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venusdeus · 4 years ago

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Court of Kings - Chapter 1

Summary: Sent to a neighboring kingdom to secure an alliance, forced to give up your dreams and ambitions, disregarded as a means to an end. You however have no desire to fulfil their wishes. And neither does Oikawa.

Pairing: Oikawa Tooru x female reader

Genre: Fluff, comedy, angst, royalty au, arranged marriage au, enemies to lovers au (more like enemies to allies to friends to lovers), eventual smut?

Word count: 2700+

Warnings: All the characters are adults unless specified. This chapter is sfw. Minors do not interact.

Notes: Part 1 of a long series I’m planning to write. This is my first fic in this blog so I would greatly appreciate comments, follows and feedback!

Read Prologue first <...> Chapter 2

August 5th

The first messengers arrived when you were having afternoon tea with your literature instructor in the gardens of your summer residence, as your brother was practicing his sword skills not too far. A maid sent by your mother brought you the news of their negotiation a few hours later, accompanied by some of the strawberry macarons you loved so much.

If it were up to you, you would refuse such a ridiculous offer even before it was brought to your attention. Now that they had a male heir to the throne however, there was no use of a girl that had no claim to become the future ruler, other than being sent to create diplomatic relations now that you were over twenty summers.

“Where do you think they are from?” your brother asked as he tried to dust off his clothes, quite tired from following the orders of his practice partner all day long.

“I wouldn’t know, I didn’t see any flags with them.” you continued as he looked disappointed “But they were wearing blue, so at least we know it's not from the south.”

He nodded; his eyes wide with worry “I am glad they are not sending you there.”

“No one is sending me anywhere yet Hiro.” you answered quite annoyed, turning your head sharply to glare at the boy.

It was not his fault per see but him being recognized as the heir has left you in an awkward situation for the past twelve years. You loved your brother dearly, unlike the distant relationship you had with your parents. It was not because you had the ambition to rule the kingdom either. Of course, it was unfair as you were the firstborn, and if not for what was between your legs, you would also have been the one to inherit the crown.

Even if that was so, you simply did not find it in yourself to become a leader. You, however, did wish to be able to shape your own future. One that did not involve fulfilling the selfish wishes of others.

“It would be awfully lonely without you.” he sighed, instantly making you feel guilty for sounding a little bit too harsh.

Hiro looked incredibly small for his age, standing there with his shoulders slouched, fingers flicking, a skinny and sickly kid since the day he was born. He took after your father with his dark hair and almost pitch-black eyes, but with your mother's facial features, a contrast to your own looks that bore no resemblance to any of them, another reason for your alienation from the rest of the family.

“And it would be awfully quiet without you.” you teased “Maybe then I would be able to read in peace.”

Several footsteps coming behind you silenced you both before Hiro could retort, cutting the joyful air and replacing it with a heavy feeling.

Your mother was a beautiful woman that much was true, but in a different way to that of her kids. The Queen had extremely sharp features and her painted lips always supported a displeased frown. She acted as her title suggested, prim and proper, she fit her role perfectly.

Renowned for her charm when she was younger, she did not lose much to the ages if not for the wrinkles next to her keen eyes and the white threads on her hair. Likewise, she was as smart as she was alluring. Coming from a family that lost their wealth a long time ago even though they still supported titles, no one would even dream of her being second to the sole ruler of their beloved country. She was a success-driven woman, which made her a threat in the eyes of many in the court, thus she was not given the right to make a decision when it came to the education of the heirs she produced. Although affectionate towards her kids first, she had no say on the time she had with them, causing their family ties to weaken, and mostly spent her time with foreign ambassadors. A responsibility entrusted upon her by her husband.

“I see you received my message.” she declared not looking at you directly “We will talk more about this after our guests leave. For now, I want both of you to go to your rooms and stay there until dinner.”

You could sense the irritation in her voice. It was not for her kids, however, as you could see the dark circles under her eyes, a sign of her losing sleep for the past few days.

“Won’t we meet our guests?” Hiro questioned before you could.

“It is not needed as they are only messengers.” the Queen answered shortly before continuing her walk towards the main hall, her maids trailing behind. “I will see you two in an hour.”

Leaving your brother behind, you decided to head down towards the observatory. You knew that you would get an earful from your maids later for not changing your garments for the dinner, but your head was filled with too many questions and negative possibilities to care about dresses. It was not as if you did not know that this day would come. It even took longer than expected if all things considered. Most in your position would be engaged before they even stopped using diapers. It was a more political alliance than anything else, decided by the respective kingdoms and the advisors.

You even saw the letters that were exchanged since last year with multiple seals supporting different coat of arms. The council of your father must have declined the offers before this. Not for your sake, at least you didn’t think it was, but for not suiting their taste. It was a big deal for the princess of a country, whether being the heir or not, to marry someone as it reassured the ties you would create.

The only positive thing that happened so far was the fact that you would not be sent to the south. The Southern Kingdom was placed across the sea and was an important trade partner to your own.

It was a wealthy country for sure, but also too grim and the people too wild. Other than the traded goods it wasn’t a traveller-friendly country. They kept to themselves and even though the only thing that separated the two port kingdoms was a narrow sea, they had a vastly different culture. These differences resulted in legends and the rumors about the country becoming more and more outrageous over time.

They called their men barbaric, only interested in hunt and the art of war. Their women proclaimed witches, quite beautiful unlike the stereotype, but worshippers of a different God. All just foolish rumors said your history instructor. He was a wise man that travelled a lot when he was younger and according to him these tales were nonsense. Their folk did not originate there but immigrated over a few centuries ago. He taught you that the people of the Southern Kingdom were that of culture and arts. They just did not like intruders. His words didn’t ease your or Hiro’s heart however as you were fed these tales since you were younger.

If you could find a way to escape from this responsibility you would. Yet, since the first time you sensed what was going on you were looking for an answer, just to be disappointed every time.

The dinner was cold and tasteless even though it was made from the best ingredients one could manage to find. “The lady that makes them must hate her occupation with a passion” claimed your brother when you were dismissed “I can’t understand how mother likes it.”

Once again, the King did not join you at the table. It was always the same excuse, politics, responsibilities. But you knew better. You knew why your parents did not share a bed anymore and you could see the looks women of the court gave to your father. It was not because the King was a good-looking man, quite the opposite in fact, but power attracted people.

You were fully grown now and even when you were younger, you knew what these actions indicated. You even had the most unfortunate memory of seeing one of them, who was not much older than you, leaving your father's chamber looking quite flushed. You would have not cared if only the woman did not give you a curtsy while supporting a smirk.

Lady Winna was her real name, daughter of a lord that was close to the King, nicknamed Lady Whore by you. And most of the time, she was the reason your father would skip the meals altogether only to receive a feast in his room later that night. Which was why you knew that you should never hope for a love match. If lucky you could maybe be friends with your future partner.

“She does not hate her job, she hates her life” you replied “Not that it would matter, she will leave soon. I heard she was pregnant with a lord’s child. A married one on top of that.”

Hiro gasped “What if someone were to hear you talking about these rumors” he exclaimed hitting your arm quite forcefully “you could be punished.”

“Don’t act as if you never say such stuff you little bridge troll. I know how you talk behind your instructors.” you mused rubbing the pain off. “And who will punish a princess I ask you? If not for mother or father?”

“Do I need to know what I should punish you for?”

Both you and Hiro jumped at the unexpected voice of the Queen, a gasp leaving your mouths. She was holding a box in her hand and her face was supporting a rare, serene expression.

“Nothing of importance.” replied Hiro quickly “We were just afraid of falling behind our studies.”

The Queen did not seem convinced as her eyes narrowed, but she had a small genuine smile on. “I see. Why don’t you go on ahead and start your nightly studies then? I need to talk to your sister privately in the meantime.”

Hiro let out a snort that he tried to cover with a cough. You are in trouble he mouthed before bowing to your mother and disappearing through the corridor.

“I would like you to know I was just repeating what the ladies in the court were saying. Not that I believe the rumors of course, it is quite indecent.” you tried to explain quickly but the Queen cut you with a shake of her head.

“That is not why I wanted to talk to you dear. It is however quite incident for a lady to talk that way you are right.” she sighed “Why don’t we talk in my study?”

You knew what was coming now, after all you could not remember the last time you had a conversation with your mother alone, the relaxed expression on her face, however, gave you hope. Maybe, you thought, they decided it was not time yet. Or maybe they did not like the offers that came through.

“Close the door, will you?” she asked walking towards the desk that stood before the bookshelves that covered the walls.

“Where are your attendants?” you questioned as you followed her inside “Is there something wrong?”

“I thought you would be more comfortable if it were just the two of us that’s all. I need to show you something.” She answered motioning towards the box she was holding. “It came this morning. For you of course. Go on, open it.”

The box itself was made from heavy oak, painted black with a family crest carved on top of it. The symbol looked familiar enough, but you could not concentrate enough to remember where you knew it from over the heavy beating of your heart. Opening it cautiously you took a sharp breath between your teeth, observing the contents.

Inside stood a tiara that was made from white gems shaped in intricate designs that you have not encountered before and in the middle stood an icy blue diamond so big that you could have sworn it must have cost the yearly earnings of a whole country.

“Not a ring.” You stated matter of factly “A very bold choice for a gift.”

“Indeed. But you cannot expect less from Seijoh.” Your mother replied with a cautious voice, almost as if she was calculating your reaction.

“Seijoh…” the box cluttered on the table as you let go of it abruptly “You are sending me up north? We waged war against them for years! Even before my grandfather! And now you are sending me there?”

You knew the country itself was wealthy enough and that it had a strong military presence. They had many allies within the countries that bordered yours as well. But they also claimed right on your countries throne by sighting territorial dispute as well as a marriage between the two countries that produced no heir.

Now they were sending you there as a scapegoat. To secure his claim to the throne. And maybe even to theirs. An eye for an eye.

It took another week for your father to send a response and invite the Crown Prince and the King of Seijoh for a short visit before the decision was finalized and another two for them to arrive on the outskirts of your kingdom with their entourage behind.

As you sat in your suite biting your nails and waiting for their arrival, your maids were going in and out with different dresses in their hands looking for your approval. You on the other hand did not have the mental energy to entertain their ideas. It was bad enough that you had to attend a ball given in their honor that very evening, but you also had to be in the throne room soon enough to welcome them into the castle. Not to mention this would be the first time that you were to meet your possible future husband.

You heard of him before of course. How could you not when his reputation preceded him? A very cunning and ambitious young man, yet it was his looks that brought the most gossip. You heard his name whispered among the staff when they did not know you were listening and heard the ladies giggle when they mentioned the time that they spent in their court, with him.

It was enough to leave a sour taste in your mouth. Was it too much to ask that your future partner was a man of intelligence and few words? At least you would know that you could get along with him then. But a sharp and striking Casanova? They had to be jesting. That was the only possible explanation for this mockery.

As if your fathers’ ridiculous behaviors wasn’t enough now you had to entertain another man like him. It was pretty common for monarchs to take on other lovers, but you would not be embarrassed by a man you did not know in your own house, husband or not.

When you finally entered the throne room you could hear the commotion outside caused by non-other than the infamous man that was plaguing your thoughts for the past week. Your mother motioned you to hurry and take your place with a sudden turn of her chin just before the doors opened.

The rumors did not do him justice you thought as he strutted towards you and your family, your breath caught in your throat.

Oikawa Tooru was without a doubt the most beautiful man you ever laid eyes on.

He was beautiful alright.

And with his charming eyes staring straight at your own and his delicate hands placed on his sword, he looked ready to murder.

It might look like a filler episode, but I needed to give background and I love to build anticipation. Sorry not sorry? Reblogs are appreciated! And also this was not edited I posted it right after writing it so if you see any mistake let me know.

Disclaimer: No portion of this story may be reproduced in any form without permission. I do not own the character of Oikawa Tooru. This is a work of fiction.

TAG LIST: Let me know if you want me to tag you.

@triskoof @sassyglassesbunny @m-a-r-i-a-s-b-l-o-g

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popculturebuffet · 4 years ago

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Justice League: In Blackest Night Review: A Case Study in Why John Stewart is Awesome

Hello my Green Lantern Corps and happy black history month! And happy 40th Anniversary Year to John Stewart. And let’s get this out of the way now not the one replaced by trevor noah who handed Tucker Carlson his ass on television and got his show canceled, please do it again John i’d be greatful, and has a weird obession with how Pizza should be. No i’m of course talking about the Green Lantern, the third from earth and the second to headline the book itself, John Stewart. But to me.. he was my first Green Lantern and one that gave me a deep and abiding love of the Corps since all thanks to this very episode. It’s thanks to John I’m the green lantern loving nerd I am today and without him I probably wouldn’t of found Guy, Jessica, Simon, Alan, and Kyle not to mention got into the varoius other corps. It’s thanks to this episode I wanted to seek out these wonderful characters eventaully and in part why I got into JLI, one of my faviorite teams, among many ohter great things and books.

So quite obviously both this episode, which I haven’t seen in probably a decade, and John have a great place in my heart. And thus it warms said heart to FINALLY see John getting the recogntion he deserves: he’s going to be one of the starring roles in the upcoming HBO Max series, he was on Scott Snyder’s justice league, and he’s now going to be headlniing the main Green Lantern book going forward under writer Geoffry Throne, who like me was VERY sick of the Hal Jordan show the Green Lantern franchise could become at times, and also like me gave out about it a LOT. The fact DC hired him despite a very public and easily accesable record of him slagging of their use of Hal instead of him ESPECAILLY in the new 52 reboot aka why Cyborg is in the Justice League movie as Geoff kinda shoved hal in there despite John being a more sensible pick and doing so not only shoving the Martain Manhunter, who this show also gave me a deep lasting love for, out of the team but forcing Cyborg onto the team despite fitting with the titans better and, AGAIN there being a black green lantern and given the New 52 kept the history of there being multiple lanterns, no reason Hal could’ve been SECOND instead other than DanDiDio’s bitchy habit of EVERYTHING WAS BETTER ON MY EARTH that poisoined the company for a good decade before recently.

And yes I felt the need to rant about that, yes Green Lantern the animated series is still good mind you, I just got tired of bland white guy over “Really awesome, really layred especailly thanks to this series black guy”, “stubborn asshole white guy whose hilarious and has a heart underneath the layers of douchebag”, “creative and imaginative white guy who has as personality and really uses the ring in fun ways”, and more recently “A muslim superhero struggling with his past who’se also really energetic and fun and has an intresting family life” and “Latnix superheroine who struggles with anxiety and actually struggles with constructs and once she gets past that has very unique ones”. In other words, yeah I’m bitter because everyone else was more intresting than Hal, and it’s only in recent years with Jessica gaining promience and John regaining it that DC’s finally broke out of that and is actually using the intresting ones, and again without John I wouldn’t be a fan, so they had no real excuse to barely use him outside of the comics if at at all after a while.

So yeah as you can tell by that rant and by how specific it got for each lantern, this is one of my faviorite franchises, as said this episode is responsible and so for Black History Month I felt i’d be a huge mistake on my part if I DIDN’T cover my boy John and this episode and see how it held up. The fact it’s his 40th anniversary wasn’t something I was aware of, but now I am, expect more Johncentric episodes from Justice League sprinkled throughout the year to celebrate one of my first and possibly best GL.

