#like they know so many actors i want to be like

[youremyheaven]

Random Mini Astrology Observations: Vedic Edition

Warning: This is just a string of random thoughts lol, don't compare it to my best work on here. It's a bunch of stuff I've had in my drafts and I'm trying to clear it all out

Before I get into this, I just want to say, that whether my observations are positive or negative, it won't apply to every individual who has these placements. 8 billion people exist on this planet, and not everyone will exhibit the same good or bad qualities. I hate having to put this PSA because some people don't get it but yeah "not all Lunars/Venusians/Nodals/Solars/Jup/Sat are going to be the same".

Jupiter influenced men are known for being introverted cutie pies who kinda have that mature-dilf-y vibe.

Obviously, another category of Jupiter men are often loud, extroverted and very outgoing but I've noticed these placements heavilyyyy in celebrities "known" for being private and introverted. They are also often known for being generous and kind hearted.

Prabhas, Vishaka Stellium (Moon, Mercury and Venus)

He is known as "darling star" and brings food that he has prepared at home for everyone on set (he is an actor). He is known for being very shy and introverted but also super sweet, generous and kind.

Sidharth Malhotra, Vishaka Moon

Sid is known for being extremely lowkey which is RARE for a Bollywood actor. He's also quite gentlemanly and charitable

Ratan Tata, Vishaka Moon

He is an Indian billionaire entrepreneur who lives in a small 2bhk apartment and has donated most of his personal wealth to charity. He is known for having led his company in a very humane way (there are lots of controversies and im aware of them but compared to the work culture and quality of life that most other indian companies offer its employees, TATA is in a different league).

Keanu Reeves, Punarvasu Moon (and stellium)

i dont have to explain but Keanu is the king of kindness and generosity

Mads Mikkelsen, Vishaka Moon

unlike his characters, Mads is actually a sweet guy and very private

Adam Driver- Vishaka Sun

he's so private that nobody even knows he's married with a kid

Tom Hanks, Punarvasu Sun

known for being a gentleman and quite modest. the OG nice guy and obviously very private

Ethan Hawke, Vishaka Sun

another lowkey, private guy who is known for being nice

2. Rashmika Mandanna and Surbhi Jyoti, Swati Moon

I find their eye area to be kinda similar?? I know they don't look alike but there are some overarching similarities between them and I think its bc they have the same moon nak.

3. I came across a comment that Akshay Kumar made about Asin and her CEO husband Rahul Sharma.

“He is madly in love with his wife, his child. It’s like he treats her like a goddess.

and guess what?? Rahul is a Purvashadha Sun 🥺😌😌

4. Ashwini natives often have post-apocalyptic dreams

Since its the first nak and is ruled by Ketu and is in complete darkness, symbolically representing the stage before creation (which happens in Bharani), the subconscious mind is susceptible to having really strange, fcked up, war-like dreams/visions. Also bc Aries rashi is ruled by Mars, God of War.

5. every Venusian man I know kinda has a voice kink

6. Many Punarvasus crave for a simple, rustic, relaxed type of life. In fact many famous Punarvasus live on a farm

Kaley Cuoco- Punarvasu Moon

Bretman Rock - Punarvasu Sun

MS Dhoni- Punarvasu Sun

Dennis Quaid, Punarvasu Moon on his ranch

7. Jupiter and Venus are 'Brahmins' or priestly, the Sun and Mars are 'Kshatriyas' or warriors, the Moon is 'Vaishya', or a trader, Mercury is a 'Vaisya', Saturn 'Shudra', or a lower caste and Rahu and Ketu are outcastes.

This is not an observation but just an astrological fact that I thought I'd mention

8. Magha girls are often the spoilt daughters or come from very bougie families where they're the princesses. They might emotionally suffer but materially and otherwise, they're very comfortable

Shruti Hassan- Magha Moon

she has spoken about how rough her childhood was bc of her parents' tumultuous marriage and subsequent divorce but that doesn't change the fact that she's the daughter of Kamal Hassan, one of the biggest stars in the history of Indian cinema

Kiara Advani- Magha Moon

Kiara is from a very wealthy and illustrious family, and she grew up as a much loved, spoilt ish daughter<3

Wonyoung- Magha Sun

Wonyoung is from a filthy rich family and she has said that she grew up very pampered. And that she didn't have an allowance bc whatever she asked for she got. However she became a trainee at 12yrs of age and that journey could not have been easy. Despite being born rich, she's had to go through a lot in life to be where she is today

Aditi Rao Hydari- Magha Moon

she's of actual royal lineage so she's a real life princess but her parents divorced when she was a kid and she grew up with a single mom in delhi and not in a palace

9. DMX- Mula Sun (dog yoni) was obsessed with dogs

The late rapper DMX's relationship with dogs, which seems almost mythical. He was born in 1970 - the year of the Metal Dog, and in his teens he ran away from his abusive household and befriended stray dogs while vulnerable on the streets. He began to gather dogs for protection, intimidation and family, and was sent to prison for stealing a dog (a neglected dog chained up in a scrapyard). In prison, he wrote a lot of his early songs, in which he came up with his "dog" mythology, in which he imagines himself as a monstrous dog-themed gangster who barks and howls. He had a huge tattoo of his favourite dog Boomer on his back. In 2008, his 12 dogs were taken from him by cops after there were reports of animal cruelty - DMX had paid a negligent caretaker to look after the dogs while he was on tour. (The dogs lived out the rest of their lives as therapy animals in a women's prison)

I think its interesting how our yoni animal influences our life

10. As Vighati graha, male planets are: Sun, Mars, Jupiter, Rahu; female planets are: Moon, Venus, Ketu whilst two eunuch planets are Mercury and Saturn. All the standard rules for determination of the sex of the child are applicable, female signs are: Taurus, Gemini, Virgo, Scorpio, Capricorn and Aquarius; male signs are: Aries, Cancer, Leo, Libra, Sagittarius and Pisces. Exalted planets indicate male issue and debilitated planets indicate female.

11. Mercurial men and Jupiter men are soooo flamboyant, sassy and gender non-conforming

RuPaul- Vishaka Sun & Moon

Elton John- Jyeshta Rising

Jeff Goldblum- Jyeshta Moon

Prince- Vishaka Rising

Jimi Hendrix- Mars in Vishaka atmakaraka

[dvilsdesire]

The many faces of Raphael

So I headcanon that Raphael can be seen as two very different people, depending on who is dealing with him. I truly believe that Raphael acts a lot. It is the nature of a devil, to understand their company and possible opponent, to lean into what it is that he could use against someone, and in turn, to lure them in for his own gain. To be manipulative and attractive, to get inside their head and to get under their skin so they can't stop thinking about what he can GIVE them in return for whatever it is that Raphael wants.

Raphael is a devil, and he is a smart devil, with wit and charm to top off that personality of his.

However, the opposite side of that charm and wit, when he is within company and attempting to manipulate someone, is someone far more cold.

Behind closed doors, Raphael, whilst he is still charming in his own way, and intelligent, is also far less performative, straight to the point, and often cold and blunt. Whilst he still has a very creative vocabulary, there is simply no NEED for it behind closed doors, and it would be wasted energy (unless he's getting something out of it).

This also comes down to the power that Raphael holds and can wield. For mortals on the Material Plane, Raphael is generally in control and much stronger. He can manipulate and control the situation a lot easier than he can in the Hells--for he is the only devil in the room (generally speaking), and he can use that to his advantage. Most mortals are terrified of his kind, and he can use that against them, trapping them and making sure to manipulate the situation so he is their only choice. He is a master at trapping others and even making them feel like they are making their own choice, when really... it's the only choice they actually have left because he's likely taken out the competition.

In the Hells, it's obvious that Raphael is not popular (especially if we can go off Haarlep's letter in endgame). As a cambion child, he would have been looked down upon because of that. If we lean into the theory that he's a nepo baby, it means devils would have hated him even more because of the privileges he was given above others, when that's not supposed to be how the laws of Baator work (though this is a theory I'm sort of... 50/50 on considering those laws).

I honestly think most devils see Raphael and think he's incredibly annoying to deal with, a fucking nerd loser who likes to sing (Yurgir pretty much confirms that Raphael sings even if it's for torture purposes), and is... as what most of the fandom has stated, a theatre dork.

This is where I see Raphael's power shift change in how he acts. If he knows he has the advantage over someone, he is that charming and pompous actor, grandeur in nature. However, when that power shifts, I believe Raphael is far less theatrical, and behind closed doors, he likely is a lot cooler and colder in nature.

I consider his relationship, in particular, with Haarlep, to be something far more domesticated (though not without its power games of course, and Raphael's constant need to attempt to stay in control, though Haarlep is far too good at twisting that control).

