#like this is a different conversation but a lot of times people who are into darker subjects have usually always been into something dark

[hoovesandfloorpaws]

"That said, both Styles and his therapist have questioned why he cares quite so much about being likeable. This is one of the things he thought about a lot in his big pandemic reflection. In part, it's a choice, he explained. He recalled moving to London after The X Factor and hearing tales of petulant celebrities screaming because someone got their coffee order wrong and deciding to never be that guy, to never give someone a petty reason to bad-mouth him. But more recently he's come to worry that the drive for approval came from a more complex place, a place of caution, fear, control." "Styles said he often spent interviews terrified about saying the wrong thing until he stopped to question what abhorrent belief or bizarre opinion he was scared he'd accidentally reveal and realized he couldn't think of anything."

"And he thought about the cleanliness clauses in the contracts he used to sign, which would dictate that they would be null and void if he did anything supposedly unsavoury, and about how terrified that used to make him. And about when he signed his solo contract and learned that the ability to make music would not be affected by personal transgressions, he burst into tears, a reaction he still seemed shocked by, retelling it to me now, years later. "I felt free," he explained."

"When Styles began therapy about five years ago [so in 2017], he was reluctant initially, feeling it was a music industry cliché. "I thought it meant that you were broken," he said. "I wanted to be the one who could say I didn't need it." He returned to the home theme that has underpinned our conversation, explaining that therapy has allowed him to "open up rooms in himself" that he didn't know existed, allowed him to feel things more honestly, where before he had tended to"emotionally coast.""

"Recently Styles began to work through issues related to intimacy, dating, love. "For a long time, it felt like the only thing that was mine was my sex life. I felt so ashamed about it, ashamed at the idea of people even knowing that I was having sex, let alone who with," he said."

"You look back, especially now there's all the documentaries, like the Britney documentary, and you watch how people were abused in that way, by that system, especially women. You recall articles from not even five years ago, and you're like, I can't even believe that was written."

He has been thinking a lot recently about autonomy, ownership, privacy. About what he should be able to keep to himself, what he should be able to simply communicate through his music without follow-up questions or prying. Around the time of Fine Line, he faced scrutiny around his sexuality. People became incredulous that he wore dresses, waved Pride flags, and yet hadn't clarified with precision, publicly to a journalist or on social media, the specifics of who he'd slept with, how he defined. This expectation is, to him, bizarre, "outdated." "I've been really open with it with my friends, but that's my personal experience; it's mine," he said.

Despite the acceptance that some things could, should, have been different, he still feels lucky every day, he said, lucky to make music, lucky to do what he loves.

"You can't win music. It's not like Formula One," he said. "I was like, in my lifetime, there will be 10 more people who burst onto the scene in that way, and I'm only going to get further away from being the young thing. So, get comfortable with finding something else that makes you happy. I just found that so liberating."

"I just want to make stuff that is right, that is fun, in terms of the process, that I can be proud of for a long time, that my friends can be proud of, that my family can be proud of, that my kids will be proud of one day," he said.

““In lockdown, I started processing a lot of stuff that happened when I was in the band,” he said. He thought about the way he was encouraged to give so much of himself away, “to get people to engage with you, to like you.” He thought about the fact that no baby photos exist of him that aren’t on the internet (you give a bunch to an X Factor producer doing a piece on your backstory without much thought, and suddenly your childhood is online). He thought about the journalists asking questions, when he was still a teenager, about how many people he’d slept with and how, rather than telling them to go away, he would worry about how he could be coy without them leaving the room annoyed. “Why do I feel like I’m the one who has done something wrong?” he said to me.”

— Harry for Better Homes and Gardens Magazine

[youcouldmakealife]

SOTM: Luke/Andreas; wined and dined

For the prompt: Andreas and Luke meeting/hooking up the second time

I literally finished this before I realised you guys probably meant like, the second time they hooked up, not the whole second time 'round. Mea culpa, everybody. And for those who interpreted it the same way I did...you're welcome?

Andreas can’t remember the last time he was wined and dined.

Though maybe that isn’t the best way to describe it — Andreas has dinner meetings all the time, has sat beside clients at the best restaurants in almost every NHL city, sampled from the menus of half of New York's most exclusive restaurants. Always on the agency’s dime, of course, or his multi-millionaire client’s, or the teams they play for, or the teams who want to sign them.

There’s plenty of wine involved — though Andreas always restricts himself to a glass when it's business — plenty of dining. But a meeting’s a meeting, whether it’s in a conference room, patiently waiting for a GM who’s been around since there were still six teams in the league to figure out how to unmute his mic, or eating something exceptional at a Michelin Star restaurant.

So obviously that’s not what he means. It’s not that he hasn’t been dating either, though admittedly, he had less and less time to spare for it as he got older. And not that he hasn’t gone on dinner dates specifically, where he allows himself a second glass of wine, orders what he’d like, rather than ‘what he’s having sounds good’, unless, Andreas supposes, it truly does sound good. So there has been wining and dining, in fact. Possibly even a surplus of it.

And yet.

At a certain point Andreas thinks he just stopped expecting romance. It wasn’t any sort of resigned, jaded disappointment at the dating scene. Not that it isn't a shitshow, but it's probably better here than just about anywhere else. More an acknowledgment that most guys didn’t seem to be looking for romance, at least the ones Andreas was dating.

And that was fine, because Andreas wasn’t really looking for it either. Romance was undeniably nice, but he worked long hours, put almost all of himself into his job, and what he had left didn’t require much more than good conversation and some companionship, a spark of attraction, mediocre or better sex. Romance might have come along down the line, but things didn’t tend to last long even when he did find someone who met his simple — yet almost impossible to find — criteria.

That one, he thinks has more to do with him than it does with them. Andreas’ career is one of those things that’s attractive in theory, but significantly less endearing when he’s slipping in and out of bed at all hours, constantly checking his email or ducking out to make a call, flying off to who knows where, sometimes with plenty of notice, sometimes with none at all.

Maybe his life just isn’t conducive to romance. He doesn’t like to think that, but there would be worse things, wouldn’t there? He has a job that he finds fascinating, a job that offers something different every day, a job that, incidentally, pays him more money than he has the time to spend. He could retire tomorrow if he wanted to, live the rest of his life in comfort, dedicate all his time to searching for true love, but why would he want to? It sounds excruciatingly boring.

So he works — he works a lot, works more than he should, at least according to everyone he knows, including Dave, the giant hypocrite — and he — well, he works. But it’s fine. Most people have to search for meaning in his life, but he has his. If anyone asks about it — and they all ask, except Dave, that gem of a fucking man — he says he doesn’t feel like he’s lacking anything. He’s not lying, either.

That doesn’t mean something doesn’t squeeze tight when Luke conveniently ‘happens to be in town’ — though if there’s any town that actually applies to, it’s New York — when he figures they should ‘catch up’. Even as he tells himself that he’s just catching up with an old flame, one who doesn’t even live in the same country as him anymore. Even as he tells himself once for old time’s sake, and then twice doesn’t hurt considering they’ve still got chemistry, then when it’s been three, four, half a dozen, and if Luke’s got a return ticket Andreas doesn’t know when it’s for, but it doesn’t feel like it’s any time soon.

Luke has always been a romantic. He’d deny it up and down if Andreas said it, and it wouldn’t even be a kneejerk macho shit — Andreas doesn’t think Luke even knows he does anything out of the ordinary. Andreas doubts he was thinking ‘I’m going to woo Andreas’ as he asked him out to dinner, not the first time, or the second, not when he came with a bag of groceries and a bottle of wine from a vineyard Andreas mentioned in passing, said he’d cook for him, laughing as he fought with Andreas’ temperamental bottle opener, scoffing when Andreas impatiently intervened before he could ruin a good bottle of wine.

Technically, he doesn’t even know if 'wooing' is Luke’s aim at all. He could just need the change of pace, miss the city, the speed of it, the convenience, and while he was here, Andreas was just as convenient as the rest of it — good conversation, good companionship, Luke more attractive than ever, the sex still fantastic. And they didn’t even have to get to know one another. What could be easier?

But Andreas doesn’t think so, at least not judging by the way Luke’s started looking at him.

Andreas doesn’t think anyone has ever looked at him like Luke does, the complete focus of it. Looking isn’t a strong enough word — it’s more like he’s taking him in, trying make sure that he gets every single detail correct, the way Andreas imagines a painter would gaze at their subject, a poet at their lover. Luke’s no poet, but, well — maybe he is, a little, minus the words. There’s something about the way Luke looks at the world. Something about the way Luke looks at him.

It used to unnerve Andreas, a little, especially because Luke wasn’t only looking at him like that over romantic candlelit dinners and endorphin fueled pillow talk, but also during the most mundane moments. Andreas would be scowling at his phone, pecking out an answer to a client who decided he urgently needed to discuss his contract on a Sunday morning, a full season before it expired, and he’d look up and there Luke was, visibly taking him in. Sometimes there’d be a little smile on his face — the moments Andreas let himself be a little cranky there often was — but often there wasn’t, just Luke’s eyes on him, taking him in like he was never going to see him again.

It was — a lot. Luke was a lot, almost from the very beginning. Andreas thought he was going to get a regrettable hook up out of things, and then he thought it was going to be a few of them, and it was like a switch was flipped, and Luke went from the hot, fun, surprisingly good in bed client Andreas had completely unprofessionally fucked — and not just once, but a few times, and then a handful — to even more surprisingly good company outside of bed, to something Andreas didn’t quite have a name for. Someone who was gone even more than Andreas was, someone Andreas started to miss when he was gone. Andreas was the one staying put, most of the time, but Luke was the one always watching him like he’d disappear the moment he closed his eyes.

The look hasn’t changed, and Andreas imagines it means the same thing now as it did then, Luke who doesn’t blink, Luke who jumps both feet first, Luke the romantic.

It doesn’t feel as overwhelming now, though Andreas suspects he’ll be spending some time thinking about just how quickly Luke was on board. How quick they both were — Andreas can’t pretend he doesn’t know what’s coming, what’s already here, can’t pretend that isn’t something he wants, when he could end things with a word.

But he doesn’t. This time Andreas lets himself look back, and when Luke catches him at it, he doesn’t let himself look away.

