#like. im not saying you have to ship them or even like the ship or whatever

[evelinessa]

I decided to answer all of these! If you're interested in any of my answers, you can see them below! 🥰

1. How many fics have you worked on since January?

Five works published in total. Three were oneshots, two were ongoing fics that I posted chapters for. Five published chapters in total for those aforementioned works (1 chapter for a fic I started posting for last year; 4 chapters posted for a fic I started posting for this year). One work with a finished, abridged version written, but unpublished (for a zine). I will likely finish the extended version and post to AO3 sometime next year.

As far as for the number of WIPs… I haven't kept track. I've started and worked on so many WIPs this year. At least dozens, I'd say. Aside from a few, I haven't necessarily made much progress on them, but I still worked on them, even if it was just spending a few minutes to plan or jot down more ideas.

2. What’s something new that you tried in a fic this year?

Working on and starting to publish a longfic (In Another Life), if that counts. Though when I committed to starting to post it, the plan hadn't grown to longfic scope yet, so that was kinda accidental. Planning that fic (which I'm still doing), requires very extensive plotting beyond what I've done for anything else. I even invested in a plotting software just to make it a bit more manageable.

Another new thing I tried was in A Show of (Im)perfection, where I worked hard to make sure the scene transitions from when I go into a flashback and back to the present feel as seamless as possible, making the jump less jarring. This is usually from the character looking at or doing something in the past/present that continues or is followed up by something similar in the next scene (past or present).

One more possible new thing is that I spent more time in a dream/nightmare segment (A Demon's Justice chapter 4, WIP) and played around with the illogical nature of that/some symbolism. While I have written glimpses/short parts of dreams/nightmares before, it was the first time I did something longer and more continuous.

3. What piece of media inspired you the most? (This can be the fandom you wrote the most for, the one that spawned the most ideas, the one you thought about the most, etc.)

I pretty much exclusively write for Ace Attorney, so that.

4. How many fandoms did you write for this year?

One: Ace Attorney.

5. What ships captured your heart?

It's always Mitsunaru/Narumitsu. My OTP out of any media. I'll always love them and want to create stories with them.

6. What characters captured your heart?

By extension of mainly writing my OTP, it would be the characters of the ship: Phoenix Wright and Miles Edgeworth. Phoenix got to be the POV character of most of what I wrote this year, though Miles still had a turn. Miles is my absolute favorite character, so he captured my heart even if I wrote his POV less this year. I also got to write another fic from Trucy's POV, so she got to have some of the spotlight as well.

7. Did you write for any new fandoms or ships this year?

Nope. Technically, I did start planning a WIP for a ship I haven't written before as part of a group project, but I haven't started actually writing it.

8. What fic meant the most to you to write?

It's still a WIP and not published yet, but probably The Last Day of Summer. It's a slice of life kidfic (featuring the Signal Samurai Trio) that is part one of a Narumitsu series centering around a park by the courthouse.

I love slice of life and I love fluffy kidfic. I get pretty self-indulgent and usually have a lot of fun writing it. The reason this WIP means so much to me though, is because it's something that has been in the works since around May 2021. It's also one of two story ideas I had about a year before I even started writing (both originated as comic ideas). I had already adapted the first of the two into a fic (Keeping Up Appearances) a long time ago, but this one I'm still working on. It has expanded and changed a lot since it was first conceptualized as a comic, and even when it was first outlined as a story.

9. What fic made you feel the happiest to work on?

The Last Day of Summer (still a WIP), for the same reasons stated in the previous question.

10. What fic was the most satisfying to finish writing?

I don't have many options, but probably (Just) A Haircut. It originally started as a fill for a prompt on Discord back in late 2022. I was motivated to expand and finish it for Narumitsu Week. I think it's satisfying to finally finish something that was started so long ago.

The fic I wrote for that previously mentioned zine was also originally inspired by a Discord conversation around the same time in 2022 (and also was greatly expanded during the writing process). I think that one is less satisfying for me since I still have to write the extended version at some point. So even though there is a finished version, it isn't truly finished for me.

11. What fic was the most difficult to write?

Possibly In Another Life, since the scope and how ambitious it is has been giving me trouble with plotting everything (and still not nearly done with the planning), even if the writing itself hasn't been particularly difficult (aside from the description-heavy scenes). Or it's the fic I wrote for that zine, as writing smut is incredibly difficult and stressful for me (plus it takes me forever to write).

12. What fic was the easiest to write?

Probably Where We Lay. I think I went from first thinking of the idea to being completely finished in a little over a week, all while forcing through the worst writer's block I've had. Unless something is only a few hundred words, I'm never able to write a fic (from first coming up with the idea to completion) in that short of a time frame, even in better circumstances than I was in.

