#like when i see Brad getting angry with everyone but Bobby

[rosstrytobe]

No but like they are never beaiting the Ryliver allegations:

[avauntus]

Supernatural - a retrospective

This is super self-indulgent, and I have so much else I’ve promised-- I owe a long-fic rec post, and ao3 comments, wip work, and that’s just my fandom stuff I’m behind on. *sigh*

But it’s late on a Saturday and now I’ve finished Supernatural, I want to share what I think are my top few eps, and a few other comments. I promise some of this will be different from the “greatest hits” you probably usually see, and I’ll try to make it worth your time. *wry smile*

Look, we have to have categories like: “Most Likely to Live in My Head Rent-Free for the Rest of my Life” and “Most Likely to Inspire Unnecessary Fanfiction” that are different from “Favorites,” because that’s just the cursed energy this show has. ;-)

My top five

#5 - 13.01 - “Lost and Found”

Written by: Andrew Dabb | Directed by: Phil Sgriccia

In fandom, this is most often referred to as the start of the “Grieving Widower” arc, tongue-in-cheek. Also has Alexander Calvert (Jack) walking around completely in the nude for the first third of the ep. (Neither of these are why this is in my top 5, but he has a good story about wardrobe for his ‘first day.’) 

I didn’t expect much out of this episode the first time I watched it, but I’ve gone over this ‘section’ of the show maybe 3-4 times in my Netflix catch-up, and I watch this one in full every time. From Jack being...not at all what anyone expected and an unsteady vindication, to the stunning cinematography (there’s a post that compares shots to Brokeback Mountain, but I think the shots here might be better), to the sheriff who takes the time to remind her deputy that “...there’s no such thing as ‘weird.’ Everyone’s normal in their own way,” to the slow reveal of exactly how hard the events of the previous night (12x23 - All Along the Watchtower) are hitting Dean and Sam and in different ways...(how long the episode takes to reveal to you how Dean fucked up his hand, and what he was saying when he did. Augh!) The Winchesters are trying to rally, but they have been taking hits for a long time, and the cracks are showing.

 #4 - 15.06 - “Golden Time”

Written by: Meredith Glynn | Directed by: John F. Showalter

Supernatural  has a terrible track record with representation in all stripes. It is infamously consistent in killing off anyone minority, female, or non-White. One of the interesting things about the chaotic meta-narrative of season 15 is you can see the lack of fucks some of the writer’s room had to give about not even being subtle about tearing down that type of ‘White-male-hero-journey” now that they were in a literal “what will they do, fire me?” situation.

I’m a Cas fan, and this episode, which gives him an actual, ‘case-of-the-week’ hunter’s narrative where he gets to save the day on his own, successfully, was wonderful. I love that for him! But more than that, for me, this episode is emotional to me for other reasons-- the way Dean and Cas circle around each other on their angry phone call (with the body language! They are broadcasting so LOUD and neither can see because they’re on the phone!), Sam’s story here, where he’s inheriting things from Rowena that allow him in turn to save Eileen, to Cas’ speech and quick anger at the lake when you reflect on his entire journey of self-realization from a soldier of blind faith to an agent of free will... “You selfish little men in your positions of authority...” I just... *clears throat, grabs tissue* 

#3 -  6.20 - “The Man Who Would Be King”

Written & Directed by: Ben Edlund

Speaking of Cas’ journey... I know some folks don’t like the angst and drama of the ‘Heaven and Hell’ plots of Supernatural, but I am here for it. Oh, did we need another reason to include this episode? This has some of the most metal quotes I have heard from any TV show. Ever.

I mean, look at this:

“If I knew then what I know now, I would have said: Freedom is a length of rope. God wants you to hang yourself with it.”

“Explaining freedom to angels is a bit like explaining poetry to fish.”

The delivery of: “It's not too late. Damn it, Cas! We can fix this!” “Dean, it’s not broken!” is one of those Supernatural bits that will live in my head until the end of time. All of Edlund’s episodes are among my favorites, but this (along with “5.04 - The End”) was on another level. 

#2 - 5.16 - “Dark Side of the Moon”

Written by: Andrew Dabb & Daniel Loflin | Directed by: Jeff Wollnough

I think of this episode every time  I hear Bob Dylan sing “Knockin’ on Heaven’s Door.” This is kinda a giant montage episode, but the connecting concepts are so...satisfying. 

“Heaven is your favorite memories.” “ It’s called the axis mundi. It’s a path that runs through heaven. Different people see it as different things. For you, it’s two-lane asphalt.” “This is your idea of heaven? Wow, this was one of the worst nights of my life.” “I don’t think I realized how long you’ve been cleaning up Dad’s messes.” “It’s awesome to finally have an application—a practical application—for string theory.” “Everyone leaves you, Dean. You noticed?” “Why is God talking to me? Gardner-to-gardener, and between us, I think he gets lonely.” “You son of a bitch, I believed in... ” Whoosh.

#1 - 4.01 - “Lazarus Rising”

Written by: Eric Kripke | Directed by: Kim Manners

So...this is the episode where Castiel, angel of thee Lord, shows up. And that’s primarily why it earns the no. 1 spot, because 80% of my enjoyment of Supernatural from this point on was Cas-adjacent. Plus this entire episode just hits. ALL OF IT. Dean’s homecoming. Ruby, my darling. Bobby’s entire vibe. Pamela Barnes, easily one of the most interesting women Supernatural ever introduced. Cas being so hot to say “Hi” to Dean he forgets he wounds people. 

But beyond that-- the way the show writes their ‘oh, by the way, angels’ narrative! If you haven’t seen this episode, would you believe me if I told you that THIS EPISODE, the episode where Supernatural said “canonically, Judeo-Christian Heaven is real, btw” involves no churches but does involve a séance, a soulmark handprint brand, and a himbo angel that “gripped you tight and raised you from Perdition”...but they were all “no homo, guys” for years?

Truly no one was out here doing it like Supernatural even back in 2008.

Others--

15.18 - “Despair” 

“Most Likely to Live Rent-Free in My Head for the Rest of my Life”

Written by: Robert Berens | Directed by: Richard Speight, Jr.

You know why this episode is here. It broke reality. I could be wrong-- but I’d put good money on this episode being the subject of academic theses in the future. That doesn’t automatically make for interesting story, but...

Has there ever been a case, in a mainstream US TV show where a major lead character (Cas) came out as queer so late in the game in a narratively-important way? I’m not aware of it, but I might just be behind on my television.

