#like. only friends? to be real here

[mejomonster]

Im watching Only Friends and We Are like back to back and. Wildly different college friend groups

Imagine ur in Peems friend group (ur like Toey or someone) and u go to the Yolo bar, and run into Boston and Top and Ray and u watch that fucking speech Ray gives absolutely roasting the fuck out of his friend's relationships and u make a mental note 'do not Ever bring my lover to this bar'

Dhdhhf

Like I love both shows. And I think theyre both somewhat true to life just like, very different viewpoints as theyre true to life. And depicting very different people (with some overlap). And of course, We Are is going for low stakes comfort slice of life genre, while Only Friends is going for dense analysis of friends in the hookup scene.

[stuckinapril]

friend wanted to see my tumblr, and when i told him i can’t show it to him bc it’s basically my personal diary he went “oh so I can’t see it but a bunch of strangers on tumblr can??” he literally does not get me. no one will get me like the people in my phone get me

[not-equippedforthis]

H: can i wear...sunglasses and ear defenders?

W: yeah, wear whatever you want, mate.

H: ...fine.

W: hmm ^^

deadass what if i just started crying

[fawnshrine]

random SF doodles while i started watching succession

[themyscirah]

Complaining abt Suicide Squad yet again but the fact that they have Waller exposing the alien community to space racist attacks and talking abt how she got to her position through deceit and being a terrible person and stuff is just. Ahsfiwueh JUST SAY YOU DONT KNOW WALLER.

Anyways literally the 3rd mission of the Squad ever (and the first framed as smth Waller picked and not orders from above) was the Squad discrediting and stopping a rogue vigilante who was only arresting POC and funneling white people into white supremacy groups (of which he was the most prominent member) in SUICIDE SQUAD #4. and it's explicitly framed as this mission being personal for Waller that she's hiding from the government bc its illegal like. Guys. Please why are we having her incite (space bc comics) racist attacks now

Also the whole "Amanda got her position through deceit and being a terrible person" NO. she KEPT her position through being shitty and playing complicated political games!!! She wasn't always that way like there is a difference and it is IMPORTANT ppl PLEASEEEE. In Secret Origins #14 we learn Amanda's backstory and she used to be a normal, caring person! Like even after she entered into working in government and politics she wasn't automatically morally bankrupt like please people. She was originally given control of the Squad by Reagan (*sigh* 80s comics...) to distract and get rid of her because she was so successful at pushing progressive social policy in Congress. Acting like she's this static pillar of evil is such a waste of her character and so fucking uninteresting and disrespectful to her arc it drives me MAD.

Like I am NOT saying Waller is all sunshine and rainbows, she fucking SUCKS (said w love <3) but like there's a human being there. It's a progression, she has a character arc like please, DC, please!!! They've fucked up Waller so bad and made her so opaque and uninteresting she can't even be the protagonist of her own story for fucks sake!

Like I don't know how many times I have to scream it until DC hears me or remembers but WALLER IS THE MAIN CHARACTER OF SUICIDE SQUAD. ITS HER BOOK. yet right now she's a cutout to be used as the villain wherever the writers please. Even in her book we get none of her perspective really displayed, no exploration of her thoughts with any kind of understanding of the role she traditionally has played and was made to play in the story.

[gideonisms]

I become 300% more of both a lover and a hater when I'm on my period. just a time of the month when I have strong opinions I would say

[yashley]

but if I think about how much vax loved and admired pike, how her light and her goodness and her herness inspired in vax a passion he wanted for his own life, if I think about how caleb knew yasha in the pit of her regret and guilt and loneliness and chose to share that deep vulnerability of his own pain with her, for her, if I think about how fiercely orym looks to fearne, looks to fearne, keeps her the closest out of all his friends so much that even in the embrace of his lost loves, orym needed to come back to fearne as she cradled him, sobbing for how much she needed him to be her guidepost, her heart, that pike was a thousand percent ready to face down the goddess of death if it meant vax's safety, that yasha stood stalwart in caleb's wellbeing and let him in the darkest room of herself, that fearne's entire stability is rooted on orym's presence because orym is all she has left that she loves as completely as she would dare, man I just don't know

[kerryweaverlesbian]

They really fumbled the season 14 emotional core specifically by not having Mary be present and recognisably Mary for MOST of the season. It feels like we see more of her after her death than before it, and when we do see her before it she's a completely different character who's their uncomplicatedly loving mom.