The art of a devil is being able to manipulate and gain control, to keep that control and bend anything to his whim. Raphael will always see himself as in control, will always be selfish, and will always be a cruel and sadistic, evil devil. Everything he does, he does for his own gain and benefit, whether or not it's control, power, souls, whatever else, and in doing so, he picks the best personality to go with what will get him what he needs, what people will find attractive in him.

But I do believe that behind closed doors, he drops some of that facade as it's simply not necessary, and especially when he is within the Hells, when that power dynamic can change as other devils are around him he must follow the laws of Baator.

[myobsessionsspace]

Hello! Now that we've seen all eight episodes and Jimin and JK didn't take a single opportunity to "bro" up their relationship, no "when we get married to women I hope we're still friends" conversation, do you think AYS was a soft launch? Or did it just feel like one because that's the natural by-product of seeing Jimin and JK together without (much) third party interference?

Hi lovely,

Thank you for sending this in.

I haven’t done any write ups on my feelings after each episode like many have. There’s been much said that I agree with, so Ididn’t really have anything new to add.

Tbh I’ve done a Masterlist for all things AYS also including the write ups of 2 bloggers here that I pretty much agreed and enjoyed their write ups. Both @akookminsupporter and @jmdbjk (thank you two again for agreeing to have your posts linked🥹)

Do I think the show was a soft launch? Sort answer no. Long answer mmmm no?lol😅🙈

⚠️Looooonnnnnnngggg essay of an answer incoming⚠️

I think with this show and all that it has around it has to be looked at through the eyes of Koreans and the type of shows they have in Korea. How the ‘bromance’ genre is generally accepted and the types of shows celebs and idols do in Korea.

Did you know many idol groups do RUN BTS! like shows, In The Soop and Bon Voyage like shows, shows where they become parents for a period of time to kids, shows where they get ‘married’ etc. Koreans see celebs and everything they do as entertainment for them. Two idols from a group of 7 travelling ‘alone’ sure, bromance, sure something BTS hasn’t done before but…

Tbh it’s not that unique. It’s not that outlandish.

I posted this previously

Close friends and famous actors going on a trip to Jeju, meeting with other friends and fishing together.

Tbh people may not view the show the same way that jikookers are. Jikookers have the added knowledge of everything in Jikook spaces that have previously been highlighted. So we see the inside jokes and know that this just adds to the long saga of Jikook and inside jokes, we see the hyung/dongsaeng dynamic get flipped on its head and we add it to the years long knowledge we have of Jikook and their unique bond.

I think there was some ‘bro’ energy. To be honest above anything else they’re goofballs and dudes. For as much tenderness as there was, there were ‘bro’ moments too, they are BFFs and young men after all. I think the show served different things for different viewers.

For casual viewers, those who know of BTS and we’re just interested in watching BTS content. Cos let’s be real, this isn’t a show you just are channel surfing and happen across. You have to search for this show, know of its existence, be recommended it or have been waiting to watch it. For those casual viewers, maybe or maybe not identifying as army, the show was just a fun, more adult, more slow paced BTS show. With two members that after watching the show, the viewer now realises are close close friends with more of a chingu friendship and would be shocked that it’s actual a hyung and dongsaeng (if they didn’t already know).

For these reactors, they kept verbalising ‘how close’ Jikook must be ‘good friends’ ‘close friends’ and ‘cute’. (click here if you want to check out the full thread on twit/x)

For army watching it, again it’s just to them, an opportunity to watch more BTS content. To enjoy the members travelling, eating and having fun, more of the in the Soop/Bon voyage that they’re familiar with. More of the skinship, playful, one big happy family that army know BTS to be.

A paraphrased collection of what was seen from army on twit/x

Jikookers having the time of our lives with all the tender and also sus af moments.

For Jikook shippers, the show is just a reaffirmation of what they already felt they knew about Jikook. More of an opportunity to see Jikook’s dynamic that they saw in bits and pieces from lives, fan cams, Bangtan bombs, memories and other BTS shows.

The show tbh isn’t really earth shattering in unveiling anything about Jikook to any of the demographics mentioned above casual fans, army or jikookers.

Depending on what sub group a viewer fits into, their perception of the show fits that.

I don’t think anyone really honestly, apart from exuberant jikookers truly think this show is Jikook’s soft launch.

I think by Korean standards the show isn’t outlandishly gay.

It’s got sus moments here and there like the majority of Bangtan content has had over the years. But on the whole, it is content that other groups have done in one way or another, other celebrities have done, were yes they do tease and flirt and joke about the ‘homoerotic’ atmosphere some setting bring, but due to the dominating culture of homophobia, none really honestly mean it or believe it to be gay or involving actual gay people. I don’t know if that makes sense what I’m trying to say?

I’ve written thoughts before on the show, how it made sense for it to happen for Jikook, how it’s not so out there for them to be filming a duo trip etc.

Musings

Thoughts

Pondering

👤“Everything comes back to GCF with you Jikooker🙄”

Me: Yes, Yes it does 💅

If you’ve got this far in the answer trust me, bare with me I’m going somewhere with this, it’s not just another opportunity to gush about GCFs😅🙈

Remember that Jimin loves travelling with Jungkook, he loved being GCF’s main model (no matter how embarrassed JK was at Jimin verbalising it to be the case and his denials😂)

Jimin made his little vlog of their Tokyo trip before he knew the kind of production Jungkook was making himself with his first ever GCF. They’ve always like travelling together and always like sharing it with army. They just didn’t have much opportunity.

Jungkook tweeting this whilst editing GCF Saipan.

Namjoon tweeting this whilst they were in Saipan.

What is AYS then?!!

I think AYS was just a matured continuation of Jikook jikooking. Their numerous selcas they’d share on twitter, their joint YouTube logs they’d do in the beginning, their back and forths they’d have on weverse every now and again.

This show was to me, I think, is just Jikook reaffirming everything they’ve always shown about themselves to army, that’s they’re intertwined, how many times have they said they are ‘you are me and I am you’.

They couldn’t do a subunit together, they had no time to do a cover song together, something I’m sure they would have loved to do in chapter two.

I just feel like they wanted to do something together in chapter two, because since the beginning of their careers, they’ve always made sure they carved out something within that highlighted the two of them. That was for the two of them.

Everyone had their own documentaries, appearances on shows or their own YouTube shows etc. Jikook too had their own docs, but they were the only to have their own show for the two of them.

I don’t think the show was a soft launch. I do think the show was another part in the long history of Jikook showing us, rather than telling us, they’re never to be divided. That the other is their source of joy, happiness and home and wherever they start, they’ll always end it with the other. Like we noticed FACE ended with Letter feat. Jungkook, Jimin’s doc ended with Jungkook, Jungkook’s doc ended with Jimin, they ended their free time travelling with each other before enlistment together and they ended their solo releases with Are You Sure?! capping it all off. Their show playing their solo songs whilst showing the two meeting together after it all.

That’s what I got from the show.

If the show was a soft launch, then enlisting together, their portions in their autobiography, their section in their monument’s documentary, GCF Tokyo…all those were soft launches too

Ultimately I think Jikook are intent on making one thing clear. Not the romantic state of their relationship. But the importantance of it full stop.

That they are important to each other AND the closest to each other. Anything else they aren’t (to me) addressing. But they are with this show and with every stage in their career, making sure it’s known that Jimin is of the utmost importance to Jungkook and Jungkook is of the utmost importance to Jimin.

Since the beginning

Thank you for this ask lovely. I don’t know if it was the answer you wanted but it’s what makes sense to me.

Thank you for anyone else that made it through this huge answer in its entirety 😩

It’d be great if anyone else wanted to give their view on this so we’re can share and discuss

💜

[bcacstuff]

Hi bcac ! I was wondering if you had any idea or guess as to how much Sam and Catriona have made in salary for their work in Outlander. Honest question as I have no idea. Thank you for your blog- I love coming here and learning about things although on a personal level have become disappointed in Sam. You have such interesting posts and just wanted to say thank you!

Thank you for the compliments, nice to hear you enjoy my blog and find my posts interesting. I think more started feeling kinda disappointed in him, but then again, he's just a human being with his good things and his flaws as well. He's not anybody's book bf and many fans have put him on a somewhat unrealistic pedestal perhaps.

For your question about their earnings for the work on OL. It's not an easy question to answer, there are only guesses as I'm sure nobody but the persons involved are aware of what's in their contracts.

If you google a question like 'how much earns SH per episode' you will learn that there are many figures floating around. From one reporting $1 million per episode (which seems very unrealistic to me) to another reporting a $100.000 per episode. The latter one is probably more realistic, though that was reported in 2019. I'm sure it has been renegotiated over the years, with less salary per episode at the start and probably more since the last seasons as they have been EP's as well. (and as we know Catriona directing an episode in the final season as well).

That said it's not that easy to do the math, take an average and multiply by 101 episodes, as I think other things should be taken into account as well. Like earnings for photoshoots, cons, interviews etc.