[rewiringtoheal]

This Pain Is Temporary

Anna x Fem!Reader

He's Just Not That Into You AU

Summary: I was watching this movie and had a lot of what if questions. What if the main cast actually all communicated with each other? What if Anna actually had some character development? What if Reader was a variation of a female Conor Barry who got a clue? And how would these differences lead to Anna genuinely falling in love with Reader.

warnings: very slowburn, angst, worse before better, eventual fluff.

You feel used. This person that you love…loved?? You aren’t really sure anymore of your feelings toward Anna. It was never simple with her. And truthfully, you wish you could go back to your blissful ignorance.

 You had been so thrilled when she told you she was finally ready to take the next step with you. A real relationship with the girl of your dreams. Having your heartfelt love confession be returned and then making love for hours was more than you ever could have hoped for. 

You now knew it was all a lie. And that Anna was a very skilled actor. In your excitement you had raced home the next morning to tell your best buddy Alex and his new girlfriend GiGi the news. After showing them a picture of Anna and you. The night of bliss quickly turned sour; GiGi hesitantly told you that Anna was the same woman that had a very recent affair with her best friend's husband. And everything the past few months had started to make sense. How Anna would constantly ignore your calls but somehow always be available when she needed her emotional needs met. And finding out that the only reason she wanted a relationship with you was because the man of her dreams wouldn’t leave his wife was heartbreaking. How could you be so stupid? And how could you be so blind to the type of person Anna really was.

You felt a hand squeezing your knee bringing you back to the world around you. You  see GiGi’s hand retreating and her eyes filled with sorrow. You muster up a strained smile.

“Well, at least I had my dream girl for a moment even if it wasn’t real. Looking back, I kinda see now that she treated me like shit but I was so lost in her. I can’t believe I was so blind to her selfishness. And now this…I don’t think I ever really knew her at all,” you say somberly.  

Alex let out a deep sigh, “Dude I don’t really know what to say. She did really shitty things but maybe she's not a shitty person. The moments you had together weren’t all fake. The parts of herself she showed you are probably real. And you can love those parts and still be hurt that she lied about her feelings for you.”

You give a weak chuckle, “You’re right..but I don’t know how to deal with this. I do still love her even if she used me. I see it so clearly now. I’m the back up plan. The person she really wanted hurt her so she chose the safe option.”

Gigi looked at you, her eyes filling with sorrow, “Sometimes people don’t know what they have until it's gone. She is making awful decisions and it’s hurting everyone around her. Deal with this by loving yourself first. I know it's hard but she doesn’t appreciate you. And only wants you when she has no one else.”

That was hard to hear but Gigi was right. You need to take care of yourself. For months you have been putting all of your energy into Anna. Being there for her emotionally, picking up her dry cleaning, giving her rides, and loving her to the best of your ability. All to realize that she never really cared about you, not even as a friend. A friend wouldn’t play with your feelings like this.  

You continue to chat with your friends for a little while longer. Eventually you grow too sad and too tired to keep up the conversation. You excuse yourself for the night and head up to your bedroom. Not in the mood to do your night time routine you just chuck off your clothes, put your cellphone on your night stand and cuddle under the covers. 

Your mind keeps turning in circles as you lay there. The happiness you had felt earlier today has turned into a deep sadness. And for the first time since Gigi told you about Anna you allow yourself to cry. As silent tears move down the contours of your face you burrow into your pillow; just praying to yourself that you can fall asleep. Anything to stop the pain. 

You briefly wonder if Gigi’s friend Janine is in the same state you are right now. You know more than likely she is worse off than you. Janine's entire life is in shambles. Her husband is awful no doubt about it but you just can’t wrap your head around Anna getting involved with a married man. Nothing makes sense anymore but maybe you never had a clue to begin with.

[troglobite]

(i agree w op and it's a good point; i'm pushing back against a couple things in this second addition/rb & some implications in the op, as well. still not trying to be argumentative, but push the conversation further & challenge certain entrenched ideas. bc again, i agree & am coming from that angle.)

hotter take: the demonization of "ultraprocessed foods" is damaging no matter what. highly recommend this nutritionist for any info abt that. if [general, not op/rb] you won't listen to me, maybe [general] you will listen to a thin and licensed nutritionist.

the intent here is good: don't deprive your child of unifying and delightful social experiences. let them enjoy food. don't give them complexes about food. don't micromanage your child's diet to the point where they resent it, etc.

but also, maybe, just let them enjoy food. and teach/show them how! they are CHILDREN. unless they have allergies, sensitivities, or other serious health concerns, they will be FINE if they eat some candy MOST days of the week for various stretches of time. or ANYTHING sweet. or salty. basically every person in the world (with medical exceptions, exceptions for taste/preference, etc.) would be fine having at least 1 dessert every day. (and also this is only using "health" as a reference, which is a Whole Thing in and of itself)

maybe, also, as is the solution to most things: simply treat children like people who are just learning how things work.

instead of limiting what they eat without their involvement, instead of demonizing food and scaring them away from it or shaming them, or even acting like certain kinds of diets are even accessible to most people, how about we instead:

teach kids abt what we currently know abt how food works. why do they crave sugar and salt? why do these foods taste really good, and these ones don't? can we make them taste better? sometimes tastes change over time, so every few years we can try this food again, if you're up for it. how do you feel after you eat A LOT of food, regardless of what it is? what do you want to eat at different times? how do different foods make you feel? what kinds of tastes do you like? here are traditional and culturally relevant foods, and how/why they're important. how do we MAKE food? what abt food safety?

give them knowledge and choice in what they eat and how they eat it and when.

this is only possible if we education ourselves abt food, as well! which is why education around this is so important. but even the basics: hunger is this, food gives you energy, you need different kinds of energy, you probably should have a wide variety of it, etc.

for example, there is no such thing as junk food, there's just food. nutrition isn't just about calories or vitamins, etc., it's also abt social connection (covered well in this post), cultural connection, and emotional regulation.

it also looks different for everybody. no two people will require the same kinds of food in the same amounts prepared in the same ways. and what we know about nutrition is actually quite limited! not to say what we have is Completely Wrong, but that it's silly to paint with such a broad brush when we keep having to research and revise--and there are so many factors to health and diet that are difficult to account for, and make each person's needs individual. food & movement aren't the only two. and your socioeconomic status & geographic location control what you eat way more than anything else.

"ultraprocessed food" serves so many purposes: it lasts longer, it's typically more reliable and widely available, it's generally more affordable, and it's, crucially, more consistent and predictable, which is a HUGE thing for children (not even speaking of neurodivergent people in general). for ppl who can't afford the money or time of fresh foods, "ultra processed foods" are GREAT. (and they're also great for anyone who loves them)

if you have a problem with them, take it up with the government! we can have "ultra processed foods" that don't hurt people--it's the hormone disruptors and unnecessary food dyes that are the problem. they're outlawed elsewhere. we could follow their lead. preservation of foods isn't inherently bad. (and on the labor side, again, take it up with the govt: all workers deserve to be safe at work, protected, have a more than livable wage, benefits, etc.)

all of this is an overarching pipe dream about how we talk abt, teach abt, and interact with food, particularly as it pertains to raising our kids. but that's the point i'm going for here.

op is completely right, as is the addition; my hackles rise against "more wholesome foods" and "ultra processed foods" and the "let them have it every once in a while". you can go a month eating "junk" food (again, no such thing), and unless you have particular allergies or health concerns, you'll probably be fine.

determinants of health are so much bigger than what we eat and what we physically do.

so when it comes to teaching kids about food, we have to stop categorizing some foods as bad and others as good. it seems to be easier, but oversimplifying things for kids never goes well. if you're gonna simplify, at least be accurate and at least don't give them fucked up complexes abt shit.

tree nuts are WIDELY considered a Good Food. but they hurt me and could possibly even kill me, because i'm allergic.

fresh greens are WIDELY considered a Good Food. but they're raw, uncooked, and staring down the barrel of fewer safety regulations--so not only are they inconsistent in quality and texture (bad for kids & anyone with sensitive tastes), but they're also riskier. and ALSO, i have hEDS, and my body Cannot Digest fresh greens very well. (if accessible, an opportunity to teach kids abt where food comes from and maybe grow your own! but also [stares at heavy metals in most of the US soil] so y'know. ymmv.)

they're no better or worse than an "ultra processed" version of greens. that includes things like salsa, flavored veggie smoothies, premade soups, frozen veggies, etc.

the sum of my response to op & addition is: yes, absolutely. but also, there are no bad or good foods, and nutrition is more complicated than that. as per uszh, the solution is to treat kids like people and give them what knowledge you can, then let them make their own choices.

and the sum of everything else is: basically what i wish more people knew so that they COULD teach their kids that stuff. and also for themselves! and also this doesn't even get into the concept of "health" as a Whole Fucking Thing.

This is a controversial take that everyone will hate but it's one thing to feed your kid better, more wholesome food than twinkies and hot pockets daily, it's another thing to force them to adhere to a crunchy granola beige colored diet where they cant share the snacks their peers are eating or have a normal childhood or have fun. None of you were raised like that and if you were you know what im talking about.

[fairyberkshire]

FALLING FOR SHADOWS | RAFE CAMERON AU

pairings: frat!rafe cameron x female!reader

a/n: here's some texts ! this chapter takes place the day after the party ! i hope you all enjoy !

parts: 2 . . . 3 . . . 4 . . .

There you were, off to the side in a bar, nursing a drink. The music and chatter of people all just a blur in the background to you as you feel disconnected from the crowd– the world. And, as you sit here surrounded by the crowd of the bar, you can’t help but feel isolated.

Your thoughts drifting back to your father…You had earlier had a conversation with Kiara, about her father and how he was always hovered a lot in her life…And you couldn’t help but feel…sad.

Sure, your relationship with your father was long gone. Always having been complicated. And you no longer wanted him in your life…but it didn’t mean it didn’t hurt at times. 

Rafe soon strolls into the bar, spotting you almost instantly from across the room, a smirk on his lips as he walks closer to you…But when he gets closer he notices you're alone and that you seem slightly off. Shoulders slumped, and eyes distant.

And, he hesitates for a moment questioning if he should turn around or not. Wondering if it’s overstepping if he sees what’s wrong…Wasn’t even sure if you’d want his help or want him there.

