#like they didn't function mechanically

[because-im-freaking-greed]

Base it on the Dungeons and Dragons edition that best fits, and then either write the edition it's actually for very small

Writing fantasy and speculative fiction is actual Hell because achieving verisimilitude demands that you, the author, have a clear idea of how the speculative or fantastical elements of your setting work, but the story will almost always be improved by not explaining it to the reader.

[creaturefeaster]

I'm not sure how to word this so forgive me if it sounds odd but would the mimes be considered parasites from a more scientific standpoint? Considering they look for living hosts and such. I hope I conveyed that right I don't want to sound rude ^ ^;

Not quite, but I understand what you're asking.

Mimes can-- but do not need to if they do not want to-- seek out a host that is capable of life, but currently is not alive. Life in this instance means capable of functioning through an energy source, and not alive means not actively receiving the required energy in order to function.

So this includes: the recently but vitally intact deceased as well as animals, dying plants, unpowered electronics, dead but undamaged electrical grids.

I believe from a scientific point of view, they would be participating in some form of forceful mutualism, especially in organic hosts where they prevent further decay of the body by providing energy and reviving dead cells. In return, mimes gain near-complete control of the mind and body of the host, and are the only thing that can ensure the body continues to thrive as intended.

[bat-the-misfit]

sei não

[ettadunham]

>>opens an old crpg game in "normal" mode

>>gets fucking obliterated

>>changes difficulty to "easy"

>>gets fucking obliterated

>>opens a door

>>game crashes

[mantisgodiveblog]

Against all odds, we have survived. We're taking a university course now, because the government will pay us for it and we do need the money, but it has unfortunately been eroding at our sanity somewhat, and we are learning nothing that we don't already know. We are, however, getting money.

We have somewhat of a backlog on Discord at the moment, as it doesn't have a daily upload limit and also it's easier to stick things on while we are being told things that we already know by people who are phrasing in in ways we find significantly misleading or incorrect (note: we don't use apps for things the vast majority of the time and if we access Tumblr via browser it immediately fucks up our formatting on PC, which can last several months). We will, hopefully, be posting these soon, but all is dependant on if we can actually scare up the time between courses to conglomerate that and fix any formatting errors in thoughts and such.

If that will happen any time soon... good question! Every time that our work practicum teacher opens her mouth, we take points of physical damage, and we don't think she understands the fact that getting back after we walk to a place also involves walking. We've had a lot going on for a while now and very little of it has been good. We're on new meds, and if the gods prove merciful, we won't have to tolerate this particular clown show past March. If there is no mercy to be found, however, we might have to keep doing this until June, in which case you can probably expect the quality of this to take a sharp downturn as the short time we have already spent in this program is already having immediate and catastrophic effects on our mental health.

We do not recommend going to university in any circumstances, but we are unfortunately aware that it may be necessary to get such things as a fancy piece of paper saying you are employable. Additionally, we would tell you to calibrate your expectations for anyone with a degree lower, but apparently what we consider the basic level of knowledge you should know before saying anything on any topic is everyone else's "bachelor degree and a bit", so our estimations on what people think is a high degree of knowledge to have are probably also off.

Any donations go to the Fund To Compensate Us For Having To Correct A Teacher Multiple Times In A Lecture And Then Looking Up Her Sources Later And Discovering They Are Blatant Misinformation. We are very tired. Please do research on things before talking about them. Thank you.

[falling-hand-in-unlovable-hand]

my entire family goes to bed at 9:30 because i live with fucking old people (im joking. somewhat.) and from then on i have to move around the house quietly. this wouldn't be a problem except that my door is incredibly and uniquely fucked up and nigh impossible to open even remotely quietly

[fluffypurpleglitterdemon]

If they keep the “reds aren’t allowed to be friends with yellows/greens” rule on Limited Life I am going to start biting

[keldae]

Mechanics get a bad rap -- and the ones at the dealership I go to for my oil changes definitely deserve it. Last time I got my oil done, they told me I had a power steering leak and an engine leak. And when I went to the tire place to switch my tires last month, they quoted me $460 to replace my rear brakes (that they said were imminent).

Went to my family mechanic today (friend of my dad’s, been in the business for ages, properly certified and all that) and the verdict? The power steering issue was a clamp that needed to be fixed, the “engine leak” was minor sweating, the rear brakes are fine for another year, and the only actual issue was a fuse that needed to be replaced.

I’m so grateful to have an honest and reliable mechanic who charges VERY reasonably (waaaaay cheaper than the dealership) and doesn’t try to take advantage of a single girl who doesn’t speak car every time I go in for problems!