Take season 10 Charlie, who was present and dynamic and alive and forming new relationships with other major characters and was generally a big part of the plot for season 10. Take season 12 Mary even! So cool they fridged her thrice. The high level of emotion from Dean and Sam after her (apparent) s12 finale death was meaningful to the audience because Mary IS season 12. Take season 7 Bobby! He is active and present and having an emotional arc and has been consistently a part of the fabric of the show.

And compare these to season 14 where she is living in a cabin with an unimportant side character, she's being sweet and motherly full stop, she's in The Pearl where her husband comes back from the dead and she has NO complicated scenes or emotions to process with Dean or Sam and gets maybe 3 lines in the whole 'pisode. The show doesn't give a fuck about her. And this is after season 13 where she's mostly in another world doing fuck all.

For a death to have weight in fiction you need to remind the audience consistently that THIS CHARACTER IS IMPORTANT by having them form new relationships, do things for the plot and generally be present onscreen. As it stands, even though intellectually I know that if MY mom got killed and her murderer came to see me going 🥺 it was her fault really 🥺 will you comfort me 🥺 and I knew they were going to kill more people, I would probably be easily persuaded to put them in eternal prison or shoot them in the head - the emotional truth of it on the show just doesn't carry through.

It feels like an overreaction for Dean to be so angry about this for so long because the show didn't care about Mary enough to have her around. What is he losing by not having her around? In season 14, they don't show us. They did in s12 - the potential to be seen, and the complex joy of getting to know his actual mother rather than the idea of her. And by not showing us, it makes it not exist, because its a tv show and anything that isn't being depicted implicitly isn't important to the story. If you removed all of Mary's scenes from s14 before her death, what would change? Pretty much nothing.

Now to be clear, I don't think they should have fridged Mary at all. But they could have at least done it properly. The sexism that made the writers less bothered about characterising Mary thoughtfully in s14 is a blight on the show.

[yujeong]

Ok, Ok, I think I need to lay down. Yes, SandRay floored us today. Yes, Khaotung wanted to personally kill me with his acting and First with his huge eyes filled with tears. Yes, whatever the fuck TopMew had going on this episode had me pull my hair in frustration in a good way, because Mew is a hilariously horrible person and Boeing is unhinged. BUT. Listen. BostonNick stole the episode for me. That scene. That fucking scene. Everything that happened before that scene was the perfect set up. Atom setting Boston up. Cheum and co going to his house to shame him and denounce him as their friend. Nick and Dan. Their encounter at Nick's shop. It was all delicious and perfectly executed but it could never prepare me for this. We see Boston looking sad at the distance and Nick coming to him to talk (after he saw Boston's feelings about him through the fucking phone wallpaper pls, I'm not OK). He asks him and Boston is defensive but then Nick insists and Boston, in his need to have someone comfort him FINALLY, says what happened. At first Nick responds by telling him how things are; seems legit, he says, given what you've done. Boston tells him to cut it off but not in his usual way, he's not cruel or rude, he's simply asking to not be shit on rn. Nick listens and apologizes and he means it and I love it.

But Boston feels weird and cannot understand wtf is wrong with him and it's real and I love that he trusted Nick to ask him about it. And Nick's answer is perfect for Boston, because sure, for us, the audience it seems so obvious; of course Boston is doing fucked up shit in his desperation to be loved and accepted, but Boston doesn't know that. No one TOLD him that, no one SHOWED him that.

Boston's answer to that is even better, because he still doesn't understand. And he needs a more valid reason than that.

Nick's answer? Oh, my beautiful nasty little boy. He was so real for it. He needed to gather himself to say it. He needed time to utter those words. "I also did nasty shit to you, Boston" he tells him. "Maybe we belong together" What Boston said next was breathtaking. I love him for that.

He might as well have said "I love you" here. It has the same weight as that phrase. That's why Nick breaks down. That's why he kisses him like that, crying uncontrollably and telling him he missed him too. Because we already knew about Nick's feelings towards Boston. We knew the guy had an obsession turned love towards him. But with Boston it's different. And Nick thought so too before this phrase was uttered, before Boston basically confessed he has feelings for Nick, or more precisely, that Nick is special to Boston. And he proceeds to say it AGAIN, after Nick says it. He says AGAIN how he missed him and he THANKS him for staying by his side with TEARS in his own eyes. They hug while crying together, please, I'm too weak for this. And then they make LOVE. They don't just fuck, they make sweet love to each other while staring at each other's eyes and kissing and being cute and I fucking DIED right there. BostonNick is all I ever wanted and more. I need MORE, please, I can't handle myself. This episode was SO GOOD, I can't DEAL with this.