Naturally before we get to the episode we have to get to the series itself. The series was launched as Batman Beyond was winding down. Bruce Timm wanted to keep the crew together, something I could empathize with since Owen Dennis and JG Quintel have ran into that same problem lately, with most of their crews drifting off during the gaps in production and Owen desperate to get the show renewed before he lost everybody. A good crew isn’t had to find in animation but KEEPING them for multiple shows or seasons can be. And there was one project the fans wanted more than anything: The Justice League. After all BOTH Batman and Superman had had tons of guest stars, especailly the latter, with Batman having Zantana show up and Superman having the Flash (Wally West), Green Lantern (Kyle Rayner) and Aquaman all show up. There were seeds there.. but Timm was relcutant as he had trouble ballancing 2 or 3 heroes in a fight scene, wanting to keep them al lin focus so fans didn’t wonder where they were and they didnt’ have to cut back and forth, the idea of juggling 7 was daunting. So as Beyond was finishing production a few things happened: The first is that they did the episode The Call, focusing on a future version of the League, and while only a two parter, it showed Timm his crew might be able to juggle a team of heroes after all, and second was the pitches Timm made BEFORE justice league. Since Kids WB had been hteir partner for a while now they tried pitching both a batman anime, he did not provide many details, and in his own words a “Kidified” justice league, basically the justice leagued mashed with the titans including a female version of cyborg. It was the latter pitch, which was rejected by Kids WB, that finally convinced Timm they could do this, but if they did it couldn’t be half assed or having compromises. it had to be what it SHOULD be. So they went to somewhere new, if in the same family and asked cartoon network, who said...

And here we are. They took their time to work out the characters, apparently taking a lot of delbiration, mostly on which GL to go with, and if they were going to do a hawk wether to go for hawkman or hawkgirl. In the end the roster was the iconic big 7 one, in large part thanks to Grant Morrison taking that concept and reviving it in his run on the team, but shaking it up slightly: Barry was naturally replaced with Wally West flash as he was THE flash in the comics, gave a slightly younger member for the others to play off of, and was more popular.. something Dan DiDio plugged his ears and went LALALALALALAL about for a decade before FINALLY leaving the company so he could stop screwing with a character he hated for reasons that can be summed up as ‘MY FLASH IS BETTER. YOU’LL LIKE MY FLASH.. YOU’LL SEE I JUST HAVE TO MAKE THE OTHER ONE A MASS MURDERER.. THAT’LL SHOW YOU FOR NOT LIKING WHAT I LIKE”... I still have maybe a smidge of lingering issues over how wally was treated the last few years after his return. I do not apologize for htem or for doing a little dance when I found out Didio was gone.

Point is it wasn’t the only subsitution as Hal Jordan was replaced by John, obviously and rather than use Aquaman, they went with Hawkgirl, though Arthur still got an episode focusing on him fairly early into the series which has the iconic moment of him cutting his hand off to save his son. I dare you to find something more badass. Bruce both liked her deisgn better and felt it helped with the gender ballance.

So with all that set and with some growing pains to get through they had their show so join me under the cut to see how it turned out. Spoilers: It good.

We open INNNNNN SPACCCEEEEEEE, as a coaltion of neat looking aliens wants justice and has gone to a space court lead by three weird alien faces, likely inspiried by the kryptoian tribunal in the donnerverse superman movies, with their prosecutor sending a group of mysterious robots known as the Manhunters to go fetch the accused for a trial: John Stewart. Given he’s voiced by Kurtwood “Red Forman” Smith, i’m very surpised he didn’t order them to also put their foots up his ass. Maybe he’s saving it for the trial.

After the titles we cut to John himself whose in shades and trenchant for reasons.. I mean it looks neat, but he’s in his old neighborhood not hunting down his exes killer or trying to hide the fact he’s a ninja turtle. Why is he all disguised. I mean sure WE know people are coming from him and given what he thinks he did he knows.. but he has no intention of running from what he did. It’s just a weird stylistic choice. That said we do get a cool sequence when while casually walking he notices a robbery, and stops it simply by first stopping the wheel then levitating the car.. and while he does get a little showy shaking the guy upside down to return the money.. it’s all very controlled. It shows off how John works. While we’ve seen him at work as Green Lantern before this this small sequence says volumes about john in the span of a few minutes, showing that shilw he HAS immense power, he only uses the amount he needs, knows when to hold back, and only shows off a tiny bit, and even then he’s likely still keeping the theif absolutely safe. It also provides excellent foreshadowing for later as to why the League takes his side even when he refuses to defend himself, as it shows that John really is a professional true and true.

He runs by a basketball court and fails to make a basket when throwing a ball back to a kid before meeting his old gym teacher, who turns out to be the kids uncle or something like that, and invites John to join them as they go to the barber shop. The kid wants John’s haircut, his granpa says the usual and i’m wondering why as John’s haircut isn’t that radical: it’s a miltiary style cut, belying the fact that for this series, while it dosen’t come up in the plot here, John was a former marine instead of an architect. Honestly.. this wasn’t a bad change, giving us the deciated and measured john we know, to the point the comics gladly retconned it in. Not that it’s really a huge deal given it meelrly adds shades to the guy and dosen’t prevent him from being an architect. It just adds lairs by giving a reaosn he’s so focused and driven. He had it drilled into him and carried it with him.

Meanwhile on the watchtower The Flash clumisly tries to get to know Hawkgirl better and maunver into asking her out, though it’s clear sh’es not intrested. Still even if he can’t help flirting, and it sometimes gets creepily obnoxious, it’s still better than I expected remembering this running subplot, as he DOES try to get to know her and what she does in her off time, even if it’s to set up asking her out, and is trying to ask her out instead of just hitting on her or doing anything far more creeptacular. It’s still not great mind you and hasn’t aged well at all.. but for the time it’s not TERRIBLE and again it goes away pretty quickly in favor of the much more intresting John and Shierya relationship.

Flash accidently shoots himself in the foot.. conversationally though given how Wally is at this point in the series I wouldn’t be suprised, by asking the Martian Manhunter, who gives Hakwgirl an easy exit if he’s ever felt alone.. you know the guy whose entire race including his wife and child died horribly. He quickly apologizes though and John understands he just stuck his foot in his mouth at lighting speed. And it’s not the MOST insensitive he’s been about Jonn’s dead wife.

But things are soon interupted as Jonn notes “We have an incursion!”

But the Avengers are dealing with all of that so they can instead focus on the Manhunters shooting toward earth. I really like this as the primary reason Batman set up this station was to monitor for alien threats, it just because the Leagues base because superman had the idea to stay as a team and it was a good un, and given earth JUST had an invasion, as this likely isn’t too long after that given it’s only the second set of episodes, it’s understandable they’d be on high alert.

So our heroes move to intercept. As the first episode after the pilot this one also sets up a recurring part of the show and a necessary one: only a handful of Leaguers would feature in each two-parter, as the episodes for the first two seasons were essentially one hourlong story split into two episodes. The only exceptions were the three part premire, the three part finales for each season, and the sole solo episode comfort and joy which is fucking awesome and my faviorite christmas episode period. But even with the extended run time the crew simply felt i’td be unwiedly to juggle 7 characters eveyr episode, feeling it’d eventually get to original series star trek leevels of having one just manning a console or something. So rather than try and cram them all into every episode, they choose who they needed and gave valid excuses for the rest when necessary. In this case Batman and Wonder Woman have solo missions their busy with , as does Superman whose adressing an earthquake. Our heroes try talking to the Manhunters.. who refuse to talk to them and then also say their coming for John, and aren’t explaning why. So naturally a brawl breaks out as the League SHOCKINGLY dosen’t want their friend who as far as they know has done nothing wrong taken by a brutish paramilitary force who won’t actual talk to the citzens their policing or try and be coporative. More on this in a second. The fight itself is pretty awesome as our heroes fight as evenly as they can.. but it’s clear their outgunned outplanned outnumbered and outmanned, as while their you know the justice league and do their best and Jonn is in Superman’s weight class the battle makes it VERY clear their barely holding in there and that the blast from the manhunters rods are just too potent for them to stand up against.

But help and hope arrives and things get a bit less lopsided when Superman shows up! Unfortunately it’s season 1 superman, and something a lot of fans noticed but I as a kid didn’t and the crew themslves did not until it was too late to course correct for the season, was that Superman came off as a bit of a wimp in this series. See they had the good intention of having him struck down to show a threat’s serious, something TV Tropes calls the “The Worf effect” after the fact that Worf on Star Trek TNG would get knocked on his ass a lot for the same reason, but it has the side effect of making a character look like their made of paper mache if done too often. To the crew’s credit they realized this and not only made sure this didn’t happen as much in season 2, but dedicated the first episode of Season 2, twilight, to showing Superman as a badass by having him try and cave Darkseid’s skull in. Granted they overcompensated in places in that episode, but that’s a story for another day. Point is he had a habit of getting knocked around and it varied between really effective and overselling it. Here it works as the manhunters had already knocked Jonn around a bit, knocking him into some poor kid’s apartment whose really wondering what the fuck just happened too much to enjoy meeting the martian manhunter, so him not being too on top of them simply sells this threat is equal, and possibly past the League.

Meanwhile John is talking to his former teacher who says the kid reminds him of John... it’s not only a nice bit of depth to show the restrained John used to be a bit of a hellraiser before the Marines.. but also shows John’s guilt as he hopes not.. but before he can unload, he notices the fight and suits up to his old mentors shock and the kids joy, I mean I would too if a guy suddenly because a green lantern in front of me, and dashes off.. to surrender and break up the fight, handing over his ring and going with them and telling the League not to interfere. Their response can be summed up thusly.

To John, he’s peacefully surrendering for a crime he comitted to a bruitsh and unfair police force but one who is duly deputized and as an officer himself, for the unaware the Green Lanterns are space cops and given the reason rightfuly reconing on the police I will certainly be discussing this as we go, is trying to coparate and prevent any collateral. While LIKELY Bruce pays for any that happens, as beneath his batdick demanour at times he’s a very good man and if he has the pockets for a space station, space craft, commuincators and all the good stuff a superhero team has on hand, he probably has a dedicated fund set up to paying for collateral since insurance might not cover it, and not only that would likely give any impacted extra to do any upgrades they coudln’t before because he’s a philanorphist .. one who dresses up like a bat to punch people in the face, but that itself is still philathophy in a way.

But to the League? Their friend was taken by a bunch of shady paramilitary robots who didn’t bother talking to them, is trying to keep them out of it and for all they know only surrendered to prevent a fight, and even if he had valid reasons, as his friends-ish and teammates, they have a right to answers. So while John sits in his cell completlating his apparent crimes.. the JL have taken off in the Javelin, the spaceship I mentioned batman funding. And of course Batman has both spaceship money and had a design for one so ready it likely took a month at most for him to get it up and running, if not less, and only didn’t have one in the batcave because he hadn’t neededed it yet and likely didn’t want to embezle more money than he has to from his company. Jonn uses the stars John saw, say that three times fast I dare you, to find a location and our heroes head there. Our heroes arrive.. and are attacked by the local security despite Superman geninely trying to hail them, the Javelin not firing back and our heros only going out to intercpet personally so they don’t die, and even then making careful certainty not to attack. So we get another thrilling battle, with our three flying heroes all pitching in, and the flash realizing he dosen’t know how to fly the thing and me cursing out bruce in my head for you know, not either forcing flash to learn the stuff, or having the forsight to put a manual on board for any members who forgot something, aka so when Wally inteivibly goofs off and eats candy instead of reading it the first time, he can speed read it and at least retain it long enough to land the thing in a crisis. If it were anyone else i’d be understanding but this is the guy who again, either had spaceship plans lying around or could get one together in the span of a month or so and while not thinking of the ship in terms of a team, still also paid for and likely created the commuincators they used, so he’d know his team well enough to know he needs this.

My nitpicking aside, our heroes land, make quick work of the locals, and then crash in on John’s trial after he’s escorted in, passing his fellow lanterns who rightfully treat him with disdain.. but for the wrong reasons as we’ll see. John gives groaning “oh no” , like he’s embarassed. When REALLY..

Seriously John, again you were as far as they knew kidnapped, and the way the manhunters acted, they had no reason to think they were legitamate, and you didn’t take five minutes to tell them, “They have every reason to be takning me” or “I blew up a planet I deserve this” . They still would’ve came mind you, they just might of realized this wasn’t a traditional rescue mission and actually tried to use some subtly. You also COULD have told the manhunters they might show up so the security wouldn’t attack them. They probably woudln’t o LISTEND or attacked themselves, so i’ts a damned if you do damned if you don’t situation, but you still did absolutely nothing. It’s the one mistep with John here and even then it has the justification of his self loathing at the moment being so high, he assumed they’d rightfully write him off without question.. not to mention given the team is mostly white guys, two aliens and a princess who woudln’t know better, he probably assumed like most white dumbasses they’d assume the police were correct and not give him the benifit of a doubt. To their credit, especially since you know one of them’s superman and the other one’s a professional dumbass, they didn’t think that for a second. Some would not be such a good person.

But Prosecutor Forman and the big giant heads aren’t much better than the manhunters, so Prosecutor Forman sends some orange guys to put foots up their asses.. and since unlike the manhunters their just... some ambigiously gendered aliens with no powers, they go down quick and before the manhunters enter, superman RIGHTFULLY calls them out, as he points out they just wanted to know what the hell was going on, didn’t throw the first punch, and have been under attack since, and the heads admit this IS a public trial, and they kinda overreacted so as long as the superfriends don’t do any other antics and watch like anyone else, their good. Superman has his team play it safe for now as they really don’t know what’s going on and given they could only stalemate the manhunters on even footing, they know they can’t take them on their home turf.

The trial is soon underway, and Prosecutor Forman calls the witnsees.. Kanjar Ro, also voiced by Smith. This is neat little bit as Ro was one of the first foes the League fought in the comics, a space pirate, and while he originally was just going to be some random asshole, someone brought up the idea of him being Ro and the crew really loved it. It’s a nice nod to the comics and honestly if you have a vast superhero universe with decades of continuity to draw from for your show, why NOT make the secondary villian of the episode be someone from the comics.

Ro is, like the comics, a pirate and seemingly came forward because what John did was so bad even he can’t stomach it and has to say something. So we FINALLY find out what John did.. well okay the audience as a whole does I remember this from being a kid. He and Ro had a routine cop and robber interaction, Ro was smuggling shit, and John was doing his job as GL of Sector 2814 and stopping him and cut out his engine.. but seemingly said engine drifted off, and destroyed a planet as result via chain reaction, and thus the debris right outside the planet John’s being tried on are apparently thsoe of the planet he accidently killed. The court takes a break and while the League, understandably, assume that the obviously shady man was lying John ends part one by confirming that no he did it. And this is why I put a pin in things... because the episode being about a space cop being arrested by worse space cops and dealing with his friends in the badge turning on him while some of his other friends try to prove he’s innocent, and the man in question being an african american... tackles some very loaded issues that, givent he writer and most of the staff, Dwayne McDuffie accepted, were very much white, i’m thinking they just kind of fell backward into and it only came out as good as it did either do to McDuffie or just blind luck that it didn’t turn out entirely awful in hindsight.