After all, you two had only known each other for a short period of time…but at the same time. But another part of him– it makes him want to go and comfort you. So he does.

“So…what’s got you standing all alone?” Rafe starts, deciding to go with a more casual start, and you look up at him slightly startled, before quickly brushing off her discomfort with a laugh…But Rafe doesn’t but it, picking up fully that something is wrong. He knows you aren’t acting like yourself.The girl he’s seen before who’s witty and playful. 

And, as he doesn’t say anything back, you just give him a weak smile, dropping your gaze to your drink to avoid having to look at him. 

“Are…you alright? Sorry– you just don’t look like you’re having much fun” He says, and her eyes, flicker up to meet his, before dropping back down, giving him a small shrug.

“Just not my scene,” You say it, but he knows you’re lying. Sure, it wasn’t your scene…but neither were a few other places, and you hadn’t seemed like these before.

“Something’s off– Can tell. You can talk to me, you know” He says, reaching for your drink, gently taking it from you, not even waiting for you to protest. 

“Rafe– really. I’m fine. I just…need some space. Please” Rafe knows you’re trying to push him away, maybe as a defense mechanism…so he doesn’t take it personally. 

“I’m not going anywhere. You don’t have to give me details– I know some things up. But I’m here…”  Rafe says this, and you just slightly roll your eye, but you can already feel yourself slipping to want to tell him. To let him in. But questioning if you should.

“Why do you even care, Rafe?” Your voice wavers slightly, and the crack in it…the vulnerability he can sense slip through…it hits Rafe harder than he expects. So, he pulls you with him to a table, sitting down with you, and for a moment he doesn’t respond, just watches you silently– this isn’t exactly what he’s used to…caring like this.

And sure, he’s been there for his sister at times…but with you, it feels different. “I care– I care because no matter what’s going on right now…I can sure as hell tell you I was probably in worse…And that look you had? The one that tells me that you felt like the world was moving on without you. Like you’re just…stuck. Yeah– I’ve been there. And it’s not something you should face alone…trust me” He admits, and it’s when you look at him, tears welling in your eyes that he feels his heart break.

“It’s stupid…Doesn’t matter–” “If you’re sitting here like this it matters…” His words hold the truth obviously, making you stare at your drink for a long moment, your fingers fidgeting with the rim of the glass, making the condensation smear against the…the words tight in your throat making you feel suffoacated– but his gaze makes it feel like you can say what you need to.

“It’s my father…” You softly say, and his brows furrow slightly, but he doesn’t say anything, giving you the time to say something more. “When uhm…When I was born…he didn’t want anything to do with me. Told my mom that– or some bullshit like that. He just…left. And I– I was okay with that, you know? Like, I told myself that I didn’t need him” You pause, your voice cracking slightly as the next words spill out.

“But then, he’d occasionally just pop into my life out of nowhere– and then when I was fifteen…He decided he wanted to come into my life again…more permanently, like he wanted to make up for all this lost time, making all these promises. And stupid me– stupid me believed him. I believed him. I thought…I thought maybe I was enough..”

You start again, but your hands start to tremble slightly, and all while yours do, Rafe’s do the same under the table…his chest becoming tight as his own mind flickers to his family. The pressure and expectations he’d felt growing up– how his father was never what he needed in a father…So Rafe pulls his hand from under the table, reaching out and letting his fingers softly brush yours to provide you (and himself) some sort of comfort…and it does.

“But then…he’d leave again…And now here I am. I’m 19...I’ve had him out of my life for a while. Blocked. And I don’t even want anything to do with him– But…It still hurts, Rafe” You say, tears falling, as you pause.

“What– What is so wrong with me that I couldn’t stay?.. Why– why wasn’t I enough? Why am I not enough…” Rafe’s jaw tightens as he processes your words, and he’s quiet for a moment, making you wonder if you’ve said too much, but then he starts to speak, and it’s steady and sure.

“There is nothing wrong with you, y/n. Nothing. If your dad couldn’t see how lucky he was to have you in his life he’s an idiot, and that’s on him– not you. That’s his failure. Not at all yours” He says, it, and you blink at him, his words hitting you like a truck.

“And for what it’s worth?...You’re amazing. So amazing. Hell, you barely know me and you’ve already put up with my crap more than most would” You give him a smile, and it’s the first one you’ve given him all night, even as the tears fall down your cheeks…and he too smiles, shifting closer to you, his hand now fully holding yours…

And when he does this, the heaviness in your chest starts to lift,  just a little, and he stays by you– not letting go of your hand as you both just sit in the quiet corner of the bar, and for once, you feel like you aren’t alone.

[igglemouse]

Hey look who's here to kick off my day, Niklas, the man of destiny himself. I'm not surprised but he is sporting a big smile on his face which I love to see! It's supposed to be Summerday, by the way, but as you can tell the weather here doesn't really think so.

"I was thinking," Niklas says after I invite him inside, his cheerful mood radiating off of him and bringing a smile to my face too. "It's summer, maybe we can go out and do some summery stuff?"

"Oh?" I glance at one of the windows and peer beyond the glass to see the dreary gray morning that is common here oft times in Windenburg. "It sure doesn't feel like summer."

"That's Windenburg for you!" he agrees with a laugh and yeah, can't argue there but what kind of summery things can we do with a day like this?

"What did you have in mind?" I ask.

"Just something simple, maybe, head out to the public pool?"

I can't help but smirk and tease him a little, it is a good idea buuuut I have a feeling I know why he's thinking about a little date out to the pool. "Ah, wanting to see me in a swimsuit then?"

So we head to the Bathe De Rill and thankfully we're a little early so the pool is pretty much empty. It's also raining which probably explains the lack of people but honestly why would rain stop a trip to the pool? You're going to get wet any ways, so what's the difference? Ah well, public pools are no fun if there's too much of a crowd.

After a few casual laps, nothing competitive, but we both use enough energy so that we had to pause and catch our breaths giving us a perfect time to start a conversation. "So, any water tricks you can show me?"

"Hmm? No," he gives his head a little shake, wading restlessly in the water. "It's always hard to manipulate the elements. Fire, water, air, those forces take a lot of skill and power to get a handle of."

"I can imagine but you're telling me you have no tricks at all!?" He's so lame sometimes! "Not even a bubble or a little sprout of water or-"

"Oh, I know a trick I can do with water?" He says but his tone is a little too playful now and it makes me suspicious of what he might say next and yet I can't help but ask.

"Yesss?" my eyes narrow, knowing the set up suddenly, it's going to be a lewd joke isn't it?

"I can show you later tonight."

Ugh, I knew it! Let me guess, something something make me wet something something? Yeah, that's He's also snickering like a child too as if he's told the most clever of jokes! All I can do is groan, roll my eyes, and float over to the edge of pool to make my exit.

He follows me outside of the pool and we both decide to hang out a little longer here. For a while we just walk, letting ourselves dry with the help of a very mild sun and a slight breeze but eventually we find somewhere to stop. Away from the trickle of people who have waited out the rain to visit the famous Bathe de Rill. I am mostly focused though on his watch, there is something about it that draws the eyes, it looks ordinary and yet clearly it isn't.

"So is that thing waterproof?" I ask, my eyes glaring at it as if it had asked me a question instead.

"Yea, fireproof too. It can withstand a lot, it's...well, it's very old. My great grandmother had her house burned down in a fire, attempted arson we think, but she later retrieved it in the ashes as if it were brand new."

"That...that thing seems pretty powerful?" Fire usually is all powerful, after all, it's like pure energy. Fire kills everything, doesn't it? Except for his watch I guess.

He shrugs as if it the answer was obvious. "Yeah, it is, but honestly it's a passive kind of power. Not an active kind of power."

"So you say it points you to where you need to be but for what purpose like...is it trying to help you succeed or..."

Another shrug. "Simply where I need to be, whatever that means. It's not always serving me, at least that's what I've been told but honestly I don't think my father even knows what it does."

"What do you mean?" I ask, because the more I hear about it the more confusing it gets. He used it to claim that that we were meant to be but what if it dragged him my way for another reason?

"It's...hard to explain," he rubs the back of his neck for lack of a better answer. "It's not trying to make me rich or anything, it's just simply...where I need to be."

"Ugh, I'm starting to understand why you avoid magic!"

I head back home with Niklas because by the time we left the pool night had fallen and you know he insisted on walking me home. He warned of vampires and werewolves and the mothman and bigfoot too...okay, he only warned me about vampires because he seriously has a hatred for them.

Either way, I mentioned to him that he couldn't stay long because I had some cleaning to do and once again he deployed his magic to help me out. Cleaning the tub with a few swirls of his arms and some sparkly sparkles on top of it and voila, a clean tub! Yeah so, that's a neat trick! I'd be fine with just learning that honestly.

Also, yes, he never did change out of his swimshorts? Yeah so, that was my day, I guess I made the most of it.

Episode List - Next Episode 3.3

[screamofdespair]

Director 出﨑 統 Osamu Dezaki talks about Oniisama E...

Oniisama E... was the first project I worked on at Tezuka Productions. At that time, I had left my work at Tokyo Movie Shinsha and was focusing on OVA projects like B.B. and Sō Ryū Den. One day, a producer named Kuniharu Nagayama, with whom I had worked since my time at Mushi Production and who later joined Tezuka Productions, approached me with an offer. He said: "Why don't you direct it?" I replied, "I always wanted to work on Tezuka Osamu’s original works, but at Mushi Production, I was working on Ashita no Joe. Even after joining Tezuka Productions, they still wouldn’t let me handle Tezuka-sensei’s works. That dream was eventually fulfilled with Black Jack later.

Since I directed the second half of The Rose of Versailles, which is also a work by Ikeda-san, she apparently remembered me, and I imagine there was a conversation suggesting: 'If we’re going to adapt Oniisama E… into an anime, it should be done by that person."

I don’t usually read shoujo manga a lot. The only ones I’ve read are The Rose of Versailles and Aim for the Ace!, which I personally adapted into anime. I feel embarrassed to admit that I didn’t know anything about Oniisama E..., so I quickly read the original work. I found it very interesting. It’s a story full of selfish characters, and I really love that kind of thing.

Some may think this work differs from my past projects, but even with series like Ashita no Joe and Aim for the Ace!, which are often categorized as “sports dramas,” what I truly want to focus on isn’t the sports themselves but the human relationships and drama behind them. I’m someone who wants to portray drama, so I thought, “Oniisama E... is exactly the kind of drama I’m talking about!” (laughs).