This episode has great writing, and (blessedly) amazing direction and blocking anyway. Check out the above gif - that is some next level foreshadowing going on in the cinematography, and this isn’t even the most remarked upon shot in this episode. (Seriously, I had to search for 40 minutes for this gif, please respect my game, lol.) Everyone who was involved in 15x18 is giddy talking about their investment, from the costume designer to the actors to the director to the writer...

...And then a bunch of them steadfastly have avoided posting much Supernatural-related since. So that’s...loud. There is a bunch of subtext in this episode that is screamingly loud; there is a bunch of text in this episode that makes several things clear fandom has been chattering over for years and years. The meta-commentary around this episode continues, months later. There are over 700 fics on AO3 with this episode tag.

I have more to say about the themes of ‘free will’ and ‘love’ and ‘identity’ tied to this episode, but seriously-- you’ve probably read 17 versions of it on Tumblr already, so.

This is the last time we see Cas, and the last time Supernatural can claim anything close to narrative consistency. For that alone, it’d earn free head-space.

Runners-up: “4.20 - The Rapture”; “5.04 - The End”; “7.21 - Reading is Fundamental”; “8.21 - The Great Escapist”; “9.06 - Heaven Can’t Wait”; “12.19 - The Future”; “14.08 - Byzantium”

6.17 - “My Heart Will Go On”/8.07 - “A Little Slice of Kevin”

“Most Likely to Inspire Unnecessary Fanfiction”

Written by: Eric Charmelo & Nicole Snyder (6.17); Brad Buckner & Eugenie Ross-Leming | Directed by: Phil Sgriccia (6.17); Charlie Carner (8.07)

Usually the show kills off it’s “one-episode” female characters, but do you know one time it didn’t? When the Moirai (the Fates - specifically Atropos, the shearer of the Threads of Fate) showed up in canon in 6.17. She was posited to have “two older sisters that were bigger than her- in every sense of the word,” ...and Castiel had to back down when she challenged him to a cosmic game of chicken over the Winchester’s lives.

Then they never returned to that idea again. 

“A Little Slice of Kevin” is on here for the opposite reason -- an amazing idea that was really underwritten in the episode it showed up in. Dean Winchester has been dragging himself across the fabric of universes; the literal Word of God is in play in a warehouse in Middle America; Cas is back from Purgatory, but what does that mean, micro and macro? As a person on the street, what would it mean, or feel like, to learn you were a Prophet of the Lord, uncalled? That what you are, everything you are, is a cosmic contingency?

Maybe Fate has an opinion on all these shenanigans?

Perhaps all that doesn’t make sense, but it certainly made an impression on ~2012 me. To this day, it remains the WIP I can open up and fool myself with the ‘twist.’ I wish I remembered where I was going with it so I could finish it.

Runners Up: “2.20 - What Is and What Should Never Be”; “5.04 - The End”; “6.15 - The French Mistake”; 12.12 - “Stuck in the Middle (with you)”; “13.05 - Advanced Thanatology” “14.03 - The Scar”; “14.10 - Nihilism”; “15.15 - Gimme Shelter” ... and “15.20 - Carry On” (obviously)

Fifteen seasons. There were plenty of other episodes I loved that didn’t make these limited lists. But overall -- thank you, Supernatural, for the run. Even if I’m upset at the ending, I can appreciate the game. If you watch the show, what were your favorite episodes?

[mothermaidenclone-blog]

Ad Astra or This Movie Was the Brad Pitts

Ad Astra was the worst movie I have paid to see since 2015’s Kill Your Friends, which is my least favourite cinema experience of all time. It was a dry and dreary story about emotionally stunted white men in a bleak and boring capitalist version of space, with jarring and superfluous Christian undertones. The plot and everyone’s motives were so non-existent that Brad Pitt had to narrate the whole thing in a monotone so flat and dead I literally screamed all the way from the cinema to the bus stop when it was over, partly out of a frustration so deep it was non-verbal, but also just to finally hear some pitch variation.

*Ad Astra spoilers follow*

There technically were women in this movie. Lots of women, particularly women of colour, occupied high ranking positions and were addressed by their titles, a touch I think is important and that usually tips the scales in favour of a good review for me. We were graced with Adjutant General Vogel (LisaGay Hamilton), Captain Lu (Freda Foh Shen), Sergeant Romano (Kimmy Shields), Tanya Pincus (Natasha Lyonne) and Lorraine Deavers (Kimberly Elise), as well as several unnamed female personnel (Kayla Adams, Elisa Perry, Sasha Compère and Mallory Low). I would like to particularly highlight Natasha Lyonne’s performance as apparently she was the only actor employed to play a human being and not a replicant. She was on screen for maybe twenty seconds, as is sadly the case with most of these women, but was a glorious breath of fresh air as the only character to simultaneously emote expressively and speak with inflection and enthusiasm. The only one! In a two hour movie!

All of these women appear to be respected and capable members of various illustrious teams, but are always outnumbered by men. There are two male generals alongside Vogel and Deavers is initially outnumbered 4:1 on her space craft by men. Tragically, whenever a team is being picked off, it is always the people of colour who die first. Not only is this obviously racist, it is just a disgusting cliché that we just don’t need to see anymore in movies. Deavers dies first when Roy (Brad Pitt) forcibly invades their vehicle, followed by Franklin Yoshida (Bobby Nish), an Asian man, and Donald Stanford (Loren Dean), a white guy, is the last to go. Roy cradles him in his arms and attempts to save his life. I hope it’s not just me that sees something wrong with the order of events there.

A similar scenario takes place in the lunar chase, which absurdly seems to occur in the same crapy looking buggies as the original moon landing, a confusing visual choice considering we’ve just seen a vast and impressive modern concrete moon base. The film takes the time to introduce us to Willie Levant (Sean Blakemore), a black officer who will be escorting Ray across the moon. As soon as we see he has a photo of his wife and child taped to his tablet screen I knew he was going to die - in the year 2019 I should not be able to predict that a black character is going to die because we saw a family photo. Can we just not anymore? Again, aside from the racism, that’s just shitty writing. I like to think that as a species, if we can conceptualise something as vast and seemingly impossible as solar travel, we can also move beyond basic and derogatory cinematic tropes.

I was most excited by the appearance of Helen Lantos (Ruth Negga), a woman of colour who occupies a position of power on Mars and introduces herself assertively using her full name. Also, her whole look was excellent. However, this brief release of serotonin was very short lived as she literally walks Roy down a corridor then is immediately cut off and superseded by a white guy with a man bun. Lantos does return later, but alas, as an exposition machine to give Roy some plot news about his dad. Even as she explains that her parents were murdered by his, Lantos falls victim to the dire, emotionless monotone that I can only assume was forced on the entire cast of this film. Then, she is an actual chauffeur and drives Ray to a manhole so he can continue his dad quest. A character brimming with original potential is presented as nothing more than a device.