And if anyone is complaning: “Wait you dont’ need to get political leave politics out of this”.. please leave my fucking blog. For one, the recknoing with the police was long overdue, I feel ashamed for not having it sink in how fundementally broken the police were and not realizing it for my whole fucking life, I knew some cops were bad but I hadn’t realized the institution was inherently racist and bad and feel so much deep and lasting shame for that, and for another again it’s a story that at it’s core is a black police officer being arrested for doing something wrong, taking full responsiblity for his actions like a police officer SHOULD, and having friends of his try and prove he didn’t really do it, while his fellow officers, rather than find the act itself abohhrent, come out as either being loyal to john no matter what (kilowog) because fellow officer, or assholes who ONLY are upset because it makes them look bad, and are ONLY distancing themselves because of that, and not because you know JOHN MAY OF CAUSED A GENOCIDE BY INCOMPETNECE. So yeah, i’m not ignoring the real world implications, I couldn’t and wouldn’t if I wanted to, and i feel if done right ANY medium, animation, comics, what have you, for kids or not, can tackle such issues and should be able to.

So i’m not ignoring the elephant in the room, and as we get into part 2 we get the good and bad of this in full: Superman feels something’s off about this whole thing, a hunch admitely but given an engine falling in a crater seems a bit too convinent, he has a right to investigate and takes MM to do so, while he leaves Flash and Hakwgirl to stall. Both take diffrent approaches: Flash signs on as GL’s lawyer.. and it’s an awesome scene as we find out, in your standard evil lawyer joke, that the tribunal of faces solved this by simply having the lawyer share the punishment.. but it also shows Flash’s loyalty and faith that his friend did not do this and something worse is at work, as he still agrees after learning he’ll probably die if his other friends don’t fix this.

And now we have full context i can get into where this episode really does the issue justice for the most part: John is presented as the model of both what the GL Corps and what police should be: He’s professional, uses minimal force despite having a weapon that can do anything, and when he THINKS he did something horrible, he dosen’t run from his crime: the most he does is go back home to see it once last time, simply waiting for someone to come and get him for what it did wether it be his own brothers in arms or as we saw the manhunters and he doesn’t defend himself because he dosen’t feel he should as he screwed up, got an entire planet killed, and rightly thinks he should pay for it. He’s likely, as a black man in the early 2000′s, been falsely accused, pulueld over and fucked over by police and seen people in his community he knewe and care about die because of shit like this so when given the chance to take responsibility, even from a clearly broken system, he does. Because in the same situation a lot of officers back at home would not and would walk away clean and that’s not who John Stewart is, how he was raised, or what he or the corps stands for.

But the episode gets to have it’s cake and eat it too, as the League does belivie John didn’t do this on purpose.. and the blind faith they especially superman did come off as wince inducing.. until I realized it’s not because of some “brotherhood of the badge” bullshit.. but because it’s Superman. He belivies in the good of most people. In this very series despite Lex Luthor having tried to kill him dozens of times at this point, he STILL shows the guy empathy when he finds out Lex is dying of cancer. Lex spits at the notion of course and dosen’t take it seroiusly.. but Superman is just that good a person, so if he has a hunch somethings’ wrong.. it probably is. And even if he and Jonn found nothing... it’s the right thing to do. A crime should ALWAYS be properly investigated to make sure someone dosen’t hang for something they did not do. This is what I meant by have it’s cake and eat it too: the episode tackles police brutality.. but the accused is also the victim, and it thus tackles the unfairness in the us courts, how black people are often assumed guilty when that’s horribly racist and biased as fuck and how Police are assumed correct. Our heroes are assuming john is right based on optisim but are not wrong for wanting him to at LEAST get a fair trial and full investigation that clearly was not done. It also covers, again probably intetioanlly, how some are often not able to get proper representatin, with this court outright getting rid of it, which is wrong and bad, and the flash being the best John can do and not very good at it, mostly stalling for time. It shows the system’s brokena nd soemtimes you have to directly fight iht and can’t just take it , and even if your convinced your guilty and want to rightfuly take the blame for something your sure you did... you still deserve a fair trial and a compitent one.

It’s not all good: as said the gl’s are portrayed as bad for not wanting anything to do with john, and in order to make them unsympathetic they care more about their rep than the fact a friend may of comited genocide and kilowog showing up and providing character witness is seen as a good thing, even if he provides no actual character evidence other than “Johnny’s a good guy” and that’s not ideal. It’s not perfect and again it was writtne by an old white guy so of course it isn’t but the fact it gets so much right the more you dig in despitei t’s awwkardness and being written and aired 20 years ago... that is nothing to sneeze at.

We have more to dig into here too with the manhunters but first moreof the plot: While the other stuff mentioned happens, Superman and Jonn investigate as said.. and we find out WHY superman was supscious: while it was part hunch.. he did in fact have valid reason to suspect something was off, and as we saw actually heard the case against his friend first, and only went against it because the evidence was off.. in that the MOON of the planet is still there and should’ve flown off. He and Jonn soon find a MASSIVE device that John identifies as a bigger version of a toy he had as a kid, something that created images... and again shows whya PROPER investigation was needed. Had the court actually looked into it instead of presuming John guilty, they would’ve found this thing too. Naturally though Kanjar Ro has followed them and wants to kill them.. but with her subplot wrapped up Hawkgirl went to seei f they needed backup, stealing one of the guard ships which given they attacked people on ap lanet iwth a PUBLIC TRIAL going on without haling them yeah don’t blame her, and kicks his ass. Our heroes find out the truth as I mentioned earlier: Ro was paid to lie and be in on things for an assload of money.. byt he Manhutners.. who at the moment are plotting to strike while Oa, the home of the green lanterns is weak, as the Guardians who created them and monitor them mostly left to go to the trial.

As we catch up with them, THe guardians speak on each lantern being trusted with the ring and given little oversight.. because they pick wisely. The prosecutor just wants John to hang, calls for a sentence, which is death and John and Flash nearly die, in case you thought I was pulling those parallels out of my ass. But Superman rushes in, and in a small, subtle gag he and Jonn do so thorugh a small pain of glass put over where they enterted last time, fight off security and save them, and before prosecutor foot in the ass can harumph about it more.. Superman claims jonn’s innocent..a nd has Shiera smash the generator, showing he indeed is, getting John aquitted. John also attacks Ro, who they brought along as a witness, rightfully so, but the League get him to stop as they don’t have time for that: the Guardians are strangely leaving after that, the manhunters are clearly doing something given their asbent, so John retakes his ring, restored to who he was now knowing he truly WAS innocent and was simply set up.. and he wants to find out why.

We soon get the why as the Guardians explain the manhunters after the League won’t let them just.. brush by after they aburbtly tried to leave. They AREN’T behind the current attack.. but did create them, feeling robots would be better policeman. They were wrong, with the manhunters lacking empathy, being far too military in their job, and generally not being up for it so they simply gave them smaller jobs as bounty hunters, court balifs that sort of thing ans assumed they were fine because they didn’t say anything. As John puts it perfectly “Not outloud. “ And this itself is the other thing that makes the episode work as an allegory, if a very unteitonal one: The Manhunters are the police as they are now, violent brutes with way too much power, no restraint in using it and no ounce of mercy or sympathy for those they protect. And the Guardians rightfully removed this system, and replaced it with the corps. And while the Corps STILL have a lot of leway and power, being free to investigate on their own provided OA dosen’t call them to do someting specific, and given a ring that can do anything within corps guidelines, which basically means “don’t kill” and “don’t be a dick with it”, the guardians still watch them, do not interfere in trials and choose very wisely. not only that ther’es only one officer per sector, each sector being galaxies wide.. but that’s because that’s only what’s NEEDED. One Lantern with the power to take on entire fleets if needed, which is a fair amount of power given the scope of the job, and come in as requested by the people themselves, honestly isn’t a bad system. Granted the corps is wonky from time to time in the comics as are the guaridans depending on the writer, but at it’s core the corps really sounds like a more responsible versoin of the police: given just the gear necessary, the men necessary, and only called in when truly needed or if they spot a crime in process. THat’s what the people protecting us should be like and that’s why this episode still works.

Obviously though I was aware of none of this as a kid, and the real reason I loved this episode is this climax. The League arrives on Oa just in time to provide backup. Presumibly the guardians there and incoming with the league simply dont have the power to spare to call for reinforcments. Which is weird but fair enough drama wise and our heroes storm the planet , with the corpsmen from before all showing up to pitch in. But John gets there too late as the head manhunter drains the central power battery, the source of the lantern’s powers, and declares I AM THE POWER, refusing to accept he’s out of date.

And this, folks is the moment that made me love the lanterns for life. John is outgunned, the wise old wrinkled blue men who gave him his powers drained of there, starring down a massive monster planning to subjigate the universe... and he does not blink. See lanterns are picked for their willpower, their abliity to stare down things like this, and fight anyway, their very rings controlled by this, by their own force of personhood. It’s another reason besides logistics why theires only one per sector: it’s that hard to find one. Earth is so remarkable because , even if it’s simply so we could have more stars in the books over time in real world, we produced not ONE person capable of this.. but 7.. Alan Scott whose not in the corps but whose powers stll work on will and could probably use a regular corps ring very much included. John was chosen because he simply won’t give up. He gave up before.. but it was the right thing to do and ultimately biding his timea nd accepting his trial.. gave his friends time to aquit him and prove he was framed.

But now is not the time to back down.. now’s the time to stand.. so how does John win? By USING his will, by using the reason he was chosen coupled with ihs own personal dedication and concentration, he grabs his ring as it floats toward the guy, takes it back.. and starts reciting the lantern oath. And since the Manhunter is indeed “The power”.. it means he too can be controlled like any lantern energy. and thus with every bit of willpower he has, struggling all the while but not moving a damn inch, John recites his oath and shoves the monster that framed him, and the power he stole, back into the battery, all while saying an oath so badass it has been etched into my head since thanks to this episode. Say it with me now..

In Brightest Day, In Blackest Night No Evil Shall Escape My Sight Let Those Who Worship Evil’s Might BEWARE MY POWER, GREEN LANTERN’S LIGHT!

And the credit goes to phil lamarr, who delivers the oath with all the gravitas and awesomeness it’s first delivery in this continuty it deserves. It was this that made me a lifelong fan: one man with the power of anytihng using PURE MENTAL STRENGTH AND DETERMiINATION TO SHOVE AN EVIL ENERGY BEING IN A GIANT LANTERN WHILE RECITING A BADASS AND AWE INSPIRING OATH. And if that dosen’t sell you on the Green Lantern’s being awesome I can’t help you and don’t know why your here.

So wrapup time: The Guardians genuinely thank john, saying they choose well, and John brushes off his fellows corpspersons as they should’ve belivied him and thanks the League for having faith in him even when he didn’t. And while the former part has some.. bad implications we’ve gotten into already, I also can’t entirely blame him given they did it not because he might’ve killed someone but again, because

Precisley. So our heroes prepare to head home, cue the credits.

Final Thoughts:

So how does this episode hold up 20 years later? As should be obvious, damn well. It’s a good introduction for the corps, if showing them to be kinda assholes in places, and a good spotlight episdoe for John showing who he is what he stands for and again how TRULY MONUMENTALLY BADASS the man is. And lest you think the comics versoin is any LESS badass, he once got into a sniper duel in with Bedovian, a member of the Sinestro Corps and a crab person.. who was as I forgot till looking it up, THREE SECTORS, which i’ll remind you can comprise entire galaxies, away, with a ring made sniper rifle. In one shot no less. Point is even with some.. wonkier aspects, and ones that aren’t intetnional, it still works and is a shockingly relevant episode 19 years later and the fight scenes, as are standard for the series, are overwhelmingly awesome. Check this one out, and the series as a whole. With its great animation, character work and general badassery this one’s worth a few watches. And obviously given my love of this seires, and it’s 20th anniversay next year, and my love of John, check back here for more John-centric episodes throughout the year as we celebrate the guy. And I will also celebrate the green lantern NAMED guy eventually too, and jessica.. and all of them ebcause I love them all. Yes.. even Hal. As for which John episode i’m doing next? Easy, one that intorduces me to a character I love who dosen’t get used near enough, Metamorphisis. The when I can’t say QUITE yet as my March schedule is full and most of my ongoing projects are on the backburner so I can tackle two arcs of ducktales, which coincidentally happened to be in time for the finale. That wasn’t planned AT ALL mind you, it just ended up working out really well that way. For now though tommorow I begin my coverage of the final 4 episodes of ducktales with “Beaks in the Shell” and later this week finish up black history month with blacksad, continue my Lena retrospective with a money shark and some pr work, cover the second season of close enough, celebrate Tex Avery’s birthday and also celebrate the new Tom and Jerry movie.. with the OLD tom and jerry movie. Until then, see you next rainbow.

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priestessamy · 3 years ago

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In today's adventures of Amy probably overthinking things...

I find myself contemplating the non-binary non-human thing. And I guess I'm somewhere between just talking about it, and looking for advice.

Cuz like I'm not nonbinary myself, or at least I'm mostly binary. So in cases like this, I always defer to people who are. I try to listen to them, to understand where they're coming from.

It all makes perfect sense. Have more nonbinary representation that's just like... people. Like just regular ass people who don't identify as simply male or female. Having it be mostly aliens, monsters, robots, etc. feels demeaning and othering.

In an old story I did that I'm currently thinking about updating, one of the three MCs is was a nonbinary fae person, Snapdragon. Another nonbinary character was an aarakocra god, Pik.

So my initial impulse is to simply switch things up. Kill your darlings and all that. But... a majority of the characters are also 'monstrous' by our human definitions. In fact, I really like fantasy races so there are minimal human characters featured in any of the stories I have thought up. In the main cast, there are... three. Two of them are trans women, so that complicates the matter further.

Do I go further down the rabbit hole at that point, rewrite a character completely to be human and nonbinary? Do we end up in this ship of theseus situation where I've tried so hard to avoid a trope that I completely alter the inherent quality of a character?

Again, entirely possible I'm massively overthinking this. And I know that fighting too hard to sidestep tropes can often lead to bland stories. So I find myself in a strange situation with this.

Most importantly though, I'm trying to avoid any set-in-stone statements here. This is purely something I'm contemplating, and I'm curious what other people think. I'd love advice, or just people telling me to not freak out about this. Or hell, even point out where I'm getting into squicky territory.

So uhhh... thanks in advance I guess?

#writing advice #nonbinary characters #how do i do the thing?#nonbinary nonhuman trope

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lilydalexf · 4 years ago

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Old School X is a project interviewing X-Files fanfic authors who were posting fic during the original run of the show. New interviews are posted every Tuesday.

Interview with Syntax6

Syntax6 has 17 stories at Gossamer, but you should visit her website for the complete collection of her fics and to see the cover art that comes with many of the stories (and to find her pro writing!). She's written some of the most beloved casefiles in the fandom. I've recced literally all of them here before. Twice. Big thanks to Syntax6 for doing this interview.

Does it surprise you that people are still interested in reading your X-Files fanfics and others that were posted during the original run of the show (1993-2002)?

I’m delighted but not surprised because I’ve written and read fanfic for shows even older than XF. Also, I joined the XF fandom relatively late, at the end of 1999, so there were already hundreds of “classic” fics out there, stories that were theoretically superseded or dated by canon developments that came after them, but which nonetheless remained compelling in their own right. That is the beauty of fanfic: it is inspired by its original creators but not bound by them. It’s a world of “what if” and each story gets to run in a new direction, irrespective of the canon and all the other stories spinning off in their own universes. In this way, fanfic becomes almost timeless.

What do you think of when you think about your X-Files fandom experience? What did you take away from it? What did you take away from your experience with X-Files fic or with the fandom in general?

(I feel these are similar, at least for me, so I will combine them here.)