[fingertipsmp3]

I love TS2 but it has some really stupid mechanics built into it

[sheeezu]

A realization - Let go

(TW: light mention of some heavy stuff; rant + personal trauma mention)

To shift, or to manifest, you need to leave behind everything. You need to leave behind all sentiments, all pressures and and all circumstances, on a multiversal level, nothing will care about your trauma, to shift you have to let yourself forget about it fully.

Personal rant, my experience with shifting:

I was depressed. I had messed up this reality to a point where it could not be fixed in the present, I had failed all exams, lied about the results, hoping everything be better, because I will be in my desired reality later that night.

If I had a day off, or if it was a weekend, I would get too relaxed, i would end up daydreaming about stuff that was irrelevant to my DR, and fall asleep, because i knew i was still in my CR, I would wake up back here.

If I did not have a day off, and had to attend college the next day, I would be so stressed out, the need to escape was the only thing on my mind. I would try, get stressed about time running out, worried that I'll wake back and what not.

(Disclaimer)

And due to this, when i eventually woke back, in the same, lonely and cold reality, the only thought that would arise in my mind was to fill the sink with water, and dive my face right into it.

The realization:

It did not matter what I felt, the same thoughts "no one is coming to save me" "it doesn't matter ill be in my DR tonight" "I want to go home", whether it was said in a positive or negative tone, it didn't matter, thinking stuff like this wouldn't work.

It's all just a human way to perceive things, we're suffering and we need to escape. While shifting isn't like any other human process.

Changing your entire reality is almost mechanical. Select a place, act like it, feel it, and leave and let go whatever was in the past. The constant victim feeling we all get, isn't helping us, the constant need to fear we're going to be back in the CR, is a function attached to the human body. We're consciousness, and whatever reality we want is created by our own focus onto it.

Our DRs, also needs our contribution, for us to give it attention, let us form it. thinking like a human, thinking you're "shifting" to a place, you're attempting to shift to that place, thinking you might reach it if you do X or Y, won't work, you know?

We're the creator, our hopeless situation is also created by us, and us being in our DRs, is also created by us.

[fict1onallyobsessed]

Just watched act 1 and I'm actually feral for Sevika. Like omg what?! How is she so hot?! Anyway I've had this idea of sharing a smoke with her. Specially shotgunning. Um. Yeah. Anyway maybe that would turn into something a bit more - NSFW should we say. Definitely biting. You know what I'm talking about lol anyway this isn't a lot to work with I know.. I just saw your post asking for Sevika requests so I figured I'd pop in

Sevika x F!Reader 18+

Her lungs burnt as she inhaled her cigar, watching you fix her arm for the hundredth time this week. Your eyebrows were furrowed in concentration, screwdriver carefully pulling out the broken metal parts in her arm, clinking in the silence.

She could feel your frustration before she even entered your little mechanic shop. People were being more demanding for fixes as Zaun practically relied on prosthetic limbs, and you were rated the best one for the job. Sometimes you felt like a pawn; people didn't even pay that well. You might have to think of increasing the prices...

"You think too much."

You sighed, looking up at your girlfriend who huffed out smoke through her nose. She knew you were busy, and a part of her felt bad last time you stayed late to fix her arm, so she tried really hard to keep it in a manageable state for longer than usual.

Heavy on tried.

"You should learn how to fight." You snapped back playfully, looking back down at the arm for the final few fixes. The arm hissed and popped once, finally being fully functional again. "Even Ran doesn't come in this often. Might have to start charging you."

Sevika scoffed as she watched you stand up to toss your tools onto your very littered desk, your hands coming up to wipe your tired face.

"You're processor is fried. I'll make you a new one soon, but this one should hold up if you can hold off fighting for a few days."

She was listening but all she could focus on is how exhausted your eyes looked. She asked if you were done for the day, if you wanted to go home but you were already backlogged for weeks with new projects and fixes. You politely declined, walking over to her again and taking the cigar from her lips only to put it in your own mouth.

Sevika didn't flinch. It was something you did often, especially on nights where you needed something to keep you awake for a little longer.

Sevika sat on the small couch, looking up at you as you inhaled, smoke escaping your nose before you even got to exhale. She thought for a moment, then grabbed the back on your thighs and pulled you to straddle her.

"'Vika, I need to get-"

"To work. I know." She casually said, taking the cigar from your hands and inhaling deeply herself. Her eyes remained on yours while her hand reached up to grip the back of your neck, pulling you up to her lips.