13. What were your shortest and longest fics posted this year?

Shortest: Where We Lay at 2k.

Longest: In Another Life at 20.5k and 4/24 (but will likely have more chapters in the end) chapters posted.

14. What were your go-to writing songs?

I usually don't listen to anything while writing. I've sometimes listened to the AA orchestra CDs or the piano/some other remix ones, but I haven't done that in a long time. I think I've listened to a few songs with lyrics (especially on one of my fic playlists), but haven't done it enough to specify any go-to writing songs.

15. What was the hardest fic to title?

I don't have many options to choose from, but the one that took me the longest/was the most difficult was probably A Show of (Im)perfection. Where We Lay took me a bit too, but I don't think it took as long/was as difficult as A Show of (Im)perfection.

16. What's your favorite title of the year?

My favorite is probably A Demon's Justice, but since I technically didn't title that one this year, I'll go with In Another Life instead. I mean, I technically didn't title that one this year either (had a much smaller version of this fic planned & titled since at least 2023), but it at least was posted this year.

17. Share your favorite opening line

Not sure if it counts since the first chapter was published last year, but the opening line for A Demon's Justice:

The trial’s climax fast approached, and the scales of justice were tilted in his favor—as expected.

I feel like that one is the most gripping compared to the first lines of my other published fics this year, or known first lines to WIPs I worked on this year.

18. Share your favorite ending line

It's A Demon's Justice again. While it's not the last line of the entire fic, it's the final line of the most recently published chapter (chapter 3) which was posted earlier this year:

And so, he found solace in one simple truth: Miles was exactly where he deserved to be.

19. Share your favorite piece of dialogue

I love dialogue! Not sure how short it should be to consider it a piece, but I've been quite fond of this exchange (from In Another Life chapter 2) ever since I wrote it. Here's the whole scene (it isn't too long):

20. Share your funniest line

Honestly, I don't really consider my stuff funny (humor isn't one of my strong points), but I do occasionally write lines/situations and banter that I find a bit humorous, or at least entertaining. It's also usually not a single line, since most of the humorous stuff I write happens in banter.

Several of Miles and Larry's interactions in my no DL-6, college AU WIP fic (where the Signal Samurai trio play Never Have I Ever together and get drunk) fit in that category. But YMMV on whether you find any humor in it or not. I would class it as more entertaining/amusing rather than funny, really.

I included several notable moments in this fic so far, especially since some build off each other (there are gaps between each screenshot with omitted text). This was just how Miles and Larry wanted to interact with each other in this fic. Miles and Larry kept wanting to argue (lightheartedly) and it was all unplanned. I had to keep reining the dialogue/direction of the fic back on track, because they would get into it with each other every so often and sidetrack the plot lol. One of the moments where I feel the characters are more in control than I am😂.

21. What's something that surprised you while you were working on a fic? Did it change the story?

Something for this year? I guess the biggest would be deciding to add a subplot/an additional POV (Miles') to In Another Life. It's the main reason I'm still heavily involved in planning that fic before I write more. The entire fic was originally planned without having access to Miles' POV in mind (including everything written and published so far).

It changes the story quite a lot, but at the same time, not too much. It's important for me to keep (or only minorly change) all my original planned plot points, especially the major ones and the planned ending/direction of the story. I want to stay true to my original vision as much as possible, while still taking advantage of what I can do with an additional subplot and POV.

I can explore characters and relationships that otherwise wouldn't be touched on much or at all (elevating at least one character from cameo to supporting character status). It also gives me more plot moments to work with and help spread out the relationship moments and bulk up the timeline. It also gave me more ideas for relationship moments, which definitely helps as I'm still trying to think of more romance and bonding moments to write.

The negative is it does impact some plot points and I have to think about how to still have them work well. I've also thought of so much for that subplot, that it feels less like a C plot and closer to an A plot, so I might have to think of stuff to add to bulk up my actual A plot.

22. What writing programs did you use? Did you write by hand?

Scrivener mostly, as it's my main writing program. I've also used Google Docs a little, particularly when I was editing down and finishing what I wrote for that zine fic. I always do my final editing in Word, since the grammar/spellcheck is not as good in Google Docs and pretty much nonexistent in Scrivener. Also, I write into a private Discord server at times when I get some ideas I want to write down, as it's quicker and easier than opening Scrivener (I move it there later) and I can do it on the go. I've written a bit into Dropbox's text editor, as that is the workaround to access my Scrivener files on my Android phone. While I've written by hand before, I don't recall writing any fic by hand this year.

23. If you had to choose one, what was THE most satisfying writing moment of your year?

This is such a hard question, because I don't feel like there is something that really sticks out to me, especially not something that I haven't mentioned in the answer to another question.