First and foremost, I found friends. There was a table full of XF fanfic writers at my wedding. Bugs was my maid of honor. I still talk to someone from XF fandom pretty much every day. Lysandra, Maybe Amanda, Michelle Kiefer, bugs…these are just some of the people who’ve been part of my life for half my existence now. Sometimes I get to have dinner with Audrey Roget or Anjou or MCA. Deb Wells and Sarah Ellen Parsons are part of my pro fic beta team. I have a similar list from the Hunter fandom, terrific people who have enriched my life in numerous ways and I am honored to count as friends.

Second, I learned a lot about writing during my years in XF fandom. I grew up there. Part of this growth experience was simply due to practice. I wrote about 1.2 million words of XF fanfic, which is the equivalent of 15 novels. I made mistakes and learned from them. But another essential part of learning is absorbing different kinds of well-told tales, and XF had these in spades. Some stories were funny. Others were lyrical. Some were short pieces with nary a word wasted while others were sprawling epics that took you on an adventure. The neat thing about XF is that it has space for many different kinds of stories, from hard-core sci-fi to historical romance. You can watch other authors executing these varied pieces and learn from them. You can form critique groups and ask for betas and get direct feedback on how to improve. It’s collaborative and fun, and this can’t be underestimated, generally supportive. The underlying shared love of the original product means that everyone comes into your work predisposed to enjoy it. I am grateful for all the encouragement and the critiques I received over my years in fandom.

Finally, I think a valuable lesson for writers that you can find in fandom, but not in your local author critique group, is how to handle yourself when your work goes public. Not everyone is going to like your work and they will make sure you know it. Some people will like it maybe too much, to the point where they cross boundaries. Learning to disengage yourself from public reaction to your work is a difficult but crucial aspect of being a writer. You control the story. You can’t control reaction to it. It’s frustrating at first, perhaps, but in the end, it’s freeing.

Social media didn't really exist during the show's original run. How were you most involved with the X-Files online (atxc, message board, email mailing list, etc.)?

I participated in ATXC, the Haven message boards, and the Scullyfic mailing list/news group. For a number of years, I also ran a fic discussion group with bugs called The Why Incision.

What got you involved with X-Files fanfic?

I started reading XF fanfic before I began watching the show. I had watched one season two episode (Soft Light) and then seen bits and pieces of a few others from season four. I’d seen Fight the Future. Basically, I’d seen enough to know which one was Mulder and which one was Scully, and which one believed in aliens. An acquaintance linked me to a rec site for XF fanfic (Gertie’s, maybe?) so that I could see how fic was formatted for the web. I clicked a fic, I think it was one by Lydia Bower dealing with Scully’s cancer arc, and basically did not stop reading. Soon I was printing off 300K of fic to take home with me each night. I could not believe the level of talent in the fandom, and that there were so many excellent writers just giving away their works for free. I wanted to play in this sandbox, too, so I started renting the VHS tapes to catch up on old episodes (see, I am An Old). After a few months, I began writing my own stuff.

What was it that got you hooked on the X-Files as a show?

I had to be dragged kicking and screaming to The X-Files. I’m not a sci-fi person by nature. I think my main objection is that, when done poorly, it feels lazy to me. Who did the thing? A ghost! Maybe an alien? I guess we’ll never know. You can always just shrug and play some spooky music and the “truth will always be out there…” somewhere beyond the story in front of you. You never have to commit to any kind of truth because you can invent some magical power or new kind of alien to change the story. I think, by the bitter end, the XF had devolved into this kind of storytelling. The mytharc made no kind of sense even in its own universe. But for years the XF achieved the best aspects of sci-fi storytelling—narrative flexibility and an apotheosis of our current fears dressed up as a super entertaining yarn.

What eventually sold me on the XF as a show is all of the smart storytelling and the sheer amount of ideas contained within its run. At its best, it’s a brilliant show. You have mediations on good versus evil, the role of government in a free society, is there a God, are we alone in the universe, and what are the elements that make us who we are? If Mulder and Morris Fletcher switch bodies, how do we know it’s really “them”? The tonal shifts from week to week were clever and engaging. For Vince Gilligan, truth was always found in fellow human beings. For Darin Morgan, humans were the biggest monster of all. The show was big enough to contain both these premises, and indeed, was stronger for it. The deep questions, the character quirks, the unsolved mysteries and all that went unsaid in the Mulder-Scully relationship left so much room for fanfic writers to do their own work. As such, the fandom attracted and continues to attract both dabbling writers and those who are serious craftspeople. People who like the mystery and those who like the sci-fi angle. Scientists and true believers. Like the show, it’s big enough for all.

What is your relationship like now to X-Files fandom?

I look at it like an old friend I catch up with once in a while. We’ve been close for so long that there’s no awkwardness—we just get each other! I love seeing people post screen shots and commentary, and I think it’s wonderful that so many writers are still inventing new adventures for Mulder and Scully. That is how the characters live on, and indeed how any of us lives on, through the stories that others tell about us.

Were you involved with any fandoms after the X-Files? If so, what was it like compared to X-Files?

I ran the Hunter fandom for about five years, mostly because when I poked my head back in, I found the person in change was a bully who’d shut down everything due to her own waning interest. A person would try to start a topic for discussion, and she’d say, “We’ve already covered that.” Well, yes, in a 30-year-old show, there’s not a lot of new ground…

Most other shows, Hunter included, have smaller fandoms and thus don’t attract the depth of fan talent. I don’t just mean fanfic writers. I mean those who do visual art, fan vids, critiques, etc. The XF fandom has all these in droves, which makes it a rare and special place. But all fandoms have the particular joy of geeking out over favorite scenes and reveling in the meeting of shared minds. It will always look odd to those not contained within it, which brings me to the part of modern fandom I find somewhat uncomfortable…the creators are often in fan-space.

In Hunter, the female lead joins fan groups and participates. This is more common now in the age of social media, where writers, producers, actors, etc., are on the same platforms as the rest of us. Fan and creator interaction used to be highly circumscribed: fans wrote letters and maybe received a signed headshot in return. There were cons where show runners gave panels and took questions from the audience. You could stand in line to meet your favorite star. Now, you can @ your favorite star on Twitter, message her on Facebook or follow him on Instagram. In some ways, this is so fun! In other ways, it blurs in the lines in ways that make me uncomfortable. I think it’s rude, for example, if a fan were to go on a star’s social media and post fanfic there or say, “I thought the episode you wrote was terrible.” But what if it’s fan space and the actor is sitting right there, watching you? Is it rude to post fanfic in front of her, especially if she says it makes her uncomfortable? Is it mean to tell a writer his episode sucked right to his face?

Do you ever still watch The X-Files or think about Mulder and Scully?

I own the first seven seasons on DVD and will pull them out from time to time to rewatch old faves. I’ve shown a few episodes over the spring and summer to my ten-year-old daughter, and it’s been fun to see the series through her eyes. We’ve mostly opted for the comedic episodes because there’s enough going on in the real world to give her nightmares. Her favorite so far is Je Souhaite.

Do you ever still read X-Files fic? Fic in another fandom?

I don’t have much bandwidth to read fanfic these days. My job as a mystery/thriller author means I have to keep up with the market so I do most of my reading there right now. I also beta read for some pro-fic friends and betaing a novel will keep you busy.

Do you have any favorite X-Files fanfic stories or authors?

I read so much back in the day that this answer could go on for pages. Alas, it also hasn’t changed much over the past fifteen years because I haven’t read much since then. But, as we’re talking Golden Oldies today, here are a bunch:

All the Mulders, by Alloway I find this short story both hilarious and haunting. Scully embraces her power in the upside down post-apocalyptic world.

Strangers and the Strange Dead, by Kipler Taut prose and an intriguing 3rd party POV make this story a winner, and that’s before the kicker of an ending, which presaged 1013’s.

Cellphone, by Marasmus Talk about your killer twists! Also one of the cleverest titles coming or going.

Arizona Highways, by Fialka I think this is one of the best-crafted stories to come out of the XF. It’s majestic in scope, full of complex literary structure and theme, and yet the plot moves like a runaway freight train. Both the Mulder and Scully characterizations are handled with tender care.

So, We Kissed, by Alelou What I love about this one is how it grounds Mulder and Scully in the ordinary. Mulder’s terrible secret doesn’t involve a UFO or some CSM-conspiracy. Scully goes to therapy that actually looks like therapy. I guess what I’m saying is that I utterly believe this version of M & S in addition to just enjoying reading about them.

Sore Luck at the Luxor, by Anubis Hot, funny, atmospheric. What’s not to love?

Black Hole Season, by Penumbra Nobody does wordsmithing like Penumbra. I use her in arguments with professional writers when they try to tell me that adverbs and adjectives MUST GO. Just gorgeous, sly, insightful prose.

The Dreaming Sea, by Revely This one reads like a fairytale in all the best ways. Revely creates such loving, beautiful worlds for M & S to live in, and I wish they could stay there always.

Malus Genius, by Plausible Deniability and MaybeAmanda Funny and fun, with great original characters, a sly casefile and some clear-eyed musings on the perils of getting older. This one resonates more and more the older I get. ;)

Riding the Whirlpool, by Pufferdeux I look this one up periodically to prove to people that it exists. Scully gets off on a washing machine while Mulder helps. Yet it’s in character? And kinda works? This one has to be read to be believed.

Bone of Contention (part 1, part 2), by Michelle Kiefer and Kel People used to tell me all the time that casefiles are super easy to write while the poetic vignette is hard. Well, I can’t say which is harder but there much fewer well-done casefiles in the fandom than there are poetic vignettes. This is one of the great ones.

Antidote, by Rachel Howard A fic that manages to be both hot and cold as it imagines Mulder and Scully trying to stay alive in the frosty wilderness while a deadly virus is on the loose. This is an ooooold fic that holds up impressively well given everything that followed it!

Falling Down in Four Acts, by Anubis Anubis was actually a bunch of different writers sharing a single author name. This particular one paints an angry, vivid world for Our Heroes and their compatriots. There is no happy ending here, but I read this once and it stayed with me forever.

The Opposite of Impulse, by Maria Nicole A sweet slice of life on a sunny day. When I imagine a gentler universe for Mulder and Scully, this is the kind of place I’d put them.

What is your favorite of your own fics, X-Files and/or otherwise?

Bait and Switch is probably the most sophisticated and tightly plotted. It was late in my fanfic “career” and so it shows the benefits to all that learning. My favorite varies a lot, but I’ll say Universal Invariants because that one was nothing but fun.

Do you think you'll ever write another X-Files story? Or dust off and post an oldie that for whatever reason never made it online?

I never say never! I don’t have any oldies sitting around, though. Everything I wrote, I posted.

Do you still write fic now? Or other creative work?

I write casefiles…er, I mean mysteries, under my own name now, Joanna Schaffhausen. My main series with Reed and Ellery consists of a male-female crime solving team, so I get a little bit of my XF kick that way. Their first book, The Vanishing Season, started its life as an XF fanfic back in the day. I had to rewrite it from the ground up to get it published, but if you know both stories, you can spot the similarities.

Where do you get ideas for stories?

The answer any writer will tell you is “everywhere.” Ideas are cheap and they’re all around us—on the news, on the subway, in conversations with friends, from Twitter memes, on a walk through the woods. My mysteries are often rooted in true crime, often more than one of them.

Each idea is like a strand of colored thread, and you have to braid them together into a coherent story. This is the tricky part, determining which threads belong in which story. If the ideas enhance one another or if they just create an ugly tangent.

Mostly, though, stories begin by asking “what if?” What if Scully’s boyfriend Ethan had never been cut from the pilot? What if Scully had moved to Utah after Fight the Future? What if the Lone Gunmen financed their toys by writing a successful comic book starring a thinly veiled Mulder and Scully?

Growing up, I had a sweet old lady for a neighbor. Her name was Doris and she gave me coffee ice cream while we watched Wheel of Fortune together. Every time there was a snow storm, the snow melted in her backyard in a such way that suggested she had numerous bodies buried out there. How’s that for a “what if?”

What's the story behind your pen name?

I’ve had a few of them and honestly can’t tell you where they came from, it’s been so long ago. The “6” part of syntax6 is because I joke that 6 is my lucky number. In eighth grade, my algebra teacher would go around the room in order, asking each student their answer to the previous night’s homework problems. I realized quickly that I didn’t have to do all the problems, just the fifteenth one because my desk was 15th on her list. This worked well until the day she decided to call on kids in random order. When she got to me and asked me the answer to the problem I had not done, I just invented something on the spot. “Uh…six?”

Her: “You mean 0.6, don’t you?”

Me, nodding vigorously: “YES, I DO.”

Her: “Very good. Moving on…”

Do your friends and family know about your fic and, if so, what have been their reactions?

My close friends and family have always known, and reactions have varied from mild befuddlement to enthusiastic support. My father voted in the Spookies one year, and you can believe he read the nominated stories before casting his vote. I think the most common reaction was: Why are you doing this for free? Why aren’t you trying to be a paid writer?

Well, having done both now, I can tell you that each kind of writing brings its own rewards. Fanfic is freeing because there is no pressure to make money from it. You can take risks and try new things and not have to worry if it fits into your business plan.

(Posted by Lilydale on September 15, 2020)

#new post #old school x #xfiles fanfic #xf fanfic #xf fanfic author interviews #syntax6

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twentiethcenturymoviesandtv · 4 years ago

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The Goonies: A Product of the Times

Released in 1985, The Goonies came along right smack in the middle of a decade well-known for its movies centered on youth. While there are plenty of fond memories of the ‘teen oriented’ films like The Breakfast Club, Ferris Bueller’s Day Off and Adventures in Babysitting, Hollywood of the 1980s was focused on more than just the teenagers: it was also pretty heavily focused on what it was like to be a kid.

From Flight of the Navigator, The Explorers, and The Monster Squad to E.T., the Extra-Terrestrial, a lot of the films of the 1980s were about the adventures of people under the age of 14: children. Ranging from sci-fi to comedy, to horror, to adventure, the movies about kids during this decade of the new and untested were getting as big as everything else: more and more impressive as an entire subgenre of children’s movies starring up-and-coming child stars (Drew Barrymore, Fred Savage, River Phoenix, Corey Haim, and plenty more) sprouted up out of the ground, playing the gambit of genres and allowing children to act in ways that hadn’t been deeply explored before. These weren’t adult films with roles for children: a lot of these were movies about kids.

Instead of movies like The Champ or Aliens, starring children in side roles, films like The Goonies, Return to Oz, Stand By Me, and Time Bandits starred kids in the main roles, carrying the stories themselves with incredible performances, broadening the horizons for adventure films about kids, for kids.

Such is The Goonies, a film that really could only have been made in the 1980s.

How do I know that?

Simple.

As we’ve discussed before, no film ever made is separate from the culture it was created in. Every single movie, television show, radio broadcast, book, newspaper, comic or song ever made has been directly impacted by the culture and other pieces of media surrounding it.

This seems pretty obvious: after all, a product made by people living in a certain kind of culture is going to reflect that culture. No film is an island, and while that seems pretty self-explanatory and without much need for discussion, in an era with more and more pieces of media debated as to their worth to a modern viewpoint, it leaves those of us who enjoy older movies with a very important question:

How ‘dated’ is too dated?

It’s not as easy a question to answer as it might seem.

See, ‘dated’ is an interesting term.