For a second you thought she was going to kiss you, like she did always in thanks when you fix her up. But instead, she stopped you right before her face, hand now moving to open your mouth with her thumb. Then she exhaled.

You felt dizzy. You had smoked plenty of times, and since meeting Sevika you smoked plenty more. But this was so intoxicating it felt better than any cigarette you've ever tried.

You relaxed on her lap, sinking onto her as you tried to breathe normally. Her mechanic hand held your waist, the other firmly on your jaw to keep it open against her mouth. Just as the smoke began to fade, she pulled you fully against her, lips clashing together in a kiss.

You pulled away only when you felt you couldn't breathe, both of your chests rising and falling as you stared down at Sevika, her pupils blown wide, devouring you.

Work could wait.

You grabbed the cigar back, inhaling so deeply you felt your throat close up momentarily. Still, you leaned down and grabbed her jaw while her hands fell to your hips, gripping tightly to pull you even closer.

You exhaled the smoke as slowly as you could, relishing in the moment for a while before the smoke faded again. You wasted no time in kissing her again, a slight moan escaping your lips and into her mouth. You could taste the smoke in her mouth but it only seemed to rile you up more.

Your hips bucked, unintentionally, and you felt Sevika smirk into the kiss.

"That's all it takes to get you going?" Sevika teased. You replied with a breathy and rushed 'shut up' before going back to her lips, rocking your hips more now she was aware of your intentions. Her grip on you tightened, moving you so that you were straddling one of her thighs.

You really tried to keep your groans in, but the way your clit was grinding against the inside of your jeans. Fuck.

"Fuck. Do it again." You lifted the cigar to her lips, making her inhale it and letting her grab your jaw once more, shot gunning the smoke right into your mouth. You tried to breathe steadily, but her hand made you grind on her thigh more.

"So fucking pretty. Barely touched you and you're gonna cum already?"

You were so fucking close, a whine leaving your lips as you hid your face in the crook of her neck. She could feel the small puffs of air you breathed, trying to maintain some kind of control. Your teeth nipped at her skin, her own composure slowly failing.

You huffed when she accidentally made a sound when you bit into her neck. Your hips stuttered and bucked uncontrollably as you came, lips remaining at her skin until you were stable enough to pull away.

"That's all it takes to get you going?" You teased, mocking her words as angry red marks appeared on her neck. She was flushed and panting, your hips still held by her hands. She smirked, kissing you again before standing up and making you stand on your wobbly legs.

"Home. Now."

[strixludica]

The unappreciated art of making mecha look inhuman

Something I noticed lately, by browsing lots of lancer homebrew and fanart and comparing it to the official art, is that a lot of third party artists, across levels of artistic competence, made mechs that looked plain to me for a reason I couldn't pin down. Again, this was only weakly correlated with other metrics for artistic quality, like posing, shading, and linework. After comparing them closely with other art that didn't give me that vibe and art from 1st party material, I realized what gave me that feeling: their mechs looked too human; they looked like they could be convincingly portrayed by a person in a costume.

If you look closely at official Lancer art and the best fanart, you will notice there are always details making sure the subject is unequivocably a giant robot and not a person in sci-fi armor.

One strange but effective way this is achieved is the legs: each manufacturer has one or more distinct style of legs, with the only overlap being between SSC and RKF (which makes sense because SSC has close ties tot he Baronies). Let's go through them and see what about them makes sure you know this is a mech:

Smith-Shimano Corpro + Royal Karrakin Foundries: SSC has three kinds of lower limbs: the Horse Leg, which they share with RKF; the Foot Without Heel, and the Anatomically Correct Human Leg With Toes.

The Horse Leg is not only obviously inhuman, but also obviously unnatural, bacause no biped would be able to move properly standing on horse hooves: it would be like contantly doing a ballerina tip-walk using clown shoes; that is something only a mechanical device assisted by top-of-the-line automatic balancing could achieve.

The Heel-less foot, due to being used almost only for their spider-mechs Death's Head and Swallowtail, has little dehumanization work to do, but it does cover that function when used on the Dusk Wink, which *is* in fact a person in power armour, but still the artist took care of reminding us of how mechanical it is, by giving it feet which have little in common with boots or any other footwear. The Toed Leg seems, at first, to be the opposite of dehumanizing: it looks the most like an actual human bodypart, it feeds into SSCs fetishization of the Human Form (phrasing entirely intended). However, that is also the reason why it very clearly shows the Monarch and Mourning Cloak are robots: because no suit of armor would ever look like a naked leg; this level of anatomical fidelity only makes sense for something mechanical, whose skin *is* armor and as such doesn't need to cover itself.

