had been real. Serves them right. 

The nickname Dustin has for his girlfriend, however, is awful. “‘Suzie-poo’? That’s the best nickname he could’ve come up with?”

“I like bee, better.” Jonathan agrees.

Steve scoffs. “Honey has a nicer ring to it.”

“Both of you shut up!” You don’t have time for their weird ‘my horse is bigger than yours’ competition. Dustin’s started speaking over the radio again and you’re trying to listen in case it’s important. He’s asking Suzie whether she knows what Planck’s constant is, and you have no idea how any of this is relevant to the situation at hand. 

“Okay, so I know it starts with two sixes, and then a…” Dustin’s voice trails off. Apparently this Planck thing is a number, one he can’t seem to remember. “W-What is it?”

“Okay, let me just be clear on this.” The tone of Suzie’s voice makes you pity your brother. It’s an angry tone, annoyed and fed up. Whatever she’s about to say, it won’t be pretty. “I haven’t heard from you in a week, and now you want a mathematical equation that you should know so you can… save the world?”

You whistle, commending the girl’s sense of self worth. “She’s got a point.” 

Dustin pleads with her, promising that he’ll make it up to Suzie as soon as he can. You feel a bit bad for him, honestly. He really had been trying to contact her ever since he got home from camp. How was he supposed to know his week would end up being dominated by Russians?

“You can make it up to me now.” Suzie’s voice lowers a frightening octave. You have no idea what she’s about to say, and a large part of you wants to throw the radio out the window before you’re forced to find out. 

“What?” Dustin sounds frightened as well, which doesn’t make you feel any better. 

“I want to hear it.”

Horror fills you. It’s worse. So much worse than you ever could’ve imagined. You know exactly what Suzie wants from Dustin. “Oh, no… He told her.”

“Told her what?” Steve asks you, confused by this entire ordeal. Dustin and Suzie argue in the background. She’s insistent and your brother tries his best to convince her otherwise. 

Jonathan’s eyes meet Steve’s in the rearview mirror, mischief in them. “Theater camp.”

“Jonathan Byers, I will hurt you!” You hiss at him, utterly mortified. Sometimes you despise the fact that he’s your closest friend. He knows far too much about you. 

Steve has so many questions, but he forgets all of them when Dustin starts to sing. “Turn around, look at what you see.”

His voice is clear and beautiful, a testament to the countless hours the two of you were forced to endure in vocal lessons. When you were younger and still living in Virginia, your mother made you and your brother attend a musical theater camp every summer. She loved having you guys perform little shows for her around the house. Said your voices were like angels to listen to. 

The day you and Dustin moved to Hawkins, you both swore to never tell anyone about the camp. The secret would die with you. 

Jonathan only knows about it because your mom had him video tape Christmas carols a few years ago (like the traitor that he is). It had taken several batches of cookies, numerous pleas, and a handful of threats to ensure he wouldn’t tell anyone what he saw. 

“In her face, the mirror of your dreams.” Dustin’s melodic voice floats through the car. The song had been one the two of you sang frequently at camp, its verses simple yet fun to sing together. 

Steve and Robin share a look of disbelief. They’ve completely forgotten about the Mind Flayer still chasing after the car. Suzie, a surprisingly good singer as well, now joins Dustin. They sing together, in a sweet, childish way. You can’t help but sing along, harmonizing with them. 

Everyone in the car looks at you as if you’re insane, but you’re too tired and exhausted to care. You’ve had the weirdest two days of your goddamn life. Sue you for singing along. It’s a good song. 

That, or maybe you’re just delirious from dehydration.

After a minute or so, the song comes to a close, and you’re almost saddened by that. You’ve missed singing with your brother. You make a mental note to bug him about it later. “Planck’s constant is 6.62607004.”

Dustin laughs into the radio, happy that Suzie finally revealed the number. “You just saved the world!”

“Gosh, I miss you, Dusty-bun.”

The two continue to go back and forth with their baby talk, which you cringe at. It’s disgusting to overhear, although you guess you understand now why Dustin hates being around you and Steve. You’ll apologize to him later. 

Dustin’s voice cuts off unexpectedly, which you assume is Erica’s doing. You’ll also thank her later. The car goes quiet again. No one knows what to follow Dustin’s impromptu performance with. 

“So, theater camp, huh?” Steve finally breaks the silence, squeezing you gently in his arms as he teases. 

“Tell anyone and I swear I’ll–” The Mind Flayer suddenly turns around, catching your attention. It runs away, back towards the mall. It doesn’t make any sense. Everyone is here, in the car. It only wants El. Unease twists your stomach. You lean forward and look at who is in the car. When you see Will and Lucas in the seat in front of you, you panic. “Where are the others?”

You’re practically crawling over the seat to try and get to Jonathan and Nancy. “Where’s Max and El? Where the hell is Mike?”

Nancy tries to distance herself from your anger. “We got separated, but they’re–they’re fine. We had to guide the Mind Flayer away from the mall–”

“So you left them?”

“We didn’t really have much of a choice, Y/N!” Nancy screams back at you now, insulted that you truly believe she would ever leave her brother behind willingly. She wouldn’t do that. She knows that you know this. 

“It’s going back for them! It fucking turned around, can’t you see that? We need to follow it, now!” 

“Y/N–”

“Turn. Around.”

“Steve, sit Y/N back down!” Jonathan’s yell cuts in between you and Nancy. You’re about to start spewing curses at him, but Steve’s arms are strong and force you back into his lap. You’re livid. “Hold on!” 

Jonathan knows you’re right. He tightens his hold on the steering wheel and stomps on the brakes. The car spins, he twists the wheel, controls it as best as he can, before he steadies the vehicle and accelerates back towards the mall. 

– 

When you get to the mall, Lucas announces that he has a plan. 

“Fireworks have an insane amount of gunpowder in them.” He explains to the group, waving around a handful of fireworks he left in the trunk. You’re all carrying some as you run through the mall’s parking lot. “If we tie them together, we can mimic the damage of dynamite.”

“Think it’ll be enough to kill the Mind Flayer?” Nancy asks, hesitant.

“If we throw them from above, yeah!”

You kiss Lucas’ cheek, only barely managing not to trip over your feet as you run. “I think you’re a genius, Sinclair.”

Inside the mall, everyone quickly sets the fireworks up. Faintly you can hear the Mind Flayer lurking somewhere, its roars echoing throughout the building, but it hasn’t found you guys yet. Lighters get passed around, fireworks get messily taped together, groups are divided in an attempt to cover the most ground. Jonathan with Nancy. Will with Lucas. You and Steve with Robin.

You’re taping together the last of your fireworks when you look down over the railing. You almost drop the fireworks in your hand when you see Billy hovering over El. He’s so much bigger than she is. She’s hardly even visible beneath him. Your stomach churns. “He’s here.”

Thuds shake the ground. The Mind Flayer descends from the rooftop and crawls over to where Billy has placed El. Its mouth opens, preparing for the kill, and Lucas throws the first firework. “Flay this, you ugly piece of shit!”

Bursts of light collide into the monster. It hisses, turns to face the direction the firework was thrown, and Lucas throws another into its mouth. 

Smoke begins to fill the air. The whistle of the rockets sting your ears. The light blinds you. It’s loud and messy and fireworks rain down upon the monster. Everyone throws the bundles they have, and yet still you hesitate. Billy’s eyes flash through your mind. How the red in them overtook the icy blue. The sweat that poured from his face. The cruelty that seeped through his skin. 

It’s horrible what’s happened to him. He didn’t deserve to become a pawn in this maddening game. 

But someone has to end it. You breathe in, relax your body, and bring your lighter to the first firework. Its heat licks at your skin as you release it into the air. You hit the side of its body, sending the Mind Flayer stumbling back. 

“Hey, asshole. Over here!” Steve throws a firework and its blasts almost scorches the two of you. It’s dangerous, stray fireworks threaten to crash into everyone, but the plan seems to be working. With every hit the Mind Flayer takes, the more he weakens. 

Your thumb burns as you light fireworks over and over again. The motion is repetitive, just enough to keep the fear in you at bay. It’s deafening within the mall. It’s exhilarating. It’s dizzying. Reds, blues, yellows, greens all light up the sky. 

Distantly, through the haze of smoke, you watch as the fireworks affect Billy as well. He cowers each time the Mind Flayer gets hit, but it also seems to enrage him as well. He grabs El’s wounded leg and drags her closer to the monster.

Helplessly you wish you were down there with El, helping her. However, all you can do is continue throwing fireworks in a crazed attempt to save the ones you love. You scream with every throw, exerting all your strength to throw them as far as you physically can. But you’re quickly running out of ammunition. 

“Dustin, we’re out of time!” Steve screams into the walkie, breath heaving with soot on his face. 

Your brother screams back, pleading with Hopper to close the gate. No one answers him, and you hold back exhausted sobs as you throw the remaining fireworks. They won’t be enough. Someone has to close the gate, sever any connection the Upside Down has to your world. It’s the only way any of you are making it out alive. 

Yet it remains open, and Billy has now crawled back on top of El. 

She seems to be saying something to him, but in the cloud of smoke and explosions you can’t be sure. Robin helps you light the last firework, Steve aims it, and you’re numb to it all. He throws it, it explodes into a shower of purple. Its ashes scatter around Billy, singes his back, and you see now that he’s stopped moving. 

“That was the last one!” Robin shouts over the screams of the fireworks. Steve runs a hand through hair and curses. There isn’t anything else the three of you can do.

You run to the railing and look around, feverish to find any way to help. Jonathan catches your eye from across the plaza. He looks just as distraught as you are. Your palm hits against the metal of the railing in frustration. There has to be something. Then you see Max and Mike below, standing on the outskirts of where Billy and El are, all alone. 

“I’m going down!” You scream to Robin and Steve. You have to get down there. Someone has to be with them. They’re too close to the fire and explosions and monsters. 

“Y/N, wait–” Steve tries to stop you, but you plead with him. 

“Steve, I need you to trust me.” There’s a raw, overwhelming feeling within you that something bad is about to happen. You can’t shake it, the feeling of loss being inevitable frightens you. For three years now you’ve saved everyone, done everything right. For three years, you’ve gotten lucky. You don’t know how to explain all of this to Steve, the fear that has followed you ever since you first intercepted the Russian code. “Please.”

Maybe it’s the way you say it. Maybe it’s the tears that stream down your face as you look at him. Whatever the reason may be, Steve reluctantly lets go of you. Endlessly thankful for him, your hands cradle his face as you kiss him. He makes a cute, surprised noise, and you wish more than anything that you can bask in the warmth of his lips, but you can’t. 

You force yourself to pull away. “I’ll be back, take care of the others.”

And then you’re gone. 

Footsteps echoing against the walls of the mall, you run down the stairs and straight towards Max and Mike. They hear you approach and suddenly they’re both in your arms. They hold onto you tightly, none of you can tear your eyes away from the scene in front of you. Billy slowly stands up and away from El. His movements are labored as he walks in front of the Mind Flayer, blocking its path to her. 

They stand, face to face, unmoving. Predator against prey. Your heart pounds in your throat as you watch, too scared to move. In an almost imperceptible velocity, the Mind Flayer extends its claws. 

Billy raises his arms, stopping the monster from piercing through El, protecting her. “No!” A guttural, animalistic scream tears apart his vocal chords. He screams, over and over again, as the Mind Flayer struggles against him. 

Max freezes in your arms, you feel her choke on her gasp. 

Everything happens slowly after that. 

The first claw that penetrates Billy’s side. 

The second one that cuts through his other side. 

Then the third one, the fourth and the fifth and the sixth. They pierce through his skin, sink into the flesh. His body goes limp as he’s suspended into the air. The Mind Flayer hisses down at him, its teeth bared, and Billy, who has never been afraid, screams in the face of death as the monster fatally punctures his chest. 

Everything stops.

“Billy!” You will never forget the pain in Max’s scream. It will become yet another sound that haunts your nightmares. 

As you stand there with a paralyzed Max in your arms, the Mind Flayer drops Billy’s body onto the ground. He lands with a sickening thud. The Mind Flayer’s body crashes into the walls, it convulses, spasms, leaving destruction in its wake. Then, all together, it stills and falls to the ground.

The gate has been closed. 

Mike tears himself from your arms and runs over to El. He pulls her into a hug and she begins to sob. You and Max walk numbly over to them, neither of your eyes leave Billy’s bleeding body. He shudders weakly where he lays, a pool of blood encasing his body. 

“Billy?” Max knees next to him. She’s crying, she doesn’t know what to do. There’s so much blood. “Billy, get up. Please, Billy. Get up, please.”

You kneel next to her, at her side through it all. 

Blood pours from Billy’s mouth. He coughs and the wet sound only makes Max cry harder. He looks up at you, his eyes are finally blue again. “Talking to you… sweetheart.”

But if you need anyone to talk to, about anything, come find me, okay?

Those had been your last words to him. 

“Billy…” He had tried to find you. He had been lost and scared and alone. He didn’t know what had been happening to him, why his anger became venom. A sob is wrenched from your mouth. He had been all alone, and he had tried to find you.

Billy coughs again, more blood leaks from his wounds. With the last of his strength, he turns his head to Max. “I’m sorry…” His chest heaves in pain, he labors two final breaths, before his chest falls entirely. It doesn’t rise again. 

Max shakes his shoulders, uncaring for the wounds there. She shakes him, begs and pleads with him to wake up, but his body remains lifeless. She lets out one final, anguished sob. “Billy.” 

She buries her face in your chest and sobs. You hold her, El joins. The girl tries to soothe Max, she tries to keep you together, but you break as well. 

You cry for the boy Billy had once been. Max had told you stories from before. How he would drive her to the skate park, scare off any older boy who tried to taunt her. She told you about how he used to love surfing in California, before his mom had left them and his dad became violent. 

Max told you about how kind Billy had once been, she knows he used to be kind. How she could see it in him still, hiding the bruises from his father to not scare her. To make her feel safe in their own home even if he intimidated her as well; it was the violence in him that was created by a monster far more vile than the Mind Flayer. 

You cry for Max, too young to lose such a complicated loved one. You know the pain better than anyone else. How it hurts to grieve them, how it makes you feel pathetic to miss someone who has only hurt you, but the tenderness of knowing them tethers you to it all. Billy had been her brother. There is no greater tether than that. 

You cry because you loved and have lost. You will blame yourself for having not said anything about Billy’s off behavior. You had seen the first signs of what the Mind Flayer did to him. He had been stranded on the side of the road, bloodied and bruised, blue eyes darker than normal, and you had done nothing except tell him to come find you. 

And then you had left him. 

Billy Hargrove died alone.

You and Max will share the burden of this guilt. 

– 

Jonathan finds you first, then Steve. You’re on the floor, kneeling with Max in your arms, two broken pieces finding solace in the other. Billy’s body lies next to you, neither you nor Max can bear to look at it. 

“I’m sorry, I’m sorry, I’m sorry,” they’re the only words you can say to the girl. 

Max clutches your arms around her and her tears soak your shirt. El and Steve try to coax her out of your arms, but she doesn’t move. She refuses to let go of you, though she allows Jonathan to drape his arms over you and hold you as your own sobs echo within the mall. 

Nancy and the others join. They leave a wide berth around the dead body before them. Nancy sees that you’re in no condition to guide, so she takes over for you. She instructs Steve and Lucas to take Max from your arms so that they can stand the two of you up. The fire from the wreckage is quickly spreading and you’ll need to evacuate soon.