Typically, the word ‘dated’ is used to apply to anything discernibly created in a specific time period. It’s synonymous with ‘old fashioned’, when applied to a film, it carries the implication that the movie is less understandable by those looking from outside that particular culture or time period, worsened by the cultural drift. This would be a film that hasn’t ‘aged well’, most often describing contemporary films of the day. By contrast, a film that’s considered ‘timeless’ is the exact opposite: a film that remains completely understandable following a change in the culture. This is a film without a cultural footprint or identity, without any actual context, able to be enjoyed no matter how much time has passed.

These are words that get thrown around a lot in the film world. There are plenty of arguments over which films are timeless, and which are dated, whether Die Hard shows its age too much to be enjoyed, or whether Commando is too ridiculously ‘80s to be watched in any other context, but the fact is, the argument is a lot more complicated than it seems to be boiled down into.

We’ve talked a lot about definitions, but the fact is, by strict definitions, no movie, or any piece of media ever made, is actually ‘timeless’. Every film is a product of its times, but that does not mean necessarily that they are defined by their times. With this in mind, films like The Terminator and Predator, while set and made in the 1980s, are not exactly dated, because they are not defined by the 1980s. Anyone with the slightest understanding of the idea that times change can accept things like hairstyles, music changes, and special effects. Like I said, a film is considered ‘dated’ if it is less understandable or enjoyable in hindsight, from a place outside of that specific culture, and things like the movie tips and tricks of decades past are fairly easily forgiven.

Less easily overlooked are ideas.

If a ‘timeless’ film is a movie not defined by its own times, then a ‘dated’ one is a film that is defined by its culture, typically in a negative way.

So, the question is: which is The Goonies?

Timeless iconic kid’s adventure film, or dated ‘80s flick?

Well, it’s kind of hard to say at first glance.

By externals, there’s no question. The way the kids are dressed and Mouth’s use of the word ‘gnarly’ pretty clearly set this film in the mid 1980s, as does the fact that nobody has a cell phone to call their parents. But as we’ve already established, there’s a bit more to it than that.

The cast is fairly typical of its day: all white except for Rosalita, the Spanish-speaking housekeeper, and mostly male. The two female Goonies do allow for a little more range than is sometimes portrayed in kid adventure films, with a Tomboy and Girly Girl dynamic that normalizes more than a standard Token Female per group, and even Mama Fratelli (although by no means a role model for young girls) balances out by being a memorable villain, bringing the gender ratio a tiny bit closer to even than a lot of contemporary films. With that said though, there isn’t really anything that I’d argue idea wise in this sense that dates the film terribly badly, aside from a series of fat jokes at Chunk’s expense and a moment where Andy is given the unfortunately expected treatment of having her date try to look up her skirt, which was considerably more shrugged off at the time (although she does get him for it later, offscreen).

And there are other elements too that indicate that this film is from a different time:

A PG in 1985 for a kid’s film was very different from a PG now, and it shows. The language used by a lot of the kids, as well as the violence, drug jokes, and other material has proven to shock more than one fan who went back to watch The Goonies as an adult. And that’s not all: the basic concept of kids banding together in this way, while making a resurgence in the form of Stranger Things, hasn’t really stuck around for very long.

After the 1980s, the ‘band of kids’ adventure story somewhat died out. By the 1990s, the ‘kid’ adventure stories calmed down, with lower stakes and less danger, and while the trope still appears in ‘retro’ nostalgia pieces, for the most part, we simply don’t see it anymore, and the idea still tends to bring to mind stories like Stand By Me, The Monster Squad, and even It.

It’s just a statement of fact, and not nostalgia, to look at this film and remark: “They don’t make them like this anymore.” Because they don’t.

In most movies today, kids don’t run around in tunnels, having a blast and looking for buried treasure without their parents or any adult supervision, with their lives in danger, all the while quirky, peppy music assures the audience that everything’s going to be okay. That’s not necessarily good or bad, it just means times have changed, and that the way that The Goonies was made was directly influenced by the types of movies coming out at the time.

However, while that style may bring to mind the 1980s, that doesn’t necessarily mean it’s specifically enjoyed in that era.

As a matter of fact, there’s a lot about The Goonies that’s like that.

The basic premise of the story, while not necessarily common anymore, is still understandable to people decades later. Just because we no longer dress or talk like 1985 anymore doesn’t mean that the core essentials of the film are rendered completely unrelatable. Kids still become friends and don’t want to move away from them, that much is understandable. Even though the style of filmmaking has changed, the characters really haven’t: we all know a Data, or a Mouth, or a Chunk, or a Mikey, sometimes we even are one of them. Kids understand the danger they’re in: not just losing their lives, but their homes, their friendships. These characters and their story still ring true decades later, even if there are things about it that point to its creation being set in the mid ‘80s.

In short?

No, The Goonies probably couldn’t have been made today. But that doesn’t mean it can’t still be enjoyed today.

There’s surprisingly little that actually harmfully dates the film itself, and the film is, in many ways, just as exciting and fun as it was when it was first released. Honestly, there’s the possibility that due to the lack of movies like it made today, the film actually has a larger impact and is more unique and memorable now than it was in 1985.

And while the quality of the film has not shifted, as the time around it does, I think we’ll find that as the film gets older, more audiences will continue to discover it, forty, fifty, sixty years later and find that the movie still tugs at a nostalgic part of them and makes them feel like children again.

The Goonies is a fun, exciting, charming story that has remained beloved so long partially due to nostalgia, but also because people genuinely love the story and characters, proving that a film is ‘timeless’, not because you can tell what decade it was made in, but because it has endured, because people still enjoy it after the culture has changed.

If you can watch The Goonies and love these characters and enjoy their adventure, it doesn’t matter that Mouth is wearing parachute pants or that some of the character cliches haven’t been used in thirty years. In the end, a film’s quality has little to do with how easily we can tell what time the film was made in, and a lot to do with what it’s about, and how well people remember it. If that’s the criteria, then The Goonies is pretty timeless.

The Goonies has lasted this long as an ‘80s staple, and an adventure movie classic in general because no matter if it’s 1985 or 2085, people can understand it, enjoy it, and relate to the characters and themes. And that’s the reason it will continue to endure.

It’s been over thirty years since those kids first trekked into the caves to save the Goondocks, and the audience for this film has done nothing but grow since then. The characters and the heart of the film have gone unchanged since then, still entertaining and even touching audience members who remember what it was like to be a kid and want ‘their time’, and they will continue to endure for decades.

Thank you guys so much for reading! If you have something you’d like to add or say, don’t forget that the comment box is always open! I hope to see you all in the next article.

#The Goonies #The Goonies 1985 #80s #1985 #Film #Movies #PG #Adventure #Comedy #Family #Sean Astin #Josh Brolin #Jeff Cohen #Corey Feldman #Kerri Green #Martha Plimpton #Ke Huy Quan #Richard Donner

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mst3kproject · 4 years ago

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Mars Needs Women

This is one of the B-movies that a lot of people have heard of, although I’m not sure how many have actually seen it. It was written, produced, and directed by Larry “They Just Didn’t Care” Buchanan and stars Tommy Kirk from Catalina Caper and Village of the Giants. Happy belated birthday to Mr. Kirk, who just turned seventy-nine in December of 2020. That’s not a bad score for a guy who’s done as many drugs as he has.

The planet Mars is suffering from a genetic problem – their chromosomes are so degraded that one hundred males are born for every one female! Clearly this is not conducive to the survival of the species, so a group of Martians have come to Earth seeking another solution: they want five female volunteers to return to Mars with them and find out if our genes are compatible! The army brass (all male, obviously) dismiss the idea out of hand, but the Martians cannot afford to fail. They will have their way with the Earth Women, with or without the Earth Men’s permission.

We all know that Larry Buchanan couldn’t come up with an idea of his own, so naturally this is a remake of sorts. Mars Needs Women was inspired by Tommy Kirk’s previous movie Pajama Party, which doesn’t sound like an alien invasion flick, but is. In it, Kirk plays a Martian named Gogo (yes, really), who comes to Earth as an invasion scout but decides not to take over the planet because he falls in love with Annette Funicello. Mars Needs Women dispenses with the teen hijinks angle in an attempt to be a straight-up sci-fi thriller, and fails miserably.

We get the normal Larry Buchanan types of suck, such as crummy lighting, appallingly awful day-for-night, a washed-out, colourless print, and copious stock footage. There’s a long bit where the air force tries to attack the Martian ship and fails, which is entirely stock footage intercut with men in uniforms staring at something next to the camera. We don’t see the flying saucer itself even once during this sequence, although they do have a model of it that shows up elsewhere and is almost definitely the best effect in the whole movie. Not a high bar, of course, but seeing as they actually appear to have spent money on this miniature, you’d think it’d get more screen time.

The Martians themselves dress like a sort of noir version of the Chicken Men of Krankor. Their costumes are black wetsuits decorated with duct tape and silver paint, with stupid antennae on the sides of their heads. It amuses me that the first thing they do after acquiring some ‘Earth apparel’ is complain about how dumb neckties are. There’s a mention about how they’ve been trained in ‘Earth slang’, which seems to have happened just so the movie would have no possible sources of humour. When I think about Attack of the The Eye Creatures, I’m kind of grateful that Mars Needs Women never tries to be funny, but it leaves the whole film relentlessly monotone.

The acting is pretty crummy, even from the main characters. Yvonne Craig (Batgirl – no, not one of them, the actual Batgirl) does her best with the material but the lines she’s given are such technobabble bullshit there are very few people who could deliver them with any conviction. Almost everybody else is bland at best. The women scream and faint, and the military guys tense their jaws and glare. The only decent acting moment actually goes to Tommy Kirk as he describes the conditions on Mars, the dying planet. His tone barely changes, and yet you can sense his nostalgia and regret.

Do I even need to ask if this movie objectifies women? Well, yes, actually, I do, and you’ll see why in a minute. The answer is a resounding yes and a good bit of run time is spent doing exactly that. Before the opening credits we see three blondes abducted in broad daylight, dematerialized by the simple means of stopping the camera, removing the actress, and starting it up again. One of these hapless victims is taken from the shower. We later learn that the beam-ups failed somehow, which I assume means the women died, but that’s apparently not worth more than a throwaway line.

Once the five Martians arrive on Earth, they disperse to go hunting for suitable subjects. The first one goes directly to a strip bar, perhaps on the assumption that the employees will not be married (he’d be amazed). We then watch the stripper dance at great length, cutting back to it repeatedly in between other threads of the storyline, which suggests that the Martian sat there for hours staring at her before making his move. He seems to have been the least choosy of the five, simply taking the first woman he gets a boner for. The others are a bit more discerning.

None more so than the leader, Fellow One (the Martians are Fellows One through Five, which did save the writers from having to come up with ‘alien names’ that sound like synthetic fabrics). He decides on Craig’s character, Dr. Marjorie Bolen, an expert in ‘space medicine’ and ‘space genetics’ (this may be 60’s for astrobiology). Her skills seem to be just what the Martians need. This character is treated terribly by the movie and almost everybody in it. A news reporter commenting on Dr. Bolen’s arrival describes her as a stunning brunette who found it hard to hide her charm behind her horn-rimmed spectacles, and only then moves on to her qualifications. She gives a news conference titled Sex and Outer Space, and the reporters who are supposed to be interviewing her have a laugh about the good time the kidnapped women will supposedly be having on Mars. The prop department can’t even bother to spell her name right – it’s written as ‘Majorie’ on a sign even though the r is clearly audible when people say it out loud.

In contrast to this, Fellow One treats her with some degree of respect. Their conversations about science are mostly nonsense, but you can tell what the script is going for. They go on a couple of quick dates, one to a planetarium and one to a museum exhibit on human reproduction (yes, this is weird and icky), and while it is rushed, their little love story is actually important to the plot in ways besides Fellow One deciding to abandon the mission so he can bone her. The movie considers Dr. Bolen a sex object, but from the beginning Fellow One sees her as more than that.

This brings us, in a sideways kind of way, to the thing I find weirdly fascinating about Mars Needs Women: the alien invaders are curiously considerate. They steal a car, but they take one from airport parking on the assumption that the owner won’t need it for a while. They request unattached women, not wanting to break up any happy partnerships. And most of all, they ask for volunteers for abduction! This makes me wonder what would have happened if they’d broadcast their message to the entire world instead of one group of soldiers. Humans being the way we are, I’m sure there’re lots of people out there who’d fuck a couple of aliens if it meant a free trip to Mars (or move to Mars if it meant they got to fuck some aliens).

The female characters even seem designed to want a trip to space. Dr. Bolen might well have helped them willingly in exchange for this unparalleled chance to expand her research, and she does find it very sexy that Fellow One speaks to her as an equal. Yet somehow, the idea never even comes up. At the last minute, she becomes the helpless princess who must be saved from peril, and Fellow One simply tells her he loves her and asks her to flee. Why not invite her along as a guest instead of a captive? It’s got to be worth a try.

The others can be made to fit this pattern, too. The stripper? Maybe she’s sick of being gawked at like meat and would welcome the chance to be among people who will treat her like a queen. The flight attendant? She might feel like she’s been everywhere and seen everything – on Earth, at least. The artist? A whole new planet to inspire her! The homecoming queen? She’s a journalism major. What a scoop if she can report back to Earth about the culture and history of Mars! I want to see a remake of this movie in which the ladies really are volunteers, who must help the Martians outwit the military so they can start their new lives on another planet.

Sadly, this is not that movie, and its exploitative aspects stand rather awkwardly alongside the embryonic feminism embodied in Dr. Bolen, overwhelming it more often than not. I do want to give it maybe half a kudo, though, for at least acknowledging that women can have interests and ambitions. I guess the point of the ending is that Fellow One has realized they need to be allowed to pursue those instead of being forced to breed.

Mars Needs Women is probably Larry Buchanan’s best movie, which is a statement on the same level as saying that The Beast of Yucca Flats is Coleman Francis’ – by any reasonable standard it still really sucks. While it has many problems, I would say that the one that kills any entertainment value is how the narrative totally lacks the urgency the title implies. The ending should be a race to stop the Martians taking off with their prisoners, but no, it saunters instead. If there were only some tension in the film, it could have been the guilty pleasure you’d want from a movie called Mars Needs Women.

#mst3k #reviews #episodes that never were #mars needs women #larry buchanan just doesn’t care #60s

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hallucxnating · 5 years ago

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Ah sorry should've clarified, this is my way of seeing if I actually wanna get back into it or not, sorry to make you answer these. So, he acts younger and he was manipulated? That's why it's okay? Really sorry if I'm sounding rude, again, I don't mean to. It's just he's lived a thousand years and she's lived 16, that's real bad, the author could've made her a collage student, so she wasn't a teenager but? Aang was frozen, didn't age or mature, real different than living.

It's alright :)

Please let me elaborate more on this. (It's gonna be long sorry not sorry)

First of all, you're actually right about that last part regarding Aang. The example I used didn't really apply here after thinking about it.

Still,

Despite the fact that the gods are hundreds or maybe even thousands of years old, none of them show that maturity per se. Yato behaves as a rambunctious teen most of the time. Bishamon has the maturity of someone in her twenties. Kofuku literally behaves like a young teenage girl. Tenjin is the only one who shows some maturity but it's mostly because he was human before becoming god and died when he was old. The time they've existed absolutely does NOT reflect upon their psyche, simply because I believe they choose not to. Yato does not 'act' immature. Yato IS immature. He wasn't brought up properly by his father and then he pretty much alienated every shinki uptil Yukine.