Horus: Horus is mostly the easy one, with how most of the art gives their mechs beastly paws and hooves, gecko-like foot pads, or long, amphibian fingers whose vague semblance to human hands only contrasts with the blatantly monstous shapes of the Pegasus and Gorgon. However, they have four mechs portaryed with human-like legs.

The Hydra has little need to mask its mechanical nature, but the Lich commits the grave sin of being clothed, one of the biggest risk factor in making mechs look like dudes in armor. To counteract this problem, it's feet have two very evident inhuman characteristics: they have only two long, slender toes, and they touch the ground only with their futhest tarsus, in a way that makes it obvious they aren't bearing any actual weight, as if both Lich and Hydra were alway hovering a couple feet above the ground and used their feet only to skip along it, like a venetian boatman might do with their pole.

The other two exceptions are the Calendula, which being an RKF design has their trademark horse legs, and the Kobold, which already looks inarguably like a robot thanks to the barrel shae of its main body, the Horus-patented Pikey Blobs Aesthetic(tm), but still has feet with actual toes, which achieve the same effect as those from SSC.

GMS: For the longest time, GMS did not have art at all, but let's look at the [G] Type Everest from Op. Solstice Rain:

While the Boot with Auxiliary Side-Toes shape of the foot could potentially belong to a suit of armor, if we look up at the knee it's a different story: look at the slabs on either side of the joint which restrict it to one degree of freedom, as opposed to the frontal protection typical of armor for humans; look at the opposite bends of hip and shin, which almost makes the leg look digitgrade. Inequivocably robotic despite the clearly humanistic design. However, the lower parts of mechs are not the only way their design is dehumanized: we come now to Inter Planetary Shipping - Northstar and Harrison Armory, and in a curious inversion they take the opposite approach.

Although some legs of IPS-N mechs use the above principle (the Blackbeard's angular feet whose toes almost look like retractable claws, Drake's heel-less boots, and Lancaster and Kidd's SPOT-like hooves), a lot of their mecha have quite human-looking armoured boots. HA goes a step further, likely due to a deliberate stylistic choice stemming from the anthrochauvinist ideals: Their mechs look very much like armoured warriors, often even with little skirts like the Iskander or Sherman or reinforced *baltei* like Genghis and Tokugawa. With one important exception: their head.

IPS-N has a very distinctive One-Eyed Cylinder with Another Eye on the Top shape for their mecha, it's probably a deliberate par of their brand; it sees some variation like Drake's looking more liek a helmeted facemask and Stortebecker's tricorn, but even Lancaster and Kidd have a sort of vestigial head on the front with a single eye coming out of a slit.

HA's mecha have greater variation, but nevertheless for all that their body is as human-shaped as possible, their heads are always distinctly not: Barbarossa has a flat prism with a this transparent section on top, looking more like the control tower of an aircraft carrier than a head; Genghis, Tokugawa, and Gilgamesh both have canopies recessed into their bodies; Napoleon also has a barely-extruding canopy with a strange shape and covered in Blinkshield emitters that make it look like a bug-eyed little freak; Sherman is quite literally built around having a cannon for a face; and Sunzi has its drum-looking Blinkspace device. The only HA mech that has a "head" region separate from the rest of the body is Saladin, and even then it's a flat cylinder with a rectangular window in the middle: a design which would never work as a helmet but makes sense as a rotatitng cockpit with a canopy.

The observant among you will have notice that I left out four mechs: Nelson, Vlad, Enkidu, and Iskander. That is admittedly because they are those whose design asserts its inhumanity the least.

Of the first two, despite Nelson committing the sin of clothing, it also compensates hard by leaving a gap in its tabard to show the hatch for the pilot, while Vlad unfortunately does not, and with the weirldy human-looking eye, if there wasn't a pilot for scale one might legitimately not know it's a robot without context.

Iskander is the one mech in the entire Compendium which can be cosplayed without altering its proportion: cyclopism aside, this could be a person in future armor.

Enkidu also has a look which could work just as well for a human-scale cyborg, but given that it's a deliberate statement of intent it gets a pass. At the very least it's elongated head and pad-less feet make it obvious that this is not a person in armor.

Conclusion:

Although I cannot prove it without some double-blind polls, I think one of the secrets to a good mech design is making it look not only obviously like a robot, but also giving it pose, proportions, and details such that it would look big not just on a white background with no context, but that if you tried to shrink it and put it in a scene as though it was more or less the size of a person, people would realize that it's supposed to be larger.