This might not be what the question is asking, exactly, but there is one writing-related thing that sticks out to me.

Without going into details, someone had reached out to me to tell me that something I'd written had resonated with them and reading the story had given them some comfort during a difficult time. I was—and still am—touched that something I wrote was able to help someone and provide some measure of relief, even if temporary. I wish them well.

24. Did you do anything special to celebrate finishing a fic?

Not really. Mostly just relax and do something not related to writing for a bit. Sometimes I hold off on a treat or doing something else I want to do when I'm trying to finish something (mostly when I'm up against a deadline). If that's the case, then I can allow myself to enjoy it once I'm finished. Mainly, I just allow myself to enjoy the sense of accomplishment of finishing a story, as well as the dopamine hit from getting to share it and having other people read it/share their thoughts.

25. How did you recharge between fics?

Nothing specific, just relaxing/doing something unrelated to writing that I enjoy. Spending that time completely guilt free and without thinking about how I should be writing instead. This is especially the case if I finished writing something for a deadline (likely very close to the deadline), since I procrastinate a lot.

26. Did you create fanworks other than fic?

Yes! I completed one drawing (of Ema Skye), but it isn't posted anywhere (aside from in a couple Discord servers). That was after not really drawing anything for years. I want to do more, but I've gotten wrapped up into my writing and other things instead.

27. How many events did you take part in? (bangs, exchanges, ship weeks, zines, prompt memes, they all count!)

One fic for the Narumitsu Big Bang 2024 (my first bang event), one fic for the Narumitsu ship week, one fic as part of a gift event for a friend's birthday, and two fics for zines. I also tried to take part in the Supernatural Mitsunaru Exchange & Fest 2024, but had to drop out, unfortunately.

28. If this were an awards show, who would you thank?

Anyone who read my works this year, anyone who left a kudos and especially a comment. Anyone who told me (whether on AO3, Discord, or on social media) that they liked something I've written. It's always encouraging to know that stories I've created have been enjoyed by others.

29. What's left on your to-do list for 2024?

Unless I surprise myself by coming up with and writing a very short fic idea, or making a lot of progress on one of my short WIPs, I don't plan, or expect, to have anything else finished or published this year.

I'd like to write at least a little more and make some progress on my WIPs, but I've been taking a bit of a break these last few weeks, so there's a chance I might not write anything else before the year ends.

30. What would you like to write next year?

Not sure about anything specific, but I'd generally like to work more on my existing WIPs. I'd love to finish and post the remaining chapters of A Demon's Justice. I'd also love to finally finish and post the first part of The Park by the Courthouse series, The Last Day of Summer, considering how I've been chipping away at it for years, and it's one of the first story ideas I had (before I even started writing fanfic).

A slightly revised version of last year's questions! Two ways to play: Reblog and have your followers send you numbers, or answer the whole list!

How many fics have you worked on since January?

What’s something new that you tried in a fic this year?

What piece of media inspired you the most? (This can be the fandom you wrote the most for, the one that spawned the most ideas, the one you thought about the most, etc.)

How many fandoms did you write for this year?

What ships captured your heart?

What characters captured your heart?

Did you write for any new fandoms or ships this year?

What fic meant the most to you to write?

What fic made you feel the happiest to work on?

What fic was the most satisfying to finish writing?

What fic was the most difficult to write?

What fic was the easiest to write?

What were your shortest and longest fics posted this year?

What were your go-to writing songs?

What was the hardest fic to title?

What's your favorite title of the year?

Share your favorite opening line

Share your favorite ending line

Share your favorite piece of dialogue

Share your funniest line

What's something that surprised you while you were working on a fic? Did it change the story?

What writing programs did you use? Did you write by hand?

If you had to choose one, what was THE most satisfying writing moment of your year?

Did you do anything special to celebrate finishing a fic?

How did you recharge between fics?

Did you create fanworks other than fic?

How many events did you take part in? (bangs, exchanges, ship weeks, zines, prompt memes, they all count!)

If this were an awards show, who would you thank?

What's left on your to-do list for 2024?

What would you like to write next year?

[elainsgirl]

I just had to let this out: I was lurking on Elriel edits on tiktok and saw lot's of comments on why people prefer Elucien or Gwynriel and it's always one of the following reasons: it's too predictable, 3 sisters and 3 brothers, Elain doesn't deserve Az or can't handle his darkness. Always one of these.

Like they don't even bother to list as to why they want their own ship or have solid reasons aside from how they don't like Elriel so they like another.

It almost sounds like: Elriel isn't good so I want ... or ... ship.

It's amazing how most like/want their own ship because of their dislike for Elain/Elriel.

