#likes dislikes

[arynneva]

wait do people read first person stories and think they're the ones in the story???

Saw people talking about not liking first person, which is fair, but their reasoning was like "I would not do that" and I don't understand that mindset.

First person stories are still about a character. A character making their own decisions. First person isn't about you???? At least I thought it wasn't. What am I missing? I've always seen first person as just a more in-depth look into a character's mind and stricter POV. Not as a reader stand-in.

[wolfythewitch]

i have so much rage in me one day i think i will explode. i dont think i know how to forgive as much as i know how to forget

[i-write-sin-not-tragedy]

Cannot stop thinking about Angels voice change.

I cannot stop thinking about how even his voice was an act.

The way his accent got stronger, how the pitch got lower. The way he finally spoke with his real voice when he was talking to Charlie and Husk. Im unwell.

Pairing it with the visual reveal of his real name was just the cherry on top like oh my god aaaaaa

[hinamie]

quick itfs sketch page

[bioethicists]

this is going to sound simplistic + i promise you it's not: stop following people whose entire schtick is being cruel or fighting with others online. even if the ppl deserve it! even if it's not a ~problematic~ cruelty! even if you agree with all of that blog's opinions!

it's one thing if someone snaps back when provoked or posts the occasional "get a load of this guy". nobody needs to play up respectability for people who haven't given them respect in return. but if someone's online identity centers around being needlessly mean for laughs + they're constantly seeking out socially acceptable, easy targets for petty cruelty, that's a red flag. there's a huge difference between not taking shit/cracking a joke + mocking others as your several-hours-a-day hobby.

especially if, when they are inevitably in the wrong + mocking someone mercilessly to their 50k followers over something petty goes south (shocking!), they become extremely defensive or block everyone or play the victim or dismiss it as "well, how was i supposed to know they were autistic? i'm autistic + i don't meow in public" or whatever.

this isn't a "well i knew all along" post bcuz nobody should be shamed for being in the dark about something like this but many of the popular bloggers who have later been exposed for serious harassment or abuse should not have shocked us. if someone's blog is 90% shit like "you should light yourself on fire because you watch x anime" or "look at this so-called lesbian bitch + her ugly fucking boyfriend at a kink convention- it's giving drowned rats", should it really shock you that they are also being cruel or abusive in less internet-acceptable ways? if they've already shown you that they get a such a thrill out of being vicious that they do it daily + are regularly rewarded with thousands of followers?

[lazylittledragon]

i said that gale and cyra have disaster romcom energy and now it's all i can think about

[loriache]

"I've been waiting for ages for somebody to unmask them."

This moment tends to elicit negative reactions in a first read through, and I've got some opinions about why where Kabru is coming from here actually makes a lot of logical sense. So I thought I'd elaborate on that.

I think people hear this and go, "He thinks they must be hiding something because they gave money to someone? What a cynic." Or "he dislikes them because they did charity?? What's wrong with this guy!". And obviously, a lot, a lot is wrong with him. But I think this makes more sense than it seems at first glance! What people evaluating this judgement miss is why Kabru is paying attention to Laios and co to begin with.

Kabru knows of the Touden siblings because (he's a little bit of a stalker-) he is keeping an eye on all the relevant parties in events developing on the island, in order to be able to guide them to his preferred outcome. This includes adventurers because they are the ones actually exploring the dungeon! He's well aware that something as minor as internal tensions between party members could be key to the historical events that are developing. (He would love the assassination of Archduke Franz Ferdinand.)

His desired outcome is that whatever the rewards are of breaking the dungeon's curse, whether that's kingship or the ancient elven secrets of dungeons, are claimed by:

A) a short lived person

B) Someone who will be a good, effective leader and/or use those secrets and the power they carry wisely, with foresight, and to establish a political bloc for short lived people.

The person he can best trust to do this is, of course, himself. But due to his PTSD regarding dungeons and monsters, he's not able to develop the necessary skills to conquer the dungeon. Once he realises this, he starts looking for someone else who he can support to that end.

But most of the adventurers don't have any intentions of conquering the dungeon, don't have the skills, or are unsuitable in other ways. In fact, it seems like some potentially suitable people are the Toudens. There are a lot of good rumours about them going around - they actually seem to have a very positive reputation! That's what Kabru means when he says "unmask".