The other gods have had the pleasure of having their shinki raise them up if something untoward happened to them (eg: Takemikazuchi and Ebisu) and they'd have a parental figure to guide them to a state of maturity.

So therefore, biologically and mentally Yato couldn't be older than an 18-20 year old. Despite the fact that he's been alive for hundreds of years.

I genuinely believe that immortality does not equate to wisdom beyond the years. Especially if someone is stuck at a certain bodily age. Because their mind sort of locks at that age too? I hope I'm making sense. Sure they might collect memories, but if life is a slog of just godly duties, there isn't much there to make the god grow as a person, right?

Meeting Hiyori was the start of a shifting worldview for Yato, and getting Yukine was the start of Yato accepting even an inkling of responsibility.

If you've read the manga, you can see how Yato was in the first chapter. In my opinion he was essentially just a man child parading around as if he was much more important than he actually was. He'd actively throw tantrums at people if they said something he didn't like. All his actions in hindsight just showed how he was still fixated with what happened to Sakura even after several hundred years.

Probably because he CHOSE to keep that secret burning inside him. He couldn't tell his shinki because that would kill them and he didn't have anyone else to tell that.

So when Hiyori accidentally found out about that incident, it was probably the first time he "told" anyone about that AND have them empathise with him.

Hiyori's beauty is that she's the first person to treat Yato with empathy. Not sympathy and certainly not scorn. (Kazuma had come dangerously close but that's another essay I can write)

And the fact that she's so empathetic to him is what draws them both to each other.

Unlike how it is in the anime (because of how Studio Bones decided to frame some scenes to make Yato a MUCH more likable character than he initially was in the manga) Hiyori actually has much more agency. If Yato was being a bitch boy she'd be like fuck it I'm gonna do that thing on my own and MOSTLY succeed.

Unlike so many shows where the female character keeps getting into trouble from which the guy has to save her (*cough* jshk *cough*), Hiyori actively saved Yato AND Yukine's life when Yukine had blighted Yato to almost death.

If it weren't for Hiyori we wouldn't have had Yato.

People give a lot of importance to numbers. Which are most CERTAINLY important because you can individually analyse every case. But Hiyori being sixteen rarely affects her doings with the far world. Hiyori is the main character of this story, and she's a girl with so much love and empathy to give that she's almost wiser for her age. I wouldn't ship yatori at their initial phase. Hiyori has suffered through stuff and being with yato has exposed her to death and so many more dark topics. They've both helped each other grow and also comforted each other. Yato adds adventure to Hiyoris mundane life, something she'd been craving since forever. Hiyori is Yato's rock. She's his support and always there for him to come back whenever he might go too far. Gods don't have a sense of moral, so Yato decided that it will be Hiyori and Yukine who he will follow to do godly duties with justice.

And frankly speaking it's that kind of co-dependence that makes their relationship very beautiful. And it is the appreciation for THAT aspect of their relationship that makes me ship them. Not because "meh meh girl and guy could I make it more obvious"

Since you're an anime only I highly suggest you read the manga. Because it is SO much better.

Here's the one who manifested my thoughts into words because I do be kinda illiterate on my own. Thank you Nani

#yatori #noragami #if you read the whole thing congratulations #here's the actual thesis #anonymous #hallu asks

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kustas · 3 years ago

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i would love to hear about letter bee. worldbuilding is very near and dear to my heart and SO is hearing people talk shit about bad media. CHINHANDS.

Blows you a kiss... We share common interests! Without further ado, the in-depth LB rant. Under a cut, this is going to get long.

For the sake of potential future readers on my blog, I will keep this relatively spoiler-free. Let's start with...

The good:

the art. despite being way uh, "prettier" than what I usually prefer, it's really, REALLY well drawn, technically good and with a lot of style. The backgrounds in particular are gorgeous, drawn with thick black shadows and chunky lines, almost like Mignola's art at times but more delicate

the setting. i am a huge sucker for when fantasy goes full in to make you experience an alien world and here it does.

the plot - while the writing isn't the peak of the series, the way the plot is structured progressively revealing more secrets about how the world works is really fun

The bad:

the writing. while the worldbuilding and some characters are real good, others suffer from being two dimensional and there's parts of the story that are shallow, repetitive or way too boring

treatment of female characters. you don't escape the sexified designs, less presence than the male characters, and while it's not as blatant as in other series they're too objectified for my taste. in classic bad manga fashion some of them being underage makes this worst

while that's a me complaint, there is a contrast in the designs of the side and main characters I find a bit disturbing, the MCs having more classic "anime" faces while the side characters being stylized, have more charm.

The setting:

TLDR: mineral post apoc industrial fantasy in a bug based alien world

A post-industrial revolution society mostly based on European Victorian times on an isolated continent. On this planet, the sun died out, leaving humanity to live in constant darkness, but men built an artificial sun, providing the light and warmth needed to survive. The sun is unfortunately too small to shine it's light on the whole continent, and the outermost regions remained a cold, barren wasteland. Those who can't rely on the sun, humans and nature alike, subsist on geothermy, an important source of which being amber in which are preserved ancient insects with physical properties that make the mineral channel energy. Being a primary ingredient in most high technology, it was mined out in places, leaving them barren. This leaves a world that's a lot of stretches of empty desert peppered with stone towns, where having flowers in your back yard is a luxury.

Under the sun, a rigid class system developed, pushing out the people who couldn't resist to said outer regions, while the richer get to live the closer to the light. The capital of the country, right under it, is inaccessible, and the government tightly controls checkpoints between the three regions of the country, but the pass to cross them is only awarded to government workers. It's a thinly veiled theocracy, and even if many in the outermost regions openly hate the government, there's not been successful uprisings, and they control both the largest food supply on the planet and the supply of the type of firearms you need to fight back hostile insects found in the unpopulated regions, who "feed" on humans in a way that doesn't immediately kill you but leave you in a state where you cannot move or eat so you slowly die out anyway. That and other misc environmental threats like the terrain make travel close to impossible for the common people.

Some of the only ones to travel the country are the postal service, the protagonists of the story - they're assigned a gun and a pass and travel alongside a "backup" companion. They toe a fine line in the public opinion between carrying the communication of the country on their shoulders (this is not a society who's discovered long distance communication yet) and openly working for the government, earning the distrust of many people. The main character befriends one at a young age during a formative moment of his life, turns to completely idolizing him, and signs up to join their ranks the day he can. As a starry eyed kid entering the workforce he's hit by a series of dissapointements about how the world works.

...Also, all energy in this world isn't electricity, it's a world-specific energy that drives both people and machines, mostly based on your memories. It's what'll power your gun and what the insects will eat. If you get caught, you'll forget how to life, if you shoot too much, you'll forget how to live, but by writing down your life, you create and put a bit of it in every page.

The plot is centered around the sun. It hasn't functioned well, always. One day it turned off, but most of the people who saw it with their own eyes forgot everything. The government's been trying to use the scientific knowledge they have to find better energy sources to power it, while a rebel faction tries to take them down.

The dissapointement

I have to preface this saying that this is my opinion and I have NO way of knowing if it's true or not. But I think what killed this series is the shonen format. The worst moments of the series come from fighting scenes - this is simply not a series suited to that, they all have guns so it's boring as hell, and while attempted there's no real progression to the main character's abilities. At it's best is when you find out stuff about the world, either through plotless deliveries in regions you don't know, or through moments of the story that reveal new things about the setting. At it's very, very best, it gets slightly horrific and makes me dearly regret that this is not a full blown collection of fantasy horror stories. But all of this gets pushed asides when it's time to go back to the plot which involves the action. Yahoo -_-

I've read another work by the same author, an abandoned samurai series called Renka, and I love it. The way it's drawn and paced make it without exaggeration one of my most inspiring manga. The fight scenes are short, gnarly, and really, really well drawn. So that's not the issue... The issue is especially trying to force the story into an upbeat, kid friendly epic with large scale combat. When it's about postmen in a desert... I can't help but think than in a better world without the joug of shonen manga publications the author would have written this as exploration fantasy about alien mad science.

If you are curious about it all

Read it. Don't watch the anime. The anime took out everything I found good about the series and did not keep it. The manga's art is worth it.

Chapter 52 is the last one where I remember something interesting happening, you can stop after that. If you get bored because there's fighting, flip until the fight's over, they don't usually have big plot significance, they just feel like filler.

That's about all I that comes to mind right now. Feel free to HMU about specific parts of what I've said or if you have any questions!

#answered

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fancyemowolfbat · 5 years ago

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Thoughts on Castlevania S3: Taka and Sumi’s abuse of Adrian

Season three spoilers below: and yes, this is plot heavy. So if you haven’t seen yet, read at your own risk.

But the TL;DR: I love Castlevania and this scene only made me love it more.

To start: This is entirely an opinion post. I don’t have enough energy to make it into a full analysis with resources and other things. So don’t take this as an essay with some deep meaning. This is entirely just an impressions post.

I love this scene. I love the writing and the visuals. And I love that it was handled in a very real manner. And I love that it represented abuse correctly, because make no mistake-- this scene was abuse--at the very least, and rape at worst. But I’m not saying that for the reasons others have given. But I’m going to get back to that in a moment.

I’m going to leave out the controversy that’s been spat about this scene, because honestly, I don’t feel like talking about it. Like I said, I’m tired. And I’m not gonna harass someone else over their opinions just because they’re different than mine. If you didn’t like this, that’s totally fine. Please don’t ask me to debate, I’m not interested in . I’m simply enjoying this show in my own little corner, and am sharing my own opinions and observations for those who might be curious.

1.) Adrian is confirmed canonically (as far as the Netflix series goes) Bisexual.

While the events that follow the scene absolutely make this scene abuse and manipulation, at the start, Adrian does consent to the sex initially (INITIALLY, I’m not forgetting what happens after). He willingly makes out with both Sumi and Taka, and he’s very obviously anally penetrated when Taka puts Adrian’s legs over his shoulders. It’s not subtle. This is probably the smallest thing to mention given what happens, but this did make me happy. Adrian is only the second character in my favorites list to be confirmed LGBTQIA+ (the other being Damien Bloodmarch from Dream Daddy: a Dad Dating Simulator). And I won’t lie, I cried for both instances.

This is a popular show, and Adrian is one of the main characters. This season had so many good examples of LGBT+ relationships-- including a very healthy partnership between two of the female villains which was openly discussed by them on screen. It’s treated as normal but not made the focus of the story, though it’s very obvious and not hidden. This was very impressive and respectful, showing a range of different orientations, and showing both healthy and unhealthy relationships.

I won’t address the games, because I haven’t finished playing them. I’ve heard some saying he’s always been bi, some saying it was never confirmed, and some saying he was confirmed straight. So I don’t know. I am of the opinion that a character’s sexuality does not affect the overall lore any more than their skin color or religion does. BUT, that is all I can say. I don’t know the games. And this scene certainly does include lore, as I will touch on in a bit...

2.) This scene was abuse, and the writing vilifies it as such.

As I said above, Adrian does seem to initially consent to the sex. He returns their kisses, he grips onto Sumi’s ass, and holds Taka’s shoulder as they make out. These are actions that imply he was enjoying this at the beginning. Although, it is possible he may have felt somewhat pressured to go further, as when they initially push him down, he does seem taken back, although that may have been mostly surprise.

However, as the scene goes on, it becomes clear that these two are attempting to make Adrian vulnerable. They continue with him until he is exhausted-- there are two of them and one of him. And given Adrian’s reactions, it’s very possible this may have been his first time. And I’m also not going to gloss over the fact that Adrian himself has said that he aged quickly. It is entirely possible that Adrian may still mentally be a child, in which case, this is also two young adults taking advantage of a younger teenager.

However, when this clearly becomes abuse and possibly rape is why they were having sex with him in the first place-- they wanted to make him vulnerable enough to kill him. They grew impatient with Adrian, wanting him to do things he could not do and teach them things he had not yet had the chance to. He gave them all he could, but their urge to return to Japan and free their people grew into a desire to kick out and replace the authority that abused them, to “make their own empire.” I also like that this makes this very real and tangible-- the abusers are not cartoonishly evil. They are real people with real motives who experienced abuse themselves. This hits a really sensitive topic many people aren’t willing to address-- that anyone is capable of abuse, villains aren’t alien, and people who may be otherwise trustworthy may commit grievous acts which can deeply hurt people.

What solidifies the idea in my mind is Adrian’s reaction after he kills them both and frees himself. We see him, having dragged himself to his childhood bedroom, laying on the floor in the spot where he killed his father, shaking and crying. He was violated. He was betrayed. The first time he’d been living a somewhat normal life in over a year, and the only two friends he had after Sypha and Trevor left stabbed him in the back. These humans, whom he killed his father to protect, took advantage of him and almost killed him, forcing him to kill them first.

I’m going to link to this post by @fandomwanderer and this post by @mega-ringsandthings-world, because the sum up the idea better than I ever could. But this sets up Adrian’s character superbly. I will say, my wish for the next season is a bit different.

I hope that, eventually, Sypha and Trevor do come back, expecting Adrian to be waiting for them with open arms. And instead they find a very cold, very detached Adrian who is not acting like himself. I want tension between these three characters who used to be friends, until it builds up and eventually leads to a clash, possibly in the form of a physical fight. I want it to escalate until something happens and causes pause enough for Sypha and Trevor to talk Adrian down, at which point we finally see him start to crack, and eventually break down in his friends arms. I want them to ask about the scars, and prod and push until he snaps and attacks them, only to lead to him revealing everything that happened and clinging to them for comfort, while they wish they could’ve been the ones to kill the bastards. I truly do hope this happens. It’s been Three Seasons. Two of them have ended with Adrian sobbing. I want him to finally get some relief. But, even with this, I’m sure whatever the writers decide to do, it will be amazing. They’re in a very precarious place right now, but I’m excited to see where they go with it.

3.) Adrian’s reaction is perfectly justified.

This may just be an extension of point two, but Sumi and Taka’s abuse is not excused by the writing. All too often in fiction, rape and abuse are written off as not being that bad or even being desirable. What happens to Adrian is not painted as positive. It affects him extremely negatively, and it is not treated as his fault in any way. Even though he initially consented, these two betrayed his trust and hurt him. That is never treated as something he should be responsible for. Granted, with this being at the end of the series, there wasn’t much time for this to digest. I expect to see some characters see how he reacted by killing and spitting them, and initially assume that he did so because “he’s Dracula's son and of course.” But these characters will likely be doing so without context. The abuse also isn’t blamed on Adrian’s apparent orientation. Hector is abused in the same way by Lenore, in a heterosexual female-on-male abuse scene. And as stated above, there are healthy LGBT+ relationships in the show, as well.

Also, as the above linked post states, this also leads to us seeing Adrian slip slowly into the mindset his father once held-- perhaps not completely, but it is beginning. And all I’m left to think is, how much must this hurt? How much must Adrian hate seeing himself this way after everything he did for humans? But he’s so hurt by this betrayal that he can’t see things any other way right now. He is in pain, and he has had no real rest from that pain since his mother was killed.