“It’s okay, bug. You’re okay.” Jonathan whispers in your ear, one hand delicate on your arm. Steve’s hands rest upon your other arm, and together the two of them are able to get you onto your feet. 

Your body shakes, grief sits heavily upon your chest. Steve’s eyes never leave your weak frame. 

It’s all a blur after that. 

Firefighters break through the mall and evacuate the building. Nancy and Jonathan do all the talking. Someone, you think it’s Steve, carefully guides you through the maze of burning rubble and bodies. It’s raining outside and the soft thunder almost drowns out the drone of the helicopters that swarm the building. 

There are ambulances amongst the military trucks and you’re shoved into one by a concerned medic. The woman explains to you that you’re in shock, that your body is in a state of perpetual flight. She allows Steve to sit and stay with you only after she’s finished patching up his split lip and bruised eye. 

“It’s going to take some time to heal,” the medic explains to you. She’s soft spoken, maternal, and in your numb state she reminds you of your mother. “You kids went through a lot tonight.”

Time. 

It always goes back to time. 

Steve rubs your back and kisses the top of your head every few minutes. You rest your head against his shoulder, body pressed against his, a blanket draped around both of your shoulders’. Neither of you say anything. His hand on your back is warm, it unthaws the ice that the shock has left behind. His touch grounds you, keeps you afloat. 

A car pulls up in the distance and its doors slam. Your eyes drift up, finding Joyce’s as she stumbles through the crowd of armed soldiers and firefighters. She stumbles around, lost in some haze that clouds her once shining face. Joyce looks around in concern, trying to find her sons, and somehow you know, even before her face crumbles when she sees you, that something terrible has happened.

Her eyes meet yours. 

Hopper isn’t with her.

Will rushes towards his mother and almost knocks her down with how hard he hugs her. Joyce clings onto him and breaks into heartwrenching, bone crushing, sobs. You can hear her from where you sit with Steve, you can feel the weight of her loss like thickened water in your lungs. 

In the other ambulance next to you, El, who had been resting in Mike’s lap, stands up when she sees Joyce. She walks towards the woman as she embraces her son. Though El faces away from you, standing alone in the middle of the parking lot, the way her shoulders shake as she begins to fall apart indicates the remnants of her childhood have died tonight.

“Hopper’s dead.” They’re the first words you’ve spoken all night. Your voice is hoarse from disuse and the words echo, taunting you. 

Steve doesn’t say anything, only a heavy sigh leaves his body. 

There were three deaths tonight. Billy, Hopper, and El’s childhood. One for every year you got lucky. The fear that had been creeping through the back of your mind finally presents itself to you. It manifests in the humid July air and it laughs at you. Saving Will, closing the gate, destroying the Mind Flayer. They were debts needed to be fulfilled, and they were paid for tonight.

You see Max and Robin sitting on a stretcher across from you. Max also hasn’t said anything all night, lost in her own grief and remorse. Joyce still sobs in Will’s arms. El grieves alone, mourning the closest thing she’s ever had to a father. 

You see Jonathan and Nancy whispering quietly to one another in another ambulance. They share a blanket like you do with Steve, but Nancy’s eyes are sunken in and Jonathan’s face is pale. Lucas and Mike sit together, too exhausted to say anything. 

You’re all bleeding or burned or bruised and you’re tired. 

“Sometimes…” Your voice cracks, tears threaten to silence you, and you force yourself to breathe in. Force yourself to focus, to get the words out. They’re important, somehow, even if you don’t know why. “Sometimes it feels like I’ve used up all my luck.”

Steve draws small circles into your ribcage. His fingers catch on the raised skin, the scar from when you saved his life last year. “Luck?”

“When Will went missing… It was pure luck that I found him. Brought him back home.” You weren’t supposed to have been with the kids when they found El. You were lucky that night, it was luck that threw you into the middle of it all. “It was luck that saved Will last year, too. Those tunnels…” Your body shivers at the memory. It had been so cold down there, the smell of the damp earth is a scent you will never forget. “And now I–”

Your words catch in your throat. Steve’s body presses against yours, he waits for you, patient. When your voice returns, you try again. “And now I… I’m not sure how I feel.”

“Why’s that, angel?” Steve listens, he tries to understand. “I mean, the Mind Flayer is gone. We won.”

You saved Hawkins. You saved El. You know this, and it should be enough, but it isn’t. “All the deaths that took place tonight stain everything.”

El’s father is dead. Joyce had come so close to loving again. Max no longer has someone to call a brother. Billy, who endured so much hurt when he was a child, never got the chance to experience kindness when he grew up. 

Billy never got the chance to become good, not like you did. You were lucky to have even become kind again in the first place. It had taken years to turn the hurt from your childhood into empathy. You had a mother who called you her sweet girl even when you screamed horrible insults at her. You had a brother who held your hand through the anger that your father left behind. You had a best friend who taught you that not everyone leaves. There had been people who loved you, who were gentle, who showed you that anger can be turned into something soft. 

But all Billy ever knew in his life was violence and cruelty. It isn’t fair. 

“My entire life I’ve been lucky,” your chest constricts as you confess everything to Steve. All your fear, the doubt, the insecurity. “Now it–it feels like I’ve used up all my luck.” Your fingers find Steve’s, a mind of their own as your body seeks the solace only he can bring. He doesn’t know that he’s the reason you believe you’ve had more luck than anyone else in their life. “I… I was lucky to have met you, to become your friend, someone you trust. How could I possibly have any luck left over after everything we’ve been through together?”

Everything burns in Steve. He understands what you’re trying to say, he does, but he doesn’t agree. Steve hooks the pad of his fingertip underneath your chin and coaxes your head up, he wants you to look at him as he speaks. He needs you to hear him. To understand. “Well, that’s where you’re wrong.”

You wipe your eyes, uncomfortable under Steve’s open and earnest gaze. “I’m wrong?”

He hums, strokes a finger from the dip of your cheek up to the crest of your brow. He admires you, memorizes the skin beneath his. “You’ve taught me a lot of things, but you’re wrong about that luck theory of yours. See, I have my own theory that you can never run out of luck if you love, and you taught me that to love and be loved is the luckiest thing a person can give and receive.”

Steve remembers the first day he ever saw you. He’d been thirteen, you had been twelve. He remembers how small you looked to him, yet lovely nonetheless, even back then. You had always been so lovely to Steve, kind, delicate, admirable. 

Your eyes stare into Steve’s and he remembers the first day he spoke to you. The squeal of your bike tires as you almost crashed into his car. The way the setting sun cast you in a golden glow in the ditch you landed in as Steve offered you his hand. How, the moment you laughed at what he said, he felt breathless. 

You smile at Steve now, the same smile all those years ago, the smile he saw when he was thirteen and believed in knights and dragons. Now, at eighteen, you smile at Steve and he believes in fates that attach people to one another and mold them into one being. 

“And I’m lucky enough to be able to love you, angel.” 

Steve’s words cut through you. They’re the good that remind you of the light of the sun that follows the dark of the night. It’s almost like an awakening, a slow remembering, how can someone run out of luck if they love with everything within them?

You see Mike now consoling El. She’s in pain, but Mike bears the hurt with her. You see Jonathan and Nancy sleep soundly against each other, safe in the other’s arms. Lucas holds Max’s hand as Robin cracks a joke that gets the young girl to laugh. Will strokes his fingers through his mother’s hair, offering her love that only a son can. 

Even while there is so much grief and pain within this world, the love that follows overwhelms it.

Steve stares down at you, eyes soft with contentedness. There isn’t a pressure behind them, he doesn’t need you to say anything to him. He’s simply happy to have you in his arms, to have you with him now, to remind him of how lucky he is, and you’re so full of love for him. 

“I’m lucky enough to be able to love you, too, sweet honey.”

Steve Harrington smiles the boyish smile that you fell for long before you knew what love even was, and he kisses you. He breathes you in, he has you right where he wants you. 

You finally, finally, have come home. 

– 

Time passes slowly afterwards; you take it one day at a time. 

After the mall burns down, your job is practically all but saved. It’s a small, bittersweet thing. Mrs. Waters had told you the news with her own bittersweet smile, mourning her dear friend Mrs. Driscoll who died in the fire. She will never know the truth, that the woman had become part of an army created by a monster. 

“But at least Doris would be happy that I still have my store,” the woman said as she stacked books with you at the counter. It had only taken you two days before finding yourself falling back into old habits. Your mother had wanted you to stay home for the rest of the summer, but Bookstrordinary has always been a second home to you, and you couldn’t bear the silence in the house. Mrs. Waters sighed sadly, looking down. “I miss her.”

“I’m sorry, Mrs. Waters.” You squeezed her hand, mourned with her.

Hopper’s funeral took place a week after Starcourt burned down. The entire town showed up, something that you know the old man would’ve hated, and he was crowned Hawkins’ hero. You spent the ceremony in the very back, holding El’s hand, so that the two of you wouldn’t be seen.

Billy’s funeral was a few days after Hopper’s. Max sat alone at the front of the church, Billy’s father had been too drunk to attend and her mother couldn’t get the time off of work. After the ceremony, the girl silently followed you into your car and spent the rest of the day at Bookstrordinary with you. She hadn’t wanted to go home to an empty house, and you understood the feeling. 

Max spends most of her summer with you at the store after that. Some days she helps restock the shelves, singing along to your set of tapes, bright and cheery. But some days she’s quiet, sits in a corner and pretends to read whatever you hand her. El stops by the store sometimes, too. You read comics to her, bake her the oatmeal raisin cookies she loves so much, and gossip about Mike and Lucas if Max is having one of her good days. 

During the first week you bake Joyce’s favorite muffins, the second week you bake her brownies. You offer her a shoulder to cry on every time you stop by the Byers home, you reminisce over Hopper and his disdain for you; she appreciates everything you do. 

Steve spends every single day with you, it doesn’t matter where you are. Without a job, he follows you everywhere. Whether you’re at work, at home, even at Jonathan’s or Nancy’s, he’s always able to find you with Robin right behind him. Nancy thinks the newfound trio is bizarre, but Jonathan can’t help but laugh whenever he sees Robin talking your ear off while Steve follows you around like a moth to a flame.

Together, you all try to heal.

Two weeks pass and you’re woken up by the ringing of your phone. 

“Hello?” Annoyance seeps through your greeting. You’ve only just managed to fall asleep, the nightmares at bay for once. 

“Come outside, angel.”

His voice wakes you up, the annoyance now replaced with confusion. “Steve?”

“Wear something warm, okay?”

“What–?” He hangs up, the line disconnects, and you’re completely taken aback by the phone call. You didn’t make any plans with Steve tonight, at least not any that you can recall. He had spent the day with you at work, ate dinner with you and your family, before watching a movie with Dustin and going home. 

You’re not entirely sure why he’s called you at nearly two in the morning to come outside, but you listen anyways. On your desk chair lays the cardigan Steve bought you for Christmas, his initials stitched into the sleeve. Sliding it over your shoulders, you quickly put it on before climbing through your window.

Steve’s car is parked two houses from yours, headlights off. There’s music faintly playing that can be heard through the window, and a familiar melody has you running to get inside. “The Beatles?”

They were the band that you and your dad used to listen to. His fingers would strum their songs on his guitar as the two of you sat side by side on the front porch of your childhood home. He would hum the words to you. Told you that you should know about real music. 

When your dad left, he took the music with him.

Jonathan had tried to get you into his favorite artists. The Smiths, David Bowie, the Clash. He would sit you down in his room and play their songs over his record player and watch your reactions. While the music was good, and you’ve come to love them because the artists reminded you of Jonathan, it was never the same as listening to the Beatles with your dad during early July mornings. 

Then one night, when you and Steve had been driving around Hawkins, a Beatles song began to play over the radio. Unknowing of your history with the band, Steve started to hum along the same way your dad would do, and it was finally then that music was brought back into your life.

“What, I don’t get a hello?” Steve is smiling ear to ear, seeing the flushed joy on your face and the cardigan you wear. 

You throw your body over the center console and hug him. “Hi, honey.”

As he drives, Steve is unusually quiet. His initial smug greeting upon your arrival is quickly overshadowed by a shy demeanor. Steve’s fingers fidget on the steering wheel, his foot taps against the car’s floor. The Beatles play softly within the car and somewhere along the route you find that the wooded scenery starts to look familiar.

He’s driving you to Lover’s Lake.

“Why are we heading towards the lake?” You ask Steve, but he pretends not to hear you. Instead, he turns the radio up and sings along to Paul McCartney. Your eyes wander to the backseat and notice a small box nestled against the leather. 

A few minutes later Steve parks the car and wordlessly the two of you get out. It’s dark, the moon reflects off the lake’s water. Crickets sing in the air and the waves lap at the shore. It’s a beautiful night, the July heat is masked by the night’s breeze; your cardigan keeps you warm. 

Lost in admiring the view, you don’t notice that Steve has left your side until he returns with a picnic basket. The box you saw earlier is tucked underneath his arm. You tilt your head at him, quizzically. “What are you planning, Harrington?”

Steve grabs your hand. “You’ll see.”

He leads you down to the lake’s edge where the water meets the sand. There’s a trail that Steve once found when he was nine. It had been during the last fishing trip he had ever taken with his dad. The man commanded him to hook the worm and Steve cried. Embarrassed and ashamed, Steve had run towards where the sand met the woods and found a meadow hidden within it. 

There are flowers in full bloom within the meadow, and you gasp when you see their vibrant pinks and blues. The flowers are delicate yet their stems are long. Steve sets the picnic basket down and pulls a blanket out from it. He sets it onto the grass and lays down, motioning you to join him. 

The stars are clear tonight, shining bright above the two of you. They almost seem to wink at you as you lay side by side with Steve. His hand is in yours, as it always is these days, and with only the stars as his witness, Steve whispers into your ear, “Thank you for staying.”

His breath warms your neck, and you know, without having to ask, what he’s thanking you for. Your promise to him last year, that you’d wait for him. He hadn’t been ready. The timing of it all wouldn’t have been right, but you knew, even back then, that you’d wait forever for Steve Harrington if it meant you’d receive even half of his love. 

Take your time, I’ll be here. 

“It was the easiest thing I’ve ever done.” The words come easily to you, raw with truth and vulnerability. 

A soft sigh escapes Steve. He turns his head to you, eyes finding yours, and you’ve never seen such tenderness within him. He opens his mouth, sighs out the words you’ve longed to hear again since that night at Starcourt. “I love you.”

“I love you, too.” You don’t think you’ll ever tire of saying those three words to him. There’s so much love within you, so much you’ve ached to give out ever since you were a little girl, and now you finally can. 

Steve kisses you with a softness that releases a sigh from your own lips, and you know he’s wholly, truly, yours now. With a swift motion, Steve places himself on top of you as you kiss. His weight presses down on you, one hand cups your cheek and the other steadies him. His hair tickles your face, his cologne clouds your brain, and the sweet taste of July honey coats your tongue. 

Minutes, maybe even hours, pass as you kiss Steve. It’s lazy, no sense of urgency as your lips move against his. It’s warm, it’s soft. Eventually he manages to pull himself away from you, he’s brought you here for other reasons tonight. 

“Hold on, I got you something.” Steve fixes his hair, clears his throat, and pulls out a container from the basket. He reveals a freshly baked loaf of banana bread on a beautiful glass plate. There’s a small, lopsided candle on top of it.

“You came prepared tonight,” you tease him, still breathless from the kisses and love.

“My mom did, actually. She’s the one who made this.” You sit up and look at Steve, wide eyed. He laughs at you, finding your stunned reaction endearing. “Relax, angel. She really wanted to bake you something, and I had to make up for allowing Russians to ruin your seventeenth birthday, didn’t I?” 