So when Kabru is observing something like them giving money to an old comrade from their gold-peeling days, he doesn't consider it a problem because "they're giving money to this person who doesn't actually need it" or because they must have some dark secret if they act superficially nice. I think he actually understands this situation and what it implies about Laios (in particular) perfectly well.

Laios and Falin gave money to an old comrade who got injured and couldn't work. That person then healed up but kept taking their money. Then he used the money to start smuggling illicit goods to the island.

The key is that for Kabru, the problem here is the same as with the corpse retrievers - people using the dungeon's resources to fuel dangerous, selfish, or violent pursuits cause problems for the island, attract more criminals and people with motives other than breaking the curse, and increase the chances of the whole situation ending in tragedy.

Kabru is willing to work with the Shadow Lord of the island if it gets him to his goal - he isn't scrupulous - but the criminal element of the island increasing is something he sees as a major issue.

Also, when you're evaluating someone as a candidate for power, riches, secrets, potentially kingship - then being curious about how the money you give to people is going to be used is kind of a relevant trait!

Interpersonally, Kabru's actually very easygoing - I mean, Mickbell isn't exactly an upstanding guy, is he! But Kabru likes him and they get along well. These traits wouldn't be a problem at all in a friend, or a comrade, or someone Kabru was confident he could use. But he can't get a handle on Laios, and Laios is someone who has the potential to be a major player!

On Laios' end, this is the same as with the marriage seeker who joined their party. She kept asking for things and he gave them to her, because he tries to be nice to others. He even gives her money! It's the exact same thing.

That's fine, but it became a problem because he basically wasn't interested in her motives, didn't notice she was trying to manipulate him, and it also didn't occur to him that the other party members would notice or be affected. We can assume the situation with the gold peeler is the same. When Kabru says that "It's not that they're bad people, they just aren't interested in humans," he isn't wrong.

The extent to which this is true of Laios is linked to his autism imo, (because it isn't just disinterest - he genuinely isn't able to notice nonverbal cues that people are lying to him or have ulterior motives) but to a greater or lesser extent I think it's a very common trait. Most people aren't actually that interested in other people who aren't close to them. Kabru is the weird one here. It isn't an issue except as a leader - which is why we see an immediate comparison to the Island's Lord, because that's how Kabru is evaluating them.

And disinterest in/lack of ability with people to the extent Laios exhibits it, it does, actually, make him a worse leader... it's just that as we see in the story, people can help him out. The rest of the party tell him the marriage seeker is taking advantage of him so he tells her he can't give her special treatment anymore. They're pissed and it's a crisis point - he couldn't have recovered their trust without Marcille and Falin - but that's exactly the point. With Marcille and Falin, he was able to recover their trust.

And he has other good traits that make up for it, such as his intelligence, strategic knowledge, open-mindedness and sense of fairplay.

Kabru doesn't disqualify Laios as a candidate based on what he sees about him from afar, though - he still tries very hard to get close to him, obviously hoping that if he manages he can steer Laios to defeat the dungeon and make up for his lack of people-skills in the aftermath. (Which... he does eventually achieve that goal!) He completely fails until the events of the story, so... definitely I think "They just aren't interested in humans" could also partially be a stung reaction to Laios' complete disinterest in him.

Anyway, that's my read on what exactly Kabru's "issue" with Laios is. Obviously, once he does find out what Laios' true nature is like - about his love for monsters - he develops an entirely new set of fears about Laios' priorities. But since Laios kept that a secret until the start of the story, he has no idea of that yet.

Given all that, I think it's interesting that he says that he doesn't think that the Toudens are suitable to defeat the dungeon, and that he's hoping they'll turn out to be the thieves. As some of his few potential candidates, people who he thinks may play a big role in the island's future, you'd think he'd hope they would be good people!

I suppose it's better, in his eyes, because it means that he's involved in something "interesting". They haven't just had their stuff stolen by regular criminals (boring, puts them further away from his goal) - they've been caught up in the beginning stages of "a historic event". The desperate and dwindling group forgetting morals in their quest to retrieve their lost comrade probably appeals to his sense of melodrama. Because he also just... loves drama.