[mollysunder]

The thing I never got about the fan reaction to Mel and Jayce's relationship (in general) is that people were incensed on Jayce's behalf that Mel used him for political gain, but like... that's what happens when the government sponsors your research. Obviously the funding mechanisms aren't the same because Piltover is an oligarchy where civic functions such as the Enforcers and even Zaun's ventilation system are privately funded instead of through a common pool of taxpayer money, but the purpose is the same, which is to benefit from the conclusions drawn from the results of the research.

I don't understand how anyone in the audience could be shocked or angry that when Mel, a high ranking representative of Piltover’s government, chose to invest in hextech it wasn't clear that she and Piltover would benefit. And it's not like this foreign concept to Jayce, he was originally being SPONSORED by the Kirammans', which is almost the same relationship except it's more explicitly private to the Kirammans' benefit, but I didn't see any pitchforks out for Tobias and Cassandra.

It's just such a double whammy headache to end up reading posts where Mel is hypervillainized while Jayce is practically infantilized because as an adult man in his 30s he simply can't understand complex relationships or make his own decisions. The way some fans have been offended on Jayce's behalf straight up erases any agency or even intelligence he has.

[centrally-unplanned]

I was going through some archived scans of 90's otaku magazines, as is my sacred duty, and I stumbled on this ad for a Sega Saturn game I did not know:

The pitch of Roommate (as seen here) is that of a "real time" romance simulation:

What makes it real-time is that the game progresses in sync with the Saturn's internal clock. In that way [main girl] Ryoko is just like a real girl; she has her own daily habits and lives her life accordingly. So if you start the game in the afternoon, you might not be able to meet her because she's at school [...] The purpose is to enjoy living together with Ryoko in real time and communicating with her.

And this is exactly the kind of way-too-convoluted gimmick that sacrifices gameplay functionality on the altar of conceptual novelty based on random technology add-ons present in new-gen consoles of the era that I just love. Obviously the concept of starting a game and having the main girl not be present so you cannot play is completely asinine - but think of the realism!

Between that and the discount-Sadamoto 90's character designs, I wanted to see it for myself; so I spent way, way too long setting up a Sega Saturn emulator. In my experience early CD-ROM-based consoles often require much more bespoke set-ups to get working, in this case custom BIOS files in the emulator firmware directories, and JPN-language ones at that for this game. But I got it to work and oh yeah, this is some early "digital" console era crust:

Playing this game is just painful. The clock of course means that you essentially can't play it at all - looking at YouTube comments on the very few Let's Plays and such that exist, people are reminiscing about how they could never find Ryoko because their schedules didn't align. One person even comments:

This game is for NEETs and shut-ins

Which is a valid demo I guess! But it doesn't really stop there - your house is a "fully realized" 3D environment of bare walls which you navigate with clunky controls. Let me log in and take some screenshots...

Jesus Christ it's 10 pm and you are cooking dinner?! The one time I don't want this ghost popping out of the cracks in the floorboards, I swear...

Okay, got rid of her (She broke a plate -_- you moved in yesterday, girl):

You walk, in real time (step by step) through this pixel museum just...hoping that one of the rooms will contain Ryoko and proc a dialogue event based on the time of day. There is a little more to it than that but that is essentially the gameplay. This would, very obviously, be simply better as a straightforward visual novel.

But you see how that just isn't as cool in 1997, right? This is the era where the fidelity of graphics and the technology for simulation is progressing at a rapid clip, and everyone wants to see the boundaries pushed. Roommate isn't the first "real time simulation" game, but it is the most pure, the one fully committed to the bit. Your house is completely mapped out, the girl has her routine, you walk step by painful step through the rooms because this is "real", you are living it. They even use a live photo for the outside of the house to sell the aesthetic (and also save money):

Ryoko is waiting in the kitchen of that house when you come home from work, putting on an apron, ready to cook dinner. For you.

Assuming you get home at whatever fucking 30 minute window the game decided to gatekeep its gameplay behind! But of course I exaggerate - it wasn't that bad (there are little mechanics you can use to set some schedule times in the game for example), player tolerance for bullshit was way higher then, and you were expected to buy strategy guides for these things. So even though it was panned by critics on release...it was a sleeper hit with a devoted fanbase.

Which means it got a ton of sequels and ports! We don't have to go through them all, though I will share my favorite factoid about the first sequel - "ROOMMATE ~Ryoko in Summer Vacation~" from the wiki:

The character designs are significantly different from the previous game (especially Ryoko's brown hair and large breasts).