“This is a world completely unknown to me. How fascinating!” I thought. As men, we don’t understand women, do we? There are times I find them amazing, and other times, scary. They are truly an unknown world. Throughout my life, I’ve had relationships with a few women, but that’s just a small part of the overall picture. In that sense, i just let my imagination run wild and thought, 'It would be amazing if such creatures existed!'. But as I read and tried to understand the original work, I also thought, They are just human beings like us.

Before starting the anime adaptation, I met with Ikeda-san to discuss about it. She didn’t provide any detailed requests or instructions in the direction, she simply said, 'I’ll leave it in your hands.' However, she made one exception: she specifically asked that Kaoru no Kimi, who dies in the original work ending, remain alive in the anime.

Ikeda-san's charm as a writer lies in how every character is desperately trying to live. Their actions make sense as you read, and you can empathize with them. They end up this way because they are trying their best. They end up this way because they’re hurt. They are people who, in regard to what they’ve done, somehow try to take personal responsibility, aren't they? In that sense, I really "understand" them.

The first character to catch my attention was Rei Asaka, or Saint-Juste. First, I just loved the name “Saint-Juste.” It left a strong impression on me because the name appeared in the The Rose of Versailles as the alias of an assassin. The powerful imagery of that story stayed with me. I thought, “This guy is really fascinating.” However, in the anime, we only managed to explore his character for one or two episodes. Because of that, I wanted to portray Saint-Juste in Oniisama E... as if she were someone transcending time and space. she’s such a poetic and deeply complex character, isn’t she? That's why I had her take pills from the very first episode.

Since it was broadcast on satellite TV, I was told we could push boundaries... This story focuses on adolescents peeking into the adult world, right? So, I figured that kind of portrayal was fitting. All the characters in the story bear emotional scars, don’t they? Whether it’s Saint-Juste or Kaoru no Kimi. Nanako was the only one who didn’t, which made her think, “I want scars too”. That’s essentially what the story is about, right?

Mariko Shinobu was also a fascinating character to depict. Her lipstick left a strong impression. When she made her vibrant entrance in the first episode, I remember thinking, “Ah, this series might really work.” Every project has a moment where a certain image feels like its the “starting point,” and for Oniisama E, that was Mariko. Even in the original work, she’s very impactful. The way her wavering emotions as a young girl are portrayed is truly compelling.

For instance, the way her father’s story unfolds feels incredibly realistic. And the way she quickly bonds with Nanako, that kind of behavior feels uniquely feminine, doesn’t it? Between men it’s difficult to overcome emotional barriers, and relationships tend to be much more detached. But between women, they can form extraordinarily close bonds, which might later transform into hatred.

If the other person is just a little more attractive or possesses something you lack, you may initially admire them and try to discover what makes them so special. But the moment you realize that quality can never truly be yours, they become your enemy. On the surface, you might get along, but if something sets it off, everything falls apart. You don’t even want to see them or hear their voice. You might even go so far as to steal the guy they’re dating. It can escalate to that level.

Men, I think, suppress those raw emotional instincts to some degree. On the other hand, women live constantly in that kind of emotional tension... That must be exhausting. Well, this is just from my imagination, of course (laughs).

Kaoru no Kimi has a masculine purity, yet she is bound by the fate of being a woman. She is more manly than any man. In a story like this, which features only women, the contrast might raise the question: 'What should a man be like?'

I created a scene where Kaoru no Kimi and Saint-Juste end up in bed together, but this wasn’t about homosexuality or anything like that. It was a manifestation of tenderness between two souls, each burdened with their own profound wounds. It was meant to show that something like this could happen. I wanted to portray it beautifully. However, those who saw it may have interpreted it differently (laughs).

As I was working on it, I came to realize that the one carrying the deepest emotional scars was actually Fukiko. When I realized that, she started to resemble to Reika Ryuzaki, aka Madame Butterfly, from Aim for the Ace! I portrayed Madame Butterfly as a woman so exemplary, so beautiful, and so strong that it inevitably leads people to wonder if such perfection hides deep inner struggles. My basic premise is that "the more beautiful a person is, the heavier the burdens they must bear." "The more beautiful they are, the more they must suffer." Of course, it's not always like that in real life. So, I decided to portray Fukiko's past and inner thoughts, as if looking through a magnifying glass. I even started imagining things that weren’t in the original work. Especially in the latter half of the series. Fukiko was particularly well-developed.

In terms of expanding the original story, which only consisted of two volumes, into 39 episodes, the writers really worked hard. At that time, Masami Mori also wrote the script for the OVA Black Jack that I directed, she was around 20 years old. Tomoko Komparu was in her 30s, and Chifude Asakura was in her 40s, so we had three female scriptwriters from different generations, and they all worked really hard. I would often ask them things like, "Isn’t this really how women are?" or "You must be thinking this, right?" and try to get them to open up their true feelings. Even so, it was hard to get them to reveal their true feelings, but when women write, sometimes there would be lines that would make me think, "Huh?", "A man could never have written this." I’m not the kind of director who always follows the script to make the storyboard but i used those impactful lines as a starting point, and then I explored the characters complexities. It was a really interesting and stimulating process. Every time I met Ikeda-san, she would ask me, "How do you understand women so well, Dezaki-san?" I would reply, "Eh? I don’t understand them at all" (laughs). It’s all just from my imagination. I’m sure in reality it’s different, but that’s how I portrayed it.

I think Akio Sugino probably enjoyed drawing women like Fukiko. Her grace was something only he could depict. Without that grace, her strength wouldn’t have been conveyed. That sense of elegance in his artwork was something he must have been born with. Well, that’s how it is with all of his works, but that quality really contributed strongly to the drama.

For the cast, I had the late sound director Etsuji Yamada think through a lot of things. We had a truly luxurious cast. Among so many experienced professionals, I had Hiroko Kasahara play Nanako. After listening to her audition tape, I felt something from it. However, I believe it was one of her first lead roles in a series. For that, her character was a bit too heavy, don’t you think?. She struggled at first, but gradually, she got better. In a way, I think she probably synced well with the character of Nanako, who was gradually growing and developing. For the dubbing, the first episode had the colors already added to the animation, but after that, we mostly recorded with just the finished drawings. Of course, this wasn’t something to be praised, but for this particular work, I think it might have actually worked well. The idea was that, by not focusing on synchronizing the voice with the lip movements, the voice actors were able to pour more energy into their performances. There were a lot of heavy lines, after all. Recording authentic, raw dialogue and then matching the animation’s lip movements to it. I think this approach worked well for the piece in the end. There was one time when the animation’s mouth movements and the voice didn’t quite match. It was in episode 17, where Fukiko found the letter Nanako wrote to her older brother and scolded Nanako for it. I decided to darken the scene at that moment. The line "Now, rip it in front of me" was a very striking one, so I secretly thought it turned out to be a good effect.

Source: Oniisama E... Blu-Ray BOX SET Booklet.

Note : The translation might not be the most accurate word-for-word, but i did my best to make it coherent.

[plutotheforgotten]

Something I think a lot of trans men need to understand is that the reason that transandrophobia isn’t real isn’t because trans men don’t experience transphobia. It’s because transandrophobia is an inherently nonsensical term.

Transmisogyny is not “transphobia that trans women experience that trans men don’t”. Transmisogyny is the intersection of transphobia and misogyny, and also the idea that trans women can experience misogyny while not being perceived as “fully women.”

There is no such thing as androphobia. There is to an extent a phenomenon in queer spaces specifically where masculinity is put down or feared, however this is not something that happens in wider society and I believe that that is a separate conversation to be had.

People are not saying that trans men don’t experience transphobia (at least not the vast majority of people. I’m sure, because this is tumblr, you could find someone saying that, but that is not what the vast majority of people are saying and if you think that it is, check your reading comprehension).

All of the things that I have seen people claim are “transandrophobia” are actually things that still come from some type of misogyny.

Trans men have trouble accessing reproductive health care because “women’s health clinics” are seen as places that need to be protected from men. (Or possibly because they are not seen as deserving that care, which would just be transphobia)

Trans men have trouble accessing gender affirming care because they are being seen as women who are therefore baby making machines, and most gender affirming care for trans men will affect your fertility.

Trans men are less respected than cis men because they are seen as women.

Trans men are seen as “delusional women” because of misogyny.

You are not experiencing “transandrophobia” you are experiencing misogyny.

I do think that there is a conversation to be had here. However I think that transandrophobia being used as a term to describe these things muddies the waters and ignores A.) what transmisogyny is and B.) the fact that what we are experiencing still come from bigotry against women, not bigotry against masculinity (as the term transandrophobia would imply).

I would also like to say that a lot of trans men need to get more comfortable with the fact that, when you pass, you do have privilege!

I am a trans man who is about 1 year on T, has long hair, hasn’t had top surgery, and has what would often be considered effeminate mannerisms and speech patterns. I pass about half the time at best and when I do pass, I’m more often passing as a faggot than as a man (which are often different categories).

My access to male privilege is restricted. Similarly to how men of other minorities’ (men of color, disabled men, gay men) access to male privilege is restricted*. But this doesn’t mean that I never experience male privilege. I do! When I pass, I experience male privilege.

You having access to male privilege doesn’t make you a bad person. It doesn’t mean you never experience bigotry. And it doesn’t mean you should feel bad about being a man.

It does mean, however, that you may need to check yourself sometimes. Make sure you’re not playing in to toxic masculinity as a way to affirm your gender. Make sure you’re not speaking over women.

I don’t have a good way to end this. But I guess my point is that, while there is a conversation to be had about the type of transphobia trans men specifically experience, I do not think that calling it “transandrophobia” is helping the conversation at all. And also trans men need to remember that they are not immune to being men. Just because your access to male privilege is restricted does not mean that you will never experience it.**

*obviously all these minorities have their access to male privilege restricted in different ways but the concept is the same.

**even if you are a trans man who never plans to go on T, never plans to have surgeries, and will likely never pass, my point first point about the term transandrophobia not making sense still stands.