[silkjade-archived]

“woven in the fabric of your tapestry / cover me in honeysuckle memories”

[katsigian]

Hey what if we left people the fuck alone when it comes to their ships, yeah? Let people enjoy what they want to enjoy in this bleak fucking world instead of barging in with some lame and unneeded moral grandstanding. "UMM actually here's why your ship is problematic 🤓" how about we stop being judge-y and self righteous instead? What are you a cop? Because policing someone's ship in your 30's is embarrassing

If someone wants to ship their OCs with a certain dynamic or with a specific type of character, then that's FINE. Stop being a clown and vague posting about them. Unless there is something obviously wrong (i.e. underage and so on), your opinion need not be expressed in the most bitch-coded vaguepost

[chaos0pikachu]

man Khao really got a chokehold on y'all b/c Ray ain't do nothing but be drunk, jealous and throw up on ppls shoes and y'all out here writing woobie essays already

[cmbdragon98]

Oh nooo... wlw are kinda eyerolling and sighing that a show got wrongfully marketed as "queerest Star Wars ever" and is now just, essentially, R/ylo 2.0... After a Lot of really potentially interesting women have been ganked over and over again, within the show.

And now a number of us wlw are a lil tongue and cheek about how we saw the objectification and hyper-sexualization going on with Yord within fandom, only for it to now morph over to Qimir... Oh, bro, what are we gonna Do?

[vonehrenfest]

Together Forever

So it turns out that Danny is functionally immortal, his living and ghostly forms stabilizing each other every time he transforms. What this means for his human body is that he keeps reverting back to the age of his death- if he wants to grow up, to grow old, he will have to give up the other half of himself.

Danny could also stay a ghost instead, but it doesn’t feel right. It would be too much somehow in a way he can’t explain. (To be a ghost is to be tethered to your pain. He doesn’t notice it while he’s dead but the relief is real each time he comes back to life.)

Tucker reincarnates, like he has been for the past millennia. Each time he forgets his friends, and each time he’ll look into an ancient mirror and slowly start to remember.

It’s not just Tucker who comes back. His parents also return, again and again to each other. They never remember but it’s comforting nonetheless. On his third life after being Tucker Foley, it occurs to him that they might be soulmates; his continued existence not an unnatural blackmailing of the universe (like magic so often is) but just… skitching a ride.

Sam lives. She’s idealistic, a fighter, and ambitious. She dabbles in the dark arts just enough to help further her bright-eyed goals. Then, for a while she disappears. When her friends finally find her again, she has demons- both literal and metaphorical. She stops dabbling, and lets herself age. (She won’t stop fighting though, she never will.)

Sam dies. Danny protects her soul, and Tucker helps preserve her heart and mind. Her ghost is a fearsome and terrible thing, nearly a goddess in her own right. Death frees her from her living burdens, and for the first time in centuries she feels as light as she was in her youth.

Dani and Vlad are similar to Danny, but they are not perfect. They have to eat.

Vlad’s death was gradual. There is no single moment his biology returns to when he transforms, so he ages. He sustains his living body with his ghostly form, so like Spectra and Desiree he learns to draw energy from human emotions.

Dani was born half-dead. The condition Vlad discovered in himself as he begun to live longer and longer than any human has natural access to, she had from the very beginning. Dani doesn’t bother with vampirism though. She’s a Frankenstein and she’s ok with it; she gets her ecto-vitamins in the form an injection by Danny.

One day Dani will find out why she wanders, and why she traces the same paths over and over again. (Sam will tell her about ley lines, liminal spaces, and tears in the veil between worlds.) She’ll find places and events where the air itself sustains and strengthens her. Sun on a flower.

[ntj2pj]

[pocketramblr]

Some super doodles before I focus on work and writing

"family resemblance 🤨", "Pocket experiences the hubris of thinking she can fix Black Zero", and "why is there an aquaman superboy here"