What I can tell is what the public figures are for Sam's private company Cairn Mor Creative LTD, which he incorporated in 2015 for his earnings as an actor. Financial data are stored and public for anyone to see. Though one have to take into account that this isn't solely for his work on Outlander, but for the movies and tv series he worked on as well.

Anyway those figures show a net assets of £87.625 in 2016 to a £5.5M at the latest filing of the total accounts. (March 2023)

in another diagram you see the growth from 2019 - 2023

(*the drop in 2021/2022 is mostly due to Covid)

So it's not only his earnings on OL but other work as well. His earnings for projects like his booze business are not included in this company, as they are part of GGC (for which there are no public financial records as far as I know)

I don't have any knowledge for Catriona owning a similar company dedicated to her work as actress. But it's said they always negotiated equal payment for their work on OL.

Anyway while it isn't exactly what you asked for (we can only make a more or less educated guesses to that), I hope this will give you at least some idea.

[nostalgicmiscellaneous]

Lol as someone who actually works in the industry: you guys are very, very naive if you believe a tumblr blog would tell you secrets about the behind the scenes of Bridgerton for a bubble of specific fans, and even less that someone who actually have access to executives would be around telling so many incorrect stuff that can be proven wrong with some clicks. And would tell you about the actors that way, while working for Netflix. It's hilarious because production is segmented, there are different crews as well, and it simply wouldn't have production/executive inside information if it worked close enough to the actors day by day to know them, and they wouldn't work with all of them to know them personally, repeatedly in the way it says, as the teams are the same for a long time and they all have made their opinions on actors very clear. It's so stupid that it made the mistake of telling you all it doesn't work with crew. They really don't know how a production of a show works and it's funny to see anyone believing it. Then again, only Kanthony and Benophy fans do.

Not only that, contradicting not simply Netflix's news of profitability and success of Season 3, but in fact, actual market news and data releases, Investments prospects, and investors reports, plus licensing, that anyone with any inside information would know it's done publicly and show the actual success and profit delivered by Season 3. To even try to say it lost money, Lol. The data is there, if you worked in a exec. position, even management position, you wouldn't say something so ignorant.

Critically, official certified critics, and audience numbers averaged above Season 2 and on par with Season 1, and you can also check the aggregate of that on RT, IMDB, sites that reunited and average the score. Audience is measured not only by Netflix, but Luminate and Nielsen. Data that is ALSO PUBLIC. And that showed the successful amount of views, specially recovering audience that Season 2 had lost. It was also superior to QC. Netflix also ranks #6 ( above Season 2, again) as their most viewed seasons. Another public information.

It becomes evident you're dealing with a fan of Anthony and Kate and Sophie and Benedict when it spills target hate for particular actors, with nonsense that is so painfully clear from a fandom member, a mere angry fan trying with a insane agenda.

That's the problem when someone has an agenda against some actors and some fictional characters, a TV show, specifically a season. They throw away logic and believe anyone.

There is no insider, you have actual market information and investors/ experts that are not even Netflix connected telling you the success of season 3. Anyone who works for the industry would know that. Lol

There is no inside information of actors from that person. All cast and crew, and connected workers, and adjacents from media, PR and more, have their words and testaments to the cast and crew openly at their socials, dismantling their obsessive nonsense, contradicting them. I contradict them, lol, as i've actually met some of them and know their work ethics and behavior.

And most importantly, the so-called ''insider'' is not even from or in the UK…yes, i know exactly what i am talking about. But for now, i wont publish. For now.

Just be aware of bullshit and propaganda with fanwar nonsense. You're dealing with someone who is simply a discontent Kanthony & Benophy fan, and a Simone fan and hater of other actors in the show ( VERY OBVIOUS THE TARGETED HATE), connected ( lol very much connected) to a blog who has adopted the name of "Anti" since the start, who hates Polin. Some people just want to create a narrative, and while they say that Benedict is the most popular and wanted character for the GA, try to justify an eventual less number say it would be S3 fault, when S3 actually revamped the numbers from S2 and had incredible profitability ( again, public data).

But be aware that we know with 100% certainty, people like that do not work for Netflix. They don't even have a clue what a netflix contract is and how it works.

Also, a warning: People should have their faces and real names on when they say things, responsibility is a must, don't you all agree? Sometimes people think they are protected under the anonymity of a tumblr url to lie their hearts out and become desperate later when they have to own personally, with their actual faces and real names, and social reputation, the stupidity of their words.

And in a more fundamental sense, grow up. Tomorrow, someone else can simply create a blog telling the opposite about your favorites, their work, their seasons, it's a game nobody wins when fans act that desperate and stupid, lying and manipulating.

Or worse: perhaps someone with actual information can start posting, and you wouldn't like what they have to say…reflect on that.

[arielsojourner]

So I was in Greece and found out it was a lie.

All those episodes of Xena Warrior Princess and Iolaus: The Legendary Journeys.

They.

Were.

LIES.

Did you know that throughout ALL of Greece for all the centuries leading up to when the Romans invaded, all of the many myriad city states and colonies-- west to Sicily and south to Africa and north east to Asia Minor, all of them: no temples to Ares.

None.

All the other gods? Yup. Hell, they even imported Isis from Egypt so she has shrines on Delos. DELOS. The holy birthplace of Apollo. Shrines to the Egyptian goddess Isis.

But Ares? No.

And in both shows that was the WHOLE plot. It was always about Ares and his temples and shrines. Even the Young Hercules spin off with Ryan Gosling as Hercules and the actor who would later be Fili the Dwarf playing young Iolaus, Ares was always in his temples and always trying to protect his temples from being smashed up or destroyed. And I visit Greece for the first time in my life and go to all these amazing sites-- Delos, the canal at Corinth, Olympia, Delphi, Athens, Ithaca, Patmos, Tinos etc. and . . . no Ares. No temple to Ares.

And when you visit Greece and they take you to the ruins of the temples of Athena and Zeus and Apollo etc. you learn that people built temples for the gods to use as like vacation homes when they didn't want to stay on Olympus.

All those city states. All those colonies and during the entire Hellenic period no one built one single temple to Ares according to the docent at the Delphi museum.

Apparently no one wanted Ares as a neighbor.

[tanadrin]

Was there anything actually juicy in Clinton's emails? The media behavior reads like half an attempt to appear more principled b/c of the criticism they got in 2016, and half an attempt to swing the election for Trump because he's better for their business.

not super juicy. i do think there's a differential in how the media covers trump vs other candidates (even other republicans) bc he's so bizarre and they don't know how to handle them, but i don't think it's as calculated as "he's better for their business"

you have to remember that conservatives have spend decades screaming about how the media is unfair to them and biased in favor of liberals and bc media figures want to be the important biased neutral arbiters of democracy (bc that is how they perceive themseves) and they want to try to preserve access to political figures, they have spent a lot of time and effort trying to perform neutrality. this doesn't work of course--there's a reason why the right eventually spawned its own media ecosystem; no amount of bending over backwards to both-sides issues like global warming will appease basically dishonest actors--but it has produced this weird asymmetry where they report on trump like he's a much more normal candidate than he is, reported on his administration like it was a much more coherent realization of policy goals than it was, and sane wash a lot of statements that are either simply incoherent or are menacing and deranged. and they reassure themselves that he can't possibly mean the menacing and deranged things, or that if he does he won't be able to realize them, and after all wasn't the first trump term pretty OK after all?

obviously, i think this is a mistake--the first time around trump was impeded by his own incompetence and that of the people under him, and the fact that, not really knowing what to expect, some actually sane people ended up attached to his administration. i don't think that's likely to be quite the same in a second go-round. but normalcy bias is powerful. it affects a lot of people who aren't journalists, too. and even if you think he isn't likely to succeed, i think the responsible way to report on someone declaring that they are going to attempt to deport millions and seize direct control of major cities and shut down media outlets that offend them is to report that they intend to sdeport millions and seize direct control of major cities and shut down media outlets that offend them, not to try to interpret their pronouncements through the lens of anodyne "economic policy" or w/e. if the flagship outlets of media were really making a rational risk-benefit calculation on whether a second trump term would be good for them, they would be much more strenuously opposing him, because he has promised a scorched-earth campaign of revenge against them, you know?

but actually a lot of the dysfunction of american political coverage is the result of a social incentive structure that's been slowly emerging for more than forty years, driven in part by the incestuousness of the beltway media-political environment and the self-conception and ego of media figures. honestly i think it started as the conspiratorial right moved into mainstream conservative and republican politics in the last three decades of the 20th century. in order for that conspiratorial attitude to really take hold, you had to creative a social structure that isolated people from the broader political consensus, to get them to stop trusting shared sources of authority and information, and that resulted in sustained attacks against the supposed flagrant bias of american news media as a whole, and this process accelerated as distinct right-wing outlets like fox were established. but it was a frog-in-the-pot situation, and many republican politicians were willing to take on this new style of rhetoric that seemed to win votes (and no doubt many believed it to some extent, since it flattered their preconceptions).

but eventually the break became too great--birtherism, the tea party, qanon. mainstream republican politicians realized they'd called up something they couldn't put down; but it was too late to right the ship. trump is the avatar of all that conspiracism and rage, and he took over the republican party. but the tectonic social forces that produced him have been slow and kind of indirect, and a lot of people are still coasting on attitudes and approaches to politics that are ten, twenty, thirty years out of date.