[askinkiskarma]

I have a lot of thoughts about arcane and rather than dealing with them on my own i thought i would try to write them out and see how other people feel and maybe have a conversation about it, because the beauty of art is sharing it and seeing it through your own eyes, as well as others’ - the beauty of art is its ability to ignite and spark a conversation… a change.

Arcane is very important to me, because of what it represents - humanity, in all its aspects and kaleidoscopic facets, in all its glory and in all its misery. What made it unique is how inherently relatable and universal the feelings and experiences the characters go through and how inherently human their problems are at their core, and whilst they were able to keep a lot of those sentiments in season 2, I feel by act iii they forsook a lot of what made arcane special.

Very rambly thoughts ahead, I do apologise, and please tell me yours, I would love to speak about it and process it.

To me arcane was always about class struggles, about oppression, about what happens to the oppressed when they are pushed to the brink, about how that affects a person’s journey and their fates, and putting faces to those struggles on both sides of the equation - vi, an orphaned child who was forced to grow up too quickly and parentified to the point she felt like she had no value outside of being a protector; jinx - a brilliant mind who fell victim to trauma because there was no one able to help her outgrow it or deal with it; silco - a man who has seen the oppression first hand and chose to fight it regardless of the sacrifice it took. I could keep going and going but Arcane was a phenomenal display of character and morality, and an almost perfect attempt at the shades of grey that make most of us who we are. No character was without flaw, and no character was unjustified in their actions in their own minds and due to their own particular set of circumstances.

I think most of the gripes I have with season 2 stem from two overarching themes: time and ambition. But before I go into this, let me praise it for a bit because despite all my grievances, I still think it is the best animated piece of art of all time and I still think it's better than 99% of anything I've ever been invested in. Although almost redundant to even talk about, I want to shine a light onto the animation. I have to give so much credit to every single person involved in bringing this series to life, because it is a spectacle from the first frame to the last, and the amount of talent, effort and passion it took to do this can never be put into words.

I will bring up things I loved about it as I'm talking what I didn't, because they are very much entrenched. My biggest complain about season 2 is that, the fact that it was only one season. I believe everything they've set out to achieve and every plot point they introduced could have been properly addressed and done justice in in one more season, and therefore, none of the problems I'm about to go into would have ever been an issue.

Imagine this: season 2 starts exactly as it did, with the first three episodes dealing with the aftermath of jinx's actions and the loss that drives Piltover into deplorable reactions, with Caitlyn and Ambessa at the helm, descending into fascism, Cait driven by blind rage and the prejudice she's been fed her entire life without an active effort into trying to overcome it, Ambessa driven by ambition and desperate attempts to one-up the Black Rose organisation. However, the season progresses differently - to me, this conflict and its consequences should have been what this season was about.

Simple yet deeply impactful, tackling the themes they set up in the last season, tackling the intricacies of what would lead the characters into their actions - for Cait, expanding on the way grief, fear and guilt makes you regress back to your most ignorant, primal, selfish self; for Vi, the way a lifetime of being told she's responsible for everything and everyone and her unbridled desire for love and family made her abandon her core principles and join the people she hates in order to kill the monster she thinks she's responsible for creating; for Ambessa, the way her deeply embedded and deeply repressed fear of the Black Rose coupled with the Noxian belief in strength and sacrifice and war made her give up one her core beliefs that warriors are forged through blood sweat and tears and not through magic and reach out to Singed, therefore becoming an almost caricature of herself etc etc etc.

That coupled with the overarching conflict between Piltover and Zaun, how Piltover's actions are the breaking point for Zaun, as well as the personal conflicts between Jinx and Vi, Mel and Ambessa, Vi and Cait, potentially Jayce and Cait once Jayce realises Cait has become someone she would have absolutely despised just a few weeks ago, would have made for a compelling and powerful season that kept to much of the themes of the first season and could have been the stepping stones for a larger conflict that could have been introduced but not expanded in this season - Viktor and the Hexcore, the bigger battle between humanity vs the arcane, the Black Rose and their involvement in everything.

Season 2 would introduce Isha as a positive role model for Jinx and a way that Jinx would be able to be rescued from the nothingness her life had become - Isha could have been a symbol for Zaun, and the reason Jinx would decide to become the face of the revolution for Zaun independence. Season 2 could have ended with the Jinx and Vander moment in the prison, or with her reaching out for Vi after her KO in the pits. Season 3 then could have dealt with everything else, and been a great way to introduce other characters and other conflicts (Mel and the Black Rose), which I assume will be part of the next series about runeterra.

I think this season and what it was trying to achieve was great, but its biggest downfall was that in its ambition, it fell short of what made it great. Because whilst the fighting and the animations and the moments we did get with the characters were great, there wasn't enough time to make them justified or fleshed out, and in that, we lost the essence of what people loved the most about Arcane - the eye to detail, the accuracy in character writing and portrayal.

I loved seeing Cait and Vi together and I loved seeing them get into conflict - I did not, however, love that Caitlyn went from being a dictator to redeeming herself in basically one episode with no consequences for her actions. Vi should have been mad, she should have been furious, she should have held her accountable and she didn't. I wanted them to have a much earned sex scene, but not in a prison, which overlooks the insane amount of trauma Vi has suffered in Stillwater and how insensitive doing it there comes across as.

I loved seeing Jinx and Vi reunited - but for a story that started and was always at its core a story about two sisters, there was not nearly enough done to explore their very complicated and tumultuous relationship and bring it to a satisfying conclusion. Not one scene in which they talked about their issues, where they opened up about the past, where they resolved anything before Jinx eventually died, and then, not even one scene of Vi mourning her or what her death represents to the overarching story or to Zaun.

I loved seeing Jinx get better, and her character was actually the highlight of the show for me this season, but a lot of it felt rushed and not properly explored - by the beginning of act 2 she seemed basically perfectly sane, and even after losing Isha, she seemed perfectly in charge of her emotions and was able to surrender herself and make perfectly rational decisions, which doesn't seem in line with all we know about jinx. Not to mention Isha was never mentioned once in the whole of act 3, and neither did Jinx becoming a symbol for Zaun amount to absolutely anything in the end.

I hated how much like the fandom, and the characters themselves, the writers seem to overlook Vi completely. She got the short end of the stick at literally every turn and I thought she would have gotten a semblance of justice in the end, but she didn’t. She forsake everything she knew and believed in because Jinx needed to be killed - Jinx was actually better and fixed herself without any of her involvement, so she betrayed herself for nothing. She finally opens up to Cait and cries in front of her, begging her not to change because she’s already lost everything - Cait betrays her like 5 minutes later and attacks her, abandoning her, then comes back like nothing happened and Vi doesn’t give a shit and forgives her immediately. Finally gets Vander and Jinx back? Loses them both again in the span of a few days. SHE EVEN FUCKING GOT A BAD ENDING IN THE HAPPY ALTERNATE UNIVERSE WHERE EVERYONE ELSE WAS HAPPY LIKE WTF. I could keep going and going about Vi and all the ways she was done wrong but I’d be here forever so let’s move on but #justiceforvi

I liked the Jayce and Viktor conflict and I actually believe everything they've done with that they handled well, since it was basically the main plot of the season, and I loved the way ekko's storyline intertwined with theirs, but this could have been handled even better in a season dedicated to it, and I wish it hadn't come at the expense of Jinx, Vi, Cait and the conflict between Zaun and Piltover. Watching this show felt a little bit like watching season 1 of game of thrones and then halfway through season 2 we're actually in season 8 and the white walkers are here and nobody cares about the iron throne anymore and everything that happened we're supposed to forget about and focus on jon snow vs the night king and it's so confusing cause I kinda cared about Ned Stark and who killed Jon Arryn and i’m kinda still mad that Cersei killed Lady and I’m still curious about Bran and his visions and Varys and the importance of choosing a leader who cares about the small folks and and and ???

This is such a long post and I’m very sorry and I’m writing it on my phone so it might not even make sense but I needed to get some of it out because this has taken over my life.

I probably will have more thoughts as I’m processing this more but for now pls tell me i’m not alone and pls tell me your thoughts 🤍

[burningcheese-merchant]

What does Spice and Jack like to do together?

It's unbearably hot here and I hate working. One more ask, for realsies this time, because fuck everything else

"What do Kratos Burning Spice and Atreus Pepper Jack like to do together?" Sorry, I wanted to do that lol

Spice travels back and forth between the Golden Cheese Kingdom and the Spice Ridge by himself a lot (for work, basically), and he brings Jack with him whenever he can (after Paneer was born, he started either taking them both or alternating between them each time so they get an equal amounts of trips with him). He actually likes when his son joins him to do stuff, even if it's "boring" king/leader duties (which Jack does not find boring, he actually is legitimately interested in things like that and likes that his dad takes him to his "work")

They go on hunting trips often, too. Spice got him in on that early - as soon as he could walk in a straight line without tripping lol. Paneer doesn't like hunting (she actually really loves animals and doesn't want to hurt any ever), so it remained purely a father/son activity. They'll go out for a while - a few hours usually, or even a few days if Spice wants to go somewhere far for a challenge - and hunt game together. They lock onto/track something and work out a plan of attack, so to speak. They both have very different ways of doing/approaching things, both on a hunt and in general (it's those clashing personalities again), so they try to meet halfway and think of something that works for them both. They actually work quite well together and make a good team. (As Jack ages, Spice grants him a little more control/authority of their hunts, to see how he handles taking charge of something like that. Jack does well, for the most part. It makes Spice really proud.)