I can't wait for her book to come out so that Sjm can prove how all had been wrongly judging Elain's power and personality ❤️. How she has an amazing strength and is beautiful inside and out. How she is strong enough to handle Azriel's darkness, altough I think the main reason Azriel wants to be around Elain is because he admires and loves her light/her peacefulness.

I also want more to realize that Azriel has this domestic side which longs for the peace and quiet that Elain can offer in relationship. Them sitting in the garden and her baking bread while he taking it from her like the husband of the house. These are already shown to us. I just hate how people ignore that some couple are like this and if that is boring and predictable to you then maybe read some mystery romances that are less predictable as to who will end up with who 😬.

Elriel is so beautiful and underrated within the fandom that it hurts 🤧

They are all thropes together. Opposite attract yet also very similar to each other, forbidden love and pining/yearning, dark and light/ moody and sunshine, friends to lovers and maybe also love at first sight since we don't know much about their POV yet and to when exactly the attraction started. And I can go on and on

Hey anon 🫶

Saying elriel is too predictable is so funny because thats the point. You’ve successfully managed to pick up the foreshadowing Sjm was laying out, Nessian were predictable and obvious yet no one cared as much. 3 sisters x 3 brothers is literally fate and seems predestined which is the whole point of the acotar series. Idk I just think if you really hate the direction the series is going in you can always dnf instead of criticising it. It is a book from the fantasy genre which is often filled with cliches or repetitive plots. Im not even going to argue w Elain not being able to handle Azriels darkness- those antis just coddle elain and treat her as some oblivious child.

Most antis only ship Ga/El bcs they just dont like elriel. With the other ships they’re so undeveloped that you can shape them to be however you want which is 10x more favourable.

YES! I can’t wait for Elains book to change so many peoples minds about her and show how much of a beautiful strong character she is in her own way, a different kind of strength. Im hopinh Elains character makes more people opem to softer coded fmcs. I agree, Elain seems to offer Az peace and quiet. Two people that can just exist together, understanding and truly seeing the other the way no one else has. She isn’t afraid of Azriel, his powers or scars and he didn’t back down and act as though she was crazy during acowar. They’re not afriad of each other. I truly love how Mass wrote them to be & cant wait for her to explore them more. Azriel’s domestic side always comes out with Elain and its just the cutest watching the big, scary shadowsinger blush bcs of Elain, taking her out, flying with her etc.

Elriel truly have the best tropes, and I know more people would like them if Lucien wasn’t Elains mate or Elain was more Nesta/Gwyn coded which sucks but these same people will read the elriel book and maybe change their mind - and see the amazing couple they were missing out on for years 🤭

I think thats one thing im really intrigued to know - Elain and Azriels first impressions. What was going through Azriels mind when he smiled at Elain clutching her fork. What did Elain see in Az that put her at ease and made her ask him questions. There’s so much backstory for elriel that I hope Mass writes and gives to us.

[pseudophan]

out of the closet dan and phil preaching about how rpf is great actually is just so funny. like yeah man you guys just get free porn written about you and your boyfriend, of course you're pro rpf

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[autismsupersoldier]

this tale ends by daniil, with the intention to prank, leading vlad jr to the edge of town and telling him they bury all post-op tits here. later that night vlad jr begins digging underground for what he later explains as a Scientific Curiosity. a third outbreak happens

[dustykneed]

In your fem!trek, do Jim's boobs still get cameos every other episode? If not, is there an alternative?

hmmmmm.

honestly i have no qualms against going yeah, totally (because, well. 23rd century, after all.) but then again variety is the spice of life and there is just something about underboob and a glimpse of that abdomen that hits SO hard. so i guess f!kirk utilizes this particular... diplomatic strategy constantly loll

also i saw the note you left about f!scotty (saaaame lmao <3333) and let's just say most of the enterprise crew shares the sentiment xDD:

[kg-day]

I genuinely want to know what show the people who say that Aang never respected Katara are watching. "Aang never let Katara feel anything other than what he wanted her to feel" "He idealized her" "He didn't care about her feelings" "He didn't support her the way she supported him". WHERE ARE YOU GETTING THIS FROM??? That's a rhetorical question because I already know what episodes/moments they're using to make those assertions (The Southern Raiders and the kiss in Ember Island Players), and even then, THEY'RE WRONG.

Let's start with TSR. This episode gets so misinterpreted it's not even funny. First off, Aang was never even upset with Katara in this episode, he's just warning her against killing someone??? He never gets mad at her or berates her. He just talks to her with a level head??? He openly acknowledges that he knows and understands how much rage and pain Katara is in, and he never tells her that she shouldn't feel it, he just advises her not to act rashly because of it??? Where is the lack of respect? Where is he ignoring her feelings or getting upset with her for not acting the way he wants her to? He lets her take Appa and even tells her that he understands that this is a journey she needs to take and supports her doing so, he just doesn't want her to kill someone. Honestly Aang shows more respect for Katara by knowing who she is as a person and not enabling her in her revenge than Zuko who is only going on this trip with her so that she'll forgive him, not because he actually cares that she's upset over the death of her mother (and this is not Zuko slander before people take it as such, I love Zuko, but it's not even subtext that his motivations in this episode are selfish and not about Katara).