Priorities, baby. But some of the ports are interesting because of the changing tech. A version was ported to the PlayStation, which does not have the internal clock a Sega Saturn had. But coincidentally it did have the PocketStation, a handheld GameBoy/Tamagotchi hybrid expansion tool that did have an internal clock and could sync with the game. It also let you track Ryoko's schedule and play mini-games, with some very adorable animations as you can see in this ad for the product that featured Roommate:

This device absolutely reminds me of the Disc Fax system discussed in my Miho Nakayama essay - a very niche product biting off more than it can chew making games overly complex to play but allowing things that would otherwise be impossible (and this one was a good deal more successful at least). Here it allowed Roommate's central gimmick to function - and is super cute, honestly I would buy a standalone tamagotchi version of this game.

The PS1 also couldn't quite handle how the game was built for the Sega Saturn graphics-wise, and as such a bunch of the 3D elements were sanded off into 2D simulacrums - most notably the house:

Which, despite this being a technological downgrade, is way better! It looks adorable, you can actually see what is going on and where Ryoko is, and you can navigate it way more cleanly. God, did...hold on let me tab back to the game...yeah, is there no clock in the original game on screen. That is insane. Anyway the PS1 version had a lot of these cute little graphical additions, even right on the title screen:

It is definitely the better looking version, which is a classic tale - in 1997 the "bleeding edge" of 3D graphics were impressive to players, even through their roughness. Now they just aren't, and so the retro charm of designs that are optimized what the mediums of the time could reliably handle have a lot more appeal.

There was also a PC port in 1998, which did exactly what I suggested and added an "adventure" mode where you could ignore the clock system. They definitely learned over time what worked and what didn't; but the appeal of the gimmick is what first sold it to players in the end.

All of this is to say, don't play Roommate, and if you do just emulate the PS1 game instead of torturing yourself with the Sega Saturn version. Oh...you weren't gonna play a Japanese-only abandonware 90's not-even-eroge dating sim to begin with? Ah, well, yeah, I guess that makes sense.

Man I should translate it shouldn't I? So people can play it...

[feverdreamjohnny]

"Why There Will Never Be a Peeb Adventures" otherwise known as "The Peeb Adventures Pre-Mortem"

Since 2020, I've made a good chunk of games. Hell, even though I've been doing this for 10 years to date, the majority of my progress as a creative began over the course of this 4 year period.

Out of all the games I've made - or otherwise had a hand in - there is only one that's apparently struck a chord so deeply with people that to this day I still get messages and comments asking when it will come out.

The title of this post already explains the whole deal so I'm not gonna be dramatic about it right here. As per usual, I will instead get heart-clutchingly dramatic about the subject by the end of this story.

I felt the idea of a "Pre-Mortem" might be a fun way to talk about games that will never be finished. Maybe I'll make more of these down the line for other old games, who knows.

"The Incredibly True Origins of Peeb Adventures" or "Wow! I Hate It!"

Peeb Adventures began as a gift game for my long-time friend Aaron. It was simple, mostly functioning as a fun little gag that stemmed from a 3D model I made of a character he doodled during a drawpile session. I gave Peeb a grapple hook just because I wanted to experiment with swinging mechanics and felt the gag gift was a great space to toy around in without having to actually ask myself how on earth I'd want to structure a game around a grappling hook. Foreshadowing!

Eventually, the gag gift did that classic thing all developers have experienced before where your game spirals out of control and grows into a hideous monster, and what started as a fairly abstract grappling toy convergently evolved into that dreaded state we call a "3D Mascot Platformer."

I made a very short demo in the summer of 2020. It went absolutely nowhere, and after an idol of mine caught wind and asked to play it (before sending about 3 paragraphs of feedback suggesting how to improve what was, in my view, a trainwreck of baby blocks stacked on top of eachother), I shelved the project.

"The Absolutely Tremendulous HPS1 Adventure of Peeb" or "My Friend Jam Suggested I Revive the Project and So I Did"

Shortly after Peeb was shelved for the first time, I joined a community of game developers called Haunted PS1. For those not in the know, HPS1 was essentially the nexus point for "retro horror games" in the indie sphere, and a lot of the resulting deluge (non-perjorative) on itch.io can find its roots in this community.

HPS1 was a good place. Lots of nice, talented people willing to tolerate the kind of mindless riffing I often do in voice calls, anyway. I made a decent chunk of friends there, some of which I'm still quite close to, even today.

HPS1 has this tradition called the HPS1 Demo Disc that began in 2020, and with the year coming to its end, there was talk of a new one set to arrive in spring 2021.

Unlike the first demodisc, however, 2021's disc required you to submit a game in-progress to a panel of judges. They'd then give their yay-or-nay, and you were either in or out.