Words escape you. Steve’s mom made you banana bread, a woman you have still yet to meet, though you’ve only heard fond stories about. She had insisted on doing this kind thing for you. 

Steve lights the candle and holds the plate up for you. “C’mon, make a wish, Y/N.”

You close your eyes, smiling, and the wish comes easily to you.

For time to stay like this, forever.

You blow the candle out, Steve cuts the banana bread, and you take turns feeding it to one another. The dessert is delicious, freshly baked and still warm. It’s sweet and nostalgic and everything you could ever ask for. 

When you’ve finished eating, Steve claps his hands. “Alright, now onto the real event of the night!” 

You raise an eyebrow. “What, the kissing wasn’t enough?” Steve makes a panicked noise and you laugh at him. “I was teasing, honey.”

“You terrify me,” he huffs, before revealing a box from behind him, the very same one you’ve been curious about all night. 

“I aspire to be terrifying,” you stick your tongue out at Steve before turning the box over in your hands. It’s light, lighter than you expected. “Is this my gift you’ve been bragging about?” For months leading up to your birthday, Steve had been boasting about this amazing gift he had thought of, how he had convinced the party to help him. 

“Open it and find out.” There’s a glint in Steve’s eyes, yet you also see the shyness return as well. He’s nervous to see your reaction, he wants more than anything to have gotten this right. 

You roll your eyes at him but open the box. It isn’t wrapped like your other gifts from Steve have been. Instead the box is made of a dark oak, and its lid opens with a soft click. The silver catches your attention first. It’s a small chain with two silver ovals on opposite sides. In between the two ovals is a collection of charms. 

“Is this…?” The charms are all roughly the same size, but each vastly different from the other. 

Steve nods at you, rubs the back of his neck. “It’s a charm bracelet.” 

Moonlight reflects off of one of the charms, revealing it to be a frog, another one to be a cookie, and slowly you piece it together. There’s six charms, one for each member of the party. “Steve.”

“Have you figured it out–oomph!” He lands with a thud on his back as you attack him with a hug. Slightly out of breath, he laughs and wraps his arms around you. “I’ll take that as a yes, then.”

“How did you get the kids to do this?” You lay on top of him, blinking back tears as you hold the  bracelet delicately in your hands to admire it. 

Steve sighs in exasperation. “Money and a lot of begging. They were all for picking out charms for you, I just had to pay them to spend more than five minutes with me at the jewelry store.”

You laugh, that sounds exactly like them, and you love those kids with everything within you. Holding up the frog pendant, you know which kid picked it out for you. “Mike?”

“Yup. Said something about Kermit the frog?”

“He’s such a little shit,” you say with fondness. Last year, when Billy had nearly choked you to death, your voice had been lost and Mike wouldn’t stop referring to you as Kermit. Your fingers skim over the pendant next to it, a simple blue one, and you smile. “Dustin?”

“He told me about your code blues.” Steve rubs your back, content to have you resting against him. You hum, touched that your brother trusted Steve enough to confide this to. No one else knows about your code blues, it’d been a special thing just between the two of you. 

With your ear pressed against his chest, listening to his heartbeat, Steve explains the rest of the charms to you. His voice is lazy, slow, lilting with fondness, and his hand a firm weight against your back. Max chose a knife charm to remind you of how badass you are. Will chose a bee, because he’ll always be your little bee. Lucas was able to find a small, white flower that resembles a dogwood, knowing that it’s your favorite. As for El, she chose a cookie based solely on her love for the ones you bake for her. 

“What about the ovals?” You ask Steve after he’s done explaining what the kids chose for you. The ovals are slightly larger than the charms, almost serving as a divider between them. The metal is smooth underneath your fingers. 

He brushes hair out of your face and winks. “Turn them over.”

With slight confusion, you do, and discover that they’re engraved. Etched onto the back of one oval is honey, and, on the other, angel is written. They’re your names for one another, nestled between charms from the kids you love so dearly in your life; this is a gift made from pure, unadulterated love. 

“Oh my god,” it’s perfect, absolutely perfect. Your lips are all over Steve’s face before he even has time to blink. You scatter millions of kisses upon his face, drown him in them, With every kiss that you press upon his pretty skin, you shower him with praise. “Thank you, thank you, thank you!” 

Steve laughs and tries to move his face away, but really he leans into the onslaught of love. His cheeks burn from smiling so hard and from the heat you always make him feel. He grabs your waist and enjoys the skin he holds. “You like it?”

“I love it, Steve!” 

“Does this make up for the whole Russian fiasco?” He asks, only joking a little bit. He still feels awful for dragging you into everything, but with time he’s learning to forgive himself. Before he overthinks it, Steve adds, “Am I now the best boyfriend in the world?”

His words make you blush, and you don’t think you’ll ever get used to Steve being yours. You’ve waited so long to be his, to hold him and kiss him like you do now. You cherish the feeling, the sensation of knowing a boy loves you the way that Steve does. “You’ve definitely redeemed yourself for getting me trapped in a Russian lair on my birthday. And you’re definitely the best boyfriend in the world.”

Steve, despite being underneath you, does a victory dance and whoops into the night. He’s elated, his face shines when you look down at him, and you’ve never been so in love before. You once thought you knew what love was, what the burn of it could feel like. But now, with Steve lying beneath you as his arms keep you from falling, you know that love is airless, light, cool to the touch and warm on the skin. Love isn’t supposed to hurt, it’s supposed to feel like coming home after a long day of being out in the cold. 

After Steve helps you put on the charm bracelet, you lay together in the meadow. The lake’s waves can be heard in the distance. Crickets chirp their greeting, the stars wink hello above you. Their noises serve as a lullaby to you, soothing you to an almost sleep-like state. You nestle your head into the crook of Steve’s neck and let out a sleepy exhale. 

Feeling this, Steve strokes the back of your hair. “You fallin’ asleep on me, Henderson?”

“I’m resting my eyes.” 

“Very convincing,” he chuckles, tightening his embrace to try and stave off the cold that creeps in. He lets out his own tired sigh, your weight upon him has always put him at ease. He inhales, smells your perfume, and he can’t believe that he’s here right now with you. After everything he’s been through, he can’t believe that somehow he’s come out of it with you next to him. Last year he thought he had lost you forever. This year he can see forever with you. “I think I like this July a whole lot better than the last one.”

It’s meant to be a joke, a gentle tease. More of a reflection of how far the two of you have come in such a short amount of time, but still Steve’s words remind you of something. You’ve never told him the real reason why you left last summer. Why you ran away from him. 

“I was scared, last summer.” 

Steve tilts his head at you. “Scared of what?”

“I was scared of falling in love with you,” the confession lifts from your chest. It hangs over you both, the weight of it tangible. Steve’s eyes soften, he lets out a soft oh, and you duck your head shyly. “Last July, you were… Everything. You were everything to me, and it terrified me. I was still figuring my feelings out for Jonathan back then, you had Nancy, but you were so lovely and I just–I couldn’t do it. It wouldn’t have been fair, not to anyone, but I’m sorry.”

“Y/N…” Steve hadn’t known. All this time, he thought he had done something wrong. But really you had been trying to protect yourself, protect him, and he understands now why you had to leave him for a while. He sees the distress on your face and he shushes you, kisses your forehead. “Don’t apologize, okay? I honestly would’ve run away too, if I were you. I’m just… You came back to me, in the end. That’s all I care about.”

He’s too good for you. “I still hurt you.”

“You’re human,” Steve brushes more hair out of your face. “We all make mistakes. You ditched me for a few months and I almost got you killed by crazy Russians. I think we’re pretty even now.”

Despite the guilt in your throat, Steve manages to draw a smile from you. It’s what he’s always done best. Even on the day Will had gone missing, he had been the one to ease the loss by pretending not to have known your name. He had made you laugh when you thought you could never laugh again. Steve would do anything to get you to smile, and you cannot imagine where you’d be without him. “We always even our debts, huh?”

“It’s tradition at this point.”

And you laugh, full-bellied and loud and recklessly. It echoes into the night, Steve’s reverberates into your ears, and you’re happy. 

– 

A month passes, and in the mid-August heat, Jonathan knocks on your window late one night. 

His knuckles rap against the glass and it’s a sound reminiscent of before, when you were little kids who didn’t know how yet to hurt each other. You crawl out of your bed, curious, though happy nonetheless to let him in. 

You go to open your curtain, ready to tell the boy all about what Dustin had done today, unaware that when you open the curtain, everything will change. 

Jonathan is crying. 

“Bee, oh my God.” You quickly open the window and he manages to crawl through, though sobs wrack his body. He’s shaking, and for a terrifying moment you think that something has happened to Will. “Is everything okay?”

He stands before you, chest heaving and eyes red, and with two words your world comes crashing down. “We’re moving.”

Time stands still. You’re seventeen and your childhood is coming to a close.

Somehow you’re holding onto Jonathan as he explains everything through his tears. He’s moving in early September, going all the way to California. He and his family are leaving Hawkins, leaving you. 

Your legs give out, or maybe it’s Jonathan’s, but you hold each other on the floor, intertwined, mourning the loss of growing up together. Your tears mix with his, his breathing becomes yours. The two of you cling onto each other, scared that one day soon you’ll never be able to do this again. 

“We need to–” Your breathing is shaky, your eyes sting. You feel a desperate franticness claw out of you, you grasp at what little sanity you have left. “We need to promise each other that–that we’ll see each other every day before you leave, in some capacity. It–it doesn’t matter how but–”

“I’ve already talked to Nancy about it, bug.” Jonathan wipes your tears, lets his own fall freely. He knew you’d say this, and he loves you all the more for it. “It’s been agreed.”

You nod, relieved. It isn’t much, it still doesn’t change the fact that Jonathan will leave you in the end, but at least you’ll make every last second with him count. You’ll move into the Byers home if you have to, they’re your family. He’s your person. He’s embedded into your skin, he’s nestled between your bones. 

Last year you and Jonathan promised you would never let go of each other. 

The year prior to that you promised each other that nothing would change between you two. 

Now, holding onto each other as the world you’ve been building together for five years comes crumbling down, you have to believe that the promises will be enough.

–

Steve and Robin rope you into helping them find a new job.

You innocently pointed out that Family Video was hiring, figuring it was an easy enough place to work at, and suddenly the two of them had shoved you into Steve’s car with resumes in their hands. Honestly, you should’ve seen it coming. 

“You put your mom down as a reference?” Robin questions Steve as you all get out of the car. She had agreed to proofread it after you politely declined, stating that if you proofread anything Steve wrote, it might ruin your relationship. 

“Yeah, why not?” Steve slams his door, straightens his shirt, and grabs your hand as you walk inside. “She’s like, super well respected.”

You share a look with Robin. “Rich kids,” you both groan at the same time. As much as you love Steve, you’ll neve quite get over how well connected he is. It’s bizarre and slightly terrifying how much the Harrington name can get you in this town.

“Whatever, call me a rich kid, but it’s my car you guys get free rides in.”

Robin rolls her eyes. “You’re such a dingus.”

“I didn’t ask to be here,” you remind Steve, though you thank him when he holds the store’s door open for you and Robin. “I think this could count as kidnapping.”

Robin bumps her hips against yours. “Not technically. Besides, I thought we agreed to leave our kidnapping days behind us after Erica?”

You shove the teen and follow her into the store. You look around at all the movies, slightly impressed. You’ve never really visited Family Video before, only really stopping by if you were picking up Dustin from the arcade next door. The store is nice, albeit small, but you can see Steve and Robin enjoying themselves. There’s good music, few customers, and the uniformed vest is less mortifying than Scoop’s small shorts and sailor hats. “It’s not so bad in here.”

“Why thank you, pretty lady.” A greasy looking man at the register smiles at you, leaning over it in a very unappealing manner. His name tag informs you that his name is Keith.

Steve immediately steps in front of you and stares the guy down. “She doesn’t need you thanking her, buddy.”

You can tell that he wants to say more, but you see the “general manager” on Keith’s name tag and quickly try to deescalate the situation. If your idiot boyfriend wants the job, he can’t piss off the guy hiring. “Steve, why don’t we take a look around while Robin does all the talking?”

“What–” He doesn’t have a chance to argue, you’re already pulling him down a random aisle, throwing a quick “good luck!” to Robin as you leave. 

She talks with Keith, and it seems to be going well. She shows him their resumes, smiles at him kindly. before she shouts across the store to Steve. “Dingus, what are your three favorite movies?”

Steve nearly drops the movie he had been looking at. “Uh, Animal House?” You can practically hear Robin’s disappointed sigh from where you stand, and Keith looks unimpressed. Panicked, Steve whispers to you, “What are my favorite movies?”

“I don’t know!” You hiss, frantically trying to get this poor man a job. “Just, name two other movies. Animal House can’t be too bad, right?”

“Star Wars,” Steve manages to get out, now walking back to the register. You stand next to him, looking nervously at Robin, who makes a pained noise at his responses. 

The manager stares blankly at him. “A New Hope?”

“A new what now?”

You drop your head into your hands and sigh. He’s hopeless. Already knowing it’s a lost cause, you mumble to him, “It’s a Star Wars movie, Steve.”

He snaps his fingers. “Right! Yeah, it’s the one with the teddy bears, isn’t it?” Steve makes what you think is supposed to be an Ewok sound, which only makes you sigh again. Sensing he’s fucked up, Steve tries to backtrack. “No? Uh… Oh! The one that just came out, the movie. The one with DeLorean and Alex P. Keaton and he’s trying to bang his mom.”

“Oh, dear.” It’s a trainwreck, one you can’t look away from, and Robin can only shake her head at you. “Steve?”

“Yeah?” 

“Stop talking.”

“Uh, yeah.” Steve clears his throat, he knows he’s rambling. Had he known he would have a goddamn pop quiz about movies, he wouldn’t have dragged you here for the interview. “Those are my top three. Classics.”

Keith looks between you, Steve, and Robin. He points to Robin first, “You start Monday.” He points to Steve, “You start never.” And then he points to you, “You can start whenever.”

“Okay, I get why you’re telling me no,” Steve waves a hand in front of you, “but she didn’t even apply!” 

You’re also confused by how this day is turning out, and you look at Robin, wide eyed and pleading. She’s good with people, Keith seems to like her. When she sees you silently begging her to fix this, Robin sighs and steps in front of Steve. “Will you just, um… Will you guys give us a minute?” 

“Why?” Steve doesn’t move, and you want to throw a shoe at him. 

“Let’s go, pretty boy.” You grab the back of his shirt and yank him back to the aisle of movies. He doesn’t fight you, he simply accepts his fate and allows you to drag him away. Before turning the corner, you nod at Keith. “Thanks for the job offer, but you should really give it to the guy I’m currently dragging.”

Robin snickers at Steve’s offended huff as the two of you leave, before she starts trying to convince the manager to let Steve work there. From where you stand, it seems like a heated discussion. You try to lean closer, nosey, and while you’re distracted, Steve runs into a life-sized cardboard cutout of Phoebe Cates wearing a red bikini. 

He fights with it, tries desperately not to let it fall, all while his resume hangs from his mouth. “Shit! Oh, Fast Times! Ever heard of it? Top three for me, Keith.” Robin laughs and Steve turns the cardboard cutout to you, wiggling his eyebrows. “Own any red bikinis?”

You flick his forehead, though you laugh as well. “In your dreams.”

“I can sleep right now and find out–”

“I will flick you again.”

“A kiss is preferred, but whatever.”