As for the kiss in EIP, yes, it was not okay. Yes, it was a mistake. Yes, he shouldn't have done it after Katara laid a clear boundary, but he recognizes that immediately. After Katara- rightfully- gets upset with him, he gets upset with himself. We also see that he never repeats that mistake again and is fully okay with letting Katara lead after that. Which is why it's Katara who initiates the final kiss on the balcony. And if you still don't think he learned anything from it, he starts to ask for her consent in the comics before kissing her, showing that he absolutely DID grow from that mistake. So, we're really going to let one moment where a 12-year-old boy made a mistake dictate the entire show and negate everything that came before it??? That's coocoo banana's behavior.

I also think that those assertions are completely baseless because when does Aang idealize Katara? When does he hate her rage? When does he not support her? Is it when he laughed with her after she stole from pirates? Or in that same episode where he constantly reaffirms her skills as a waterbender- first by saying that he's able to pick it up so easily because she's a great teacher and then later when he refers to her as a waterbender which makes her so fucking happy? Is it when he gets so upset that Pakku refuses to teach Katara how to waterbend that he tries to walk away from his own waterbending training? Is it when he goes behind Pakku's back to teach her anyway? Or when he stands by actively cheering her on when she's raging against the patriarchy and fights Pakku? Is it when he calls her Sifu Katara because she expressed that he referred to Toph that way but not her? Is it when he helped her commit ecoterrorism and told her she was a hero for helping the people in that Fire Nation village? Is it when he holds her after she breaks down because she learned how to bloodbend? Is it when he comforts her after Jet's death? Is it... you get the point, don't you?

Aang recognizing Katara as someone who is strong and capable is not him idealizing her. Him not enabling her committing murder is not him hating when she feels rage. Aang actively supports Katara's rage on multiple occasions, he just doesn't enable her when he knows she's acting out of character. If you don't ship Kataang, that's fine, but please don't make up baseless accusations to try and tear them down just because you're mad that a ship that had no basis in canon (potential is not evidence) wasn't canon.

[sukibenders]

Glinda mentions to Elphaba how Fiyero can't stop thinking about that moment in Dillamond's class, or that he's having thoughts in general and how it worries her because it's not something she's used to from him (which is him thinking about actual things), in contrast to Elphaba, who doesn't seem all that bothered and, even more so interested in the manner when Fiyero brings up how he can't stop thinking about when they rescued the lion cub. I don't know about everyone else but for me, even with this scene probably being added for lighthearted value, I also see it as another piece in the puzzle cementing how Fiyero's and Glinda's actions will, eventually, either pull them closer or further away from Elphaba. I lowkey don't like it when people act surprised or confused as to why Glinda was spelled or get annoyed that Fiyero is in her place but I, personally, don't think she would have helped in that moment, specifically in the movie.

Prior to the train scene, Glinda is shown to, not only, be completely rude and spoiled (as shown with her literally fainting over not getting her way), when in class, she publicly points out Dillamond's inability to pronounce her name correctly even though it's an obvious struggle, parading in front of the class how easier it was for her other teachers to do it, then being dismissive during the rest of the lesson when learning the importance of history and why to learn from it (correct me if I'm wrong, as it has been a minute since I've seen the movie). All that already tells me that she doesn't really care for the animals' cause, let alone enough to follow Elphaba and Fiyero into the woods after stealing the lion cub and I think, subconsciously, Elphaba knew that. In fact, I can only see Glinda trying to sway them to leave the cub and how what their new professor wanted to teach probably wasn't all that bad (not saying that she would want the cub to be harmed, just that she would try to rationalize what's going as we've seen her do before). This is the same woman who, after learning that the Wizard was a fraud and responsible for the missing and harmed animals, still tried to justify his actions and berated Elphaba for not "acting accordingly" to the news, but yet we still think she should have been there to save the lion cub? That she would have helped those animals alongside Fiyero and Elphaba? I think it could allude to how Glinda could/will be used to help further push propaganda for the Wizard, especially given how it benefits her socially, as figures of propaganda often don't think too hard, or enough to critique the system around them not because they aren't smart enough too (for the most part), but more so because they understand how their world works and understand the consequences that follow when stepping out of line.