Despite it being "uglier than anything he was expecting", he still pursues Laios as the person he wants to conquer the dungeon pretty much as soon as it becomes clear that he won't be able to do it himself and they are out of time. That's because... well, to be fair, there aren't any other options. And he fits standard A: he's short-lived!

and Kabru still hopes he can fit standard B, too, and be persuaded to use the power he wins for good. No matter how many nightmares he has about Laios, or whether he thinks about killing him. He doubts him, but ultimately he puts his faith in him and seems happy after the manga's ending that he made the right decision.

[brw]

My least favourite type of internet person is the person who claims fanfic is over thousands of years old or whatever. I understand we like to joke but fanfiction is fundamentally tied to fandom culture and is a very specific way of engaging with media. Religious texts based off other religious texts is not fanfiction and it is worrying the only way you can justify your interest is by comparing the two. I promise you you don't have to reinvent the wheel to write fanfic you can just do that but we don't have to say "Shakespeare wrote fanfiction about Richard III", there was not a Richard III fandom in 1592, that was called the divine right of kings.

[cherrybeez]

the happy smiler

[askfordoodles]

"Young man, you cut that tsundere bullshit, I know what you're doing, I wasn't born yesterday." - Secret Brat Tamer Volkarin

[apollos-boyfriend]

with the gravity falls renaissance i feel like something people don’t really discuss about its success is the fact that alex hirsch had a final say on the story. the reason gravity falls flows so well and had such a well-executed and satisfying ending is because its creator had control of when and where it ended. the reason so many modern day cartoons (and to an extent, shows in general) feel rushed or poorly executed or what have you is because their creators can’t do that. they’re canceled too soon and made to scramble to finish their stories in the remaining limited time they’re given, if they’re even given that opportunity at all. gravity falls isn’t necessarily timeless or one of a kind because of some creative magic, it is those things largely because it cannot be physically recreated due to the modern industry’s disrespect of creators and the medium as a whole

[pcktknife]

og dungeon meshi readers are so serious about this shit. thistles name was announced as sissel and 100 people fell to their knees in anguish. the anime marcille eyebag diminishment event sent people to the hospital. when they cut the scene of her taking her hair down? oh it was bad for us.

[amystarrstuff]

so, this is something i've noticed in fandom spaces and want to see how people ~generally~ feel regarding genderbends & genderswaps, especially if they are transgender themselves!

if there's a reason for why you like/dislike genderbends please share in the tags, this is something that genuinely interests me

[elyfonart]

Trust me bro he wants you

[roydeezed]

One thing for those who have watched The Boy and The Heron or will watch it. The Japanese title for it is How Do You Live? And Miyazaki stated he was leaving it for his grandson, saying, "Grandpa is moving onto the next world soon but he is leaving behind this film".

The deaths of contemporaries and friends such as Satoshi Kon and Isao Takahata and also the expected successor of Yoshifumi Kondo were things that have always weighed heavily on the back of Miyazaki's mind.

He recognizes the industry and the occupation for how soul crushing it was, grinding up either the spirit or the physical body of those who work in it. He loves and hates the industry he stands on the peak of and fully recognizes how it will probably be the death of him. And he knows it'll leave him unable to say a lot of things to his Grandson.

So How Do You Live? is a lesson. For his grandson. For himself. For his two sons. And probably for anyone else willing to pay attention.

Hayao Miyazaki is a flawed man that makes things so important to so many people. And I think more than any other film of his, in this you get to pull back the curtain a bit and see him at work. And what should be this giant unblemished titan can be seen for what he is, a sad old man who had higher hopes for himself and has even higher hopes for the people he makes his work for.

It's a beautiful thing to see another's humanity in their work. To look past the artifice and glam of commercialized art and find humans behind it. And humans willing to show their humanity and mortality is even rarer. And something to be celebrated. So when you watch it. Or if you've watched it already. Understand that this film is Miyazaki kneeling down, weary after years of weaving dreams and making mistakes, reaching out and saying to you that he hopes you can do better. It's an old man who's made all the mistakes of the world passing it on to you, hoping you do better, and making sure you know it's okay if you don't.

How do you Live? By making mistakes. By messing up. But still moving forward. And still reaching out.

[ba1laur]

old triguns. those drawings are like. ten millionyears old to me sorry