The final woman to mention is the first one we see, Roy’s ex-wife Eve (Liv Tyler). We see the blurry, out of focus back of her head in the background of a shot before we see her face, and this is incredibly telling, because that’s all Eve is, the simulacrum of a woman. She could be anybody - so why she is Liv Tyler defies belief, I can only assume they held her loved ones hostage - her story is untold and entirely irrelevant. Again, she is only a device, although this time not for Roy’s forward momentum, but this time seemingly to emphasise that Roy is a total sociopath with no emotions whatsoever. We don’t learn Eve’s name for another twenty minutes, and it is an hour and twenty minutes before we hear her speak. Even then, it’s not a live conversation, because god forbid this film have too many of those, but a voice recording explaining that their relationship is over. I’m not going to lie, I’m pretty sure that’s what it was, but everything she said was so generic I have no memory of it whatsoever. She is presented as a ghost, a blurry image on a screen, a memory fixed in time, not a real person with agency and personality. At the end of the movie we finally see her in real time, and that is when she has made the unfathomable decision to meet Roy for coffee. Even her face in that moment gives no emotion away, perhaps because Tyler had no idea how to act this entirely nonsensical decision. To our knowledge, she would not have seen any change in Roy, only received news that he survived a dangerous space mission, which is apparently enough of a reason to get back with this emotionless egg of a man?

I almost didn’t want to devote words to them, but I think it’s important to address just how dire Roy and his dad H. Clifford McBride (Tommy Lee Jones) are. This is their film, they are the reason that all of these women’s stories are passed over. It is made clear over and over again that both Roy and Clifford believe they are the only people capable of completing their various missions. Roy hijacks a ship and inadvertently kills everyone on board because he thinks that it’s his destiny or whatever to get his dad back, never mind that they were all highly trained space personnel who were arguably better suited to the mission precisely because it wasn’t their dad. Clifford straight up murders his whole crew because they are too “small minded” to fly off further and further into space forever on a mission that has yet yielded absolutely no evidence of their goals. A variety of talented human beings are destroyed because of the entitlement of white men, their delusional and unshakable conviction that they are at the centre of the universe and that no one else could possibly accomplish the lofty goals that kismet apparently calls them to.

The way they speak about themselves and to each other is absolutely psychotic. Roy’s solo musings include, “The flight recorder will tell the story, but history will have to decide,” and “In the end, the son suffers the sins of the father.” Clifford imparts his son with the delightful greeting of, “There was never anything there for me, I never cared for you or your mother or your small ideas.” In addition, they both physically flinch from human contact at various points in the move. Now, I totally understand that we live in a neurodiverse world and that many people experience emotions and social interactions in any number of ways, and that is a beautiful thing that makes our world so interesting to live in. However, that these men both abjectly state that they have no empathy is presented within the context of their megalomaniacal ideals that they must accomplish their god-given quests irregardless of how many people they have to kill along the way. It is a facet of their strangely two-dimensional, arrogant and narcissistic personalities, not one part of many complex features that make a complete and relatable human being.

Roy has to literally say out loud that he is a human being at the end of the movie; “I will rely on those closest to me…I will live and love,” which makes him sound more like a learning AI trying to pass a Turing test than anything else. The music swells as Clifford throws himself towards the surface of Neptune in an orchestral deluge that is unsubtly significant in this very quiet film, as though I’m supposed to start crying and think anything other than, “well thank fuck, it’s about time this murderer dies in the cold vacuum of space, I hope Roy stays spinning and screaming here forever too.” We are supposed to feel sympathy for them as the heroes of this movie, despite the fact that they show no care for anyone else throughout the whole thing and act entirely in their own self interests.

Overall, the women in this film are given about five seconds of potential as they introduce themselves variously as decorated soldiers and otherwise capable personnel, before being shoved to the side, or murdered, for Roy. This is obviously objectionable, but is made so much worse by the fact that Roy is an emotionless, entitled, empathy-less white man who doesn’t care if other people have to die for him to get what he wants. That is what these women are being passed up in favour of. I felt like I was watching a two hour long Voight-Kampff test. Space movies like this should be about what we can achieve if we work together as a species, not about how white men will still be the kings of dreary capitalism, even on the moon. We can do better than this.

And now for some asides:

What the actual fuck was the font at the beginning? I guess a red serif all caps should have alerted me to the fact that I was about to watch a horror movie.

As a lover of space horror, I was absolutely gutted that it was a bad CG angry baboon and not a cool gross alien. Also, what was that scene? “Hmm, we need to get rid of this loser because Brad Pitt is the best at space ships and he needs to be the captain. Uhh…what about…space monkeys? Yeah! Space monkeys on a deserted Norwegian ship. That makes sense.”

Can I just have a film bout those moon pirates fighting space capitalism please? I was more invested in them that anyone else in this garbage movie.

Credit for the Bradd Pitts joke goes to the talented and lovely Ed Cheverton

[dinoalexander]

The Semi-Quotable 2017 Part 4

I never had his problem with Livejournal. I’ve had several problems but never this... Part 4.

——

"Note to terrorists: During WWII, London endured this thing called 'The Blitz'. Google it. They will endure your petty stupidity. Note to Trump: During WWII, London endured this thing called 'The Blitz'. Google it. They will endure your petty stupidity. Keep calm and carry on." -Kevin

"When you scroll to find your name, don't see your name for a really long time, and wonder if you could have squeezed just a couple more fucks in there. Missed fucking opportunities!" -Laura

Jay: "Who doesn't love a Brazilian steak?"

Joe: "Who doesn't love a Brazilian ass!"

C: "Who doesn't love a Brazilian?"