– 

When the Byers move, you spend the entire day fighting back tears as you help them pack. 

You spent the night in Jonathan’s room, both of you dreading the morning to come. Neither of you had slept, instead spending the entire night taking turns sharing your favorite memories together. The day you met. The time a dog chased you. When Jonathan mistook your sweater for his and wore it to school. Late night drives. Movie nights with your brothers. You relive it all that night. 

As the morning sunlight began to stream into Jonathan’s room, the warmth the memories brought started to fade away. Slowly, as the sun rose, you and Jonathan packed his room. You helped him organize his vinyl's, sort through his mixtapes. When he isn’t looking, you steal a few t-shirts and flannels from his closet. He won’t notice they’re gone until he’s halfway to California. 

When it gets too much, seeing all of Jonathan’s life dwindling down to only a few boxes, you wander into the living room and help Joyce pack as well. She sees the tears in your eyes and gives you things to do, but eventually you can’t take it anymore. You go into Will’s room, and it’s the same. You cry, he cries with you, and it’s bittersweet. The rooms empty, the boxes grow.

El’s room is the hardest to pack, she has so few items to call her own, and you’re both silent as you move through the room together. 

With each box that you tape full of things you grew up with, you feel a piece of your childhood being packed away as well. The plates you used to eat off of, the books you used to bring from your job, the toys you passed down to Will. It’s all there, pieces of you frozen in time.

As you tape a box labeled “games” in Jonathan’s messy handwriting, you hear Max and Lucas singing in the living room. The sound makes you smile. It’s one of Max’s better days, she’s teasing Dustin for singing with Suzie, and she’s in a good mood. The rest of the party keeps her occupied. The kids all arrived as early as Joyce allowed them to, Nancy and Mike were the first to knock on the door. 

You place the box next to the others and walk towards Jonathan’s room. He’s leaning against its door frame with Nancy beside him, and you join them. You stare at the empty room, the one you’ve called your second home ever since you were twelve. It hurts, seeing it stripped of everything. 

All of Jonathan’s boxes are in the living room, filled with the things that make him who he is. There’s a drawer in your room of things Jonathan has left over the years, and you’re never giving them back. They’re all you have left of him. 

You and Jonathan take in his barren room, and you sigh against the door frame. “It’s so… empty.”

Nancy crosses her arms. “Is that everything?”

“I guess so,” Jonathan stuffs his hands in his pockets. His room feels cold somehow, its emptiness devoids it of the warmth it once had. He can still hear your laughs echoing in the floorboards, he can still smell your perfume that clings onto the walls. There’s scuff on the closet door from the time the two of you thought it’d be a good idea to play blind-folded baseball in the small room. 

Jonathan steps into his room, taking it all one last time. The sunlight from his window illuminates his silhouette, making him appear even smaller within the room. “Seventeen years of my life… packed up in one day.”

His voice is melancholic, his body is sad. You nudge Nancy, nod your head in Jonathan’s direction, urging her to go after him. She nods, understands that you’re telling her to say goodbye, giving them the space to do so. She smiles at you appreciatively.

You do it because they love each other, but selfishly a part of you leaves because you can’t say goodbye just yet. 

“Thank you,” she whispers, following after Jonathan. 

You find El as she’s leaving Joyce’s room. She’s holding a piece of paper, clutched closely to her chest. There are tears in her eyes, though you know better than to ask why. It’s a sad day for everyone, you’ll let her grieve on her own. However, that doesn’t stop you from pulling the girl into a fierce hug. 

“I’ll miss you so much, sweetheart.” You mumble, kissing the top of her head. “I don’t know who’s going to paint my nails now.”

El laughs through her tears and holds you tight. “I can ask Mike to.”

You kiss her head again, close your eyes, and pray to whoever is above that this girl will stay who she is forever. That she will never change. Her kindness is genuine, her joy is admirable. All her life she only knew cruelty, and yet she still came out of it so full of love. “I’d love to hear how that goes.”

“I will write you,” El promises, and you nod eagerly at her. She pulls you in for one last hug before finally releasing you to go see Joyce. 

The woman greets you with a tired smile when you walk into her room. She’s kneeling on the floor, folding clothes. They’re baggier than what she normally wears, darker, and you finally realize that they’re Hopper’s. 

A lump forms in your throat. She shouldn’t be doing this alone, packing away the remnants of his life. “Here, let me help.”

Joyce accepts, and together you sit in comfortable silence as you go through the clothes Hopper left behind. They still smell like him, old cigarettes and whiskey. It’s a nostalgic scene, a part of you wishes you could keep one of his shirts. He had been dear to you, regardless of the constant bickering you faced with him. 

“I don’t blame you, you know.” Joyce speaks softly next to you, catching your attention. “At all.”

You look up at her, sucking in a breath. “I don’t… I don’t know what you mean, Mrs. Byers.”

“The guilt, honey.” She places a hand on your arm, gentle as she always is with you. “I know you blame yourself for what happened to Will, but you shouldn’t. You have to let go of it. I want…” Joyce pauses, looks into your eyes the way a mother does to her daughter. “I want you to promise me that you’ll live the life that you deserve, because you’ve spent half of your life making sure my boys lived the lives that they deserved. Can you do that for me?”

“I…” You’re crying, you don’t know what to say. For years you’ve carried the guilt of Will’s disappearance, and for even longer you’ve done everything you could to ensure that he was loved. That Jonathan was loved. Never once had it felt like a burden to you, but Joyce’s words undoes something in you. “I promise.”

Joyce pulls you into her arms and hugs you, tears in her own eyes. She strokes your hair, hugs you as she’s always done since you were a little girl. She echoes the final words that Hopper told you. “You’re the best of them.”

You’re not sure how long you cry in Joyce’s arms, but when she soothes you and wipes your tears away, she tells you to go find Will. They’re leaving soon, he’ll want to see you, and you wish the woman one final goodbye before going to find her son. 

Will ends up being in the hallway, you find him just after he’s said goodbye to Mike. You note the longing in his eyes, the uncertainty in his posture as his friend leaves. There’s a wistful look on his face, one that you once had on your own when Jonathan was around. Even if Will may not know yet, you do. 

“Hey, little bee.”

He turns around, the softness in his eyes when he sees you makes you homesick. “Y/N!”

Will buries his face in your chest, and you hug him just as tightly back. He’s grown so much since you first met him. He’s no longer the shy little boy who had been afraid of his own shadow, and you can’t believe you won’t get to finish watching him grow up. “I swear, you’re going to be taller than me next time I see you. Won’t be able to call you little bee anymore.”

“I’ll always be your little bee,” Will squeezes you tighter, afraid to let go of you. 

“Good,” you ruffle his hair, making him to laugh. “I’ll miss you, but I’m sure you already know that.”

“I’ll miss you, too.” Will’s voice is wet, more tears come. He pulls away from you, he looks as if he wants to say something, but he stops himself. As if he’s afraid of something.

You frown. “Hey, what is it?”

“I’m scared,” The words rush from his mouth. “What if… What if I don’t make any friends?” He lowers his voice, looks around nervously, before trusting to say the words out loud to you. “I–I’m different, Y/N.”

Will’s fear hurts you to see, you wish you could do more, promise him that it will all be okay, but you can’t. Instead, all you can do is kiss his cheek and hope he can feel all the love you have for him within it. All you can do is remind him that you will love him through it all. “You’re the bravest kid I know. I have no doubt that you’ll be fine. I mean, you’ll have Jonathan and El with you, but if you ever need me, I’m just a phone call away. I love you, and that will never change.”

You stroke the boy’s cheek with your finger, and he leans into the gentle touch. “I’m rooting for you, always.”

Will squeezes you tight when he hugs you for the last time. He thanks you, his body relaxes into yours, and you know that in the end he’ll be okay. He’s a brilliant kid, he’s been through more than anyone else his age ever has. He’s resilient, his kindness is his strength, you just hope that he can recognize that himself one day. 

As you pull away from the hug, Will’s eyes catch on someone, you turn around. It’s Jonathan, standing by the front door, waiting for you. 

It’s time to say goodbye. 

Taking a deep breath, you walk towards him, and Jonathan takes your hand and guides you to the porch outside. Everyone else is still inside, packing. You sit side by side in silence, absorbing the final remaining moments alone with each other. Saying goodbye to your childhood best friend leaves a bitter taste in your mouth. 

A ladybug crawls on a leaf next to you, a bee flies past you and lands on a sunflower nearby, and a bird chirps in the blue sky above. You rest your head on Jonathan’s shoulder, he presses a kiss to your temple. Your fingers interlock and the cool September air surrounds you.

“I made you something,” Jonathan breathes out, clears his throat. He reaches into his back pocket and pulls out a mixtape, its front covered with a piece of paper listing all the songs on it. “I, uh, used the money I won from the betting pool to make it. Dustin was pretty annoyed with me for winning.”

You snort at the image of your brother berating your friend for winning a betting pool about how long it’d take Steve to ask you out. Taking the mixtape from Jonathan, you read the songs. There’s eight songs on it, the first one being a Beatles song from your childhood; you don’t know how Jonathan knew that. Though most of them are familiar, the writing on the paper is old, faded with age. “How long have you been making this?”

Jonathan looks away from you and swallows. “A while, I guess. Listen to it after I leave, okay? That way, if you hate it, I’ll never have to know.” His demeanor is odd, there’s something he’s not telling you, but it’s your last day with him. You leave it alone for now, not wanting to ruin it. 

“You’re not allowed to find a new best friend.” You tell him instead, the silence becoming too much to bear. It’s a joke, though truthfully you don’t want Jonathan to find another best friend. He’s supposed to be yours, only yours, and you’re supposed to be his. 

“I wouldn’t dream of it.” Jonathan lets out a soft laugh, and you’re going to miss feeling the way his body moves as he does so. He sucks in a breath, releases it slowly, and shakes his head. “I mean, we were kids together, bug.”

You start to cry, and he does as well. You’ve never had to say goodbye to each other before. Not like this. The two of you sit on the porch of Jonathan’s childhood home and cry. You cry into his neck, he buries his face into your hair, and it’s all so unfair. 

Jonathan touches his forehead to yours. You look into his eyes and know that your childhood will always live within him, and his within you. Jonathan brings his finger up to your bee necklace, his ladybug ring knocks against the pendant. The jewelry glistens in the sunlight. 

“Bee, we were more than just kids together.”

And it’s true. You were everything together. Now, you have to figure out how to be everything while apart. 

– 

The last of the boxes are placed in the moving van. Everyone is crying, you’re all gathered around one another, hugging and saying goodbye. 

You hold El tight and whisper good luck to her. You remind Will that everything will be okay, knowing how scared he’s been of high school and remorseful that he has to do it all alone. The kids all cry as they share the final hugs, Jonathan and Nancy cry as they hold one another. Everyone says goodbye, and you watch them with tears in your eyes. You turn to Joyce to kiss her cheek, but she grabs your arm instead. 

“Remember what you promised me, okay?” She catches your eye, makes sure you hear what she’s telling you. “Live the life that you deserve.”

“I will,” you exhale, and she seems content with that. Joyce hugs you, kisses your cheek, and you tell her to drive safe as she gets into the van. 

Jonathan stands by his car, waiting for you, and you pull the boy into your arms. He crashes against you, clutches you to his chest, and you breathe him in one final time. “I’ll always love you the most, bee.”

“And I’ll always love you the most, bug.” 

Joyce drives away first, El in the van with her, before Jonathan and Will follow. The car pulls out of its driveway one final time, and you hold Nancy’s hand as you both cry. Slowly, their cars fade into the distance, and one by one the kids hop on their bikes and pedal away. No one wants to stay, the empty house feels too permanent, solemn. Eventually Nancy gets into her own car, wishing you a quiet goodbye, until it’s just you and your brother standing in front of the house. 

Dustin stays beside you, as he always does, and you take a deep breath. Nothing will ever be the same again. 

You take one last look at the Byers home, the house you grew up in and discovered pure love and joy and naivety in, and inhale the final scent of your childhood. Dandelions are in bloom, its yellow surrounds the home, soon they will wilt and its seeds will litter the sky

Joyce’s words ring in your head.

It’s time to live the life that you deserve. You’re on your own now, though you know that really you aren’t. Dustin is next to you, Steve and Robin are waiting at your house with movies stolen from work because they knew how hard today would be. Your mother has your favorite cookies ready and waiting for you. Mike and the others have already planned their first letter to Will. 

The charm bracelet from the party and Steve is cool against your wrist. 

You’re no longer the scared, angry twelve year old you had been when you first moved to Hawkins. You’re loved, you have so many incredible people in your life who now get to watch you grow up into someone new. 

Slowly, you exhale your childhood, with a single promise of keeping it within you forever. To live the life that Joyce has told you that you deserve.

And you believe her. 

[END OF SEASON THREE]

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[hearts4chriss]

𝐁𝐚𝐛𝐲𝐬𝐚𝐭 𝐛𝐲 𝐦𝐲 𝐛𝐫𝐨𝐭𝐡𝐞𝐫𝐬 𝐛𝐞𝐬𝐭𝐟𝐫𝐢𝐞𝐧𝐝.

𝐍𝐀𝐓𝐄 𝐃𝐎𝐄'𝐒 𝐋𝐈𝐓𝐓𝐋𝐄 𝐒𝐈𝐒𝐓𝐄𝐑

Brothers bestfriend! Chris + needy! Nate’s lil sis

prompt: Nate ( ur older brother ) wants to go out for a bit with some of his other friends and he doesn’t trust you enough to stay home by urself without mom and dad since they won’t be there either. So he asks one of his best friend Chris to stay over and watch you, Matt and nick know ur crush on Chris so they pretend they can’t come.

Part 01

contains: masturbation ( no actual sex ), use of y/n ( sorry I have to ) dirty fantasies ( pet names, rough! Chris, dirty talk, degrading, forced head etc just beyond FILTHLY imagination ), use of vibrator on reader, caught by Chris, FORESHADOWING, fantasy will be like this

Nate are you serious I’m not 12! I whine when said he was gonna find a baby sitter for me knowing how much it pisses me off

I’m Nate doe’s little sister I’m 18, we’ve Been close to his bestfriends the sturniolo triplets. So obviously him being my brother naturally I got to know them.

Nick

I clicked with him superrr fast, I love his energy and when I found out he was gay that just made it all the better because I’ve always wanted a gay bestfriend, and we always have sleepovers :)

Matt

Matt’s absolutely adorable I love him he always helps me calm down whenever I’m about to or am having a panic attack, I remember one time during a test I forgot everything and almost had one and he slid me the answers. Love that kid

now there’s a reason I saved Chris for last,

Chris

chris and I know each other just as well if not even more then I do his other two brothers, we haven’t done anything unfortunately. I’ve had a crush on him since middle school.

First I just wanted to kiss him and hold his hand.

Then go to his house and do some more.

Then now, as an 18 year old I wanted him to fuck my Brains out.

I’m around him all the time since we all live in LA and always hanging out, I always see him shirtless and fucking hell it turns me on, I always get lucky since nick and matt found of my attraction to his brother they always snap me or text me pictures of him.

What sucks is I cant have him. It would take my life 1000 times over for me to be able to fuck chris sturniolo, and it sucks because my brother nate does not play that shit.

He strictly said "your not allowed to date any of them" obviously referring to matt and Chris.

Which also doesn't help because my wants and desires a hormonal teenage-adult girl only grow more whenever he comes around, chris is always there.

Now today, nate had to run some errands and nick matt and chris used to watch me when I was younger if my parents couldn't

Buttt, nick and matt "could not come due to personal issues" so. Your guess is right, im gonna be alone with chris for hours.