[bucksdaffy]

Oliver Stark's Social Media Activity

I’m not sure why I’m writing this. I’m not even certain if I’m supposed to think about it in such detail. My goal is not to psychoanalyze Oliver (though I’m aware that this is what I am going to be doing in some way). I don’t know him personally, and I don’t know his thoughts. I’m missing a lot of crucial information that is necessary to explain the way things are, so ultimately, I’m going to make many assumptions.

That being said, I’m not here to excuse or condemn Oliver’s behavior. I’m not here to tell you how you’re supposed to feel regarding his social media activity. I’m here to offer a perspective—a perspective that is ultimately my personal view and makes sense to me, but can have no bearing on Oliver’s reality.

This is going to be a long post. I wanted to gather my thoughts before the premiere because I feel that quite a few of my assumptions will be proven either right or wrong as season 8 progresses. I want to return to this post and see how accurate I was about certain things, so this post is mostly for my future self. You don’t have to read it!

Preliminary context

Oliver Stark is an actor portraying a character named Evan “Buck” Buckley on the TV series 9-1-1. As of Season 7, Buck was confirmed to be bisexual after experiencing his first same-sex kiss with Tommy Kinard (played by Lou Ferrigno Jr.). After the episode aired, Oliver expressed excitement and pride in portraying a bisexual character on several occasions, both in interviews and on his official Instagram account.

(x. x. x. x.)

Oliver has also spoken positively about (Buck)Tommy and Lou in his interviews.

(x. x.)

Oliver also recently uploaded a video to his Instagram story, reiterating how proud he is to be part of bisexual representation on TV. (x.)

So, what's the problem?

Many supporters of Buck’s current storyline with Tommy feel that Oliver is not as enthusiastic about it as he previously claimed, due to his silence on the matter on his official Instagram account.

After episode 7x04 aired, Oliver made an effort to like a couple of BuckTommy fan arts on Instagram. He also vaguely mentioned in a comment section that his favorite scene with Bobby in Season 7 was the one where Bobby, among other things, approved of Tommy as Buck’s partner, and he only interacted once with official BuckTommy content. Beyond that, there hasn’t been much else. At the same time, he seemed more engaged in sharing stills of Buddie (the fan-favorite pairing of Buck and his heterosexual friend Eddie) and liking some Buddie-related posts. I want to stress, though, that this, too, wasn’t a frequent occurrence.

As filming for Season 8 continues, Oliver hasn’t posted, shared, or liked anything related to (Buck)Tommy or Lou, even though it is known that Buck and Tommy will continue their relationship into Season 8. Fans have found this especially upsetting, as Buddie shippers use it as ammunition to suggest that Oliver doesn’t enjoy this storyline and would rather it finish quickly, projecting their personal feelings onto an actor because it’s easier that way. After months of constant harassment from Buddie shippers towards anyone showing support for Buck and Tommy’s relationship, it is quite disheartening for fans to realize they are on their own and that the actor involved doesn’t care to call out the problematic behavior of such a vocal portion of the fandom.

Oliver's history with the fandom

In the past, Oliver was active on Twitter, interacting with fans, reading their theories, and replying to their tweets. However, that is no longer the case. Oliver deactivated his Twitter account on May 22, 2021, following this series of tweets:

Here is some further explanation for why that happened.

Okay, what are you getting at?

Well, I guess here’s my perspective on this.

I think Oliver has spoken beautifully about Buck’s storyline, which began in Season 7. Although he has primarily emphasized Buck’s bisexuality (which is great—Buck’s sexuality isn’t tied to one person), he has also spoken positively about (Buck)Tommy and Lou, as mentioned earlier. He has never spoken ill of them, either officially or casually. We can also see how smiley and comfortable he appears around Lou in the Access Hollywood interview they did together. Overall, there’s no indication that Oliver harbors any negative feelings toward Buck’s current love interest or the actor portraying him.

I do, however, share the fans’ frustrations regarding his silence on Instagram. It is certainly disheartening to see Buddie shippers “rewarded” for their absolutely vile behavior toward anyone enjoying Buck and Tommy’s relationship. It’s especially frustrating that their behavior is not being actively called out; they continue to be unabashedly cruel because, aside from fellow fans, no one is there to criticize them. No message is a message, and Buddie shippers interpret this as an endorsement of their behavior, allowing them to feel comfortable spreading homophobic rhetoric.

This was particularly evident when, just last night, Oliver spoke out against people shipping him with Ryan. It reinforces the notion that he is aware of the comments being made on his Instagram and that of the show, yet he chooses not to comment on certain topics. I believe fans of Buck and Tommy's relationship have every right to be upset about this. Being selective about what you choose to call out sends a message, whether intended or not.

That being said, I personally think it’s still too early to jump to conclusions. I believe there are several factors at play regarding why Oliver doesn’t speak up about Buck and Tommy on his Instagram. During Season 7, he wasn’t even sure if Lou would extend his contract for the next season. It’s possible he didn’t want to make any kind of statement on something he wasn’t sure would last—which, in my mind, is completely fair. Given his concern about being accused of leading fans on, I’m not surprised he would choose to remain silent.

Additionally, as 7x06 ended with Buck and Tommy still together, and 7x09 opened with them still in a relationship—much to the disappointment of Buddie shippers—Lou began receiving a significant amount of hate online. Not only was he threatened, but his family was targeted as well. Following the end of Season 7, he withdrew from social media, and as of the premiere date, he still hasn’t returned. The filming of Season 8, particularly the big opener disaster that is about to unfold, has also been kept very hush-hush, along with the main characters’ personal storylines. Only recently did we receive official confirmation that Tommy would be back.

To me, it’s a no-brainer why he didn’t address Buck and Tommy’s relationship until the new Season 8 interviews. Furthermore, I believe he’s being respectful of Lou’s decision to stay away from social media (at least during this hiatus), just as everyone else working on the show has respected it. We’ll see if anything changes as Season 8 continues to air.

I also wouldn’t disregard the possibility that he might be protective of Lou, especially given the hate that all of Buck’s past love interests’ actresses have received. He may want to avoid exposing Lou to that kind of negativity—at least on their official Instagrams—keeping things relatively hate-free (though I won’t comment on whether I think that’s effective, but you can probably guess my stance). I believe this is also a valid reason for not promoting Buck and Tommy’s relationship much on his social media.

There’s also the point that Oliver is not responsible for the fandom’s behavior. Yes, his silence on the matter may encourage cruelty from the Buddie side, but Oliver has repeatedly tried to talk sense into them during interviews and while he was still active on Twitter. Unfortunately, those efforts didn’t help. Just like Tim Minear calling them out for sending him death threats didn’t yield any results. Sometimes, speaking up isn’t enough.

But hey! What better way to convey his perspective than through how the storyline of Season 8 unfolds? The fact that Oliver does not object to acting alongside Lou and that Buck and Tommy’s relationship continues into Season 8 should serve as sufficient proof that he’s fine with it. Yes, actors don’t decide on storylines, but they do have a say in them, and we know that Tim Minear doesn’t force anyone to do something they don’t want to do. I’m also confident that Oliver will continue to positively discuss Buck and Tommy’s relationship in his interviews. What he does on his Instagram account doesn’t and shouldn’t matter; it has no bearing on the show.

If my assumptions are correct, I believe that as Season 8 progresses, we will see Oliver becoming a bit more open to interacting with Buck and Tommy content on Instagram. To be honest, I don’t see any reason not to, unless things eventually go sideways or he truly doesn’t care about the Buddies’ hate (in which case, yikes). However, if he cares but still doesn’t speak up in one way or another, I can’t lie—I would feel a little disappointed. I value authenticity and the importance of speaking your mind while not allowing others to trample on your boundaries, and, it's probably my fault, but I currently hold Oliver to a high standard. It would be disappointing to me, to say the least, if someone didn’t adhere to these values. I do acknowledge that this is just my perspective, though; I don’t speak for the entirety of the fandom—I speak for myself.

That said, I wouldn’t blame him if he decided to turn off or limit the comments or even got a social media manager and stopped engaging with any content, whether it be Buddie or BuckTommy. Honestly, for his peace of mind, I actually wish he would. I’d prefer any approach over being selective in favor of a loud portion of the fandom that engages in harmful behaviors.