"As soon as American Idol came to America, we were all fucked." -Jenna

"This isn't football, it's boy bands!" -Q

"To quote the great philosopher Cornell Haynes Jr., it's getting hot in herre." -C

"I'll always love UNC but Gonzaga destroyed Tokyo." -Austin

"Make chicken salad out of that chicken shit!" -Q

"If one more person adds me to LulaNotLemon group without asking me, I swear I am going to find every pair of leggings on this island and burn them in a huge bonfire at Bayview Park. #YouveBeenWarned" -Shannon

"Stranger at Walmart just coughed in my face. So I have two, maybe three days to live." -Q

"I got some antibiotics for the bug I've had for over a week. I think it's adorable that CVS colored the antibiotics green for St. Patrick's Day and they taste like mint. I think those lazy bastards just gave me a container of Tic Tacs." Klauss

"I used to date somebody with lazy eye, but she was seeing someone on the side." -Rammson

"Is that a thing? Because I just made it a thing." -Jordan

“What is the current bar for "most awkward human on the planet" in the Guinness Book of World Records? Cause I wouldn't mind getting something back for all my suffering.” -Christina

“You’re like a WetJet with a lab degree!” -Q, on cleaning up the ER doc’s messes

“Supporting my husband’s love for this awful team.” -Kyle

“THANKS FOR NOTHING, CRABTREE!” -Robin

"Had homey on some Globetrotter shit." -Jabari

"NBC: Where Every Night at 8 PM is Fuckin' Christmas." -Klauss

“Diane, it’s ‪Tuesday, August 1st‬ and I’ve stumbled upon quite a few mysteries here at Fashion Peaks. Tully the horse has been sent to the glue factory, The Ascension has a very peculiar taste in music, and my partner, Deputy Dango, has been abducted - possibly by extraterrestrials. That leaves me with two questions: One, who kidnapped Fandango? Two, why didn’t I just call you instead of record this?” – Tyler Breeze

“Wait, so that giraffe still hasn't given birth? Have we explored the possibility that the zookeeper just overfed her a few months ago and lied instead of admitting the mistake?” - Nedeff

“Just finished watching ‪Die Hard‬ for the first time (we can discuss later). ‪Die Hard‬ is 100% not a Christmas Movie. Just because it ends with Christmas Music doesn’t make it a Christmas Movie.” – Dan O’Toole with the most wrong hot take of 2017

“We're still gonna get near-daily articles trying to Understand The Le Pen Voter though right” @pattymo

“Of course any portrayal of a real-life figure is about so much more than physical resemblance, but come on guys: how did they NOT cast Christopher Plummer as J. Paul Getty in the first place?” – Richard Roeper

“Danny Ainge the only American who can outsmart a Russian.” – David Dennis Jr.

“The Yankees haven’t been in the playoffs in a while so I forgot how punchable Brett Gardner’s face is” – Brad Rutter

“HELLLLLLLLLLLLLLLLLOOOOOOOOOOOOOOOOOOOOOOOOOO!” – Dougie Jones

“There’s no fucking way he sold 200 Streamdaddy’s” – Prez on IYH

“By far the most bizarre trivia fact about Dean Stockwell to me is that he’s a trained martial artist.” – Allison Pregler

“Don’t Worry, We’ll Let You Know When The Last Surviving World War II Veteran Dies” - ClickHole

“And I thought Ashley Judd’s sleaziest boss was Benjamin Horne.” – Ken Jennings

“Because hey, if you lose $35 Million one time, try try again!” – Scott Keith on Vince McMahon relaunching the XFL

“I don't recommend going to Wal-Mart 2 days before Christmas. And by "2 days before Christmas", I mean ever.” – BFG

“Pepsi: That was the biggest PR blunder of the week, year maybe.

United: Hold My Beer

Sean Spicer: LEEEEEEEEEERROOOOOOOY JEEEENNNNNNKINS!” - @Lance_Bradley

“IF THE TITANIC HAPPENED TODAY: “Sir, we’re heading straight for that iceberg. / That’s a fake iceberg. / Sir, it’s a mountain of ice and it’s right in front of us. / Full speed ahead! / Sir, we just hit the iceberg and now we’re sinking...Sir?...Women & children first, Sir...” – Jeff Daniels

“Hot on the heels of his triumphant rebranding of MySpace, Justin Timberlake brings sexy back to the NFL.” – Kevin M.

“Derek Jeter is so freaking hot. I hate the Yankees!” – Greg’s friend Kat’s mother

"Marty Jannetty couldn't buy a date..." thankfully 24 years later Marty will make sure his dates don't share his DNA...” - Dane

“Next year's State of the Union should have an In Memoriam montage with everyone who's been fired.” - Nedeff

“What can bring an end to an angry dance montage? FUCKING ‘NAM!” – The Cinema Snob

“IT’S NOT ABOUT THE BUNNY! ………… Is it about the Bunny? ………. No, it’s not about the bunny.” – Tommy “Hawk” Hill

“WARREN WHAT DID YOU DO!?!?” -Jimmy Kimmel after the Oscar Best Picture fuckup

“GOODBYE AOL INSTANT MESSENGER GO FUCK YOURSELF” – The Iron Sheik

“A producer pitches a show to an NBC executive.

"Wow me."

"Okay- it's The OJ Simpson Trial... but wacky!"

"Go on..."

"It's a procedural comedy where we don't know whether he did it until the end of the season!"

"But... this is a murder, right? Someone dies?"

"Oh, yes- good 'n' dead."

"I see... and who were you thinking would play the role of the is-he-isn't-he murderer?"

"The Trinity Killer from Dexter, John Lithgow."

"Dick Solomon?! GREENLIGHT THAT ISH" - Fard

“EVERYTHING TRUMP TOUCHES DIES!” – Rick Wilson

“Can’t believe Weinstein didn’t go with the old “locker room talk” defense.” – Matthew Yglesias

“So here's what we're gonna do. Without my knowledge, my husband came to you for a loan of $20,000. You were nice enough to give it to him. But he should never have been gambling like that. I'm gonna pay you back. Now, at my bank, where we make less than one percent interest on what little money we have, people would be turning cartwheels just to get 25 percent interest on any loan, and that is what I'm generously gonna give to you right now, $25,000. That is my first, last, and only offer to you. What kind of world are we living in where people can behave like this? Treat other people this way without any compassion or feeling for their suffering? We are living in a dark, dark age, and you are part of the problem. Now, I suggest you take a good, long look at yourselves because I never want to see either of you again.” – Janey-E Jones

“If professional wrestling isn't real why have I spent the past hour watching Bobby "The Brain" Heenan videos quietly alone in my hotel room?” – Tom Arnold

Gordon Cole: “We’re not anywhere near Mount Rushmore.”

Albert Rosenfield: “I brought a picture for you.”

Gordon Cole: (Looks at picture) “There they are Albert, faces of stone.”