That thought alone made me soak in my p-

“Y/n! are you listening to me kid?” My older brother chuckles leaning against my doorway of my room as im on my bed watching "The Vampire Diaries".

“Huh? oh yeah im listening matt and nick cant come so chris is because im fucking 11.” I roll my eyes hiding my excitement from him watching me.

“Don't think of any weird shit alright? He's just watching you so don't-“

“Ugh is he here yet? You're annoying me already.” I groan shifting in my sheets and taking a sip from my celsius hearin our door open, they have a key.

“Welp thats chris.” Nate says tilting his head for me to get up.

I get up from the sheets wearing some pink sleep shorts and a white t-shirt and he raises an eyebrow.

“Your wearing THAT? around chris?” Nate chuckles and I flip him off.

“Hey! I heard that!.” Chris yells coming up the stairs sounding offended.

He's now at the top of the steps. oh my fuck he looks so good.

Its around 6ish in LA right now and hes wearing a black tank top and grey fresh love sweats, slight stubble and his hair was a bit messy which I always liked and my eyes immediately drifted to his natural bulge in his pants as him and Nate were talking.

“Just make sure she doesn’t get into any trouble.” Nate puts his arm around me giving me a hug and Chris chuckles.

“Don’t worry bro she’s safe with me.” He says before dapping him up as Nate leaves the house. yeah safer if you were balls deep inside

Oh god Chris sh-shit so-d-deep inside me

Yeah? You feel me deep inside you baby?

bro she’s like zoning out today. Nate chuckled and I snap out of it

Whatever no I wasn’t! Just go!

Soon after it was just me and Chris so we made our way down to the living room

“Where are ur other two clones?” I chuckle getting situated on the couch before turning on a movie saltburn

“they have “personal issues”.” He said rolling his eyes causing a small laugh to fall from my lips.

“So it’s just you and me little one.” A smirk curving on his lips, just enough for my panties to be soaked.

Shut up Chris I’m 18.I mutter trying to watch the movie in peace and he chuckles

the movie went on and it was now, the bathtub scene where jacob elordi ( Felix ) is jerking off.

I peer over to Chris whose eyes are clearly fixated on the screen as my squeeze my thighs together under the blanket feeling all my hormonal thoughts leaking through my panties.

This had nothing to do with the movie, it’s the thought for Chris doing that to himself that had turned me on most. The tension so thick a knife couldn’t even cut through.

“Uhm I-i gotta go to the bathroom”. I nearly choke and I fix my shorts placing the blanket down where I was sitting.

“Don’t take to long I’ll miss you.” He chuckles and that didn’t help.

I go to my room and close the door squeezing my eyes shut.

I had maybe 5 minutes to relieve myself.

I quickly reach into my drawer grabbing my vibrating dildo and the remote for it.

I pull down my shorts and panties and spread my legs letting the tip of the toy get coated in my wetness and I bite my lip slightly feeling the thickness of it.

I turned it on letting out a soft moan slowly inserting it, wishing this was Chris’s dick instead.

I began thrusting the toy in and out of my pussy letting the squelching sounds of arousal grow letting it drip down curling my toes throwing my head on the pillows allowing my mind to drift

I was in Chris’s/my room my head smushed in the pillows as his cock rammed inside me whilst I was on my stomach. His hips slamming against my ass and his hand wrapped around my lower stomach as I cried out his name

Fuck fuckk so d-deep- I whimper into the pillows as he was bringing me to my 4th orgasm, we had switched numerous positions and my legs were quivering in front of him as he laid a hard snack to my ass chucking behind me.

such a fucking slut letting me fuck you like this, imagine if ur brother found out his little sister was getting her pussy pounded by his bestfriend. He laid another harsh smack to my ass and I jolted forward.

stretched this pussy out so good- he groans rubbing my clit to chase both our orgasms.

ngh- o-oh shit- fuck- I gripped the sheets tightly curses of Chris’s name flew out my mouth feeling my eyes water from the angle of his hips thrusting allowing his thick cock to hit every single spot inside me

come on sweetheart cum for me, you have another one in you yeah? He grunted lowly in my ear kissing me sloppily as a string of Saliva parts from our lips each time we kiss moaning into each others mouths.

“Oh fuck Chris I-“ I curl my toes and yell loudly as I’m about to release on the toy before I look up and see Chris. Was. Watching me.

“Were you playing with yourself?” Chris leans on the doorway of my room his eyes darting to between ny legs as I was thrusting the toy in and out of me and I quickly covered up my cheeks flush with embarrassment.

“Uhm…maybe. Sorry I-I’ll be down in a second-“

Maybe I can help. Chris says closing the door to my room approaching my bed

@mattsleftnipple03 @bernardsleftbootycheek @sturniolopowers @gdsvhtwa @rac00ns-are-c00l4 @worldlxvlys @chrisslut25 @princessbetsy123-blog @mattslolita @guccifrog @blahbel668 @mattsneezing @trickywritters @hearts4chris

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[trippinsorrows]

without you + one

authors note: hi, friends! so this is a foundational first chapter, meaning its intended to lay down a blueprint. there may or may not be some foreshadowing.....

but let me just say this. i have no intentions on drastically changing anyone's characterization from book one. e.g. joe has always only had eyes for reader. that won't change. he's all about his family.

do not read this story if you haven't read 'with me'. it won't work as a standalone.

warnings: language, some angst, fluff, and suggestive themes

song inspo: be without you by mary j. blige

words: 5k

Two weeks.

It’s been two weeks since your life was forever changed in a night of pure magic.

Two weeks since the love of your life proposed to you in the most beautiful way in the most beautiful place on earth surrounded by the most beautiful people.

Just thinking about it still brings on chills and goosebumps. It might just be one of the happiest nights of your life. 

And even returning home, being with your family, enjoying your pregnancy has continued on the theme of love and contentment. 

It’s almost nearly perfect except for one little thing. One tiny little human you just so happened to have created who seems to think that she has first dibs on a certain fiancé of yours at any given point and time.

Callie has been loving every single second of Joe being home on indefinite leave, and while you’re happy for her, happy for him that they have the time to spend together, it’s like she wants to spend all of her time with Joe.

And that’s fine, except for the fact it’s like she doesn’t want you around at all.

They’re playing tea party and she hits you with the, “mommy, it’s for daddies only.”

He’s having her help him cook, and she hits you with, “mommy, you can’t cook.”

She’s suckered him into watching Moana with her for the 18th time, and she hits you with, “mommy, I wanna watch it with daddy.”

Sis is beyond possessive. It’s gotten to the point where you almost feel jealous of your own damn child. An absolutely asinine thing to think, let alone feel.

It’s why when Joe jogs down the steps after getting her down for her nap, you grab him by his shirt and yank him into the office. 

He’s understandably confused. “Y/N, what the hell?”

You bring your finger to his mouth, silencing him. “Not so loud. You’ll wake her up.”

“And?”

Lord, Jesus. This may be harder than you thought. “And she needs her sleep, and we need time to talk.”

That seems to help him reason a bit better. “Okay.”

Pouting, you take him by surprise, shuffling into his chest as his arms naturally move around you. “I miss you.”

He chuckles, kissing the top of your head. “I’ve been here, baby.”

“You know what I mean.” Pulling back, he brushes his thumb across your bottom lip. “I miss spending time with you. Just the two of us.” Realizing how that could sound, you quickly clarify. “Don’t get me wrong, I love seeing you spend so much time with Callie, and obviously, she loves it too. But your lil’ bodyguard doesn’t seem to want mama to have any time alone with daddy.” 

And it’s the truth. It fills your heart with so much joy to see the beautiful bond and relationship they’ve developed in not even a year. They’re inseparable. 

But that doesn’t negate the fact that you miss spending time with him too.

“And we haven’t had sex since in over a week. A week, Joe. I can’t go that long without your dick. You know this.” He smiles, big hand laying on your baby bump. Like this shit is funny. Like it’s amusing that you’re going through dickdrawl. “That’s not funny, you asshole. If I have to make myself come one more time instead of you, I might just lose my shit.”

“I get it,” he finally shares, hand moving along the small of your back. “I miss you too. Miss my pussy…”

His voice drawls into something teasing, and it makes your pussy flutter. See, just his voice alone has you feening. Groaning, you mutter, while trying to settle yourself, “and it doesn’t help that she’s been sleeping with us.”

Calista is only four-years-old, so it’s natural for her to want to sleep with you and Joe. And you don’t mind that, don’t mind giving her that comfort. It’s just that it’s been every night since you returned from Disney. Not only that, when Joe gets up, she likes to get up. Even to the point where he'll just be working out in the gym, and she still wants to be around him, sitting on the floor talking to him or just playing on her tablet.

She’s even fallen asleep one time in the gym, with him having to stop his workout to bring her to her bed that she woke up from and managed to scamper her cute self right back into bed with you.

It’s just been…..a lot in some ways.

He nods, suddenly suggesting, “maybe we can try talking to her.”

“And what are we supposed to tell her, huh?” You’re legitimately all ears for any recommendations on how to word it. “Callie Bear, you’re spending too much time with your daddy.” Even saying it in a mocking tone feels wrong, giving you a sort of itch. “I’m not trying to have our child in therapy because of shit we caused her.”

“And you say I’m dramatic.” He rolls his eyes, emphasizing his point. “She’s a smart kid. I think if we just talk with her about how we have to share time with each other—”

“Ha. Share. That’s funny. That girl don’t wanna share you with air, let alone another human being.” It’s a partial joke, partial truth. A frown suddenly falls on your face as you think this over more. “You think something’s going on with her?” 

If you didn’t have his attention before, you definitely have it now. “What do you mean?”

Shrugging, you do your best to explain what you don’t quite fully understand. “I don’t know. She’s always been super attached to you, but it’s been more intense lately. Like she’s holding on even tighter. Like—”

“Like she’s scared to let go,” he finishes for you, deep voice settling into something almost despondent. “You think she’s scared I’m gonna leave or something?”

It’s a bit of a stretch but also something you can’t entirely rule out. “Maybe.” With a new sort of determination, you advise. “You’re right. We do need to talk to her.” And for completely different reasons than when you first dragged him in for that conversation. You just want to make sure your baby girl is okay.

That’s the only thing that matters.

On the topic of Callie, you’re reminded of something. “Oh my god.” Gasping, you move away from him. “I didn’t get a chance to show you.”

Curious, he asks, “show me what?”

You reach for his hand, walking over to the desk that’s almost entirely done with being set up and open the first drawer. Grabbing the still unopened envelope, you reach it to him, a small smile on your face. “I wanted to let you open it.”

Joe is understandably confused until he flips the envelope over and sees the sender. His expression immediately softens. “Is this—”

Nodding, you share, “it came in the mail yesterday, but it just slipped my mind to tell you.” He doesn’t say anything, instead focused on opening the envelope as he carefully pulls out the certificate.

Callie’s new and updated birth certificate. 

Moving closer to him, you snuggle yourself into his chest as he uses one hand to open and read the document you two have been waiting on for nearly a month now. Everything has stayed the same except for one section, that one section bringing on all of the feels for him. For both of you. 

Father/Parent’s Name.

The section that was once blank now reads in printed, black, unerasable ink: Leati Joseph Anoa'i. 

You can just feel the immense love and happiness emanating off his big being. He doesn’t need a piece of paper to tell him that he’s Callie’s father. You know that. But this is the piece of paper that gives him all the legal rights as Callie’s father, the rights he should have had from the very beginning. 

Holding onto him just a little tighter, loving him a little harder, you murmur against his chest, “now it’s always as it should have been.”

—---------

“I’m thinking strippers. One on each side of the aisle. Shawty throwing ass to the left, and shawty shaking titties on the right.”

Any conversation with Alexis is bound to venture into the deepest parts of fuckery, but this has to be a new level. “You want me to have strippers at my wedding?”

She’s looking at you like she can’t understand what’s so crazy about her proposal. “Yeah, what’s wrong with that?”

Eyes widening, you lean over the counter that’s littered with countless bride magazines and her Macbook Air. “It’s my wedding, Lex.”

“And?” She shakes her head, stirring some of her chocolate pudding. “You love strippers.”

“I do, but that doesn’t mean I want them at my wedding.”

She’s rolling her eyes, flipping her hair over her shoulder as she murmurs, “if you wanted to have a boring ass white people type wedding, you should have just said that.”

You laugh. Wedding planning was always something you imagined doing with your closest friends, and while you’re thankful to have Alexis here as your support and interim wedding planner (because you’re still very much on the fence about that), her tendency to do the most is definitely obscuring her view of logic and what makes sense.”

“I don’t want a white people wedding, per se. I just don’t want anything too crazy.” That’s the best description you can give, because this is all so new to you. You naturally play with the stunning engagement ring on your finger. Part of that confusion is because you’re still a bit stuck on the fact that you’re actually engaged.

To the literal love of your life, at that.

A dream that’s become a reality.

It still feels a little too good to be true.

“Fair, I guess.” She doesn’t seem to agree that it’s fair but won’t push either. “Well, have you at least thought about where you want to get married?”

That, you actually have. Once upon a time, it was in your hometown. Now, you’d rather not get married at all if that was your only option. “I’m thinking here.”

“Florida?” You nod. “Wow. Okay, any particular reason why?”

Shrugging, you answer, grabbing a chunk of pineapple from your fruit bowl. “I don’t know. Joe’s family is already here. It’s easy for my mom to catch a flight out. And anyone else I’d like to attend would have to fly here too anyway. Plus, this place is really beautiful.”

The fact that life has only been up since moving here to be with Joe is a major plus too. But, that doesn’t necessarily feel like it needs to be outright stated.

“Got it.” She starts typing on her laptop, and you have no doubt she’s already created a Google Doc to track everything. It’s one of many things you love about Alexis. She may be crazy as hell, but when she’s on it, she’s on it. “Now, the biggest thing, maybe the most important thing, is gonna be the date.”

“Date?”

She nods, “yeah, like when you want to have the wedding.” 

Fuck. As silly as it may sound, you hadn’t even thought about that. Still so caught up in the high of actually being engaged to your soulmate. 

Alexis continues, “I’m guessing after the school arrives.”

You roll your eyes. “What did I tell you about calling them that?” 

“Okay, the brood.”

“Alexis!”

She throws her hands up. “Don’t get mad at me cause the freaks freaked too much and now ya’ll starting your own little tribe.”

A heavy sigh leaves your mouth as Alexis continues to go in on you over your multiples pregnancy. For the most part, you’ve really come to accept and be okay with it. There are times though where your mind gravitates toward the childbirth portion, and your vagina literally starts to ache at just the thought of that trauma. 

Shaking your head and pushing away those thoughts, you return to the conversation at hand. “That’s a good point. I don’t want to walk down the aisle big and pregnant.”

“Exactly.” She types some more. “When is Joe going back to work?” Another great question that you don’t have the answer for. “Oh my god, Y/N, girl, just what do you know?”

“He just said it was indefinite leave!” You throw out in defense of your lack of knowledge. “Definitely not before the babies get here, so after September?”

“And you know he’s not gonna leave you alone with three newborns to take care of, so I can see him staying off air for at least a couple more months.”

That makes sense. “But, he’ll have to be back in time for WrestleMania, I’d imagine.”

“Most definitely. Didn’t you see that one promo he did? Roman Reigns is WrestleMania.” A smile falls on your face. You most definitely did see that promo. It’s one of your favorites that he’s cut. “But the next one isn’t until April, I think.”