Jack likes to tell Spice about things he learns (he likes telling both his parents, really). Jack is very smart and even more curious, so he tends to pick a thing or two up every day, even if just a bit of obscure trivia - and he likes to share it with his dad, because he actually likes hearing what Spice has to say about stuff. He'll show him books, he'll bring Spice with him to the library when he can so they can read books together (I honestly think Spice is a smart guy, or at least I headcanon him as such. He was the Herald of History; it's canon that he used to enjoy having deep, open-minded discussions with others, particularly about history, so I think that lends itself to Spice being reasonably intelligent, even wise to some degree). When he was little, he'd just walk up to Spice with a book in hand and climb into his lap, then either ask him to read it to him or ask to read it together. (While Spice no longer fully possesses the patience he once had to entertain people's thoughts and attempts at conversation (he regained a decent amount, but a few millennia being violently antisocial kinda damages your people skills lol)... he has all the patience in the world for his son, so he's happy to indulge him.) Somewhere underneath this behavior is Jack's inherent need/want to get closer to his father, because (as I've mentioned in another post) they're so different from each other otherwise and he doesn't want that little gap between them to exist. They don't always understand each other very well and Jack doesn't like that. And there's still that little nagging insecurity in his heart that Spice is disappointed in who he is and he's not "worthy" of being his son, so it sometimes leads to him trying too hard to "prove" himself to Spice in one way or another. He knows his dad is smart, and he knows his dad will at least indulge him when he wants to tell him stuff, so that's the avenue Jack most often takes. "Look, Father, I know lots of things like you do. I know/want to know history like you do. I'm like you, see? Am I doing a good job?" Some sort of thought process like that. It's sad and unnecessary, but Jack doesn't really understand that for a long time (that "not knowing how to communicate with each other" thing doesn't help)

They also like to spar. Spice always made the biggest effort and took on the biggest role in training the kids in combat, and that reflects in him having one-on-one fights/sparring sessions with them both often. It's one of the ways he likes/tries to bond with them the most; he never loses his taste for battle even as a better man, and he wants to share that excitement with his children. He fights them for practical reasons and also just for fun. Jack views sparring more as a way to let off steam than to have fun (not that he doesn't have fun, though), so he doesn't necessarily always dig this every single time (because he's not upset about something all the time, you know?), but he rarely turns Spice down when he challenges him, so.

And this is more when Jack is little than any other time, but - Spice likes to pick him up and carry him around places. Jack will sit or perch on his shoulders and they'll walk around together. Just a father/son stroll, just because. Jack likes it because it makes him feel tall (Spice is like 6'5" minimum in my headcanon lol). Spice knows it makes him feel tall, so he helps his son pretend he's tall for a little while lol. They do this a lot less after Jack gets past toddler age; Jack thinks it's a little embarrassing to get piggyback rides when he's older... He just sticks to walking by Spice's side like a "mature" person then. But... Sometimes he misses clinging to his dad and feeling tall, so he'll just go ahead and fly up and perch on his shoulders like he used to. And Spice just lets him do it, whenever he wants, without any issue, because he likes being seen and admired as this larger-than-life figure (figuratively and literally) by his kids

[trixy812]

⋆｡‧˚ʚ You have all my support ɞ˚‧｡⋆ pt 4

{Nanami Kento x reader}

ִֶָ࣪☾. Content: nanami x reader, fluff, college!Nanami, college!Reader, that's what you get when you read shojo!

ִֶָ࣪☾. Synopsis: It was inevitable. Kento Nanami was leaving the jujutsu world.

ִֶָ࣪☾. AN: omg! this is really long! i hope you guys don't get bored with this part! as I am writing this series I get so excited, i am so proud of this and I hope you guys are enjoying. I am definetely planning to write more omakes for this series :) please let me know what you think!

pt. 1 - pt. 2 - pt. 3 - pt. 4

Reader meets Gojo

The soft glow of the sunset filtered through the curtains of your room, bathing the space in a warmth that felt nothing short of comforting. Nanami sat at the edge of your bed, a book in one hand while the other absentmindedly ran through your hair. Your head rested on his lap as you pretended to watch TV, though your attention was far from it. It was one of those rare, quiet moments where just being together was more than enough.

Suddenly, Nanami broke the silence.

“What will you do after graduation?”

You frowned, caught off guard by the question. He already knew the answer—you’d discussed it countless times. You’d take a semester off to work full-time and save money before pursuing your dream of studying nursing. So it was clear he wasn’t asking for himself. This was his way of starting a conversation about his own future.

Turning your head slightly to look up at him, you smiled gently and asked,

“What about you, Kento? What do you want to do after graduation?”

Nanami carefully closed the book, placing it aside with precision, and let out a deep sigh. The weight of it was palpable in the way his chest rose and fell.

“I’ve been thinking a lot about that,” he began, but stopped short, leaving his words hanging in the air.

Alarmed by the serious look on his face, you sat up, removing your head from his lap. Until that moment, you hadn’t realized how much he’d been carrying on his shoulders. A wave of guilt washed over you. How could I not notice? I’m supposed to be supporting him…

Nanami stared at his hands, fiddling with the corner of his book as if searching for courage.

“I’m not sure if I want to remain a sorcerer,” he admitted finally.

Now it was your turn to comfort him. You reached out to gently run your fingers through his hair, hoping to offer some solace.

“Why not?” you asked softly.

He closed his eyes briefly, as if the act might make explaining easier.

“Because the world of sorcery is rotten,” he said bluntly. “They use us. I saw what happened to Haibara, and I can’t stop thinking that if I stay, I’ll end up the same. Or worse, someone else will suffer because I wasn’t strong enough.”

He paused, looking out the window, searching for answers in the horizon.

“And then there’s Geto…” he continued. “I know what he did was wrong, but I can’t blame him. Honestly, I understand why he chose that path. This system is broken, y/n. Every time I return from a mission, I wonder if I’m making any difference at all—or just delaying the inevitable.”

His words hit you like a ton of bricks. Nanami rarely opened up about his feelings, always so stoic and composed. Seeing him like this, raw and vulnerable, made your heart ache.

“Kento…” you whispered, struggling to find the right words.

“I want your honest opinion,” he said, meeting your eyes. “What do you think I should do?”

You sighed, feeling the weight of the conversation settle around you.

“Alright,” you said, “but don’t blame me for being straightforward.”

Taking a moment to gather your thoughts, you finally spoke, letting your emotions guide you.

“I don’t think you should stay,” you said firmly. “It’s not fair. Why should you keep giving your life to a system that doesn’t even value the people who fight for it?”

Nanami looked at you, surprised by the intensity of your tone, but didn’t interrupt.

“Look at what they did to my parents,” you continued, your voice rising slightly. “They fined them for using my technique—to help people! What do you think they’ll do to you, someone they see as nothing more than a tool? They’ll drain you dry, Kento, until there’s nothing left. And then what?”

He swallowed hard, still silent.

“You’re incredibly smart,” you said, your voice softening. “You don’t need this. You could go to university, study something you’re passionate about. You always talk about books. Maybe literature. Anything. But staying there? For what? For who?”

You cupped his cheek, gently turning his face so he would look at you.

“Your opinion isn’t completely objective, is it?” he asked quietly, a small smile playing at his lips.

You glanced away, feeling exposed.

“No,” you admitted. “It’s not. I don’t want to lose you,” you whispered. “And if you stay there, I feel like I will. Sooner or later.”

Nanami was quiet for a long moment, your words clearly weighing on him. Finally, he nodded slightly.

“I’ll think about it,” he said. “But… it’s not an easy decision.”

You leaned forward to press a soft kiss to his forehead, hoping to convey what words couldn’t.

“It doesn’t have to be easy,” you whispered. “But you don’t have to make it alone. I’m here, Kento. Always.”

Though he didn’t say it aloud, the look in his eyes told you that those words meant more to him than you could ever imagine.

ㅤ♡ྀི ₊

The energy of the day buzzed in the air. Flowers, speeches, and the chatter of excited students filled the auditorium. As you stood among your classmates, you couldn’t help but scan the crowd for the blonde boy you loved.

Nanami wasn’t at his own graduation. He’d deliberately skipped it, knowing the ceremony held no meaning for him. But your graduation? That was different.

When you returned home with your diploma in hand, you found Nanami waiting at your doorstep with a small chocolate cake. It was simple, understated, but what left you speechless were the words written in vanilla frosting—“Congratulations”—spelled out in your parents’ native language.

“Kento… Did you make this?” you asked, your voice filled with emotion.

He nodded, holding the cake with pride.

“I knew you’d like it,” he said calmly. “And I thought your parents would appreciate it even more.”

Your mother emerged from the house at that moment, gasping as she took in the sight.

“What a beautiful gesture!” she exclaimed, pulling Nanami into a warm hug.

Your father smiled, though he added teasingly, “It better taste as good as it looks, young man.”

“Dad…” you scolded, embarrassed, as Nanami’s typically composed expression faltered just slightly, a faint redness creeping up his ears.

The evening was filled with celebration. Your mother had prepared a feast, the dining table overflowing with traditional dishes.

Nanami leaned over as you poured him a glass of water. “Does she always cook this much for occasions like this?”

You smiled. “My mom thinks food is the best way to show love.”

As the meal progressed, your father set down his glass of wine and looked at you seriously.

“y/n, we’ll support whatever you decide,” he began. “But are you sure about nursing? In Japan, nurses don’t earn as much as they should. Have you thought about studying medicine instead? You’d earn more, and you’d never have to worry about anything.”

You rolled your eyes, placing your utensils down.

“Dad, we’ve talked about this. I want to be a nurse. I don’t care about the money—it’s my dream. Didn’t you always tell me to follow my dreams?”

Your parents exchanged a glance, and you could almost hear their unspoken thoughts: We're going to have to keep giving her money for the rest of our lives.

It was then that Nanami, who had been quiet the entire time, set his glass of water down with a deliberate clink.

“I have something to say,” he began, his tone steady and commanding attention.

Your parents straightened in their chairs, and you turned to him curiously.

“I’ve made a decision,” he said firmly. “I’m leaving the world of sorcery. I’m walking away.”

Your eyes widened in shock as his words sank in.

“Are you serious?” you exclaimed, a grin spreading across your face. “Kento, that’s amazing—”

“Wait, really?” your mother interjected, her voice tinged with concern. “But Kento… are you sure? It’s such a big change.”

“It’s something I’ve thought about for a long time,” he admitted. “It’s what’s best for me.”

Your father dramatically placed a hand on his forehead. “No sorcery? Our future grandchildren won’t find interest in it. It’ll be tough for them with parents in such… ordinary professions.”

Your face burned with embarrassment.

“Dad! We’ve only been dating a few weeks!” you blurted out.

Your mother laughed softly. “To us, it’s been two and a half years,” she teased.

Nanami looked down at his plate, but not before you caught the faint blush spreading across his cheeks.

“Can you guys not?” you groaned, but they only laughed harder.

After dinner, you and Nanami went for a walk to clear your heads. The night breeze was cool and refreshing, the sky clear and dotted with stars.

“So,” you asked, breaking the comfortable silence, “what do you want to study in college?”