“This is pretty exciting to be apart of this nomination for @VeepHBO especially since my mom watched the entire last season of Madame Secretary and was confused why I was never on it.” – Paul Scheer

“Nice to know that while other industries are turning to tablets and screens, game show hosts are still plugging away with those little cards.” – SC Duncan

“We will remember the unappreciative, ungreatful, evil, awful, Anthem owl men and the man who’s fond of slapping nuts on how they treated us on our exodus from Impact Wrestling YEEEEEEEESSSSSSSSSSSSSSS!” – Matt Hardy shooting on Double J’s business practices

“Steve Bannon gets tonight’s Last Word – which for him, is the complete silence of utter humiliation” – Lawrence O’Donnell

“SHOVEL YOUR WAY OUT OF THE SHIT!” – Dr. Lawrence Jacoby

“Sorry I took your suit. I mean, you had it coming. Actually, it turns out it was the perfect sort of tough love moment that you needed, to urge you on, right? Don't you think? Let's just say it was. Look, you screwed the pooch hard. Big time. But then you did the right thing: you took the dog to the clinic, you raised the hybrid puppies... alright, not my best analogy. I just wanted to mention that I think with a little more mentoring, you could be a real asset to the team. There's about 50 reporters behind that door, real ones, not bloggers, so when you're ready...” – Tony Stark

“In the Alabama Senate Race, the predicted result among many pundits was a narrow margin of victory. Roy Moore himself, however, was hoping for a shocker in the teens.” – Nedeff

“Sports Illustrated called and said I was probably going to be Sportsman of the Year, but it was going to take a long photo shoot and interview. I’m not proud of my recent perm and have a interpretive dance class at the interview time so I turned it down! No Thanks SI!!” – Noah Syndergaard

“Wow, if I had invested $1,000 in Bitcoin last week, today I would have... still no idea how Bitcoin works.” - @StephenAtHome

“In a confusing twist, Han Solo's name will be revealed to be Luther Campbell.” – Jeff Gerstmann

“Lordy, I hope there are tapes!” – James Comey

“This is the water, and this is the well. Drink full, and descend. The horse is the white of the eyes, and dark within.” – The Woodsman in Episode 8 of Twin Peaks: The Return 

“We need some loving profiles of a small town in northern Alabama that thinks obstruction of justice is fine because Drumpf respects cops.” – Matthew Yglesias

“Why are Greg Gumbel and Seth Davis sitting at a desk for ants?” – Andrew Bucholtz

How many more of these things will Tumblr tolerate? Stay tuned...

[wingsoverbros]

"The Rising Sun - A little improvement goes a long way" or “My thoughts on SPN 13.02”

For previous episodes - Season 12 - Season 13: 13.01

Sorry, folks. I’m running a bit behind, due to family issues and internet access issues. I’ll try to speed up. I’ve finished writing 13.03 and are working on 13.04 as we speak, so they’ll be up shortly as well. I hope to be caught up soon.

Now, on to Supernatural 13.02 - "The Rising Sun”

When I noticed which writers had been assigned to this episode, I immediately downgraded my expectations. Eugenie Ross-Leming & Brad Buckner, the writers we all know of as "Buckleming", aren't exactly known as great writers. They have issues with continuity, writing the characters in not-quite-in-character ways, and a tendency towards creating  characters who engage in inappropriate actions. They inevitably make me wish that the pair would go through a good writing practice workshop during their off season.

Interestingly, they actually did fairly well this episode. They managed to write the characters generally in character or had reasonable explanations as to their odd behavior and splashed Cas references liberally everywhere (especially over Jack). That’s not to say that they don't have a lot of room to improve, though. For one, the many potential bad guys were all in definite need of improvement to avoid them being rather flat. And it wouldn't be a Buckleming episode if one of the characters didn't do something gross.

Buckleming have always done better when writing for a character with little or no backstory, a new guy. Jack fits that bill, having only a single episode of backstory, so it's no surprise that he comes off the best in his episode. I'd actually spent the hiatus a bit concerned about this character, but between last episode and this one, I find myself looking forward to seeing more of him this season. The character is adorable, an earnest and very friendly puppy of a guy. He just wants to be a good guy, it seems, and it deeply upsets him that Dean doesn't like him. He's very personable, and the behavioral and visual similarities between him and Cas don't hurt either. He clearly took a lot of influences from Cas, a fact that isn't lost on Dean, it seems. The look that came over Dean's face when Jack sat down and excitedly started watching Scooby Doo cartoons was heartbreaking. It clearly reminded Dean of Cas watching the Road Runner cartoons in "Hunter Heroici".

I was quite pleased at how Dean came across in this episode as well. The depression and severe fatigue Dean is suffering from in this episode actually worked to make it easier for Buckleming to keep Dean in character. Now, granted, he's not at his best state of personality - he's currently in something resembling the middle part of season 7, when his depression over Cas and Bobby rendered him angry, sullen, judgemental and frequently drunk - but with the depression and Jensen's superior acing, I actually recognized the Dean shown to us in this episode. Considering that one of the most out-of-character version of the guys I've ever seen was in a Buckleming episode only a half of a season away, I'm taking the fact that I understood Dean and *didn't* want to cream him in this episode as a win.

I also got a bit of a personal thrill out of Dean referring to Jack as his step-son. I know it was simply an easy way for Dean to explain his traveling with a teen he's clearly not completely comfortable with, but considering Jack thinks of Castiel

as his father, it gave my Destiel heart all sorts of happy-happy-joy-joy feelings. (Claire has a brother now! Yay!)

Sam tends to come off better then Dean with this writing duo, but even he sometimes gets the short end of the stick. Luckily, Sam shone like a star in this episode, his enormous heart and optimism that maybe they *can* manage this and possibly save Mary and maybe even Jack reminding me of his determination to save Dean in season 10. Here's hoping he can manage to do so without involving the loss of any friends or allies, unlike that season.

I also liked the family meeting about being on the same page about Jack. It was very mature, very parental. I'm hoping, in the end, that Sam is right.

When I saw Donatello in the trailers for the season, I actually got excited. Not for Donatello , although I like him well enough, but for the possibilities. If he was back, I reasoned, did that mean that Amara was spitting people out? I began to hope that it meant that in the future, we could see some of the better characters from season 10, such as Deputy Jenna Nickerson from "Out of the Darkness, Into the Fire" and "Form and Void". So imagine how disappointed I was when he stumbled into the hotel room, asked the guys if God was with them, and told them he was soulless.

That aside, he actually came across fairly well in the episode. His character wasn't much different then it was in 11.21. He was a little subdued, but considering that it was how Len was in the second half of "Thin Lizzy" and Sam was in much of the first half of season 6, I could easily dismiss that as a side effect of soullessness. And I do admit to enjoying his work-around for having a conscience. The world would be a better place if more people asked themselves "What would Mr Rogers do?"

Buckleming usually has terrible pacing issues, often writing scripts that drag terribly, only to try to smash all the plot into the last few minutes. They actually managed to avoid creating an episode where too much happened in a clump, but only, it seems by giving them a script where very little actually happens. The episode is just the group sitting in a hotel room, with one tiny dramatic moment at the end. At first, I thought it might be as close to a bottle episode that Supernatural gets, but the bar scene and relocation to Jasper, Wyoming prevented it from fitting that description. Hopefully, they work on their issues, so that next time, they can actually have an episode which is both well-paced and exciting in *some* way.