“So maybe January?” The smile shifts into a scowl. “He can’t be gone that long though. The fans would lose it.” Thinking back to the Smackdown clips you saw on social media, you point out, “they’re already chanting ‘we want Roman.’”

It’s a bit bittersweet seeing Smakdown clips without Roman, seeing someone else hold his championship belt. But then you think about what that sacrifice gave you, what Joe giving up his title has awarded you, and it takes away some of the sting of it all.

You also feel a bit better knowing Joe is still playing an active role in the Bloodline, just behind the scenes. 

She sucks her teeth. “Ain’t that about a bitch? They fake asses acting like they weren’t the main ones wanting Cody to finish the story.” Alexis' borderline anger makes you laugh a little. “Oooh, Joe nice, cause the way I would give them the middle finger, retire, and live out my life with my fine ass wife and 12 children.”

Your eyes widen. “Don’t even put that out there, please.” You've definitely learned now about the power of the tongue. “If I was carrying any more than three children, I might just die.”

“Naw. Childbirth would do that for you.”

“Alexis!”

“Shit, sorry, too dark?” Lord, this girl really has no filter sometimes. “Do you guys want more kids after this? Like, forreal?”

Alexis, despite all of her shenanigans, seems to be on point with the questions. “I don’t know—”

“You don’t know?” That seems to be the answer that actually has her floored the most out of anything else ya’ll have discussed this afternoon thus far. “Bitch, this man put three children in you. Three. You really trying to risk that happening again?”

“Of course not. I just—I don’t know. I don’t think I can really answer that right now. Maybe once we learn the sexes, cause what if they’re all girls?” The likelihood of that happening has to be slim to none, but just like multiples of this quantity can be an anomaly, so can all of one sex. “I want to give him a son.”

Truthfully, you’re praying hard that at least one of them is a boy. You know Joe will love the kids the same. Fully and without inhibition, regardless of sex. But, not only do you want to have a little boy for your own reasons, but being able to continue on Joe’s lineage, maybe even passing down his name to your son would mean even more.

Of course, Alexis is quick with the dumbass suggestion. “Make one of them a tomboy.”

You close your eyes, forcefully stabbing the next chunk of pineapple. “Alexis, I swear to God.”

She leans back in her seat, adjusting her top. “All I know is if you think I’m babysitting four kids, you are sadly mistaken. I’ll take care of my little Cal Gal, but these other newbies are gonna have to prove themselves.”

“Newbies? They’re gonna be literal babies, Lex.”

“And? My beef is rated E for everyone, newborn babies included.”

Lord, this woman is giving you a headache. “I guess there’s a lot I still need to discuss with Joe first before we actually get into planning.”

“Agreed.” It’s a conversation you’re almost not looking forward to simply for the mere fact you don’t want to start thinking too much about Joe’s leave ending. Just wanna enjoy the here and now. But, you know it’s something that needs to be done. “Make sure to ask him about the strippers too.”

“Alexis!”

—-------

As he has almost every day since the start of his vacation, Joe handles dinner for you and Callie. Well, mostly you, since little Ms. ma’am insists upon helping Joe cook, and he insists upon you resting when you make the mistake of telling him you’re experiencing heartburn. It’s a common symptom given you’re about two weeks away from hitting four months and something you experienced when you were pregnant with Callie.

However, he takes all necessary, or maybe, unnecessary precautions, having you sit and rest in the living room, watching some random station while he works in unison with your firstborn to prepare dinner. 

He makes grilled fish with a side of rice and broccoli for the vegetable. It makes you laugh every time he encourages and tries to convince Callie that she needs to eat her veggies or else she’ll never grow. Sis looks like she doesn’t entirely believe him but takes the plunge anyhow. Plus, better him than you trying to convince her.

You’ll let him take that battle gladly.

And while he cleans up the kitchen, handles putting all the leftover food away, you tackle Callie’s nighttime routine, specifically her bubble bath, hygiene, and hair. Her bath takes a little longer than usual, somewhat because of your bump, but mostly because with her new disney princess themed bedroom came an attached disney princess themed bathroom. This includes a shit ton of bubble bath additives that any kid would love, many of which she suckered her daddy into buying during your Disney trip.

You don’t even want to know how much that man spent on Callie in that one week timespan. It seemed like everything she saw she wanted, and he wasted no time in pulling out his black card, buying it for her.

You can only pray she remains sweet and humble with a daddy like Joe who’s seemingly hellbent on spoiling her rotten. 

Getting her in her pajamas and securing her bonnet over her head after putting her curls into a pineapple is the easy part, and she’s nearly bursting at the seams to get out the bathroom door for a reason you already know and don’t need to ask. 

Cause as soon as you’re done, she’s like a speeding bullet, rushing out her bathroom and room, straight into yours.

“Daddy?”

By the time you get everything back and put away, she’s found her target. Joe is sitting on your bed, Callie tucked into his side with her chosen bedtime book in hand. She surprises you though when she looks up and smiles brightly. “You can come too, mommy.”

This has to be your first invite in at least a week, and it makes you genuinely smile as well. 

“Thank you, baby.” There’s not an ounce of hesitation as you move over to the other side of the bed, climbing in with them. A brief shared look with Joe gives you the signal you need to jumpstart the conversation you’ve been thinking about all day. “Callie, daddy and I actually wanna talk to you about something.”

Instantly, she’s frowning, pouting almost as she snuggles closer into Joe’s chest. “I don’t want to talk.”

This makes you frown, as Joe also looks taken back by her response. He rubs gentle circles along her back. “Callie Bear, what’s going on with you?”

You pick up on her hesitant reply the same way you’re sure Joe does. “Nothing.”

Placing a comforting hand on her arm, you softly point out some of the things that have led to this conversation. “Calista, I’ve noticed you’ve been spending a lot of time with daddy. And you sometimes don’t even want me to spend time with ya’ll.” Licking your lips, you do your best to keep your voice as calm and soothing as possible. “Are you…are you maybe scared about something?”

And it’s when she looks at you for a second, that fear flashing in her eyes, you know that’s what it is. Something has her nervous.

Hating that something is bothering her and especially that she’s keeping it in, you whisper, “Please tell us, baby.”

And it’s Joe holding her a little tighter along with your gentle coaxing that seems to do it, seems to break down that wall that hides her truth. She sniffles, “I don’t want daddy to leave again.”

“Calista…” You hate seeing her so sad, but you especially hate seeing and hearing the pain in Joe’s face and voice at the fact that he’s indirectly the reason for her sadness. “Baby girl, I’m not going anywhere right now, remember? I’m staying here with you and mommy.” 

You’re thankful he doesn’t really highlight the fact that he will eventually have to go back to work. Callie isn’t stupid. She knows this, but it’s not what she needs to hear right now.

And your chest tightens as she sadly points out to Joe a trauma you still haven’t had the space to fully process. “But those people took me from mommy, and I couldn’t see her.” Eyes glossing over, it breaks your heart to hear that she still thinks about that. That being separated from you the way she was is still impacting her. “What if they take me and I can’t see you or mommy?” She adds on in a way that twists the dagger in your chest, “or they make you leave me like they made mommy leave me?”

At that, he pulls her onto his lap, carefully lifting her chin to make her look at him. “Calista, listen to me, sweetheart. No one could ever take you away from me or your mom. Ever.” He speaks with such conviction and determination. He needs her to believe what she’s saying. You both do. “You’re our little girl.”

“He’s right. I know…I know that scared you, but your daddy and I aren’t going anywhere. We promise.” Reaching over to cup her face, you ask in a way that’s more telling than questioning. “That’s why you’ve been wanting to sleep with us.”

She nods, quietly explaining. “I don’t want you to be gone when I wake up.”

“Oh, baby.” you reach for her and she climbs over to you, hugging you tight, head against your chest. “Daddy and I are gonna be here for you, always, okay? No matter what.” Chuckling a bit, you wipe the tears from her eyes. “Even when you’re all grown up and don’t need us anymore.”

She looks between ya’ll, almost wide eyed. “Noooo.” She reaches for Joe who moves closer to the two of you. “You’re my mommy and daddy. I’ll always need my mommy and daddy.”

Her innocence warms your heart. You love this little girl so much. More than words.

“We love you, Callie.” Joe kisses her forehead as she holds onto his arm. 

“I love you guys too.” Her voice is less laid down with that big weight she was carrying around, and it makes you happy to know she feels a bit better, a bit more secure. “Can–can I still sleep with you guys tonight?”

“Of course, baby.” The answer is easy. Knowing now why she’s wanted to stay so close, it would feel almost cruel to deprive her of that comfort. “Of course you can.”

—-------

Megan Lowery is having a shit day.

Beyond a shit day, really.

The first issue being that her stupid alarm didn’t go off. A classic nuisance that almost everyone has experienced at one point or another. 

Except for her.

She’s never had her good old faithful iPhone alarm not get her up in time to tackle the day, until this morning, which has since only gravitated from bad to worse.

Because of course her coffee machine decided to act up. Any other time, she’d have zero issue brewing her morning cup of Joe, but not this morning. No, this morning she was forced to forgo her addiction of almost twenty years nor did she have the time to stop and buy a cup due to already running late because of her dumbass alarm glitching.

And the shitty day couldn’t be completed without some asshole bumping into her and spilling their deliciously smelling coffee all over her Free People blouse.

Put plain and simple, it’s a bad day, and she’s already over it before it even hits 1pm.

It’s why she sits in her meeting, doodling on her legal pad instead of listening to what probably could have been an email.

“Lowery!”

Megan jumps in her seat, eyes scanning the room of coworkers who sit watching her carefully. She clears her throat. “Sir?”

Luke, her boss, crosses his arms. “Am I boring you?”

Yes. “No sir, of course not.”

“I think I am.” Megan has never liked Luke. A product of nepotism, his father created the casting company she works for back in the eighties where he grew it to the major success it is today, only to pass it down to his son a few years ago after ailing health. And while Luke isn’t a bad CEO, per se, he’s not the funny, down to earth type like his old man.

No. The man is a Grade A asshole sometimes.

And this seems to be one of those times.

“Then what was I discussing?”

Fuck. Megan has always hated looking stupid, and she’s usually pretty good at both paying and not paying attention. But without her coffee, it’s damn near impossible to achieve that feat.

“Actually, sir, Megan was just whispering some ideas to me for how we can get Reigns to sign on.”

Megan shoots a vicious look to her work bestie, Paige. She smiles, her perfectly white teeth a stark contrast to her tanned, freckled complexion. “She’s got some great ideas too.”

Luke is smirking, and she knows that he knows Paige is blowing air up his ass. That doesn’t stop him from having his fun though. “Perfect, then I suppose you won’t have any issues taking on the assignment.”

Megan swallows. She doesn’t even know what this assignment is. But the thought of letting her asshole boss get one over on her literally makes her nauseous. With a steel smile, she accepts, “Of course not.” 

“Perfect.” He smirks. She has to stop herself from rolling her eyes. Smug bastard. “I’ll forward you the file and contact information for his reps.” Luke looks around at the rest of the employees. “Meeting is over.”

As everyone empties out, Luke being the first, Megan waits impatiently for everyone to depart before turning to Paige and punching her on her arm.

“Ow!”

“What the hell?” She hates being put in situations where she has no idea what’s going on, and this just so happens to be one of them. “What did you just get me into?”

“You could just say thank you for saving my ass, you wonderful goddess.” Paige adjusts her glasses and opens her laptop, typing away before sharing her screen with Megan. “This is what you’re getting into.”

Megan is still annoyed as her eyes land on the screen, but that irritation easily drifts away when she sees who is on the screen. “Holy shit, that’s Roman Reigns.”

“Duh.” Paige says with all the sass, explaining. “Universal wants him for an upcoming film they’re doing, but WWE just announced he’s taking an indefinite hiatus, so it might be a hard sell.” 

Paige, of course, selected a photo of the former champ in the ring, shirtless, hair down. Looking literally like the Gods put all of their talent into one pot and poured out him. Megan then asks, “why is he on hiatus?”

“That’s the sad part.” Paige does some typing and pulls up an article. She points to the several headlines that all say the same thing just in different ways. 

He’s engaged. 

“I swear, all the good ones are taken.” Paige pouts. “There was actually some drama he was in a couple weeks ago but it’s all died down now, I think. I’ll have to send you the tea. Nevertheless, he’s engaged and expecting another child with his now fiancé.”

Megan clicks on one of the articles that show Roman and who she’d guess is the fiancé. A frown falls on her face. “Seriously? Her? He could have done way better.” Exceptionally. Megan could never see someone like him, body sculpted by Zeus himself, with someone like her who looks like she’s never even seen the inside of a gym.

“Regardless, that’s his lady, and they already have one kid together, so he’s really off-limits.” Paige shrugs, closing her laptop. “Thankfully, all you need to do is get him to agree to do this film.” She snorts. “Baby on the way, planning a wedding, how hard can that be?”

Megan rolls her eyes and flips off Paige who laughs while standing up. “Wanna go get lunch? My treat.”

Shaking her head, Megan politely declines. “No thanks. I’ve got a few emails I’ve gotta get caught up on. Raincheck?”

“You bet.” Paige winks and walks out, closing the door behind her to leave Megan alone with her many thoughts.

Paige is right. It’s going to be a challenge to get Roman to sign onto this film when he has so much going on in his personal life. Some might even see it as DOA. Megan, however, has always been intrigued by challenges. She’s never encountered a situation where she didn’t get what she wanted. Where she didn’t get who she wanted.

On a film.

Of course.

Pulling out her phone, she googles his name, scowling when one of the first photos is of him and the fiancé and their kid, she’d guess. She easily pinches on said photo, eliminating them and filling her screen with only him.

Head tilted, twirling a piece of her hair, she says to no one in particular. “You and I are about to be very good friends, Mr. Reigns….”

[wukyma]

And what if I do want to get you started 🤨

Please do yap about the relationships between Polites, Perimedes, and Elpenor

Guess who is back to the land of the living? MEEE

So here are the offerings: Poli, Peri and Elpenor chilling together, because I'm a firm believer Polites collected friends like Pokémons (affectionate) (also was lazy to draw sheep but they're there) (I'm never letting him beat the symbolism allegations)

The lil guys having a staring contest, interpret this as you will

A headcanon that I believe to be especially funny is Ody + Eury's complete unawareness of the others' existence – and Odysseus' indignation with this fact (he seems a bit, I don't know, a possessive type of kid to me? Does it make sense?)

That or I just want Ody and Peri to have incompatible personalities and argue a lot (something something foreshadowing I'm not very smart in these matters sorry)

(and yeah Polites doesn't have glasses yet. idk why. maybe he always needed them but ignored blurry vision in favor of running around, not wanting to break them? yes historical inaccuracies. do I care? no)

This is a confusing one to me, even tho I drew it myself lmao... Might be set both before and during Troy, it doesn't really matter. What matters is that Elpenor got bullied by Helios and ended up sunburnt as hell :D Polites is just vibing, trying to manage Peri's hairstyle

Now referring to the cut song ("I don't love anybody that's my power", that one), I think Perimedes would actively try to convince everyone he's so damn badass... Except for the situations when Poli is in a 3-meter radius

To summarize, I think I like them in both platonic and romantic interpretations, either is valid for me tbh... Might even indulge and throw some more PoliPeri at ya in the future :D

[wordsofmaeve]

Dear Tumblr Diary,

I’ve been searching for the best chocolate chip cookie recipe for ages, and last night as I tested another recipe, it spurred me to reflect on my writing process. (Keep scrolling for a peak at some incredible cookies)

There’s a few reasons I’ve been on the hunt for a perfect CCC recipe:

1. I love chocolate chip cookies (obvious)

2. My childhood family recipe is not my favorite (blasphemy against the sacred kitchen of my mother)

3. I’ve never felt like I’ve found exactly what I’m looking for in a cookie recipe (I’m picky, it’s fine)

Now how is this like searching for the perfect writing process, you ask? Let me explain.