You don't have to like Fiyeraba or even find Fiyero interesting, but to purposely ignore what the movie is presenting you is such a cop-out. Fiyero enters the film being a sort of anti-establishment-like character, caring little if he gets kicked out of Shiz for breaking the rules, or just hardly caring in general (something Elphaba calls him out for), and so on. Why wouldn't he be down to rescue the lion? Even if it was to just feed his rebellious streak, he still would have gone, but when he and Elphaba meet, he's on a talking horse and they are conversing like lifelong friends. That might add another layer to the pair saving the lion. Even if he wasn't on the same level as Elphaba at that moment, the train scene shows that it had a profound impact on him that he couldn't shake. I think, had he been presented with the choice of joining Elphaba or staying, he would have gone, not only for her but also because he now knows that the Wizard is a fraud and most definitely wouldn't stand for what he [Oz] is doing. This is what sets him apart from Glinda which, isn't necessarily me hating on her but just stating facts. Glinda isn't/won't be willing to sacrifice her position and what it brings her, until it's too late (which is the tragedy of her character and her relationship with Elphaba), while Fiyero risks everything, even to some extent his own body (Scarecrow) and, in the end, gets to stand with Elphaba.

[daisy-daze17]

Recently saw a post that said "People only like to ship Sunflower before the incident or after the good ending when they've had extensive therapy and that means it's toxic!!" Listen personally I don't ship Sunflower but like? Shut up?

Obviously they BOTH need a lot of therapy and healing before they can do something like start a relationship or even heal from the incident in general. You think Sunny's just gonna drop the bombshell that he killed Mari and helped hang her and immediately go back to dating Kel or Aubrey? In fact, I think all 5 of them need therapy because Kel, Aubrey and Hero now have to heal and accept the truth if they ever want to forgive Sunny and Basil.

So yeah if you say that people who acknowledge when others need therapy before getting into a relationship are toxic then you're stupid af.

And as for the pre incident shipping-- yeah, based on how Sunny views him in headspace its fair to say there might have been a crush when they were younger, but of course everyone dismisses that because Aubrey is a girl and so main character must be shipped with said girl.

If you're saying Suntan or Sunburn is perfectly healthy right after The Truth but that Sunflower is toxic and unrealistic, I think you just hate Basil. Because in that case there's no way any of Sunny or Basil's ships are good relationships considering Kel and Aubrey have been lied to for 4 years about the death of a girl they loved and cared about.

[stiffyck]

M/f duos don't only have to be siblings or a couple, you guys do know that right? You guys do know they can be friends? Right? Is that- is that a thing you're aware can happen? That m/f duos can be friends? Platonic friends???

[betterthanbatman1]

Umm I love them???

[dayurno]

lowkey the posts where people are like 'well i need kevin to date some totally unrelated exy person' are corny for multiple reasons but i think the main one is if kevin didn't care about exy with everything he has then it's not kevin day innit. who's this other character you're imagining in your head

[moliathh]

This had been irking me so i have to say it. I know Hellsing is a horror media with a LOT of flashy action scene, however, it is unjust to see it as solely gore and fights. I've seen complaints about how adding a "romance" in will reduce the quality of the story as an "action horror". (specifically speaking is between Alucard and Integra because of course in the end of the day this is just ship war, not a serious discussion whatsoever) I would argue that Hellsing is never ONLY about the actions. Yall might have already noticed how Alucard is too OP, and it was not even because he got any tricks up his sleeves. He is simply invincible, his mechanism is just that hes a "deus ex machina". He did NAWT need to start out with zero and levelling up like your common action anime protagonist. It's not a first time a central character is overpowered in an unreasonable way. A way you could interpret this trope is that it was not about battles, not the physcial one, but the development in their characteristic, their thoughts and emotions and ideology all that stuffs. A classic example is Sir Gawain and The Green Knight (TGK), where all of their (physical) battles are nonsense and did not mean anything in terms of combat, they dont even fight each other, even the climax (the decapitation of TGK) was dismissed into a looney tunes moment. BECAUSE OF COURSE IT WAS NEVER ABOUT THE BATTLE NOR PHYSICAL DEVELOPMENT, it was the internal struggle and maturing in character. THAT is what's happening in Hellsing IF yall look pass the very flashy facade of gore scenes Hirano put up. READ BETWEEN THE LINES, because he's not gonna hand it out to you on a plate. If you want to see how each character developed you have to look closely at their reactions and dialogues, not how they fight.