Although the good guys were rather surprisingly written fairly well, the bad guys in the episode were in some serious of some improvement. Most of them, the newer ones that Buckleming got to create wholesale, were rather two-dimensional and lacking any form of depth or personality. Even the already established character was insufferable in this episode (although that may just be the character default for him now.)

The primary example of a terribly written character was our new Prince and regent of Hell, Asmodeus. From the rather unnecessary accent to the over-the-top reactions and the totally white suit, The whole character screamed "I need to be thought through a bit more." His outfit was likely trying to recall the white suit Lucifer wore in "The End", but with the accent and behaviors, the outfit just gave him the impression of being a stand-in for the mascot from a well-known national chicken restaurant. Likely not the impression they were going for. And when did the Princes of Hell get so needy and kiss-ass? Both Asmodeus and Dagon were desperately attempting to get on Luci's good side. Ramiel could have cared less about Lucifer or Hell, preferring to fish instead. Azazel was worshipful of Lucifer in "Lucifer Rising", but I never got the impression that he'd turn into a social climber type of suck-up. He always seemed a bit more smooth then either of the 2 most recent Princes.

However, I am willing to acknowledge part of his problem may have just been the actor overdoing things. We'll have to wait and see.

Speaking about actors overdoing things...

Lucifer spent the episode coming across as kind of whiny. He's always been the type where the less we see of him, the better bad guy he is (he was frightening in season 5), and his recent saturation of the episodes isn't doing him any favors. At this point, I can't see it ending well for him.

R: Micheal  L: Lucifer

Michael didn't come across as frightening or powerful so much as flat and un-involved. They could have been purposely written that way to compare them to the original emotionless state of Angels in our canon base universe, but it just make them look poorly written (or acted), especially as the Archs were never written as unemotional. Angry, definitely. Concerned, absolutely. Smug, yes. Rather depressed, certainly. But never unemotional.

The episode also has an odd set of demons of whom we see very little. The Shedim, our 3rd possible season bad guy and second set introduced in just this over-ambitious episode, were presented with little info canonically other then the fact that Asmodeus is obsessed with them, Lucifer feared them and wanted them locked up, and that they are locked up somewhere in Hell that no one can reach. What little we could see certainly looked interesting, all mottled skin and clawed fingers. It was interesting to see Buckleming putting down the footprints for a new monster, especially since they were clearly not allowed to say much, and I look forward to seeing what the others do to the monsters to fill them in. Of course, it's possible they never appear again, but if they do and it goes well, maybe Buckleming could be utilized in the future by writing out the vague set-ups for new characters. Since we can't get rid of them, it seems, that would give them something else to do with minimal damage to the series. At the very least, set-ups for new characters would prevent everyone from their tendency to write in horrible ret-cons for already well-established species.

It wouldn't be a buckleming episode without a character doing something particularly gross, often related to consent or sexual violence. Examples from recent seasons include Mr Ketch brainwashing Mary in 12.21, and the out-of-character sexual activity of a dubious state of consent between Castiel and a disguised Reaper in 9.03. It just seems to be something that this particular set of writers has some trouble determining the appropriateness of, so I was not really all that surprised when they featured a moment of attempted sexual assault between a random hunter and Mary in the AU. It's something that would happen, so while I wasn't happy it was there, I could ignore it. What I really was weirded out about was that it was seemingly only inserted in order to give Lucifer a change to save her from something nasty. It took away Mary's agency and turned her into a "damsel in distress" in order to make a character who literally exist to destroy humanity and violate the consent of other characters get a "good guy brownie point" by saving a woman from rape. It was creepy and made my skin crawl. It's sad to see that despite their attempts to improve of late, there's still some things they don't see the value in improving themselves about.

Pop observations:

When he walked in, Asmodious smote 2/3rds of the demons. At this point, how many do they have left in Hell?

Dean was hallucinating Sheep on the road while driving? (good to know I'm not the only one that happens to.)

Jack just called Chuck "grandfather." I'd *love* to see Chuck's expression at that. Ditto about Amara.

Jack's power must be connected to will and emotion. It makes me wonder how Cas controls his powers.

Dean referred to himself as someone who fought with the old man, but still just wanted his approval. Did Buckleming forget every episode but "Bad Boys"? Or does this mean my theory of Dean's sarcasm and humor being a passive-aggressive rebellion against his dad is actually right?

The AU angels being very *robotic* and much like a modern para-military force isn't what I would have expected, but it did make sense.

Don is tracking him? That's handy. If Jack goes bad or runs away, they can "Don-jack" his ass.

"I read about Hell. It doesn't sound nice." - Well, it's certainly not a recommended vacation spot, no.

Can we, like, not show Jack (or anyone, really) trying to kill himself anymore? It's hard on the viewers. Thanks in advance.

I was not really looking at this episode as being anything good, considering the writing team assigned to it. Luckily, it seems they have worked at improving themselves, so the episode was better then I expected. They managed to treat the hero characters well enough, and they seem to be trying to work on their issues, although they still have far to go. Most notably, they still need to work on recognizing their missteps on some serious issues, so that they can address those as well in the future. With this set, I won't be holding my breath, but a girl can hope.

The previous episode did well, and I actually like one of the new characters. This episode wasn't as successful, and the new bad guy sucks, but it was at least fun to watch Jack and Don. All in all, the episode was decent, and a rousing success for this writing duo. The season seems to be going well this season. Here's hoping that future episodes, both from Buckleming and the others, do well.

Next episode: We're going to see Jody! There's the return of Psychic Missouri Moseley from "Home" from all the way back in season 1. It's the first connected episode leading the Fan Tulpa'd spin-off series "Wayward Sisters", and was written by Berens, one of the better writers. Plus, if the spoilers are correct, we might see Castiel! It's gonna be one heck of an episode!

See you there!  

[theworstbob]

yellin’ at songs, 4.14.2007 + 4.15.2017

the songs that debuted on the billboard chart this week and ten years ago this week. today: buttrock confessions

4.14.2007

40) "Ticks," Brad Paisley

So I watched the whole entire CMAs instead of Game 7 of the World Series and don't regret a single choice I made (the game went into extras, you don’t really have to watch baseball until the ninth inning tbh), and it struck me how much of a dorky theatre kid Brad Paisley was. He's objectively a great guitarist, like hokey as this song is and as little I know about music I think that's a dope fucking guitar line, but gosh darn, he was trying so hard the whole time at those CMAS! And that puts a song like this in perspective, because, like I said, it's hokey as fuck, but if you can just understand that Brad Paisley's sense of humor is that of someone who understands that being funny is a way to be Liked and is trying his best to be Liked, it sort of comes together and you can brush it off.