1. I love writing (obvious)

2. The processes I’ve followed throughout my life needs to continue to evolve as I want to improve my craft (uuuuuuuuuuuuuuuuuuuugh curse you growth mindset)

3. What’s worked for me in the past won’t work for me now (starts to sing Changes by David Bowie)

Wow, look at that. It’s almost like art reflects art. And yes, baking is art and if you disagree you can talk to the 3521 pictures of baking and bakes in my camera roll.

I’m thrilled to say that the recipe I tested last night is my favorite one to date! Huzzah! The recipe was simple, included browned butter, and only had to chill in the fridge for two hours (fun fact: if your recipe doesn’t call for chilling your cookie dough, it’s likely due to a higher flour content that ensures your cookie will not spread too much in the baking process. This results in much chewier, cake-like cookies than those that require chilling.)

The cookies themselves turned out ~amazing~ in all the ways I wanted. They were crisp on the edges, soft in the middle, and had that distinct browned butter flavor that did not overpower but added to the unctuous bite.

Does this mean I will stop my search for the best cookie recipe? Probably not. But I’ll use this one till I want to find a different one!

Coincidentally, I recently landed on an outlining process that I will also use for the foreseeable future. Thanks to a friend (shout out to them bc they’re the reason I’m still writing today after years of pushing through the slog), I was introduced to the chiastic story structure.

Not to exaggerate, but it’s life-changing.

Maybe you knew about it already, maybe you didn’t, and maybe it’s not as helpful for you because you don’t need percentages to figure out where in the story different things should be happening! But for lil old me, it’s exactly what I was looking for right now. It clearly defines what should be happening when, and how to create a story with well-crafted foreshadowing and mirroring throughout.

So, here I am, admiring both incredible cookies and a story outline that I feel 100% confident in.

Happy Monday!

[applestorms]

the misa post

adding a lil additional note here because this thing SPIRALED the fuck out, even more so than some of my usual essays. therefore, i will be going back to my roots by breaking this post down into two sections: misa and sexuality, and misa and romance/death. skip to whatever section, if you wanna. or don't. ¯\_(ツ)_/¯

misa and sexuality:

honestly, the way that misa engages with her sexuality in DN is such a fascinating topic in and of itself. i really have quite mixed feelings about it because while yes, to some degree the art and story does sexualize and objectify her, there is also an element of agency to it that i don’t often see people talk about…?

like, idk. misa is a model, she does act, her job primarily involves working in front of cameras. she’s selling her Image and her body and she’s well aware of how to market the appeal— we literally see her doing this during yotsuba, when they’re trying to free matsuda after he runs around like an idiot and gets caught.

i actually think it's quite interesting that she specifies being against nudity here but alright with swimsuits and lingerie— full nudity implies sex work, something that in the mainstream might be considered "dirty" or somehow less/not worthy of respect (even if that's utter bullshit). yet lingerie is fine, despite having similar implications of sexuality, blocking off the most private areas and thereby allowing profit off of the same concept but without the associated disapproval. you could read this panel as misa simply knowing her boundaries and what she is and isn't comfortable with— but i think it's interesting that you could just as easily read this as misa knowing what boundaries she is and isn't allowed to have, if she is to market herself as effectively as possible and maintain her public image.

off the top of my head i can only think of two major examples where it’s clear that misa is super overtly being sexualized by forces outside of her control/with no particularly meaningful justification, at least in terms of visuals. this panel, which managed to sneak in a panty shot:

which, weirdly enough was actually kind of foreshadowed by sayu earlier in the chapter:

(sidenote1: does light really not have any other fucking chairs? further evidence that he doesn't really connect with people pre-DN, if he's not really prepared to have any guests in his room. anti-social weirdo.)

and, of course, the classic torture cover from chapter 33:

though i must admit, it is difficult to find any image of a character getting tied up like this that doesn't have some implication of sexuality. bondage torture is just a classic like that. though the camera certainly doesn't help, L— and neither does the fact that light and soichiro are not put into an equally objectifying, sense-deprived contraption like this, and instead just get normal ass bare cells.

in many other cases however, misa herself is the one flaunting her sexuality, typically as a means of trying to appeal herself to light but sometimes i think you can definitely read it as misa just. dressing the way that she wants to dress because it's cute? like, okay, in terms of trying to appeal herself to light we've got this classic panel from after the timeskip ft. a particularly homosexual light moment:

but there's also plenty of misa moments that just look like this:

girlie is chilling. literally kicking her feet, stalking her crush in bed with her supernatural death god girlfriend.

to be clear, this is not to say that death note isn't sexist or has particularly fantastic writing for its female characters. rather, what i'd like to point out here is that there are different levels under which we can view and analyze misa's sexuality:

the base level, of a girl who is comfortable with her body and fine with wearing revealing clothing

the level above that, involving the fact that misa's job revolves around selling her image, of which her sexuality is a key factor

and then the uppermost meta level, surrounding the fact that misa is a character in a story not only written and illustrated by men, but sold in shounen jump, meaning that she is thus filtered pretty significantly through a quite literal male gaze

it both can be and is true that misa is simultaneously objectified for her body on multiple levels and a pretty fucking horny person herself (or at the very least, willing to push that for the sake of her own goals)

remember, misa is the one pushing for their "alone time" here.

just. idk. i suppose my main point here is simply that i think this is a topic that deserves to be looked at with more nuance. there is credence to both the claims that misa is sexualized in DN and that misa herself has agency in how she chooses to dress and present herself, and i don't think you can cleanly separate those two aspects without losing something significant.

honestly, when it comes down to it, my personal take is that the real problem of sexism in DN is less about the particular ways in which individual female characters are presented/traits they are given, and more about the broad strokes of how women in general are treated... if my post on that particular subject ever ends up seeing the light of day, i guess i'll link that right about here. anyways,

misa and romance/death:

if there is one thing that her parents dying, almost being killed by a stalker, and making contact with a shinigami teaches misa, it is that love is something you kill and die for.

i really don't think that you can separate out "death" from "love" when it comes to misa, not only in terms of general themes, but also when it comes to how she personally views the world. i mean, just look at rem and gelus— death literally loves her, and in the process of loving her, allows her to cheat her way back to life. ryuk calls light a better shinigami than the actual shinigami, but honestly, if anyone fulfills that role, it's misa— she's the one whose life gets cut down until others stock it back up, who has so little regard for life (both in terms of others' and her own), who gambles her time again and again and does whatever she wishes, when she wishes, how she wishes.

it's that second point in particular that really gets to me here. throughout the story, misa shows herself to be equally detached from both the world and herself— she kills without care, gives up half her lifespan without a speck of a second thought, throws herself into dangerous situations and pushes for what she wants even when she knows it's stupid and probably going to get her caught. i'm slightly tempted to say that death's love for misa is the only mutual love she ever has, but that has some implications that i don't think quite fit. misa doesn't get a kick out of killing, she is not (overtly, or very explicitly) suicidal in the sense that she constantly expresses a yearning to kill or be killed. it's more of a toned down attachment than that, which... kinda gets into my next point, on misa's relationships. namely, with two very important people: rem and light.

in terms of rem... i struggle to analyze this relationship sometimes in the context of canon because at times it just feels like there is so little to work with. but perhaps that also fits, in a way...?

one thing that i think the musical really got right about rem is the fact that she has some of the most genuine feelings of love in the entire series, just in general but also specifically in terms of how other characters treat/approach misa. again, misa is a person whose job revolves around people loving or being attracted to her. i have a very hard time believing that the person who tried to kill her was her first or her last stalker, but even without getting to that level of intensity, much of the love surrounding misa is superficial, distant. she is beloved for the image she fits and the role that she plays, but very few people (if anyone) are even capable of getting close enough to recognize the self she hides under that mask (assuming, of course, that she ever lets that core part of her out).

rem is perhaps one of those few people, seemingly having watched misa for years alongside gelus before breaking that parasocial divide and meeting her idol in person. yet, it's also that very period of watching that puts a strain on their relationship, in my mind...

to put it bluntly: apologies to any and all remisa shippers, but i simply Do Not see there being much canon evidence that rem's love for misa is in any way mutual. not only do i struggle to think of any notable scenes where misa displays even an inch of affection or care towards rem, but misa is also kind of horrifically apathetic to rem's death, iirc. i mean, in a way, she's basically the cause of it— in failing to remember L's name upon getting her memories back, she pushes the first domino in the line leading up to watari, L, and rem's deaths.

misa basically treats rem like just another stalker, accepting her love so long as it is somewhat distant or gets her what she wants.

but, like. as shitty as that is to think about, it does kinda fit that misa would treat genuine love this way. at no point does she push back on or try to change rem's mind about this, or even really say fucking anything in response to rem's overt romantic/threatening overtures about how she'll kill anyone who tries to hurt her. i'm kinda inclined to view this as misa's attempt at kindness, accepting the love of her fans for what it is but never pushing it in either direction. she neither demands rem's love, nor attempts to dissuade it— it is what it is, and what happens, happens. and if it results in rem's death, or results in her own... at least it all happened out of love.

now, in terms of light... i was gonna make this its own post but it's on topic, so i might as well just add it here.

it is simultaneously so, so sad and yet also so, so utterly fucking funny that misa is perfectly designed to be everything that light absolutely hates. like, to just list it out cuz i literally have too many points to simplify this down into proper paragraphs rn, misa is:

uncontrollable. supposedly, misa is a perfect little devoted disciple of KIRA, willing to do anything and anything for him as thanks for getting justice for her parents' killer. but like... we all know how this actually works out. misa does whatever the fuck she wants, usually with the thin justification that it'll help KIRA in some way, and light is left behind to deal with the clean up.

stupid. no, not really— but she at the very least presents herself as such, as a ditzy, silly little girl, willing to do anything for love even if it hurts her. really, all this proves is that she wears a mask, just the same as light, though in the process she manages to also reflects to his own sins back at him. misa plays stupid so that she can justify doing stupid things without having to feel bad about it (or get emotionally attached at all?)— light plays god, a being above human morals, so he can do horrifically immoral things without having to feel bad about it. equal and opposite, in the worst possible way.

powerful. and pushy. the only person more stubborn than light yagami is misa amane, etc. etc. just like KIRA, she is a key pawn that light must rely on logistically, but is disgusted with all the same. misa is not a god, not in the way that KIRA is— she's just another filthy criminal, uncaring about the horrible acts she has committed. but she fits herself into his plans in just the right way that he can't quite come out and condemn her directly, and therefore is stuck quietly stewing in his dislike of her instead.

a liability. related to this is the fact that she is essentially unkillable, at least as long as rem is alive. many of the points behind her being uncontrollable apply to this one as well.

feminine. in a way that light dislikes, but also cannot ignore. she's cute and hot in a way that light is supposed to like, if he is to fit in w/ his Just A Typical, Good, Respectable Boy routine, but also drives him up the wall— pitting his desire to be "good" against his desire to be a "boy," essentially. (this point in particular is taken from THIS POST, big thanks to shydroid3000 for the beautiful yotsuba light analysis!!!)

possessive. controlling, in a way, which is again ironically exactly like light himself. light Hates being controlled because it means there may be factors outside of what he has power over, a trait which becomes increasingly relevant in the latter half of the story.

untouchable. even after rem's death, light can never quite get into the right position to kill her. she's almost too effective, causing light problems (e.g. yotsuba) and fucking things up, but never in such a way that he can easily place the blame on her shoulders alone. she is useful, a necessary evil, outliving multiple gods.

and, above all else, ultimately...

(sidenote2: it's kinda interesting to compare misa to L in this regard, actually, especially in terms of why light gets so attached to L but hates misa so viciously, despite L also being quite a bit like light? i guess you could say that misa reflects back the parts of light that he doesn't like as much, or even more specifically that she reflects KIRA back at him, where L matches/opposes light in terms of what he sees to be his better traits— his intelligence, his social power, etc. something to consider.)

to follow up on the sentiments of this post: misa does not love light. she relies on him to fill the hole in her life, in her, as a quick fix to avoid having to engage with the deep-seated grief that haunts her, an answer to the horrifying question of why she is even still here, alive, so long after her appointed bell has already stopped ringing.

to tie this all together, then... i suppose it's fitting that both love and sexuality are are so essentially Empty when it comes to misa amane. ultimately, she is a character defined by a misery she never allows herself to show to the world, a girl stubbornly sticking to the first reason she managed to find for living. again, just like light, she is a character that never grants herself the ability to truly grow up, stuck in the same childish, immature cycles of thinking and methods of presentation she came up with when her life first failed to end. a tragedy in her own right, unable to even remember the face of the one being that genuinely loved her at the moment of her own true death.

born on christmas, dead on valentines. how fitting.

[sorbriquette]

Playing fire emblem 3 houses again.

Completely OBSSESSED with the black eagles again.

Truly the most discordant group of eccentric little weirdos to ever become found family.

Edelgard is out here tryna be normal but she cant help but drop ominous foreshadowing and insane questions.

Hubert is slinking around all sinister and trying to make everyone behave with threats and insults.

Ferdinand is also trying to make everyone behave but with long lectures on nobility. Which should make him and Hubert team up but no they're 20 second from killing each other because Ferdinand is in the worlds most intense one-sided rivalry with Edelgard.

Linhardt, a 'problem child' just wants to take naps, read books and have unmedicated ADHD. He's a rude lil shit who will just drop a 'goodbye' to end of conversation.

Caspar is somehow BFFs with Linhardt but all they do is bicker and have the 'my dad could beat up your dad' arguement. And Caspar just want to fight everything 90% of his supports are people saying 'Caspar, NO!" while he screams "CASPAR YES!"

Dorothea is doing her darnedest to flirt with everyone she meets (except Ferdie who she openly hates) like a true gold-digging bisexual disaster. And she keeps breaking into song.

Bernadetta is Bernadetta. Switches between running in fear and begging for mercy because she thinks everyone is trying to kill her. Wont come out of her room to the point where Caspar picks her up (not cool) and runs her out to see the gdamn sun for once in her life.

Petra is the only one who can be normal for more than 5 minutes and she's the youngest at FIFTEEN.

In conclusion they are terrible and no one can do it better worse.

None of the other houses come close

[thesimulacrasimp]

Okay, I literally just watched a spooky month short and i wanna kinda break it down a lil bit, cuz we learned ALOT through it. Again, sorry for my terrible english 😭🙏

Okay so in this shot we see Kevins parents (rlly cute) and we see "Rad's bday" on calendar (which is apparently in september, knowing that Kevin started working in candy club in the same month), that means that he knew Radford for a long time, even before he started working in candy club.

Okay, thats really funny, but when Skid and Pump appeared in this short with different masks i was like: "YOOO they finally revealed their hair styles. Wow these fan predictions were really close!" until i remembered that their hair styles were already revealed a long time ago in the house pictures.....

Okay so through Pump we now know that Skids father is dead. Not missing, not left - dead. <= another question that have been answered.