SO, imo, it's reducing the quality and message of Hellsing to interpret it solely as an action horror media, not the other way around. AND MIND YOU, romance subplot and action horror can coexist. For what does the character fight? A higher ideal? Power? Fun? Love? All that is noteworthy to think about when you engage in a media display many fight scenes. DONT YOU WANNA KNOW WHY THEY FIGHT THAT HARD ???? and in this case it is VERY obvious that Alucard is motivated by Integra. LIKE it cant be more obvious

And I'm so tired of seeing "Alucard only listen to Integra because of the seal and shes a Hellsing". Bestie, he literally ripped Richard's hand off, we dont even know the extent of the seal, like how far? or can it REALLY control Alucard? Besides, if you have read The Dawn you would see what a damn lazy ass Alucard was, Arthur sent him on a mission and he didn't even bother to walk on his own and just sleep safe and sound in his coffin until he felt like waking up??? Compare that to his enthusiasm to beg Integra on four just for her order and even purposefully tick her off by asking about her enthusiasm for war, oh and did we collectively forget this

(This is the Dark Horse eng scan if i remember correctly? i might be mistaken idk)

Sure it could just be a mere parallel, "The woman he personally desired" might only means Mina Harker and not directly Integra herself, I see. But, why bother choosing this parallel, and RIGHT after this panel he went STRAIGHT to Integra to ask for her order.

You know how enthusiastic he is with a fight and everything was already laid before him, worthy enemies and all. Yet he would not act without her words? I did not see him needing permission before ripping Richard's hand off... Also the seal did NAWT ask him to do all this

There are more of his sickening and excessive display of obedience but i don't have time to pull the panels out yet, but we all know its there since Alucard's submissive attitude and Integra's bossy demeanour is one of their most appealing traits, I know, because it is literally one of the BIGGEST selling points and running joke of the fandom, funnyyyy how people always love to call Alucard a sub and use words such as "freaky" and "slutty" to call him as if he didn't reserved this treatment for ONLY Integra. Sure Integra is a demanding boss to even her enemies, and it works like wonder everytime, because she's Integra, she mastered Alucard, others are just piece of cake to her. But that's not the same case with Alucard. Major literally said "She is the only authority Alucard recognizes". And have Alucard extended the phrase "My master" and all the begging and insinuating jokes to anyone else? It's so convenient isnt it, to just take one specific trait of Alucard's personality and make it his entire character without considering to WHO he directed those innuendos to.

Oh and I haven't walk us to the final chapter yet, like the seal did NAWWWWWTTT asked him to call her "Countess" (or Count, depending on the translators) and literally he could accept his death becoming a paradox? Wasn't Alucard had been craving an end for a long while now? Why the need to return just because Integra asked him to??? Be serious for a moment here

Also a personal interpretation of mine that could be a stretch or just pure delulu is that, in the manga AND the anime adaptation, the last word Alucard said after goodbye is "Integra" (In both Japanese and English dub, the word order is exactly the same), not "Master" or "Integra HELLSING". The same goes when he addressed how he can kill without remorse but the decision is in her hand, he also said "I am a monster, now regarding you, Integra". To me that is an indicator for how he CARED for her not just because she's a Hellsing or his master but she's Integra, from the first of their meeting it was very clear, that Alucard wounded A HELLSING to protect Integra.

So... even non-romantically, you cannot deny that Alucard voluntarily worked for Integra. They DO care about each other a lot, even platonically, their bond is almost like soulmates with how well they trust and understand each other. I just don't like it when people keep side-stepping the depth of their relationship just because you don't like to ship them romantically. These are the canon informations you can't just seriously unironically say that there was nothing there.

And oh don't even get me started on the "But he is a vampire, the enemy of her family and he hates Hellsing because of Abraham something something stockholm syndrome something she's ace coded she's lesbian coded she swore to be a virgin until death she wouldnt throw it away for the enemy of her family etcera etcera" you're saying it as if ace people aren't allowed to date or have sex and you're saying it as if Alucard isn't canonically genderfluid. Why always view the ship as solely heteronormative while they were never conventional to begin with. And MIND YOU, i thought everyone love the enemies to lovers trope?? they were BARELY stockholm syndrome at all did we forget about the Bird of Hermes analogy as a metaphor for loyalty voluntarily given.

If you care so much about "monsters and humans are forbidden" and "they are not canon" maybe treat every ship with the same attitude since MOST of hellsing most popular ships fit into that exact two sentences above, maybe except Pip x Seras is canon, but they're also human x monster, so what now???? Just hate on a ship all you like, I hate ships too and I hate them because I don't like them, that's all, no need to do extra mental gymnastic to prove the ship is "wrong" or their shippers are "wrong".

[imavikingo]

Everytime I look at Tumblr and see the tl I remember why I hate endgame with a passion you couldn't understand.

They fucked up Steve and Bucky so bad (yes, Bucky too bc suddenly he doesn't matter/isn't even a secondary character that deserves to be near Steve)

It's so funny to me (not) bc they talked about gay characters being in the movie at panels and interviews and even talked about Stucky at some point (basically queerbaiting) for then... Steve not even acknowledging Bucky. An awkward and impersonal hug doesn't cut it.