75) "We Takin' Over," DJ Khaled ft./T.I., Akon, Rick Ross, Fat Joe, Lil' Wayne, Baby

FUCK DUDE LIL' WAYNE USED TO BE GOOD. Like OK I think we all know I wanted to come here and be like "look at the humble beginnings of the meme man! He wasn't such a meme in these days!" but then there was a Lil' Wayne verse where he wasn't fucking around with Auto-tune, he was just rapping, and he was such a good fucking rapper that I'm actually angrier at the two "verses" he had on those Nicki Minaj songs a couple weeks back. It's not even one of his more notable verses, I don't think, it was just a normal 10-year-old Wayne verse, but I'm still here like, what a treat, a Lil' Wanye feature I don't mind! How lucky we were in 2007!

78) "Little Wonders," Rob Thomas

it is good to remember things that are nice! the lyric video i watched for this song ended with this message from the editor: "Believe in yourself, follow your dreams, and never, EVER give up =)." i would have much rather someone had just repeated those words over and over for three and a half minutes than listened to this song. DANNY ELFMAN?! fuck are you doing here, danny elfman? are you lost?

79) "Hey There Delilah," Plain White T's

There is nothing I could say about this song that would be worth saying.

82) "I Tried," Bone Thugs-N-Harmony ft./Akon

a'ight, see, now i feel better about bumping pink and jordan pruitt from the top 20, because it won't be some buttrock heroes what bumps 'em, it'll be a legit impressive, heartfelt song. i'm kinda surprised i don't remember this! now i just gotta contend with the fact most of both top 20s are gonna be dudes. but like most of these songs are dudes. this week is all dudes. next week is a 7:2 dude-to-lady ratio. last week was 2:1. maybe less dudes? idk, recency bias is doin' work, but at least two weeks from now, we're gonna get some dope tunes.

87) "Get Buck," Young Buck

HOLY SHIT THIS FUCKING BEAT THE TUBA HAS NEVER HAD A BETTER DAY IN ITS LIFE. OK, this is the first 2007 track I think has been unjustifiably forgotten by time. “Say OK” hit me, but I think that was just a moment for me. This is objectively a classic, this fucking beat, man. Young Buck doesn't add a ton to the proceedings, but he doesn't ruin anything, his gruff, shouty flow is perfect for the beat, and I'll admit, I got a dark chuckle out of the "I can serve Whitney Houston and Bobby Brown" line. This was fuckin' rad, y'all, the best "new to me" song I've heard so far. Seriously this beat, how have we not found a better home for it, how did no one else latch onto it. A strong silver medalist in the "Southern rap songs with the word 'buck' in the title" category.

89) "A Woman's Love," Alan Jackson

Alan Jackson, last seen walking out on Beyonce's performance at the CMAs, is here singing a jaunty tune about how one time he fucked.

91) "Love Today," MIKA

i mean it's just a good song, man, i dunno. i'm allowed to just say when a song is solid and something i can jam to, right, when i don't think i have anything to justify? it's low-rent scissor sisters. I'LL TAKE THAT ANY DAY OF THE WEEK. solid week.

95) "Forever," Papa Roach

...oh goddamnit i love this song. No, you don't... Lemme explain. I need to explain, so lemme. So, I listened to a lot of the local buttrock station in my teens, because that's what the radio at the auto shop where I worked was always tuned to, was 93X. And, I dunno, there's a lot of bullshit I forgot and a lot of shit too horrible to purge from the mind, I've heard the acoustic version of Staind's "Outside" more times than any man ever should, but there were some songs where the Stockholm Syndrome hit, and you were like, "Well, maybe Chevelle isn't ALL bad." This was definitely the point where I was like, "Hey, this is the one decent Papa Roach song!" I was legit angry when I realized this was that song, I forgot I ever loved a Papa Roach song, I was 10000% sure this was a cover because there was no way I was going to go anywhere but IN on this song, but no, this is a song I shouted in the shower at least five times. I'm so disappointed in myself right now, but... But, yeah, this is, I can’t quite place where they cribbed the verses from but they cribbed well, the chorus is shouty and fake-deep like all the great buttrock songs, and I love that ending, the “one last kiss” thing over that bass line, without reservation. We have to be true to who we were, and who we are is never fully removed from who we were. I hate this. I hate having to admit this. THE ONE PAPA ROACH SONG I FUCK WITH, AND IT HAS TO BE PART OF THIS PROJECT. I HAVE TO TALK ABOUT A KENDRICK LAMAR SONG SOON, AND HERE I AM, FUCKING WITH A PAPA ROACH SONG, THROWING MY CRITICAL AUTHORITY OUT WITH THE BATHWATER.

97) "Breath," Breaking Benjamin

I have less reservations about loving a Breaking Benjamin song, though, because Breaking Benjamin wasn't fake-deep like Papa Roach. ("My feelings for you are forever." God, that's stupid. I love a very stupid thing.) No, Breaking Benjamin was legit dark, they were a buttrock band I knew was OK because my friend who ended up going to a semi-prestigious art high school of some renown was into them. Is it the same song as "The Diary of Jane?" Yeah, kinda, there's more than a little resemblance, "THE DIARY OF JANE" IS A LEGIT GREAT SONG AND BITING THAT SONG IS A SMART MOVE.

At least Papa Roach couldn’t crack the Top 20. 2007: gaining strength! 20) "Get it Shawty," by Lloyd (3.31.2007) 19) "Break 'Em Off," by Paul Wall ft./Lil' KeKe (3.10.2007) 18) "My Oh My," by The Wreckers (1.27.2007) 17) "Mr. Jones," by Mike Jones (1.27.2007) 16) "Settlin'," by Sugarland (2.17.2007) 15) "I Tried," by Bone Thugs 'n Harmony (4.21.2007) 14) "Movin' On," by Elliott Yamin (3.17.2007) 13) "U + Ur Hand," by P!nk (1.13.2007) 12) "Doe Boy Fresh," by Three 6 Mafia ft./Chamillionaire (1.20.2007) 11) "Breath," by Breaking Benjamin (4.21.2007) 10) "Beautiful Liar," by Beyonce & Shakira (3.31.2007) 9) "Cupid's Chokehold," by Gym Class Heroes ft./Patrick Stump (1.13.2007) 8) "The River," by Good Charlotte ft./M. Shadows & Synyster Gates (2.10.2007) 7) "Say OK," by Vanessa Hudgens (2.17.2007) 6) "Alyssa Lies," by Jason Michael Carroll (1.13.2007) 5) "Get Buck," by Young Buck (4.21.2007) 4) "And I Am Telling You I'm Not Going," by Jennifer Hudson (1.13.2007) 3) "Candyman," by Christina Aguilera (1.13.2007) 2) "Because of You," by Ne-Yo (3.17.2007) 1) "Dashboard," by Modest Mouse (2.17.2007)