One day, I was musing over the fact that I didn't really have anything to submit so I would likely have to sit out of 2021's disc. My friend, Jam, who you might know as the developer of the Heilwald Loophole (or Beton Brutal) suggested I consider reviving Peeb Adventures as my submission to the demo disc.

Why did I follow through on this? I don't know. It's funny to think a scenario this simple was the launch point for my career.

Over the next 6 months, I worked on turning the absolutely horrendous gag game into... Something still kinda trite but at least playable. I had some help from my longtime teammate drurylain, my longtime friend Aaron (the creator of Peeb's original design), and my longtime spiritual uncle Tim, and with our powers combined... A new kind of demo experience where you don't do anything of particular note besides swinging around was born.

Also quite important: the very same drawpile session that spawned Peeb also spawned Orbo, who would also make his own appearance in Peeb Adventures as a recurring side character (since I felt like Peeb needed a friend).

"Go! Incredible Friendship Unites in the Gameosphere! Peeb and Orbo are Born!" or "Peeb Adventures: Coming Never"

So the demo for Peeb Adventures was finished early March 2021, and the demo disc went live on itch.io on the 25th of the month.

The demo disc then proceeded to do a backflip and pick up a LOT of traction online. Which then meant Peeb itself was catching little bits of the traction in its mouth and smacking its lips.

I went from "guy who makes games for nobody" to "guy who makes games for that one very specific brand of teen on twitter who loves the object head show", and I was riding high.

Fanart poured in. People showed a lot of love. I was dazzled by it all, really.

Despite the love for the game and the potential on hand, progress was stagnant. My group of friends and I all got together in a google doc and wrote an entire planning bible for the game. Game mechanics, story beats, twists and turns, the whole thing. Despite having the structure lined up, I had other ambitions and began working on a multiplayer deathmatch game that quickly overtook my work schedule.

Peeb sat on the backburner, but at the time I still wanted to finish it one day. My main excuse was "well, I just need more money! If I'm going to work on this game it's gonna need more than one fulltime person and I can't just ask people to work for free!" That excuse worked on me for a while.

"I Don't Think I Want to Play With You Anymore Peeb!" or "There's Such a Thing as Too Much Love"

A while had passed at this point. My ambitions hadn't just grown, they'd completely shifted. Before long, I found myself working on yet another demo for the 2022 HPS1 Demo Disc, "The Spectral Mall."

Nowhere, MI wasn't just some random toy for me, but the culmination of all my love into one game. Despite its silly demeanor, the game was a product of a lot of pain, and even now I still desperately want to finish it. Except I have to make money to live, so... Oops!

Anyhow, there was a shift in demeanor for me during 2022. You have Peeb, a game that I made on a whim as kind of a joke with friends, and you have Nowhere, MI, a game that meant the world to me during really dark times.

And you know what? There were a lot of people that wanted Peeb. People that never stopped asking me about it.

I realized while working on Nowhere that I didn't really know what I would even do if I ever had the chance to work on the full Peeb Adventures. Not only did I find the nagging kind of annoying, Peeb was also something I couldn't really... Wrap my head around?

It occurred to me that Peeb wasn't really "my" game anymore, it was "his" game. The old Johnny.

I'd changed a lot since the game had come out in early 2021. In a year and a half my world got flipped upside down, and... I don't know, Nowhere was way more reflective of who I was now. Sure the humor was still pretty asinine, but there was a shift. It was hard to picture the "Peeb Adventures" people were actually looking forward to when my own sensibilities had drifted so far.

When the Nowhere demo came out along with Spectral Mall, it did... Alright? People liked it, but it wasn't the same as Peeb's release. Hell, even in Nowhere's release there were people pushing it aside to ask the same question they'd been asking every week leading up to it. "When is Peeb Adventures coming out?"

"Goodbye Peeb!"

It was increasingly harder and harder to not look back at Peeb and kind of hate it. It was rough in every respect, and yet it whenever I met people who'd heard of me online, they always cited Peeb Adventures.

Strangers continue to ask me when it's coming out. On rare occasion I'll get someone asking about Nowhere and I'll feel a bit excited anyone else cares about that game besides me and maybe my friends, but most of the time people just ask about Peeb.

To finally answer this question I've been asked for nearly 4 years: There will probably never be a Peeb Adventures.

"Goodbye Johnny."

I like to believe one of the reasons people are attracted to my body of work is because I make games to reach out to other people. That's probably not the real reason, but it's nice to play pretend and imagine your work has more significance than just "ha ha boner."

I put a lot of myself in my games and I rarely hold back, even if an idea is insanely stupid or strange. The result usually becomes something more like a scrapbook than a game.