All in all, the prospect of Season 8 makes me hopeful that we will see a change. However, if we don’t, let’s remember what matters most: the show itself. Ultimately, that’s how we, BuckTommy fans, are being rewarded—by having canon. That's what truly counts.

[felondese]

here are my guesses for how they're doing this:

morrigan has been taken over by mythal to the point where her personal development and history pre-mythal don't matter all that much, so no references to her potential child or partner. we're going to see mythal in morrigan shape which I'm okay with for elgar'nan-whooping-purposes

we're just going to pretend that well of sorrows thing didn't happen shhh. i think they'd rather just sweep that one under the rug considering there wasn't even real solas reaction dialogue with him in your party (he mildly disagrees with you drinking but he also doesn't want morrigan to), just his seemingly random ass outrage back at skyhold after the fact. they really fumbled this one already, i think, so probably for the best to just ignore it, even if that's a shame because it's so chewy. plus the well is essentially morrigan's now anyway whether she drank or not

the inquisition is a handful of people at this point regardless of disbandment or not, and we won't really hear from anyone we know that's still working with them. they can't really reference any of the advisors or companions other than varric and harding. as little as our previous choices matter, i have a hard time imagining a significant difference in game states based on, for example, having forces and resources to contribute

the inquisitor is going to make an appearance but get kidnapped/hurt/go MIA for most of the game early on so their presence in the story is the only thing that's significant, not any personal details, anything that might showcase personality or reference their choices in inquisition. probably gonna die to tie up loose ends

solas will be a lil extra sad if lavellan romanced him but I'm not expecting much in terms of solavellan nods. i am betting the difference will be minimal, like friendly vs romanced in trespasser. best case scenario a kiss and he'll throw in a vhenan at the end maybe when he breaks her heart again. definitely not banking on murals or anything significant.

that said, i am thinking the only one of the three choices that will actually have much of an impact is if you romanced solas. i highly doubt any of the other dai romances will get mentioned since past char choices related to them aren't and there are too many variables

whether your inky wanted to redeem or stop solas won't really matter. we need his help either way and with the gods released the veil is probably coming down whether he does it or not

the rest of the world is on fucking fire early enough in the game that it doesn't matter who's on what thrones. it's all irrelevant when the evanuris bust out. no chantry, no kingdoms left standing, just chaos and death

the chars i was really looking forward to seeing again and kind of expected based on location/factions (dorian, isabela, zevran, sten, fenris) might get a passing reference in text but i hear it's a real pain in the ass to get the voice actors and art departments involved for cameos, plus all the possible contingencies, so I'm dropping those hopes. should count my blessings that they aren't horrifically killed on screen because that would be the only other option i guess

basically i'm going to bring my expectations back down to earth and then a little lower for safety. can't be disappointed if i don't expect much going in.

still looking forward to the game? absolutely.

[yuseirra]

onk spoilers (161)

Sorry, I really can't keep quiet about this because this series has been my brainrot for the past couple months and this is pretty..;; hehe.. depending on how it plays out, it will determine how I'll feel about this entire work completely. So bear with me for the next few weeks!

There are a few panels that really stand out in terms of expressions that really bug me, this guy could be acting. Putting the rest in the read-more, I'm vagueposting but still, I feel it's better manners to do so.. I'm sorry for being unable to keep to myself. I hope you understand though, I've been drawing something for this series almost every single day!

There are a few really genuine-looking ones and those.. could be interpreted as him being concerned over Aqua, it's not really my wishful thinking because he's actually persuading his son to think of things he must live for, regardless of what thoughts and intent he has behind it. He DOES want Aqua to live, and when Aqua says he'd give up on that, he has the exact same face he had when he fell in despair in the movie arc (when Ai said she'd leave him/when Airi gaslit him). I think that expression IS real. And he's really shocked when Aqua.. yeah, does what he does. So I don't think he likes the idea of Aqua dying.

I've been looking at this character a lot, and came to a conclusion that his smiles are masks. I've mentioned this a few times in my earlier analyses regarding him and in one post, I wrote:

That smile he floats is consistent through the entire time he's shown in the story and the only times it breaks is when it has to do with Ai and when she sees him through. And it starts to break the moment he sees her talking about him. Every expression he makes when he sees Ai in the video are his true feelings. His smiles, on the other hand, are his coping mechanism and are all masks.

so I actually feel this is the case this time too, the author wouldn't have made this guy a genius actor who's TAUGHT Ai to act for nothing... The whole chapter starts out with his expression being expressionless, then forming a smile, just before he starts saying everything onwards. And by doing this, he IS actually talking to his son to forget about killing him and go on living his own life while sounding pretty evil...

but that means we can't believe the god or whatever she says either, so that's why I don't know. She was wrong about Ryosuke and "a middle school boy" having gone to the hospital once if Kamiki never went and it was really Nino, but would she be TOTALLY off in this case? I have no idea. That's what makes it confusing for me and have a lot less hope on how things will unveil, but the expression cues do say something... if it weren't for her, I'd say he's acting.. but the things she mentions about him are just too...that of a third-rate villain and it's so nonredeemable. If that is right, the whole idea of Ai having wanted to help him is sort of thrown out the window. They DIDN'T need to make her say that... it was so WISE of her to leave a guy like him, and all her visions of him were wrong, you know?

So I'm just.. wondering how much we need to trust the crow.

I thought I could trust her, but how much does she actually know?;

Or maybe it IS true that Kamiki's done some hideous things the way she's depicted it, and yet he doesn't want his SON to be the same way.

If there's one thing I can pick up from this chapter that's going to be released... it'd be that Kamiki doesn't want Aqua to die. He thinks there's many reasons for Aqua to go on living. If you pay careful attention to his speech, that's what he's actually talking about... he actually looked a little relieved when Aqua agrees he has a lot to live for and that breaks when Aqua still refuses.

Yeah.. I think.. I'll stick around a bit more actually. The part that REALLY bothers me is what Tsukuyomi says, if that's really true.. ehh.....it's a huge let-down for me I don't like that. It's not a very good way to use this character. It's really dumb and I don't think it works but if the author says so; okay?? but I won't feel the need to collect the physical volumes any further if that's true. That's just me though.

[physalian]

Narrative Framing Devices

This is a long one…

A story need not be told chronologically, nor does it have to be only one layer deep. There’s a ton of different ways to frame your narrative, I’m just picking a couple today, some I thought worked and some I thought didn’t, and my personal favorite.

Most people think of framing devices in terms of time travel stories or fairytales, where it may start in the present or the future and work backwards, giving up the ending before telling how we all got here. Or by chopping up the chronology and letting the audience try to puzzle out the order.

There are also those that break the fourth wall, with the narrator beginning the story directly addressing the audience but never doing so again, or the narrator opening the story telling their own story to a present audience, so we’re the audience behind the fictional audience.

The other obligatory framing device is the time-skip, a la “6 years later” or “8 months later”. I’ve already talked about those. Or the preface/preamble/prologue that may spoil some important event later in the story, or is simply an important moment or montage of moments to catch the reader up on “how did we get here”. Shoutout to Castlevania for the most efficient pilot episode I have ever seen, with a 1 year timeskip.

Also honorable mention to the “A Life in the Day” montage from Magicians, speedrunning decades of a life together between two characters stuck in a Situation, maybe 60 years? Key moments between the two having a whole romance, with a kid and grandkids, over the course of one beautiful bit of soundtrack. One of the best episodes in the show, for a sequence that only lasted a little over 5 minutes.

—

Story within a Story | Princess Bride, "Ember Island Players"

Best example I can think of, specifically the film, which is based on a book that already incepts itself. The movie opens with a regular kid being read the book The Princess Bride by his grandfather, and occasionally cutting between the kid’s reactions and the fantasy story with the actors.

There’s several moments where the grandfather either loses his place and rereads a scene that replays the same dialogue, or skips a scene in the “kissing book” because his grandson gets squirmy, and moments where the grandfather narrates over a couple montages.

Princess Bride is one of those movies that knows exactly what it is and isn’t trying to be something it’s not. It’s self-aware and loudly and proudly sincere, with one of the best revenge arcs ever put to film.

Recap episodes can either be clipshows or get really creative like ATLA, telling the series recap through the medium of a propagandized play about the Avatar's journey, performed by actors of the Fire Nation. The Gaang sits there in vague states of discomfort, horror, or in Toph and Sokka's case, thrilling enjoyment, watching their hardships and heartbreaks played for laughs. That it's the story we know, but also with the added filter of it being enemy propaganda takes what could have been just a clipshow and still told multiple layers of a story with it.

The Fourth-Wall Break | Riordan-verse, Deadpool

“Look, I didn’t want to be a half-blood” defined a generation. It’s one of those fourth wall breaks that opens up the story and never appears again, though occasionally Percy will get slightly self-aware, saying things like “I didn’t know it then, but I’d never come back here”. But for PJO it almost doesn’t count.