4.15.2017

22) "The Heart Part 4," by Kendrick Lamar

I mean, with the way I do this thing, everything that's been said about this song has been said, and I'm hella late to the party, trying to get another round of Pin the Tail on the Donkey started. "You didn't have fun without me, I'm about to have fun WITH you!" No Bob! we already played that game Bob!. "BLINDFOLD ME!" I think it's vitally important that Kendrick Lamar remind everyone that he's the best MC alive right now, because he is, and gosh, he just fucking raps for four minutes. Barely a hook, just Kendrick Lamar verses and flows for a solid four minutes, and I'm really curious how many rappers could sustain a song for four (mostly) uninterrupted minutes just on their own. Minimalist production, it's just your voice and your words. I'd put Danny Brown in that category, but it'd be a bleak-ass four minutes. I want to put Killer Mike in that category, but I have to think there's a reason he works best in a duo. I'd want to listen to what four minutes of undiulted Young Thug would sound like?, but more out of curiosity than belief in his ability. And I mean Kendrick's the only one in the popular consciousness who could do it, no fuckin’ question, there's no one in the mainstream rap world anywhere NEAR his level. (Kendrick Lamar is barely mainstream, of course, and that fact is a source of much consternation on this song, like there's no way the entire Kendrick album breaks the Hot 100 like the entire Drake album did, but he was in a Tay Tay song the one time and that's enough.) Just listening to Kendrick Lamar rap is one of the most thrilling songs I've heard for YAS 2017. Honestly, I'm ranking it too low in the Top 20, but only because I have to think better things are on their way and am wary of that recency bias wave.

49) "XO Tour Lif3," by Lil Uzi Vert

Congratulations on being the modern rap song which followed "The Heart Part 4!" You were always going to suffer in comparison, and while I regret that it happened to you, I hope you understand it had to happen to someone. I mean, this is a three-minute song, and at some point I got bored enough that I forgot I was supposed to be paying attention to come up with an observation and/or a joke and did other things. Not even shit I needed to take care of, I checked Facebook and thought about getting a glass of milk until he started saying all his friends are dead, like what?, oh okay I guess that's how this song ends then, OH FUCK well prolly not worth dipping back in if I got that distracted.

61) "Speak to a Girl," by Tim McGraw & Faith Hill

So over the last four weeks, only three women have had tracks debut on the Hot 100. That's pretty cool. One of the three dudes who wrote this song, about what a girl REALLY wants from a man, was also a co-writer on Jason Derulo's "Wiggle," which is, I mean, I'm going off Wikipedia, I'm hopeful this is too awful to be true, but if it isn't, how does that dude sleep at night? What does that dude believe in? Who is his god, just, to what moral authority is our man Joe London holding himself accountable? Do Not Trust Joe London. Another of the songwriters worked with a band called Confederate Railroad. Country music is the coolest. I'm so proud to like this genre.

66) "Still Got Time," by ZAYN ft./PARTYNEXTDOOR

First of all, we need to take a minute to discuss the sheer disrespect for the concept of caps lock expressed by ZAYN and PARTYNEXTDOOR. This is a mumblecore pop song, and I must insist these dudes cease using all capital letters until they prove they're capable of expressing excitement. Other than that gripe, though, I dunno, I didn't have a bad time! I enjoyed it about as much as I did "Running Back" a few weeks ago, it didn't light this Tuesday evening on fire, but it was a chill groove, and I appreciated the B+ to which all involved contributed. Also, new favorite Wikipedia line: "Shane Lindstrom, professionally known as Murda Beatz." One, professionally known. Two, imagine ever asking someone to call you Murda. Gosh, what a stupid fucking stage name. (Stage name? Backstage name? Why do you need an alias bro you're a fucking producer, you don't get to have a fake name, the fuck makes you think you can have a fake name. Even Swizz Beatz rapped sometimes, what is your goddamned problem Murda Beatz.)

2017′s Top 20! I lowered “Run Up” again. I miss it dearly but I can’t pretend I liked it more than “Green Light.” 20) "Swalla," by Jason Derulo ft./Nicki Minaj & Ty Dolla $ign (4.8) 19) "Light," by Big Sean ft./Jeremih (2.25) 18) "Everyday," by Ariana Grande ft./Future (3.4) 17) "Draco," by Future (3.11) 16) "Guys My Age," by Hey Violet (2.11) 15) "Good Drank," by 2 Chainz ft./Gucci Mane & Quavo (2.11) 14) "Yeah Boy," Kelsea Ballerini (3.4) 13) "Selfish," by Future ft./Rihanna (3.18) 12) "Slide," by Calvin Harris ft./Frank Ocean & Migos (3.18) 11) "It Ain't Me," by Kygo x Selena Gomez (3.4) 10) "Now & Later," by Sage the Gemini (2.25) 9) "Shape of You," by Ed Sheeran (1.28) 8) "That's What I Like," by Bruno Mars (3.4) 7) "The Heart Part 4," by Kendrick Lamar (4.15) 6) "Chanel," by Frank Ocean ft./A$AP Rocky (4.1) 5) "Run Up," by Major Lazer ft./PARTYNEXTDOOR & Nicki Minaj (2.18) 4) "Green Light," by Lorde (3.18) 3) "Despacito," by Luis Fonsi ft./Daddy Yankee (2.4) 2) "Issues," by Julia Michaels (2.11) 1) "iSpy," by KYLE ft./Lil Yachty (1.14) how the fuck did “swalla” make it two weeks Also, I know there was a new Iggy Azalea song, and I’m just gonna say, if having to listen to 21 Drake songs was the price I paid to not have to hear 1 Iggy Azalea song, I will have been glad to have paid the toll. That is a reasonable trade, one I would never say no to. Boy I hope it doesn’t debut next week! Also: “iSpy” in the for-real top five! That’s so dope! I’m happy for that song!

Who won the week?

2007 had the stronger showing this week, and let’s be real, I think it’s out-paced 2017 at this point. 2007′s at the point where “Get It Shawty” is hanging on by a thread while “Grace Kelly” and “Outside Looking In” are outside looking in. 2017 needs to step its game up. We’re two weeks from “Umbrella.” Is that so much to ask, is for just one instant classic era-defining monster jam that shatters the world? Come on, 2017! 2007: 2 2017: 1