He paused for a moment before answering.

“Finance,” he said.

You stopped in your tracks, looking at him like he’d just suggested becoming an astronaut.

“Finance? What happened to literature? You love books!”

He shrugged, a small smile playing at his lips.

“I also love making smart decisions,” he said, slipping his hand into yours. "I want to make sure you never lack anything," he explained calmly. "I want you to be able to follow your dreams without worrying about anything else."

Your cheeks flushed as you processed his words.

"Also," he continued, glancing at you out of the corner of his eye, "I liked what your parents said about grandkids."

You were left breathless, warmth rising from your neck to your ears.

"Kento..." you whispered, unsure of how to respond.

"I imagine a future with you," he said, his eyes locking onto yours. "I'll work hard, earn enough to retire young, and you can keep working if you want. You won't have to worry about the details—"

You silenced him with a sudden kiss, your heart pounding.

"That doesn’t matter now," you said softly. "I just want to be with you."

And under that starry night sky, with his fingers intertwined with yours, Nanami knew he had made the right decision.

ㅤ♡ྀི ₊

Nanami's lips curved into something between a smile and a grimace. A message from Gojo.

Nanamiiiii,

Even though your coldness is unbearable, I’m going to miss you. But I’d rather miss you than see everything go to hell, so go ahead and live your boring college life. I’ll handle the dirty work (as always).

P.S. When you get tired of “normal” and want to come back to the interesting side of life, I’ll be here. But I doubt someone as bitter as you can handle how much fun it is working with me.

P.P.S. At least tell me that girl’s worth it. How is it we still haven’t gone out, the three of us?"

Nanami sighed and set his phone aside. He could read between the lines: "I don’t want you to end up like Geto." Though Gojo expressed himself in his uniquely ridiculous way, his words reminded Nanami why he had made the right decision.

"What’s wrong?" you asked, noticing his distant expression.

He shook his head, bringing his attention back to you. "Nothing important. Just Gojo being Gojo."

You leaned closer, curious, but before you could insist, you exclaimed excitedly, "Oh! I got the waitress job!"

Nanami raised an eyebrow. "Full-time?"

"Yes," you replied enthusiastically. "Once we start college, I want to find my own place and live alone."

His expression shifted, growing slightly more serious. After a few moments of silence, he said, "What if we lived together?"

Your smile faltered. "Kento, that’s really sweet of you, but no."

Nanami frowned, clearly affected by your response. "Why not? I thought… it’d make things easier for both of us. We’d be together."

You took his hands in yours, smiling at him gently. "I want to know what it’s like to live alone. I need that space to grow as a person. It’s important to me."

Nanami nodded, though his eyes held a flicker of sadness. "I understand. But I won’t blame you if you change your mind."

Six months later, you both started college. Nanami had changed his appearance—his hair was shorter and slicked back, and he often wore dress shirts and jeans. His mature, polished style didn’t go unnoticed.

In the hallways, you noticed the stares he received, from both women and men.

"They’re looking at you again," you whispered, slightly annoyed, as you walked together to the library.

He glanced at you with a faint smile. "Are you jealous?"

"No, of course not," you replied, though your furrowed brow said otherwise. Still, you couldn’t help but feel proud. You knew that no matter how many looks he got, he was yours and yours alone.

Despite your busy schedules, exam weeks were always different. It had become a tradition to study together, either at your place or his.

Well, studying was the initial plan.

Night had fallen, and your apartment was quiet, save for the rustle of notes scattered on the floor, forgotten. You and Nanami were on the couch, completely absorbed in the moment. His lips moved against yours with a fervor that left you breathless, his careful hands gripping your waist, pulling you closer.

Your fingers tangled in his hair, messing it up, as he tilted his head to deepen the kiss. He kissed you with a slow, deliberate intensity, as if trying to memorize every sensation. His lips moved with a restrained passion that felt ready to overflow at any moment.

You pulled back just enough to catch your breath, but he didn’t let you move far. His mouth trailed down to your neck, leaving a path of heated kisses that sent shivers through your body.

"Kento," you murmured, trying to sound firm, though your voice came out shaky. "We should be studying."

"I can’t focus," he murmured against your skin, his voice low and laden with desire. "Not when you’re this close."

You tried to pull away, but he cupped your face with both hands, gently guiding you to meet his gaze. His eyes were filled with a mixture of tenderness and need that always left you defenseless.

"Let me stay like this a little longer," he confessed, his tone almost pleading.

You were just as lost in him—in the way his hands traced your back, slowly moving up to your shoulders, as if rediscovering you. His lips found yours again, this time with a softness that contrasted with the earlier intensity but was just as overwhelming.

"Kento," you tried again, with little conviction. "The exams…"

"I love the way you say my name," he whispered against your lips, a small smile forming. "There’s nothing more important than this right now."

His hands slid back to your waist, holding you with a firmness that made you feel both secure and deeply desired. You gave in to the moment, letting him guide you, feeling the weight of books and responsibilities melt away.

A soft gasp escaped your lips when he brushed your cheek, and the sound made him pause for just a moment. He looked at you, his expression now softened by overwhelming tenderness.

"Do you know what you make me feel?" he whispered, his voice barely audible but heavy with emotion.

"What?" you managed to ask, still trying to catch your breath.

He rested his forehead against yours, closing his eyes for a moment, as if anchoring himself in your presence. "That no matter how much time we have, I’ll always want more of you. It’ll never be enough."

Your hands caressed his face, tracing the lines of his jaw as you gazed at him with equal intensity. "I love you," you said, letting all your reservations fall away.

He kissed you again, this time softer, as if your words had soothed the fire within him—though only slightly.

Finally, you were the one to create some distance, though your body was still trembling. "Hey, handsome," you said with a nervous smile. "If we keep this up, we’re going to fail our exams."

He sighed with a faint smile, smoothing his hair. "Fine," he said with resignation. But before you could move, he added, "Though I want it on record that I’m against stopping."

Blushing, you began gathering the notes scattered on the floor. Nanami watched you, his gaze still full of adoration and desire. He couldn’t help but think how much he wished time would stop when you were like this, together.

ㅤ♡ྀི ₊

The years passed quickly. Both of you graduated college. You found a job almost immediately at the hospital where you had completed your volunteering, excited to begin your specialty in palliative care.

Out of respect for Nanami, you decided not to use your cursed energy technique anymore. You knew he appreciated that gesture more than he let on.

Nanami, on the other hand, entered the world of finance and quickly excelled as a stockbroker. His success surprised no one; he was meticulous, efficient, and dedicated.

One sunny afternoon, Nanami invited you to look at apartments. He insisted it was "just for fun," now that he was considering moving closer to his office. You went along, thinking it would be a casual distraction from your routines, but as soon as you arrived, you were taken aback.

"This place is... incredible," you said, your eyes taking in the sleek, modern facade. "Are you sure this isn’t out of your budget?"

He gave you a faint smile, the kind he reserved for moments when he was about to surprise you. "Let’s go inside and see."

Stepping into the apartment, your eyes widened. The space was bright and open, with large windows that let in warm, natural light. The kitchen was modern, with impeccable finishes, and there was a spacious living area and a small balcony with a breathtaking view. You walked slowly, admiring every detail, while Nanami followed quietly, watching you intently.

Finally, you stopped at the balcony, gazing out at the city with a soft sigh. "It’s perfect. It’s… too perfect."

Nanami approached, resting a hand on the balcony doorframe. "Do you like it?"

"I love it," you admitted with a smile. "If this is what you’re looking for, I think you should go for it. It’s amazing."

He cleared his throat, clearly nervous—a rarity for him. "I want to get this place, but not just for me."

You turned to him, puzzled. "What do you mean?"

Nanami slid his hands into his pockets, as if seeking something to steady himself. Then he looked up, his eyes locking onto yours. "I want us to live here together. You and me."

Your heart skipped a beat.

Nanami took a deep breath. "And this time, you can’t say no."

You frowned, confused, but before you could respond, he pulled a small black box from his pocket and opened it. Inside, a simple yet elegant ring sparkled in the golden light of the setting sun.

"Because I don’t just want us to live together," he said, his voice lower but steady. "I want to build a life with you. I want this to be our home. I want you to be my wife."

Your mouth fell open in a soft gasp, tears welling in your eyes. The silence stretched between you, not because words were lacking, but because the gravity of the moment spoke for itself.

"Will you marry me?"

°❀⋆.ೃ࿔.:･･:.ೃ࿔.⋆❀°

pt. 1 - pt. 2 - pt. 3 - pt. 4

Reader meets Gojo

[combefier]

the thing that really gets me about how bad the writing for rook in particular is is that it would take so little effort to make it better. and it would probably make the writers' jobs a lot more interesting, too. you should be able to piss off your companions. in every other dragon age, you can piss off your companions. you can piss them off so badly that they try to kill you. if you just sort of fail to impress people one way or another in da2, you can end up having to fight your best friends to the death, or have one of them peace out after prompting an invasion of your city. the ability to have conflict with your companions wasn't always handled WELL (trying to talk to cullen about mage rights in dai comes to mind, as does trying to talk to dorian about slavery beyond the one conversation), but the option was there. it seems like the only way you can piss off your companions here is by making tactical disagreements they don't like. there's no room to have a personality some of your companions find off-putting, even though there are multiple points where your companions are put off by one another. purple hawke we're so not back. and the reason can't be "well you had to be someone varric would choose," because varric's best friend was hawke and there can be very many different kinds of hawke.

you're given a fascinating backstory and it will not come up beyond occasional comments relevant to your faction. mourn watch rook why does your backstory almost never come up i would tell people that story all the time. it's like dming for a player who came up with the most rich backstory you've ever seen and then watching them ignore it every time you dangle plot hooks in front of them. bioware do you remember what you wrote. bioware u good???? the sanitization of various factions aside because that's its whole own post, it would be so easy to give a dialogue here and there where rook could show more of what sort of rook they are by letting them reflect on their backstory. it would be so easy to write aggressive answers that are actually aggressive.

i've spent enough time in editing that i've just been trying to figure out if there's any possible motivation beyond a lack of investment in their own story, or a shocking paucity of good editors in their work environment. is it because the way they designed the game necessitates that everyone be there at the end? but you can still fuck up the ending by making the wrong choices there, à la me2, and you were allowed to piss people off in me2. if you can get people killed at the end anyway, why not let the choices you made and the responses you chose matter beyond "did you do enough sidequests?"

at a certain point, it's just confusing. they know how to do this, even if they don't always do it well. the lack of any real room for agency or personality or conflict is just... odd. this is also leaving aside how easy it would have been to incorporate SOME past choices from past games per their previous work. bioware i just want to talk

[megan0013]

soulmate au wherein you start to see color as soon as you make eye contact with your soulmate, but lose the ability when they die

which is why gabriel is adamant emilie is still alive and savable because if she were really dead his vision would have reverted back to grayscale and he can still tell the difference between orchid and amethyst at a glance, thank you very much

fast forward to hawkmoth’s defeat at the hands of the heroes and ladybug’s confirmation that there’s nothing they can do for emilie and that she is, in fact, dead. but that doesn’t make sense because gabriel can still see colors - can still see the blue sky the morning of her funeral, and the pink dress he’d chosen for her to be buried in, and the green grass as her casket descends into the ground

life goes on and the color never fades -

not like those few times it had when he still wore the miraculous

those had been some of the worst nights of his life. when the color of his son’s hair had lost its golden hue and his assistant’s bright blue eyes looked grey (the fact those nights always coincided with nathalie’s weakest never crossed his mind, nor did the way everything around him seemed brighter whenever she took a deep, fortifying breath)

- and then one day adrien asks nathalie if she can see color, why isn’t she with her soulmate?