Kane Chronicles on the other hand chose a bizarre framing device, having the two leads pretend to host a radio show, or a podcast—something where they were recording themselves and I don’t think it worked very well whenever it popped up and stopped the plot.

Shoutout to Tangled, too, for having a fairytale style fourth-wall break at the end, much like KC, where Flynn reveals that Rapunzel has been listening to him tell their story the entire time. Many fairytale stories open up with the physical book flipping open to the story, like Shrek and Shrek 2, but I don’t think those are translatable to the written medium very well.

The big one, though, is of course Deadpool. Have not seen the second one, and while ‘breaking the fourth wall’ isn’t by itself a framing device, DP & Wolverine absolutely makes it one, fast forwarding and jumbling up the sequence of events to deliver a “how did we get here?” during the opening credits.

Chronology Salad | Memento, Predestination

Have not actually seen Memento but I know the premise, working backwards as the protagonist recovers his memory of “how did we get here?” Predestination is a batshit insane time travel story that I don’t think most people have even heard of and detailing the plot at all is giving spoilers but it is the most “how the fuck did we get here??” movie I have ever seen.

Then you have stories like Twilight that open with “I’ve never given much thought to how I would die” that spoils (kind of) the ending, with the goal of the story not detailing if something bad will happen, but how. Twilight’s prologue reminds me of The Bachelor, where they’ll tease the audience with *shocking* moments completely out of context from later in the season that are way less cool when they actually come to pass (from the one time I watched with relatives out of morbid curiosity).

The point of these chronological mixups is how all the random puzzle pieces fit together, despite essentially spoiling themselves constantly, they’re so random, so out of place, meant to keep you constantly guessing until the big reveal of the picture on the box—and are extremely tricky to do well without completely losing your audience. You’d have to have a very thorough outline to not confuse yourself while trying to write it.

Honorary mention here for Inception, one of my favorite sci-fi movies, because the plot is crazy, but still told chronologically, just across different dream levels. However, the movie does open with the ending scene (though you don’t know that on your first watch). And Tenet, but I don’t know anyone who likes or cares about that movie.

Dual Timelines | Outlander

There are others I just cannot think of them at this moment. Dual timelines tell two stories simultaneously across two different eras, either decades apart or mere hours, with some relation between the two. Sometimes one timeline’s protagonist is the ancestor of the present timeline, for example.

Dual Timelines happen in sequential order, making them distinct from a flashback arc (more below) essentially two chronological plots running in tandem squished into the same book, episode, or film. They carry equal weight and try not to overshadow each other in flair or importance.

In Outlander, Protagonist Claire is already a time traveler, in a time travel story whose rules are “whatever happened, happened, and you end up causing whatever you tried to prevent”. Season 2 opens with her returning to the present, leaving the entire rest of the season with a foreboding sense of dread, wondering what will get her back to that moment.

Season 3 dangles the carrot on the stick, randomly cutting between Claire in the 60s and trying to move on with her life for… I think 20 years, while Jaime, her love interest from the past, just keeps getting kicked while he’s down. It takes forever to get these two back on screen together. And the dual timelines continue taking up screen time when Claire and Jaime’s adult daughter also eventually makes a trip to the past. Points off for being blatantly manipulative storytelling with its cliffhangers, but season 1 is still worth the watch.

Flashbacks, Flash-Forwards, and Flash-Sideways | Lost

This show’s earlier seasons were heavily framed with this device. In The first 3 seasons (up to the last episode) the framing device was exclusively flashbacks, focusing on one of the main 13 heroes for an episode, particularly in season 1.

They didn’t always answer “how did we get here” but told some story relevant to the character in the present, either a challenge they had to face or parallel relationship drama or ghosts come back to haunt them. Usually, these little flashbacks were told in sequential order, but they could hop months or years ahead at a time depending on the episode.

The flash-forwards began in season 4 and closed the gap between the “Oceanic 6” escaping the island and all the missing time while they were gone, before the infamous “We have to go back” line.

The show also had flash-sideways, which featured the main cast, many of whom had been dead for a few seasons, reprising their roles to show what could have been their lives if they never crashed. To… mixed reception.

The show also also had a time-traveling character who in-universe experienced flashes of the future and got mentally temporally displaced between two timelines for a hot minute.

Lost was… a show that demanded a dedicated following. I still love it.

Flashback Arcs | My own personal soapbox

This right here is the whole reason for this post. First you have flashback episodes and I can name a lot of those—ATLA has a couple, “The Storm” & “The Avatar and the Firelord” but both are technically “stories within a story” with characters either around a campfire telling it or reading about it. The alternate timeline takes up a majority of the runtime, only occasionally cutting back to the present characters for a reaction.

In TFP there’s an offbeat flashback episode “Out of the Past”, framed, again, as a character telling this backstory stuff to another character. Many, many vampire stories will have flashbacks to some degree, since their characters live for so long. Vampire Diaries, especially in the earlier seasons, had dozens of them filling in all the blanks back during the Civil War when the two leads, Stefan and Damon, were competing for the affections of the main villain, all leading up to how they were turned, and how she allegedly died. Once the Originals were introduced, the show then had flashbacks to a thousand years ago, when they were human, and various eras in between.

True flashback episodes don’t waste precious minutes setting up a framing device, they just dump the audience in an alternate timeline and let them figure it out on their own that something isn’t right.

But none of that comes close to the full-on Flashback Arc. I. Love. This. Trope.

I actually first saw it when Arrow was good in its earliest seasons, cutting fairly equally between a present-day Oliver back home and starting his hero journey, and him learning combat back in the past, over several episodes like a series within the series.

What you end up with is a happy medium between a full dual timeline and a random grab-bag of flashbacks as they become necessary to the plot. A flashback arc relies entirely on the existence of the A-plot to make sense, as opposed to a dual timeline where it’s essentially two self-sufficient stories rolled into one big narrative. This arc is substantially shorter than the rest of the plot, cutting the story it’s telling down to the absolute need-to-know moments and cutting all transitions between the two. These arcs tend to cover weeks, at minimum, and decades of a long life at most.

I think they're best implimented after the first book, film, or season. Not something you want to throw at your audience who barely knows or cares about these characters, so if you're stuck with ideas for a sequel, consider the Flashback Arc.

My favorite thing that I have ever written (sans ENNS) was for my sci-fi WIP, a C-plot flashback arc in 13 parts. They started out as in-universe nightmares to give credibility to when these flasbacks started occuring, framed around the character's reaction to the scene, but then took off independently to avoid redundancy.

This arc covered his time as a POW, telling the reader how he came to be the living weapon he was, and the first detail it opened with was the reveal that he wasn’t the only one of his kind, he’d lied and shouldered the blame of every atrocity to protect the others, as their numbers dwindled and it all fell into place. A truth he wouldn't tell with a gun to his head.

Because you already knew he lived, because he’s right there in the present A-plot, the arc wasn’t telling you if he’d survive the war, but what he’d do to survive, and how it all fell apart. Because it was framed up with the existing narrative, I had a lot more leeway in omitting details and dropping the reader weeks or months ahead as opposed to this being a completely fresh story with new characters. You knew immediately based on the tone that this POV was the C-plot flashback POV, and you knew the only person who could narrate it was my poor character.

Over 13 POVS, 34k words (of a total whopping 202k), I told a whole love story, established and killed off 10 characters, and gave heaps of worldbuilding lore and exposition to fill in all the blanks in the present and answer questions that this character would never, and revealed just how much he lied about and why.

All of this tied in with the A-plot, staggering the physical placement of POVS within the book to hit at the right moments tonally and as the character’s condition kept deteriorating because he refused to talk about What Happened. His reason was that he’d done all of this and suffered so much to keep their legacies pure. If he gave it up now, he would have done all this for nothing.

And this was some heavy shit. There was murder, suicide, death by giant alien super robots fond of ripping people apart, assault, mercy killing, torture, gaslighting, and psychological horror. One of my magic systems let magicians regrow limbs alchemically, which meant they could endure a shit ton of pain and just get reset to do it all over again.

It was a lot.

But because it was just in flashbacks, I gave you just enough dark shit before cutting back to something marginally lighter, not just one long slog of misery. There was also the unknown of how quickly it would end. The book would end when you hit the last page, but you had no idea which flashback POV would be the last.

And also.

I got to flex my writing skills to the fullest, writing this character’s flashback POV in a completely different tone and style to make it that much more distinct from the rest of the present book.

ENNS’ sequel is very much under construction, but the one thing already polished is a flashback episode packed into one chapter for one of my characters. It’s perfectly knife-twisty and I can't wait for people to read it.