“I gave you everything.” Adrian opened his home to Sumi and Taka, and he opened his heart to them, as well. He gave them his home, his weapons, his knowledge, his body. He is very young and very trusting, despite everything he’s been through. And that trust was taken and shoved right back in his face with insult and humiliation. He gave his all, not just for Sumi and Taka, but for humanity as a whole. He killed people, he killed his own kind, and he killed his own father-- his only remaining parent-- after his own mother was killed by the very people he was trying to protect. He gave everything, and humanity took it all and then shat on him in return. Adrian has every. right to feel betrayed. I don’t think he’ll be the new villain solely because I believe they will stick a bit closer to game lore, and may rather have him simply put himself to rest until the next major disaster hits humanity. But I do think this event caused his view of humanity to be less rose-tinted. He was forced to grow up fast, and much more painfully than he should’ve.

I truly hope, more than anything else, in future seasons Adrian does get some form of relief. Though, I doubt the world is done kinking him while he’s down. Hopefully, sooner rather than later, something truly good and unbastardized will come his way. Until then, I’ll be waiting with baited breath. I couldn’t be happier that this series is continuing.

P.S.: Please let me hug Adrian.

#Castlevania #castlevania season 3 #castlevania spoilers #castlevania season 3 spoilers #castlevania s3 #casltevania s3 spoilers #abuse tw #rape tw #analysis #opinion #review #Self 🔅 Adrian

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lhs3020b · 4 years ago

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The Wooden Spaceships, by Bob Shaw

The Wooden Spaceships is the sequel to the first Land/Overland novel, The Ragged Astronauts. It's set about a generation after the ptertha-driven migration from Land; civilisation on Overland is at least stable now, if not entirely-comfortable. Unfortunately "comfortable" isn't what Toller Maraquine is looking for in his older years. Apaprently he hasn't learned any lessons about getting what you wished for, because bad news arrives on Overland in the form of an airship from Land! That's right, apparently there are survivors on Land, and they're not very happy with their neighbours.

My thoughts are under the cut...

TWS is a bit of an odd book. It's really two main stories, somewhat awkwardly joined together. There's the plot with the attempted invasion by the New Men - briefly, the children of people who proved to be unusually-resistant to pterthacosis, who apparently are either immune or are tolerant enough to the disease that they've managed to live to adulthood. The New Men, sadly, have learnt nothing from their parents' folly and may actually be worse people; their survival seems to have convinced them that they represent a sort of superman who are destined to rule the universe. I suppose a more-sympathetic interpretation might be that they're the products of a collectively-traumatised society, and are dealing with said trauma by projecting all their negative feelings onto imagined enemies on Overland. That said, regardless of interpretation, their actions are not sympathetic and King Rassamarden is clearly a psychotic nutjob.

Also, it's worth noting that they are the New _Men_. While presumably New Women must exist, we never see any. This was an interesting ellision given that TWS is generally a step up relative to TRA for gender stuff. TWS is still quite bad, don't get me wrong, but there has been some improvement. Berise is a plot-relevant female character who actually gets to do stuff, the Kolcorronian king's key adviser is actually his wife Queen Dasseene and there has been some progress on the social front. The Air Corps has been opened to female applicants and it's implied that society as a whole has got a bit more equal. (That said, let's not go too far with this - this is still a society where an aristocrat can have innocent people executed on a whim, as we see with the Sergeant Gnapperl subplot, so Overland has a long way to go before it could be described as a genuinely-civilised society. It may have got a bit more egalitarian one way, but it's still a monarchical despotism ruled by the threat and fear of absolute force.)

Toller, of course, ends up involving himself neck-deep in the war with the New Men. This has the effect of cratering his marriage to Gessalla. In what is genuinely a moment of awesome from her, she tells him that while she's glad he's still alive, she's had quite enough of spending every day wondering whether today is the day she's going to have to bury her idiot husband's corpse. It's stressful and unpleasant, she's lost quite enough in her life already (literally including her homeworld!) and if he can't settle down and sort himself out, then they're through.

Toller, of course, can't deal with this. His marriage thus collapses, and that leads us onto the second part of the novel.

Incidentally, before we get to that, allow me one small tangent. We're halfway through the trilogy, and Toller has entirely forgotten his previous wife. After she disappears halfway through TRA he just - forgets? un-persons? has selective amnesia? goes into denial? refuses to take any responsibility for his own actions? - her entire existence. Toller, you were MARRIED to this woman! Seriously, what a cad! We never find out anything about what happened to Fera at any point in the series. Even in the third novel when a return to Land happens and Shaw could have tied the plot-thread off, but we get nothing.

(Since we never find a body, I've decided to invoke headcanon. Like Toller's father, Fera was one of the rare people who are entirely-immune to pterthacosis. As such she actually survived the implosion of Ro-Atabri and the end of civilisation on Land. After some confusion she eventually moved into an abandoned princeling's palace and has been living out her days in comfortable luxury; she spends her time either walking by the river or reading books - a hobby she recently developed - and occasionally she has been known to take lunch with some of the more pro-social New Men, so she's not entirely without society either. She mostly keeps away from them, having made a reasonable judgement of their character, but that said the odd social do can be refreshing. All considered it's not the worst situation she could have ended up in, and she's certainly managed better than virtually everyone else in Kolcorron. When the Overland exiles' return to the planet happens in "The Fugitive Worlds", Fera - still alive, though an old woman by then - sees the balloons and discovers that she simply has nothing to say to the people who abandoned her to her fate 50 years earlier. As such she decides to avoid them during their visit. In the abstract she supposes that it's nice that society has survived over on Overland, but really, neo-Kolcorron's antics are just Not Her Problem Anymore, so why even bother?)

The second part of the novel concerns a group of Overlander colonists who have recently arrived in a remote area of the planet, newly-opened to settlement. (One oddity of the novel is that for a planet whose population still must be less than a quarter of a million, nonetheless people are spread quite widely across Overland.) The area they've arrived in is fertile, has a pleasant climate and even pre-existing houses, built then abandoned by the last group of prospective colonists. You see, unfortunately, it appears to be haunted.

Bartan Drumme, the semi-leader of the group, is mainly there because he's trying to court his would-be bride Sondeweere. Amusingly, Sondeweere has his number and is quite-blatantly stringing him along, mainly to annoy her domineering uncle. Bartan is of course entirely-blind to this - honestly, Land and Overlander men all seem to run at a permanent +10 to Oblivious - and the "romance" proceeds in exactly the dysfunctional manner that you might imagine. Unfortunately, what would have been an amusingly-cringy romantic dark comedy gets interrupted when the new arrivals in the Egg Basket region start falling ill. Bad dreams, disturbed moods, sleepwalking, full-on psychotic breakdowns - all is not well in the Egg Basket. It quickly becomes apparent that the region is being influenced by some sort of external force. The sensible people leave; the less sensible people cling on and meet with various misfortunes.

(If there is one moral to the Land/Overland trilogy, it seems to be "if you see any hints of trouble, pack your bags and leave NOW, because things will only get worse, and don't expect the government to do anything even minimally-useful".)

Anyway things go from bad to worse, the Egg Basket's mini-society essentially collapses, and then Sondeweere gets abducted by aliens.

Yes, you did read that right. A spaceship turns up and hoovers her up. In context it's not quite as random as it sounds, but it is still quite random.

Anyway this leads Bartan to a decision that he wants to retrieve her from Farland, the third planet in the Land/Overland system. He teams up with Toller, who is now deep into the rebound stage following the implosion of his marriage. Along with Berise and some other acquaintances of Toller's, they construct a spacecraft capable of travelling outside of Land/Overland's mutual atmosphere and set off for Farland. Technically they're under commission from the King; honestly, I got the sense that the King and Queen have simply had enough of Toller's antics, and see this as a convenient way of getting rid of him.

Then reality ensues and they almost die, because nobody on the ship knows anything like as much about either outer space or basic Newtonian physics as they think they do. In fact it turns out no-one has any grasp about continuous acceleration, and they've been running a continuous halvell/pikon thruster-burn for entire days (somehow without running out of fuel, either - apparently the specific impulse on the pikon/halvell reaction is something insanely high?). By the time Sondeweere becomes aware of the ship's situation, it's running at over 100,000 miles per hour and is barely days away from reenacting the Chixculuub meteor on Farland.

Oh yes, I almost forgot to mention - Sondeweere was abducted because her nervous system had become host to an alien parasite (the same one that was causing mass psychosis in the Egg Basket) and she now has superhuman intelligence and telepathic powers. And also, a far better grasp of modern physics than anyone aboard the titular wooden spaceship from Overland. Fortunately, Sondeweere is able to take charge of the situation and arranges something close-ish to a soft landing on Farland - the crew don't enjoy the experience, but they get to walk away from it, and that's about as good as it gets in aerospace incidents!

Anyway my review here is a bit forced, but that's because the last 40% of the novel also feels a bit forced. The pacing is off and the narrative makes some rapid jumps. Honestly TWS's problem is that it's actually not one novel but rather two separate novellas that have been welded together in a particularly-awkward manner. A lot of things aren't really followed up or tied off properly. The fact that Farland is inhabitable and also inhabited turns up quite late in the book and is dealt with in what I felt to be a bit of an unsatisfactory manner. I was also intrigued to find out that all three planets orbit within 42 million miles of their sun. Apparently the star must be some sort of K dwarf, I guess - no, in fact it may well even be a brighter M dwarf, because this is roughly the orbital radius of Mercury! This is odd because the sunlight is never described as being pink-ish. The only thing I can think of is that maybe nuclear fusion also behaves differently in Land/Overland-verse? Perhaps not only is Pi equal to 3 but perhaps smaller stars are hotter and brighter than they would be here? Or maybe everyone's so used to the pink sunlight that no-one thinks to remark on it at any point?

(Canonically they do fuse - in fact Sondeweere actually has a go at explaining nuclear fusion to Bartan and the others at one point, which was thoughtful of her, though sadly the Overlander males remain as obtuse as ever so the effort may have been wasted.)

Anyway overall, I think this book suffers from a bad case of "mid-trilogy syndrome". I'm glad that female characters are handled better here, and I was cheering for Gessalla when she told Toller to fuck off. The extra expansions to the universe were interesting, and it was also interesting to see the gradual consolidation of colonial life on Overland. Madcap as it was, the interplanetary voyage to Farland did have some "big-picture" excitement too. That said, however, the books minuses were continued dropped plot-threads from the previous novel, unevenness in pacing and perhaps also just having too many ideas in a small package.

#Bob Shaw #The Wooden Spaceships #Books 2021 #LHS reads

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advena87 · 4 years ago

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Chapter 2: Get off my back

*cover picture by Dai (bookscorpion)

Chapters: 2/?

Fandom: Wiedźmin | The Witcher (Video Game), Wiedźmin | The Witcher - All Media Types, Wiedźmin | The Witcher Series - Andrzej Sapkowski

Rating: Mature

Warnings: Graphic Depictions Of Violence

Relationships: Kiyan (The Witcher) / Adrien (The Witcher)

Characters: Kiyan (The Witcher), Adrien (The Witcher), Original Male Character(s), Original Male Character(s) of Color, Joël (The Witcher), Guxart (The Witcher), Ireneus var Steingard, Original Female Character(s), Sigismund Gloger (The Witcher), Gottfried Oss (The Witcher), Marco Gedl (The Witcher), Michelle Sabina Ruxer (The Witcher)

Additional Tags: Canon Rewrite, Blood and Violence, Blood and Injury, Bisexual Kiyan, Unbury The Gays, saving Kiyan, Witchers Have Feelings (The Witcher), Witcher Senses, Racism, Canon-Typical Violence, Sexual Tension, Murder Husbands, Cat School (The Witcher), The Witcher 3: Wild Hunt, Demonic Possession, Rare Pairings, Rare Characters, Just two growly tops, Possessive Behavior, Misunderstandings, Hurt/Comfort, Get Together, Main Character(s) of Color, Est Tayiar, Oxenfurt Academy (The Witcher), Based on Scavenger Hunt: Cat School Gear quest, game canon mostly, Swordfighting, The Witcher Lore, Developing Relationship, stubborn idiots to lovers

Chapter 2: “Get off my back” summary:

"A witcher?" The prince raised his voice with interest when the majordomo told him who had come to the castle to look for a job. The nobleman immediately abandoned his conversation with his servants, looked up, and spoke directly to Kiyan. "I’ve not fought a witcher before. And I've heard quite a lot about your inhuman abilities. Will you do me this honor, Master Witcher, and satisfy my curiosity?"

Kiyan felt an unexpected stab of disappointment. Upon hearing of him, Kiyan had felt a hint of sympathy for a man as alienated as himself, but it turned out that he was just another noble who thought others existed for his entertainment.

"I don't play with toys," Kiyan said finally, glaring contemptuously at the wooden sword in the prince's hand.

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And we have Chapter 2! Please appreciate the team work in this one, especially Gav's and Dany's, because I think I gave them a lot of trouble making this text something readable. I'm so happy that we were able to publish this chapter exactly two weeks after the first one. I don't know yet if we will be able to maintain this standard, but we will try.

I don't know if you paid attention to it, but we didn't go into the character descriptions too deeply - we wanted you to be able to visualize the characters according to your imaginations. However, if any of you are curious about how we imagine main characters, I'm giving you a visualization below.

As for Adrien, the whole group unanimously decided to give him the appearance of Kunal Kapoor. Because ... wow. From what I remember, Lynge proposed this choice and we all immediately shouted "YES!" :)

It was harder with Kiyan. It was hard for us to agree completely, but in the end my proposal to choose Byung-hun Lee got the most votes.

Please let us know how you like our project so far. We will be glad to hear from you! <3

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Axii turned out to be helpful at the gate leading to Drahim castle. Kiyan met a young guard there, not a very bright boy, who immediately intrigued him. His skin colour and facial features suggested that he was Ofieri. Kiyan thought at first that perhaps the prince was simply hiring Ofieri instead of Redanian soldiers, but the young man was the only dark-skinned person among the guards, at least as far as Kiyan could tell. The young maybe-Ofieri man turned out to be very susceptible to Axii. A little magical suggestion, and the boy was leading him straight to the courtyard to his commander.

Kiyan shook his head in dismay when the rest of the soldiers didn’t question the clueless youth’s decision. Once the gatekeeper had let the witcher in, not one of the guards looking at him curiously stopped them as they walked deeper into the courtyard. Kiyan thought that if he were their commander, he would thrash them for their incompetence. If someone wanted to pay him to kill an unpopular prince, the task would be more than easy.

Finally, they reached a battle arena, a cleared pit surrounded by training dummies and sword stands. Kiyan would have expected such a place to be nearer the guards' barracks than the castle courtyard, but then he remembered that the prince was very fond of weapons. It was no wonder he wanted a place nearby to test them.

In the arena, two men were sparring, and although they were both using wooden swords, it didn't seem to be a safe game. They both wore no armor, dressed only in thin linen shirts, soaked with sweat, and quilted trousers. Each moved with a surety that spoke of years of practice and a strength that told of a fierce desire to win even this mock bout. If this was the intensity of their training, then Kiyan preferred not to guess what a real fight would look like, because their wooden swords looked nearly ready to break.

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terramythos · 4 years ago

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TerraMythos' 2020 Reading Challenge - Book 27 of 26

Title: How Long ‘Til Black Future Month? (2018)

Author: N. K. Jemisin

Genre/Tags: Short Story Collection, Fantasy, Science Fiction, Horror, Dystopia, Magical Realism, Steampunk, Cyberpunk, Post-Apocalyptic, Female Protagonist(s), LGBT Protagonist(s).

Rating: 8/10 (Note: This is an average of all the stories -- see below the cut for individual story blurbs/ratings).