Lila looks so tired, poor soul (SHE EVEN WALKING IN THE STREETS IN SLIPPERS 😭)

Ok, now its my fav part. We saw all the moments w Skid and Pump in candy club. First part of it were just the moments that we have already seen or that have been mentioned (like when Skid n Pump got alot of fake blood in the place), there were also some others moments weve never seen, but i dont think theyre really important since they all happened before even eps 4 and 5, so i dont think i need to break them down (especially because of this stupid fuCKING PICTURE LIMIT—) BUT! The things i WANT TO talk about are all the things that happened after ep 6 - the things we still havent got to. And if its actually the foreshadowing (is that the right word for that?...) for what will happen in the future eps then its kinda a dissapointing cuz we got spoiled, and FUCKING AMAZING at the same time, like I have VERY mixed feelings about this, but i more like it than hate it tbh. SO im gonna break these things down like they are actual spoilers for future episodes, but that can be not true, who knows.

Okay, the first thing we see after ep 6 is another winter situation (the hole from Moloch is still there 😭) w hatzgang, Skid n Pump, and Susie, while the whole place was acreeting w some weird roots w eyes?? Then i suppose Roy was tormenting the poor kids as always, and Susie got mad at him and left, and then Rob and Ross did the same thing while Roy looked offended n pissed (which i cant show you becuz of a FUCKING LIMIT—)

Then, Lila, Jaune, John and Jack came to the candy club. I cant really tell what couldve happened, but Lila n Jaune looked really mad, and then STARTED ARGUE FOR SOME REASON, like I literally have no idea what couldve happened, it could be anything.

Then there was a literal fnf scene, like an actual rap battle between the spooky bois and bf (which i also cant show you, CAN U GUESS WHY?? :) ). I honestly think that this is a simple joke and nothing more, but who knows, maybe it will actually happen in spooky month, that would be pretty cool.

Okay, then the Spider. Like, we already all knew that its gonna be an episode vilian at some point, so its not really surprising honestly. Really curious how its gonna be portrated tho, like what is it gonna do, what its motives and goals are gonna be, what characterization are a LITERAL SPIDER gonna get - its all really interesting.

Then a cult. Also not really surprising tbh, like I think it was obvious that they were gonna get to Kev at some point, interesting why tho. Like how could he be useful or harmful for them? (interesting detail is that after a scene w the cultists Kevin still stayed in the club, so the cult tried to get him but failed? I wonder why and how.)

Okay... MOTHER. FUCKING. SKID'S DAD. HOLY SHIT IM SO EXCITED FOR HIM. If we look at the shot it seems like Skid came here to introduce Kevin to his dad (cute)

And then i suppose Dad got a candy bar for Skid and they both left. Really curious how is Skids dad gonna introduce himself to his son, how Skid is gonna react (well even by these 2 shots we can see that he is really happy, but im more curious about the first reactions, im in for some wholesome fluff please!!!). And Lilas reaction is also reaaaaaally interesting (if she will even know)

And the last shot is this. I also dont think it really means anything (maybe foreshadowing that Kev is gonna die??), the only thing that intrigues me is this sky, like I dont even know what it looks like, some sort of black hole? A fissure? Some ultimate evil that comes from another world? A 4th wall break?? Who fucking knows. But it does look interesting.

And soooo ummmmm idk what else to write, I think i already said everything i wanted to say so.. Bye? Tnx 4 reading?? Ig???

[incorrectfatui]

okay, more HCs. This one is only Scara, so things might get a lil dark- I'm not normal about him. anywho: Scaramouche: -autistic. I am going to say this about every Harbinger, bc it's the truth. -most traumatized mfer in all of Teyvat. Seriously. someone give this guy a licensed therapist. -as Kabukimono, he's tried to eat several non edible items. This one is inspired by that one researcher who made up a story about him eating a humans arm. The image of little Scara munching on various dangerous items is so cute -related to the above: he still does it sometimes, to fuck with people. Dottore thinks its great. Pierro had to stop him from getting Kuni to eat a delusion. -Eyes (& markings) always glow at least slightly, even if he's not using his powers. Its not really noticeable in the day, but at night you can see it pretty well -hates Pantalone. Not bc he's jealous of him hanging out with Dottore or something (if anything, Pantalone gets jealous), but just because he is an ass. -Went to the Abyss again for a long time, just after Arlecchino became a Harbinger, and kind of forgot that Crucy was replaced. Came back and was like "who the FUCK- oh right". Why? because I think its funny -In general, has a better relationship with most of the female Harbingers than the male ones. -a little self indulgent, but I like to think that he was able to float a lil with electro as well. We see Raiden and Ei do it, and I think it'd be cute if he was able to as well, if to a lesser degree. -has used almost every element at some point, testing delusions with Dotty. Mostly bc I can't really imagine all those researchers just throwing 4 extra elements at shouki no kami and being like "figure it out" -speaking of delusions: I think he didn't use one. His electro is inert and I dont think he used another element. I see people headcanoning his delusion as Anemo, and I get it, but I don't like it all that much -SPEAKING of his electro being inert to his body- I refuse to believe he lost electro completely. The whole "oh he used up his divinity" is lazy. He can still connect to Irminsul, which he only learned while ascending, but he cant use electro anymore, something that he's had since birth? Bullshit. I understand him not using it, but I think it'd be more impactful if that was a voluntary choice. I'd really like to see him recover it over the course of the story -I think Youkai like him. Obviously this excludes Yae Miko, but I think as Kabukimono it wouldn't be strange to see him being followed by some Tanuki or the lesser Kitsune. I would really like to see him interact with the Youkai Children from that one Inazuma event, I think it'd be really cute. -I like seeing people write about him and Kujou Sara, both romantic, platonic and as enemies. The two of them are very similar in some aspects, and then radically different in others. I think it'd be really interesting to see Kujou Sara confronted with her own trauma being reflected onto Ei. I guess this is mostly because I just really like Sara and I want my favs to interact xD -more of a theory, but I think Pierro and Dottore, (will) remember him. He has a lot of foreshadowing in his voiceline about Pierro & Dotty, and other things. He's very clearly endgame/lore relevant, with his story not even being finished. -not a HC, but I wanted to mention it: I'm still stuck in Inversion of Genesis on my main account. I never played past it. I did the Fontaine and Natlan quests for friends/watched them online, but I'm still in IoG on my main, because I never fully decided on a name -last one bc character limit: I really like to imagine him interacting with Neuvilette. I think there could be a lot of interesting discussions had here- Neuvi would absolutely dissaprove of his attempt to overthrow Nahida, but at the same time I think he would, to some degree, understand his obsession with the gnosis. No, the gnosis/authority doesn't belong to Scara (or Ei, for that matter), but I think if you told Neuvi that Scara was quite literally created to hold it, he'd understand, to a degree.

[holylulusworld]

Vulnerable (4)

Summary: Professor Xavier entrusts you with the mission to locate a certain mutant with unknown consequences.

Pairing: Alpha!Wolverine x Omega!(Mutant)Reader

Characters: Jean Grey, Scott Summers

Warnings: angst, language, gruff Wolverine, a/b/o, a/b/o dynamics, implied true mates, you are on the run, mentions of the death of a loved one (sister), a lil Jean/Scott hate in this, foreshadowing

A/N: Jean is not Dark Phoenix in this story. The reader is stronger than both Professor Xavier and Jean Grey. She is a telepath, telekinetic, and empath. Most of the time, she suppresses her powers.

Catch up here: Inseparable

Undefeated masterlist

“Never!” Logan growls while speeding off, “Get inside my head ever again! If you do, I’ll split your skull with my claws.”

You laugh, because Logan wouldn’t get the chance to get close to you, and reply, “Believe me, buddy. Getting inside your messed-up mind is the last thing I want to do. Now drive more carefully. There’s no one following us. At least, for now. I try to make us invisible.”

“You can turn things invisible too?” He cocks a brow but focuses on the street. “What the fuck are you?”

“Aw, you’re cute when clueless.” You pat his thigh and squeeze it tightly. “I cannot turn things invisible. I’ll cover our traces using my powers. If anyone tries to find us, I’ll manipulate their minds. Now stop distracting me and drive.”

“You should sleep or do whatever you do after you split into two,” he huffs and slams his hands onto the steering wheel. “That was suicidal, kid!”

“I’m not a kid,” you growl. “Do I look like a kid to you?” You narrow your eyes at Logan. "Maybe everyone under one hundred is a kid to you, but stop acting like you are the adult in this team!”

“We’re not a team, k—” he grits his teeth. “After I dropped you at Xavier’s freak house, I’m out of this shitshow for good. I told Charles that I’m not the kind of man for teamwork or his X-Men.”

“Yeah, I can relate,” you prop your feet onto the dashboard, earning a growl from Logan. “Relax, old man.” You smirk when he glances at you for a second. He squares his jaw, and his muscles are tense. “What? You can call me kid, but I cannot call you old man.”

“Someone should teach you some manners!” Logan grits out. “Maybe I’m that one.”

You lean close and place your hand on his arm. “Please don’t hurt yourself, old man. I don’t want to fix your back because you got hurt.”

“You know about my healing factor, right?” He bites back. “I don’t need your help to feel better.”

“Aw, but sweetie,” you move your hand up and down his arm, causing him to shiver. “I swear, if I ever helped you feel better, you’d believe you ended up in heaven.”

You pull away, smirking because it seems you got under the old grump’s skin.

“One day, someone will break your neck,” he replies, his voice a little raspier than before. “And I won’t stop them.”

Snorting, you turn to the right side to get some sleep. You wave your hand, and a green aura surrounds your body. “I’ll sleep now. Only wake me if the car is on fire or we reached our destiny.”

“What if you are on fire?” He grins, and you chuckle.

“Just let me burn, old man,” you yawn. “I’ve got this. I’m fire- and bulletproof.”

Logan furrows his brows, wondering if you try to mess with him again. He must admit, your powers are impressive and downright scary.

“Wake up!” Logan gruffly calls your name. He pokes your thigh. “You’re lucky that you’re not on fire; neither is the car.”

You slowly sit up, stretching your sore limbs before you open the door to leave the car. Hours spent in the same position gave you more kinks in your back than you’d like to admit.

“Good, you didn’t crash the car,” you grumble under your breath. “You don’t need a babysitter all the time. That’s progress.”

Logan glares at you for a second but doesn’t say a thing. Being here, back at the X-Men headquarters and Xavier’s school of gifted youngsters, brings back memories he’d like to forget about.

“Can you not talk for like five minutes?” he huffs and gets out of the car. Logan slams the door shut, muttering under his breath. “Why did you have to bring me here? I was done with this life.”

“Yeah, I can see that,” you huff. “And if you didn’t scream grumpy grandpa for crying out loud, I’d consider letting you go, but…” You smirk as he stalks toward you. “I can’t let a senior walk around the area on his own. You could get lost.”

“One day someone will teach you a lesson,” he snarls and slides his claws out. “I’ll be that one.” Logan grins as you take another step toward you. “This old man will teach you some manners too.”

You chuckle at his playful tone. It’s a distraction from his racing heart and the fear you can sense coming deep from within his soul. Being here is hard for him. You know that feeling.

“I see, you found him,” the gate creaks open behind you. Scott and Jean walk toward the car, and you already feel nauseous. Jean tries to see into your mind; a habit you never liked. She always wanted to control you since you first joined the X-Men. One of the reasons you left the team is to not feel like a guinea pig any longer.

“I always find them,” you reply, trying not to sound too annoyed. “If not, the professor wouldn’t have asked for my help. Here’s your lost sheep and the one you call Stryker.” You jerk your head toward the car. “He’s out cold. Tell me when you are ready to interrogate him. I’ll wake the sleeping beauty for you.”

“What did you do to him?” Jean is more concerned about you hurting a human than the fact that Stryker and his soldiers would’ve enslaved you and Logan.

“Oh, that wasn’t her,” Logan chuckles as Scott steps closer to him. “It was her cute alter ego. You know, the red aura crap running off to get a pound of flesh of the bastard in the back of my truck.”

“You hurt them,” Scott furrows his brows. He always was a softie and never knew when you have to end someone who’s evil through and through.”

"Well, it was a us or them kind of situation,” you shrug. “They were well-trained killers. What did you think will happen?” You glare at Scott. “I sent the first group home because they were newbies and didn’t kill innocent mutants for their fun. The others…” You dip your head to smirk at Scott, "They didn’t get so lucky. I sense evilness when I face it.”

“You used her again,” Jean chides while checking on Stryker’s vital functions. “I told you to never use her again!”

“She has a name!” Your aura turns from green to violet. “I told you not to treat her like an enemy, or even worse, a weapon you can use to your liking, but if I use my powers, then I’m the bad guy.”

“She?” Logan wonders aloud. He watches you take deep breaths, like in the bar, or before you unleashed your alter ego. This time your aura turns green, and it vanishes. “Did I miss something?”

“I told you, she’s my alter ego,” you turn around to face Logan. Your features soften feeling his confusion and the need to get away from Scott and Jean. “She’s…” You drop your gaze and sigh deeply.

“I came with you and even let you comb through my brain. You owe me an answer, Y/N!” Logan insists.

“Okay,” you nod, and place your hand on his chest. You look him in the eye, a kind of sadness in your eyes tearing through his very soul. “Professor Xavier brought me here when I was just a kid. After men like Stryker experimented on me and my…” You choke out a sob, “Twin sister.”

“Oh…” He can’t come up with an appropriate reaction, so he offers a cracked smile.

“We were both special; at least they told us so. Most of the time, we talked using telepathy or exchanged the food they gave us using our telekinesis. One day, they brought us into a room. ” You wipe your eyes. “There was another mutant, a very strong one. It was the most powerful being I ever encountered. They told us to fight him; and we did, but…”

“Shouldn’t we head inside?” Scott tries to stop you from telling your story to a man he never trusted. “Y/N?”

You ignore Scott and the fact that Jean tries once again to get a glimpse of your thoughts. You just look at Logan when a single tear rolls down your cheek. “He threw a shockwave in my direction. I was too stunned to react, and she…she just jumped in front of me, grabbing my hand and smiling as the shockwave tore her apart. Right in front of my eyes, my twin sister turned into dust.”

“I—I’m so sorry,” Logan finally gets out as your aura turns gray.

“It wasn’t her end,” you murmur. “Not completely. A part of her,” you smile now, and wave your hand to let the aura float around Logan. “I call it her soul; she stayed with me. Since that day, our powers have fused, and she’s there to protect me whenever I need her.”

“The aura is your sister?” He asks.

“A part of her is inside the aura I can create,” you murmur. “I can feel her, just like I felt her fuse with me that day.”

“That’s the most tragic story I ever heard, and I heard a lot of tragic stories,” Logan cracks a smile, making you chuckle. “Trust me, you win the award for the saddest story ever.”

You’re thankful for his reaction. He doesn’t try to tell you how sorry he is and that everything will turn out well. Logan is just…Logan. You are about to give him a witty comment when you sense an incredible power getting closer.

Your aura turns red immediately. You look at Jean, telling her to get Stryker and Scott inside. That power, you know it…

“He’s here. He’s coming for us. I didn’t feel him before, but I do now.” You use your telekinesis to send Logan flying. He lands behind the fence, the one you close and lock with your powers. “Get him inside. Protect him at all costs.”

You turn around, waving your hands, letting the aura dance in the air.

“Y/N…no!” Jean gasps when she watches your aura turn from red to black, your ultimate form. “Noooo! You’re going to kill us all!” She screams when you tell them to run inside the mansion. "You can't control this!"

“No, only he will die today.” Your voice doesn’t sound like your own any longer.

A part of your aura surrounds your body, but the rest turns into ten versions of yourself. You stand in line, nodding at each other.

The day has finally come. You’ll get your revenge on Stryker and the monster killing your sister.

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