—

There’s dozens of framing devices out there. Most important thing, I think, is not sacrificing audience understanding for the sake of something ‘cool’. Doesn’t matter how amazing the story is if your audience gets completely lost and confused trying to keep up with what’s going on.

If you'd like to check out my book, Eternal Night of the Northern Sky is available now!

[shiki-aki]

please tell me I'm not coping when I think that Shiki is the true route for Togainu no Chi 😭 like let's talk about the facts:

He gets three endings (Keisuke also does, but his two bad ends cut the route short whereas Shiki's bad endings are all at the end and are more fleshed out)

Shiki also gets a new bad end in True Blood (with its own ending song instead of the one that usually plays for bad ends), which means he actually has four endings

Shiki's 5th anniversary scene occurs at the end of everyone else's and isn't grouped with the rest of the Togainu no Chi anniversary scenes. His scene occurs even after the Lamento and Sweet Pool scenes and is basically treated as the "finale" of the N+C stories

His 5th anniversary scene has Akira doing a whole ass internal monologue about Shiki at the start of it while all the other scenes only have dialogue between Akira and the respective LI

His 5th anniversary scene was performed live with the voice actors on stage lol

In True Blood, Shiki gets a special song "Are One" for his good end whereas everyone else (excluding Yukihito) gets "STILL" as their ending song

The "Convenience Store Lamento" drama cd references Shiki's ED1 and implies that it's canon because Shiki (and possibly Akira) has memories of it

I don't think Nano is the true route of Togainu no Chi like so many people like to claim lol. In fact, most of the time it feels like the people who say that are just doing it because they dislike Shiki and want to downplay his importance to the narrative and Akira's character arc, because he's too "problematic". Like I want to know if it was stated anywhere that Nano is the true route for Togainu no Chi, because there's a difference between being the true route and being the secret/hidden route.

[julietsbb]

These days I've wanted to send an ask about the latest updates because I've had a lot of rambles in my mind, so here I go as I reread some parts.

First of all, I need to mention my stupidity to you -- I'm rereading the part where they invent the 1-10 scale of numbing. When I read the last update of Pond asking for an 8, I forgot that the scale went "1 for the least sensation, 10 for the most sensation" and my line of thinking went "ah, an 8 means he wants Phuwin to breathe 8 times over his skin so it's properly numbed" so I believed that my man Pond wanted the least sensation experience after having fingers in his mouth. Still, NO, it was THE OPPOSITE, he wants PAIN and I also want PAIN for him. djafhd now I'm thinking 'wtf was in your mind, what was your logic'.

Yeah. MOVING ON.

I've had this question in my mind for a while, so I will ask you finally. I tend to overthink/over analyse, and so I'm really intrigued about what's vamp!Phuwin's mentality when it comes to Pond, and his crush on him. His thought process about Pond being his. The latest updates (will never forget the finger-in-mouth scene okay, never) increased this curiosity.

I wonder if them being actors helps with his feelings, or it actually impedes the process. I wonder if having Pond as 'his', as in, his partner, his love in two series kind of holds off the realization that he'd want Pond as 'his' in real life as well, because he is good at compartmentalizing that sort of thing. Of separating the intimacy he has with Pond onscreen, and for their fans.

Or if it's actually quite the opposite, and it's such a recurring thing - Pond being his in so many ways, that he doesn't even need any sort of realization. And more like - it's already happening. He has experience with it, so it doesn't hit him like a slap.

I wonder this because seeing how their intimacy develops is so interesting. I also wonder it because of Phuwin's last talk to his mom, and how he felt robbed 'of Pond', so to speak, and it was just so interesting to read that. Because I felt like... he was having these feelings, and they were as difficult as they were inevitable. Does that make sense? HE's trying to make sense of them, but he's also not denying them: "...he knows it's more than just feeding".

So is it because he's used to it from the other manners in which he has Pond? Or is it something else? They had so many moments that can be catalogued as glaringly obvious, romantic in nature, and yet there are times where they hit Phuwin hard, and other times where he smooths into them like he's been doing it for years. It's just interesting, you know? What can you give me about this?

The vampire forum were such an interesting detail, dear! Would love to know more about that. I'm a sucker for invented helping sites/forums, especially in fantasies.

"The urge to touch him is new, Phuwin knows, because he didn’t used to feel this way when looking at Pond, but it feels familiar." - See what I mean? Stop me if I'm actually very fcking delulu because I'm used to doing this from university (looking for undercurrent meanings in texts) but he mentions/acknowledges these feelings as new, yet he also mentions they are familiar.

"Pond slumps into him, clutching his back, curving around him as a willow would in the wind." - what lovely softness in his affections.

Pond closes his mouth again, sweet puppy eyes dripping, reluctance sticking to the tips of his eyelashes. - you write pond with a softness and a need so visceral, and it's so goddamn charming and lovely. i love your depiction of him. so, so much. "A possessive hiss slithers up from the depths." - possessive phu is everything i need in this life. “Yes,” Pond replies, not a strain of doubt to be found in his voice. “I was actually kind of hoping you would… do,” a pause, “something.” - it's so interesting how they don't talk about it, but both Phu and Pond expect it. Both are so eager for it, in different ways. It's so addictive as a narrative. Clearly, communication is amazing, is key, but to see them slide into BDSM-ish scenes, softcore ones, with so much ease and so much eagerness is so fascinating.

"So, you like it when I play with you?" - We ALL like it bro I will never tire of the finger-in-mouth scene. It's my second favorite (the bathroom bite scene was and is my most favorite), but God it's so good. "Open" and POND DOES THAT AND PHUWIN IS SO FJSHFSHGF

He's so hot. What a man. What a vamp. Damn.

(Also julie don't ever think I forgot that you alluded to Phu jerking off while he stuffs his fingers in Pond's mouth- i can't get that scene out of my head. IT WAS SUCH A WHIPLASH)

Their conversation about it being awkward felt so real. They may feel like it isn't like before, but like Phu said, not talking proved to be deadly for them, so it is better to go through this phase of 'things feel stilted' and then grow into it then having misunderstandings again.

Can't wait to see how this combination of "8 on numbing, multiple bites, take photos after" will go jfhsfhsf SO MANY TASTY THINGS GONNA HAPPEN IN THIS NEXT BITING SESSION

you truly left us panting like dogs for more, julie. i respect it. i love you and your story. please take care of yourself, lovely. sorry for the perhaps delulu rambles. i love being delulu for your story tho.

Cooooleeeeee, Cole omg this is everything!!! I'm not certain I will be able to answer and/or address everything to satisfaction, but i shall certainly try! Thank you thank you thank you for having so many lovely thoughts about my story, first of all!!!!

lolololol your stupidity is a LITTLE funny but i've misinterpreted things in fic multiple times myself, i brains just fail to brain sometimes - just ask alan lmao. i've no idea where your brain got the idea of eight breaths from tho - but like, the way i made the scale work IS a bit counter intuitive, because it's a numbing scale and so the higher on the scale the more numbing, would be the logical thing. But then I realised that Pond asking for "more" would mean giving Phuwin smaller numbers and then I was like "I want a 2(/10)" just doesn't sound as sexy as "I want an 8(/10)" - lmao that was my logic so i flipped it 😂 I'm so glad we all want pain for him 😌

I definitely plan on bringing back the forum thing for a Purpose™ so it shall return, but I'm kinda thinking of it having the shape of a mix between online queer spaces and online kink spaces, because like, a minority group finding and teaching each other and sharing online and hosting meet ups etc., but due to a certain level of sigmatism and/or people just wanting to keep it private, it's more closed, more anonymous and/or invite only or access through a vetting process. There's definitely vampirism as a minority group symbology/parallelism in this. Also re: Phuwin's thoughts on how it would affect his career is it was to become public, would he be typecast or labelled etc etc.

I love how you highlighted some of my descriptions, it's really appreciated, because if I do one of the (for me!) 'wilder' ones, I tend to question myself a little more. So thank you for appreciating my descriptions and especially the way i write Pond ❤ I worry about striking balance with his character because I want it to ring somewhat true and not just be soft sub pond all the time <.< but i do write a lot of that. but I don't want him to be ONLY that.

re: the whole 'sliding into soft-core dynamic' thing... it can happen it's not unrealistic i know it because i lived it 💀 at least we both knew wtf a dynamic WAS beforehand so it was much easier to talk about and realise lmao. When the dynamic is there it's just fun and can be quite easy to slide into. And here both characters are eager for it because they got interrupted last time - dynamic blue-balled, if you will. So they're both itching for it.

I'm sooooo pleased you like the fingers in mouth scene enough for it to be your second favourite! to me, there was an important point to make in showing how they can 'play' without any biting involved. It's a very explicit way of showing just how much beyond feeding it has gone - it can exist fully independent of it! Feeding was the means with which it grew between them, how they explored it and how they got to know it, but they don't need it. At least, not for that particular purpose.