And Steve suddenly yearning and talking about Peggy? When he didn't even mourned her that bad and already had let her go ages ago? They knew they fucked up in CATWS with Steve and Buckys relationship, so they tried to distance them and then inserted Peggy bc ofc

(they possibly didn't have the time for a new character and they already had fucked up pairing Nat and Bruce and Wanda and Vision). Steve didn't have anyone else he cared about so they couldn't give him a new girlfriend. So they used Peggy AGAIN.

I'm not mad bc "Stucky not canon grr"

No.

I'm fucking pissed off because they did the worst character assassination and friendship assassination possible. Every movie of Cap America revolved around Steve saving Bucky at some point and him caring about him above all else, and you want me to believe that Steven Grant Rogers didn't care about him when Bucky died in front of his eyes? AGAIN? That Peggy's death was more important and impactful for him? If that was the case then why the fuck did he crash the plane then? If he cared so much about Peggy since forever?

No, that was just lazy writing and a way to reinforce Steve's sexuality "He can't be gay and you can't say that bc he LOVES PEGGY"(even tho he only kissed her once, even tho he crashed the plane and didn’t give her the coordinates, he didn't really care that much after all) they could have paired him with Nat in later movies, but they didn't.

That's why I only raise my eyebrows a lil when people say that x character will be gay canonically in a marvel movie/series. Is more than possible they won't. And if they are they're Deadpool, a secondary character no one cares about (obscure in lore too, so they can cut them off) or is plain queerbaiting again (because yes, even if you don’t see Steve and Bucky’s relationship as romantic, they DID QUEERBAIT IT)

Steve and Buckys relationship wasn't even written in a romantic way (you can ship them or not), but they tried so hard to rectify Steve's heterosexuality in endgame, that they fucked up their character arcs on purpose. And now they will always feel hollow and inconclusive. A bad taste in the mouth, a painful reminder of what it was and a what? 11 year long? characterization.

Idk man, I know I've talked about this more than three times, but omfg Tumblr reminds me why I hate that fucking movie!!! It's not my fault!!!

I know I'm going to end up writing something out of spite bc I can't take it shdkdjjcif

"It's been more than 4 years get over it" NEVER

Also the bit with Johnny Storm in Deadpool and Wolverine was also a dig (a fuck you if you will) to the fans bc Deadpool explicitly calls him Cap. And it implies that Steve as a character (not that old Steve nonsense) won't be back.

It's funny they've remade over and over again some movies (Fantastic 4, Spiderman) changed actors for characters (James/war machine, Bruce) and they include them in the multiverse/plot, but they won't do the same to some movies and some characters when they fuck up their stories, because they know if they do, they will have to acknowledge WHY they did it. Like with James/war machine changing actors.

So yeah, that's one of the reasons I don't care about Marvel anymore.

**I mean remake the movies ((Also they Can't remake Cap America bc that would mean they need to remake every important movie. And they don't have the time, the money nor the need. So that's why they decided to fuck their character arcs))

or include some characters in multiverse (they're going to do that with Tony/RDJ/Dr Doom after all, no?) and they also won't remake Cap bc the movies are amazing.

But the point stands. Steve couldn't be in DaW bc that would imply he's an alternative one or that Old!Steve was an alternative one or wasn't even Steve to begin with. But they couldn't do that ofc, no, bc that would give the fans hope in seeing Steve and Bucky together once again. So they did a dig at the fans bc "haha you thought it was Steve, but it's Johnny!"

Idk if I'm making sense at this point I'm tired af, need to sleep.

The thing is that they fucked up Steve Rogers's arc on purpose (Bucky's too, and others charas too tbh) and now they expect the fans to accept everything they give us with open arms. And imho I won't accept shit.

"Deadpool saved the MCU" how? If the other og characters are DEAD or they fucked them up too? Or are the butt of the joke now? Don't make me laugh. Most people don't gaf bout the new charas bc they only are presented in series not everyone watches (only available in one place) or are presented with characters that are dead now or as a replacement for the og characters. They aren't interesting on their own (not really, at least in mcu) and that's why most of the new stuff isn't liked as much. If they wanted to present more characters the opportunity passed already.

Also now if you want to watch and really understand 1 movie (if you don't read the comics too) you need to watch like 20 other movies and 5 shows. it's fucking exhausting.

[jackfrostimposter]

genuinely why is there so much misinformation about the guardians of childhood book series?

[offorestsongs]

literally most of the twst shipping discourse is just the most stupid shit ive ever seen but people who are super against Malleus/Leona definitely take the cake. i just cannot imagine making any discourse posts about what is essentially your most basic, standard, run-of-the-mill fandom enemies to lovers ship