It's hard to try and expand on a game like Peeb when the Johnny who made it isn't really with us anymore. If I worked on Peeb now, you'd get some kind of irregular frankenstein that'd never be as exciting as the original vision was.

By the time I get around to Nowhere again, am I still going to be this Johnny? Or will the next Johnny look back at Nowhere the same way I look at Peeb now? Who knows.

Anyway, look forward to more games from me and my friends. Even if it's not Peeb Adventures, it'll still be us.

[internetskiff]

The most powerful ability exclusive to humanity in the Half Life/Portal shared universe is our ability to just throw bullshit at the wall and see what sticks. Aperture "OSHA are the devil" Science have managed to create completely safe interconnected points in space. The same company that turns people's blood into gasoline and shoves lions and humans into the same enclosed space for the vague concept of "Science". Meanwhile Black Mesa still has to use Xen as a crossing and their teleportation device requires an entire reactor with a village's worth of staff constantly maintaining it, just to end up having most of said staff abducted by onion-headed aliens. Even the resistance hasn't managed to create completely stable teleporters with a compressed Xen relay, meanwhile Aperture just went "oh dude let's shove a black hole into a non-waterproof gun" and have just created a teleportation method that just removes Xen from the equation entirely. Doesn't change the fact they bullshat so bad they basically got themselves gassed to death, but still.

The Resistance are a good example of this too. The Combine seem to have a complete set-in-stone thought process and understanding of science which meant they didn't even begin to explore local teleportation via Xen, meanwhile a group of random human mechanics and scientists have managed to cobble together at least two semi-functional local teleporters out of scrap metal and stolen Combine tech, to the point the All-Consuming Interdimensional Empire had to straight up copy their homework. And that isn't even the only time they seem to be taking human shit to just copy the blueprints.

They 100% just yoinked the entire damn car out of that garage just to take a crack at reverse-engineering the Tau Cannon attached to it. Even Resistance weaponry somehow manages to rival or at least stand equal to Combine tech - and we're talking improvised crossbows that shoot superheated rods of rebar at the target compared to high-tech rifles that can discharge orbs of pure dark energy. The collapse of the entire Citadel is basically set into motion as a result of a cobbled together Rebel device placed into extremely capable hands.

The events of the Portal games are a case of extremely elaborate machinelike planning versus pure human improvisation, with Chell's entire escape in the first game involving her simply weaseling her way through small cracks that GLaDOS missed while setting up her ambushes, eventually turning her own rocket turret against her to destroy her.

I suppose you could argue this falls flat in Portal 2 with Wheatley, but it's important to remember he's designed to be an utter idiot, so it's safe to say he wouldn't obsess over the larger picture like GLaDOS to the point where he fails to see the cracks. Yes, he's the one that breaks Chell out of the test chambers again, and yes, he's the one that came up with the sabotage plot - but it's important to note while he knows what to target in the sabotage, when we actually get there he doesn't quite know how to sabotage it, leaving Chell to figure it out on her own. She botches the Turret Quality Control Line with some minor guidance, but it's basically completely up to her to figure out how to cut off the Neurotoxin Supply. It's through her improvisation that Wheatley even manages to get into GLaDOS' chamber, tumbling through her neurotoxin vent and shattering the glass cage she trapped Chell inside of. It's through Chell's improvisation that the Core Transfer even occurs in the first place.

The script is flipped specifically when Wheatley takes charge, because oops - turns out a mind capable of focusing on the bigger picture might be pretty important when it comes to running an entire facility powered by it's own Reactor. Wheatley just completely zeroes in on his own personal pleasure, hacking up test chambers and the objects within them to try and figure out the easiest way to get his solution euphoria as quick as possible.

Still, something that's pretty interesting is that only Wheatley has ever managed to create a trap that's impossible to foresee and avoid, something GLaDOS has repeatedly failed to do to the point she ends up commending him. I believe this is because his way of thinking is a lot closer to Chell's compared to GLaDOS'. He puts up way more of a fight as the two run through the facility trying to get to him, seemingly improvising on the spot just like Chell has been over the course of the two games. Even his lair would be impossible to survive if it weren't for a single Conversion Gel pipe he somehow failed to notice and remove.

Whether in a laboratory deep beneath the soil or an alien tower tall enough to split the clouds, the ingenuity of even a single person is enough to topple a tower or destroy a supercomputer 3 times over.

Marc Laidlaw put what I'm trying to say into a single sentence when writing for the BreenGrub twitter account:

"The superstructure is riddled with cracks."