(Haha! I'd low key forgotten about that allusion i did in a reply or a tag somewhere - but it's a very good image i'm still fond of it, let us see if it will ever be written ever lmao)

Yeah, they'd become too reliant on intuition so they have to relearn and practise how to do their thing with communication. Which will be awkward at first, especially since they don't really at this point quite have the vocabulary they need for it.

I'm excited for writing the upcoming part as well, but i'm going on a trip with friends this weekend so I MAY have time to update tomorrow aka thursday or MAYBE sunday but otherwise I'm off being social with friends slkghslkhg by god do i need it but it means less time for our boys and their shenanigans.

'panting like dogs. i respect it' made me cackle out loud ❤ incredible. and thank you 😚😚

NOW on to the main question of your ask, which I thought I would tackle last. Phuwin. His mentality. Etc. IT'S A GOOD QUESTION. and the answer is... I've mostly just written what felt natural? What my brain served me? 😭😭

But the thing is, it's kind of both at the same time. Because of their pre-existing closeness and the gradual growth of both intimacy and feelings, he kind of doesn't notice it is happening. And then, because he lacks the framework to think about it in (aka understanding it as kink and/or something sexual/sexual-adjacent (platonic kink can exist too tho!)) he cannot quite pinpoint what his feelings or urges are, just that they are not different than they were. Like, he often needs something 'outside' to give him perspective, like when he thinks about his mother's deal with her coworkers and suddenly gets the flash that he would consider his mom doing what he is doing with pond with anyone other than his father cheating. Or when he comes home and is faced with how everything they're doing has transitioned from something he started out chatting with his mom about (even if he was embarrassed or whatever) to something he very much does NOT feel comfortable discussing with a parent. Like most young people with sex related things.

But then as his self-awareness grows he starts noticing the new elements in the way he reacts to Pond. Like that line with 'new but familiar' - i think, a) it was served to me by my brain when I wrote it i did not have any deliberate thoughts about it lol but also b) like, it's new because he recognises that a pre-feeding-on-Pond!Phuwin wouldn't have felt like that or had that urge, but also, it's familiar because it's been with him for a while, it's just that he's only just now been conscious of it? So it isn't new, but his awareness of it is, so it feels new, but not.

I think I write my phuwin fairly decent at compartmentalising, because that's the vibe I get from him IRL. Also with the way he's talked about how it was new for him to inject a little of himself into Peem, how he usually prefers to keep it as separate as possible, that kind of thing. But they already were uniquely close beforehand, due to their "work-bond", so to speak. Honestly, someone should study BL official couple friendships and how they carry a different type of knowing and intimacy. It's very interesting to me. I think their 'work bond' has impeded phuwin's realisation process, in a way, because the nature of their relationship was hard-to-define/blurry-ish to begin with, and then there was just "added a new layer of blurry", making it harder to tell apart from the others, versus if they'd had a very "standard" friendship with no additional closeness or intimacy beforehand, then the contrast of a new blurry layer would be more noticable. But because it was already "blurry", it made it easier for them to slip into "additional blurry", so in that way I think it may have assisted the process.

I hope that sort of addresses your question(s) about this 🙏 Goodnight, Cole ❤

[transhomicidal]

whenever I hang out w one of my partners. who is incredibly intelligent and knowledgeable btw. afterwards im like ok I never want to see them again I definitely don't like them. but then after a while I start missing them and want to hangout again. oh! it's the npd! fantastic

[lordgrimwing]

just saw a post saying Charles Edwards is 'too old' to play Celebrimbor. That is entirely wrong.

[mouse-fantoms]

On top of being robbed of so much Juke content we’ll never get, what I think about alot is how Juke would have been approached more if it went further.

One of the (many) reasons I love jatp so much is it makes me believe their characters are real, that they have background, they have their own goals and ambitions to them, they’re fleshed out.

That moment of Flynn going “my girls got a crush and his name is Luke” and Julie going “what no?! Luke’s a ghost😳.” And Flynn saying “a cute ghost” and Julie giving in and saying “…with a perfect smile☺️” and adding that Luke is “cute air” which implies she has indeed given this Luke crush idea some thought.

That moment of just two best friends talking about the others potential crush like that’s such a good moment bc I genuinely believe that I am watching these two genuine besties just have that kind of talk with one another bc that happens!

Like that moment we have with our friends when they’re like “hey I got something to tell you 👀” or they approach you like “so… umm… I’ve been kind of noticing your behavior lately around this person.” It’s the realistic little things like that which is why I appreciate this show so much.

Julie having the line of “what no! Luke’s a ghost!” Means so much that, on top of acknowledging “hey he’s got a cute smile, and he himself is cute” she also acknowledged “…he is a ghost though…” but then our Julie being who she is (we love her for it) went “but he still do be cute though 🥰” like this is a genuine teen girl in high school having a crush

And then later on when Reggie and Alex bring up how Luke and Julie ooze chemistry (and the way that throughout the show when Julie and Luke are being cute and them, the looks that we see Reggie and Alex give like Juke and then each other is so good bc I genuinely believe like “yeah these boys are all friends with one another so of course they’d react that way to their other friend showing an interest in their fellow friend”) Luke’s like “no come on I have chemistry with everyone I sing with” HE DOES THE SAME THING JULIE DID WHEN THE EXACT SAME TOPIC EAS BROUGHT UP TO HER! (Soulmates your honor!)

Him denying it, like Julie did, implies too that he also had the thinking of “…she is alive though and I’m not” (I mean me personally I feel like Luke didn’t truly realize he liked her until later on even if there were signs earlier, just bc he seems like the kind of person where like music was his absolute everything like even if the Sunset Curve fangirls were always like ‘omg Luke is amazing 😍’, I just get the vibe that he would never really notice the advances towards him bc he is just so consumed in music and that is his whole existence, so when Reggie and Alex see that Luke appears to be falling for Julie it’s a big deal bc they’re probably like “Luke has NEVER shown any interest ever so the fact that a girl has replaced music in his life THIS IS A MASSIVE DEAL”)

And then the moment when they’re on Julie’s porch and she tries to hold his hand but ya know CANT (huge what a gut punched) and then she awkwardly looks away and he’s like “…this is an interesting little relationship you and I have” and they’re just there for a moment just looking and smiling at each other (THEY’RE FLIRTING SO MUCH WITHOUT SAYING ANY WORDS UGH TAKE ME 😩)

I am sat there genuinely believing that these are two teenagers who even though they know they’re not *supposed* to feel a way about each other, they still do. Like that scene is their confession to one another and it’s so sweet and genuine bc in that moment where Julie tries to hold his hand, they’re brought back to reality as to what they are and yet, they can’t help but still like one another and appreciate each other bc of what the other person has changed so much in their life.

AND THEN, that scene in the beginning of the last episode how Julie asks to talk to Luke (and Reggie and Alex immediately are like “oop leave them be 👀 they’re having a moment” being the greatest friends that they are) and they’re both standing there, in each others presence, it takes a moment for Julie to say what she wants to but they’re just two kids who ended up in each others lives and they know they like each other but they know they can’t act on those feelings yet they still just have this love for each other is so enduring and charming. The way Luke tells her “anything Julie you know that” MAKES ME MELT like ugh 😩 their dynamic and friendship has grown so much with each other from episode 1 to like now and it’s so just ugh it gets me

When I think how Juke could have been approached if we had gotten a chance, I would have loved to see the new like “glowing touch” development and how that would impact their dynamic. (I just imagine Reggie just hugs Julie all the time bc he can (he just seems like such a hugger and I feel like he’d give good ones🥺) and Alex also will gives her side hugs (they just take advantage of being able to physically touch her bc they don’t know how long they’re able to do it for with their new ghost development)) I feel like Luke and Julie would just be a bit apprehensive since the hand holding thing on the porch, and maybe their hug was just a one time thing.

Would have loved to see Carlos referring to Luke as “Julie’s boyfriend” (he was there for edge of great and stand tall THERES NO WAY he’s thinking anything of than “the sleeveless one is indeed my sisters boyfriend”) would be extra great too with like Luke being in the room and Carlos just says that and Julie quickly trying to make him not talk about it bc it’s embarrassing 💀 her just being like “Carlos, he’s a ghost” and him being like “…hey with you having a boyfriend are you going to have less time with Dad and I bc you’ll be busy kissing him?” And Julie’s face just goes pale as Luke takes the time to take himself out of room meanwhile his face his like bright red

Would have loved to see when Carrie’s redemption is happening and it’s Julie and Carrie and Carrie’s like “sooooo 👀 I’ve seen how you look at your guitarist” and she immediately tries to shut it down but Carrie is like “Jules, we may not have been that close in the past year and some but we’ve known each other for how long? I can see your tells!”

I just think a lot about how this ship, even though they’re not meant to like each other yet they do and still care about each other, would have been approached more if we got the chance