Date Began: 9/27/2020

Date Finished: 10/4/2020

I really liked this collection! Jemisin wrote my favorite fanstasy/scifi series ever with The Broken Earth trilogy, and I really enjoyed her recent novel The City We Became. I was in the mindset for shorter fiction so decided to read this collection of short stories. Of these 22 stories, my absolute favorites (9/10 or higher) were:

The City Born Great - 10/10

The Effluent Engine - 9/10

Cloud Dragon Skies - 9/10

The Trojan Girl -10/10

Valedictorian - 9/10

The Evaluators - 10/10

Stone Hunger - 9/10

The Narcomancer - 9/10

Too Many Yesterdays, Not Enough Tomorrows - 9/10

Sinners, Saints, Dragons, and Haints, in the City Beneath the Still Waters - 9/10

A more detailed summary/reaction to each story under the cut. WARNING: IT’S LONG.

1. Those Who Stay and Fight - 8/10

Describes a utopia called Um-Helat that exists solely because no one is seen as superior or inferior to anyone else. Over time we learn it's a future, or potential future, of America. But America today is pure anathema to it due to rampant structural inequality. In order to achieve its utopian ideal, Um-Helatians have to root out and destroy people corrupted by the past.

This story was apparently written as a tribute/response to the Ursula K. Le Guin story “The Ones Who Walk Away from Omelas”. I first read this without context, then went and read the Le Guin story. I definitely see the parallels. Both feature a narrator describing a wonderful utopia in the midst of festival, trying to convince the reader of the place's existence, before introducing something dark that is the price of the utopia. In the Le Guin story, the utopia exists at the price of the horrible misery and suffering of one child, and everyone is aware of it. Most live with it, but a few leave for the unknown rather than continue to live there (hence the title). In Jemisin's story, the price is instead the annihilation of those tainted by exposure to the evils of the past. The choice, instead of leaving, is for those tainted yet capable to become protectors of the new world, or die.

The thesis is pretty clear: that only by abandoning horrible ideologies and refusing to give them any ground or quarter can a utopian society truly exist. I will say that rings clear, especially when one considers Naziism and fascism. Not all ideologies deserve the light of day or debate, and even entertaining them as valid allows it to take hold. I liked this story, though it comes off as a social justice essay more than a story in and of itself.

2. The City Born Great - 10/10

This one is told from the perspective of a homeless young black man who feels a strange resonance with New York City. He meets a mysterious figure named Paulo, who tells him the city is about to be born as a full-fledged entity, and the man has been chosen to assist with its birth. However, there’s an eldritch force known simply as The Enemy that seeks to prevent this from happening.

I've read this one before since it's the prologue to The City We Became. And honestly it was one of my favorite parts of that book. New York City is a phenomenal character. I love that the proto-avatar of NYC is a young homeless black man, one of the most denigrated groups out there. Cops being the harbingers of eldritch destruction is... yeah. It was fun to reread this. The ending is a little different, because in the novel, something goes terribly wrong that doesn't happen in this short story. There is also a flash forward where he is, apparently, about to awaken the avatar of Los Angeles. Makes me wonder if that is ultimately the endgame of the series. But otherwise it's the same thing with absolutely phenomenal character voice and creativity regarding cities as living creatures. I'm glad Jemisin expanded this idea into a full series.

3. Red Dirt Witch - 7/10

Takes place before the (1960s) Civil Rights Movement in Pratt City, AL. The main character is Emmaline, a witch with three kids. A creepy figure called The White Lady comes to visit and steal one of her children.

I love the little twist that The White Lady is a faerie. And the different take on rowan/ash/thorn instead being rosemary/sage/sycamore fig. There is a lot of touching bits about the horrible trials and human rights abuses during the Civil Rights marches (which are unfortunately all too relevant still), but ultimately a hopeful glimpse of the future of black people in America, though hard-won.

4. L'Alchimista - 6/10

Stars a Milanese master chef named Franca, who fell from glory for Reasons, who now works as head chef at a run-down inn. She feeds a mysterious stranger, who then challenges her to fix a seemingly impossible recipe.

This one was fun and charming. I thought the food (and magical food) descriptions were very vibrant and interesting, especially the last meal. I can tell this is an earlier story and it's pretty light hearted, but I enjoyed it. It felt like it needed a little more of.. something.

5. The Effluent Engine - 9/10

In an interesting steampunk take, Haitian spy Jessaline comes to the city of New Orleans to meet one of its foremost scientists. Her goal is to find a viable, unique energy source to strengthen Haiti in a world that wants to see her nation dead.

I really liked this; it's one of the longer stories so there's more time for character development and worldbuilding. And it's gay. I'm not hugely into pure steampunk because a lot of it comes off as very... samey (hyper Eurocentric/Victorian, etc) but I thought this take was fresh.

Like much of Jemisin's work, there is a lot of racial under and overtones; this one specifically goes into the terrible atrocities committed against the Haitians during their Revolution, and the varied social classes of black/Creole people in New Orleans at the time. A lot of this is stuff I was unaware of or knew very little about. I thought it was interesting to bring all of these to the forefront in a steampunk story in addition to the dirigibles, clockwork, action, and subterfuge. Also, everything tries together in a very satisfying way by the end (the rum bottle!), which I love in short fiction.

6. Cloud Dragon Skies - 9/10

Takes place in a post-apoc future where some humans evacuated to space while others stayed behind and took on more indigenous traditions to heal the Earth. The sky has suddenly turned red on Earth, and some representatives from the "sky-people" come to study it and figure out why.

I really enjoyed this little story; fantasy/scifi fusions are my jam, but science fiction specifically told through a fantasy lens is just so cool to me. The cloud dragons were very interesting and imaginative. Also, I love how the opening statement's meaning isn't particularly clear until you read the whole thing.

7. The Trojan Girl - 10/10

This one is about sentient computer programs/viruses that struggle to survive in something called the Amorph, which is basically a more advanced, omnipresent version of the Internet.

Holy fucking shit was this a cool story. Probably the coolest take on cyberpunk I've ever read. The main character Moroe has formed a messed up little family of creatures like him who live and hunt in Amorph's code, but can upload to "the Static" (real life) if needed by hijacking human hosts. The way this is described is so damn creepy and unsettling. I love that while they're anthropomorphized, the characters are mostly feral and compared to a pack of wolves. Soooo much wolf pack imagery. And the ending is so fucking good and imaginative.

This was apparently a proof of concept story that Jemisin decided not to adapt to a longer series, which I'm kind of sad about, but it was REALLY cool nevertheless. The next story is apparently in the same universe and serves as the "conclusion".

8. Valedictorian - 9/10

This one is about a girl who is, well, top of her class in high school, and the stresses that mount as graduation approaches. But while it seems like a familiar setup, there is something decidedly Off about everything, which is revealed gradually over the course of the story.

I originally gave this an 8, but honestly I couldn't stop thinking about it so I boosted it to a 9. It doesn’t become clear how this connects to the previous story until the midpoint. I liked this one because it functions as a nice dystopian science fiction story but also biting social commentary on the modern American education system. I'm not going go say more on it because spoilers. While I personally like the first story more I think this is an interesting followup/conclusion with a more cerebral approach.

9. The Storyteller's Replacement - 6/10

This one's presented as a traditional "once upon a time" fable told by a storyteller narrator, about a shitty despotic king named Paramenter. Desperate to prove his virility, he eats the heart of a dragon, which is said to be a cure-all for impotence. It's successful, but the six strange daughters that result seem to have plans of their own.

Not really my cup of tea-- it's pretty fucked up. But it's definitely cathartic by the end, which I appreciate, and I do like how creepy the daughters are.

10. The Brides of Heaven - 5/10

Framed as an interrogation in an offworld colony called Illiyin, in which a terrible accident occurred on the way that left all the adult men dead. Dihya, who lost her only son to an alien parasite, is caught trying to sabotage the colony's water supply for reasons unknown.

I like some things in this story. I love the trope of alien biology affecting human biology in unexpected ways. I'm not terribly familiar with Islam but thought it added an interesting faith vs practicality vs tradition element to the science fiction. However I found the sexual body horror REALLY squicky which turned me off the story as a whole.

11. The Evaluators - 10/10

Stylized as a collection of logs and excerpts from a First Contact team of humans visiting and studying a sapient alien species to potentially set up trade relations. There's a focus on one team member named Aihua and her conversations with one of the aliens, but there's miscellaneous important hints/excerpts from the survey that hint Something Creepy Is Going On.

This one was BIZARRE and took me two reads to fully appreciate, but it’s a great work of nontraditional science fiction horror. Just... the epitome of "*nervous laughter* 'what the fuck'". I can't say more without spoiling but dear lord. That whole Jesus bit hits different on a second read. Fucking hell.

12. Walking Awake - 7/10

Takes place in a dystopian society in which parasitic creatures known as Masters keep a small number of humans alive to be flesh suits for them, which they take over and trade around at will. The main character Sadie is a human "caretaker" responsible for propagandizing and raising well-bred human children that eventually become the Masters' hosts. She starts to have disturbing dreams when one takes over the body of a teenage boy she was particularly attached to.

This is apparently a response to Robert Heinlein's The Puppet Masters, which I have never read. It's a full damn novel so I probably won't. Google tells me it's about parasitic aliens, but was obviously also Red Scare paranoia about communist Russia. The argument in the Jemisin story is that the parasites are a result of human folly in an attempt to punish/control people their creators didn't like. This went poorly and resulted in the whole world being taken over.

The story itself is disturbing since the victims are innocent children, but it's ultimately about standing up and taking the first step toward revolution. I felt pretty neutral about the story itself; perhaps I would have liked it more if it was longer and I had more time with the world and protagonist. I wanted to connect to Sadie and her maternal relationship the boy who got killed more. Or maybe it's more impactful if you're familiar with the Heinlein novel and can see the nods/digs.

13. The Elevator Dancer - 7/10

A very short story that takes place in a Christian fundamentalist surveillance state. The protagonist is an unnamed security guard who occasionally sees a woman dancing alone in the elevator and obsesses over her.

I like this one but I'm not sure if I really get it. It's heavily implied the dancer is a hallucination, and the narrator gets "re-educated" but it's all a little ambiguous. I think it's about the struggle to find meaning and inspiration in an oppressive world.

14. Cuisine des Mémoires - 8/10

This one's about a man named Harold who visits a strange restaurant that claims it can replicate any meal from any point in history. He orders a meal which his ex-wife, whom he still loves very much, fixed for him years ago.

This one was certainly different, but I really like the idea of food-as-memory, especially because that's an actual thing. This story just takes it to an extra level. Honestly this story made me feel things... the longing of memory and missed connections/opportunities. Jemisin did a great job with emotion on this one.

15. Stone Hunger - 9/10

Stars a girl in with the ability to manipulate the earth who's tracking down a man she senses in an unfamiliar city. It's heavily implied the world is in a perpetual post-apocalyptic state. When she's caught damaging the outer wall of the city to break in and injured/imprisoned, she's aided by a mysterious, humanoid statue creature with motives of its own.

I have to say it's really interesting to see an early beta concept of The Broken Earth. Orogeny is a little different (and not named)-- there's some kind of taste component to it? Though that's possibly unique to the main character? While hatred of orogenes exists I don't think it's a structural exploitation allegory at this point. Ykka + proto-Castrima existing this early is pretty funny to me. People also use metal, which is VERY funny if you’ve read the series. But I was thrilled to see stone eaters were Very Much A Thing this early and almost exactly how they appear in the series (a little more sinister I guess. At least the one in this story is. I think he basically gets integrated into the Steel/Gray character in the final version).

Anyway as a huge fan of The Broken Earth it's inspiring to see these early ideas and just how much got changed. It's hard for me to look at this as an independent story without the context of the series. I think I'd like it due to the creative setting and strange concepts, but I appreciate the final changes to narrative style and worldbuilding, which really made the series for me.

16. On The Banks of the River Lex - 8/10

Death explores a decaying, post-human version of New York City. He and various deities/ideas created by humans are all that survives in the future and they struggle to exist in the crumbling infrastructure of the city. But Death gradually observes new and different creatures developing amid the wreckage.

I liked this! Despite a typically bleak premise the story is very optimistic and hopeful for the future of the world post-humanity. I like anthropomorphized concepts/deities/etc in general. I thought the imagery of decay and life was gorgeous. Also octopuses are cool.

17. The Narcomancer - 9/10

Told from the perspective of Cet, a priest known as a Gatherer, who can take the life of someone through their dreams in order to bring them peace. When a village petitions his order to investigate a series of raids conducted by brigands using forbidden magic, Cet joins the party. However, he is troubled by his growing attraction to a strong-willed woman of the village.

This apparently takes place in the Dreamblood universe, which I have not read and know nothing about. However, I really enjoyed this story. It's the longest in the collection so I felt I really got to know the characters. The dream-based religion and fantasy was captivating to learn about. It was also romantic as hell, but not in the typical way you’d expect. I thought the central conflict of a priest struggling between an oath of celibacy and his duty to do the right thing (bring peace to someone who needs it) was fascinating.

18. Henosis - 4/10

A short piece, told anachronistically, about a lauded, award winning author on the way to an award ceremony. He gets kidnapped, but there's Something Else going on.

Honestly I get the sense this one is personal, lol. I will say I like the disturbing play on expectations, but I didn't connect much with it otherwise.

19. Too Many Yesterdays, Not Enough Tomorrows - 9/10

Follows a group of bloggers who have found themselves caught in isolated quantum loops. Their only human contact is through tenuous online conversations with each other. Styled as various chat logs and emails interspersed with the thoughts and perspectives of Helen, a young black woman who before the loop was teaching English in Japan.

This one is real depressing and definitely Social Commentary (TM). The central thesis about loneliness and disconnect at the end made me pretty dang sad. Good stuff in an ouch kind of way and made me think.

20. The You Train - 6/10

Told from the perspective of an unnamed narrator talking (presumably on the phone) to a friend about her struggles adjusting to life in New York City. She regularly mentions seeing train lines that either don't exist or retired a long time ago.

This is the kind of story I'd normally really like. I think trains are interesting and like vaguely supernatural, inexplicable shit. The one-sided phone call is also an interesting narrative device. But I'm not sure I really got this one. It comes off as vaguely horror-y but also optimistic? I couldn't really figure this one out, and it was too short to feel much investment on top of that.

21. Non-Zero Probabilities - 7/10

Luck has gone completely out of whack in New York City. Highly improbable events suddenly become way more likely, both good and bad. This story follows a woman named Adele and coming to grips with the new ways of life this brings.

I liked this one well enough but I don't have a lot to say about it. I liked how the story looks at how people would adapt to a life where probability doesn't mean anything anymore.

22. Sinners, Saints, Dragons, and Haints, in the City Beneath the Still Waters - 9/10

A magical realism story about a man named Tookie struggling to survive in New Orleans in the immediate aftermath of Hurricane Katrina. He meets a talking, winged lizard and the two help each other out. But it soon becomes clear there is something sinister lurking in the flooded ruins of the city.

This story was very imaginative and a great cap to the collection. I thought it was an intriguing time period to set a magical realism story in. I love the little details, especially those of omission -- the "lizard" is never called a dragon, for example. I can see echoes of this story in The City We Became, especially the themes of cities as powerful entities, vague eldritch fuckery centered around hatred, and certain people being guardians of the city.

#2020 reading challenge #BONUS ROUND #taylor reads #8/10 #i am posting this Late but i was basically writing this review as i read so it's like. all done lol

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