“i don’t know who they are.”

“how can you not know?!”

“there were a lot of people around when it happened.” she shrugs and then, at adrien’s incredulous expression, elaborates, “i was on a school trip to the musée d’orsay. one second everything was in black and white, and the next i could see color. it happened so fast i don’t even know if he realized it was me he was looking at. and by the time i’d gotten over my shock the teachers were herding us onto the next activity.”

“do you remember anything about him?”

“the details are fuzzy now, but he was older than me by a few years. and he was very tall.” she pauses, thinking. “and his hair was cut short, but dyed bright red.”

adrien’s eyes narrow. “is that why you have a red streak in your hair?”

nathalie smiles and tilts her head. “you know, adrien, i never really thought about it like that. but maybe.”

“how long ago was this?”

adrien and nathalie both turn at the sound of gabriel’s sudden question, completely unaware of how intently he’d been listening to their conversation since the mentioning of the station

“i’d just turned fourteen.”

gabriel calculates the timing in his head, frown deepening as nathalie and adrien turn to a different topic

a few days later an increasingly agitated gabriel bites the bullet and calls amélie, who reluctantly admits that, no, gabriel was not actually emilie’s soulmate and that, apparently, she had known her soulmate for years before she’d met him but couldn’t stand the boy and had jumped at the chance to be gabriel’s soulmate when he’d mistaken her for his

furious, he slams down the phone and goes to find the old photo albums stashed in the back of his closet

and there, on the second page of a scrapbook emilie had made him for their six-month anniversary, in the background of the very first selfie he’d taken with emilie was a gangly, pale girl with a heart-shaped face and familiar bright blue eyes

gabriel’s heart stutters to a stop, eyes flicking from the bright red buzz cut he’d very briefly sported to emilie’s radiant smile and back to the teenage version of nathalie

nathalie

his soulmate

[giddythekitty]

A little speculation of mine regarding shifting

Disclaimer: Everything I say in this post is only what I think might be blocking some of us in shifting to not-parallels. Take it as you wish but don’t come for me because I warned you.

So, shifting.

We already know social media is an issue, lots of people talked about it before. But I kinda want to dive a little deeper.

Because yeah, social media(including Tumblr) does affect you, but why?(and also a few secondary causes)

Burnout

Usually(me personally) I spend a lot of time doomscrolling on Tiktok or here on Tumblr and looking at things about my s/o or my cc or a friend there or the likes. While it’s not exactly a bad thing to look for ‘motivation’ per se, it kills some intention to shift to that reality because you have a small substitute for it here.

2. AI chatbots

Remember, your subconscious can’t tell the difference between what you see and what you tell it you see. Same goes for conversations or movies or books. Maybe even dreams. It doesn’t differentiate between a real conversation and one with a chatbot, so again, some of that intention is killed.

3. Daydreaming/‘roleplaying’

Am I saying either of those are bad things? No. Am I saying they are absolutely terrible for you if you want to shift? No again. What I’m saying is if you do it too much it might also affect your intention and/or motivation to shift. If you need an example, I’ll give one. I like to listen to music a lot, because it’s a coping mechanism and an escape from ‘the real world’. Usually many of these songs are accompanied by scenes I make up in my head and most of the ones I personally have are related to who I am in one DR but talking to some characters from a different place. Like a crossover of the sorts. There is not a single day where I haven’t listened to at least one song.

4. Looking at other shifters for help

So many shifters have said it before and by god am I tired of saying it too, but shifting is a path of self discovery. Like a puzzle. You’re given the pieces and the final image, but you’re the one who has to put them together, not someone else for you. You already have all you need, wasting time looking for answers to questions like ‘why am I not shifting’ or ‘what else do I have to do to shift’ can become hurtful. Sure, advice from time to time is helpful, but constantly doing it won’t get you anywhere.

Your mom didn’t spoon feed you your entire life, did she? She showed you how to do it yourself when you were old enough to learn, and you had to practice on your own and build up strength in your little toddler hands how to hold a spoon properly so you can eat.

So what do all these have in common and to do with shifting?

Simple: Intention and Motivation. Your will to get there.

Now I’m not saying to stop them all together, but I am saying that they should be cut off— rationed if you will— significantly if it means those of us with said issue want to get rid of it.

Again, it kills the intention to shift. Your conscious can’t tell the difference between what’s real and what’s fake, so it always thinks seeing an edit of your favorite person is really similar to seeing them IRL. From my point of view(mine personally), intention isn’t always there.

Let’s give another example and pretend intention is sugar. Sweetness in general. If you have it sometimes, you’re fine. Maybe you want more, but it’s okay. If you take it in big quantities though, it can become an addiction and lead to diabetes or an insulinic shock.

Now pretend all those things I counted out above as the sugar. You take too much and you might end up hurting yourself at some point or just staying at the same level. Spending all day doomscrolling, looking at other peoole for help, chatting with ais and so on, all while having the ‘it’ll help me shift tonight’ mindset won’t get you too far because you’re just exhausting yourself.

And no one’s saying the change has to be instant. You can’t stop an addiction immediately because it’ll just hurt you more, but you can slowly lessen the dose until it’s minimal or nonexistent. At the end of the day you’re only helping yourself, and what’s a thousand years to an eternity of bliss?

I know this is long, but I feel it needs to be put out there. This feels like important information/advice/take it as you will, and let me know if you have questions and I’ll make sure to answer/clarify them.

Happy shifting and take a break if you need to.

[blackkatmagic]

Ms. Kat; I apologize is this is going too far-feel free to ignore/call me out. It is my understanding that you are both a therapist and a member of the LGBT community. My parents keep misgendering my friend. Not malice, habit (known them all their life, ‘he’ is habit). It’s just that they don’t seem to want to change that habit. I was wondering if you, as a therapist/LGBT, had any suggestions for resources on misgendering+mental health? I think that might help them understand. Thank you.

It depends on the situation. Since it sounds like your friend is out to your parents, I'd try to have a conversation with them about what being trans actually entails and means on a personal level to that friend. Resources are always good, but usually a personal connection is the best foundation to build on. Also, giving people time and grace is always good - older generations often have a harder time adjusting to people with different sexualities being more open about it, even if they're accepting. Gently correcting and making a point to use the correct pronouns/name often can help a lot over time.

I'll link a few articles that might help, but it's hard for people to connect with dry academic articles or lists if they don't understand why they need to change their habits. Sit down with your parents, maybe go over one of the articles with them, connect the different points back to your friend. They'll figure it out if they're given space to, and if they won't, you'll at least know to protect your friend from that mindset.

[thestrangestthing89]

A lot of this fandom can't cope with the fact that this show is horror. Anytime there is something unpleasant that happens on the show they can't deal and just lash out at everyone instead of sitting with that discomfort and thinking about it. You are supposed to be uncomfortable. But they need every unpleasant thing to go away and it just speaks to how sheltered they are that they haven't had to deal with anything negative in their lives until they watched a fictional show. A lot of horror movies use violent imagery and themes of abuse to highlight problems in society. If that isn't something people are comfortable with, they need to learn to make a choice to stop watching. Being hostile towards the fandom that is emotionally mature enough to handle this content isn't going to change the direction of the show. Those things are already on the show even if you are ignoring it. And the final season is likely to make those concepts more direct. So if people can't handle a conversation online about it, they need to understand that they aren't going to be able to handle watching it. There is no amount of tantruming that is going to change the genre of the show or stop people from noticing these things. They are meant to be noticed. There is this bizarre idea that only an evil, sinister person would ever read/write anything with darker themes. Its a very naive and sheltered take to have. This combined with the fact that so much of this fandom is flat out hostile anytime someone knows better about something than they do. Doesn't matter if someone has years of experience with a topic, they are supposed to pretend to be in the same place as the younger people in the fandom because they get insecure and upset if someone's knowledge and experience leads to better ideas than theirs. It's fucking ridiculous. Not everyone on here is in your peer group. Take the opportunity to learn from people who know more than you. People are coming at this show and the topics involved from a variety of different places and life experiences. Simplifying everything and claiming everyone who disagrees with you is sinister in some way is annoying. Learn to cope. You can't control other people or the conversations they have. It is increasingly obvious how much of the younger part of this fandom cannot handle watching this show. They need to separate themselves from the fandom because they made it their whole identity. The parasocial relationships and ownership over fandom conversations are all totally out of line. This fandom does not belong to you. It's for everyone. And if you can't deal with that it's not the place you should be. Every single time someone does a call out of perceived bad behavior that person is the issue, not the one they are calling out. Every time. It is also just not anyone's responsibility to call anything out. You aren't a fandom cop. People aren't even actually angry they just think they are supposed to be and want their followers to know they are against something.

Just FYI.

If you send a mean spirited ask implying things about me in bad faith I won't acknowledge you. Instant block. Please do something better with your time and reflect on why you're perceiving others so negatively.